Silman's Complete Endgame Course - Text

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abaeEN
SILES PRESS LOS ANGELES
SILMAN’S
COMPLETE
ENDGAME
COURSE
Other Siles Press books by Jeremy Silman
How to Reassess Your Chess, 3rd Edition (1993)

The Complete Book of Chess Strategy (1998)
The Amateur’s Mind, 2nd Edition (1999)
The Reassess Your Chess Workbook (2001)
Pal Benko (2003)
Copyright © 2007 by Jeremy Silman
All rights reserved. No part of this book may be used

or reproduced in any manner whatsoever without written permission from the pub-
lisher, except in the case of brief quotations embodied in critical articles and reviews.
First Edition
10987654321
Library of Congress Cataloging-in-Publication Data

Silman, Jeremy.
[Complete endgame course]
Silman’s complete endgame course : from beginner to master /
by Jeremy Silman.
p. cm.
Includes bibliographical references and index.
ISBN 978-1-890085-10-0 (alk. paper)
1. Chess--End games. I. Title. Il. Title: Complete endgame course.
GV1450.7.S56 2007
794.1°24--de22
Cover design and photography by Wade Lageose for Lageose Design
Siles Press
3624 Shannon Road
Los Angeles, CA 90027
To my friends Shiban Anthony “Big Tony” Katsoulas
and Baron Clement von Franckenstein
Preface xi
Introduction xii
Acknowledgements = xv
Part One / Endgames for Beginners (Unrated-999) 1
Overkill Mates 3
The Staircase 3
King and Two Queens vs. Lone King 5
King, Queen, and Rook vs. Lone King 7
King and ‘Two Rooks vs. Lone King 8
The Box 10
King and Queen vs. Lone King 12
King and Rook vs. Lone King 14
Stalemate Alert! 20
Summing Up 24
Tests and Solutions 25
Final Thoughts 30
Part Two / Endgames for Class “E” (1000-1199) 31
What Can (or Cannot) Mate vs. Lone King 33
Minor Piece vs. Queen 35
Bishop vs. Queen 35
Knight vs. Queen 37
Understanding the King 40
Use Your King! 40
Opposition 42
Rook-Pawns 45
Summing Up 48
Final Thoughts 54
Part Three / Endgames for Class “D” (1200-1399) 55
Beyond Basic Opposition 57
King and Pawn Endgames 61
King and Pawn vs. Lone King (Stronger Side’s King is in
Front of its Pawn) 61
vii
viii SILMAN’S COMPLETE ENDGAME COURSE
Another Rook-Pawn, Another Draw 61

Non Rook-Pawn (One Square in Front, is it Enough?) 62
Non Rook-Pawn (Two Squares in Front Always Does
the Trick!) 65
Fox in the Chicken Coup 66
The Deep Freeze (When One Pawn Kills Two) 67
Minor Piece vs.a Lone Pawn 70
Bishop vs. Lone Pawn 70
Knight vs. Lone Pawn 71
Rook vs. Lone Pawn 77
Summing up 80
‘Tests and Solutions 81
Final Thoughts 88
Part Four / Endgames for Class “C” (1400-1599) 89
King and Pawn vs. Lone King (A Quick Tussle for
Opposition) 91
Sneaking into a Winning King and Pawn vs. King Position 97
King and Two Doubled Pawns vs. Lone King 101
Rook-Pawn (Stalemating the Stronger Side) 103
Entering the Square of the Pawn 106
Outside Passed Pawns 107
Minor Piece Endgames 112
Bishop and Wrong Colored Rook-Pawn vs. Lone King 112
Lone King vs. Knight and Rook-Pawn on the 6th or 7th =116
Bishops of Opposite Colors 118
Rook Endgames 12]
The Lucena Position (The Sacred Key To All Rook Endings) 121
The Philidor Position (A Critical Defensive Stand!) 126
Passive Rook 126
Pure Philidor 128
Trap the Enemy King Away From the Action 131
Queen vs. King and Pawn 133
Queen vs. Pawn on 6th Rank = 133
Queen vs. Pawn on 7th Rank 135
Summing Up 139
Final Thoughts 158
Part Five / Endgames for Class “B” (1600-1799) 159
King and Two Healthy Pawns vs. Lone King 161
Tactical Bombs 167
CONTENTS ix
Triangulation 170
Outflanking 173
Rook Endings 177
Rook and Two Connected Pawns vs. Rook 177
All Hail the 7th Rank! 184
Two Bishops vs. Lone King 188
Bishops of Opposite Colors (Two Pawns Down and Loving it!) 192
Summing Up 197
Final Thoughts 2/2
Part Six / Endgames for Class “A” (1800-1999) 213
King and Pawn Endgames 2/5
Strange Races 215
King and Pawn vs. King and Pawn 220
Rook Endgames 223
“Lucena” with a Rook-Pawn 223
Rook in Front of Its 7th Rank Pawn 227
Rook and Pawn (on 4th or 5th) vs. Rook 235
Bishop of Opposite Colors (Bishop and Two Connected Passers
vs. Lone Bishop and King) 243
Fortresses in Bishop-up Endgames 249
Queen Endgames (A Trick Win in Queen vs. Rook-Pawn and Queen vs.
Bishop-Pawn on the 7th) 253
Summing Up 256
Final Thoughts 270
Part Seven / Endgames for Experts (2000-2199) 271
Rook Endgames 273
The Flowchart—Taking a Simple Position Into Deeper
Water 273
Rook and Two Connected Passed Pawns vs. Rook and
Pawn 279
When a Philidor Goes Bad 281
Pawns on One Side of the Board 285
Rook and Two vs. Rook and One 286
Rook and Three vs. Rook and Two 290
Rook and Four vs. Rook and Three 294
Bishop Endgames (Bishop and Pawn{s] vs. Lone Bishop of the Same
Color) 300
Queen Endgames 308
x SILMAN’S COMPLETE ENDGAME COURSE
Blockade—Queen vs. Rook and Pawn 308

Blockade—Queen and Pawn vs. Rook and Two Pawns 309
Summing Up 31/1
Final Thoughts 346
Part Eight / Endgames for Masters (2200-2399) 347
Cat and Mouse 349
The Principle of Two Weaknesses 363
All King and Pawn Endgames are Confusing! 374
The Pleasures ofa Knight 397
The King is a Fighting Piece! 408
Queen and Pawn Endgames (Passed Pawns Rule!) 420
Part Nine / Endgames for Pure Pleasure 429

Entombed and Dominated Minor Pieces 431
Tactics 439
The Five Greatest Endgame Players of All Time 465
Emanuel Lasker (The 2nd World Champion) 466
Akiba Rubinstein (Uncrowned King) 477
José Raul Capablanca (The 3rd World Champion) 489
Vasily Smyslov (The 7th World Champion) 499
Robert Fischer (The 11th World Champion) 510
Beyond Master (Recommended Endgame Books) 525

Bibliography 527
Index of Names 529
There was a time when endgame books were fairly scarce—only those by Fine,
Keres, Averbach, and a couple other authors could be found on the bookshelves.
Now, with a torrent of new chess books pouring into stores every year, that has
changed—endgame books are a dime a dozen.
Most chess writers think that chess players want as many positions as possible
in an endgame book. And that sowmds like a good idea! Give the chess hopeful the
most bang for the buck! Stuff everything into one book! This would be reasonable
for an endgame encyclopedia, and such books are good research tools. But must
every chess author daze his readers with this kind of “overkill”? Of course not! In
fact, more than one player has been demoralized by the sheer mass of information
that many endgame books offer—it all seems so dull and so hard to grasp.
Almost all players who dream of endgame improvement experience the same
frustrating scenario: They buy the latest critically acclaimed and usually over-
stuffed endgame title, open it up (hands quivering with the exciting prospect
of gleaning arcane knowledge), and read the author’s assurances that they now
possess the book of ultimate endgame enlightenment. However, after they spend
a few days looking over several examples, they inevitably shelve it alongside all
their other unread chess tomes.
Pondering this common story led me to ask an important question: How can
the whole endgame genre be done differently? That question led to Silman’s
Complete Endgame Course, which stresses individual guidance and instruction
and, yes, hope for players of every rating group. This book is designed to make
players who are disgusted with endgame study feel that there is light at the end
of the tunnel, and it assures you that you can become an accomplished endgame
player with just a little effort.
By offering instruction that’s tailor-made to fit a player’s individual rating
group, and is in accord with that player’s future goals, I make endgame study easy
to grasp and extremely practical for players and coaches. Of course, each coach
will have opinions as to what endgames are appropriate for each rating group,
so personal adjustments can always be made. Nevertheless, coaches will find my
book to be an invaluable teaching tool that they can use with confidence.
Silman ’s Complete Endgame Course is the endgame book that everyone always
wanted but couldn’t find. Now it’s in front of you, and I hope it proves to be
everything you always dreamed such a book could and should be.
Jeremy Silman
Los Angeles, CA
All chess players want endgame skills, but doing the work to actually achieve
this much-needed knowledge is anything but easy. My goal in writing this book
was to take a subject that most see as boring and make it palatable, educational,
and yes, even fun. Thus the following six essential points make up the philosophy
behind Silman’s Complete Endgame Course:
e Rating is important. Players of different strengths need to know
different (and level-appropriate) kinds of endgames.
e Guidance is the key. Chess students need to be told which
endgames are important for their particular level. Studying
endgames that are too advanced for their rating-level will only
depress them and waste their time, since they’ll rarely (if ever)
have need of such knowledge in the kinds of games/positions that
players of their ratings usually reach.
e Give players hope. By telling players that they only need to
know a finite amount of easily digestible material (based on their
strengths/ratings), you give them hope and confidence. Now
they’ll be willing to invest time in learning the recommended
positions and ideas because everything is mapped out and
accessible.
© Every player should receive well-rounded training. The

correct study of chess calls for balance. For example, a beginner
needs to spend very little time on the endgame. (Basic mates are
all he or she needs.) Instead, the beginner’s main efforts should be
devoted to gaining as much tactical acumen as possible. On the
other hand, a tournament player in the 1500 range needs quite
a bit of critical but easy-to-learn endgame knowledge if he or
she wants to move up the rating ladder. However, such a player
shouldn’t indiscriminately study random endgame positions. The
balanced study of tactics, strategy, opening theory, and appropriate
endgames is more important here than ever.
@ Create a love for the endgame. Most players seem unable to

appreciate anything but a mating attack or a tactic/combination.
This is really a shame since they are missing a lot of the game’s
xiii
xiv SILMAN’S COMPLETE ENDGAME COURSE
beauty. An appreciation of its final phase will not only allow them
to become stronger in that area, but also add to their enjoyment of
chess as a whole.
e Introduce a “Unified Field of Endgame Study.” Every player needs

to master a certain amount of endgame material that’s pertinent to his or
her strength. This means that a class “B” player (1600-1 799), in order to
absorb the material presented in the class “B” section, must have learned
everything presented for the lower rating groups! All endgames, even
the most difficult theoretical quagmires, are based on basic foundation
positions—if you don’t learn these, your endgame growth will suffer.
How to read this book

In the introduction to his excellent Dvoretskys Endgame Manual, Dvoretsky
writes, “Amazingly enough, I have not yet found a single endgame manual which
IT could recommend wholeheartedly to my pupils. Most existing books are either
elementary and useful for novices only, or are useless methodologically, or do
not cover endgame theory fully.”
I’m left wondering about the average strength of Dvoretsky’s students. Also,
how does he define “novice”? In my experience, a book that “fully” covers the
endgame is exactly what players under 2400 don t need! Thus, I strongly recom-
mend that you put aside all other endgame books and trust your endgame study
to Silman ’s Complete Endgame Course. There is an important place for the various
fine endgame books found in my recommended book list. However, they will
only prove useful once you finish my course and have gained a solid master’s
grasp of endgame theory. Remember, I’m trying to make your precious study
time count. Jumping from book to book is a fast track to nowhere.
Silman ’s Complete Endgame Course is not organized by endgame type, which is
how it’s been done in the past. Unfortunately, organizing the study of endgames
by type ultimately fails the student by offering too much information too fast.
Instead, I’ve divided my book by rating—by what you personally need to know
so that your endgame IQ is equal to your overall playing strength.
For example, if you have just learned to play, all you need to study is the section
designed for beginners (Part One). After mastering the material there, put the
book away and spend your time studying tactics and a few strategic concepts.
Once your overall strength tightens up and you feel you’re ready to break into
class “E”, re-open this book and master the material that’s been designed for
players rated from 1000 to 1199 (Part Two), then repeat this process as you
move up the rating ladder.
INTRODUCTION XV
If you already possess a high rating, let’s say class “B” (Part Five), you must
make sure you completely understand everything in the earlier sections before
tackling the “B” material. If you fail to do this, you'll find yourself lost, confused,
and frustrated. Patiently go through each part of the book up to or, at most,
one part above your present rating. Make sure you thoroughly understand the
lessons in each part of the book. Memorization is a very poor substitute for true
understanding.
Once you attain Expert strength (2000-2199), or once you're a strong “A”
player and wish to step up to the next level, the book’s material changes some-
what and a concept Icall “flowcharts” is explored. Nothing in this section will
make sense if you haven’t carefully studied and absorbed everything I presented
earlier.
Next, we come to the Master lessons (Part Eight), which embrace concepts
more than positions or memorization. Oddly, I think class “A” players and
Experts can get a lot out of this section, so feel free to leap ahead and read it if
you've already reached these levels.
Part Nine is Endgames for Pure Pleasure. Here anyone of any rating can
enjoy the comic look of entombed or dominated minor pieces, tactics in the
endgame, anda study of The Five Greatest Endgame Players of All Time. You
might not necessarily understand all of this section’s nuances if you’re of less
than Expert strength, but that shouldn’t prevent you from deriving a good deal
of pleasure from the examples.
When studying this book, please remember that I’ve deliberately left out many
endgames. Why? Because I don’t feel they are important to players under the
2400 level. For example, I heretically decided not to include Bishop and Knight
vs. Lone King because it’s far from easy to master, and it occurs very rarely in
over-the-board play. In fact, I only got it once in my entire career, while IM
John Watson and IM John Donaldson never got it at all! Is such a rarity really
worth the two or three hours it would take to learn it? I say no. Ultimately, this
is what Silman’s Complete Endgame Course is all about: Learning what's useful,
and devoting the rest of your precious study time to other areas of the game.
This book owes its existence to the endgame-laments of countless frustrated
players that I’ve encountered over the course of my chess career.
I would like to express my gratitude to Jack Peters, Yasser Seirawan, and John
Watson. They all deserve far more than mere thanks for the help they have
supplied in the writing of this book.
Finally, I also need to thank my old Haight-Ashbury buddies Sky Monkey
and Penguin Delight, who told me that repeated exposure to the Door’s “This
is the End” would eventually result in the creation of a chess tome on the same
subject. Amazingly, they were proved right.
xvi
e all have to start somewhere, and though endgames should take a
back seat to tactics and the basics of strategy when you're a begin-
ner, it zs annoying (if you equate pain, agony, and self-loathing to
annoying) to find yourself with an extra Queen in the endgame
and not know how to deliver checkmate.
Since you'll be called on to perform these endgame mates over and over again,
spending the hour or two it will take to master these extremely easy-to-learn
positions is a must! Think about it: an hour of work for a lifetime of endgame
confidence. Quite a deal, isn’t it?
When players first learn the game, they are often taught to always play to the
last breath since “nobody ever won a game by resigning.” Though the defender’s
fate is more or less a foregone conclusion when he’s a Rook or more down, it
doesn’t hurt him to continue and watch the final mating net unfold—thus learn-
ing how to do it when he is on the winning side. Eventually, the beginner will
resign such situations when he begins to play against experienced tournament
players, but at first it’s not a bad idea to always play them out and see if the op-
ponent knows his stuff. Don’t doubt that your opponents wi// play them out, so
this chapter is a must if you’ve just learned to play the game.
Beginners only need to be aware of two endgame situations: Overkill Mates
(one side has an enormous amount of material versus the lone enemy King) and
Stalemates (one side has no legal moves, but is not in check).
You've played a pretty good game (no shame in feeling proud after a great
effort). Though you were not able to get an early mating attack, you picked up
some extra material and, as the game continued, added to your booty until you
found yourself way, way ahead. Trading and more devouring of enemy units
ensues until an overkill endgame is reached. What do you do now?
To win an overkill endgame, you only need to learn two techniques: the
Staircase and the Box.
The Staircase
more!),
When you are up by a Queen and a Rook, or even by two Queens (or
one must wonder if your opponent (who could give up and show a bit of respect)
is bullheaded or simply enjoys suffering and/or pain. Whatever his reasons for
continuing might be, you are the one who must now demonstrate how easy it
is to score the victory.
Though there are many ways to force a quick mate in such situations, the
simple device recommended here (the Staircase) makes all endgames where you
are up by two major—also known as heavy—pieces (Q+QorQ+RorR+R)a
no-brainer to win. The three key components of the Staircase are:
1 , Push the enemy King to one of the four sides

of the bone
Diagram 1
oe
a aee a@
oo
a“eeoe Ui
nN
Aa
an
@
a8 oe a
&
WH
PN
“nn eB
6
Black’s King is on the side of the board

4 SILMAN’S COMPLETE ENDGAME COURSE
In diagram 1, we see black’s King situated on the side of the board,

while white’s King stands proudly in the middle.
Aiyloy
fe
oe
YUimae
9
Y
gal
Y
A gt
yf
NN
WB
NK
KR
WO
Pn a
a> ib se» de. f.- gh
Black’s King is still on the side of the board
In diagram 2, black’s King still resides on the side of the board. There
are four sides to the board, and trapping a King on any of them is good.
a Use one of your heavy/major pieces (Rook or Queen) to cut the

~ enemy King off from a rank or file.
Diagram 3
a ae
ae
tie-in
yn Ui
Vy yi
4050@
staan
a YW, UV
WwW
WD
DN
FN
RN
con
The Rook traps the enemy King
In diagram 3, the Rook traps the enemy King on the last two ranks.
The line from the Rook to the queenside (g6-a6) represents an imaginary
force field that black’s King can’t pass through.
3 Use the other major piece to check the King off the next file or rank.
In diagram 4, White has just played Qf7+. Black’s King can’t move
towards the middle due to the Rook’s “force field,” thus it must step to
the board’s side.
PART ONE — ENDGAMES FOR BEGINNERS (UNRATED-999) 5
a
Diagram 4
if“a = =e
areas
ata
WW
KR
Ym
MS
A
Pn
Yj
“OG
a b cde fgih
Kicking black’s King off the 7th rank
After 1...Ke8 (or 1...Kb8 or 1...Kd8), the Queen now stops the King
from moving forward. This frees the Rook from “King-containing duty,”
allowing it to administer the final blow with 2-Rg8 mate. Note how the
movements of the Rook and Queen resemble steps up or down aStaircase.
Repeating this information in paragraph form: As in almost all mating end-

games, you need to push the enemy King to the back rank. The point of the
Staircase is to use one major piece (Rook or Queen) to keep the enemy King
from stepping onto a rank or file. Then the other major piece will give check
along the next rank or file, forcing the target King to step closer to its doom
on the side of the board.
Play over the positions in this section quickly (it’s not rocket science, so there’s no
need to ponder it), and the Staircase will rapidly become engrained in your mind.
King and Two Queens vs. Lone King

Diagram 5
‘ae
a
Nl
ly
YY
I,“tet
0 G,
“008
NDS
Psa ae
&
ww
PN
woe 6
a bc de fgih
Misery is Black’s only companion

White uses his two Queens to push the black King to one of the board’s edges
(once there, it can’t step backwards out of harm’s way), where it will be mated.
1.Qb5+ Ke6
Or 1...Ke4 2.Qaa4+ (The quicker 2.Qae5+ Kf3 3.Qbe2 mate doesn’t follow
the advocated Stairway method, so we’ll “pretend” it doesn’t exist and stick to
our theme—trust me, nobody cares if you mate in three or five, as long as you
succeed every time!) 2...Ke3 3.Qbb3+ Kd2 4.Qaa2+ Kel 5.Qbb1 mate.
Diagram 6
a a
ae at
“g. os .
ee
suse +e
ea ee
Oh
a
eee
isatis
VN
A
WN
HK
PnNnwe
a bc def gih
Force field along the 5th rank
After 1...Ke6 the whole Sth rank is “mined” by white’s b5-Queen.

2.Qaa6+
Note how black’s King can’t move up to the Sth rank since the Queen on b5
controls all the squares there. Even faster is 2.Qae5+ Kf7 3.Qbe8 mate, but this
has nothing to do with our recommended (easier to learn) technique.
2...Ke7 3.Qbb7+
rz7
Vi, " i
e s é >— -G
7 BAue
? a @
wee -
te
i ‘ REMEMBER Y
2 Y YG Y)
Thee ttwo ways you Ca n aoan a
botch this endgame is to
give your Queens away,
or to allow stalemate.
Avoid those things and FP
we
NW
eae ee
youll win every time. a bcdefgih
Trapped like a rat!
Black’s King is forced back to the last rank

3...Kf8 4.Qaa8 mate.
King, Queen, and Rook vs. Lone King

This calls for the same rank-by-rank or file-by-file Staircase technique as in
the two-Queen example.
Diagram 8
REMEMBER
Vi, U0 4M, Yi Watch out for your
Ys Ay Ay Ay Rook—unlike the two
“a aO Queens, the Black King
Ui te can approach the Rook

and threaten to take it.
YU,40,0
Aa
Y aaY, te
Y
Ns
DB
WV
Kk
Ww
PrN
YU Gzim
a b cde fgih
Let the checking begin!

1.Qg5+
White elects to push the King to the edge of the board rank-by-rank. He could
have done the same thing file-by-file with 1.Qe2+ Kd5 2.Rd1+ Ke5 3.Qc2+ Kb4
4.Rb1+ Ka5 (or 4...Ka3 5.Qb3 mate) 5.Qa2 mate.
1...Kd4
Or 1...Ke6 2.Rf6+ Ke7 3.Qg7+ Ke8 4.Rf8 mate.
2.Rf4+
Notice how White is making sure his Rook is guarded by its Queen!
ae
2...Ke3 3.Qg3+
Diagram 9
Ct
Mt
o ae
a0 0- B
i ~#
W on ‘YG
a
\
FP
kK
Ww
&
NA
WN
NH
a b ¢ de
if gh
The crowned goat is herded towards the Ist rank.
Both the 3rd and 4th ranks can no longer be stepped on by the black King,
and White is slowly but surely herding it towards the edge of the board.
4...Ke2 4.Rf2+
Not 4.Qh2+ since that would free up the 3rd rank and allow 4...Ke3 (though
that tiny mistake could easily be rectified by 5.Qg3+ Ke2 6.Rf2+, transposing
back into the game.
4...Kel 5.QgI mate.
King and Two Rooks vs. Lone King
Once again, the stronger side should push the opponent’s King towards the
edge of the board since, once it’s there, it can no longer step backwards out of
harm’s way. Of course, this example is harder than the previous two since the
King can approach white’s Rooks and threaten them.
a Diagram 10
UskFUL ADVICE
Ay yy 23
Keep your Rooks as
far from the enemy
teas
ia
King as possible.
a1s.s a Y
oo. “oa
That way the King
can't attack them.
"analhe
Poe a
ao
WDA
kK
WwW
Pry
N
a bo ¢ doe& f£ g@ h
Push black’s King to the side
1.Rel+
The plan is as follows: take files/ranks away from the enemy King while push-
ing it towards the side of the board, and keep your Rooks as far away from the
beleaguered monarch as possible. Your goal (trapping the King on the side),
mixed with patience and safety, will always get the job done.
1...Kd3
Now black’s King can’t cross over the e-file since it is controlled by a white
Rook. Also possible was 1...Kf3 when 2.Rf2+?? Kxf2 is the stuff of nightmares.
However, mate will occur fairly quickly if White remembers to keep his Rooks
far away from black’s King: 1...Kf3 2.Rg8! Kf2 (Threatening the other one.)
3.Re7 (And not 3.Ree8 since then our “Staircase footwork” wouldn’t be pos-
sible.) 3...Kf3 4.Rgf8+ Kg4 5.Rg7+ Kh5 6.Rh8 mate.
2.Rg8
Gaining distance from the black King so the Rook can give check without
being attacked.
2...Kd2
Threatening this Rook is an act of defiance, but White won’t let it be taken.
3.Re7
This Rook creates checking distance while retaining its grip on the e-file fence.
Now White is finally ready to push the black King to the queenside, where it
will meet its doom.
3...Kd3 4.Rd8+ Rinseniann
Rooks usually prefer
Diagram 11 to check at a distance!
agMekeag
Bi ay 4G
eZ. “yf rha —
W “0 1
ae
Cf
NN
WDA
fk
WY
Fn
We Ue A
a bc de fgih
Black must step to the left
The two Rooks control the e- and d-files, thus forcing the black King to the
left.
4...Ke4
The King was forced to step to the left since the d-file has been annexed by one
Rook, while the e-file is untouchable due to the presence of the Rook on e7.
5.Re7+
Now the Rooks control the c- and d-files, and black’s King must get even
closer to the dreaded edge of the board.
5...Kb5 6.Rb8+
Black’s King has finally been forced to the side of the board.
6...Ka6
Stopping 7.Ra7+ due to 7...Kxa7.
7.Rel
Diagram 12
¥en
eile a
aoe“aw
hae
©
N
NO
eh a ee
WV
WR
WwW
NY
Be
Rite ee
ga
ee
a b cde fgih
Trapped on the a-file!
The Rook on the b-file leaves black’s King trapped on the a-file, waiting to
be mated. Now the other Rook steps a safe distance away from the enemy King
in preparation for the final, soul-destroying check.
7...Ka7
The impudent King threatens the other Rook too.
8.Rb2
Both Rooks are out of the black King’s reach and mate can finally be admin-
istered.
8...Ka6 9.Ral mate.
That’s it for the Staircase! Play around with it a bit more and, when it becomes
mindlessly easy, move on to our next technique.
The Box
This is a very important endgame idea, and chances to use it will occur re-
markably often throughout your chess career. Keep in mind that the Box isn’t
always the fastest way to mate, merely the easiest to learn.
In the case of both King and Queen vs. King, and King and Rook vs. King,
the goal is to imprison the enemy monarch in an ever-shrinking Box.
The point about using both King and Queen to force mate is an important
one. Chess is a team game where your pieces depend on your whole army to get
a job done. Since a lone Rook or even Queen can’t mate the enemy King, you
will have to get your King involved if you wish to score the full point.
In most endgames—basic and complicated—King participation is a huge part
of a successful winning campaign or defensive stand.
Two mandates for a successful Box:
mum Use your King! UsEFUL ADVICE

A lone Queen can’t mate
Diagram 13 the enemy King! Unlike
a we the previous cases of two
A tl-s a
Rooks vs. King, and two
to 060 @
Queens vs. King, white’s
King must join in the
at ao hunt or mate can't be
et
NN
AA
achieved
el
&
YH
PN
i oawe
abcde fgih
White needs his King!
In diagram 13, White can’t mate without the aid of his King. Thus he needs
to march it over to the queenside immediately!
mame Trap the enemy King in an ever-shrinking Box and then slowly
but surely tighten it.
Diagram 14
Cee
: Zo “e “@
Xxwae
x @
a Xo ta
HK
Pees
a0 0.7
WDB
New
FPF
NC
————
Black’s King is running out of room
In diagram 14, White has just moved his Queen from g6 to e6, taking a whole
group of squares away from black’s King (as shown by the X’s). After 1...Kb5
2.Kd4 Kb4 3.Qb6+ one can see how quickly the Box shrinks. Mate follows
3...Ka3 4.Kc3 Ka4 (or 4...Ka2 5.Qb2 mate) 5.Qb4 mate.
In diagram 15, black’s King is trapped on the a- and b-files. However, by play-
ing 1.Rc3, the King’s available territory shrinks into a small Box on a2, al, b2,
and bl. Notice that white’s King firmly defends its Rook on c3.
Diagram 15
‘ V VyY VW),
oy,
Wi
REMEMBER GY “y,
If you have a el
ee
Rook, make sure
ae
the enemy King
wes aa
cant capture it.
By 4,
ne
KK
Ww
©
N
WD
Pn
5
a bcdefgh
Shrink the Box
King and Queen vs. Lone King

Diagram 16
Oy By Ui,
Py es
"i V
“Gl lh ola
o.— oieas
ea fn“@ Yi
Pata
Yi aes
VY
DW
VW
kK
Ww
wo
FP
©
N
“oe a Be
a bcdefgih
White needs to use both Queen and King

1.Qe3
This move immediately traps the black King in the diagramed Box.
= 17
Va Wy ]
.
1 REMEMBER
| ae “he
Oy
“af
“a4 a on
yy, YW®
Black’s King can't
step into or over
the “invisible” lines
I “BaeG
that the
creates.
Queen 2
a a me
abcde fégih
Trapped in a Box!
Of course, 1.Qe3 isn’t the only way to win. One other way (though there are
many—some are faster, but this doesn’t concern us since we want to stick with
our Box theme) is: 1.Qg4 (creating a Box from g4-a4 and g4-g8) 1...Ke5 2.Kg2
Kd5 3.Qf4 (tightening the Box, which now runs from f4-f8 and f4-a4) 3...Ke6
4.Q¢5 (black’s world continuously shrinks) 4...Kd6 5.Qf5 Kc6 6.Qe5 Kb6 7.Qd5
Kc7 8.Qe6 Kb7 9.Qd6 Kc8 (Or 9...Ka7 10.Qb4 Ka8 and now White rushes
his King up so it can help deliver mate: 11.Kf3 Ka7 12.Ke4 Ka6 13.Kd5 Ka7
14.Kc6 Ka8 15.Qb7 mate) 10.Qe7 Kb8 and now that black’s King is trapped on
the back rank, White need only swing his King over to end the game: 11.Kf3
Kc8 12.Ke4 Kb8 13.Kd5 Kc8 14.Kc6 Kb8 15.Qb7 mate.
1...Ke4 2.Kg2
White’s King rushes up so it can help its Queen push the enemy monarch to
the edge of the board.
2...Kd5 3.Kf3 Ke4 4.Ke4
Depriving the black King of the use of the d5-square.
4...Kb4 5.Kd5
Diagram 18
Vi, UY1,4,
Yj
all lal
"aNe
XBW
a 7
Vi
Ua Zz GD
KR
Ww
NY
Fe
DW
N
YD
V1. a a
a bedeéfgih
White’s King and Queen are a team
The poor black King is running out of options since white’s two pieces are
taking more and more squares away from it.
5...Kb5
The end comes even faster after 5...Ka4 6.Kc5 Ka5 7.Qa3 mate.
6.Qb3+ Ka6
Already trapped on the side, the end is very near.
7.Kc6
White’s King must come close so it can support the Queen’s final move.
7...Ka5
Or 7...Ka7 8.Qb7 mate.
8.Qb5 mate.
Study this endgame carefully until you can easily checkmate your friends and
your computer from the starting position of diagram 16.
King and Rook vs. Lone King

This ending is by far the hardest we'll study in this beginner to 1000 section. As
in Queen and King vs. Lone King, White can only mate if his King participates
in the process. And, as with the other positions we've explored, we’ll solve this
one by using the “shrinking Box technique.”
First, let’s start from the end and show the most basic winning situation.
Diagram 19
By Be
xX %
li ae
a as
a
Batata
YW
o 6 oe
a bcdeéfgih
A mate based on a team effort
A team effort has led to the mating of the black King. White’s King has deprived
its counterpart of f7, g7, and h7, while the Rook calls check and dominates the
whole back rank.
Clearly, White needs to do two things to win the King and Rook vs. lone
King endgame:
gum [fe needs to employ both his King and Rook. The lone Rook
can’t mate the enemy King.
game He needs to drive Black to the edge (any edge!) of the board.
Our next position shows how we reached that final mate.

= 20
eH
DW]
PFN
©
AI
KN
White’s King to the rescue
Black is trapped on the back rank. However, a mate isn’t possible without help
from the white King.
1.Kd6
The move to d6 (1.Ke6 is just as good) threatens mate, but black’s King doesn’t
intend to stay around and let it happen!
1...Ke8
Or 1...Kc8 2.Rh7 (giving Black a move he doesn’t want and putting distance
between the Rook and the black King) 2...Kb8 3.Kc6 (calmly walking the black
King down) 3...Ka8 4.Kb6 Kb8 (an example of forced suicide) 5.Rh8 mate.
2.Rb7
The only way White can win is to force the black King to step in front of
white’s. The direct approach doesn’t work: 2.Ke6 Kd8 3.Kd6 Ke8, etc. The
seemingly innocuous 2.Rb7 gives away a move and sets up a situation where
Black will be forced to do the very thing he dreads: to step in front of the white
King and allow an instant mate.
oe | Usgrut Apvice
Putting off the inevitable, which would have white will usually mate his
instantly occurred after 2...Kd6 3.Rb8 mate. | opponent by forcing the enemy
__ King to self-destructively step
3.Ke6 io, nes (thus giving
___ in front of white’s we
Now we can see white’s strategy: Not want- us the kind of position shown in
ing to play 3...Ke8 due to 4.Rb8 mate, Black is ciagram 1):
forced to flee to the right. However, he willsoon | REMEMBER
run out of board and this will force him to dance —_In general, put as much distance
the other way—right into white’s web! ___ as possible between your Rook
and the enemy King!
Diagram 21
7a
ane
U ina
4, Vy Ay_-
ay VY,
"ate"
Ww
NON
FP
Cc
IUA
tw
YY “a
a bcdefgih
Dead King walking!
3...Kg8 4.Kf6
Calmly walking the enemy King down. White prepares for black’s forced
self-immolation.
4...Kh8 5.Kg6
Now Black has nowhere to go, so with head held high he steps into Death’s
embrace.
5...Kg8 6.Rb8 mate.
We are finally ready to see how to get black’s King to the side of the board. It
can’t be mated in the middle, so chasing it to any edge is absolutely essential!
Diagram 22
TTT
aaa
Vi ne
Vs “nee “@
a ne
VIE
ae bi xe, dh. f°See oh
Black’s King can’t be mated in the middle

1.Rg3
This move creates our first Box from g3-g8 and g3-a3, as shown in
diagram 23.
Diagram 23 REMEMBER
A Uj, Let me repeat (for the
ae umpteenth time!) an
8Be 1y, important point: there are
aa
faster ways to force mate!
However, our goal is to
Vie Y. Y employ the simple but
Vi
effective Box strategy—
we are sacrificing speed
"a" eram
NN
WDB
WN
Kk
Ww
®Fn
“oe ae
a bcdefgh
for the slow, sure, and
easy-to-learn approach.
The Box is created
1...Kf4 2.Kg2
It is imperative that you use your King in this endgame! Both of white’s pieces
MUST work together if he wishes to succeed in pushing the black King to one
of the edges of the board.
2...Ke4 3.Rf3
Tightening the Box, which now runs from f3-f8 and f3-a3.
3...Kd4 4.Kf2
4.Re3?? tightens the Box again, but also allows the “unfortunate” 4...Kxe3.
4...Ke4 5.Ke2
White’s King, which will take squares away from the enemy monarch and will
defend the Rook, always wants to be right in the midst of the action!
5...Kd4
No better is 5...Ke5 6.Kd3 Kd5 7.Rf5+ Ke6 8.Ke4 Kd6 9.Re5 when White
returns to the same kind of Box tightening that we see in our main line.
6.Re3
Diagram 24
Yi 4, A
eee
Y, Vi, YY
4,Yi) Yi Y
_, _ =Ma.
‘ele
£0
WhY i, CX: Y Yl,Y;
Ga
WI
mR
WwW
MN
rm
oO
NI
V/A)
avcb. UG. “dase
of.-g° bh
Slow and steady

You would be getting a feel for the method by now: shrink the box with the
Rook, move the King, shrink the box with the Rook, move the King. Repeat
until mate occurs.
REMEMBER
White is not in any hurry. Just follow the prescribed process
and the game will literally win itself.
UsEFUL ADVICE
In general you want to keep your Rook as far away from the
enemy King as possible. One of the few exceptions is when
youre creating Boxes in an effort to push the enemy King back
to one of the board’s corners or sides.
6...Ke4 7.Rd3
Forming a new (and rapidly shrinking!) Box from d3-d8 and d3-a3.
7...Kb4 8.Ke3 Ke4 9.Ke4
As before, there are many ways to win (don’t screech that your computer
announces a faster mate—the word “faster” has absolutely no meaning in the
present context!), but putting the white King in the enemy’s face is always a
good idea in this particular endgame.
9...Kc5 10.Rd4 Kb5 11.Kd5
Diagram 25
Y,.60,46,4:
ee
UX aa
aw,
Ss
NO
WA
©
aee
YH
NH
Fe
&
i
a bcdeéfgih
White’s King takes away c5 and c6 from Black
The white Rook and King join forces to dominate black’s only existing unit.
11...Kb6 12.Rb4+ Ke7
Black doesn’t want to play 12...Ka5, 12...Ka6, or 12...Ka7 since that would
instantly trap his King on the edge—something he’s trying desperately to avoid.
One sample: 12...Ka6 13.Ke6 Ka7 (13...Ka5 14.Rce4 Ka6 15.Ra4 mate) 14.Rb1
(black’s King will soon be forced to commit suicide) 14...Ka8 15.Kc7 Ka7
16.Ral mate.
13.Rb2
A quiet move that forces Black to move to the back rank or step in front of
white’s King. Naturally, 13.Rb5, 13.Rb3, or 13.Rb1 would all have the same
effect.
13...Kd7 14.Rb7+
Black is finally forced to the edge.
14...Kd8 15.Kd6
= 26
Aa
PEPas
am -s
a ia“@
aa
WDA
KK
WwW
&
N
FY“ae ee
a b cde fgih
It’s all over
15...Ke8
Or 15...Kc8 16.Rb6! when Black must commit suicide by 16...Kd8 17.Rb8
mate. After 15...Ke8 we get the scenario from diagram 20—black’s King tries to
avoid stepping in front of white’s King, but it soon runs out of board and must
embrace Armageddon against its will.
16.Ra7 Kf8 17.Ke6 Kg8 18.Kf6 Kh8 19.Kg6 Kg8 20.Ra8 mate.
That’s it! You now know the winning ideas for all overkill endgames.
When Iplayed in my first tournament (at age twelve), it suddenly occurred
to me that I didn’t know the difference between checkmate and stalemate.
Later in life I got a long distance phone call from a couple in New York who
had somehow found my number. It seems they had a disagreement over what
a checkmate and stalemate were, and had placed a bet. The man was positive
that he was going to win the wager, and he was stunned when I explained that
he was completely wrong.
Just in case you are suffering from the same confusion I (and that couple) did,
let’s clarify both (using Black as the weaker side):
move onae board would not result in the King’s capture.

Since you’re not allowed to purposely place your King on an
attacked square, a state of “stalemate” is said to exist and the
game is declared a draw.
CHECKMATE: When White is threatening to capture the black

King and Black can’t do anything to prevent its loss, the game is
declared over due to checkmate, with White winning the game
as a result.
Diagram 27
Ay gi ge
ae ot
Vi Ay Vy
Vii,fl i
j
eG te
\
7/4 eee
aoe Ol
®
NI
DW
WN
KR
Wwe
PNY
@J]OZZ_m/e
a bc def gih
Suicide is not allowed!
If White has the move in diagram 27, he wins by 1.Qb1 mate or 1.Qb2 mate
or 1.Qa3 mate or 1.Qa4 mate. In each case the black King is threatened with
capture and has no way of preventing it!
20
If Black has the move in diagram 27, there are only three possible places for
the black King to go: ...Ka2, ...Kb2, or ...Kb1. However, ...Ka2 would allow
Qxa2, ...Kb2 would allow both Qxb2 and Kxb2, and ...Kb1 would allow both
Qxb1 and Kxb1. A King is not allowed to step onto an attacked square, which
means Black doesn’t have a legal move. Thus, the game ends in stalemate and
is declared drawn.
Diagram 28 REMEMBER:
és Y) Y) Y Y)/ | The differences
| between checkmate and
Yi) Ay Vi, stalemate: in the case of
ae “Ws Vi, Ui
rn ats 7s lll
a checkmate, the enemy
King is in check and
a a” cant escape capture. In

the case of a stalemate,
ee the enemy King is not
attacked, he has no legal
move, and thus the
4 ib. _#
e f gh game is drawn because a
player can’t be forced to
Black to move do something illegal.
Many pieces, still a stalemate
A stalemate can occur when Black has a lone King or several pieces. In
diagram 28, a close look tells us that none of black’s pieces can legally move—
any move of the e1-Bishop hangs the King to Rxal, any move of the Knight
hangs the King to Bxal, the pawn is blocked by its white counterpart and can’t
move, and black’s King can’t move to a2 (due to Qxa2) or b1 (due to Kxb1).
However, at the moment black’s King isn’t under attack, which means that
the game will be declared drawn by stalemate since you are never allowed to
make an illegal move.
Diagram 29
Te
Ceaaa
oe Y “e
‘ee
aceon
NM
NDB
KR
Ye
PrN
————
Black to move
Not a stalemate
In diagram 29 Black does not draw by stalemate because he has a legal move:
1...a5 (which he must play), which would be met by 2.Qxb2 mate, or 2.Bxb2
mate, or 2.Qa3 mate, or 2.Rxel mate.
Diagram 30
eH
PN
WN
&
Check and mate!
This is similar to Diagram 28, but this time black’s King is under direct attack
by the c3-Bishop. Since 1...Ka2 and 1...Kb1 both illegally place the King on
an attacked square, and since 1...Bxc3 isn’t legal since it allows Rxal, the game
ends with checkmate and a white victory.
It’s very important to know what a stalemate
4 is—when you are winning the game you want to
) Userur Apvice: y 6 é y
avoid falling for one and tossing your win into the
Mastering the overkill checkmates
means you have also become garbage. However, when you are the weaker side,
acutely aware of stalemate disasters. being aware of possible stalemate swindles will oc-
a
casionally save you a precious half point.
Our next example illustrates a nice blend of basic mate strategy with a stale-
mate spider-sense.
Diagram 31
Vi
a. 7
Wi WiUi
Y
5 yY
Y
Y “y
White to move
1.Qg7! This is the move that best fits in with our endgame philosophy: trap
the King on the back rank and mate will surely follow. After 1...Kd8 (forced)
2.Qd7 it’s mate.
Another move that fits in with this concept is 1.Qc7, trapping the black King,
when 1...Kf8 2.Ke6 Kg8 3.Kf6 Kh8 4.Qg7 is mate.
Notice how nice and simple these moves are, but what about 1.Qf6? This
seems effective, but there’s one problem: the game suddenly is drawn due to
stalemate! That’s right, Black has no legal moves because he’s not allowed to
move his King into check.
WMP In the endgame, the enemy King can rarely be mated in the
middle of the board. You almost always want to chase it to one
of the four sides, or to a corner.
The Staircase maneuver is the easiest way to make use of a

lopsided material count such as two Queens vs. lone King,
Queen and Rook vs. lone King, or two Rooks vs. lone King.
The Box is a technique that enables you to limit the enemy
King’s space. As you shrink the Box, you force his King to
eventually retreat to the side of the board, where you will finally
be able to mate it.
If you are left with King and Queen vs. lone King, or King and
Rook vs. lone King, you can’t mate with the major piece alone.
You will need to use both your major piece and King to finish
the enemy off.
Watch out for stalemates! There is nothing worse than setting
your opponent up for the killing blow, then botching the whole
thing to a draw by overlooking that you’ve stalemated his King!
In situations where stalemates might be possible (i.e., the King
has limited squares to move to), always take a moment before
moving and ask, “When I play this move, will his King have a
legal square to go to?”
24
Diagram 32
ee
a 0 gin
oa a"«
a
“O00.0
a2 tie
00.4
FP
©
WBN
VU
kK
nw
a
e668
bcdefgih
White to move
White has a forced mate in four.
ee oem ee 33
“a “a.
hy
. ane Y
Y
T0070
“Eng ate
®D
WAN
wk
PN
‘sa Y
White to move
Is it wise to play 1.Rc7, trapping the enemy King on its back rank?
25
Diagram 34
- 2) 38T5
Batata
a6 ee
a ete
mt“ao
DW
WU
KR
WwW
PN
©
N
ie
a bedefigih
White to move
Trap the enemy King in the smallest possible Box.
— 35
TEST 4
ge yy
as Na
"“ec6 @ @
a ae
aoa ats
Y
KB
©
N
WDA
K
Ow
“ee @
a bcdefgih
White to move
How do you finish Black off?
0 Peet 5: Diagram
36
Vi,
Eg
ZT a
ll
Vi “ti,i
VW),
ea mee
Be
DW
WM
KR
wD
N
©N
L711
ay boc. dey f gs oh
White to move
Can White safely take the pawn on f6 with his Queen? Should he
do so?
TEST 6 Diagram 37
ams
Vy,
tt
ea a a
fi ae, i
a
ata
Y a
CO 0G
oa
White to move
It’s mate in one, ’ can y you find it?
SOLUTION |
‘aa
Va W, a,
ea ay Vs
WiJkne Wa me
“4 Va Vs Va
U_7 wo”
a bedefgih
White to move
White has a forced mate in four.
bose
White makes use of the Staircase to force mate in four:

1.Rb6!
This traps black’s King on its 2nd rank. An alternative solution is 1.Rf3! Kg6
2.Rg2+ KhS5 3.Rf4 Kh6 4.Rh4 mate.
1...Kf7 2.Ra2!
This sets up a Staircase and also makes both Rooks safe from attack by placing
them as far from the enemy King as possible.
2...Ke7 3.Ra7+
A perfect Staircase: one Rook stops the enemy King from stepping up to its 3rd
rank while the other Rook forces the King back to the vulnerable Ist rank.
3...Kd8 4.Rb8 mate.
| SOLUTION 2
}
Diagram 33
wD
~s
WD
wR
rN
White to move
Is it wise to play 1.Rc7, trapping the enemy King

on its back rank?
No! Though 1.Rc7 seems very strong, you are taking the h7 square away from
the defending King, while the Queen is depriving the black monarch of g7 and
g8. This means it doesn’t have any legal moves and a draw by stalemate results.
Instead, the simple 1.Rel (1.Rc3, 1.Rc4, or 1.Rc5 also mate on the h-file, while
1.Qb7 followed by 2.Rc8 mate also does the job) 1...Kh7 2.Rh1 mate is quick
and painless.
SOLUTION 3 ae 34
La
tO
a -brue--d’
ce “fo -e ch
White to move
| ‘Trap the enemy king in the smallest possible Box.
1.Re4! immediately traps the black King in a Box whose borders are from a4
to e4 to e8. Once you learn to recognize and create such Boxes, mating with a
King and Rook vs. King will prove easy.
PART ONE — ENDGAMES FOR BEGINNERS (UNRATED~-999) 29
SOLUTION 4 | Diagram 35
ata
as
nit
8 OO yf
ae Y By
V
pure
“eae
a bedefgh
White to move
How do you finish Black off?

t
|
To mate, you need black’s King standing in front of yours. However, if you
play 1.Kb6 he skips away by 1...Kc8, while the tempting 1.Rb7+ Ka8 2.Kb6??
is a draw by stalemate.
1.Rg7
White just wants to give Black the move so he will step in front of white’s
King. There are many ways to do this (1.Rg7, 1-Rf7, 1.Re7), though one nice
alternative is 1.Rh8+ Ka7 2.Rg8 (Any Rook move along the back rank from h8
to c8 would serve the same purpose, which is to force black’s King to commit
suicide by stepping in front of white’s King.) 2...Ka6 3.Ra8 mate.
Note that 1.Rd7 isn’t as good since 1...Kc8 stops Rd8+
1...Ka8
Of course, 1...Kc8 is met by 2.Rg8 mate.
2.Kb6 Kb8 (No choice!) 3.Rg8 mate
SOLUTION 5 ff Diagram 36
Z Wee
aay 2
zoo
fi GO
Oy WU
YU, U,%, "9
“eeZZ
White to move
Can White safely take the pawn on f6 with his

Queen? Should he do so?
Taking the pawn is a horrible blunder since a stalemate occurs after 1.Qxf6??.
Sticking to our “trap the enemy King on the side of the board” rule via 1.Qc7
is simplest and safest!
SOLUTION 6 Diagram 37
©
I
MWD
wR
Py
White to move
It’s mate in one, can you find it?
If you know the difference between checkmate and stalemate, the right move is
obvious: 1.Rg8 mate. However, if you don’t know that difference, then 1.Rb7??
might prove attractive. Sadly, this creates a stalemate and a draw. If you didn’t
get this right, please go back and study the material under Stalemate Alert!
Ee
So you’ve learned to play chess, you’ve played a bunch of games online or with
friends face to face, you’ve picked up an opening idea or two by glancing in a
chess book, and you’ve also begun to recognize a few tactical tricks—often by
painful experience! Now, having carefully gone over this chapter, you’re able to
finish-off an opponent if you reach an Overkill endgame situation.
It’s time to put aside this book and continue to gain valuable over-the-board
experience by crossing swords with players equal to or a bit better than your-
self. If money is available, you can accelerate your progress by taking lessons.
Of course, going over tactical quizzes is always a great idea—books featuring
mates in one, two, and three, plus “White to play and win” tactical puzzles are
plentiful and very useful.
Or, Study Part Two—which will put you one step ahead of your expected
endgame I[Q—and then put aside this book and follow the earlier advice.
In either case, once you feel you’ve improved and reached a higher rating/skill
level, it will be time to crack open this book anew and move on the next series
of endgame lessons.
TWO-P
aie
y first rating was 1068. Aside from the overkill mates (see Part
One), I knew nothing at all about endgames. This didn’t seem to
affect me too much because I lost the vast majority of my games
rather quickly and rarely had need of any endgame skills at all.
However, now—as an International Master—I’m very aware of
the plight of the beginning tournament player, and can’t allow the level of total
endgame ignorance I possessed when I was a class “E” neophyte to carry over
to my students. Instead, I always demand that they learn a few endgame basics
that, though easy to absorb, will create a simple but highly useful foundation
for later moves up the rating ladder.
Here in Part Two, you'll learn what material advantages do and don’t win,
and you'll take your first step into the world of serious endgame knowledge—
you'll develop an appreciation for the powers of the King, the mysteries of the
Opposition, and the drawing proclivities of the rook-pawns.
Sound daunting? It’s all far easier to understand than you might imagine,
and a couple hours effort will make you the master of this extremely important
material.
32
When you reacha position where your opponent has lost everything but his
King (which, of course, can’t be captured), it’s a must to know what material
you'll need to force a checkmate. On the other hand, you can save many poor
positions by leaving your opponent with an insufficient amount of mating mate-
rial when you are the one with the lone King. Clearly, a knowledge of what can
(or cannot) mate vs. a lone King is extremely important!
1> Queen = CAN!

__.2>> Two Rooks = CAN!
___5. Bishop and Knight = CAN!

MD Pawn = CANNOT! (Unless it can successfully promote.)
MP Bishop = CANNOT!
BEEP Knight = CANNOT!
BED Two Knights = CANNOT!
We've already seen (in Part One) that a King and Rook (or more) vs. a lone
King mates easily. Thus, the first three items on our list need no comment. (If
you are not 100% sure that you can mate in those situations, go back and master
those endgames!) Two Bishops (4) is too complex for this section but will be
examined later in the book (though, considering your specific target rating, you
might find that you will never have a need to learn it). Bishop and Knight (5)
might never occur in your whole chess lifetime and is far too difficult to waste
your precious study time on (in other words, this book won’t examine Bishop
and Knight vs. King at all). The basics of a lone pawn (6) will be presented
here in Part Two, and a deeper knowledge of King and pawn vs. King will be
presented in Parts Three and Four. Bishop (7) and Knight (8) are sad facts,
but you simply can’t mate your opponent with King and minor piece vs. King
even if he’s trying to help you! This leaves us with the final item on the list, two
Knights vs. a lone King.
33
The odd case of two Knights vs. King is the most frustrating and unfair situ-
ation on our list. Two pieces up and White can’t win against proper defense!
How is that possible? Let’s take a look.
Diagram 38
a bcdefgih
One move draws, one loses
The first thing that must be understood is that White only has a chance to de-
liver mate in this endgame if black’s King willingly steps onto a corner square.
In the diagramed position, White has correctly herded black’s King to the
side of the board and has even driven him near that important corner square.
Black is in check by the f6-Knight and only has two legal moves. If he moves to
the poisoned square on h8 he’ll be mated by Nf7. However, if he avoids it with
1...Kf8 then White will never be able to force mate. In other words, Black can
only get mated if he blunders.
USEFUL ADVICE
When defending a King vs. Two Knights endgame,

as long as you avoid al, a8, hl or h8 (any corner
square), you'll draw the game.
Inexperienced players occasionally think that a lone minor piece (i.c., a Bishop
or Knight) might be able to put up some resistance versus a lone Queen. Let me
assure you that nothing could be further from the truth! We will explore both
possibilities (Bishop vs. Queen and Knight vs. Queen) and demonstrate beyond
any shadow of a doubt that the poor minor piece is completely outgunned.
Bishop vs. Queen

This is a no contest! One poor Bishop can’t hope to face off against a mighty
Queen!
= 39
Ly Ay, Y
Yi a a @
atUY “yy Y Ju
yy
ponen
Rem aw
BP
©
N
DA
WU
kK
mw
oa
2 as be -@ dé)
of: ag th
Black to move
1...a1=Q
It’s important that Black promote his pawn immediately else White will pre-
vent it by Bg7.
Black should treat a Queen vs. Bishop situation in the
same way as a King and Queen vs. lone King. The only Te i
difference: you must be a bit careful about stepping onto PSE poe
the colored squares controlled by the Bishop. In a Queen vs. dark-squared
Bishop endgame, stay on
2.Bd6 Kd3 light-squares as often as
oR
1sne
ibleand the Bish
m the Pos,
The game can’t be won wit1 hout help fro becomes a non-entity.
King! 7
35
3.Kf5 Qfl+
Black will patiently kick the enemy King around abit and, after some prod-
ding, make it give ground to black’s monarch.
4.Ke5 Qe2+
Black’s Queen continues to torment white’s King.

5.Kf5 Qh5+
Finally pushing the enemy King back, since 6.Kf4 Qh2+ wins the Bishop.
6.Kf6 Ke4
Black’s King will always step closer to white’s whenever it’s possible to
do so.
7.Bf8
Trying not to move the Bishop too far from its King since that could easily
lead to its loss. For example: 7.Bg3 Qf3+ snares the adventurous Bishop.
Other tries are certainly no better: 7.Bc7 Qh6+ 8.Ke7 Kd5 9.Bd8 Qg7+ 10.Ke8
Ke6 and mate follows next move; 7.Be7 Qh6+ 8.Kf7 Kf5 and black’s progress
is obvious.
7...Qe5+
Diagram 40
G,
Ys
“ Yat Uj
I) a
oon
TF
NN
DO
WV
Kk
WH
PN
I, 0 0
(a
Making use of the Box technique
8.Kg6 Qe8+
‘Threatening the King and Bishop at the same time.
9.Kg7 Kf5
Tightening the box until mate occurs.
10.Ba3 Qg6+ 11.Kh8
11.Kf8 Ke6 followed by 12...Qf7 mate.
PART TWO — ENDGAMES FOR CLASS “E” (1000-1199) 37
11...Ke6
Intending 12...Kf7 followed by 13...Qg8 mate.
12.Be7 Kf7!
Not falling for 12...Kxe7?? when the game is drawn by stalemate!
13.Bf8
“Please take my Bishop!” Of course, Black is on to the stalemate and will avoid
touching white’s Bishop.
13...Qg8 mate. Black won by treating the endgame as a King and Queen vs.
lone Queen ending—the Bishop was more ghost than threat, and in some cases
its presence helped Black avoid stalemate!
Knight vs. Queen

As with Queen vs. Bishop, Queen vs. Knight is a fairly simple win, but here
the Knight’s strange leaping powers create some nasty forking possibilities!
Diagram 41
a a
a ee
Oe
i ee
é
a
WV
kK
Ww
BG
ON
aa
PN
Y ane
W,
eo6 6 Gs
a bc def gh
White to move
1.Kh2 REMEMBER
Bringing the King over to help its Queen, but not A Knight can be tricky! If you're
falling for the horrific 1.Kg2?? Nf4+ when white’s not paying attention, it can fork
Queen dualKing weetorked and win a Queen, so be careful!
1...Ke6 2.Qd4
The Queen moves up and takes command of a few more squares. White’s
King and Queen will continually do this so that, slowly but surely, the enemy
King will be pushed to the side of the board.
UsEFUL ADVICE
In this endgame, the stronger side’s plan is easy—
push the enemy King to the side of the board
and mate it. However, make sure you don’t let the
Knight fork your King and Queen.
2...Ne7
A trick! Do you see what Black is hoping for?
3.Qe4+
Again, White’s on guard and doesn’t fall for 3.Kg3?? Nf5+ when the pesky
Knight has saved the day.
3...Kf6 4.Kg3
White’s King has to get as close to black’s King as possible.
4...Ng6 5.Kg4
Threatening Qf5+ followed by Kg5.
5...Ne5+ 6.Kh5
White’s King and Queen are surrounding black’s King and Knight. Soon he’ll
be forced to step back to the fatal sidelines.
6...Ke6
On 6...Nd7, White would continue the squeeze by 7.Qc6+ Ke7 8.Kg5 (and
not 8.Kg6?? Ne5+ and there goes white’s Queen!).
7.Kg5 Kd6 8.Kf5 Nd7 9.Qd4+ Ke7
Also hopeless is 9...Kc6 10.Ke6 Nc5+ 11.Ke7 Kb5 12.Kd6, etc.
10.Qd5
Diagram 42
x=
RP
&
NS
DA
WV
kK
NW
Patience is a useful quality

Patiently taking more squares away from black’s pieces. Though 10.Qb4+
Kf7 11.Qb7 Ke7 12.Qc7 Ke8 13.Ke6 Nf6+ 14.Kd6 is even faster, our basic
Box plan will make your life easier by offering a constant (and highly effective)
idea to follow.
10...Nf8
And not 10...Nf6? 11.Qe6+ when the Knight is lost.
11.Qc5+ Kf7
Obviously, moves like 11...Kd7?? and 11...Kd8 allow 12.Qxf8.
12.Qc7+ Ke8
Black’s King has finally been pushed back to the side of the board.
13.Kf6
Threatening 14.Qe7 mate.
13...Nd7+ 14.Ke6 Nf8+ 15.Kd6
There are no more checks and Qe7 mate is still a threat. The noose is tight-
ening around black’s neck!
15...Ng6
Covering the e7-square and giving the black King a place to run to on £8.
16.Qg7
A complete killer that hits the Knight and also takes away the f8-square from
black’s King. The Knight is hanging but any Knight move allows 17.Qe7 mate.
That only leaves one other choice.
16...Kd8 17.Qd7 mate.
As we saw, to safely win this endgame you should:
mum Always be on the lookout for Knight forks!
mu Use your King and Queen as a team.
mame Chase the enemy King to the side of the board.
mame Be patient! As your Queen and King cut off more and more of
the board, he’ll eventually be forced to give ground and run
for the sidelines, which is just where you want him!
Players that are starting out tend to think of the King as an annoyance—some-
thing that demands constant protection, but gives very little back in the life and
death battles that ultimately determine a game’s result. This view is as wrong as
wrong can be, and the following material shows just how critically important
the King is to success in chess.
Use Your King!

In chess, the opening and middlegame is a dangerous time for each side’s
King—both of them suffering from a “wanted dead-or-alive” mentality. The
enormous threat of enemy pieces crashing through the center and mating one’s
King has led books and teachers to give the student a bit of excellent advice:
castle as quickly as possible (this gets it out of the center and activates the Rooks)
and shield the needy monarch behind its pawns.
Sadly, wisdom in one situation isn’t always wisdom in another, and what
passes for correct opening and middlegame strategy can often be wrong in the
endgame. The truth is, the King is a very strong piece (at least as strong as a
Bishop or Knight)! Unfortunately, the terror created by the game’s early phases
causes most players to lose sight of this piece’s true worth.
‘The endgame poses very different problems and needs than the other phases.
With minimal material remaining on the board, both players need to make use of
everything they have left. Furthermore, in the endgame, pawns and Kings take
on enormous significance. Since the threat to the Kings is no longer real (the
enemy’s limited army no longer poses any danger to his Majesty), both players
should rush their King to the center of the board as quickly as possible!
LET ME REPEAT: Once the board clears of pieces, a player must make use
of everything he has. The time has come for the King—which is finally safe from
a possible assault by a large enemy force—to emerge and lead the remains of his
army to the final victory. The message here is very simple: when an endgame
occurs, rush your King to the center of the board!
40
UsEFUL ADVICE
In the endgame, pawns and the Kings take on enormous significance. In general,
when an endgame is reached, rush your King to the center of the board.
Because of the King’s importance, the tournament “E” player (i.e., those with
a rating under 1200) needs to take the first steps in understanding the basic
movements of the King and the white and black King’s relation to each other.
It is very important to look over the following examples again and again until
the ideas are fully absorbed.
To start, let’s take a quick look at a critically important endgame that occurs
all the time:
Diagram 43
fy hafy
a
oe ae
ie
one YW a
WU
aee
kK
vw
©
N
WO
“8
UU]
OU
Pn
Ow _
a bc de fgih
Black to move
Though White cannot mate with a King and lone pawn, he CAN promote his
pawn to a Queen—a Rook will do, but why not go for the biggest gun possible?
Asa result of this fact, every King and pawn vs. King situation is all about one
thing: can the pawn promote? The position in diagram one is a common one
and shows a simple but intense battle: White wants a new Queen (which will
lead to an easy win), and Black wants to stop this from happening (which will
lead to a draw).
1...Kd6 2.Ke4 Ke6 3.d5+ Kd6 4.Kd4 Kd7 5.Ke5 Ke7 6.d6+ Kd7 7.Kd5
Kd8 8.Kc6 Kc8 9.d7+ Kd8 10.Kd6 stalemate.
Black managed to achieve his goal (draw). But do you know how he did it?
Could White have improved his play? To understand what was going on and
what the moves for both sides meant, you need a basic knowledge of Opposi-
tion. So, let’s leap into that subject, thoroughly master it, and then return to
the position in diagram one.
Opposition
The quest for domination between two opposing Kings is called the
Opposition, whereby one King tries to become stronger than the other.
Diagram 44
ea wm
LO, J
hgh giia
a Y
—W.8 O70
By
2
Ww
N
©PN
VD
KR
wae
GO ae
a bcdeéfgih
Basic Opposition
Whoever moves loses the Opposition
This diagram illustrates the most basic and direct form of Opposition (Of
course, the absence of other material means that neither side can win. I’m just
illustrating Opposition here and nothing else!). Both Kings would like to advance
and gain ground, and both Kings have moved intoa position that prevents the
other from doing so. In such a situation it is a disadvantage to have the move
since you must give up control of one of the blockade squares (shown by the
three Xs in the diagram) and thus allow the opponent a way into your position.
Thus Black to move would give White the power of the Opposition or, more
simply put, the Opposition.
1...Kc6
Poor Black would like to say “pass” but this luxury is denied him. Note that
1...Ke6 would allow White to make inroads by 2.Kc5 while 1...Kd7 allows
White to advance and keep the Opposition by 2.Kd5.
2.Ke5 White has successfully penetrated into the enemy position.
As you can see, owning the Opposition often allows your King to make ad-
vances into enemy territory. While this means nothing in a barren King vs. King
situation, basic Opposition and the need to effect penetration into the hostile
camp has enormous importance in a pawn endgame.
Let’s go back to our earlier King and pawn vs. King position and study it
more deeply.
Diagram 45
a
a wt i
a 8ei
Ane
at
mata" as
oo a
fi
Black to move
In this initial position, White has an extra pawn and also possesses the Opposi-
tion (i.e., King’s facing off with Black to move). Sounds good for White, doesn’t
it? Yet, the game is a dead draw ifBlack stops the white King from penetrating
to the front of its pawn. This can only be done by using the knowledge you’ve
gained of basic Opposition. eee Peete tia eee et se
1...Kd6! . RULE
Though not strictly necessary at this | When your King has to step away from the
. val traight back!
early stage, it shows good form and an < Ee ane eee
understanding of what eventually must be
done to save the game. The easiest way to fathom the importance of 1...Kd6 is
by looking at what happens after 1...Ke6, namely 2.Ke4, when White has the
Opposition. Compare this with the actual game continuation.
2.Ke4 Ke6
It seems that the positions after 1...Ke6 2.Ke4 and 1...Kd6 2.Ke4 Keé6 are the
same. However, this isn’t quite true. In the position after 1...Ke6 2.Ke¢ it’s Black
to move and this means that White has the Opposition. In the game continu-
ation—1...Kd6 2.Ke4 Ke6—it’s White to move, meaning that Black has taken
the Opposition and stopped white’s King from stepping past its pawn. Please
ponder this small but subtle difference until the concept of Opposition and the
importance of who has the move completely sinks in.
An important mistake—that we will fully explore in Part Three—is 2...Kc6??.
This let’s white’s King move forward (and step in front of its pawn) by 3.Ke5
when White wins (again, you can jump ahead to Part Three if you want an
immediate explanation of this). Moves like 2...Kc7?? 3.Ke5, 2...Kd7?? 3.Kd5,
and 2...Ke7?? 3.Ke5 also allow white’s King to step in front of its pawn and
should be avoided!
RULE
Don’t let white’s King step in front of its pawn unless you have no choice.
Retreating by 3.Kd3 or 3.Ke3 achieves nothing due to 3...Kd5.

3...Kd6
Once again stepping in front of the pawn and denying white’s King access to
the e5-square.
| Rue
When you can step in front of your opponent's pawn, do so!
4.Kd4 Kd7!
Faithfully adhering to our rule of stepping straight back from the pawn. As
shown previously, stepping to the side via 4...Ke7 allows White to take the
Opposition by 5.KeS.
5.Ke5
Nothing is to be gained by 5.Ke4 due to 5...Kd6.
5...Ke7
And Black once again has the Opposition.

6.d6+ Kd7 7.Kd5
Diagram 46
“aU
—s
ee0
a ase
eee
Vii Va
om
YH
DN
KW
Pn
46 8
a b ec de¢
f g h
A do or die position
Black has three legal moves to choose from. One draws, two explode in black’s
face.
7...Kd8!
This is where things get serious! Now stepping to the side loses: 7... Kc8??
8.Kc6 (taking the Opposition) 8...Kd8 9.d7 and we reach an enormously im-
portant situation:
Diagram 47
tate
4, W50
we an”
Oak I
Ban ee
ees ses
-e-
C&C
N
OA
VN
kK
Nw
“eeeaw
a bc de fgh
Whoever moves fails
If it’s Black to move (as it is here), White wins because Black is forced to step
to the side via 9...Ke7 and allow White to take ownership of the critical queen-
ing square on d8 with 10.Kc7. In the game, we reach this same position, except
that White will have the move.
8.Kc6 Kc8 9.d7+ Kd8
This is the same position as was reached in the note to black’s 7th move (dia-
gram 47). However, now it’s White to move instead of Black, and this means
the game is drawn.
10.Kd6 stalemate and thus drawn. Of course, any other King move by White
would have allowed 10...Kxd7.
Rook-Pawns
In most endgames, the presence of rook-pawns (a-pawns or h-pawns) gives the
defending side drawing chances that normally would not exist. The reason for
this resides in the diminished activity of any King that steps in front of such a
pawn (since that King can now only move towards the center of the board—go-
ing the other way would make the poor monarch fall off the edge of the world).
This diminished activity allows many stalemate possibilities that simply don’t
occur with other pawns.
Diagram 48
Mi &
ae ms
a Vi Gees
Vs a Vi,
Vi, Wa “@ UV)
Ay“ae “a
“a Vi “a V7
YW
kK
DN
©w
FN
"a 8 “a
a b cde fgih
Draw
In this position White to move would win if he possessed any other pawn but
a rook-pawn. However, the fact that it’s an h-pawn ensures an easy draw:
1.h7
Normally Black would be forced to step to the other side of the pawn, allowing
the white King to step forward and take control of the all-important queening
square (as illustrated in diagram 49). However, because the blasted thing is an
h-pawn, the game ends in immediate stalemate!
RULE
King and rook-pawn vs. lone King: If the
defender’s King gets in front of the pawn,
the game will always be a draw!
Let’s look at the same position pushed one file to the left.
Diagram 49
ae Wate
a
oa Am
ae
“a Ui, Ui
ae
“O66@
fw
NSN
WDA
KR
we
rY
PF
aaa
a b cde fgh
White to move wins

As in the previous position, it’s White to move (Black to move would draw since
he can retain the Opposition: 1...Kf8 2.g7+ Kg8 3.Kg6 stalemate). However,
though this led to an immediate draw when White had an h-pawn, the fact that
the pawn is now on the g-file gives White instant victory:
1.¢7 Kh7
Here we see the difference! With the h-pawn, black’s King could not step to
the right. Here he can, and that proves to be his undoing.
2.Kf7
Grabbing control over the queening square.
2...Kh6 3.g8=Q Kh5 4.Qg3!
The most accurate move. White forces black’s King to step back towards the
white ruler.
4...Kh6 5.Qg6 mate.
In general, if you are defending a King and pawn endgame, the presence
of rook-pawns enormously increases your chances for a successful (drawn)
result.
E> Two Knights vs. Lone King is a draw. Mate can only be
delivered if the defender’s King wi//ingly steps onto a corner
square.
E> Queen vs. Bishop (no pawns for either side) or Queen vs.
Knight (no pawns for either side) is easily winning for the
Queen.
Ml The King is a strong piece and must be used in the endgame.

GB The Opposition is an extremely important tool that allows one
King to become stronger than another.
MMB Rook-pawns add to the defender’s drawing chances in most
endgames.
48
Diagram 50
a we
2
ca i
oe a a
tase
ve
PrnYN
©
Ds
KW
“oDa bcdefgih
White to move
Does White have anything to worry about?
Diagram 51
a a
ee
ee a
aw
ae ee
Si
ww
nN
FP
WDA
D
NKR
a bcdefgih
White to move
Is 1.Kf3 a good move?
49
ae 3 = az 52
Ss
HD
WY
Kk
WwW
nN
FP
a bcde#fgih
Black to move
Where should Black move his King?
Diagram 53
a,
a 0G
aee
a aa
mt
DN
KRY
PNW
ataa
26 2 ©
U.
a becdefgih
Black to move
Which King move is correct?
Diagram 54
ZT Te
ee
i,tw¢“oo
Wy
Za Lo
& Yj
cates
YW
fk
@
rPnNnNYye
DN
“aaa
a boc de f @ ch
White to move
Can White win?

TWO — ENDGAMES FOR CLASS “E” (1000-1199) 51
PART
SOLUTION ] Diagram 50
BiyO gg age
i0 |
“eo
ota
”
at tat
tf,
Bight
a bede@fgh
White to move
Does White have anything to worry about?
A Queen easily overpowers a poor Bishop. In this position White has many
ways to end the game, however, most face certain stalemate potholes:
eummpe 1.Qh8+ (a good move) 1...Bb8 2.Qc8?? and the game ends via
stalemate (and a draw) since Black can’t legally move his King
or his Bishop. Instead, 2.Qh1 mate ended matters in a happier
way.
1.Qg7 (another good move) 1...Bc7+ 2.Qxc7?? stalemate (and

draw). Always make sure your opponent has a legal move and
this won’t happen to you. Instead, 2.Kxc7 (giving black’s King
the a7-square) 2...Ka7 3.Qal mate was the way to go.
1.Ka6 (threatening Qb7 mate) 1...Bb4 2.Qxb4?? stalemate
(and drawn). Why didn’t White ask, “Tf I eat that Bishop,
what can my opponent do?” If White had posed this simple
question, he would have instantly seen that 2.Qxb4 was a move
to avoid! One (of many) sufficient alternative was 2.Qh8+ Bf8
3.Qxf8 mate.
1.Qg2+ (by playing on light squares, White avoids any tricks

by the enemy Bishop) 1...Kb8 2.Qb7 mate.
As in all endgames, stalemates play an important part in the defender’s hopes

and must always remain in the stronger side’s mind as something to avoid at
all costs.
Vi, bi, i, Ws
8 0,w
2
ee
Uae
Vi,
one
ZO
a bede fyi ih
White to move
Is 1.Kf3 a good move?
No, 1.K£3?? allows Black to draw by 1...Ne5+, forking the King and Queen.
‘Though Black will end up a whole Knight to the good, a lone Knight can’t mate
and so the game must be abandoned as a draw.
In a Queen vs. Knight endgame, there are only two ways the stronger side can
blow it: stalemate or missing a Knight fork. If you have the side with the Queen,
simply use some care and make sure neither of these possibilities occur.
SOLUTION 3 Diet: 52
Black to move
Where should Black move his King?
1...Kd8
If you didn’t instantly play this move, go back and read over the material that
covers this endgame! Remember: the defender must keep his King in front of
the enemy pawn and, when it does have to move, it should go straight back so
it can take the Opposition when the other King moves forward.
2.Ke6 Ke8
‘Taking the Opposition and stopping the white King from moving forward.
3.d7+
Or 3.Ke5 Kd7 4.Kd5 Kad8, etc.
3...Kd8 4.Kd6 stalemate.
= ‘ 7
SOLUTION 4 ' Diagram 53
2 Vi, Jo
Via“a Vs oe
a” Ui, fi,
“@ W “ge
VsMatate
Va
a OO. G
"eZ “¢
a bec defgh
Black to move
Which King move is correct?
Normally the defender always want to go straight back with his King in such
situations. However, if he is facing a rook-pawn then it doesn’t matter; either
move suffices for a draw.
1...Kg8
Of course, 1...Kh8 would show good form, but here you simply can’t go
wrong.
2.Kg6 Kh8
Everyone in the room would know that the fix was in if Black played 2 ..K£8??
(Where is that King going?) because 3.h7 forces resignation.
3.h7, '/2-'/. If this were any other pawn (other than another rook-pawn),
White would win because the black King would have to step to the other side
of the pawn. However, since there isn’t another side to the pawn the game is
drawn by stalemate.
“ae
motte"
5?
“oa ee
se fe
rau aa
a becdefégh
White to move
Can White win?
No, two Knights can’t win against correct defense:

1.Nb5+ Ka2 2.Kc2
Two pieces up and White has black’s King cornered. Incredibly, it’s still a
draw!
2...Kal 3.Nb3+
What else? 3.Nc3 is an immediate stalemate.
3...Ka2 4.Nd2 Kal and White can’t put his opponent away.
Mastering these easy to learn endgames has given you your first taste of serious
endgame theory. Knowing what can and can’t mate is #zust know information,
while a basic knowledge of the Opposition is crucial if you wish to thrive in the
arena of players rated over 1000! These set up the foundation for the far more
complex endgames you'll be learning as your overall chess strength continues
to rise.
af
ee
Se
o ee
ee
oe oS
a
oo
ees
2
ee ene cee a
ee —e
See
ee ee
S
es See
remember going to my first tournament at age twelve. It was all quite magi-
cal, and as I watched other player’s games in the under 1600 section I recall
being amazed at their skills—skills which were far beyond anything I could
fully understand at that time. Indeed, my view of 1200-1399 players as be-
ing demigods is not that out of line. Someone in this range is beginning to
grasp many aspects of chess that would have seemed too difficult a short time
before. If he plays in tournaments, he holds his own against many experienced
players. If he competes against non-tournament playing friends, he most likely
dominates them.
If you are reading this section, you either are a class “D” player, or you have
learned all the material in the first two parts and wish to use this additional
knowledge to help you break into the “1200-club.” By this time you know a few
openings, you have a reasonable grasp of tactics, and you’ve learned a positional
concept or two. However, if you study with others in this rating range, you will
quickly discover that endgames are not a priority, and endgame knowledge is
often non-existent. That’s one reason why players get stuck at a certain strength,
and this is a shame since learning the material in the first three parts is within
everyone’s grasp—both talent-wise and time-wise.
So, before reading this section, make sure that you are thoroughly familiar
with all the material presented in the first two parts of this book. Now it’s time
to gently add on to the knowledge we’ve already gained. You won't find anything
too intense or profound here; all we’re going to do is expand on the previously
assimilated concepts and, when the smoke clears, leave you with a very solid
endgame base. You'll need this for Part Four, which will take us far beyond
anything presented thus far.
Here you'll add to your knowledge of Opposition, gain a deeper understand-
ing of King-and-pawn vs. King positions, take a quick look at the drawing pos-
sibilities of rook-pawns, and be introduced to the simple but oh-so-important
concept of Fox in the Chicken Coup.
56
In Part Iwo we learned all about basic Opposition—the battle of Kings that
are only one square apart. This begs an obvious question: does Opposition exist
if the Kings are more than one square away from each other? The answer is a
resounding YES! In fact, Opposition exists from a distance, on diagonals, and
even if the Kings don’t seem to connect at all!
Sound terrifying? Too complicated? Trust me when I assure you that it’s not.
Carefully look over the material that follows (several times if necessary) and
it will eventually begin to make sense. Then, after even more viewings, it will
suddenly seem to be simplicity itself!
Diagram 55
VigBagh afl
a
a em
ON
NA
&
N
A
oe ee
aBZ Be
Ba
WH
NY
Fe
“yon GC
—
White to move
Distant Opposition
Distant Opposition is similar to basic Opposition (i.e., King’s facing each other
with only one square separating them), only in extended form.
RULE
Whoever moves with an odd number of squares between the Kings
does not have the Opposition (it’s the same in basic Opposition
situations: one/odd square separates the Kings and the person to move
doesn’t have the Opposition). Conversely, the person to move with an
even number of squares between the Kings does have the Opposition.
In diagram 55, there is an even number of squares between the Kings and
it’s White to move. This means White has the Opposition, since by playing
1.Kd2 he changes it to an odd number with his opponent to move. If they
continue to walk towards each other (via 1...Kd7 2.Kd3 Kd6 3.Kd4) we would
get diagram 44 again.
The same idea holds true for diagonal connections.
Diagram 56
REMEMBER
In such Opposition battles,

you want to have an odd
number of squares between
the Kings with the other
guy to move!
Immediate and Distant-Diagonal Opposition
Diagram 56 shows both the immediate and the distant forms of Diagonal
Opposition. Whoever moves does not have the Opposition.
It can be seen that it is not difficult to determine who has the Opposition when
the Kings “connect” on a rank, file, or diagonal. But what if they fail to connect
altogether? Does one have to get out a pocket calculator and solve prolonged
mathematical formulas? Not at all!
Diagram 57
RULE
In this type of situation, the

rule is to make a square or
a rectangle in which each
corner is the same color
with the other guy to move.
Opposition without a direct connection
‘Take a long look at diagram 57.

THREE — ENDGAMES FOR CLASS “D” (1200-1399) 59
PART
White to move plays 1.Ka2!, when we get a clear picture of what we’re after
in diagram 58.
Diagram 58
Vy,
Wd "a ke Vi
setae
‘aate2
FP
KR
NN
NW
WD
anf"a
A
Magic rectangle
Each corner is the same color
This diagram shows the connecting points a2-a8-e8-e2. Note how each corner
of this “rectangle” has the same colored square (in this case, a white square).
After 1.Ka2, White has the Opposition. Here’s proof:
1...Kf8 2.Kb2
Now b2, b8, f8, and f2 are the connecting points.
2...Ke8
Other moves allow quicker proof. For example 2...Kf7 3.Kb3 with Diagonal
Opposition, or 2...Kg8 3.Ka2 with more of the same.
3.Ke2
Diagram 59
A ROBE y
i400 7.
imo Oy Wi
Yi, WW U/
miTesYW:
Vi),efetas
on 8 8
J
White still maintains the Opposition: the new

connecting points are c2, c8, e8, e2
3...Kf8
Similar is 3...Ke7 4.Kc3, while 3...Kd7 4.Kd3 is a basic form of Distant Op-
position.
4.Kd2
Now d2, d8, f8, and f2 are the connecting points.
4...Kg8 5.Ke2
— 60
a bc de fgih
New connection points are: e2, e8, g8, and g2
5...Kh8 6.Kf2
Can you make out the connection points? They are: f2, f8, h8, and h2.
6...Kh7
White’s point is proven after both 6...Kg8 7.Kg2 and 6...Kg7 7.Kg3.
7.Kf3
The noose tightens. Connection points: f2, £7, h7, h3.
7...Kh8
There is nothing else since 7...Kh6 8.Kf4 makes a square (4, f6, h6, h4) and
gives direct Diagonal Opposition to boot!
8.Kf4 and now Black can’t avoid our final proof since 8...Kh7 9.Kf5 gives
Diagonal Opposition while 8...Kg7 9.Kg5 and 8...Kg8 9.Kg4 both give basic
Direct Opposition.
King and Pawn vs. Lone King
(Stronger Side’s King is in Front
of its Pawn)
front of
We've seen that the defender can usually draw if he gets his King in
way up if he
the enemy pawn. However, the stronger side’s winning chances go
s, three
manages to place his own King in front of his pawn. When this happen
questions will decide the issue:
“> Is the pawn a rook-pawn?
of
__2> Is the stronger side’s King one square or two squares in front
its pawn?
__.3> Who possesses the Opposition?
Another Rook-Pawn, Another Draw

e
Unless the defending King is on vacation elsewhere on the board, the presenc
of a rook-pawn will make the game a draw.
Diagram 61
UsEFUL ADVICE
am If you're trying to
Sa a a win and you can
we @ a”
ay
enter a pawn up
oa
endgame where you
Fee,
have a rook-pawn, be
careful! The words
“rook-pawn’ and
ws
WDA
aa 2 a
Pnwer
a bc deifgih
“draw” seem to be
bound at the hip!
Such a beautifully placed white King would ensure victory if the pawn was
anything other than a rook-pawn. Unfortunately for White, black’s King can’t
be chased out of the corner.
1.h4 Kg8
Black’s moves are not hard to find!
2.Kg6 Kh8 3.h5
Even more pathetic is 3.Kf7 Kh7 (Again, the only legal move!) 4.Kf6 Kh6
followed by 5...KhS and 6...Kxh4.
3...Kg8 4.h6 Kh8
Of course, 4... Kf8?? 5.h7, 1-0, would leave us wondering about the state of
black’s mental health.
5.h7 stalemate.
Non Rook-Pawn
(One Square in Front, is it Enough?)
When the stronger side gets his King one square in front of his pawn, the
only question that matters is, “Who owns the Opposition?” If the defender has
it, then the game is a draw. If the stronger side has the Opposition, then the
game is won.
Diagram 62
“ua
\ a
“6a8
o's =me
i fats
et te
eeoe te
Yi,
Bg
.. #
V/A "a's
a bc def gh
Whoever moves fails to achieve his goal
In diagram 62, whoever has the move fails to achieve his goal since that would
give the opponent the Opposition. Let’s first see what happens if White has the
move (which means that Black has the Opposition).
a
REMEMBER
When the stronger side gets his King one square in front of his non rook-pawn,
the only question that matters is, “Who owns the Opposition?”
PART THREE — ENDGAMES FOR CLASS “D” (1200-1399) 63
1.Ke3
Obviously 1.Ke2 Keé is our basic draw, studied in Part ‘Iwo.
1...Ke5!
Retaining the Opposition and not allowing white’s King to come forward.
Losing is 1...Ke5 (it retains the Opposition but lets white’s King dance forward)
2.Ke4 when White wins. We’ll see how this is done in a moment.
2.Kd3
The basic draw is reached after 2.Kf3 Kd4, so White squiggles a bit before
accepting the inevitable.
2...Kd5! 3.Ke3 Ke5 and White can’t make any progress at all.
If Black moves first (from diagram 62), though, things are very, very different:
1...Ke5
Note that on 1...Ke6 2.Ke4, 1...Kc6 2.Ke4, and 1...Kd6 2.Kd4, White man-
ages to move forward and retain the Opposition.
The other move, 1...Kc5, runs into 2.Ke4 with the same kind of play as will
be seen against 1...Ke5.
2.Kc4
Retaining the Opposition by 2.Ke3 takes us back to our original position
sh
after 2...Kd5.
Diagram 63
ee e
e
ee ee
ae aeé
ae
“eae
Yi,
Hi
Stepping forward
Stepping forward is the most important thing, with i

ae : : RULE
Opposition taking a back seat to this. Why? Because Move as far forward with
White can only win if he gains control of the queening your King as possible,
square, while also making sure that his pawn is safe. This while always making sure
takes us to the winning formula for such positions. that your pawn is safe!
2...Kd6
Other moves:
2...Ke4 is aggressive, and hopes for 3.Kc5?? (Moving forward but forgetting
the part about making sure the pawn is safe!) 3...Kd3 followed by ...Kxd2 with
an immediate draw.
Thus, after 2...Ke4 White should play 3.d4! (Also good is 3.d3+ Ke5 4.Kc5},
and not 4.d4+?? Kd6 with a basic draw.) when black’s King can’t get back in front
of the pawn: 3...Kf5 4.Kd5! (moving forward and depriving the black King of
a host of important squares) 4...Kf6 5.Kd6 Kf7 6.Kd7 Kf6 7.d5 Ke5 8.d6 Kf6
9.Kc7 when White makes a Queen and wins the game.
2...Ke6 (This takes the Diagonal Opposition but fails to prevent the advance
of white’s King.) 3.Kce5 (and not 3.d4?? Ke6 with yet another basic draw) 3...Kd7
(another try, as hopeless as all the rest, is 3...Ke5 4.d4+! [avoiding 4.Kc6?? Kd4
when the white pawn falls] 4...Ke6 5.Kc6! [again, 5.d5+?? allows the basic draw
by 5...Kd7] 5...Ke7 6.d5 Kd8 7.Kd6! Kc8 8.Ke7 and it’s all over) 4.Kd5! (Not
falling for 4.d4?? Kce7 when 5.d5 Kd7 is a basic draw, while 5.Kd5 Kd7 is also
drawn since Black has the Opposition.) 4...Kc7 5.Ke6 Kc6 (5...Kd8 6.Kd6 Ke8
7.d4 Kd8 8.d5 Ke8 9.Kc7) 6.d4 (Making sure the pawn is safe. Moving forward
by 6.Ke7?? Kd5 would bea true tragedy.) 6...Kc7 7.d5 (7.Ke7 Kce6 would force
White to repeat after 8.Ke6) 7...Kd8 (else White would play Ke7) 8.Kd6! Kc8
(8...Ke8 9.Kc7) 9.Ke7 followed by pushing the pawn to the 8th.
3.Kd4
Diagram 64
RP
@
ws
DA
WN
KR
Nw
A very important moment. White was not able to advance his King safely
anymore (i.e., 3.Kb5?? Kd5! and White can’t stop his opponent from marching
forward and eating the pawn), so it’s time to regain the Opposition and once
again force his opponent backward.
3...Ke6 4.Kc5
Continuing to trudge down the board, always getting closer and closer to that
all-important d8-square.
4...Kd7
Black’s defenses also fail after 4...Ke5 (still hoping for 5.Kc6?? Kd4, picking
up white’s pawn) 5.d4+ Ke6 6.Kc6 (Again, not 6.d5+?? Kd7 with a basic draw)
6...Ke7 7.45 Kd8 8.Kd6! Kc8 9.Ke7 followed by pushing the pawn to the con-
quered d8-square.
5.Kd5
His pawn is safe, so White regains the Opposition. Naturally, 5.d4?? Kc7!
would be a draw since white’s King is only one square in front of the pawn with
Black holding the Opposition.
5...Kc7 6.Ke6
More penetration, and a step closer to d8.
6...Kd8
One hopeless move among many. For example, 6...Kc6 7.d4 Ke7 8.d5 Kd8
9.Kd6 Ke8 10.Kce7 and wins.
7.Kd6
Also good enough is 7.d4 Ke7 8.d5 Kd8 9.Kd6.
7...Ke8 8.d4 Kd8 9.d5
This takes the Opposition and prepares one final bit of King penetration.
9...Ke8 10.Kc7 Ke7 11.d6+, 1-0.
Non Rook-Pawn
(Two Squares in Front Always Does the Trick!)
Diagram 65 RULE
Vii, 4, Ma fll When the stronger side's
MiVW WY)‘o.Gs
“a WY)M Yj; :
King manages to get
Ene squares in preof
ane
its pawn (unless it's a
og®
rook-pawn, of course}, the
Y Vay Y, ame is always a win (and
ana ame ; a easy ens
Kk
NA
WW
aa el
PNW
a bc de fgih
White wins, no matter who moves

Here it doesn’t matter who has the move, White wins. Obviously if Black were
to move, White would have the Opposition. But even if White has the move,
he can take the Opposition by playing:
1.d3!
Suddenly it’s Black to move, White has the Opposition, and we only have
to follow the rules in our previous example to make the win a simple matter
(1...Ke6 2.Kc5, etc.).
Fox in the Chicken Coup

Imagine a basic King and pawn vs. King endgame. Then add some (one vs.
one, two vs. two, etc.) frozen pawns (meaning that they are locked together and
can’t move) on the other side of the board. Though a pawn up, how does the
stronger side go about winning this kind of very common position? The answer:
Fox in the Chicken Coup!
Diagram 66
8
7
6
5
4
3
2
1
White wins
White wins in a walk by pushing the black King back and then abandoning it
for the unguarded “chickens” on the kingside.
1.b5 Kb7
No better is 1...Kc5 2.Ka5 and the pawn queens.
2.Ka5 Ka7 3.b6+ Kb7 4.Kb5 Kb8 5.Kc6
REMEMBER
Fox in the Chicken Coup refers to a situation where the stronger side’s King (the “fox”)
rushes to the other side of the board to feast on helpless enemy pawns (“chickens”)
while the defending King is busy dealing with a pawn on the other wing.
This position is a basic draw if the kingside pawns didn’t exist. Unfortunately
for Black, the fact that they are there leaves him dead in the water.
5...Kc8 6.Kd6!
White abandons his b-pawn, secure in the knowledge that while Black is busy
dealing with it, White will capture all of black’s bits on the kingside. Note that
6.b7+ Kb8 7.Kb6?2? (7.Kd6 was still good enough) is a draw by stalemate.
6...Kb7 7.Ke6 Kxb6 8.Kxf6
Ah, chicken is indeed on the menu!
8...Kc7 9.Kxg5 and the rest is mindlessly easy: 9...Kd8 10.Kg6 Ke8 1 1.Kg7
(controlling the promotion square) followed by f5-f6-f7-f8=Q.
The Deep Freeze

(When One Pawn Kills Two)
In King and pawn endgames, it’s very important to avoid having your pawn ma-
jority devalued by allowing a smaller force to freeze a larger one in its tracks.
Diagram 67
m 44,40
se Y, a
ee - Uj, 1
Se
ay a GY
“yy SS
2LG, | “en\_
\_
NN
UY
=
arate
Yi
®
NN
A
KU
&@w@
Pn
YOTZTZ
a b cde fgih
All sorts of interesting things are going on in this impossible diagram (no
Kings!). For example, Black to move could create a passed pawn by 1...b5,
while White to move could prepare the creation of a passer by 1.h4 followed
by 2.hS5.
However, the possibility to devalue the opponent's respective majority is also
present. White to move could play 1.a5 when that one queenside pawn freezes
black’s two. On the other hand, Black to play could try 1...g5, when his one
kingside pawn freezes both of white’s.
Diagram 68
8
7 Vy GD] |
6 _ AZ
5 ao
4
3
2
1
White to move
Though Black has a passed pawn, white’s ability to create one of his own on
the kingside ensures that the game will be drawn. However, disaster struck:
1.g4??
Correct was 1.h4 Kd5 (and not 1...Kb6?? 2.¢4 Ke6 3.h5 gxh5 4.gxh5 and
white’s pawn will soon turn into a Queen) 2.¢4 Ke4 3.Kxb5 Kf4 4.h5 gxh5
5.gxh5 Kg5 6.h6 Kxh6, '2-'/2.
1...g5
Diagram 69
REMEMBER
Don’t allow your
pawn majority to be
frozen in its tracks
by a smaller number
of enemy pawns!
rF
KK
TF
NN
Nw
WD
a bc de fgih
The Chicken Coup will seal the deal
Suddenly white’s kingside majority is frozen and useless. Now Black

is, in effect, a pawn up and he wins the game by using the Chicken Coup
technique.
2.Kb3
Sacrificing the h-pawn in an effort to promote the g-pawn doesn’t work: 2.h4
gxh4 3.¢5 Kd6! 4.g6 Ke7 and Black stops white’s g-pawn while White has no
way of stopping black’s h-pawn.
2...Kd5
While White has to deal with the b-pawn, black’s King rushes over and de-
molishes white’s two kingside bits.
oe
3.Kb4 Ke4 4.Kxb5
Diagram 70
Yi, Wa Ay
Y “yy Y a
“~ a “g
i
Y> Ay Va.
fee ene
Pana Yi
DA
WN
kK
now
FPF
©
N
Yj, VY “‘Y UY)
a b cde fgh
Black to move wins
4...Kf4!
Black must be careful since the natural looking 4...Kf3?? allows White to
force a draw by the surprising 5.h4!! gxh4 6.25.
5.Kc4
Now 5.h4 gxh4 is hopeless.
5...Kg3 6.Kd3 Kxh3 7.Ke3 Kxg4 8.Kf2 Kh3!
Making use of the rule that states, “When your King is in front of your pawn,
go as far forward as possible until the pawn is in danger.”
Mistaken is 8...Kf4 9.Kg2 ¢4?? (9...Kg4 would still win) 10.Kf2 with a basic
draw.
9.Kg1
Or 9.Kf3 g4+ (avoiding the humiliation of 9...Kh2?? 10.Kg4 followed by
Kxg5) 10.Kf2 when both 10...Kh2! and 10...g3+ 11.Kgl g2 win.
9...¢4 10.Kh1
White thinks he has the Opposition. Is this true?
10...g3
No, Black has it!
11.Kg1 g2, 0-1. There was no reason to play on and watch 12.Kf2 Kh2
transpire.
As you can see, a player must always be on the alert for such “freezing”
moves!
In positions where a minor piece, Bishop or Knight, faces a lone pawn, any
winning chances that might exist lie with the pawn. This might seem strange,
but it makes perfect sense: a lone Bishop or Knight can’t mate, but a pawn has
the potential to become a Rook or Queen. In such situations, players sometimes
refer to pawns of this nature as “baby Queens” since they have one purpose in
life: to reach the end of the board and become an adult!
The question, then, is very basic: can the Bishop or Knight stop the pawn
from reaching its final destination? If it can, then a draw results. If it can’t, the
game must be immediately resigned since a lone minor piece can’t withstand
the raw power of a Queen (as we saw in Part Two)!
Bishop vs. Lone Pawn

This tends to be a ridiculously easy draw, since the Bishop can stop the
pawn’s march from a distance (which it can usually do even without help from
its King).
Diagram 71
REMEMBER
A Bishop can stop
a pawn even from a
long distance.
White to move
If it was Black to move he would win the game by 1...al=Q, when the resulting
Queen vs. Bishop endgame is completely hopeless for White. However, White
to move draws easily (even though his King is far from the action) by 1.Bf6 Kb1
70
PART THREE — ENDGAMES FOR CLASS “Dp” (1200-1399) 71
2.K£4 (white’s King doesn’t have to take part in this battle. The game would
also be drawn if the Bishop endlessly shuttled back and forth along the a1-h8
diagonal.) 2...a1=Q 3.Bxal, '/2-'/2.
Though a pawn can beata piece if it can promote, there is one way that the
a
piece can win.
Diagram 72
a a
RULE
a ee
A lone Bishop can
Ga
triumph over a lone pawn
if that pawn is a rook-
ae pawn and if its King is
ae
nN
wOw
A
trapped in front of it.
oe Why? Because, in certain
mm
extremely rare instances,
the rook-pawn allows
WH
NYO
FPF smother mates to occur.
a b Cc d e
Black to move
Black’s pawn doesn’t have any hope of promoting since his King is blocking
its path to al. A draw can be obtained by 1...Ka2 (one of only two legal moves!)
when 2.Bd4 is a stalemate. However, if Black was in an “end it all mood” and
couldn’t find a noose, then an alternate form of suicide can be created by 1...a2??
2.Bd4 mate.
Knight vs. Lone Pawn

The Knight doesn’t have the long distance powers of a Bishop, but it can
usually stop an enemy pawn even without help from its King it’s close to the
ae
pawn and can maintain control over the square in front of the pawn.
Diagram 73
Dg g hig@
a
te
ao oe
ee a
mae"a
Ww
WD
N
DO
KW
Pn
“¢ 6 8
oe
Draw
The position in diagram 73 is drawn no matter whose turn it is. First, let’s see
what happens if White has the move.
1.Nb4+
Covering the c2-square. The Knight is more than happy to sacrifice itself for
black’s remaining pawn.
1...Ke4
Nothing is gained by 1...Kd2 2.Kg7 c2 3.Nxc2.
2.Nc2 Kb3 3.Nd4+
This Knight dance around the enemy pawn is the usual way such Knight vs.
pawn endgames are saved—it allows the Knight to keep a permanent eye on the
square in front of the pawn, thus stopping it from safely advancing. Such end-
games are almost always drawn (the one exception is a rook-pawn) if the Knight
can actually land on (or maintain a connection with) the square in front of the
pawn (as it did on moves one, via 1.Nb4+, and two, 2.Nc2). Instead, 3.Nal+??
loses to 3...Kb2, winning the Knight and the game.
3...Kb2 4.Kg7 c2 5.Nxc2, draw.
Going back to diagram 73, we now give Black the move. However, the
game is still a draw since White can target two squares in front of the pawn:
c2 and cl.
RULE
If the Knight can safely land on (or keep connected to) the square (or squares,
if the pawn isn’t on the 7th rank) in front of the pawn, the game will be drawn
(a rook-pawn being the one case where exceptions might occur).
1...Ke4!
A good try that doesn’t allow the Knight access to the c2-square. An immediate
draw follows the tempting 1...c2?? 2. Nb4+ followed by 3.Nxc2. Knight forks like
this are common fare in Knight endgames, so be on the lookout for them!
2.Na5+
White also saves the game with 2.Ne5+, which leads to the same kind of play
that is seen after 2.Na5+
2...Kb4
Things are easy for White after 2...Kb5 3.Nb3 Kb4 4.Ncl.
3.Nce6+ Ke5
Since 3...Kc4 4.Na5+ repeats the position, the only other aggressive move is
3...Kb5 but that falls on its face to 4.Nd4+ followed by 5.Ne2.
4.Na5 c2 5.Nb3+ Kce4 6.Nel

Now White comfortably controls the square in the front of the pawn.
6...Ke3 7.Kg7
White has no reason to leave cl unless he’s attacked. However, even 7.Ne2+
works: 7...Kd2 (7...Kd3 8.Ncl+ Kd2 9.Nb3+) 8.Nd4! (threatening Nxc2)
8...cl=Q 9.Nb3+ picking up the newly born Queen before it even has a chance
to blink!
7...Kb2
Black also has no chance to win after 7...Kd2 8.Nb3+ Kd1 (8...Kc3 9.Nel re-
peats the position) 9.Kf6 and the Knight on b3 is a rock that forever eyes cl.
8.Nd3+
Continuing with the Knight-jig. However, a calmer way to end things is 8.Ne2
when it’s time to agree to the draw.
8...Kc3 REMEMBER
8...Kb1 9.Kf6 also gives Black no hope at all.

If theKnightcan
ee ea
take control
|
ee
of any square in front of the
9.Ncl and Black is not able to make any progress and pawn, the game is drawn.
must (now or soon) agree to the draw.
As mentioned earlier, Rook pawns pose a problem for a Knight that doesn’t
enjoy the support of its King. Why is this? Because the Knight can’t leap from one
side of the pawn to the other because there is only one side to a rook-pawn!
Diagram 74
YW
Kk
Ww
&F
AN
Pn
White to move draws, Black to move wins
We'll first give White the move from diagram 74.

1.Nb5 a2 2.Nc3 when Nxa2 with a draw can’t be stopped.
Going back to the initial position in diagram 74, we’ll now see what happens
if Black has the move.
1...a2!
Simply intending 2...Kb1 followed by ...al=Q and wins. Oddly, other moves
don’t work for Black:
1...Kb2?? 2.Nc4+ followed by 3.Nxa3.
1...Ka2?? 2.Nb5 followed by 3.Nxa3.
1...Kb1?? 2.Nb5 (2.Nc4?? a2 wins for Black) 2...a2 3.Nc3+
followed by 4.Nxa2.
2.Nc4
Hopeless is 2.Nb5 Kb2 when the Knight can’t approach the pawn.
2...Kb1
Black’s only legal move, but a winner nonetheless!
3.Na3+
Or 3.Nd2+ Ke2 and the “baby Queen” turns into an adult!
3...Kel, 0-1.
Of course, White would have drawn this position if his King had been
close:
Diagram 75
ota
1 oe
\N
0.6 ae
a
ooo
A ‘
Se
eo Oo @
Black to move, draw
1...Kb1
Or 1...a2 2.Kel, draw. White could also draw by 2.Nc4 Kb1 3.Na3+ Kb2
4.Nc2 covering the queening square.
On 1...Kb2 White draws immediately with 2.Nc4+ followed by 3.Nxa3.
2.Nb5 a2 3.Nc3+ followed by 4.Nxa2, =.
Here’s another tweak in the general situation we’ve been looking at:
Diagram 76
“a we
WY
a
Y
ata’n CS Y
A ‘a a a
HR
Pe.
Fry
OAs
kW
Vii,
iz
a b cde fgih
Black to move, draw
The pawn’s hanging, and both 1...Ka2 and 1...Kb2 fail to 2.Nc4. Thus black’s
move is forced.
1...a2
Now 2...Kb1 or 2...Kb2 (depending on what White plays) followed by
3...a1=Q is threatened, so White has to put his Knight into overdrive if he
wants to prevent this.
2.Nc4!
2.Nb5?? Kb2 (not 2...Kb1?? 3.Nc3+) forces the creation ofa new Queen.
2...Kb1 3.Nd2+ Kb2 4.Nb3, '/2-'/.
The Knight can comfortably maintain its defense of the promotion square (a!)
thanks to the secure protection of its King. Teamwork really is a wonderful thing!
As with the lone Bishop vs. lone pawn, the piece can occasionally win (in very
rare instances!) only if the pawn is a rook-pawn and its King is trapped in front
of it. Here’s one such example of this occurring.
Diagram 77
wa Vi, Jl,
"atatats
Vi nsOy Vi
a. “a a Yi
Vi Ay ea,
mooe
KR
WwW
NO
Pe
C
NS
NO
So
White to move
1.Nb4!
Taking the a2-square away from black’s King and forcing the pawn to advance.
This leaves the black monarch stalemated, which means that any check will be
mate.
1...a2 2.Nc2 mate.
REMEMBER
A lone Knight can only triumph over a lone pawn if that
pawn is a rook-pawn and if its King is trapped in front of
it. Why? Because, in certain rare instances, the rook-pawn
allows smother mates to occur.
Unlike Bishop and King, which can’t mate, Rook and King is a potent partner-
ship. In this case the Rook will win if the pawn can be stopped or won. In this
endgame, the side with the pawn can only hope to draw if the stronger side’s
King is too far from the action.
Diagram 78
VW, ,, Ud
oats
nN
a
weWY a,
< /
Vi,
UY Jl GJ
Via ay a7,
Y
eee aeVi
VW
HR
We
NY
FP
a b te «def <g> A
Leko - Kramnik, World Championship Match 2004

White to move
RULE
If the enemy pawn is well into its journey towards promotion, and if its King is
helping, and if the Rook’s King is off on vacation, then a draw will result.
In the present position, the pawn is too far and black’s King is a non-partici-
pant. Thus, White won’t have any problem saving the half point.
1.¢6
The pawn is close to promoting, and black’s King is too far to help stop the
pawn’s rush to g8.
1...Kd3 2.Kf5
It’s very important that the King escort the pawn to the promised land. ‘The
immediate 2.¢77? would lose to 2...Rg1.
2...Rb5+
Also drawn is 2...Rfl+ 3.Ke6 Rgl 4.Kf7 Ke4 5.g7.
77
3.Kf6 Rb6+ 4.Kf7 Rxg6

Ending the game. Instead, 4...Rb7+ 5.Kf8 Ke4 6.g7 would still lead to the
loss of black’s Rook.
5.Kxg6, '/:-'/:
Diagram 79
Bl
Black to move wins
In diagram 79 we get to see an important winning maneuver:

1...Rb4!
This traps white’s King along the 3rd rank and, as a result, also defuses the
pawn. This idea doesn’t work if white’s King gets to the 4th rank or beyond (as
it was in the Leko-Kramnik game).
2.6
Or Black will calmly walk his King over the kingside.
2...Rb6!
The point! Suddenly the poor pawn is on its own—its King is too far away
to help it.
3.g6 Rg6, 0-1.
RULE
A pawn on the 5th rank and a King trapped on the 3rd rank by the
enemy Rook is always a win for the side with the Rook.
In our next position (diagram 80), White wins (even though Black has the
move!) because his King is close enough to the pawn to help the Rook stop it.
A team effort between and Rook and King often allows White to fight success-
fully for control over the queening square.
= 80
Zee
a8 an
a“oe ©
TO
ea
DW
WN
KR
Ww
FPN
©
I
ae
yana
a bc de fgih
Black to move, white wins
1...d2
No better is 1...Kd2 2.Kb3 when black’s pawn is going nowhere.
2.Kb3 Ke2 3.Ke2 and the pawn is lost, and with it the game.
Beyond Basic Opposition
If the Kings
8g are connected on afile, , rank, or diagonal,
gonal, then
you can easily ascertain whether or not you possess the Distant
Opposition—it’s as simple as counting from one to six.
The formula for Distant Opposition: You want an odd number of
squares between the Kings with the other guy to move! (Conversely,
if there is an even number of squares between the Kings, then you
want to have the move.).
To create Indirect Opposition, you want to create a square or rectangle

connecting the Kings with every corner being the same color.
King and Pawn Endgames

Rook-pawns often pose exceptions to all the normal endgame rules.
In a King and pawn (any pawn but a rook-pawn!) vs. King endgame,
if the stronger side’s King is one square in front of its pawn, the win
depends on whether or not he has the Opposition.
In a King and pawn (any pawn but a rook-pawn!) vs. King endgame,
if the stronger side’s King is two squares in front of the pawn
(which, of course, should be safe from capture!), he always wins.
Fox in the Chicken Coup

Fox in the Chicken Coup is the way to win multi-pawn King
endgames where one side possesses an outside passed pawn.
The Fox in the Chicken Coup technique is: At the right moment,
let the opponent win the passed pawn. While he’s doing that, your
King should be rushing towards the unprotected mass of enemy
pawns, where it can eat them at will.
Minor Piece vs. a Lone Pawn

G2 A minor piece (Bishop or Knight) vs. a lone pawn is usually
drawn, since the piece will sacrifice itself for the pawn and
create a King vs. King draw.
80
Diagram 81
Vi, i, Wa
ms
5 .
ie, af
a Wala
7 "9 Bal
aaa
WV VW, WUW:
ry
SP
®
SN
Da
kW
w
YY7
a bcdefgih
White to move
Is White winning?
Sst? = Diagram 82
7m
i 0,"© _.
oo a 20
Wi, — oi
“tO “a
Nw
Waa
WwW
NY
RP
&
EBM
oe
a bcdefgh
White to move
Is White in any danger?
81
‘ph
— 83
a,
Is White winning?
a Ca
— 84
8k
tT
4cron
MN
a becde f gioh
Is White winning?
ann
ON
—>85
cer
TOM
4 AN
Black to move
Can White win?

THREE — ENDGAMES FOR CLASS “D” (1200-1399) 83
PART
Diagram 86
aa
ata“2s a 64;
ik &
ai ie
10 07 o
oe
aa
Y,
©
WDM
wk
Pn
a bcdefgh
White to move
Is the King and pawn endgame after 1.Rf4 drawn?
Diagram 87
Dg ahs
a
o_O
oe
on a le
©
NN
WDA
PnownAvr
a bc def gih
Ts White lost?
SOLUTION ] —— 8]
& 7
EAS "a a
6 ee YJ
‘| bee,
ee“eaua
Bi
i; amas
Z Z a
White
to move
Is White winning?
4
or even
If you used the Fox in the Chicken Coup concept by 1.Kd6 or 1.Kd5
: 3...
1.Kd7, you did well since 1...Kxb7 2.Ke6 Kc6 3. Kxf5 is completely decisive
Kd5 4.Kg5 Ke4 (of course, 4...Ke6 5.Kg6 [5.Kxh5 Kf5 6.Kh6 also wins] 5...Ke7
6.KxhS followed by 7.Kxg4 is hopeless) 5.f5 Kf3 6.f6 Kxg3 7.f7 Kh2 8.f8=Q is
game over.
However, if you decided to hang onto your passed pawn by 1.Kb6?? you
clearly have to rethink things since you’ve just stalemated your opponent and
drawn an easily won game.
REMEMBER
As in all endgames, stalemates play an important part in the defender’s hopes and
must always remain in the stronger side’s mind as something to avoid at all costs.
w
I
VDA
Rh
PNY
White to move
Is White in any danger?
No, White’s not in any danger at all. Even if Black had the move, the game
would be drawn: 1...Kb2 2.Nc3 a2 3.Nxa2, draw. However, it’s White to move
and this turns out to be one of those rare instances where the lone Knight beats
the pawn.
1.Ke2!
This traps the enemy King in the corner, where it will block its own pawn.
1...Kal
The only legal move.
2.Nel!
Takes away the a2-square from the black King and leaves him no choice but
to push the pawn. However, this leaves the poor King completely immobile
(meaning any check is mate!).
2...a2 3.Nb3 mate.
SOLUTION 3. § Diagram 83 |
ae
a” Yi,
ins
GRU,
Y
ee
ae ee
“eee
a8 (bese?
cd)ve if. (2°ch
Is White winning?
2
If you answered “yes” or “no,” you’re wrong on both counts. The correct
answer is, “It depends on who has the move!” If it’s White to move, then the
game is drawn since Black holds the Opposition:
1.Ke5 Ke7 2.d5 Kd7 3.d6 Kd8 4.Ke6 Ke8 5.d7+ Kd8 6.Kd6 stalemate.
If it’s Black to move, White wins since now White is in possession of the
Opposition.
1...Ke7 2.Kc6 Kd8
2...Ke6 3.d5+ Ke8 4.Kc7! and the pawn pushes through and promotes.
3.Kd6 Kc8 4.Ke7 Kc7 5.d5 followed by d5-d6-d7-d8=Q.
SOLUTION 4 ae 84
ane
'
|
oe
ae
“0 O Yi, i
pane
a a
ah avd ve oF . ech
Is White winning?
a
If you answered, “It depends on who has the move.” you're wrong. White wins
no matter who moves first. If Black moves first the win should be obvious:
1...Kc6 2.Ka5 Kc5 3.b4+ Kc6 4.Ka6, etc.
If this isn’t clear, go back and carefully reread the material on this kind of
endgame, but at this point in your studies the win if White moves first should
also be a no-brainer:
1.b3!
Taking the Opposition.
1...Kc6 2.Ka5, etc.
Vi, Ha U0
i, fi, a,
GRY:
VY,
sf
Y
Ke
sh
WO
Nw
UUY
abe
ad eo E-Book
Black to move
Can White win?
I’m pleased if you thought that White might have problems because his passer
is a rook-pawn, even though this isn’t correct here (just the fact that you are
now aware of the problems a rook-pawn can pose is a great sign!). The fact is,
White wins no matter who moves, and the rook-pawn has no significance since
White intends to sacrifice it anyway!
What we have here is another Fox in the Chicken Coup situation—White will
give up the a4-pawn in order to win the f5-pawn, while also gaining a winning
King position:
1...Kb6
If White had the first move then 1.Kc5 or Kc4 would both do the trick.
2.Kc4
White would also toss in 2.a5+ Ka6 3.Ka4 Ka7 4.KbS but it would lead to the
same basic situation as reached after 2.Kc4.
2...Ka5 3.Kd5 Kxa4 4.Ke5
Black’s King is far from the action, seemingly on vacation.
4...Kb5 5.Kxf5 Kce6 6.Ke6
6.Kg6 is also sufficient for an easy victory.
6...Ke7 7.Ke7
7.£5 also wins, but why let black’s King get closer to the key f8-square?
7...Kc6 8.f5 followed by f5-f6-f7-f8=Q.
. f=
ZT
Bsa
a G47
im ae
Fata tee
ae abe «doe OF vg oh
Spielmann-Duras, Carlsbad 1907

White to move
Is the King and pawn endgame after 1 .Rf4 drawn?
Even grandmasters blunder in the simplest of endgames. This position is

hopelessly drawn and literally any King move would save the game. However,
White decided to exchange Rooks and enter a “completely drawn” King and
pawn vs. King endgame.
1.Rf4??
Expecting 2...Rxf4+ 3.Kxf4 with an immediate draw, he must have fallen out
of his chair when Black played ...
1...Kg5!, 0-1. After 3.Rxf5 Kxf5 black’s King has gotten in front of his pawn
and has the Opposition. So the answer was yes, the King and pawn endgame
was indeed drawn after 1...Rxf4+, but White is completely lost in the King and
pawn endgame that arises after 1...Kg5!
SOLUTION 7 [| Diagram 87
Pa
“s
YW ah Y)
‘oo -
"a os "aAZ
i, Ut
otVe
oO «
a. bad deer fg oh
Akiko Uto -— Tran, Paris 2005

White to move
Is White lost?
In this position White, suffering from the illusion that her King was needed on
the kingside, resigned since black’s pawns appeared to be unstoppable. However,
the game is dead drawn:
1.Kxf2 Kxh2
Things seem bad for White since 2.Ne4 or 2.Ne2 is met by 2...a4 when both
pawns can’t be stopped.
2.Ke2!
This is what White missed—this changing of the guard (white’s King runs to
the queenside to deal with the a-pawn while the Knight will take on the g-pawn
by itself) easily saves the half point.
2...¢3 3.Kd2 g2 4.Ne2, '/2-'/2. The Knight has no problem dealing with the
g-pawn, while white’s King will march over and snap off the a-pawn.
I’ve clearly ratcheted up the difficulty level in this section—diagonal and

non-connecting forms of Opposition, King and pawn endgames, Fox in the
Chicken Coup, the Deep Freeze. All this is a far cry from the overkill mates in
Part One!
Nevertheless, the fact is that all these endgames and their accomplanying rules
are extremely easy to absorb if you give the information a bit of time to sink
in. Just because things appear hard due to a wide-eyed first impression doesn’t
mean that they are.
Yes, it will take more time than previously asked to thoroughly master this
material. But you do have to master it—you shouldn’t continue in this book
until every nuance of Opposition, Fox in the Chicken Coup, and Deep Freeze
is completely assimilated.
€ H
a2 Key
he need to know endgames becomes a much higher priority once you
reach the 1400-1599 range. In the United States, this rating group
represents the average tournament player, and this means that you’ve
probably become serious about moving up the ranks. To successfully
do that, you’ll need to expand your endgame arsenal and master a series
of easy to learn but critically important positions and concepts. Now it’s time
to take it to another level, to digest ideas that might appear difficult and even
profound, but will turn out to be easy to grasp and remember—once you put a
little effort into it, of course!
This chapter is far larger than any other chapter in this book. Why? Because a
quantum leap in endgame understanding is necessary if one wishes to be a solid
class “C” player who has aspirations for advancement. Thus, here you'll hone the
skills already acquired in this book, and come face to face for the first time with
many of the most important “must know” positions and concepts in chess.
90
‘Thus far we’ve mastered the Opposition and basic King and pawn vs. lone
King theory—If you haven’t mastered this material, stop (or this book will self-
destruct!), go back to Part Three, and catch up! Now we’ll hone the King and
pawn skills you already possess, and give you some new, extremely useful, tools.
King and Pawn vs. Lone King

(A Quick Tussle for Opposition)
King and pawn vs. lone King endgames are, for the most part, pretty simple
affairs. In fact, a glance is usually enough to let you know who will own the
Opposition and whether or not the defending side will be able to set up the
basic drawing position. However, there are a few cases where some subtlety is
demanded from one or both players.
Diagram 88
on
Fy am
a a aa
“oA 6 @
ss
ents
Ww
DA
©
NWW
KR
PN
4,0, A Gem
a bc de fgih
White to move
This position is actually quite confusing. If one follows our rules of Opposi-
tion with 1.Kf2—creating a rectangle whose connection points are on f2, £8, h8,
and h2 and taking the Opposition—then the game will be drawn after 1...Kg7
2.Ke3 Kf6 when both 3.Kf4 and 3.Ke4 are met by 3...Ke6 with a basic draw. If
91
this doesn’t make any sense, run, don’t walk, to Part Three and read the section
on Indirect Opposition again.
White failed to win this position because he wasn’t able to get his King in
front of his pawn.
So, tossing immediate thoughts of Opposition out the window, the only way
to get white’s King in front of its pawn is:
USEFUL ADVICE
If taking the Opposition fails to accomplish the goal of getting the King in front
of its pawn, then it’s useless to take the Opposition in the first place.
1.Ke2!
This advances the King amd moves it away from the enemy monarch
1...Kg7
Black can take Indirect Opposition by 1...Kg8 but this leads to the exact same
position as our main line after 2.Kd3Kf7 3.Kc4 Ke6 4.Kc5.
2.Kd3
Since black’s King is on the kingside, White heads for the queenside so it
can avoid a direct confrontation. As seen earlier, 2.Ke3?? Kf6 3.Ke4 Ke6 is an
easy draw.
2...Kf6 3.Kc4 Ke6 4.Kc5 Kd7 5.Kd5 with a basic win for White, as seen
in Part Three.
Diagram 89
PE
Iw
DA
WY
fk
NY
Black to move, draw
In Part Two we saw that, even though White has the Opposition, this position
is dead drawn: 1...Kd7 2.d6 Kd8 (the ability to move straight back when the
pawn hits the 6th rank is a critical one, as we'll see in diagram 90) 3.Ke6 Ke8
4.d7+ Kd8 5.Kd6 stalemate.
PART FOUR — ENDGAMES FOR CLASS “C” (1400-1599) 93
We've also learned that, when the stronger side’s King gets one square in front
of its pawn (we’re taking it for granted that it’s a non rook-pawn), the result of
the game depends on who has the Opposition.
Diagram 90
70.77
a tet
a Ge
a “a
wo oe
ae eM
Ww
®
NN
A
oo
KN
FN
aa
a bcdefgh
Black to move, draw
White to move wins easily by Kd6, but Black to move draws by taking the
Opposition: 1...Ke7 2.d5 Kd7 3.d6 Kd8 4.Ke6 Ke8, '/2-'/.
This rule—if the stronger side’s King gets one square in front of its pawn the
result of the game depends on who has the Opposition, illustrated in Part Three,
Diagram 62—only flounders if the pawn is a rook-pawn, or if the pawn is on the
Sth rank and its King is on the 6th.
Diagram 91
eee ‘on
om ek
oo
OS
4 0.
Baoan
®
N
WDA
kK
Pnw
YU, bo
D a
a becdefgih
Black to move, White wins
Black to move seems to be okay since he can take the Opposition by 1...Ke8.
However, he’s actually dead lost since 2.d6 Kd8 3.d7 highlights the fact that
he can’t move straight back (as in diagram 89). This means that Black should
resign after 3...Ke7 4.Ke7.
Our oft-repeated rule (.e., if the stronger side’s King gets one square in
front of its pawn the result of the game depends on who has the Opposition),
shockingly, turns out to have two exceptions! This can prove confusing to many
players, so look at the differences between the last three examples (Again and
again, if need be!) until you fully understand what has occurred. Once you’ve
done this, we’re ready for our next position.
7 RULE
If the stronger side's King gets one square in front of its pawn, the result of the game
depends on who has the Opposition unless one of two exceptions are present:
¢ The game is drawn if the pawn is a rook-pawn;
¢ Ifa non rook-pawn is on the 5th rank and its King is on the 6th, taking the
Opposition won't save the defender.
2S92
NS
DW
WT
kK
we
YN
Pe
White to move, wins
A quick look might make us believe that the position is drawn since Black will
get the Opposition, but a closer examination proves that Black won’t survive:
1.Kf5
White can’t allow ...Ke8-d7 with a draw.
1...Kf7
‘Taking the Opposition and stopping white’s King from advancing. So far, so
good. But white’s next move would quickly bring Black back to reality.
Of course, 1...Ke8 2.Ke6 Kd8 3.d7 is completely hopeless.
2.Ke5
And suddenly White pries the Opposition away from Black since 2...Kg7
(taking Diagonal Opposition) 3.Ke6 is game over.
2...Kf8
A good try that allows Black to hold his breath and pray for a miracle. 2...Ke8
3.Ke6 leads to our main line.
3.Kf6!
No miracles today! Of course, 3.Ke6?? lets Black take the Opposition back
with 3...Ke8.
3...Ke8 4.Ke6 Kd8 5.d7 Kc7 6.Ke7, 1-0.
Diagram 93
Vi 48 Vi), J
Va, Vy, by,
I00 O
”Ga, Joy Myf
“eo 6@
ae
Yj,J
“eee oe
a ae ae
Coe ee
White to move, wins
This position is easy since White to move wins by simply marching his King
in front of his pawn:
1.Kd2 Kd8
1...Ke7 2.Ke3 Ke6 3.Ke4 leads to a basic win, as seen in Part Three (ie.,
the stronger side always wins if his King gets two squares in front of his pawn,
unless it’s a rook-pawn).
2.Kd3 Kd7 3.Ke4 Ke6 4.e3! and White, with his King in front of his pawn
and with the Opposition, will have no problem scoring the full point (if there zs
a problem, go back to Part Three and reread the material).
Diagram 94
Vi, “3
2&7, 77
7 Ay UU
ra
0,0, “O.
0tiY, I
M2ates
YY,
I 7 ]
4
Black to move, draw

Black to move is quite another matter, and after some mutual finesses the
game turns out to be drawn:
1...Ke7 2.Kd1!
What’s this? Has White gone mad? Actually, White is setting a nice trap since
he sees that the direct 2.Kd2 Ke6 3.Kd3 Kd5 4.Ke3 KeS is an easy draw.
2...Ke6 3.Kd2
Diagram 95
WDA
KR
wo
NY
FP
®W
N
Black only has one saving move
Believe it or not, Black only has one way to draw!
3...Kd6!
Taking the Distant Opposition. Losing alternatives are:
mum 3... K{6?? (taking the Indirect Opposition) 4.Kd3 (and not
4.Ke3?? Ke5 with a draw) 4...Ke5 5.Ke3 and White wins
(Banish yourself to Part Three if white’s win isn’t obvious to
you after 5.Ke3.).
mum 3... Ke5?? 4. Ke3, 1-0.
mmm 3... Kd5?? 4.Kd3 Ke5 5.Ke3, 1-0.
wm 3... Kf5?? 4.Kd3 KeS5 5.Ke3, 1-0.
4.Kd3
4.Ke3 Ke5 amounts to the same thing.

4...Kd5, '/2-"/.
Sneaking into a Winning King and

Pawn vs. King Position
By now you should know when a basic King and pawn vs. lone King position
is lost or drawn. This knowledge allows you to correctly gauge more complex
situations where the prospect of pawn exchanges forces you to decide whether
the resulting position is favorable to your cause.
Diagram 96
i agMag
.
ae an
aS
eae e :
ees
ee
Y Yi
©
NM
WD
wk
Pn
YY “yy Y/
a b cde fgih
Trébuchet: Whoever moves loses
This kind of position, which can occur with any set of pawns other than
rook-pawns (with both Kings in front of their respective pawns), is known as a
Trébuchet. There is not much to learn, since a glance will make things pretty
clear: whoever moves is in zugzwang—he is forced to move away from the de-
fense of his pawn, which will result in an obviously lost King and pawn vs. lone
King situation. Thus, if White has the move:
1.Kh4 Kxf4
With black’s King in front of his pawn, the win in easy.
2.Kh3 Kf3
Making sure that his King will have full control over the queening square
on fl.
3.Kh2 f4 4.Kg1 Ke2 followed by ...f4-f3-f2-f1=Q.
RULE
Though this “base” position is easy to grasp, be-
A Trébuchet situation is a dead loss
ing conversant with it allows you an easy plan when to the player with the move.
faced with what seems to be a tough battle. 4
Diagram 97
NN
WDA
hk
WwW
nN
Pe
a b cde fgih
White to move, what’s going on?
This is the kind of position that sends many players into a panic. Who is
better? What in the world is going on? Is there anything to gasp onto that will
enable us to make a quick and easy assessment? The idea of something defin-
able which can help us understand the right path in seemingly tough positions
is an important one, and we’ll be searching for such “crutches” all through this
book. In the present case, that crutch is our basic Trébuchet—after the c-pawn
and h-pawn are taken, the result will depend on who can force the other into
zugzwang via Trébuchet. Since black’s King will be closer to the two center
pawns (meaning that he can make first contact), White will end up a loser in
the coming battle.
1.Kxh6 Kxc3 2.Kg5 Kd3!
The key move! The obvious 2...Kd4?? would be a game losing blunder since
after 3.Kf5 Black would be on the sour side of the Trébuchet.
3.Kf5
Forced.
3...Kd4! and White must part with his pawn. He could resign here, but we’ll
continue: 4.Kg4 Kxe4 5.Kg3 Ke3 (Not letting white’s King get in front of the
pawn.) 6.Kg4 e4 (Avoiding the embarrassing 6...Kd2?? 7.Kf5, =) 7.Kg3 Kd2
followed by ...e4-e3-e2-e1=Q.
This example shows us that a firm grasp of the following rule can prove very
useful indeed.
RULE
In a near (upcoming) Trébuchet position, the side whose King can make
first contact with the enemy pawn can force a winning Trébuchet.
Though Trébuchets happen fairly often, far more common is the following
type of situation:
Diagram 98
ao a
a
fae,é a
ae
a“
ia
i
Ww
NA
WN
kK
NY
FP
“0
a
8 we
bcdefgh
Can White win?
It doesn’t matter who has the move since the e5-pawn falls in any case (White
to move would play 1.Kd6). The real question is, can White win after he captures
black’s final pawn? Using your understanding of King and pawn vs. lone King, you
should be able to ascertain that the game is drawn since Black can get a position
where white’s King is in front of his pawn (which is good for White), but Black
can gain the Opposition (which is good for Black) and hold the game.
Let’s give Black the first move:
1...K£7! He
UsEFUL ADVICE
The only way to draw! 1...Ke7?? loses to 2.Kxe5 (taking You can often solve
the Opposition!) 2...Kf7 (or 2...Kd7 3.Kf6) 3.Kd6 Ke8 seemingly difficult
(3...Kf6 4.e5+ Kf7 5.Kd7) 4.Ke6 (Continuing to use the situations by steering the
Opposition to push black’s King away from the queening game towards the many
basic situations you have
square. White can also win by 4.e5 Kd8 5.c6 Ke8 6.¢7 ae
mastered.
Kf7 7.Kd7, etc.) 4...Kd8 5.Kf7 Kd7 6.e5 and the pawn 1
promotes.
2.Kxe5 Ke7!
Taking the Opposition and, as seen in Part Three, drawing easily.
3.Kd5 Kd7 4.e5 Ke7 5.e6 Ke8!
Black could still lose by 5...Kd8?? 6.Kd6 (Opposition) 6...Ke8 7.e7 Kf7
8.Kd7, etc.
6.Kd6 Kd8 7.e7+ Ke8 8.Keé6, '/2-'/2.
REMEMBER
The ability to see whether or not you or your opponent can gain the Opposition in key
moments is extremely important. Successful endgame play is impossible without this skill.
Diagram 99
“ase
wif BM,
OG
ee
WU),
Ss
GO
WN
HR
Ww
PN
w
VM
a bc def egih
Black to move
As in the previous position, White to move would still pick up the pawn by
1.Kd7, but we’ll give Black the move here simply because it’s more instructive
to do so. Unfortunately for the second player, Black now loses, even though it
appears he can get the Opposition.
1...Kf8
The best try, since it allows Black to take the Opposition after White devours
the e6-pawn. There’s no hope at all after 1...Ke8 2.Kxe6 Kf8 3.Kd7 when the
pawn quickly turns into a Queen.
2.Kxe6 Ke8 3.Kd6 Kd8
Doesn’t Black have the Opposition?
4.6
No, he doesn’t! Suddenly Black is the one who must move.
4...Ke8 5.e7 and he’s not able to use the “move the King straight back” rule
since he’s run out of board! After 5...Kf7 6.Kd7 the game would end quickly.
What happened? It looked like Black should have drawn, but somehow he failed
to do so!
Diagram 100
DW
NA
kK
ww
N
PN
a becdefegh
Black to move
FOUR — ENDGAMES FOR CLASS “C” (1400-1599) 101
PART
Diagram 100 should help to clarify black’s previous failure. In diagram 99,
Black’s King was not able to step backwards after the pawn reached e6 and, as
a result, he lost. Here though, Black draws easily since he can step backwards
and take the Opposition at will: 1...Ke8 2.Kd6 Kd8 3.Kd5 Ke7 4.Ke5 Ke8
5.K£6 Kf8 6.e7+ Ke8 7.Ke6 stalemate.
There is a bit of an optical illusion in diagram 99, so carefully compare the
last two positions until the “why” and “how” becomes clear.
King and Two Doubled Pawns

vs. Lone King
King and two (doubled) pawns vs. lone King always win unless the pawns can’t
be properly defended, or unless they are rook-pawns. The defender’s only hope
lies in winning one of the two pawns, or in tricking the opponent into some
lucky stalemate. Thus, when you have this two-pawn advantage, be very careful
to avoid stalemate by making sure the enemy King always has a legal move.
Diagram 101
Ce
a
fi RULE
aie : If the pawns are healthy
a WN and not rook-pawns, King
aa é
A
and two pawns vs. a lone
as \
0.0, %
King always wins.
\
\ “o's
fo
White moves and wins, Black moves and draws
Black to move draws immediately by 1...Kg4 when the g3-pawn is lost. The
resulting King and pawn vs. lone King position is hopelessly drawn (which, if
you're reading this section, you should be well aware of). White to move is a
different story.
1.Kf3 Kf5 2.¢4+ Kg5 3.Kg3
White does best to play this endgame as if it were a King and pawn vs. lone
King situation. His extra pawn will come into effect later when a key tempo
move is needed.
3...Kg6 4.Kf4 Kf6 5.¢5+ Kg6 6.Kg4 Kg7 7.Kf5 K£7 8.g6+ Kg7 9.Kg5
Kg8 10.Kf6 Kf8
Black, by following the drawing formula for a King and pawn vs. lone King
position, has done the best he could. If White didn’t have that extra g-pawn,
then the game would now be drawn after 11.g7+ Kg8 12.Kg6. However, White
does have that extra pawn, and this makes all the difference.
11.g7+ Kg8 12.g3
This move, in effect, says, “Excuse me, but could you kindly move your King
away from the front of my pawn?”
12...Kh7 13.Kf7 and wins.
Okay, that seemed simple enough, but why didn’t White push both his g-pawns
down the board at the same time? The answer is that doing so would increase
black’s chances for a stalemate (as illustrated in the next example).
Diagram 102
Le uyaha”
L,
ap
Dig a une
es Sa Ae
ie
oo
aaa nn
L608
a bc de fgih
White to move
In our previous example, White only touched his extra g-pawn at the end.
However, he could have pushed both, which might have led to this position.
White still wins, but he has to be careful!
1.g7+ Kg8 2.¢5 Kh7 3.g8+!
Forced but adequate. Instead, 3.Kf7?? draws by immediate stalemate! Note
how the advanced g5-pawn restricts the movement of the enemy King and thus
turns into atraitor.
After 3.¢8+, White forces a winning King and pawn vs. Jone King position.
3...Kxg8 4.Kg6 Kh8 5.Kf7 Kh7 6.g6+ and wins.
UsEFuL ADVICE
When you possess King and two doubled pawns vs. lone King, don’t push both pawns up the
board together since that increases the weaker side's chances for a lucky stalemate.
Rook-Pawn
(Stalemating the Stronger Side)
In general, in a King and pawn vs. lone King position, the weaker side loses
if he can’t get his King in front of the enemy pawn—if you can’t block and stop
the pawn from queening, then you’re a goner! However, rook-pawns often al-
low all sorts of exceptions due to the fact that there isn’t a file to the side of the
pawn (which creates many odd stalemate possibilities).
Diagram 103
V1, Ud, l,.,H-4

7gla
a _oeG
ao
WN
©
N
N
an ee
aaa
Cars
peasa.
AR
WwW
NN
FP
/aaanu
a
Za
bc def gih
White wins
If black’s King stood on h8 and white’s on h6, then the game would be an
easy draw since the pawn won’t ever be able to get past the blocking defensive
King without giving stalemate. In the diagrammed position, though, the black
King isn’t blocking anything (in fact, white’s King has a firm grasp on the
critical h8-queening square) and has no way of stopping h4-h5-h6-h7-h8=Q.
Thus, he might as well resign.
Diagram 104
Co a a
ie a oe
a0, ",
a a
oN
Vi, Jd
Vi, -— Ay“a
Vi, i,ae
u,bVa
kK
MI
WwW
FN
a bcdefgih
Black to move, draw

If White had the move, he would simply play 1.Kg7 and force resignation.
However, Black to move draws with either 1...Kf8 or 1...Kf7. Let’s take a look:
1...Kf7
Keeping white’s King cornered and thus forcing it to block its own pawn!
2.h5
Of course, 2.Kh8 Kg6 followed by ...Kh5 and ...Kxh4 ends things immediately.
2...Kf8
Actually, 2...Kf6 would also draw since 3.Kg8 Kg5 picks up the pawn, while
3.h6 K£7 takes us back into safe territory. Careful though! In general the de-
fender wants to keep his King on f8 and 7, which allows him to leap to g8 if
allowed.
3.Kh8
By now you should know that the position after 3.Kg6 Kg8 is hopelessly
drawn.
3...Kf7 4.h6 Kf8
Even faster is 4...Kg6 5.h7 Kf7 stalemate!
5.Kh7
White’s King is caught in a net and can’t clear a path for his pawn! You might
have noticed that 5.h7 Kf7 led to immediate stalemate and a draw.
5...Kf7
Not letting the snared white King out of its cage!
6.Kh8 Kf8 7.h7 Kf7 stalemate. This is a rare example of the side with no
pieces left stalemating the stronger side’s King.
‘Taking the position in diagram 104 and adding a second or even third h-pawn
has absolutely no effect on the result:
Diagram 105
Va,
7] “@ “~ V8
Cm Via,
eat aMh
7
ae
lw Sa we
a bc de fgih
Black to move, still a draw

This strange position is a dead draw, despite the fact that White is no less
than three pawns ahead!
1...Kf7 2.h6 Kf8 3.Kh8
Just as useless is 3.Kg6 Kg8 when Black just moves his King back and forth
between h8 and g8 until White finally stalemates him.
3...Kf7 4.h5 Kf8 5.h4 Kf7
Notice black’s subtle defensive maneuvers.
6.Kh7 Kf8 7.Kh8
Again, 7.Kg6 Kg8 is nothing for White.
7...Kf7 8.h7 Kf8 9.h6 Kf7 10.h5 Kf8, stalemate! The final position deserves
a diagram:
Diagram 106
a a
te
as
a
~s
AO
LA
a a
Be
dE
Ww
NO
VU
kK
=
on eoa
a bo efodie.
sf «pe ch
White to move, stalemate
The position in diagram 106 should, once and for all, burn the lessons we’ve
explored concerning rook-pawns deeply into your brain.
— 107
a
Vi, _OXRX
ams
ie
“a a. 60.7sm
ea ne
V
CX
NN
DA
WV
ek
we
Pro
V1
a bc de fgih
“X” marks the spot!
This diagram should make it easy to know whether or not a King and rook-
pawn vs. lone King position is drawn. If the defender’s King stands on any of
the “X” squares the game will be a draw (the position of white’s King won’t
change the result).
Entering the Square of the Pawn

When an enemy pawn is trying to outrace your King down the board, it’s
always nice to be able to see with a glance if you (or your opponent) can draw.
Sadly, most players feel that they must do the old “he goes there and I go there”
routine for an endless series of moves to see if their King can make it back in
time to stop an unescorted enemy pawn. Fortunately, there zs an easier way!
Diagram 108
WS
iw Pagar
ss
— ne Yi
wa
6 =
W 18
a a”
AD Ay,“wysa
8Vi
mata"ate
Y Y)
DO
YN
KK
Ww
@w
IFN
Y/ "ys “yy Y2
a bc de fgih
Black to move
This position (diagram 108), in which white’s King is far from the action,
poses a simple question: Can black’s King stop (or even win) the enemy pawn?
The game hangs in the balance—if the black King can stop the pawn, then the
game is drawn, while the game is lost if the King can’t. The answer lies in a
technique called the Square of the Pawn.
Diagram 109 shows the same position as the previous one, but now the nor-
mally invisible Square of the Pawn is drawn and clear for all to see. How does one
create such a square? Here’s the trick (in the direction of the stalking King):
mame Draw a diagonal extension from the pawn to the end of the
board.
mwamme— Draw a rank extension from the side of the pawn to the file
where the diagonal extension ended. In this case that would be
the e-file since the diagonal extension ended at e8.
gee Connect all the lines and you'll get the square in the diagram.
PART FOUR — ENDGAMES FOR CLASS “C » (1400-1599) 107
Diagram 109
“Eten
x
Yj
Sotata” RULE
If black’s King can step into
Mea
oatatans
this square, it will stop the
pawn. If it can't, the pawn will
run for a touchdown.
Vi Yi Vi
sw
Dw
kW
rw
FPF
VM e Os
a be g h
Black to move steps into the Square
Now we can see at a glance that black’s King can indeed step into this square
and thus stop the pawn. However, if it was White to move, 1.a5 is a winner
because a new square would be created.
Diagram 110
GZee
a
alle i
Uf a
at
Oo “a” W
7 a Va WY)
HRW
ZX
PNW
DN
Ia,
ss 7
a be die.)
ftro hh
Black can’t step into the Square
Even if it’s his move, Black can’t step into this new square and thus can’t stop
the pawn.
If all this seems confusing, think about it, try to move the King towards the
pawn on your own board, and imagine the square shrinking each time the pawn
moves. After a bit of time the whole Square of the Pawn idea will be an easy and
natural part of your chess arsenal.
Outside Passed Pawns

In Part Three, we learned that many pawn endgames could be won by the
Fox in the Chicken Coup technique. I didn’t mention it then, but this is really
just one example of the usefulness of an Outside Passed Pawn.
What is an Outside Passed Pawn? It’s a passed pawn that stands to the side
of the main sphere of battle. Such a pawn is usually a very valuable commod-
ity since it can be far from the enemy King and thus pose a serious promotion
threat, and/or it can force the defending King over to deal with it, leaving the
embattled area (where most of the pawns reside) bereft of a defender.
Diagram 111
FPF
CC
NN
WB
kW
Nw
White easily wins this position (it doesn’t matter who has the move) thanks
to his outside passed d-pawn, which allows him to makes use of the Chicken
Coup idea.
1.d5+ Kd6 2.Kd4
Black’s King is now forced to relinquish control over the key e5-square. Why
is e so important? Because this is a steppingstone square that takes White closer
to the tasty morsels on g6 and hS.
2...Kd7 3.Ke5 Ke7 4.d6+ Kf7
Black’s last stand. He didn’t fancy 4...Kd7 5.Kf6! (The key idea: White gives
up his pawn—which was used as a diversion—so he can feast on the unpro-
tected black army.) 5...Kxd6 6.Kxg6 followed by 7.Kxh5.
5.Kd5
Also good enough is 5.d7 Ke7 6.d8=Q+ Kxd8 7.Kf6 and all of black’s
pawns fall.
5...Kf8
On 5...Ke8 White would turn his d-pawn into a Queen by 6.Ke6 (taking the
Opposition) 6...Kd8 7.d7 Kc7 8.Ke7.
6.Ke6 Ke8 7.Kf6, 1-0.
That was easy! But White started out with an extra pawn, so the result is
hardly surprising. Can White use the Outside Passed Pawn in the same manner
if material is even? Yes, he often can!
Diagram 112
kK.
WwW
NSN
NO
PN
White to move
This is a win for White for two reasons:
gum [le has the Outside Passed Pawn.
mum Black's kingside majority is devalued since white’s one kingside
pawn freezes both black units.
1.c5+ bxc5 2.bxc5+ Ke6
Trying desperately to turn his own majority into a passed pawn. The routine
2...Ke6 is offers no hope at all: 3.Ke5 (of course, 3.Kc4 Ke7 4.Kd5 with Ke5
and Kf6 to follow is also game over) 3...Kxc5 4.Kf6 Kd6 5.Kxf7, 1-0.
3.Kce4!
Clearly bad is 3.c6?? Kd6 4.c7 Kxc7 5.Ke5 Kd7 6.Kf6 Ke8.
However, isn’t 3.Ke4 just as good? The answer is no, since Black could then
create a passed pawn: 3...f5+ 4.gxf6 Kxf6 (and not 4...g5?? 5.c6 and one of white’s
pawns will soon turn into a Queen). After 4...Kxf6, black’s King can step into the
Square of white’s c-pawn after 5.c6 Ke6. So, White should try: 5.Kd5 Ke7! (not
falling for 5...g5?? 6.Kd6! when black’s King can’t approach the white pawn. ‘This
Opposition also has another, very evil, point: 6...g4 7.c6 g3 8.c7 g2 9.c8=Q gl=Q
Diagram 113
ODO igh
a ne
Ui
ae ee
oe
a
anata
DO
KY
oe 8
WwW
SN
PN
a b ed <6 °f£ “6h
An Important Trick
This position illustrates an important trick: 10.Qf8+ when black’s King is

forced to step onto the fatal g-file. After 10...Kg5 11.Qg8+ the black Queen
falls and with it the game.)
Let’s go back to the position after 5...Ke7!
Diagram 114
ea
“a @
aa. wae
qe
ti oy
o 8 8
fl tit aMi
a bc defgih
Black draws
6.Kc6 (This allows White to wrest control over the queening square on c8.
Completely ineffective is 6.c6 when both 6...g5 or 6...Kd8 force a draw) 6...g5
(black’s King can’t help anymore, as shown by 6...Kd8?? 7.Kb7 g5 8.c6 g4 9.c7+,
1-0. Fortunately, black’s own passed pawn manages to save the day.) 7.Kb7 g4
8.c6 g3 9.c7 g2 10.c8=Q g1=Q, 172-'/2.
It’s clear that 3.Ke4 failed to get the job done and that white’s King needs to
be on the queenside where it can help its pawn rush for a touchdown. Hence
the strength of 3.Kce4.
Diagram 115
aoe
we Ea
— manee
a
me a
e ae
aaSof
a bcdefgih
Black to move, but White wins
3...f5 4.gxf6 e.p. Kxf6

Defeat comes even faster after 4...25 5.c6 when black’s King can’t deal with
both onrushing pawns.
5.Kb5!
White’s pawn is farther advanced than black’s, so he can afford taking time to
use his King in the fight for the key c8-square. The immediate 5.c6?? lets black’s
King set up shop on c8 after 5...Ke7 6.Kb5 Kd8 7.Kb6 Kc8.
5...¢5 6.c6 Ke7
It’s now clear that the pure race via 6...¢4 fails: 7.c7 g3 8.c8=Q g2 9.Qg4 and
it’s all over.
7.Kb6 ¢4
Or 7...Kd8 8.Kb7 when White has won the battle for c8.
8.c7 Kd7 9.Kb7, 1-0.
REMEMBER
An Outside Passed Pawn is a valuable endgame commodity. It can
pose a serious promotion threat, and/or it can force the defending
King over to deal with it, leaving the embattled area (where most
of the pawns reside) bereft of a defender.
Very few people study minor piece endgames, and this is certainly not the
place to enter into the many complex situations that can occur when Bishops
and Knights rule the board. However, the “C” class is an excellent place to
dip your toes into shallow minor piece endgame waters. Don’t worry, it will
be painless and very useful, since the few positions we will explore all turn
up regularly and allow you to save many situations that, at first glance, seem
completely hopeless.
Bishop and Wrong Colored

Rook-Pawn vs. Lone King
One of the most surprising and common “miracle-saves” features a position
where White enjoys a Bishop and pawn vs. a lone King! This sounds like it
should be resignable, yet it can be salvaged #f:
mame The pawn is a rook-pawn.
wm “The pawn’s queening square is a different color than its
Bishop.
gum The defender’s King can reach the queening square (or any of
the squares touching the queening square).
This still sounds crazy, doesn’t it? Let’s take a look at a few Bishop and pawn
vs. King positions and, before you know it, you'll soon completely understand
the dynamics behind the miracle save mentioned above.
Take a hard look at diagram 116. One would think that an extra Bishop and
pawn should be child’s play, and here they would be right! White wins because
the rules just listed are not all present—his pawn isn’t a rook-pawn.
112
Diagram 116
ay uig®
ee
“o e ee ]
Vif aoe
Vay“es a ‘a RULE ;
Dy Ay; A Bishop and (safe)
Pate Z non rook-pawn
Y vs. lone King is
Ss
DA
MN
KK
Ww
NH
me
ZG ‘e “¢# k
always a win (finally
something makes
ab. € de f
sense!),
This doesn’t qualify! “
1.g7+ Kg8 2.Be5

Avoiding nasty tricks like 2.Kg6 stalemate or 2.Be3 Kh7 3.Kf7 stalemate
(again!). Since the only way White can screw this up is to allow a stalemate or
give away his pawn or Bishop, make sure you are safe from these pitfalls each
time you move!
2...Kh7 3.Kf7 Kh6 4.g8=Q Kh5 5.Qg3 (quickest) 5...Kh6 6.Qg6 mate.
Okay, let’s take a look at a position with a rook-pawn, since that is what makes
this trick happen (though I have yet to prove it!).
Diagram 117
Vay, VaiyJiy®
Y
i“a oobi
Y Yd EG attest .
Y) Y -a RULE
Y Y ey Y A Bishop and (safe)
ameY) w
“y,aM, w rook-pawn that
Yj ee = = hs
WY Wj Yj Yj color as the Bishop
FP
@
N
WDA
kK
nw
is always a win!
a b cde fgh
This doesn’t qualify either!
This position also loses for Black (it doesn’t matter who has the move), even
though White is left with a rook-pawn. Do you see why black’s defensive stance
won’t succeed? If you noticed that the pawn’s queening square is the same square
as the Bishop then you have a sharp eye. As a result, white’s win is ridiculously
easy via 1.Be5+ (alertly avoiding 1.h7 stalemate!) 1...Kg8 2.h7+ Kf8 3.h8=Q+.
As you can see, the fact that the Bishop can kick the defending King off of h8
is extremely important!
In our next position (the one I’ve been promising!), White doesn’t have this
luxury.
Diagram 118
Cl Te
ara
iheYj2Y,
Yi ae Le
ae.
Draw with anyone to move
Ah, this is more like it! All our Bishop and rook-pawn of the wrong color
rules are finally present! Now Black draws easily since White just can’t get that
blasted King away from h8! Still don’t believe it? Let’s try:
1.Bf5
Okay, this is hardly a brain-shattering move, but 1.h7 is an immediate draw
by stalemate, while 1.Bd5 is yet another way to stalemate black’s King.
1...Kg8 2.h7+
Other tries also get nowhere. For example, 2.Be6+ Kh8 3.Kg5 Kh7 4.Be4+
Kh8 and White isn’t making any progress.
2...Kh8 3.Kg5 Kg7 and Black just moves back and forth between g7 and
h8 until stalemate is delivered, White gives up his pawn, or the universe as we
know it ceases to exist.
RULE
Bishop and rook-pawn (that queens on the opposite

color as the Bishop) vs. lone enemy King is a draw.
Clearly, once you achieve this endgame, it’s a no-brainer to draw. That means
that the only hard part is creating it (if you were in trouble) or avoiding it (if
you were winning). The rest plays itself. Here is an illustration of both these
possibilities in one example:
Diagram 119
a we
ae a
“a am Oe
aa em
“oC 6 6 8
aS
Ca ea
“OOD
a bcdefgh
White to move
1.Ke5
Rushing the King to a dominating position is almost always a good idea in
just about any kind of endgame. But do you have any idea how many people
would decide to get their pawns rolling by 1.g4, only realizing their epic mistake
when you spank them with the “bring them back to reality” move 1... Bxg4!.
After 2.Kxg4 Kg7 Black can dance around the table, celebrating the fact that
the game is a dead draw!
1...Bc8 2.Kf6
The King annexes even more ground before getting his pawns moving.
2...Bd7 3.Bf5 Be8
Of course, trading Bishops leads to a resignable King and two pawns vs. lone
King endgame.
4.¢4
Now this pawn can safely move up the board.
4...Kg8
A funny try is 4...Bh5, hoping for 5.gxh5?? when we have a draw even though
Black is down a Bishop and two pawns! Fortunately for White, the simple 5.g5
keeps the win well in hand.
5.25 Kh8 6.Bg4
Again White avoids the tempting but game-ruining 6.g6?? due to 6...Bxg6
with an immediate draw. Moving the Bishop to g4 prepares to safely advance
the h-pawn.
6...Kg8 7.h5 Kh8 8.h6 Kg8 9.Be6+ Kh8
Or 9...Kf8 10.h7 followed by 11.h8=Q+.
10.Bf7 Bb5 11.g6, 1-0. The killing 12.¢7+ will follow.

As you can see, it’s imperative that you know of this trick so you can avoid it,
and that you keep it in mind when things are going badly so you can salvage a
half point when everyone else has counted you out!
Lone King vs. Knight and

Rook-Pawn on the 6th or 7th
We’ve just seen an important instance where a Bishop and pawn can’t beat
a lone King. Surely the flexible Knight is immune from such anomalies? One
would think that a Knight and (safe) pawn would always beat a lone King, but
there is one important exception!
RULE
4 A Knight and a (safe) pawn vs. a lone King is always a win for the material advantage,
except when the extra pawn is a rook-pawn and that rook-pawn is on the 7th rank.
We’ve seen that rook-pawns often create exceptions to otherwise ironclad

rules, and this is yet another case of the “rook-pawn curse.”
Our next example shows why the Knight and pawn win under normal circum-
stances (i.e., the pawn’s not on the 7th rank).
Diagram 120
Kk
N
rFnrNYNwW
WD
Black is doomed, even though he has the move
Even though white’s King is in another time zone, Black has no chance at all
in this position because the pawn can easily be protected by its Knight.
1...Kh7 2.Ng4!
And not 2.Nf7?? Kg6 3.Ke5 Kxf7 4.h7 Kg7, =.
UsEFUL ADVICE
When you have to guard your pawn with your Knight in this kind of endgame,
it’s usually correct to defend the pawn from behind and not from the front
or the side (as we saw in the note to White’s 2nd move). Why? Because an
undefended Knight on the side or front allows the defending King to capture it
and still be in a position where the pawn can be stopped. Capturing a Knight
that’s behind its pawn allows the pawn to turn into a Queen.
2...Kg6 3.Kc5 Kh7

Of course, 3...Kg5 4.h7 leads to a new Queen for White.
4.Kd5 Kg6 5.Ke6 Kh7 6.Kf7 Kh8 7.Kg6

Be careful, 7.Nf6?? is a draw by stalemate!
7...Kg8 8.Ne5
Avoiding the tragic 8.h7+?? Kh8 when White has to give up his pawn (which
is an immediate draw since a mate with King and Knight vs. lone King isn’t
possible) or allow stalemate.
UsEFUL ADVICE
White wins these positions by taking control of the queening square with his Knight.
8...Kh8
Also elementary is 8...Kf8 9.h7 Ke7 10.h8=Q, etc.
9.Nf7+
Chasing black’s King off of the critical promotion square.
9...Kg8 10.h7+ Kf8 11.h8=Q+, 1-0.
It seems that the Knight’s ability to control any colored square (unlike the
Bishop’s) assures the Knight and pawn victory over a lone King in all sane
situations. However (as stated earlier) there is one trick situation that must be
avoided (or played for, if you’re the side in trouble).
Diagram 121
Via, bh uf
BE
h,_/14,, a oa
fl a2.
aoe
Yi, fe
©
nN
Aw
a
a
FP
Ww
mM
7 .
La
a.-b oe cde. fg hi
Black to move, draw
Here we have the miracle save that was promised in this section’s introduc-
tion. Black’s King controls the queening square and the rook-pawn is on the 7th
rank. Incredibly, White has no way of making the annoying black King leave
the h8 or g7 squares!
1...Kh8 2.Ke6
Or 2.Kf6 stalemate.
2...Kg7 3.Kf5 Kh8
Again, Black welcomes 4.Kf6 or 4.Kg6, since both lead to an immediate draw
by stalemate.
4.Kg4 Kg7 5.Kh5 Kh8 and again White can’t approach the pawn via 6.Kg6
or 6.Kh6 since that would lead to immediate stalemate. The game is drawn since
the pawn can’t move, the Knight is stuck babysitting the pawn, and white’s King
can’t touch its pawn without stalemating its evil counterpart.
Many players don’t see this coming, so add it to your arsenal of emergency
endgame weapons!
Bishops of Opposite Colors

‘Tournament players love to bandy about the term “Bishops of opposite colors,”
though they often don’t really know much about this interplay of minor pieces.
In the middlegame, Bishops of opposite colors is thought to be an advantage for
the attacker since one Bishop can’t defend what the other attacks. However, in
the endgame Bishops of opposite colors can give the defender serious drawing
chances in positions that one would think are losing. For example, a one-pawn
advantage is often inadequate to score the full point.
PART FOUR — ENDGAMES FOR CLASS “ Cc” (1400-1599) 119
Diagram 122
Ce aae
a 82a
a ace “
ana
om 20.
a ea
en ee
oa
e
C&C
NS
DO
WV
kK
Ww
Pn
BH
Hopelessly drawn
Even though black’s King is off on vacation, White has no chance whatsoever
of winning this position since Black will just snap off the pawn if it ever moves
ee
to f6.
Diagram 123
7s
_ SO
ete)
Z
Sa “aouta
een XQ
Geiene.
a"
poo a
UW
hk
WwW
&
AN
FN
“6 eo
hl
Another easy draw
White enjoys a dominating King position and an extra pawn. Nevertheless,

Black draws in mindless fashion by moving his Bishop back and forth along the
al-h8 diagonal, trading pawns whenever the opportunity presents itself, and
finally giving up his Bishop for the final enemy pawn. Here’s a sample of how
play might proceed:
1.f4 Bal 2.f5 Bb2 3.g5 hxg5 4.hxg5
Also useless is 4.h5 g4 5.f6 Bxf6 6.h6 gxh6 7.Kxf6 and though the Bishop has
been lopped off, White has run out of pawns and can’t win.
4...Bal 5.Kh7
A tricky try. The immediate 5.f6 gxf6 6.gxf6 Bxf6 is an obvious draw.
5...Bb2 6.f6 gxf6

Black could also play 6...Bxf6! 7.gxf6 gxf6, =.
7.26
Actually threatening to win by 8.g7+.
7...f5! 8.Bxf5 Bal with ...Bal-b2-a1-b2, etc. to follow until White agrees to
the draw out of sheer boredom.
Diagram 124
a b cde fgih
Time to shake hands
This position shows one of the main problems the stronger side faces when
Bishops of opposite colors exists: the passed pawn on e6 is firmly blocked by
black’s King and white’s light-squared Bishop is unable to influence anything
on that color. Thus, it can’t make the King step away from its blockade, nor can
it attack black’s kingside pawns!
Black draws by keeping his King planted on e7, and by keeping his Bishop on
the al-h8 diagonal. In this way, the passed pawn on e6 will never get anywhere,
the h6-pawn is defended by the other pawn, and the g7-pawn is firmly (and
permanently) guarded by its Bishop. Again, mindless “back and forth” action
by ...Bal-Bb2-Bal-Bb2 is all it takes to split the point.
We'll continue our look at Bishops of opposite colors in Part Five.
&y
USEFUL ADVICE
When you are in trouble, an excellent “last stand” strategy

is to trade into a Bishops of opposite colors’ position.
Most players feel helpless when they enter a Rook endgame. This is quite
unfortunate since Rook endgames occur often—in fact, they are more common
than any other kind of endgame.
One thing that keeps players from studying such endgames is their apparent
complexity. Who can understand and/or memorize such things? Which endgames
are important, and which ones are complete wastes of time?
Here we'll begin our Rook endgame education with two must know positions:
The Lucena Position and the Philidor Position. Are they hard to understand?
Do they take hours of effort to master? No, the basics of the Lucena and the
Philidor can be completely assimilated in thirty minutes to an hour. In return,
you'll find they occur remarkably often, and they will both serve as lifelong
guideposts on how to handle all other, far more complex, Rook endgames.
The Lucena Position

(The Sacred Key to All Rook
Endings)
It’s time to learn (yes, you will completely master this particular ending in the
next few minutes!) the Holy Grail of Rook endings; the sacred key that allows
you to know what to avoid when defending a pawn down Rook endgame,
while also giving you the knowledge to know what to head for if you have the
superior side.
UsEFUL ADVICE
This is one of those bits of chess knowledge that every
serious player must possess. It’s that important.
The Lucena Position, first published in 1634 by Salvio (for some reason it
wasn’t in an earlier book by Lucena), is a simplified position where one side has
a Rook and a non rook-pawn on the 7th rank (the King in front of its pawn),
while the other side just has a Rook. The position in diagram 125 shows us the
particulars.
121
Diagram 125
TeTaT
es ae
a0e 6
Mt
"a6
a
NN
DB
NA
RK
WwW
©
PN
“a a Ow
White to move
White wins no matter who has the move, though for clarity’s sake we’ll give
White the move here. The key feature of the Lucena is the extra pawn on the
7th rank, one square away from turning into a Queen. Also, both Kings are
joined in battle, with the white King in front of his pawn and the enemy King
as close to the area of battle as possible. Clearly, White needs to do two things
if he wants to win:
mum Vove his King off of d8 so he can push his pawn.
waa Promote the pawn to a Queen.
Simple goals indeed, but is it really that easy? Of course not! The problem is
that white’s King is blocking his own pawn and, at the moment, the black King
and Rook are preventing it from getting out of the way. Since the black Rook
can’t be budged, White must make the black King give ground.
The first way to try and accomplish this goal is: 1.Re7+? (Many players try
this, but it simply doesn’t get the job done.) 1...Kf8 (And not 1...Kf6?? 2.Ke8
followed by 3.d8=Q with an instant win.) 2.Re8+ Kf7 3.Re7+ Kf8. White is
getting nowhere fast.
Since this fails, White should play:
1.Rf2+!
UsEFUL ADVICE
Trapping the enemy King away from the action is
almost always a good thing to do.
—_ 126
Vi —
a
i te
a ee
a Hak
a
WwW
NO
eB
WN
NI
A
KR
Z ym
Making black’s King leave the scene of battle
This is far more to the point! Since 1...Ke6?? allows 2.Ke8 followed by 3.d8=Q,
Black has to step to the side and give the white King room to wander.
1...Kg7
Now comes a key moment. Of the following moves, which one do you think
is correct?
mmm 2.Ke8
mum 2.Ke7
mum 2.Ro?+
mum 2.R £4
Let’s take a look at each choice (and do study the flaws of every move since it
will help you acquire a clear understanding of what to avoid):
Wrong:
2.Ke8?
Threatening to promote the pawn.
2...Rel+ 3.Kd8 Rel and White hasn’t made any progress at all.
Wrong:
2.Ke7?
Again threatening to promote the pawn. This is the move almost every-
one tries!
2...Rel+ 3.Kd6
It seems the White King is at last free to roam. This is true, but its in-
ability to support its pawn in the face of the upcoming relentless barrage of
enemy checks makes the whole idea invalid.
3...Rd1+ 4.Ke6
And not 4.Ke5?? Rxd7, draw.
4...Rel+ 5.Kf5
Diagram 127
~
NI
DW
WN
kK
wo
PN
@
Not good enough
White’s King is safe. Is he going to win?

5...Rdl
No, he’s not! This Rook move brings White back to reality. The pawn
can’t safely advance, and it’s threatened with capture. White has no choice
but to defend with his King.
6.Ke6 Rel+ and White is again making no progress.
Wrong:
2.Rg2+?
This silly move helps Black by allowing him to move back to f7, once
again rendering the white King immobile.
Thus, the right move for White is:
2.Rf4!
a 128
Fe
@
“I
DW
WN
kK
NW
A mysterious rook move
This certainly looks odd, doesn’t it? However, the idea of using the Rook to
shelter its King from upcoming checks makes sense. The legendary Nimzovich
described this maneuver as “building a bridge.”
RULE
The “Building a Bridge” maneuver is the winning idea in a Lucena Position.
Let’s see how it works:

2...Re2
Black can’t improve his position so he marks time.
3.Ke7
Only now should the white King leave the cover of the pawn. Since promotion
is threatened, Black must go into checking mode.
3...Re2+ 4.Kd6 Rd2+ 5.Ke6
Don’t toss the win out the window with 5.Ke5?? Rxd7, draw.
5...Re2+ 6.Kd5 Rd2+ 7.Rd4!
Diagram 129
ae
a
2 6 ee
masoaee
FP
DW
©
NkW
NW
a bcdefgih
The “bridge” has been built
The bridge has been built and the pawn’s promotion to a Queen can no longer
be prevented. Black resigns.
We can now sum up the winning ideas:
wamme Force the black King away from the action via Rf2+.
mmm Prepare to use your Rook as a check-blocking (“bridge-
building”) agent with Rf4.
mum Move your King away from the front of the pawn.
mau Block the opponent’s desperate checks with the Rook, which
effectively ends the game.
Congratulations! You have now mastered the Lucena Position.
The Philidor Position

(A Critical Defensive Stand!)
Now that you’ve mastered the Lucena Position (You did master that position,
didn’t you?), we will take a look at something that’s almost as important: the
Philidor Position.
Okay, who can remember such strange names? Fair enough. Let’s follow the
old adage that says a picture is worth a thousand words.
Diagram 130
8
ae NW
7
Mi put 'N
6 a8_#
a
5 VA aa
4
a wee
3 \
2
1
ae a.
ba\ gg a8
ws
INN Ts
Wo~ mL
oa a
Draw
White’s a pawn up, enjoys the superior King position, and apparently has the
more active Rook. Though I just listed three serious plusses for White, this is
a dead draw. However, people lose this kind of position every day, so you must
know what you’re doing. Fortunately, the drawing idea is very simple, and by
the time you finish reading the material about the Philidor in Part Four, you'll
be able to draw any grandmaster in the world with ease.
We'll return to the position in diagram 130 soon, but first let’s take a look at
some things that can go wrong for the defender.
Passive Rook
Though a Phildor Position should be drawn, things can turn ugly if the
defender’s Rook becomes passively placed, giving the stronger side free reign
to do whatever he wishes to do.
PART FOUR — ENDGAMES FOR CLASS “C ” (1400-1599) 127
Diagram 131
ETAT
2 UN,mae KY
UsEFUL ADVICE
The idea of swinging the
Yi WY
ae a Rook over to the other side
“0 6 is worth remembering since
mates
you'll be able to make use of
it again and again during the
course of your chess career.
Ww
FPN
SN
DO
kW
ee WW,
a bede@f g h
Black’s passive rook leads to his doom
In diagram 131, White wins because black’s Rook

RULE
is stuck on his 1st rank (moving the Rook off the Ist
If you're defending a Philidor
rank allows Rh8+). Since black’s Rook is a bystander
Position, don’t allow your Rook
and can’t bother the white King, the first player can to become passively placed!
calmly play 1.Ra7! when 2.Ra8+ can’t be stopped. Black
would then have to resign.
Let’s glance at another, equally hopeless, passive Rook position (diagram 132).
Diagram 132
oe
oe Moe
Am
NN
nr
aA
©
a a
oo
eaten
WU Yi
&
WH
PNY
26 @
ay ib. ude és sft eh
Different pawn, but Black’s still dead
White scores the point by using that same “swing the Rook to the other side”
technique: 1.Ra7 Kb8 (Not a happy choice, but 2.Ra8 mate had to be stopped. If
1...Kd8 2.Ra8+ picks up black’s Rook.) 2.c7+ Kc8 3.Ra8+ Kd7 4.Rxg8 and Black
might be well advised to resign and find something better to do with his time.
Sometimes, though, you can play horribly and still exit with your skin
intact. In diagram 133, Black has allowed his Rook to become passive, but
it doesn’t matter because White can’t win if he’s left with a knight-pawn or
rook-pawn.
Diagram 133
Yj,
Mla
RULE
U0
If your opponent's extra
pawn is a knight-pawn or
rook-pawn and your King a th a
is in front of it, you should a Y, Y
effortlessly draw even if
x Vi,
the lobotomy scar hasn't
completely healed yet. Vi, 4,
eR
Ww
NN
me
wD
NSN
WO
a= “g “g
a bcdefgh
Black draws despite himself!
If only White could swing his Rook over to the file left of the a-file! Sadly,
such a file doesn’t exist. Because of this, White can’t force a catastrophic back
rank check (as occurred in diagram 131 after 1.Ra7) and, as a result, can’t win
the game: 1.Rb7+ Ka8 2.Ra7+ Kb8 and no progress can be made since 3.b7??
Rg6+ wins for Black!
REMEMBER
These kinds of passive Rook positions are winning for the stronger side if the pawn (which |
is on the 6th rank) is a bishop-pawn, queen-pawn, or king-pawn (thanks to the possibility
of swinging the Rook over to the other side). However, a knight-pawn or rook-pawn is
hopelessly drawn, since this “swing the Rook over” maneuver is no longer possible.
Pure Philidor
Having taken a look at the key passive Rook positions, it’s finally time to return
to the position in diagram 130 (recreated for your viewing pleasure in diagram
134) and studya basic Philidor Position in all its glory.
Diagram 134
MiG / Uj
ly Vay J
Wi,Y USE GY Y
=x Wi, J,
Y g
lo
Y,UU.F
Ve)“yy, “yy
Y
Us
DA
WN
KR
Ww
rN
RP
@w
I
Black to move draws easily

Remember how I promised that you would be able to draw any grandmaster
with ease from this position? I wasn’t joking! The big idea here is to take away
the whole 6th rank from the white King:
1...Rh6!
Believe it or not, this simple move ices the draw.
Black was aware that passive play failed due to our old “swinging Rook crouch-
ing check” trick: 1...R£7 (“Why let White check our King?” is a common line of
reasoning. But stopping such a check turns out to be unrealistic after ...) 2.Ra8!
when Ra7+ can’t be prevented.
But why didn’t Black play for the active Rook by 1...Rh1 (threatening to check
ae
on d1)? Because after 2.Rg7+ Ke8 White has the strong 3.Kd6!.
Diagram 135
8. VY W8T,,,W
7, ie x
S Vi 6 al i; 7] UsgFUL ADVICE
? Vs, G4 Gade “ The idea of blocking
4 Dy wo yyY“y checks by using the pawn
as cover is a big ene,and
Ta“ooey Sot
3 Y Vay"ie a
1 ax
aE
Not what Black wants!
Suddenly Black can’t maintain a cascade of checks since 3...Rh6+ runs into 4.e6
(using the pawn to block the check and threatening Rg8 mate) when 4...Rh8
leads to the lost passive Rook positions already discussed in diagrams 131 and
132. Also note that 3...Rd1+ fails to 4.Ke6 when the checks are over and Rg8+
is once again “on.”
By the way, the position in diagram 135 turns out to be drawn after all, but it’s
far from easy and is anything but “basic.” Look for a discussion of this in Part
Seven, where Black faces his fears and survives against impossible odds. For our
purpose (i.e., proving that the Philidor Position 1s an easy draw), we’ll say that
you would be smart to avoid the position in diagram 135.
Fortunately, playing 1...Rh6! (from diagram 134) makes life good (and easy!)
again.
2.Rg7+ Ke8 3.Ra7 Rg6
Diagram 136
“You shall not pass!” shouts the black Rook to the white King
The “deep” defensive idea (also known as the 37d Rank Defense) is now clear.
If left alone, Black will bravely play ...Rh6 and ...Rg6 until the cows come
home (or wrist-cramp sets in). Of course, if Black lusts for adventure then he
can toss in ...Rb6 (a “longer” and more flowery move), but it all amounts to the
same thing: white’s King desperately wants to step forward but can’t due to the
blocking power of the black Rook!
4.e6
Not what White wanted to play, but he has no other choices since 4.Ra8+ Ke7
makes Black happy. Now White threatens the strong Kd6 when black’s King
will feel some serious heat.
4...Rg1!
Only now does this active move work. Since white’s King can’t hide behind his
pawn any longer, the upcoming avalanche of checks makes the draw obvious.
Diagram 137
No cover for the white King
In diagram 135 White was able to use his pawn as cover. Here (in diagram
137) he cannot. You would be wise to compare the two positions!
5.Ra4
No better is 5.Kd6 Rd1+ 6.Ke5 Rel+ and White should be a good sport and
shake hands.
5...Ke7
Also fine is 5...Rd1+ 6.Rd4 Rxd4+ 7.Kxd4 Ke7 8.Kd5 Ke8 9.Kd6 Kd8 10.e7+
Ke8 11.Keé6, draw.
6.Ra7+ Ke8 when White can’t make any progress at all.
I strongly recommend that you ponder the ideas in this very common endgame.
These themes will help you save games when down a pawn and win games when
you possess that extra bit against an unschooled opponent.
RULE
The defender’s drawing plan in the Philidor Position is to use his Rook to block the stronger side's King
from stepping onto the rank in front of the pawn. Go back and forth with the Rook until the pawn
is pushed (destroying the enemy King’s pawn cover). Then leap to the back rank (putting maximum
distance between the defending Rook and enemy King) and begin checking like a berserk demon!
Trap The Enemy King Away

From the Action
As we saw in our study of the Lucena Position, trapping the enemy King away
from the action was an important idea in the winning process, and is also a key
idea for the defender. The logic is easy to grasp: If a heated battle is raging on
Hill One, and a portion of the enemy army is confined to Hill Two, then you
simply have your opponent outnumbered!
Diagram 138
Vi, fl, ef”
Panasig
NN
oO
A
ce Vi,
_—_ Wi
wl Vi
Vi,
&
WwW
PN
“2 Ui
a bcdefgih
White to move
Thanks to the extra pawn and the fact that black’s King is so far away, White is
clearly winning the game. Black is still holding on to some small shred of hope,
though. If he can get his King in front of the pawn he might (Ah, the joy of
hope!) be able to create a Philidor Position. However, why should White allow
Black to hold onto his dreams when he can immediately show black’s helpless-
ness by the simple 1.Rf1! Suddenly black’s King has no hope of taking part in
the battle since 1...Rf7 2.Rxf7+ is a very easy win.
Our next example shows this “trapping the King away from the action” idea
used defensively.
Diagram 139
USEFUL ADVICE
Trapping the enemy

King away from the
action for either
defensive or offensive
reasons is often a very
effective strategy.
NN
WDA
fk
eH
PNY
Black to move and draw
White to move would win by 1.Kc5 when the d5-pawn would fall: 1.Ke5 Rg5
2.Rd6+ Ke7 3.Rxd5. However, Black to move saves the game by ...
1...Rc8!
Suddenly white’s King can’t join in the battle against d5.
2.Kb6
It’s clear that 2.Rh7+ Kd6 only helps Black, while 2.Rh5 Kd6 has the same
effect.
2...Re2
Letting White know that his f2-pawn isn’t a tower of strength either!
3.Rf6 Rel
Black has no intention of giving up his control over the c-file! Without a King,
White can’t hope to win. Drawn.
This is a no-contest, especially if the stronger side’s King—who we'll suppose
is White—is close to the pawn. However, even if the white King is on the other
end of the universe, a Queen can beat a King and pawn (occasional exceptions
occur if the pawn is on the 7th rank) in two ways:
mame The Queen lands on the queening square. Since the pawn then
has no chance of promoting, the vacationing King can calmly
walk back to the endangered area and eventually eat the pawn.
wae The Queen forces the black King to step in front of its pawn.
Since the pawn can’t move for a moment, the white King can take
a safe step closer to the pawn’s position. This will be repeated
until white’s King joins with its Queen to pick off the pawn.
Queen vs. Pawn on 6th Rank

Diagram 140
Wg aoa
ee
anne
eee
Vi
UV Vi
a
oats
a bo «Gd. ef see oh
White to move
White ends things quickly by permanently stopping black’s pawn in its tracks.
1.Qa5+ Kd3 2.Qel e2 3.Kce6 and Black can’t prevent White from marching
his King to the pawn: 3...Ke3 4.Ke5 Kd3 5.Kd5 Ke3 6.Kc4 Kf3 7.Kd3 and
the pawn is lost.
133
Diagram 141
2” ZY
Wy Us
YY
Y Y
“i Vy Ue,
BE a
Le, Ue,
Vi, 44, Us Y
WY)
Was
White to move
Rook-pawns often prove the exception to various general rules. In this case
White doesn’t want the pawn to get to the 7th rank (we’ll discuss that in a mo-
ment), but he also can’t get his Queen to h1, which would allow White to win
as he did in the previous example.
However, he can win easily in the following manner:
1.Qg5+ Kh1
1...Kh2 blocks the pawn and let’s White safely move his King closer to the
action by 2.Kc7. It also allows White to instantly win the pawn by 2.Q¢4, as
seen at the end of our main line and in diagram 142.
Diagram 142
Ze:
a, “/ Vad
Mi, Ud a
Cae ma
N
DA
WN
KR
PNW
Zaza.
a De «e cdo vel sf op. A
Black to move loses his pawn
The position in diagram 142 is white’s main winning idea when a rook-pawn
is on the 6th rank.
After 1...Kh1 (from diagram 141, which continued 1.Qg5+ Kh1), all of white’s
subsequent moves are geared towards creating the position in the diagram.
2.Qd5+! Kg]
2...Kh2 3.Qf3 wins the pawn.

3.Qd4+
Never giving Black a chance to push his pawn to h2.
3...Kh1
We already know that 3...Kh2 falls victim to 4.Qg4, 3while 3...Kfl also loses
to 4.Qf4+ Kg2 (4...Ke2 5.Qh2 is completely hopeless) 5.Qg4+ Kh2 6.Kc7,
winning the pawn.
4.Qe4+
Forcing black’s King to h2 or gl, both poor squares. os . ‘
pe Lone Queen vs. King and

4...Kh2 5.Qg4. pawn on the 6th rank is
5.Qg4+ Kh2 6.Kc7 and Black is forced to jettison his always a win for the Queen.
4
pawn by 6...Kh1 7.Qxh3+ when the game is over.
Queen vs. Pawn on the 7th Rank

Though I personally leapfrogged over the “C” class (jumping directly to class
“B”), I must admit that I remember the first time I ever came into contact with
this endgame. J was fourteen-years-old (with a 1600 rating) and a friend called
and gave me the following position over the phone.
Diagram 143
2Y ae YU:-
Vn
Vi, “@ Vs
Ay YW, 40,0)
0A wu 7
Yi 8477,
&
N
V1
Vind
wer
ny
FP
zg U
a bedefgh
White
to Move
“White’s a Queen up!” I said.

“Yes, but I bet you can’t win it.”
I laughed at him, agreed ona fifty-cent wager, and proceeded to lose my money
when I just couldn’t do it! Humiliated, I finally asked for the solution.
RULE
This endgame is won by maneuvering with the Queen

so that black’s King is forced to step in front of its
pawn. Since the pawn can’t move for a moment, the
white King can take a safe step closer to the pawn's
position. This will be repeated until white’s King joins
with its Queen to pick off the pawn.
1.Qb4+ Kdl1
Otherwise White plays Qel, forever stopping the pawn in its tracks.
2.Qd4+ Kc2 3.Qe3!
Asa child, I wasn’t able to find this endgame “key.” The idea is to force black’s
King in front of his pawn, and then step a square closer to the action with the
white King.
3...Kd1 4.Qd3+
Forcing Black to block his own pawn.
4...Kel 5.Kb7
The first step of many towards black’s pawn.
5...K2
Now White just has to repeat the same process again and again until his King
helps win the pawn.
6.Qd2 Kf
Again, 6...Kf3 7.Qel would be very easy for White.
7.Qf4+ Kg2 8.Qe3! Kfl 9.Qf3+ Kel 10.Kc6 Kd2
Note that 10...Kd1 allows 11.Kd5 since the e-pawn is pinned.
11.Qf2 Kd1 12.Qd4+ Ke2 13.Qe3! Kd1 14.Qd3+ Kel 15.Kd5 Kf2 16.Qd2
Kf 17.Qf4+ Kg2 18.Qe3! Kfl 19.Qf3+ Kel 20.Kd4
Now things end quickly since white’s King is in striking range.
20...Kd2 21.Qd3+ Kel 22.Ke3 Kf1 23.Qxe2+ Kgl 24.Kf3
And not 24.Qf2+ Kh1 25.Kf3?? stalemate. When the game seems ridiculously
easy to win, don’t get overconfident and overlook a stalemate!
24...Kh1 25.Qg2 mate.
Once I saw how it was done (we went over it several times) he made me set
up another position.
soe 144
Ay Vi,
ana
Mi Ay Vi a
Meata
Ca
Y Y
Fe
hk
©
NS
Nw
WD
oun 2
a bc def gh
White to move
“T bet you can’t win this.”

Angry at the insult, I said, “What are you talking about? You just showed me
how to do it! Of course I can win it!”
He was adamant. “I’ll bet you double or nothing you can’t.”
So we went at it again:
1.Qb5+ Kel 2.Qe5+ Kd2 3.Qf4+ Ke2 4.Qe4+ Kd2 5.Qf3!
I was quite proud of myself since I had clearly mastered this winning idea.
There was no question in my mind that I was going to win this bet!
5...Kel 6.Qe3+ Kfl 7.Kb7
At this point I decided that enough was enough. “Okay, I think I’ve showed
you that I know how to win it. Let’s end this farce!”
He just laughed and played...
7...Kg2 8.Qe2 Kgl 9.Q¢4+ Kh2 10.Qf3 Kgi 11.Qg3+ Kh1!—Doh! Ifroze
in my tracks! Suddenly I realized that the game was indeed a draw since 12.Qxf2
is a stalemate, while checks like 12.Qh3+ Kg1 simply repeat the position and
never allow the white King to complete its long journey to the afflicted area.
RULE
A b/g-pawn, e-pawn and d-pawn on the 7thall lose to a Queen.
RULE
A c/f-pawn on the 7th rank can draw against a Queen if the
stronger side’s King is far away from the action.
What about a rook-pawn (a/h-pawn) on the 7th? We’ve seen how rook-pawns
often prove the exception in many endgame positions, and this rook-pawn
paranoia holds true here too.
Diagram 145
oot
2a
7 nme a
“a 20. @
Yi Ue a
[A
a bcdefgih
White to move, draw
Black’s drawing idea in this endgame can be instantly grasped after 1.Qg3+
Kh1!, when the hoped for march of the White King (via 2.Kc7, for example)
leads to an immediate stalemate and draw. Unfortunately for White, Queen
checks also get nowhere: 2.Qe1+ Kg2 3.Qd5+ Kgl (and not 3...Kg3?? 4.Qhl,
winning) and the threat to promote the pawn means that white’s King will never
be able to help out. Thus the game’s a draw.
RULE
A rook-pawn (a/h-pawn) on the 7th rank draws against a
Queen if the stronger side’s King is far from the action.
HP In general, in a king and pawn vs. lone King position, the weaker
side loses if he can’t get his King in front of the enemy pawn—if you
can’t block and stop the pawn from queening, then you’re a goner!
However, rook-pawns often allow all sorts of exceptions due to
the fact that there isn’t a file to the side of the pawn (which creates
many odd stalemate possibilities).
BEB You can gauge the result of an upcoming ‘Trébuchet position in this
way: the side whose King can make first contact with the enemy
pawn can force a winning Trébuchet.
GB King and two (doubled) pawns vs. lone King always win unless the
pawns can’t be properly defended, or unless they are rook-pawns.
MBB You can calculate the square of a pawn by: drawing a diagonal
extension from the pawn to the end of the board; drawing a line
from the side of the pawn to the edge of the board; connecting all
the lines. The defender’s King can step into this square, it will stop
the pawn. If it can’t, the pawn will run for a touchdown.
GHB An Outside Passed Pawn is a passed pawn that stands to the side of
the main sphere of battle. Such a pawn is usually a very valuable
commodity since it can be far from the enemy King and thus pose
a serious promotion threat, and/or it can force the defending King
over to deal with it, leaving the embattled area (where most of the
pawns reside) bereft of a defender.
Minor Piece Endgames

HB A Bishop and (safe) pawn vs. a lone King sounds like it should
be resignable, yet it can be salvaged if: the pawn is a rook-pawn,
the pawn’s queening square is a different color than its Bishop;
the defender’s King can reach the queening square (or any of the
squares
q touching g the q queening £ square).
sq
Gm A Knight and a (safe) pawn vs. a lone King is always a win for the
material advantage, except when the extra pawn is a rook-pawn and
139
that rook-pawn is on the 7th rank. We’ve seen that rook-pawns

often create exceptions to otherwise ironclad rules, and this is yet
another case of the “rook-pawn curse.”
GB Tn the middlegame, Bishops of opposite colors is thought to be an
advantage for the attacker since one Bishop can’t defend what the
other attacks. However, in the endgame Bishops of opposite colors
can give the defender serious drawing chances in positions that one
would think are losing.
Rook Endgames
MM The Lucena Position is the Holy Grail of Rook endings; the sacred
key that allows you to know what to avoid when defending a pawn
down Rook endgame, while also giving you the knowledge to know
what to head for if you have the superior side. The Lucena Position
is a simplified position where one side has a Rook and a pawn (any
pawn but a rook-pawn) on the 7th rank (the King in front of its
pawn), while the other side just has a Rook.
Mim The Philidor Position is a Rook and pawn vs. Rook position where
the defender’s King is in front of the enemy pawn. In general, such
a position is drawn.
HMB In a Rook and pawn endgame, it’s important to not allow your Rook
to become passively placed!
GBB Tn a Rook and pawn endgame, always trap the enemy King as far
away from the action as possible by using your Rook to cut it off
from a file or rank. The logic is easy to grasp: If a heated battle is
raging on Hill One, and a portion of the enemy army is confined to
Hill Two, then you simply have your opponent outnumbered!
Queen vs. King and Lone Pawn

ERP Queen vs. lone pawn is a no-contest, especially if the stronger side’s
King is close to the pawn. However, even if the stronger side’s King
is on the other end of the universe, a Queen can beat a King and
pawn (occasional exceptions occur if the pawn is on the 7th rank) in
two ways:
@ The Queen lands on the queening square. Since the pawn
then has no chance of promoting, the vacationing King can
calmly walk back to the endangered area and eventually eat

the pawn.
e@ The Queen forces the defending King to step in front of its
pawn. Since the pawn can’t move for a moment, the stronger
side’s King can take a safe step closer to the pawn’s position.
This will be repeated until the King joins with its Queen to
pick off the pawn.
MEEB> Queen vs. pawn observations (with the stronger side’s King far from
the action): A Queen vs. any pawn on the 6th always wins for the
Queen; A Queen vs. a knight-pawn, king-pawn, queen-pawn on the
7th wins for the Queen; A Queen vs. a bishop-pawn or rook-pawn
on the 7th is a draw.
Diagram 146
ica aw
a
ft
ii ttl
xn
an
nom oe
scice ses
YW
ere
VI
Sk
NW
“eo8
a.“bove cde: fg? oh
Black to move
Is White winning, or can Black save the game?
TEST2 me wee 147
FP
D
DN
kW
Nw
Black to move
Black played 1...g5 in this position. Is this a good move, or should he have
preferred 1...Kf8?
142
>148
Y,
bomAe
V,, i,
Y “‘Yy 4 ‘y
Yjey
Y
abecdefgh
Black to move
White has a dominating King, two active Bishops vs. a Bishop and Knight,
and two extra pawns. Is it time to resign?
Diagram 149
ee
i Pt
Ma!
ze
‘a
aaa G
8a ge gt
@ oboe
«d ce fog: h
White to move
What is white’s best move?
Diagram 150
TTT
“am me
Oe ste
i Ie0 Os
oo 6 @
Vi, “oa we
“6 6 @
"22 o
a bc def gih
White to move
Can White win this position?
-. TEST6 ze Diagram 151

7777
G07.
om ut
wo
SN
NN
Vdd a7 “
7,0.0.%
moat
Ww
PN
Ea I, W
a bcdefgih
Black to move
Black has a problem-like draw here that you’re ot expected to find (though
have fun trying!). However, can you see the chess oddity that will allow Black
to save himself? We’re looking for an idea, not moves.
"TEST 7 a Diagram 152
aaa we
a a oo ow
ao 8 a
aaon a
Sw
YW
DAN
YW
KR
ww
DFn
a becdefgih
Black to move
It’s a race between black’s King and the a-pawn. Can Black draw?
TEST 8 pe Diagram 153

Taemnae
Veg
2g “ae
earatat
Vi, yy hz,
77/7
a bcdefgh
White to move
White has the better King position, so he should be the one with all the
chances. Can White win?
Diagram 154
7 7 wie
i ~figll a
Bs io
a YW
UO,
eaeatee
YW U_YV
a b cde fgih
Black to move
White threatens the unpleasant Ra7+. How can Black defend himself?
Diagram 155
__ 75ST10 =
eo
i ea g
a Gla
a“asott
“eo A
nN
Aa
aaa
Se
Ww
NY
a
1.02
Y
becdefgih
Black to move
Is Black doomed?
Pest fe Diagram 156

7
ae
ot i
Ay Vi, ji, lo
aaa
hk
Ww
©
N
WD
Fn
“2 Z “2.
at.Abt. se "dao
aif see In
White to move
White’s a Knight up and can capture the a7-pawn two different ways. Can
he win?
see
seal sane
‘a e@ oS
88 8 2:
—_— 157
A—
“a
«ali
nor
oN
FT ON
aa
Aaa
a bc de f gih
White to move
oe
ee
28
og‘O\
“2
— 158
88 So
iat
— 159
“8
8S8 oe
yeas
cn
3 \ go \
os
a
ao«
a ee
8 8 a
Oo
88
Wt
TN
8
ay
a
8
8
a
8
ON
\
|
\
«a
HT
OWN
crn
HON
A
a
-
a be d
White to move White to move
Of these three diagrams (157, 158, and 159), which one (if any) is salvage-
able for Black (White has the move in each case)?
aa,
— 160
oo
“-—~
\
\
“s. WN
a B22
b
Black to move
Black has four ways to play this position: 1.. sxea bes .fxg3, 1...Rg2+, and
1.. .f3. Do any of these choices win?
Diagram 161
aa Mayu,
suet
4
an
oaa
©
NN
WDB
wR
Pn
aaa
Black to move
Black is a pawn up and enjoys a three to two pawn majority on the kingside.
Wanting to create a passed pawn, he played 1...g6. Is this a good move?
SOLUTION ] a 146
Ye
1* Y
“et
Y
[Sige tt
ooo 0,
oboe dine: bak
Gligoric-Fischer, Yugoslavia 1959

Black to move
Is White winning, or can Black save the game?
Black, who can’t let White get the Opposition, and can’t let white’s King get
two squares in front of its pawn, only has one move that draws:
1...Kb8!
This move sits back and waits for White to advance and give Black the Opposi-
tion. Other moves lose because White either gets the Opposition or is allowed
to bring his King too far forward:
mum 1... Kc7?? 2.Kc5 Kb7 3.Kb5 Kc7 4.Ka6, 1-0.
mae 1... Kb7?? 2.Kb5, 1-0.
mum 1... Kd7?? 2.Kb5, 1-0.

mame 1... Kd8?? 2.Kb5 Kc7 3.Ka6, 1-0.
The game was agreed drawn after 1...Kb8 due to the following possibilities:
mmm 2.1K d5 Kb7 3.Kc5 Kc7 4.Kb5 Kb7 with a simple draw.
mame 2.Kb5 Kb7, '/2-'/2.
mmm 2.5 Ke7, 2".
mmm 2.4 Kb7 with a draw (and not 2...Kc7?? 3.Kc5 when White
gets the Opposition and wins).
288,
oatal
ab eG Sd) e= .F cs h
Schlechter-Tartakower, Carlsbad 1907

Black to move
Black played 1...g5 in this position. Is this a good

move, or should he have preferred 1...Kf8?
1...g5??
This loses since it allows White an Outside Passed Pawn (1...Kf8 2.Kd3 Ke7
3.Kce4 Kd7 would have drawn.)
2.fxg5 hxg5 3.Kf3 Kg6 4.Kg4 f5+ 5.exf6 Kxf6
Though Black has a passed pawn, he’s dead lost due to the fact that White can
create a far more valuable Outside Passed Pawn by g3 and h4.
6.¢3! a5 7.a4 e5 8.h4! gxh4 9.exh4
This Outside Passed Pawn allows White to make use of our Fox in the Chicken
Coup concept.
9...Kg6 10.b3 b6
10...e4 11.Kf4 is easy for White.
11.h5+ Kf6
11...Kh6 12.Kf5.
12.h6 Kg6 13.h7 Kxh7 14.Kf5, 1-0. White marches over and wins black’s
remaining pawns.
| SOLUTION 3 — 148
ZOE
ae “a
pice
aa) a,aye
i
iZ a
Gereben - Najdorf, Budapest 1936
Black to move
White has a dominating King, two active Bishops

vs. a Bishop and Knight, and two extra pawns. Is it
time to resign?
In the actual game, Black more or less gave up by playing 1...Nd5 2.g4 Bd7
3.£5+ and he went down in flames. Later Najdorf received some (unjust) criti-
cism for missing a “saving” resource:
1...Nd7+ 2.Kd6 Nxc5 3.Kxc5 Bxh3 and now 4.gxh3 Kf5 draws since, after
_..Kxf4, White will be left with a Bishop and wrong colored rook-pawn (5.Kd6
Kxf4 6.Bxc6 Kg5 7.Ke7 Kh6 8.Kf8 Kh7 and Black safely makes it to h8).
This example shows how a player must always be on the lookout for the Bishop
and rook-pawn of the wrong color save. However, in this example White wins
after 3...Bxh3 by 4.Bc2+!, which forces immediate resignation (4...Bf5 5.Bxf5+
Kxf5 6.g3).
a
oS
ae
oe
oats
C0
“a 4 0 wu Wi
Va,
YW
KR
wD
PNW
ON
aoche ie sde ‘é-— Fg; Ar
White to move
What is white’s best move?
White has made the mistake of pushing his doubled pawns down the board
together. This actually hampers the winning process and now White only has
one way to secure victory:
1.g8=Q+!
This allows White to grab the Opposition and reach a basic winning King
and pawn vs. King position. Other moves throw the win away: 1.Kf7?? is an
immediate stalemate, while 1.g6+?? Kg8 forces White to give up on g7-pawn
and accept a basic draw.
1...Kxg8 2.Kg6!
And not 2.g6?? Kf8 3.g7+ Kg8 4.Kg6 stalemate.
2...Kh8 3.Kf7 Kh7 4.g6+ and the pawn queens.
a hee def Bh
White to move
No, Black draws. Though White wins the final black pawn, his King will end
up trapped in the corner, or he’ll allow the enemy King to take up residence
on g8 or h8.
1.Kg7
On 1.h6 Black simply waits with 1...Kd6 when 2.Kg7 Ke7 3.Kxh7 Kf7 traps
white’s King and forces a draw after 4.Kh8 Kf8 and now 5.h7 is an instant stale-
mate, while 5.Kh7 Kf7 gets White nowhere.
1...Ke6 2.Kxh7
As in our note to move one, 2.h6 Ke7 3.Kxh7 Kf7 is also drawn.
2...Kf7 3.Kh8 Kf8 4.Kh7 Kf7 5.h6 Kf8 6.Kg6
White gets nowhere with 6.Kh8 Kf7.
6...Kg8 and black’s King can’t be chased away from the front of white’s
pawn.
PART
E777
ty
aT
y
Be a”
mae
a
oe bcede@fgh
Black to move
(A variation from a Pal Benko composition)
Black has a problem-like draw here that you’re not

expected to find (though have fun trying!). However,
can you see the chess oddity that will allow Black to
save himself? We’re looking for an idea, not moves.
1...Kxb7!
The only good move. Other moves lose:
muume- 1...Re8 2.Bc8 and White makes a new Queen.
mumme 1... R68 2.Kc6 Rxb7 (2...Ka5 3.Kc7 Rxb7+ 4.Kxb7 a6 5.Bc4
and Black loses his a-pawn) 3.Bc4+! (3.Bc8?? Ka5 4.Kxb7 Kb4
5.Be6 a5 followed by ...a4, =) 3...Rb5 (3...KaS 4.Kxb7 and
White wins the a-pawn and retains a b-pawn, which gives
Black no hope) 4.Bxb5+ (and not 4.b4?? stalemate!) 4...Ka5
5.Kc5 a6 6.b4 mate.
The whole point of this chess problem (starting with the brilliant 1...Kxb7)
is in the possibility of creating a rook-pawn draw. Did you notice that such a
thing might be possible (even if you didn’t quite see how)? If so, your intuitive
grasp of patterns is very impressive!
2.Bd5+ Kb8 3.Be4!
Forcing black’s pawn to advance to a vulnerable square. The “obvious” 3.Bxa8
Kxa8 is an easy draw.
3...a5 4.Bxa8 a4!!, =. White is left with a basic rook-pawn draw after 5.bxa4
Kxa8.
Again, I didn’t expect you to solve this problem, but trying to do so should
ram home the idea that “salvation by rook-pawn” can occur from “out of the
blue.”
707.
00. 0. 0
eae
Yi, o
ea eaMae
‘ — A Y
Se
Re
AID
Nw
HD
it
Black to move
It’s a race between black’s King and the a-pawn. Can

Black draw?
No, Black loses. Though it seems that 1...Kg2 steps into the square of white’s
pawn, this turns out to be an illusion since the pawn can leap two squares at
once:
2.a4 Kf3 3.a5 Ke4 4.a6 Kd5 5.a7, 1-0.
White to move
White has the better King position, so he should be

the one with all the chances. Can White win?
There are a couple things happening here. First, both pawn majorities seem
frozen by a single enemy pawn. Second, even if White achieves a Chicken Coup
infiltration, he’ll be left with a rook-pawn.
However, it turns out that White can easily create a passed pawn, while Black
can’t. Once that is done, the race is on, with White winning by one move.
1.c5S+!
A nice idea. It seems that White’s losing a pawn, but that turns out to be an
illusion.
1...bxc5+ 2.Ke4 Kc7
There’s no hope in 2...g¢5 3.hxg6 e.p.
3.Kxc5 Kb7
Now the footrace begins. White needs to rush to the kingside, eat all the black
pawns, and move his King to g7 before black’s King can reach 8, f7, or f6.
4.Kd6
Actually, White doesn’t need to test his “foot speed” at all. An alternative way
to victory is 4.b6 Kb8 5.Kc6 Kc8 6.b7+ Kb8 7.Kb6 g5 8.hxg6 e.p. hS 9.g7 h4
10.g8=Q mate.
4...Kb6 5.Ke6 Kxb5 6.Kf7 Kc6 7.Kxg7 Kd7 8.Kxh6 Ke7 9.Kg7, 1-0.
SOLUTION 9 | — 154
itwea
ewe e |
Biaan
weeon ||
ae“oe
oa
a aa
a
Black to move
White threatens the unpleasant Ra7+. How can Black

defend himself?
If you thought you could draw by trading Rooks, you’re wrong: l.. .Rc8 2.Ra7+
Rc7?? 3.Rxc7+ Kxc7 4.Ke6! followed by Kf7 is an easy win for White. Instead,
Black can effortlessly hold a half point by using the classic Philidor formula.
1...Rg6! 2.Ra7+ Ke8
Now white’s King can’t advance onto the 6th rank. Since Black can endlessly
tread water by moving his Rook back and forth along that rank, White must
eventually push his e-pawn.
3.e6
Threatening to win by 4.Kd6.
3...Rgl! and the coming cascade of Rook-checks will make it clear that White
has no chance whatsoever of winning.
' SOLUTION 10 Diagram 155
UOT,
i, timU,
ne
Y
U 8Y, EK Y we yp
a
“ou
bee de f g oh
Black to move
Is Black doomed?
i
Black can draw by giving up his Knight for the g-pawn and creating a
miracle-save rook-pawn and wrong colored Bishop vs. lone King draw.
1...Nf6! 2.Bf3 Nxg4!
Taking it before g4-g5 can be played!
3.Bxg4 Kf6 4.h5 Kg7, 1/2-'/2.
| SOLUTION ll Diagram 156.
Uae oe
‘Oo 6 8
Deoo
0 tat
a eee
PNW
&
DI
RW
Oot
22 Ve2 We
abcde fégih
White too move
| White’s a Knight up and can capture the a7-pawn two

| different ways. Can he win?
This is an easy position to blow. For example, 1.Nxa7+?? Kb7 leads to the
loss of the b-pawn. Most tempting is 1.bxa7??, but if you had studied the earlier
material you would know that the position after 1...Kb7 is dead drawn.
1.Nd6+!
The only way to secure victory.

1...Kb8 2.b7 Ke7 3.Kb3, 1-0. White wins by marching his King down the
board: 3...Kb8 4.Kb4 Kce7 5.Kb5 Kb8 6.Ka6 Kc7 7.Kxa7, etc.
SOLUTION ]2 } Diagram 157
a age
tata
a8 oe a
eae a”
y
Oe tee
cae
a bedefegh
White
to move
Diagram 158 Diagram 159
Vay fel EiyOBO ag

Va es ot
eh a el Vi
suMatel ‘Batata
BP Ny a
ee et
pa eats"
White to move White to move
Of these three diagrams (157, 158, and 159), which

one (if any) is salvageable for Black (White has the
move in each case)?
L
Position one (diagram 157) is a forced draw, while the others are resignable.
Look over the material in Part Four again if you didn’t get this right.
| SOLUTION ]3 [| Diagram 160
ye
et We
aw Lo
a a
znae
eB
Black to move
Black has four ways to play this position: 1...Kxg3, 1...

fxg3, 1...Rg2+, and 1...f3. Do any of these choices win?
The only correct move is ...

1...Kxg3!
The other moves don’t get the job done:
wae |... fxo3?? is a basic draw—a g-pawn can’t win, even though
white’s Rook is passive.
mum 1... Ro24+?? 2.Kfl Kxg3 3.Rb3+ f3 4.Rb8 drawing since Black
can’t deal with the avalanche of checks to come.
mum 1...£32? 2.Rb8 and the upcoming long distance checks will
assure White of the draw.
After 1...Kxg3, White can’t activate his Rook (2.Rb8 Ral+ mates) and also
can’t prevent Black from following up with 2...f3 with an easy theoretical win
thanks to the passive state of white’s Rook. An example:
2.Rb3+ (2.Kh1 f3 3.Rg1+ Kf2 is also easy for Black) 2...f3 3.Rb1 Rg2+ 4.Kfl
Rh2 5.Kgl f2+ 6.Kf1 Rhis, 0-1.
| SOLUTION 14 Diagram 161

i
‘oy
_
abedef
2.2 gh
ShadowMan36 ~ Absinthefan666, Internet Blitz

(3 minutes each) Black to move
Black is a pawn up and enjoys a three to one pawn

majority on the kingside. Wanting to create a passed
pawn, he played 1...g6. Is this a good move?
L
This example, which deserves careful study, is a mix of several things we’ve
already learned (or should have already learned!): Opposition, Chicken Coup,
‘Trébuchet, freezing a pawn majority, Square of the Pawn, and Outside Passed
Pawns.
A student of mine, who had the black pieces, showed me this game because
he was very curious about the resulting King and pawn ending. He’s a pawn
up and doing well, but the move he chose left me clutching my heart in con-
vulsive agony.
1...g6??
Turning a win into a loss in one move! Instead, 1...h6 followed by 2...g6,
3...f6, and eventually ...h6-h5, would have won.
2.g5!
A super Deep Freeze! We looked at this idea in Part Three, where one pawn
killed two. Here, though, we see one pawn killing three! Now White wins by:
PART
wea Turning his queenside majority into a passed pawn.
mame Rushing his King to the kingside with drooling Chicken Coup
desires.
mame Eating black’s kingside pawns while black’s King deals with
white’s Outside Passer on the opposite wing.
2...Kb6 3.a4
The immediate 3.Kd5?? allows 3...Kb5 with a draw: 4.Kd4 Ka4 5.Kc4 Kxa3
6.Kc3 Ka2 7.Ke2 Ka3 8.Kc3 Ka4 9.Kc4 when black’s King is permanently
trapped on the a-file.
3...Kc6 4.a5!
Also sufficient is 4.b5+ axb5 5.axb5+ Kb6 6.Kb4 Kb7 7.Kc5 (Back to the old
Fox in the Chicken Coup routine!) 7...Kc7 8.Kd5 Kb6 9.Ke5 Kxb5 10.Kf6
Ke5 11.Kxf7 Kd6 12.Kg7 KeS (or 12...Ke7 13.Kxh7 Kf7 14.Kh6 Kf8 15. Kxg6
Kg8 16.Kh6 Kh8 17.g6 Kg8 18.27 Kf7 19.Kh7, 1-0.) 13.Kxh7 Kf5 14.Kh6 and
White wins thanks to the wonders of Trébuchet!
With 4.a5, White creates an Outside Passed Pawn that’s even further from
the action than the one that would result from 4.b5+. Ultimately it doesn’t
make a difference in this particular game, but oftenalittle detail like this (e.,
dragging the black King even farther from the action on the kingside) can be
the only way to win.
4...Kd6
On 4...Kb7 5.Kd5 (taking the Diagonal Opposition) 5...Kc7 6.Kc5 Kb7 7.Kd6
White can win by going after a6, or continue with his Chicken Coup strategy
and ravage black’s kingside pawns: 7...Kb8 (Though Black takes the Opposi-
tion, it has no effect since it can’t prevent his a-pawn from falling.) 8.Kc6 (8.Ke7
also ices the game) 8...Ka7 (Keeping the Opposition by 8...Kc8 is futile due to
9.Kb6 and 10.Kxa6) 9.Kc7 (retaking the Opposition and forcing black’s King
away from the protection of a6) 9...Ka8 10.Kb6 and it’s all over.
5.b5
Wisely avoiding 5.Kd4 Kc6 6.Ke5?? (White could still win by 6.Kc4) 6...Kb5
7.Kf6 Kxb4 8.Kxf7 Kxa5 9.Kg7 Kb4 10.Kxh7 a5 11.Kxg6 a4 12.Kh7 a3 13.g6
a2 14.27 al=Q 15.g8=Q with a draw.
5...axb5+ 6.Kxb5 Ke7 7.Kc5
Time to go back to our “Chicken Coup” mentality:

7...Kb7 8.Kd6 Ka6 9.Ke7 Kxa5 10.Kxf7 Kb6 11.Kg7 Kc6 12.Kxh7 Kd7
13.Kxg6 Ke8 14.Kh7, 1-0. Black can’t do anything about g5-g6-g7-g8=Q.
Wow! That was a lot of material! However, you now have an extremely solid
endgame base that puts you far ahead of most of your competition, and even
ahead of players a few hundred rating points higher than you that should have
mastered these endgames long ago, but never got around to it.
Trust me whenItell you that the time you’ve spent learning everything in
Part Four will likely prove to be the most rewarding study time of your chess
life. You'll see the effects both in your newfound confidence, and in the results
you gain against people who were once your equals, but now are not in your
league once an endgame is reached.
Even if you decide that you have no desire to ever go past Part Four, do your-
self a favor: if you don’t view King and pawn vs. King positions as kid stuff, if
any mention of the Square of the pawn and Outside Passed Pawns makes your
eyes roll up into your head, if you have even a shred of doubt about how to
handle the Lucena and Philidor positions, if the winning procedure in a Queen
vs. pawn on the 7th situation is something you have to ponder, please go back
and read Part Four again. Do so over and over until everything in it is muscle
memory—your mind might go blank, but your hand will reach out and play
these positions perfectly.
158
. e
e
oe
oS ee
.
Se
fter slogging through the seemingly endless expanse of Part Four, you
should suddenly possess more endgame knowledge than you might
have thought possible. Now, as a “B” player, we’re ready to finish up
the “basics” and leave you lording it over the unschooled masses—the
fact is, few other non-Russian “B” players will know what you know
(they should have learned this information, but they didn’t).
I must admit that when I scaled the rating list and finally hit 1600, I ignorantly
thought I knew all the endgames that I would ever need. The reality was that
I only knew about forty percent of the material that encompasses the first five
parts of this book. Now that I have alifetime of teaching experience, it’s become
clear to me that most players under 1800 know even less, as proved by their many
unnecessary defeats—losses that often occur as soon as an endgame appears.
Why throw away games in this fashion when the easy task of learning the
material through Part Five will allow you to dominate others in your new (“B”)
rating class in most endgame situations? Not only that, but if you have a goal of
reaching class “A” or Expert, knowing this material is an absolute must.
Compared to the ocean of information in Part Four, the lessons here will seem
“a walk in the park!” In fact, most of Part Five’s lessons are merely tune-ups and
add-ons to the endgame skills you’ve already assimilated.
160
At this point you have a wealth of knowledge about King and pawn endgames.
You know the importance of using your King, all forms of Opposition, the
Square of the Pawn, the strength of Outside Passed Pawns, Fox in the Chicken
Coup, all aspects of King and pawn vs. King situations, the drawish tendencies
of rook-pawns, the ins and outs of Trébuchet, and quite a bit more. It’s now
time to solidify your grasp of King and pawn basics.
The following material will enable you to play most King and pawn endgames
with some real skill, and set you up for the more detailed knowledge that’s re-
quired of players in the “A,” Expert, and Master categories.
King and Two Healthy Pawns vs.

Lone King
We’ve already seen (in Part Four) that a King and two safe doubled pawns
(non rook-pawns!) win against a lone King. With that in mind, it’s logical to
assume that two non-doubled pawns should be even more decisive. Indeed,
such situations are usually trivial wins, but there are two cases the might pose
problems to the uninitiated:
mum Split pawns
mm Connected pawns
When you are two pawns up, the only way your opponent will survive is if
you blunder into a stalemate, or if one of your pawns is lost. This “lost pawn”
scenario usually occurs when the stronger side’s King is far from the action,
leaving the poor pawns to fend for themselves.
161
Diagram 162
RULE
nO
©
Two connected
passed pawns can
defend themselves Ss
against a lone King.
WY
RR
wo
Pn
Black to move
The white King isn’t participating, but he has nothing to worry about since
connected pawns always defend themselves.
1...Ke4 2.Kb7 and white’s King can approach the embattled area at its leisure
since 2...Kxe3 3.f5 leads to the quick promotion of the f-pawn.
Diagram 163
RULE
Diy hy ou
Two passed pawns, on the
ae a
le
same rank but separated
by one file, have the ability
to defend themselves ae
from attacks by the enemy Mi
tes
King. When the King ae
attacks one, push the other
and the attacked pawn
V”
eg” Vi
DW
WN
kK
WwW
NY
FP
N
©
suddenly becomes poison!
a bcdefgih
Black to move
White’s King is, once again, light-years away, and it looks like his pawns might
be vulnerable. However, it turns out that the two disconnected pawns doa great
job protecting themselves!
1...Kh5
1...K£5 is met by 2.h5!
2.5!
Suddenly it becomes clear that 2... Kxh4 fails to 3.6 when the pawn promotes.
2...Kh6 3.Kb2
White’s King begins its winning journey. If Black can’t pick up one of the
white pawns, he’s doomed!
PART FIVE — ENDGAMES FOR CLASS “B” (1600-1799) 163
3...Kg7
Naturally, 3...Kh5 4.Kc3 is easy for White since the h-pawn is still immune
from capture.
4.h5!
An important move. Bringing the King up by 4.Kc3 loses the f-pawn and al-
lows a draw after 4...Kf6 followed by 5...Kxf5.
4...Kf6 5.h6!
More punishment for Black. Now 5...Kxf5 loses to 6.h7.
5...Kf7 6.Kc3 Kg8 7.f6 RULE
Actually, White could also win by 7.Kd4 Kh7 Two passed pawns, on the 6th
8.Ke5 Kxh6 9.Kf6. The advance of the f-pawn, rank but separated by one file,
can force the creation of a new
though, is even stronger and forces a new Queen
Queen even without help from
without the King’s help. their King.
7...Kh7 8.7, 1-0.
Diagram 164
Vi, Ay
Ay 4,1,
a eee
tinyWa
ie
iae
me aan
te e
ee
bees
\
A h
Black to move draws
Black can force a draw since one of the pawns will fall.
1...Kh5 2.e5
Giving up the h-pawn doesn’t change the result: 2.Kg2 Kxh4 3.Kf3 Kg5 4.Ke3
Kf6 4.Kd4 Keé6 with a basic draw.
2...Kg6!
The big difference between this position and the previous one where the pawns
were only one file apart is now clear. In that case, the advance of the f-pawn
covered the g6-square and forced the black King to step straight backwards
(when it poses no threat to the advanced pawn). In the present example, though,
the King move to g6 threatens to pick off the e-pawn by ...Kf5.
al
_ REMEMBER
3.Kg2
; As we can see, pawns that are only one file
No better is 3.h5+ Kxh5 4.c6 4 apart tend to be a simple win, while pawns
Kg6 5.e7 K£7, '/2-'/2. 4 two files apart give the defender some
3...Kf5 4.Kf3 Kxe5 5.Kg4 Kf6 hope in certain positions.
with a basic draw.

Nevertheless, in our last example Black drew because White ended up with
a rook-pawn. If we slightly tweak that example, things might well have been
different.
Diagram 165
RULE
The result of King and two

pawns on the same rank
two files apart vs. lone King
usually depends on whether
or not the stronger side can
sacrifice one of his pawns,
using the time gained to
bring his King into the game
and create a winning King
and pawn vs. King position.
ge
Black to move loses
This is the same position as the previous one, except now the black King stands
on f6 instead of g6. This is enough to turn the position into a win for White
because now he will be left with a center pawn instead of an h-pawn and, as a
result, can create a winning King and pawn vs. King position.
1...Ke5 2.h5 Kf6 3.Kg2 Kg5 4.Kf3 Kxh5 5.Kf4 Kg6 6.Ke5 Kf7
7.Kd6, 1-0.
If the pawns get to the Sth rank, then (unless the defending King can imme-
diately capture one of the them) black’s cause is hopeless.
Diagram 166
a Vi, Wa
RULE Vi, “3 Va
King and two pawns on lil
5
the fifth rank two files GertteT,
apart vs. lone King is an 4

easy win for the pawns. 3
2
1
a becdefgih
Black loses
1...Ke6 2.h6 K£7 3.e6+ and one of the pawns will turn into a Queen.
Diagram 167
iG a Te
oe ew
6tet WO
a
O&O
Wi,
oe
a
“ae we
bc def gih
Black to move RuLe

If the pawns are three or more
Black’s a goner. files apart (and not yet on the

1...Kd5 2.h5 Ke6 5th rank), the defender loses
: ans : unless he can immediately
Alas, 2...Kxd4 3.h6 is clear sailing for White. daglite one oie penis
3.d5+ Kf6 eT —
Again, 3...Kxd5 4.h6 is finis.
4.d6 Ke6 5.h6, 1-0. Too easy!
To sum up our observations about self-defending (Kingless) pawns:
wae Connected pawns always defend each other.
|eae Pawns that are one file apart on any rank can usually defend
themselves until the King arrives to shuttle one of them down
the board.
mum “The defender has his best survival chances if the pawns are
two files apart. However, if those pawns are on the Sth rank
or farther then the game is resignable unless one of the pawns
can be instantly captured:
game Pawns that are three files or more apart (on any rank) are too
much for the defending King to handle.
Two connected passed pawns vs. a lone King almost always wins easily. The
only time connected pawns pose a problem is if one of them is a rook-pawn.
Diagram 168
M1, li, 4, Ue
ji Se
4, U4, a
as :
“ifgga.age
Y
Fe
ws
DA
KN
Nw
gg ao
a bc
de fgih
Black to move
No rook-pawn here! Black should resign but, evidently, he still has to be

shown.
1...Kb8
As usual, the pawns defend themselves. 1...Kxc6 2.b8=Q.
2.Ke6 Ke7 3.Ke7
Also good is 3.b8=Q+ Kxb8 4.Kd7, 1-0.
3...Kb8 4.Kd7, 1-0.

As mentioned before, the difficulty level goes way, way up if we make one of
the pawns a rook-pawn.
Diagram 169
| 2 ee-
e
Y Y
DA
WU
KR
FP
®w
N
we a8
nrMwHw
a bedefgih
Black to move
White still wins, but now he must earn the point by showing a bit of skill.
1...Kb7 2.Kd5 Ka8 3.Ke5
The first chance to go wrong was 3.Kc6?? stalemate! Many players give 3.Kd6 a
try here, but it also fails to do the job: 3...Kb7 4.Kd7 Ka8 5.Kc7?? stalemate.
3...Kb7 4.a8=Q+!
The key to this endgame and many other King and pawn endgames as well.
By giving up the a-pawn White does two things:
mum He ends most stalemating tricks.
mums LHe forces Black to give White the Opposition, which in this
position will prove decisive.
In effect, we have this situation:
Diagram 170
Yi, 1, 0), Wa
2Yi, Ui
Y j tata”
Uy
ON
NAN
s
Vi
a V1, 0-4,
Panne
WwW
NN
FP
7 “2 Vi
a bc de f gih
Black to move
If Black follows the advice from earlier parts of this book and steps straight back
with 1...Kb8, the game is a draw. However, if he plays 1...Ka8?? or 1...Kc8??,
the game is lost because White gets the Opposition and forces the black King
away from the front of the pawn.
In our example of two vs. one (diagram 169), the move 4.a8=Q+! forces Black
to make that losing move and enter a lost King and pawn vs. King endgame.
4...Kxa8 5.Kc6
Taking the Opposition and icing the win.
5...Kb8 6.b7 Ka7 7.Kc7, 1-0.
Tactical Bombs
In King and pawn endgames, there are quite a few tactical breaks—some pretty
cool—that one must be aware of. We’ll only look at a couple basic examples here,
but more complex tactical ideas are available Part Nine, ‘Tactics.
Diagram 171
“a”
oeata a
at C7
way
gaanee?.
oe
feaie
aoe
ee 6
a
White to move
Black feels pretty confident since he has a passed a-pawn and his one kingside
pawn appears to stop white’s two. However, this is shown to be an illusion.
1.g5!
Turning his two vs. one pawn majority into an unstoppable passed pawn. Of
course, waiting around with 1.Kb1 Kc4 2.Ka2?? (2.g5! would still do the trick)
2...Kd5 wins for Black thanks to the good old Chicken Coup routine.
1...fxg5 2.f6 24 3.f7 g3 4.f8=Q g2 and now both 5.Qb1+ and 5.Qf2 followed
by Qxg2 end the game in white’s favor.
Diagram 172
: Ay Vi, W804
; fy Va “a “2.
Lil mM a
Vi, i, UV, a”
4G FD le
Drees W/
D.OU 747
a bcdefgih
White to move
White is a pawn up and should win the game by using our favorite Chicken
Coup technique (i.e., running over to the queenside and feasting on black pawns
while the enemy King deals with the g-pawn).
1.Kg5??
White follows his Chicken Coup plan, certain of victory. He’s hoping for
1...Kg7 2.Kf5 a3?? 3.bxa3 bxa3 4.c3 Kg8 5.Ke5 when black’s queenside pawns
are toast. Sadly, he’s in for a painful surprise.
Other losing moves for White are 1.a3?? c3! and 1.c3?? a3! when Black makes
a new Queen.
1...b3!
A very important tactical motif that will save you grief if you avoid it, and
bring you points if you make use of it. White is suddenly dead lost!
2.axb3
If White had tried 2.cxb3 then Black ends things with 2...a3!! 3.bxa3 c3 when
the c-pawn will promote to a Queen.
2...c3!! REMEMBER
Shocking pawn breaks are
Diagram 173
common in King and pawn
YY
Yj U2 Yj endgames. Being conversant
Y Ay Y Y with such themes means .
ae snV5AJu you eal a use of them in
some situations, and avoid
Oy Y them in others.
ae, - I, 0 eae
Ahan
ny
FP
&
N
DA
UV
wr
“yyBt
a
White to move, Black wins
The point. White clears away the b2-pawn which allows the black a-pawn to
make a dash for the back rank.
3.bxc3 a3, 0-1.
So what did White do wrong from our initial position?
Diagram 174
V4, W280
A
aga
07
a aw
san
WDA
kK
WwW
NH
Pe
N
nianY
White to move and win

Obviously, White can’t allow the tactical explosion we just witnessed. That
means he must block it.
1.b3! axb3
Naturally, 1...cxb3 is answered by 2.cxb3 when Black isn’t allowed a passed
pawn.
2.axb3
Suicide was still possible by 2.cxb3?? 3, 0-1.
2...cxb3
A quicker death results from 2...c3 3.g7 Kf7 4.Kh7, 1-0.
3.cxb3 Kh8 4.Kg5
Correctly making use of the Chicken Coup idea, and avoiding 4.g7+?? Kg8
5.Kg6 stalemate. Note that after 4.¢7+?? Kg8 it was already too late for White
to undo the harm: 5.Kg5 Kxg7 6.Kf5 Kf7 7.Ke5 Ke7 8.Kd5 Kd7 9.Kc5 Ke7
10.Kxb4 Kb6, '/2-'/2.
4...Kg7 5.Kf5 Kg8
Avoiding 5...Kf8 6.Kf6 Kg8 7.g7, 1-0.
6.Ke5
Feeding time!
6...Kg7 7.Kd5 Kxg6 8.Kc5 Kf6 9.Kxb4 Ke7 10.Kc5 Kd8 11.Kb6 Kc8
12.b4 Kb8 13.b5 Ka8 14.Kce7 Ka7 15.b6+, 1-0.
Triangulation
Triangulation is a seemingly complicated term that makes a chess player
seem intellectually superior to everyone else when he says, “I won because I
Triangulated my King, gained the Opposition, and ultimately left my opponent
in zugzwang.” Very impressive indeed!
The fact of the matter is that Triangulation’s the name of a very small, often
uncomplicated maneuver designed to give your opponent the move and, as
a result, you the Opposition. But don’t pass this on to the non-chess playing
public—why not let them continue to think that chess players are geniuses?
The position in diagram 175 is our first realistic multi-pawn King endgame.
And it looks complicated too! But the result really boils down to two questions:
me Can White win black’s e-pawn?
Diagram 175
Y so
Kk
Ww
NY
Pe
©
Ss
WD
meses
Does having the move make a difference?
mame Can Black successfully penetrate with his King to f4 (where it

will eat white’s pawns on g4 and f5)?
First, let’s see what happens if Black has the move.
1...Ke5
On 1...Kc6 White plays 2.Ke3 and wins the e4-pawn: 2...Kb6 3.Kxe4 Ka5
4.Kd5 Kb4 5.Kd6 and Black has to give up c5, and with it the game.
2.Ke3
Taking the Opposition and forcing black’s King backwards.
2...Kd6 3.Kxe4 Kc6 4.Kd3
White’s plan is to exchange his b-pawn for black’s c-pawn, creating a passed
pawn on c4. He’ll then make use of the Chicken Coup idea to pick off black’s
remaining pawns on f6 and g5.
4...Kb6 5.Kc3 Ka5
Diagram 176
aa:
i
Cae WW Y
a bc de fgih
White to move
Has Black stopped white’s plans?

172, SILMAN’S COMPLETE ENDGAME COURSE
6.b4+!
No, this instructive idea makes it clear that Black has no chance whatsoever
of saving the game.
6...cxb44+ 7.Kb3 Kb6 8.Kxb4 Kc6 9.c5 Ke7 10.Kb5 Kb7 11.c6+ Kc7
12.Kce5 Kc8 13.Kd6 Kd8 14.Ke6, 1-0.
Okay, that was simple enough. But now let’s see if we get the same result if
White moves first.
Diagram 177
Yi
matatate
asa 2 @.
i ct Wi Y
NN
DO
VW
wk
Pn
V/A
White to move
Many people would play 1.Ke3?? here, but after 1...Ke5 Black takes the
Opposition and forces White backwards: 2.Ke2 Kf4 and white’s pawns fall like
ducks in hunting season.
Clearly, the direct approach is a horrible failure in our diagrammed position.
However, White can turn the tables by playing 1.Kd2 or 1.Kf2, when 1...Ke5
2.Ke3 leaves White in possession of the Opposition. Both Kd2 and Kf2 are
Triangulation maneuvers—White steps to the side, then moves diagonally for-
ward to create a small triangle. Believe it or not, that’s what Triangulation (in
its most basic form) is all about.
So let’s see White, with correct play, win from diagram 177:
1.Kf2!
By the way, this move also takes the Indirect Opposition, while 1.Kd2! would
take Distant Opposition.
1...e3+!
The best try. As stated earlier, 1...Ke5 2.Ke3 is an easy win for White.
2.Ke2!
Not falling for 2.-Kxe3?? Ke5! when Black once again takes the Opposition
and manages to penetrate with his King to d4 or f4. White’s 2.Ke2 is yet another
example of Triangulation.
I should add that 2.Kf3! also does the job, since 2...e2 3.Kxe2 Ke5 4.Ke3 gives
White the Opposition. oe nt
2...Ke5 3.Kxe3, 1-0. RULE

Basic Triangulation is a maneuver where the King steps
to the side and then moves forward diagonally, thus
losing a move and gaining the Opposition.
Outflanking
Outflanking is a simple but useful tool to know. With it a player can make
inroads into a position that were not otherwise possible. Admittedly, this often
costs the Opposition, but it must be remembered that the Opposition is only a
means to an end, not the end itself!
RULE
Outflanking is a maneuver where the stronger side’s King moves to the side, placing a
| file between the Kings (sometimes even giving the opponent the Opposition while doing
| so!). This allows the Outflanking King to march forward towards the target, without
allowing the enemy monarch to step in front of it and take Direct Opposition.
Diagram 178
Ow
NN
nO
a
B&B
WH
NY
Fe
White to move and reach f8, g8, or h8 by force!
Believe it or not, a close study of this position and its correct handling will
teach the student the finer points of Opposition, Outflanking, and Triangula-
tion. White to play has the Opposition. His goal is to reach f8, g8 or h8 in at
most seventeen moves. Black will constantly try to stop this, using Opposition
(i.e., the threat to retake the Opposition) as a defensive device.
Once you’ve mastered this position and the techniques involved, we’ll say that
you have earned your “King diploma.”
1.Ka2!
The only way to take the Opposition. The more direct path fails because it
allows Black to take the Opposition: 1.Kb2?? Kb8! (It is already impossible to
reach the target squares.) 2.Kc3 Kc7 3.Kd4 Kd6 4.Ke4 Ke6 and White will not
get close to his targets.
1...Kb8!
A fine defensive move! Now 2.Ka3? loses the Opposition since Black has
his choice of two squares on the a-file and thus can make it either odd or even
(2...Ka7!). White will also fail to reach his goals after 2.Kb3? Kb7.
a
REMEMBER
Direct Opposition occurs when you create an odd number of

squares between the Kings with the opponent to move.
2.Kb2
Heading over to the target side of the board.
2...Kc8
Still keeping white’s options to a minimum. The seemingly more active 2...Kc7
3.Kc3 only aids White.
3.Ke2
Still heading for the kingside. Instead White could try to Outflank Black, but
at the moment this would fail to achieve the set goal. Let’s look at an example
of Outflanking by having White play 3.Ka3 instead of the superior 3.Ke2:
Diagram 179
Tel aw
a
Matata”
Ms
i
cm Vi, 7
Va
et Vi
a bc de fgih
White plays 3.Ka3 instead of the correct 3.Kc2

By putting a file between the Kings, White prevents Black from taking Direct
Opposition while simultaneously making forward progress. This process is called
Outflanking. After 3.Ka3 Black can take the Opposition with 3...Kc7 (forming
connecting points on c7, c3, a3 and a7) but White will be able to move forward:
4.Ka4 Kc6 5.Ka5 Kc5 6.Ka6 Ke6. White has managed to make inroads into
black’s position, but he will never be able to get over to the kingside.
To solve the problem posed in diagram 178, White must first go to the target
side of board (kingside) and only then Outflank his opponent. The logic for this
is easy to understand: when you are on the kingside, any forward motion will
allow White to land on his goal squares.
ae
Back to the position after 3.Kc2:
Diagram 180
oa
a te
Y
a aoe
tt
ON
C
NA
a
aoeee
FP
KR
WH
NH
oo ee
a bc de fgih
Black to move
3...Kd8 4.Kd2 Ke8 5.Ke2 Kf8 6.Kf2 Kg8 7.Kg2

White is now on the optimum file since his King stands right in the middle
of the target squares.
7...Kh8
Or 7... Kf8 8.Kh3.
8.Kf3
The Outflanking process finally takes place.
8...Kg7
Black could take the Opposition by 8...Kh7 but after 9.Kf4 Kh6 10.Kf5 Kh5
11.Kf6 White would be able to conquer the target square on f8. This idea of
giving up the Opposition for a higher prize is a major part of Outflanking.
9.Kg3!
Satisfied that he has advanced one rank, White retakes the Opposition.
Blunders would be 9.Kf4? Kf6 and 9.Kg4? Kg6. In both cases White will never
reach his goal.
9... Kf7
9...Kh7 10.Kf4 leads to the same type of play.
10.Kh4!
Another Outflanking maneuver. White once again offers Black the Opposition.
10...Kg6
And Black once again refused to take it! After 10...Kf6 11.Kh5 Kf5 Black
would clearly have the Opposition, but White would dance forward with 12.Kh6
and claim h8 for himself.
11.Kg4
Once more grabbing the Opposition.
11...Kh6
Or 11...Kf7 12.Kf5 Kg7 13.Kg5 Kh7 14.Kf6, etc.
12.Kf5 Kg7 13.Kg5 Kf7 14.Kh6 Kg8 15.Kg6 Kf8 16.Kh7 and White can-
not be prevented from achieving his goal by 17.Kh8.
Please study the information on the Opposition and Outflanking carefully.

Don’t let the scientific names or the strange Xs in diagram178 scare you away
from learning something that is both easy to understand and highly useful! I
should add that the position in diagram 178 is a fun one to show friends. They
will not be able to solve it and will be amazed when you demonstrate how one
King can actually be stronger than another just by understanding the basics of
the Opposition and Outflanking.
end-
Ready to take another step in deepening your understanding of Rook
Rook and
game basics? Here we'll look at how one goes about winning with a
position
two connected passed pawns vs. a lone Rook. We’ll settle for this one
because, though it sounds easy, it’s actually quite a pain to win!
Rook and Two Connected Pawns

vs. Rook
usually,
A Rook endgame where one side is up two connected passed pawns is
ing
as you might imagine, a clear win. Surprisingly, it can be quite time consum
avoid-
and success is often dependent on you knowing the key ideas, and on you
e
ing the many stalemate tricks that are lurking in the shadows. This endgam
safely
occurs quite a lot, and therefore the ideas involved in herding your pawns
down the board must be mastered.
n in
A word of warning: You'll find this to be the most complicated situatio
ed.
the book thus far, so look over the information slowly, and don’t get frustrat
It will take you a bit of time before you fully master it!
Diagram 181
“a hen
oe ae
- e
mane nm
Ca eae
Pate was
UYWes
“oe 2
a becdefgih
White to move
learn
Connected rook-pawns and knight-pawns is the hardest case. So if you
to handle this, you’ll have no problem icing connected central pawns.
177
RULE
The trick to making life easy in such positions is to advance your pawns together
so your King has shelter, your pawns can defend one another, and blockades can be
avoided—dor'’t allow one pawn to madly charge down the board on its own!
UsEFUL ADVICE
Also, make sure your King and pawns are in close contact. As in most
chess situations, a team effort is needed for a successful result.
In the present position, white’s h-pawn is ahead of the rest of its forces. Thus
white’s first order of business is to patiently move his King and g-pawn forward
so they join the h-pawn and form one connected whole.
1.Kh3
The King steps up so it can support its pawns.
1...Kf6
There is little Black can do, so he brings his King closer to the white pawns
and then waits to see how White will improve his position.
2.3
Also good was 2.g4, but 2.g3 gives white’s King access to the g4-square in
some lines.
2...Rfl
Preparing to unleash some checks from the back rank. Also possible was
2...Ra4 3.¢4 Kg7 4.Kh4 (4.25, which also wins, leaves white’s King cut off from
its pawns. In general, you should avoid this kind of thing like the plague! 4.Kh4
is the proper way to handle these positions: always keep your King and pawns
together!) 4...Kh6 5.Rd6+ Kh7 6.h6 Rb4 (or 6...Ral 7.Kh5 Rh1+ 8.Kg5) 7.Kh5
Ra5+ 8.Kh5 with the same kind of play as that which occurs in the game.
Diagram 182
Vii, i, a
ay fay fay
fae
‘Yy,
WY, arm ms
2 ee
UY Y) Y)
Yi, WY 7a
00 00
“Of axa”
a bouwe: cd) eof ogy A
White to move
3.Kg4!
Preparing the push the black King back.
3...Rf2
More active ideas don’t change anything: 3...Ral 4.Rd6+ Kg7 5.Kg5 Ra5+
6.Kh4 Ra4+ 7.4, etc.
4.Rd6+
Forcing Black to relinquish control of the g5-square.
4...Ke7
Moving back to g7 is met by §.Kg5, while 4...Ke5 5.Ra6 puts black’s King on
the side (instead of in front) of white’s pawns.
5.Ra6
REMEMBER
In Rook endings it is always a good idea to put your Rook as far away from the enemy King as
possible. This is called “Checking Distance.”
Le
5...Rb2 6.Kh4
Preparing to push the g-pawn. Note that White can use his pawns to shield
his King from checks: 6...Rb4+ 7.¢4 or 6...Rh2+ 7.Kg5.
REMEMBER
Following our rule that the pawns must stay close Make sure that your pawns can
together. shield your King from checks!
7...Kg7 8.h6+
4
As usual, White leads with his rook-pawn. 8.g5? would allow 8...Rb4+ when
white’s King is without a good hiding place.
An excellent alternative to 8.h6+ would be 8.Ra7+ when 8...Kh6?? 9.g5 is
mate, while 8...Kf6? 9.g5+ Kf5 (9...Ke6 10.h6 is also easy) 10.Rf7+ Ke6 11.Rf6+
Ke7 12.h6 and Black can resign since his King is cut off from the battlefield on
the kingside, and 12...Rh2+ is met by 13.Kg4 Rg2+ 14.Kh5 followed by Kg6.
After 8.Ra7+ Black would do best to play 8... Kh8 with likely transposition into
our main line analysis.
8...Kh7 9.Kh5S
Hopefully you’re becoming familiar with the pattern of allowing the g-pawn to
guard the King against checks—in this position the pawn guards against checks
along the rank in the case of 9...Rb5+ 10.g5 and along the file in the case of
9...Rh2+ 10.Kg5.
9...Rb5+ 10.g5 Re5

Keeping the pawn pinned is the best chance. Worse is 10...Rb7? 11.g6+ Kg8
12.Ra8+ leads to immediate defeat.
11.Ra7+ Kh8
Black sticks his King in the corner and sets up possible stalemates. One of the
best examples of such a stalemate can occur after 11...Kg8 12.h7+?? Kh8 13.Kh6
Diagram 183
Black to move draws
13...Rce6+ 14.g6 Rxg6+! 15.Kxg6 stalemate. An important idea to be aware

of!
After 11...Kg8, White should play 12.Rg7+ Kh8 (12...Kf8? 13.Kg6 Rc6+
14.Kh7 is easy for White since black’s King is now deprived of access to g8 and
h8—in general, the defender needs to keep his King in front of the enemy pawns.
Allowing the stronger side’s King to get in front of its own pawns is a recipe
for disaster!) 13.Re7 (and not 13.Kg6?? Rxg5+! 14.Kxg5 stalemate) transposing
back into our main line analysis.
12.Re7!
Diagram 184
NN
Ow
WA
YH
NY
PF
a bedefgih
The key idea!

What are the points of this odd move?
mum White would like to bring his King to f7 when enemy checks
along the 7th rank would be blocked.
mum Sometimes white’s King will march to {6 when a black check
along the 6th rank can be met by Re6.
wee Once white’s g-pawn gets to g6, a back rank mate will be
threatened. To stop this, Black will have to pull his Rook to its
Ist rank. White then wins by marching his King to f7 or d7 and
trading Rooks by Re8+. The resulting King and two pawns vs.
King endgame would then give Black every reason to resign.
Don’t panic if this sounds too complicated! Look over the solution several
times and the winning plans will soon become remarkably easy to execute.
12...Rc8
Another try is 12...Kg8 13.Kg6 Rc6+ 14.Kf5 Re5+ 15.Kf6 Rc6+ 16.Re6 (this
is our first clear illustration of one of the virtues of 12.Re7) 16...Rc8 17.g6 Rb8
18.Rd6 Ra8 (of course, 18...Rf8+ 19.Ke7 helps White) 19.Ke7 takes us back to
the winning idea in our main line.
Oddly, there is a more accurate win on move 18, namely 18.h7+ (instead of
18.Rd6): 18...Kh8 19.Kg5 when Khé6 will follow, with a quick mate. Just be
careful about pushing your pawn to h7 in this fashion! Take a look at the two
diagrams below and you'll see why I’m putting up red flags.
Diagram 185
Digi gt
i e
mass A
a
aow
cas
WU
fk
“ae ee
rmver
FP
&
ON
a becdefgh
A quick mate is in store
RULE
King, Rook, knight-pawn, and rook-pawn on the same side of the board vs. King
and Rook give the defender some stalemate tricks thanks to the rook-pawn's
eternal “pain-in-the-ass” factor.
Diagram 186
Black to move draws
In diagram 185, Black can’t stop White from playing Kg5 and Kh6 when it’s
all over. Note that the tricky 1...Rb6, hoping for 2.Rxb6?? stalemate, fails to
2.g7+ (giving black’s King some freedom so he can safely capture the Rook)
2...Kxh7 3.Rxb6.
In diagram 186, black’s King has no legal moves—as in diagram 185. How-
ever, due to white’s Rook being on the 7th rank instead of on the 6th (where it
stopped 6th rank checks), Black can force a draw by “sacrificially throwing his
Rook into the volcano”: 1...Rb6+ (White to move would have won by 1.Rd6
followed by Kg5 and Kh6) 2.Kf5 (2.Kg5 Rxg6+! 3.Kxg6 stalemate) 2...Rf6+!
(“Take my Rook!”) 3.Kg5 Rxg6+ (“Take it! I insist!”) 4.Kxg6 stalemate.
13.26
s 187
UsEFUL ADVICE
In this endgame, only a
push the pawn to h7 if Yi,
you're 100% sure you've
avoided the sacrificial
“Wi
stalemate tricks.
Vi “O
aI
DA
WN
kK
Ww
NYO
Se
x
- Y a
a bec de fgih
No stalemates allowed!
Once again, White must be very certain that pushing the h-pawn to h7
doesn’t create stalemate difficulties. In this case, 13.h7?? throws away the win
after 13...Rce7! when moving the Rook away allows ...Kxh7 with a draw, while
14.Rxc7 is a stalemate.
PART FIVE — ENDGAMES FOR CLASS “B” (1600-1799)
13...Rc5+ 14.Kg4 Re4+ 15.Kf5 Rc8

More checks just force white’s King to where it wants to go: 15...Rc5+ 16.Kf6
Rc6+ 17.Kf7.
16.Ke6
Threatening 17.Kd7 Ra8 18.Re8+ trading Rooks (which would/should be
enough to make Black immediately resign).
16...Ra8 17.Rd7
Intending Ke7 and Rd8+, exchanging Rooks. The tempting 17.Kf7 leaves
black’s King without a legal move (which we don’t want to do!) and allows
17...Rf8+! when 18.Kxf8?? is a draw by stalemate. Fortunately, after 17...Rf8+
White could backtrack by 18.Ke6.
17...Re8+
Attacking the g-pawn by 17...Rg8 runs into the annoying 18.Rh7 mate.
18.K£7 Rg8
Of course, 18...Rf8+ 19.Ke7! allows White to set up his Rook exchange by
20.Rd8.
19.¢7+
White avoids 19.Re7 Rf8+! since 20.Ke6 would take a bit longer to win the
game. However, another easy way to end things is 19.Rd5! (“Wasting” a move
so that black’s Rook has to give up its attack against g6. This allows white’s
King to then move to e7 since it no longer has to defend the pawn.) 19...Ra8
(19...Rf8+ 20.Ke7) 20.Ke7 Ra7+ 21.Rd7 Ra8 22.Rd8+, etc.
19...Kh7 20.Re7 Ra8
Or 20...Kxh6 21.Kxg8, 1-0.
21.Re8 Ra7+ 22.Kfs, 1-0.
Okay, a first look at this example might horrify you, but calm down and let’s
take another look at the step-by-step winning process:
mum Advance your pawns together so your King has shelter,

your pawns can defend one another, and blockades can be
avoided—don’t allow one pawn to madly charge down the
board on its own!
mame Make sure your King and pawns are in close contact. As in most
chess situations, a team effort is needed for a successful result.
wage ake sure that your pawns can shield your King from checks!
gum Be patient! Push the enemy King back slowly, always making
sure the above conditions have been met.
mum Once you have forced the enemy King to the back rank, move
your Rook (which should be on the 7th rank) a couple files to
the side of your pawns.
Your plan now is to:
game Place both your pawns on the 6th rank (forcing black’s Rook
to guard against back rank mates).
mame Bring your King to the 7th rank—your Rook on the 7th will
prevent checks along that rank.
mmm Give check by moving your Rook (protected by your King
on the 7th rank!) to the 8th rank, forcing an exchange. The
resulting King and two pawns vs. lone King endgame should
be baby stuff for you at this point.
WARNING
Only move your h-pawn to h7 if you are 100% sure you have prevented
the many stalemate tricks that are so commonly found in these positions!
Don't forget the need for (yes, I’m repeating myself) patience!
With all this in mind, go back, play through the endgame again, and it will
make more sense.
All Hail the 7th Rank!

Everyone has heard that “Rooks belong on the 7th rank.” However, can
you explain why a Rook isn’t equally delighted to be on the 6th rank or even
the 8th?
The appeal of the 7th rank is twofold:
wae Usually the enemy has many pawns on his 2nd rank, so placing
a Rook on the 7th targets them for extermination.
waa ‘The defender’s King is often on its Ist rank. A Rook on the
7th freezes the King, preventing it from becoming active
and—in some instances—setting up possible back rank mating
threats.
“RB”
PART FIVE — ENDGAMES FOR CLASS (1600-1799) 185
ae
Diagram 188
MS cage
“@nmal
hao Bae
Yi Oe
Aas
A U, Leta 1
a one
ee ew
PF
©
Ns
DB
WU
kK
nw
JUG
OU
a bede@f g h
Black to move is lost
This position shows us the domination that a simple Rook jump to the 7th
bestows. Black’s Rook is doomed to stay on a8 so it can defend a7, while black’s
King can’t leave the safety of f8 or g7 for fear of hanging f7. Though Black is a
pawn ahead, he’s completely lost.
1...Kf8
Naturally, 1...£5 would be met by 2.gxf6 e.p.
2.Rb7 Ke8 3.Kc3!
White avoids 3.Kd3 Rd8+ 4.Ke4 Rd7 5.Ke5 Kd8. The text (3.Kc3) places
Black in zugzwang—any move he makes worsens his position.
3...Kf8 4.Kd3 Rd8+
Seeing that 4...Ke8 5.Ke4 gives him no chance at all (unless White falls for
5...Kf8 6.Ke5 Re8+ 7.Kf6?? Re6 mate!), Black makes a bid for counterplay.
5.Ke4 Re8+
More challenging is 5...Rd4+, but White still wins: 6.KeS Rxc4 7.Rxa7 Rxh4
(7...Rb4 8.Rb7 Rxb5 9.a7 RaS 10.Rb8+ Kg7 11.a8=Q) 8.Rd7! (Far stronger than
aS
8.Rb7 Ra4 followed by 9...h4) 8...Ra4 9.27 Kg7 10.Kd5
Diagram 189
mime
wmmae
‘Lsare or
gg gt
a agBil
Ww
~
Dw
WW
wr
Pn
Z
a be dad: é > f°>.g- ch
Black loses
‘Though two pawns down, two things guarantee white’s victory: 1) His King
is going to play a major part in the action, compared to black’s which is sitting
on the sidelines (it’s nice to be a King ahead!); 2) White’s passed pawns are more
advanced than black’s. 10...h4 11.Kc6 h3 12.Kxb6 h2 13.Rd1, 1-0.
6.Kd5 Re7 7.Kd6 Re6+
Also unattractive are both 7...Rxb7 8.axb7, and 7...Re4 8.Rxa7 Rxc4 9.Rc7.
8.Kc7 Re7+ 9.Kb8, 1-0.
Diagram 190
nN
Nn
bh
Ow
or
—
White to move
1.Rd6!
Instead, 1.Rd7+? would be a mistake since it neither attacks the enemy pawns
nor traps the enemy King. After 1...Ke6, black’s King is free to roam.
1.Rd6, on the other hand, stops the defending King from ever moving past its
3rd rank, while also eyeing both b6 and g6. In other words, in our diagrammed
position a Rook on the 6th rank has all the advantages that a Rook on the 7th
usually possesses.
1...Re8
Desperation, but passive defense is hopeless: 1...Rb7 2.Kc4 Rb8 3.Kd5 with
Kc6 to follow.
Another stab at active counterplay is 1...Ke7 (Black is trying to swing his
King over to the queenside where it will defend b6. Though he will sacrifice
his g-pawn, he hopes to get his Rook active and create threats against white’s
pawn on a4.), but White easily prevails after 2.Rxg6 Kd7 3.Kc4 (don’t forget to
use your King!) 3...Rf8 (or 3...Kce7 4.Rc6+ Kb7 5.g6 when Black can resign)
4.Rf6! (Simplest. black’s Rook is chased to a square that allows the white King
to successfully penetrate. Also possible is 4.Rxb6, but why allow the complica-
tions of 4...Rf4+ and 5...Rxa4 when the text leaves Black without counterplay
or hope?)
Diagram 191
aetece
Uperee L
Meer), Ulls) , WMT) arate,
aaet
aececes
a becdefgih
No counterplay!
UseEFuL ADVICE
In Rook endgames, it’s always a good idea to deprive
your opponent of counterplay by keeping his Rook
and/or King caged and inactive whenever possible.
4...Rh8 (4...Re8 5.Kd5 or 4...Rg8 5.g6 are no better, while 4...Rxf6 5.gxf6
Ke6 6.f7 Kxf7 7.Kd5 followed by Kc6 and Kxb6 is resignable) 5.Kd5 Rh4 6.Rxb6
Rxa4 7.Rb7+ Kc8 8.Rf7 Rg4 9.Kc6! (threatening a “tiny” back rank mate) 9...Kd8
10.b6 Rxg5 11.Rd7+ Ke8 (11...Kc8 12.b7+ Kb8 13.Rd8+ leads to a quick mate)
12.b7 Rg6+ 13.Rd6, 1-0.
2.Rf6+!
This move forces Black to step to g7, thus pushing it farther away from the
war zone on the queenside.
2...Kg7 3.Rxb6 Re3+ 4.Kc4 Re4+ 5.Kc5 Rxa4 6.Rb7+ Kf8 7.b6 Rg4
8.Rc7 Rxg5+ 9.Kc6 Rgl 10.b7 Rb1 11.Rc8+ Kf7 12.b8=Q Rxb8 13.Rxb8
Kf6 14.Kd5
White will win the a-pawn as his leisure, but first he lets his King personally
deal with the g-pawn.
14... Kf5
Or 14...a4 15.Ke4 a3 16.Ra8.
15.Rf8+ Kg4 16.Ke4 g5 17.Ra8 Kg3 18.Rxa5 g4 19.Rg5 Kh3 20.Kf4

winning black’s final pawn.
We took our first tentative steps into the world of minor piece endgames in
Part Four. Here I'll continue to gently introduce you to basic endgame positions
that involve Bishops and/or Knights—we’ll ingest a bit more about Bishops of
opposite colors, we’ll tackle very basic two pawns vs. one on the same side of
the board, and we’ll even address two Bishops vs. lone King, which is far easier
than you might imagine.
Two Bishops vs. Lone King

Some of you might be wondering when I’m going to teach you Bishop and
Knight vs. lone King. The shocking (almost heretical!) answer is, “Never!” My
reasoning is very simple: I personally have had this position once in my whole
career. That’s right, just once! My good friend (and well known chess author)
IM John Watson has never had it at all! On top of that, Bishop and Knight vs.
King is not at all easy to learn, and mastering it would take a significant chunk
of time. Should the chess hopeful really spend many of the precious hours he’s
put aside for chess study learning an endgame that he’ll achieve (at most) only
once or twice in his lifetime?
In general, every position I give in this book will happen fairly often, or un-
derstanding it will allow you to solve other positions with similar themes. I don’t
feel Bishop and Knight vs. King falls into this category, but then, two Bishops
vs. King is also a rare bird in tournament play. So why should I insist you learn
two Bishops vs. lone King? There are three reasons for its inclusion:
wmmme— | find the need to use all three of your pieces in a balanced
team effort to be quite instructive.
wae Seeing how powerful two Bishops are when working together
can be enlightening.
mum [t's very easy to learn and only involves a small expenditure of
time to fully understand.
188
os
Diagram 192
Sig aa
fe woe
hgh eail
Maliat,
"tet
areata
PrN
sw
WDA
wk a i@
“6 -s
6
White to move
The keys to this endgame:
mame Use the Bishops to cut off two “connected” diagonals at the same
time. This traps the defending King in one sector of the board.
mame The Bishops will be able to take away other important squares
while also making whole diagonals impassable.
—_ You will need your own King to win, so bring it up so it can
directly challenge its counterpart.
mame Bit by bit, shrink the “diagonal Box,” in much the same way
we shrink the Box in Rook vs. King or Queen vs. King.
eral You will need to chase the defending King to a corner. Once
there, you'll easily deliver mate.
1.Bg6+ KeS5 2.Kb7

The King heads for the embattled area. Also note that white’s Bishops control
the b1-h7 and cl-h6 diagonals. Black’s King can’t pass through this “fence”—a
fence White intends to shrink when the time is right.
Diagram 193
@
ws
ana
WN
wer
Fn
aK
A thick, impenetrable fence

2...Kf6 3.Bh7
Watch out! Don’t fall asleep and let the desperate enemy King snap off one
of your Bishops! Now the Bishops can’t be approached.
3...Ke5 4.Kc6 Kd4 5.Bf4
Depriving black’s King of the e5-square.
5...Ke4
Even easier for White is 5...Kc3 6.Kc5.
6.Be5
The diagonal Box has shrunk. Now White controls al-h8 and b1-h7.
6...Kb4 7.Bg8
Diagram 194
77
a uxt
niSOxm fe
OX
xi Ms
eta,
DA
WW
kK
WwW
©
NPn
“ue
a bc de fgih
The Box has shrunk
Once again shrinking the Box by laying claim to the a2-g8 diagonal.
7...Ka3 8.Kc5 Ka4 9.Bb2
The final phase: White takes away the a3-square and herds black’s King to-
wards the a8-corner.
9...Ka5 10.Bb3
There goes the a4-square!
10...Ka6 11.Kc6 Ka7
Or 11...Ka5 12.Bc3+ Ka6 13.Bce4+ Ka7 14.Kc7 Ka8 15.Bd2 (Wasting a tempo
so that a check can be given when the black King goes to a7) 15...Ka7 16.Be3+
Ka8 17.Bd5 mate.
12.Be5
It’s as if the Bishop is saying, “Sorry, but I can’t allow you to run out of the
corner via the b8-square.”
12...Ka6
12...Ka8 13.Ke7 Ka7 14.Bc4 Ka8 15.Bf4 Ka7 16.Be3+ Ka8 17.Bd5 mate.
13.Bc7
Now both a5 and b8 are off limits.
13...Ka7 14.Bc4
Diagram 195
oo 6 8\
"aceaBe
pena 2a
Mt
Paes
CK
DON
kW
Nw
FPF
“0 Oe
a
Y)
b cde fgih
Trapped in a tiny Box
And now only a7 and a8 are available to Black.

14...Ka8 15.Be5
Having done its job, the dark-squared Bishop now puts some Checking Dis-
tance between it and black’s King. As always, watch out for stalemates! 15.Kb6
stalemate would be adisaster.
15...Ka7 16.Ke7
White’s King frees the dark-squared Bishop of b8 guard duty.
16...Ka8 17.Bf4
Wasting a move and waiting for ...Ka7, when a check-cascade and mate will
follow.
If the player of the Black pieces is your spouse
and you fear later retribution, you may wish to REMEMBER
play 17.Bd4?? stalemate, thus drawing the game Watch out for stalemates!
and keeping marital harmony intact. *
17...Ka7 18.Be3+ Ka8 19.Bd5 mate.
Bishops of Opposite Colors

(Two Pawns Down and Loving it!)
In Part Four, we saw that a one-pawn advantage is often not enough to guaran-
tee victory. At times, a two-pawn advantage (with no other pawns on the board)
isn’t enough when there is only one file between them. The reason? White’s
King and Bishop can team up to blockade both pawns.
Diagram 196
RULE eo, i
Bishops of opposite 2G = a
colors, two pawns vs. YG
iL isou
none with the pawns
only one file apart, is
often drawn since the
defending King and
Bishop can combine
their powers to stop the
pawns in their tracks.
White to move, draw
With the pawn on d6 firmly blocked, the result hinges on whether or not
White can force Black to give up his Bishop for white’s f-pawn.
1.Kg6
Taking control over f7 and getting out of the way of the f-pawn. Is Black
doomed?
1...Ba2
He seems unconcerned.
2.f5 Bb3 3.f6 Ke8
Now we can see why one file between the pawns isn’t enough: black’s King
can eye both key squares on d7 and f7 and thus create a blockade. Yes, White
can win the Bishop with 4.d7+ Kxd7 5.f7 Bxf7+ but, since no other pawns exist,
that would be an immediate draw.
Since Black can now do the old Bishop shuffle (...Bb3-a2-b3-a2, etc.), White
marches his King to the other side in one last effort.
4.Kf5 Ba2 5.Ke5 Bb3 6.Kd4 Ba2
And not 6...K£7?? 7.d7 when White makes a new Queen.
7.Kc5 Kd7 and, since White isn’t getting anywhere, 1/2-!/2.

Of course, if each side had one extra pawn, the result would be different:
Diagram 197
ZT TT
2 uae oe
e
go Oe
a ae
ew
na
an
FE yy
wie WG,a
fa nsWs
Ww
VI
we
PN
4.600 ZG
a bc de fgih
White to move wins
White now plays as he did in the previous example, but the addition of those
b-pawns is enough to bring him victory.
1.Kg6 Ba2 2.f5 Bb3 3.f6 Ke8
The same moves that we saw from diagram 196, but the addition of one set
of pawns proves decisive for White.
4.d7+ Kxd7 5.f7 Bxf7+ 6.Kxf7 Kc6 7.Ke6 Ke7 8.Kd5 Kb7 9.Kd6 Ka6
10.Bd4
Not falling for the hasty 10.Kc6?? stalemate!
10...Kb7 11.Ke5 Ka6 12.Be5
Again, 12.Kc6?? is a draw by stalemate.
12...Kb7 13.KxbS, 1-0.
As we've seen, a two-pawn advantage with the pawns only being one file apart
isn’t always decisive. However, when the pawns are two or more files from each
other the stronger side’s winning chances go way up.
There are many cases of White winning when the pawns are two files apart,
but the defender does have drawing chances if his Bishop can freeze both pawns
at the same time.
In diagram 198 it’s clear that neither pawn is going anywhere without help
from its King. Since 1.Kd4 (threatening 2.e4) is stymied by 1...Kf5! 2.Kc5 Ke6
when the Bishop is still stopping both pawns in their tracks, White comes up
with the idea of bringing his King to a6 in an effort to help escort the b-pawn to
the Promised Land.
RULE Diagram 198

Bishops of opposite colors,
two pawns to none, pawns
two squares apart. When
the Bishop, on one diagonal,
can stop both pawns from
advancing at the same time,
and when the defending
King can work with its
Bishop to retain control over
the key advance squares, the
game will often be drawn.
White to move, draw
1.Kb5 Kd7! 2.Ka6

On 2.Kc5 Black would play 2...Ke6! so as to meet Kd4 with ...Kf5.
2...Kc8
Now Black has stopped both pawns again, and any Bishop moves by White
will be met with the same back and forth wandering (along the h1l-a8 diagonal)
by Black.
3.Kb5 Kd7 4.Kc5 Ke6! 5.Bc3 Bg2
The Bishop moves are tossed in merely to show that both players can waste
infinite amounts of time without changing the nature of the position.
6.Kd4
‘Trying to play e3-e4.
6... Kf5!, 1/2-'/2.
What allowed Black to draw this position? Here are the key defensive
elements:
mame Both pawns can only advance to light-colored squares, thus,
white’s Bishop wasn’t able to take part in the fight to move
forward.
wae Black’s Bishop covered the squares in front of both pawns at

the same time.
mum Black’s King was able to shadow white’s King whenever it moved
to the aid of either pawn. The blockading combination of black
King and Bishop is enough to stop any progress by White.
Diagram 199
V2, i, fl RULE
As you might imagine, three

Ty J Y iy,
UU, Vs
}
or more files separating the
pawns (as long as one of the
i
oo
was ‘“ oY
I,“wae MA:
Yy awns isn't a wrong colored
rook-pawn!) is usually
Y Y “Ux we decisive since the defending
King can't help prevent the
“eo 8 BD
Y WY og *y
advance of both pawns.
WN
KR
we
Ss
A
PN
a b cde fgih
White wins
1.Bd5
White isn’t in any hurry, so he frees the e4-square for his King since he knows
that it eventually has to march over to the kingside and escort the f-pawn down
the board.
1...Kb8 2.Kc4
And not 2.Kd4?? Bf2+ followed by 3...Bxb6.
2...Bf2 3.b7 Bg3 4.Kd4 Bd6é 5.Ke4 Ke7
Doing nothing allows White to ultimately win black’s Bishop for the f-pawn.
Thus, black’s King will rush to the kingside and try and stave off the inevitable.
6.K£5 Kd8 7.f4
Playing 7.Kf6 or 7.Kg6 makes it impossible to safely push the f-pawn to £4.
7...Ke7 8.Kg5 Bc7 9.f5 BeS 10.Kg6
Diagram 200
De
Ae
0 el
a &A
Sas
at
~
Pane
“8 eo
WY Y,
®
N
VDA
wk
Pn
a “bE .@ ado ve. of. ph
Black is in zugzwang
If Black could retain this defensive position, he would draw. Unfortunately,

any Bishop move would give up control over b8 or f6, while a King move allows
the f-pawn to plow through f6.
10...Bb8
Of course, 10...Kd6 allows 11.b8=Q+.
11.f6+ Kf8
No better is 11...Kd6 12.f7 Ke7 13.Kg7 and the f-pawn promotes.
12.f7 Be5
Also easy for White is 12...Bd6 13.Kf6 followed by Ke6. Note that 12...Ke7
13.Kg7 wins immediately.
13.Kf5 Bb8 14.Ke6 Bg3 15.Kd7 Bf4 16.Kc8 followed by b8=Q, winning
a piece and the game.
The only time Black can draw split pawns that are three or more files apart
is when one of them is a rook-pawn of the wrong color.
M1, -,, Ud
RULE Vi, i
ne & aa
anesa io £6 Sy
the old wrong colored WY
rook-pawn trick.
eaten
NN
ND
wR
PN
VW “9 “9 Vs,
a b cde fgih
Black draws
Black draws easily by rushing over to b7 and allowing White to win a piece
for his g-pawn.
1.Kh6 Kc6 2.Kh7 Kb7 3.¢7 Ka8 4.g8=Q Bxg8+ 5.Kxg8 and we have the
classic Bishop and rook-pawn of the wrong color draw.
In a nutshell, when one side is two pawns up (vs. lone King and Bishop) in a
Bishop of opposite color endgame, here are some rules to chew on:
mame Positions where the pawns are separated by one file are often
drawn since the defending Bishop and King are close enough
to work together in creating a blockade against both pawns.
mum Positions where the pawns are separated by two files offer
some drawing chances, particularly if the defending Bishop
eyes the advance squares of both pawns at the same time.
gum Positions where the pawns are separated by three or more files
offer few defensive chances. However, a draw is likely if one of
the pawns is a rook-pawn of the wrong color.
Mie King and two connected pawns vs. lone King always wins.
@EMB> King and two split pawns vs. Jone King:
@ Pawns that are one file apart on any rank can usually defend
themselves until the King arrives to shuttle one of them
down the board.
@ Pawns that are several files apart (on any rank) are too much
for the defending King to handle.
® The defender has his best survival chances if the pawns are
two files apart. However, if those pawns are on the Sth rank
or farther then the game is resignable.
HE ‘Triangulation is the name of a very small, often uncomplicated
maneuver designed to give your opponent the move and, as a result,
you the Opposition.
{> Outflanking is a maneuver where the stronger side’s King moves to
the side, placing a file between the Kings (sometimes even giving
the opponent the Opposition while doing so!). This allows the
Outflanking King to march forward towards the target, without
allowing the enemy monarch to step in front of it and take Direct
Opposition.
Rook Endgames
HEB Rook and two connected passed pawns (knight-pawn and rook-
pawn, which is the hardest case) vs. lone Rook. Here is the step-by-
step winning process:
@ Advance your pawns together so your King has shelter,
your pawns can defend one another, and blockades can be
avoided—don’t allow one pawn to madly charge down the
board on its own!
® Make sure your King and pawns are in close contact. As in

most chess situations, a team effort is needed for a successful
result.
197
Make sure that your pawns can shield your King from
checks!
Be patient! Push the enemy King back slowly, always making
sure the above conditions have been met.
Once you have forced the enemy King to the back rank,
move your Rook (which should be on the 7th rank) a couple
files to the side of your pawns.
Place both your pawns on the 6th rank (forcing black’s Rook
to guard against back rank mates).
Bring your King to the 7th rank—your Rook on the 7th will
prevent checks along that rank.
Give check by moving your Rook (protected by your King
on the 7th rank!) to the 8th rank, forcing an exchange. The
resulting King and two pawns vs. lone King endgame should
be baby stuff for you at this point.
BA Rooks belong on the 7th rank, but only if the Rook inconveniences
the enemy King (usually by trapping it on the back rank) and/or
attacks one or more enemy pawns.
Minor Piece Endgames

Ma ‘Two Bishops vs. Lone King. The keys to this endgame are:
Use the Bishops to cut off two “connected” diagonals at the
same time. This traps the defending King in one sector of
the board.
The Bishops will be able to take away other important
squares while also making whole diagonals impassable.
@ You will need to use your King to win, so bring it up so it can
directly challenge its counterpart.
Bit by bit, shrink the “diagonal Box”, in much the same way
we shrink the Box in Rook vs. King or Queen vs. King.
@ You will need to chase the defending King to a corner. Once
there, you'll easily deliver mate.
MS Bishop and two split pawns vs. Bishop of the opposite color:
® Positions where the pawns are separated by one file are often
drawn since the defending Bishop and King are close enough
to work together in creating a blockade against both pawns.
® Positions where the pawns are separated by two files offer

some drawing chances, particularly if the defending Bishop
eyes the advance squares of both pawns at the same time.
® Positions where the pawns are separated by three or more
files offer few defensive chances. However, a draw is likely if
one of the pawns is a rook-pawn of the wrong color.
ww
YN
WDA
Pn
KR
White to move
Is 1.a7 a good idea?
Diagram 203
7, 2sie
nae
VW,
a bc def gh
White to move
Does 1.Kf5 win?
Diagram 204
wer
PrN
aI
QD
Ww
@
a bec defgih
Black to move
Is Black doomed?
200
Diagram 205
IT Ve
a “soa
nate ta
ae.
aw OLS
yg Y, a
Us a w Vd
V7 _7
a becdefgih
Black to move
Can Black draw?
Diagram 206
77,72
agegen a BS
ow
aa “es
a om ow
©
taCoe
FP
DN
UV
KR
Nw
nea
Yi Y,
a bec defgh
White to move
Is 1.g6 a good move?
oo ERST
6.
Diagram 207
one We
a mem a
"Oe
Mi, es a
Vi, la “a Va
a staat
Rh
N
enw
VO
777
a becdefgih
White to move
Look at 1.Kc8, 1.Ke7, 1.Kce6, and 1.b7+. Which one wins for White?
Diagram 208
7a0
ee
saa
i
a*unin”
ya
Y
Bg? gfa
fk
NN
Pree
UO
a bedefgih
White to move
Is 1.Be4 a good move?
aap Bae Diagram 209

TEST 8 7
23, —Y/
wane
al Ose
“a mate le
nt ns “y
BAW
———
White to move
White has two strong moves at his disposal that both make use of a similar
theme. If you see the position’s theme, you'll find the moves.
TEST ma ae Diagram 210
a“an“iA
Mal
oo a
. VU),
we
®
DN
kU
Pn
7 ag
a bec de fgih
White to move
Does White have winning chances?

Diagram 211
Ay Vi “”
Yj * oti
4
V_, Gon t
®
I
Nn
OLE Ln
gly
A
WwW
PNM
oe
a? bes
dd) sey if, ogs ch
Black to move
White is two pawns up. Can Black save himself?
||L SOLUTION ] Diagram 202
eee
I, a,
ae i, a, lo
Vi By Z
ra Vi —ao
Ut
"e.
ssa
WwW
®
DN
kU
Bn
Panee ean ae
||
White to move
|
Is 1.a7 a good idea?
No! By taking away all of the black King’s legal moves, you’ve allowed Black
to force a draw by playing directly for a stalemate.
1.a7?? Rd5+ 2.Ka4
2.Ka6 Ra5+! 3.Kxa5 stalemate.
2...Ra5+!
“Take my Rook!”
3.Kb4 Rb5+
“Take it!”
4.Kc4 Rb4+
Also good is 4...Rxb6. 4...Rb4+, trying to make white’s King run to the other
side of the board before taking on b6, is more melodramatic!
5.Kd3 Rb3+ 6.Ke4 Rb4+

Again, ...Rxb6 is still an instant draw.
7.Kd5 Rb5+ 8.Kc6 Rxb6+! 9.Kxb6 stalemate.
2 Diagram 203
SOLUTION
Ua We
0, B
i la W Ay
Ys, abl
-
YW
ZZ.
tt
ie
abedefgih
White to move
Does 1.Kf5 win?
It’s clear that 1.Kg6?? creates a draw by stalemate, and that 1.Kg5?? Kxg7
also draws since Black would have the Opposition. One obvious way to win
from our initial position is 1.g5 Kh7 2.g8=Q+! (avoiding 2.Kf7?? stalemate, and
2.g6+?? Kg8 with a draw) 2...Kxg8 3.Kg6 Kh8 4.Kf7 Kh7 5.g6+ and the pawn
turns into a Queen.
The question, though, was whether White could win by the odd looking
1.Kf5. The answer is yes:
1...Kf7!
A good try. The more mundane 1...Kxg7 2.Kg5 takes the Opposition and is
an easy win.
2.g8=Q+!
Not falling for 2.Kg5?? Kxg7 when Black has the Opposition and draws, while
2.957? Kxg7 3.g6 Kg8 is a basic draw.
2...Kxg8 3.Kg6! and the Opposition will prove decisive (3...Kh8 4.Kh6 Kg8
5.¢5 Kh8 6.g6 Kg8 7.g7, 1-0).
SOLUTION 3
Diagram 204 |
ae ee
Yj), Bt
Pig fi
oe
suas ©
Oe fe
"GMEAD WY
YY FY |
|
|
a bedefgih
Black to move
Is Black doomed?
Black wins by using atypical “tactical bomb” trick: 1...d3! 2.cxd3 e3!! 3.dxe3
c3 and black’s last remaining pawn promotes.
4. Diagram 205
SOLUTION
ee
‘ a u
‘Betne Ah
ey: ae
“eeeY
ol
Black to move
Can Black draw?
The defender usually loses when the pawns are this far apart (black’s two pieces
can’t work together against both enemy pawns, and this ensures that his Bishop
will eventually be lost.), but in this case it’s a draw because the rook-pawn is of
the wrong color.
1...Kf7
Heading for the queenside. Black knows he will ultimately lose his Bishop,
but this won’t matter if he can get his King to b7.
2.a5 Ke7 3.26
No better is 3.a6 Kd7 4.a7 Kce7 5.g6 Kb7 6.7 Bd5, 1/2-1/2.
3...Kd7 4.¢7 Bd5 5.a6 Ke7
And not 5...Kc8?? 6.Bf4! and White wins since black’s King won’t get to b7
or a8.
6.Kh7 Kb8 7.g8=Q+ Bxg8+ 8.Kxg8 Ka8, '/2-'/2,

Diagram 206
SOLUTION 5
Sm Sateen
WY
of “ae.
BBB
oa
U_7 |
nr
Curt Hansen - E Agrest, Malmo 2004

White to move
Is 1.g6 a good move?

Le
Yes, 1.g6 is excellent since it creates back rank mate possibilities if black’s
Rook moves off its Ist rank. All White has to do is avoid stalemate tricks and
victory will be his:
1.26 Kg8
No better is 1...Ra6+ 2.Kg5 (threatening 3.Rf8 mate) 2...Ra5+ 3.Rf5 Ra8
4.Rd5 and White wins since he’ll follow by moving the King to e7 and exchang-
ing Rooks by Rd8+.
2.Re7+ Kh8 3.Rd7
An important move, since leaving the Rook on g7 stalemates the black
King—something you don’t want to do in this endgame!
After 3.Rd7, White threatens to trade Rooks by Ke7 followed by Rd8+.
3...Re8
Momentarily stopping Ke7.
4.Kf7 Rg8
Again stopping Ke7.
5.Rd6
Defending g6 and finally threatening to end things with 6.Kd7 and 7.Rd8.
5...Rf8+
A last bit of desperation. Of course, 6.Kxf8?? would draw by stalemate.
6.Ke7, 1-0.
“Bp”
PART FIVE — ENDGAMES FOR CLASS (1600-1799) 207
Diagram 207
| SOLUTION 6
of YJ
ee VW.
Bi, Mn
uo “e ae
YW, Ui,0
aratoa
GO ag
wR
oO
®
wWA
PN
a bedefgh
White to move
Look at 1.Kc8, 1.Ke7, 1.Kc6, and 1.b7+. Which one

wins for White?
All four of these moves are blunders that throw away the win. It’s clear that
1.Ke8, 1.Kc7, and 1.Kc6 all lead to stalemate and an immediate draw. 1.b7+ is
tricky, but also leads to a draw after 1... Kxb7! (and not 1.. .Kxa7?? 2.Kc7 when
White promotes his b-pawn).
The correct way to ice this position is
1.Kd6 Kb7 2.a8=Q+!
Giving up this pawn allows white’s King to move to c6—taking the Opposi-
tion!—without a stalemate occurring.
2...Kxa8 3.Kc6!
Deftly avoiding 3.Kc7?? stalemate.

3...Kb8 4.b7 Ka7 5.Kc7 Ka6 6.b8=Q Ka5 7.Qb3!
Fastest. This forces Black to step towards white’s King.
7...Ka6 8.Qb6 mate.
Diagram 208
|SOLUTION 7
“a Vi, Ws,
Yi wes
te Vi Ey
eeWY
Yi, Wa WY
U), “e win
“es Vi, 44
“2 “ee
fh be ses -<dses Shigeo ch
White to move
Is 1.Be4 a good move?
It’s a great move if you want a draw (since it creates an immediate stalemate),
but if victory tastes sweeter, then waste a move and only play your Bishop to
e4 when it’s a check:
1.Be3
Keeping this Bishop on the cl-hé diagonal stops the black King from running
out of the corner since h6 is now untouchable. Also, don’t chase black’s King
out of the corner by 1.Be5+ Kh7 2.Be4+ Kh6, and don’t stalemate by 1.Be5+
Kh7 2.Bg7??, '/2-'/2.
1...Kh7 2.Be4+ Kh8 3.Bd4 mate.
2 Bas
Zi.
a
Silman-Satyam, San Jose 1982

White to move
White has two strong moves at his disposal that both
make use of a similar theme. If you see the position’s
theme, you'll find the moves.
The theme is to give white’s Rook control of the absolute 7th rank and, as a
result, leave black’s pieces passive and helpless (in other words, no counterplay
for Black!). Since Black threatens to chase the Rook away with ...Kd8, White
needs to give his Rook some breathing room on the 7th.
1.d6!
Creating absolute 7th rank. The other way of doing this is 1.Bb5!+ Kd8 (or
1...Kf8 2.Bc4 with the threat of d6) 2.d6!.
Very good for White, but not as strong, is 1.e5 Kd8 2.d6 Bd7.
1...exd6
1...Bd7 2.dxe7 is bad for Black since 2...Kxe7 is met by 3.Bb5 Rd8 4.Rxb/7,
while 2...a6 3.Bc4 Kxe7 4.Bxf7 Kd6 5.Rc2 is an easy win for White.
2.Bb5+ Kf8 3.Bc4 Be6 4.Bxe6 fxe6 5.Rxh7
White’s Rook now rules the 7th. Black won’t be able to avoid material
losses.
5...Kg8
Preventing Rh8+, which White picks up black’s Rook.

6.Re7 e5 7.Re6 Kf7 8.Rxd6 Rc8 9.Rd7+ Kf6 10.Rxb7
With two healthy extra pawns, White is assured of victory. All he has to do is
patiently improve his position.
10...Rce3+ 11.Kd2 Ra3 12.Rb2 Kg5 13.Ke2 Kf4 14.f3 Kg5 15.g3 RaS
16.Kf2 Kf6 17.¢4 Rc5 18.Rd2 Ra5 19.Kg3 Ra3 20.h4 a5 21.Rd7 Ke6 22.Rg7
Kf6 23.Ra7 g5 24.hxg5+ Kxg5 25.R£7 Kg6 26.Rf5 Rxa2 27.Rxe5 Ral 28.Kf4
a4 29.Ra5 a3 30.Ra6+ Kf7 31.Kf5 a2 32.Ra7+ Kf8 33.f4, 1-0.
[ hy
eae ae
re Yi a7
MG
ok
"GY, VW,
iS Ue, a
HOG YY
Cong
a bede f gh
White
to move
Does White have winning chances?
White has a winning position after ...

1.Re7 Rb8
1...b6 2.a6 fixes the target on a7 and only makes things worse for Black.
2.Kd3 a6
This prevents White from answering ...b7-b6 with a5-a6.
3.Re7! Kf8
Or 3...b6 4.Rxc6 bxa5 5.Rxg6+ K£7 6.Rg5 with an easy win.
4.b4
White takes his time and continues to fix the enemy pawns, while also placing
his own pawns on protected squares.
4...Ke8 5.Kc4
Stopping ideas based on ...Rd8 followed by ...Rd7.
5...Kd8 6.Rg7, 1-0. Black wasn’t able to do more than whimper!
ff og ee ee
SOLUTION 10 i Diagram 211
| Oy, BU),
a Ib @ def
sg. th
| Najdorf-S Garcia, Buenos Aires 1968

Black to move
|
White is two pawns up. Can Black save himself?
The game would be drawn if the b-pawns didn’t exist. But with them on the
board, White will easily score the full point. He has two ways of doing this:
Plan 1: Exchange his g-pawn for black’s h-pawn. Then force the win
of black’s Bishop for white’s two kingside pawns. Once this is
done, white’s King will march over to the queenside and eat
the b5-pawn, ending the game.
Plan 2: Exchange his f- and g-pawns for black’s b-pawn and h-pawn.
White’s two passed pawns would then be too far from each
other for Black to deal with.
1...Bb3+
Even easier for White is 1...Kf8 2.g6 Kg8 (2...hxg6 3.h7 promotes the h-
pawn) 3.gxh7+ Kxh7 4.Bg5 Kg8 5.f6 Bb3+ (5...Kf8 6.h7 Bxh7 7.Bh6+ Ke8 8.f7+
promotes the f-pawn) 6.Ke7 Bc4 7.h7+ Kxh7 8.f7 Bxf7 9.Kxf7, 1-0. This is a
good illustration of white’s first plan.
2.Kd6 Be2 3.Kc5
Najdorf decides to take his time and torture his opponent. He’s hoping for
3...Bxf5 4.Kxb5 when Black would draw if he could get his King to b7, but
that’s clearly not possible here: 4...Kf7 5.Kc6 Be4+ 6.Kb6 Ke8 (Keeping the
King on the kingside is also hopeless: 6...Kg8 7.b5 Kf7 8.Kc7 Kg8 9.b6 Kf7
10.b7 Bxb7 11.Kxb7 Kg8 12.Kc7 Kf7 13.Kd6 Kg8 14.Ke6 Kf8 5.Kf5 Kf7
16.g6+ hg6+ 17.Kg5 Kg8 18.Kxg6 and White promotes his pawn because it
queens on the same color as his Bishop) 7.b5 Kd7 (7...Bd3 8.Kc6 Be4+ 9.Kc7)
8.Ka7 Ke7 9.b6+ Kc8 10.g6! when the poor Bishop can’t defend b7 and gé6 at
once. Since 10...hxg6 is killed by 11.h7, Black would have to resign.
Nevertheless, instead of 3.Kc5, it was faster to go for victory by plan one:
3.Ke5 Bd3 4.Be7 Bc2 (4...Kf7 5.96+ hxg6 7.h7 Kg7 7.f6+ Kxh7 8.7, etc.)
— ENDGAMES FOR CLASS “B” (1600-1799) 211
PART FIVE
5.Bd6 Bd3 6.Kf6 Be4 7.¢6 Be2 8.gxh7+ Kxh7 9.Bf4 Bd3 10.Ke6 Be4+ 11.Ke7 Kg8
12.6 Bb3 13.h7+ Kxh7 14.f7 when White wins black’s Bishop and the game.
3...Bd3 4.Kb6 Kf7 5.g6+ Kg8
Not falling for 5...hxg6 6.h7.
6.Bg7 Bc4 7.Be5 Bd3 8.Bf4
Still hoping for 8...Bxf4 when 9.gxh7+ Kxh7 10.Kxb5 is easy for White.
However, Black refuses to bite.
8...Bfl 9.Kc6 Bd3 10.Kc5 Bfl
Black’s King can’t move: 10...Kh8 fails to 11.f6! Bxg6 12.Kxb5, while 10...Kf8
11.gxh7 makes a new Queen.
11.Kd4
Finally, after torturing both his opponent and us, Najdorf goes back to the
kingside and Plan 1.
11...Bce4 12.Ke5 Bd3 13.gxh7+ Kxh7 14.Ke6 Kg8 15.f6 Bg6 16.Ke7, 1-0.
‘Triangulation? Outflanking? Have I gone berserk? For those that felt panic
when they eyed the contents of Part Five, I would guess that you’ve now calmed
down a bit—the material might have been a bit ponderous to go over, but far
from difficult to learn.
So what’s your reward for slogging through topics like Rook and two con-
nected passers vs. lone Rook? How about an extremely tight understanding of
basic endgames that will give you a lifetime of confidence every time the final
phase of the game is reached.
Make no mistake about it: you can make due (even with an “A” or Expert rating)
with the material through Part Five (plus the bits and pieces you pick up from
experience) for the rest of your life. Your endgame foundation is that good!
So, if you feel that you’ve now put more than enough effort into the endgame,
you can put this book aside without guilt or misgivings. You worked hard and
have come a long way, and that’s very impressive! However, for these “I never
want to see another endgame book for the rest of my life” people, may I sug-
gest that you spend abit of time with the three chapters in Endgames for Pure
Pleasure (Part Nine). I think that material will send you off in style, and with
a smile on your face.
For those that have serious aspirations towards Class “A” or even Expert, and
who want to know more about the endgame than others in those classes, things
will get a bit difficult in Parts Six and Seven. Are you going to tough it out? If
so, I'll see you there.
212
7
oe.
i
es.
ae
Lae
ee
i
ees
Se
ou’ve come a long way and finally enjoy an elite rating. As you’ve moved
up the ladder, you might have noticed that more and more games reach
endings, and often they prove to be rather complex. Now, more than
ever, you'll need to have mastered all the endgame material in past sec-
tions and assimilate the new material here.
Believe it or not, if you completely master everything through Part Six, you will
have an understanding of endgame basics that far surpasses 75% of those in the
Expert (2000-2199) category. And it’s that lack of general endgame knowledge
among tournament players who pride themselves on being “good” that will give
you a huge advantage over them during the course of your chess career.
Of course, absorbing this new information won’t be easy. Everything here is
far more difficult than anything we’ve looked at thus far. But I wouldn’t present
it if I didn’t think it was very learnable and well within the grasp of an “A” class
player. So, since you’re here and since you seem determined to go to that next
level, fasten your seatbelt and let’s begin!
214
You should already be well versed in King and pawn basics, but now it’s time
to learn a new idea or two that will prepare you for the more expansive, and
complicated, examples in Part Seven.
Strange Races
Many King and pawn endgames are decided by simple races that center on
whose pawn promotes first. When one side queens and the other can’t, it’s usu-
ally game over. And, when both sides promote, one after the other, it’s usually
a draw. Much of the beauty of chess, though, lies in the exceptions. And there
are several “race exceptions” that are must knows.
“5 212
Oy A.
“haos UG "ace UsEFUL ADVICE
ee
Cees Oy
Pawn mates are something
a you must be familiar with.
& aa They form the basis of many

(sometimes surprising)
a victories in more complex
V7 _77 pawn endgames.
a bec de fg h
White to move
Black’s pawn has a clear, and quick, path to al, while black’s King is trying
to hold off the White hoards on d6 and e7. Nevertheless, White wins because
mate trumps the queening of a pawn.
1.Kf6 a2
Black could also play 1.. .Kd7 but then White wins because his pawn promotes
with check: 2.Kf7 a2 3.e8=Q+ and Black loses the race.
2.Ke6 al=Q 3.d7 mate. Black won the race but lost the war!
215
Success in many races depends on the knowledge gleaned in past sections.

Our next position is an excellent example of this.
ao 213
.
aa
a
Saana
®W
SN
HD
WN
HR
Yow
Pe
T1777 @
a bc def gih
White to move
This position is lost for White since his opponent is clearly ahead in the
race. Nevertheless, Black needs to be aware ofa little trick or he’ll end up
botching it.
1.c5 dxc5??
Such an innocent and natural move, but it throws the victory out the window!
Correct was 1...a2!, which we’ll explore after we finish up with 1...dxc5.
REMEMBER
Even the most innocent move can have life and
death ramifications in a King and pawn endgame.
2.dxc5 a2
Isn’t Black winning this race? Yes he is, but if you remember your lessons from
Part Four, you'll know that White is going to save the game.
3.c6 al=Q 4.c7 and we have a basic draw—lone Queen vs. pawn on the 7th
with the stronger side’s King being far out of play can’t win against either rook-
pawn or bishop-pawn. The end could be: 4...Qe5 5.Kb7 Qb5+ 6.Ka8 Qc6+
7.Kb8 Qb6+ 8.Ka8! Oxc7 stalemate.
Now let’s take a look at the position after...
1.c5 a2 2.c6
Also hopeless is 2.cxd6 al=Q 3.d7 Qxd4 4.Kce7 Qc5+ 5.Kb7 Qd6 6.Kc8 Qc6+
7.Kd8 Kb7 and black’s King slowly but surely makes its way to the embattled
area and wins the game.
2...al=Q 3.c7
PART SIX — ENDGAMES FOR CLASS “A” (1800-1999) 217
ee 214
SM Dy Vda
Ae s
ae
IU, eaM
Vs Ame
Vi, 4 Y ,l “o
we
Nw
DB
KW
Fn
ss om
a bc def gih
Position after 3.c7

Black to move
White has a c-pawn, so why can’t he draw? ‘Iwo reasons:

mmm White's stalemate save (after a later Ka8 ...Qxc7) isn’t
stalemate anymore due to the existence of the d4-pawn.
wae [1 some lines Black can capture the d4-pawn then give up his
Queen for white’s remaining pawn on c7. Then it’s off to the
races for black’s pawn on d6!
3...Qb2+ 4.Ka8
Not 4.Ka7? Qxd4+.
4...Qa3+ 5.Kb7 Qb4+ 6.Ka8 Qa5+ 7.Kb7 Qb5+ 8.Ka8 Qc6+ 9.Kb8
Qb6+, 0-1 since 10.Ka8 Qxc7 is no longer stalemate, while 10.Kc8 Qxd¢4 is
no better.
Diagram 215
REMEMBER
oy Va 84
“i
Complex positions
can't be solved unless
hateane you are firmly trained
Vi, 0. in endgame basics!
a a Yi
a
“ee be
a bc de fgih

Even though the race seems to be even, the fact that there are two rook-pawns
means that both queening squares connect on the long diagonal. This can easily
have decisive ramifications.
1.a6 h3 2.a7 h2 3.a8=Q, 1-0, since 3...h1=Q 4.Qxhl isn’t pleasant.
However, a slight adjustment in King position can change a position from
lost to drawn.
Diagram 216
REMEMBER
Hey, they're rook-pawns!

And, as you should know
by now, rook-pawns stand
for results or problems
that are strange/odd/
annoying/unfair. Keep
this in mind whenever a hi by Vi, Vay,
rook-pawn endgame is Ly i7 YYY,yy GV,
}
about to be reached! 7727
a.‘bese:
cds ve= f Sgo -h
White to move only draws
1.a6 h3 2.a7 h2 3.a8=Q KglI!, '/2-'/2 (as shown in Part Four).

‘Thus far we’ve seen that the result of some races depends on prior knowledge
of other endgames, on King position, and/or on whether or not a pawn queens
with check. Our next position (a study by the great Réti in 1921) seems com-
pletely lost for White—so much so that resignation might be in order!
——217
—————
White to move and draw
How can White possibly save himself? It’s clear that Black is going to win
this race hands down, and to make matters worse, the black King is only two
moves away from eating white’s pawn! However, White makes use ofa solid
understanding of the Square of the pawn, good King footwork, and the fact that
his pawn queens with check to make the miracle complete.
1.Kg7 h4
Another try is 1...Kb6 2.Kf6 (threatening Kg5) 2...h4 3.Ke5 and the double
threat of Kf4 (winning black’s pawn) and Kd6 (queening his own pawn) saves
the day: 3...h3 4.Kd6 h2 5.c7 Kb7 6.Kd7, '/2-'/2.
2.Kf6
White’s King does a tightrope act—on one hand threatening to escort his pawn
to c8, and on the other hand trying to enter the square of black’s pawn.
2...h3
Of course, 2...Kb6 3.Ke5! transposes into the note to move one.
3.Ke7!
3.Ke6 amounts to the same thing.
3...h2 4.07 Kb7 5.Kd7, '/2-'/2. Magic!
Réti’s discovery created quite a stir back in 1921, and other problem composers
rushed to emulate him. The following example is one such attempt.
Diagram 218
UW Wy Vy Y
Us Ry a"ie
ceilAV G, Yi
: “yg ns“ys
* “9 Wy UW
Yi),
a,aeas wo
wa
Adamson ee
1.Kg6 a4 2.Kf5 a3
On 2...Kb6 White uses the Réti device: 3.Ke5! (getting ready to step into the
Square of the a-pawn) when 3...Kxc6 4.Kd4 and 3...a3 4.Kd6 are both drawn.
3.Ke6 and white’s pawn promotes.
UsEFuL ADVICE
King and pawn endgames are always tricky. If you enter one—even one that seems
hopeless—take a long think and try to grasp the positions true meaning. This involves
taking into account promotion with checks, the Square of a passed pawn, Opposition,
Triangulation, Outflanking, and a King’s ability to escort its pawn to the 8th rank.
King and Pawn vs. King and Pawn

All versions of this endgame have already been addressed (or indirectly ad-
dressed) via Strange Races, via [rébuchet (in Part Four), or in any of the King
and pawn vs. King positions that can so easily occur. Here are a few more ex-
amples that should firm up the knowledge you already possess.
Diagram 219
eet
aa
om
U8 UD
Y a” ow Yi
Ya MT“7
kK
YW
w
I
WD
FN
YY FUG _
a bc def gih
White to move, draw
White will force the win of black’s pawn on d5, but the resulting position (if
Black responds properly!) is a basic draw:
1.Kb5 Ke7 2.Kce5 Kd8!
Wisely avoiding 2...Kd7?? 3.Kxd5 when White wins since he has the Opposi-
tion. You should be thoroughly familiar with the position after 3.Kxd5.
I should add that 2...Kc8! achieves the same result.
3.Kxd5 Kd7, '/2-'/2 since Black now has the Opposition.
Diagram 220
ee
2g ay
penis 7,
“2aa
“6 6 a
|ea
"oa a
a b cde fgih
White to move wins
1.Ka6
This forces the win of black’s pawn.

1...Kd8 2.Kb6 Kd7 3.Kb7 Kd8 4.Kc6 Ke7 5.Kc7 Ke8 6.Kxd6 Kd8
Black has the Opposition, but it won’t help him since his inability to move
straight back (he’s out of board!) will prevent him from achieving a drawn setup.
You should already know this position, but Ill give the rest anyway.
7.Ke6 Ke8 8.d6
Taking the Opposition.
8...Kd8 9.d7 Kc7 10.Ke7, 1-0.
These two examples were nothing more than glorified versions of basic King
and pawn vs. lone King theory. But knowledge of them allows us to solve posi-
tions that would be unintelligible otherwise. The last several examples made it
clear that, aside from simple race considerations (brought about by both pawns
being passed), the real question surrounding King and pawn vs. King and pawn
theory is whether or not a pawn can be won. If a pawn does indeed drop, the
assessment of the resulting position (which has suddenly transposed into one of
our already mastered King and pawn vs. lone King situations) is made by who
owns the Opposition. Diagram 219 saw the defender safely take the Opposition
(thus gaining a draw). The position after that (diagram 220) had white’s pawn
on the 5th rank—a decisive advantage ifthe white King can crash through and
pick off the enemy pawn.
The position in diagram 221 takes things a bit further. To fully under-
stand it, you have to use the tools from diagrams 219 and 220, plus all your
ae
Opposition skills.
Diagram 221
Vi, W241, J;
Dy
aAwx
68ie ane of situation,
Yi ae? XX. Yi where the defender must
ae
“ia
give up his pawn but
can take the Opposition,
mates
aa is always drawn unless
white’s pawn is on the
FP
DAN
kW
NW
en 8 5th rank.
Ctl
White to move wins, Black to move draws
Since white’s pawn is on the 5th rank, he knows he’ll win if he can pick off
black’s pawn. Black’s only hope is to keep the white King from penetrating to
e6, £6, or g6, since the d6-pawn will be lost if white’s King reaches any of those
squares.
White to move wins by 1.Kg5 when 1...Kf7 2.Kf5 and 1...Ke7 2.Kg6 leads
to the loss of d6 and the game.
UsEFUL ADVICE (IF YOU ARE THE DEFENDER)

Before allowing a position of this nature to occur, make sure the opponent can't
penetrate with his King! If he can penetrate, make sure his pawn isn't on the 5th,
and that you can take the Opposition when he captures your pawn.
Black to move draws by 1...Kf8! This takes the Distant Opposition and allows
Black to successfully meet 2.Kg5 with 2...Kg7, and 2.Kf5 with 2...Kf7 when
white’s King can’t get in.
The next position is full of interest, and very instructive.
Diagram 222
IT, Te
ae
Nnwn
pant fate
“OO@ “U4
BW
Ww
NY
ep
a bc def gih
White to move
It’s clear that Black will win the pawn on a2. This means that White can only
draw if he can reach the c2-square. Again, solving this position is only possible
with a firm grasp of basic King and pawn vs. King theory.
1.Kh8!!
Visually this seems very odd. However, it makes perfect sense when looked at
in the cold light of reason: Moving to f8 allows 1...Kf6 when Black has gotten
closer to his goal on a3, but White hasn’t gotten closer to his goal on c2 (note
how the black King would block white’s King from stepping forward). After
1.Kf8?? Kf6, black’s win is illustrated by the following obvious moves: 2.Ke8
Ke5 3.Ke7 Kd4 4.Ke6 Kc3 5.Kd5 Kb2 6.Kce4 Kxa2 7.Kc3 Kb1 and the pawn
promotes.
On the other hand, 1.Kh8 Kh6 takes Black farther away from his a3-goal.
That only leaves ...
1...K£5
Or 1...Kf6 2.Kh7, which amounts to the same thing.
2.Kg7 KeS5 3.Kg6 Kd4 4.Kf5 Kce3 5.Ke4 Kb2 6.Kd3 Kxa2 7.Ke2, /2-'/2.
The practical study of King and pawn endgames is finite—truly complex/im-
practical King and pawn endgames become the stuff of theorists or very strong
players with a fetish for such things. However, the study of Rook endgames—no
matter how complex—always remains eminently useful simply because they oc-
cur so often and in so many different forms.
Though the student might think that the first five parts of this book has left
him with a sizeable amount of Rook endgame skill, the daunting fact is that you
are still in Rook endgame infancy and will continue to be long after you make
master. Nevertheless, don’t be depressed by this news. The material presented
here in Part Six will leave you with a very solid base of Rook endgame under-
standing and—on a competitive level—this knowledge will far outgun that which
most of your Opposition will ever possess.
“Lucena with a Rook-Pawn

We’ve learned that achieving a Lucena Position guaran-
tees a win, unless the extra pawn is a rook-pawn. The rule
RULE
with a “Lucena” rook-pawn—I’m using the word “Lucena”
If you're into memory
loosely here, since a real Lucena Position only occurs prompts, and numbers such
with a knight-pawn, bishop-pawn, or center pawn—is that as “four or more files” don't
black’s King needs to be cut off by four or more files tor do the job for you, another
way of stating this rule is,
White to win (one file is sufficient in a real Lucena).
“It's a win if the enemy
Diagram 223 King is cut off on or beyond
the farthest bishop-file.”
7, UW Wl
a iil
a oo @
“a0
Vi a
“06 @
a
an
aene
a eeMi
Upte ia
FE
Ww
FN
White’s only plan is to get a Rook to b8 and escape with the King. Thanks
to the fact that black’s King is four files away from the pawn, White can force
a win. However, the technique for achieving this is far more difficult than one
might imagine!
1.Rcl Ke7 2.Rc8 Kd6!
2...Kd7 3.Rb8 Ra2 4.Kb7 (and not 4.Rb7+?? Kc8, =) 4...Rb2+ 5.Ka6 Ra2+
6.Kb6 Rb2+ 7.Kc5 and the King walks towards the Rook and soon forces res-
ignation.
3.Rb8 Ra2 4.Kb7
Escaping from the pit. Leading to nothing is 4.Rb7 (threatening Kb8) 4...Rh2
when 5.Kb8?? Rh8 mate is embarrassing, 5.Rg7 Rb2 6.Rb7 Rh2 just repeats the
position, and 5.Rb1 Kc7 is a dead draw.
Diagram 224
YDB
kK
Ww
NY
Fe
©
Dead draw
Let’s spend a moment explaining why this is so drawn. First, Black to move
(from diagram 224) would play 1...Rc2 when White can’t even dream of win-
ning: 2.Rh1 (or 2.Rb7+ Ke8 3.Rb8+ Ke7 and white’s King will never escape
from the corner) 2...Rc3 3.Rh7+ Kc8 4.Rh8+ Kc7 and it should now be clear
that white’s King is forever entombed on a8.
White to move (from diagram 224): 1.Rcl+ Kd7 2.Kb7 (no choice, since
2.Rd1+ Kce7 only helps Black, 2.Rb1 Ke7 gets nowhere fast, and trying to build
a Lucena bridge by 3.Rc4 fails to 3...Rb2) 2...Rb2+ 3.Ka6 Ra2+ 4.Kb6 Rb2+
§.Ke5 Ra2, '/-'/.
4...Rb2+ 5.Kc8
The only good move. 5.Ka6 Ra2+ 6.Kb6 Rb2+ is nothing, and White would
have to repeat with 7.Ka6 Ra2+ 8.Kb7 Rb2+ 9.Kc8 in order to get back on the
right path.
5...Re2+ 6.Kd8 Rh2! 7.Rb6+
Of course, 7.a8=Q?? allows 7...Rh8 mate, while 7.Ke8?? fails to 7...Rh8+

8.Kf7 Rh7+ followed by 9...Rxa7 with a draw.
7...Ke5
7...Ke5 makes things easy for White after 8.Ra6 Rh8+ 9.Kc7 Ra8 10.Kb/, etc.
ee 225
oe ee
e “a i
a .
a,“@¢ag
ao 0 wi
Bay
anee
a becdefgih
White wins if you know the key!
8.Rc6+!
The key to this endgame. 8.Ra6 fails to 8...Rh8+ 9.Ke7 Rh7+ 10.K£8 (10. Kf6??
Rh6+) 10...Rh8+ 11.Kg7 Ra8 followed by ...Kb5 when the pawn is lost.
Now, after 8.Rc6+!, Black realizes that taking the Rook allows the white pawn to
promote to a Queen with check—not a happy thing for Black to face, but 8...Kb5
(8...Kd5 9.Ra6) 9.Rc8 Rh8+ 10.Ke7 Rh7+ 11.Kb8, 1-0, is even worse!
8...Kxc6 9.a8=Q+
—— 226
we 77
Oe “a tt
ee oo
ooo Oo
4.0.0.4
Beata,
wo
©
DN
KW
Pn
“we ee
a bc def gh
White wins easily
I can imagine some of you looking on in horror and thinking, “I’m not sure
if I know how to win Queen vs. Rook!” To make matters worse, a glance in our
Contents shows that I don’t even cover that endgame! What's going on? First,
calm down, you don’t need to understand the ins and outs of Queen vs. Rook
theory (which I feel is too rare and too hard for this book) to easily win this
position. You see, Queen vs. Rook is only difficult if the Rook is fairly close
to its King or, at the very least, on the same side of the board (saving it from a
Rook-winning fork by white’s Queen). In our present position, the Rook and
King are far away from each other, and a simple series of checks will pick up
the Rook and end the game.
9...Ke5
9...Kb5 (9...Kd6 10.Qb8+ and 11.Qxh2) 10.Qb8+ and 11.Qxh2 is even more
abrupt!
10.Qc8+
White wants to swing his King over the kingside (placing his Queen between
the black King and its Rook!) when just about any combination of checks will
lead to the Rook’s demise.
10...Kd4
10...Kd5 11.Qf5+ amounts to the same thing as our main line.
11.Qg4+ Kd5
Black would love to get closer to his Rook, but 11...Kc3/11...Kd3/11...Ke3
all drop the Rook immediately to 12.Qg3+. Note that 11...Ke5 12.Qg3+ and
11...Kce5 12.Qg1+ also lead to instant resignation.
12.Qf5+ Kc6
The only way to stretch things out a bit. 12...Ke4/12...Kd4/12...Kd6 all hang
the Rook to 13.Qf4+.
13.Qe6+ Kb7
Again, there’s no choice. 13...Kb5/13...Kc5 14.Qe5+ is game over.
14.Qc8+ Ka7 15.Qc7+, 1-0 since 16.Qxh2 follows.
RULE
If you possess the “Lucena” rook-pawn (King in front of its pawn and enemy
Rook trapping it there), you can only win if the enemy King is trapped four
or more files away/cut off on or beyond the further bishop-file.
As demonstrated in the last example, it’s a draw if the defending King is three
files away (or closer) from the pawn. Much of this was explained in the note
to white’s 4th move in the previous example (diagram 224), but let’s start from
scratch just to ram the point home.
Diagram 227
Lovet, WU, Oe
a a ai
m e t
xe as ae
VI WEG _1.1
White to move, draw
Black’s King is close enough to trap white’s monarch in the corner.

1.Rh1 Kd7 2.Rh8
Of course, 2.Rh7+ Kc8 only helps Black.
REMEMBER
2...Kce7 3.Rb8 Rh2 4.Rb7+ Kc8! 5.Rb1 White’s last chance
Rook-pawns tend to
to get his King out is to play Rcl+ (though even that would lead be a bother for the
to a draw, as illustrated in diagram 224), so Black ends this hope attacker anda joy for |
by 5...Re2! when White can’t dream of progress here as long as the defender!
Black has c7 and c8 available to the King.
Rook in Front of its 7th Rank

Pawn
When a Rook is trying to shepherd a pawn down the board, it usually dreams
of being behind the pawn.
Diagram 228
Se a ay
a ee
le
i
ViMe a
a
“coo
we wa 8
a
Black is busted
Note how white’s Rook is a tower of strength that is helping to push the pawn
home. In comparison, black’s Rook is passively stopping the inevitable. White
wins by Kd4-c5-b6-b7.
| RUuLe
Both sides should try to get their Rook behind a passed pawn.
This means that defensively, having one’s Rook behind the enemy passed pawn
is of enormous importance. To illustrate, let’s take the previous diagram—quite
hopeless for Black when white’s Rook is behind its pawn—and reverse the posi-
tion of the Rooks.
Diagram 229
rN
FPF
NI
Wa
wr
White can’t win because Black now has an ideal defensive stance with his Rook,
while white’s Rook is stuck in a corner guarding its pawn. White’s only chance
is to defend the pawn with his King, then bring his Rook out. But this fails:
1.Kce5 Ra2
Many moves are fine. For example, 1...Kg7 also does the job, while 1...Rcl+
2.Kb6 Rb1+ 3.Kce5 Rel+ is quite sufficient, though Black can’t get too overzeal-
ous with his checks: 4.Kb4 Rb1+ 5.Kc3 Rcl+?? (5...Ral, draw) 6.Kb2 when
suddenly black’s Rook isn’t able to get back behind the passed pawn! White
wins after 6...Rc7 7.Rh8+ Kxh8 8.a8=Q+ with a theoretical win that’s a bit too
complex for our present course of study.
I should point out that another way to lose after 1.Kc5 is 1...Ra5+?? since this
let’s White attack the Rook and guard his pawn at the same time by 2.Kb6. The
continuation might then be: 2...Ral 3.Rb8 (Freedom at last! This Rook can
finally take an active part in the battle to promote the pawn.) 3...Rb1+ 4.Kc7
Rel+ 5.Kb7 Rb1+ 6.Ka8 Rg] 7.Rb7+ Kh6 8.Kb8 (threatening a8=Q) 8...Rg8+
9.Kc7 (threatening Rb8) 9...Rg7+ (or 9...Ra8 10.Kb6 followed by 11.Rb8)
10.Kb6 Rg6+ 11.Ka5 Regi (A last trick. No better is 11...Rg5+ 12.Ka6 Rg6+
13.Rb6, 1-0) 12.Rb6+ (And not 12.a8=Q?? Ral+ and 13...Rxa8, =) 12...Kh7
13.Ka6, 1-0, since 13...Ral+ 14.Kb7 and 13...Rg8 14.Rb7+ Kh6 15.Rb8 Rg6+
16.Rb6 are both game over.
2.Kb6 Rb2+ ae
In these positions, whenever the King touches its pawn (trying to free its
Rook), the defender should smack it away immediately with a check!
3.Ke7 Ra2 * os
REMEMBER
The defending Rook needs to be behind the enemy passed pawn. Failing
__ to do so will allow the stronger side’s Rook to get out of its cage!
‘3
4.Kb7 Rb2+ 5.Kc6 Ra2
White’s insurmountable problem is now clear: Black will check white’s

King whenever it touches its pawn. Then, when that King/pawn contact
is lost, the Rook will leap in back of the pawn and leave White with no
constructive ideas.
After 5...Ra2, White should just shake hands and accept a draw.
UsEFUL ADVICE
It’s often critically important
to get your Rook behind
Diagram 230 a passed pawn (be it your
passed pawn or your
ee
OMe ue
opponent's).
Wi” —— ‘an
“o 60
aa
DA
©
NkW
nw
FP
a a
a bc
de fgih
Draw, but watch out for the trap!
Here Black should just move his Rook back and forth along the a-file, and/or
he can break the monotony by doingalittle jig with his King via ...kg7-h7-
g7-h7 when White has to accept the draw. But what if White whispers (in evil
fashion), “Hey, can’t you just walk over to the queenside with your King and
win my pawn?”
Obviously, the voice of greed has dragged many a good man and woman to
their doom, so let’s demonstrate what happens if such a queenside trek is at-
tempted:
1...Kf7??
It’s clear that 1...Kf6?? 2.Rf8+ followed by 3.a8=Q is a disaster!
2.Rh8!
Diagram 231
A key tactical idea
And the trap is sprung! White threatens 3.a8=Q, and since 2...Rxa7 loses to
3.Rh7+, Black must resign. This tactical idea is extremely important in this kind of
endgame, and its influence drastically effects many more complex situations.
REMEMBER
Many class “A” players have fallen victim to this trap, so always be on the lookout for it!
As we can see, having a pawn on the 7th rank, with your Rook in front, is
a doubled edged sword. On one hand it dooms your Rook to passivity. On
the other, it forces the black King to everlasting imprisonment on h7 and g7
(otherwise the above tactic ends matters quickly). This brings up an important
question: If Black gets his Rook behind your pawn (with your Rook in front of
it), but the pawn is only on the 6th rank, should you push it to the 7th or leave
it where it is?
(See diagram 232)
Pushing the pawn to a7 creates an instant draw (the previous examples should
have convinced you of this!) because white’s Rook would remain forever passive
and any attempt to defend the pawn with the white King would fail because
black’s Rook would just check it away and then return to its defensive position
behind the passed pawn.
Diagram 232
a”
fataae
7) oa I
2 a i
roa aMn
Ss
©WD
wk
Pn
Y Sas
A
To push or not to push?
The real question here is, how can White try to win? It turns out that White
has many advantages:
mame Lis King can easily break black’s “block” on the 2nd rank (by
scuttling over to b1) and then march up the board to its pawn.
wae When the pawn is on the 7th rank, white’s King would have
nowhere to hide. With the pawn on the 6th, the King can hide
in front of it (on a7). This finally frees the a8-Rook.
wae Black’s King is forever stuck on h7 and g7 since any attempt to

rush over to the queenside fails to a well-timed a6-a7 when the
poor King would be stuck in no-man’s land.
All these facts make it sound as if White should prevail, and if Black tries to
maintain his Rook’s position behind the passed pawn White will indeed be able
to claim victory:
1.Kfl Kh7
Note that black’s King can’t participate in the defense: 1...Kf7 2.Kel (2.a7 Kg7!
is our basic draw) 2...Ke7?? (Making a dash for the queenside, but this backfires
horribly!) 3.a7! and suddenly black’s King can’t get back to the safe squares on
e7 and h7. Both 3...Kd7 and 3...Kf7 lose to 4.Rh8 Rxa7 5.Rh7+.
2.Kel Kg7 3.Kd1 Kh7 4.Kcl Kg7 5.Kb1
Finally breaking black’s 2nd rank blockade.
5...Ra5 6.Kb2 Ra4 7.Kb3 Ral 8.Kb4 Kf7
Black doesn’t intend to go too far—he sees that the immediate 9.a7 is safely
answered by 9...Kg7! with a draw.
9.Kb5
Defending the pawn and threatening to free the a8-Rook.
9...Rb1+ 10.Kc6 Rel+ 11.Kb7 Rb1+ 12.Ka7

White’s King has reached the safe haven on a7. The white Rook is finally
ready to emerge.
12...Ke7 13.Rb8 Ral 14.Rb6 Kd7 15.Kb7 and, since a6-a7-a8 can’t be
prevented, Black must resign.
RULE
When defending these positions, the normally successful “passive defense” (i.e., moving the
King back and forth, and giving a check when the stronger side’s King touches its pawn)—
which works so well with the stronger side’s pawn on the 7th rank and his Rook in front of
it—doesn't succeed if the pawn is only on the 6th rank.
Is this a win after all? No, Black can save the game if he’s familiar with the
surprisingly little known (though extremely important!) Vancura Position.
Diagram 233
Vy Vi, f-
Ne nsFr
O,
b eante
Vi, e Vi, |
oe
a bc def gih
Either side to move, Black draws
Just as the pawn on the 7th deprived white’s King of any cover, the flexible
position of the defensive Rook (and the unfortunate position of the stronger
side’s Rook) effectively does the same thing since:
wammme Black can check along the f-file.
mame His Rook attacks a6 and thus keeps the white Rook cornered.
mmm White's King has nowhere to hide (if White had a b-pawn
instead of an a-pawn, this would no longer be the case since
white’s King could hide on a6).
1.Kb5
Defending the pawn and threatening to free the a8-Rook. Of course, 1.a7 Ra6!
2.Kb5 Ral is an easy draw, and 1.Ra7+ Kgé6 is also nothing for White.
1...Rf5+ 2.Kc6 Rf6+ 3.Kd5

There are no gains for White after 3.Kb7 Rf7+.
3...Rb6
This important move keeps contract with the a6-pawn and continues to force
white’s Rook to act as a permanent babysitter.
4.Ke5 Rc6
Black could also draw with 4...Kh7 (the King on h7 and Rook on g6 is as fully
adequate as the King on g7 and Rook on f6). However, some care must be given
since 4...Rf6?? instantly drops the game to 5.Rg8+ Kxg8 6.Kxf6, 1-0.
5.Ra7+
White is running out of ideas since he’s already tried moving his King to the
queenside, while 5.a7 Ra6 is a mindlessly simple draw.
5...Kg6 6.Kd5 Rf6 7.KcS Rf5+ 8.Kb6 Rf6+ 9.Kb7 Rf7+ 10.Ka8 Rf8+,
'h-'/, White can’t make any progress.
Diagram 234
DY Way Hin MH
Vi, Vi “9 &
no ff
Vi, nsVa
a nsa.“el
My“@ Vi
ee Jui
DO
WN
fk
WH
NY
FPF
OW
N
a b cde fgih
Black finds the correct path to a draw
Diagram 234 takes us back to the position (seen earlier in diagram 232) we
didn’t quite solve. Now we should have the knowledge to find black’s draw.
Since staying behind the pawn doesn’t work, his correct defensive strategy is to
set up a Vancura Position.
1.Kfl Ra5! 2.Ke2 Re5+
This doesn’t give white’s Rook a chance to escape from its prison on a8.
3.Kd3 Re6! 4.Kc4 Rf6 5.Kb5 Rf5+, 1/2-"/.
Diagram 235
ae
ee i
W/ Oh th
W a IW
me
WU Og a
a b cde fgih
Can Black draw?
As was the case with the a-pawn, White wants to rush his King to the front of
his pawn (b7) with a won game. Now the Vancura Position doesn’t work since
white’s King has access to a6:
1.Kfl
Of course, 1.b7? Kh7 is still a total draw.
1...Rb5 2.Ke2 Re5+ 3.Kd3 Re6 4.Kc4 Rf6 5.Kb5 Rf5+ 6.Ka6, 1-0.
However, the pawn on bé6 is closer to black’s King, so a more straightfor-
ward drawing idea is possible, this time keeping the black Rook behind the
passed pawn.
ae 236
Ay Vi
rata o
a
gs aa
MV “a Yi,
"a aan
V7:
a
Let’s try it again!
1.Kfl Kf7! 2.Kel

1.b7 Kg7}, =.
2...Ke7!
Bravely entering no-man’s land. Though this fails with the a-pawn, it does
the trick with the closer b-pawn.
3.b7
Else ...Kd7 and ...Kc6 picks up the b-pawn. Now White threatens to win
by 4.Rh8.
3...Kd7 4.Rh8
4.Kel can be met by 4...Rb6 followed by ...Kc7 or even by the immediate
4...Kc7.
4...Rxb7 5.Rh7+ Kc8, '/2-'/2.
Thus, we have two important rules:
RULES
When combating a rook-pawn on the 6th (with the stronger side's Rook in front of its
pawn and the stronger side's King off in the hinterlands), the Vancura Position is the
defender’s road to salvation.
When combating a knight-pawn on the 6th (with the stronger side’s Rook in
front of its pawn and the stronger side’s King off in the hinterlands), the Vancura
Position is no longer sufficient for a draw. However, keeping the Rook behind the
pawn and rushing the King towards the embattled area should pick up the pawn
and draw the game.
Rook and Pawn (on 4th or 5th)

vs. Rook
We've already determined that the game is easily drawn if the defending King
can get in front of the pawn (i.e., using the Philidor Position, as shown in Part
Four). However, what happens if the defending King is trapped one or more
files to the side of the pawn?
The result of this endgame depends on whether or not the stronger side can
reach a Lucena position, and this is determined by the following specific rules
(as usual, rook-pawns form exceptions, so we’ll only explore positions with a
knight-pawn, bishop-pawn, or center pawn):
RULES
A pawn on the Sth rank or beyond wins if the defending King is cut off by
one file on the Long Side of the board!
A pawn on the 4th rank wins if the defending King is cut off by two files. A
knight-pawn is an exception and takes three files.
236 «SI LMAN’S COMPLETE ENDGAME COURSE
Diagram 237
GV
ee
oa ten
a
a
\ Ka .. WN ~~
we
Ns
DO
kW
PN ak
a6 moe
eg” NN
a bcdefgih
White wins
The position in diagram 237 is a good illustration of our 5th rank rule—a pawn
on the Sth rank or beyond wins if the defending King is cut off by one file on
the Long Side of the board. White easily achieves a Lucena Position because
black’s King is on the Long Side of the board.
Now it’s time to address the Long Side and Short Side of the pawn: The
Short Side is the side with the least amount of squares from the pawn to the
side of the board. In general, the defender should always move his King to
the Short Side of the pawn. Placing the defending King on the Short Side is
extremely important! The point is that the defending Rook can use the Long
Side for long distance checking (known as Checking Distance) without hav-
ing to worry about his King getting in the way of those checks! By blasting the
enemy King with long distance checks, the beleaguered King won't be able
to find shelter since approaching the nasty Rook would entail a long trek that
completely abandons the battle zone.
1.Kh5
Preparing to advance the pawn. If Black does nothing, White will win easily
by 2.g6, 3.Kh6, etc.
1...Rh8+ 2.Kg6
Threatening to play 3.Kg7 and 4.g6.
2...Rg8+ 3.Kh6 Rh8+ 4.Kg7 Rh1 5.g6 Rg1
Else White would play 6.Kg8 and 7.g7.
6.Kh7 Ke7 7.27 Rh1+ 8.Kg8 and White has a basic Lucena Position which,
as you know, is an easy win.
RULE
In a pawn down Rook endgame where the defending King can no longer stay in
front of the enemy pawn, the defender should always move his King to the Short
Side o f the board so that his Rook will have Checking Distance.
That was easy! But be careful that the defending King really is cut off.
Diagram 238
a.
a Y),
nN
ano
©
tt
Ae
om me Yi
Paes
VW
HR
we
FN
“oeeo2
a bcdefgh
This is almost identical to our previous position, which was won for White.
However, the “almost” proves to be very important—instead of being on e6,
black’s King resides on e7. Also, Black has the move. This allows 1...Rf8!.
Suddenly it’s clear that black’s King wasn’t cut off at all! Now 2.Rxf8 Kxf8 is a
dead draw, while 2.Ral Kf7! gets the King to the front of the pawn, achieving
a drawn position.
Our next example shows how the defender can draw against a pawn on the
5th if his King is correctly placed on the Short Side of the board.
mia 239
VDA
kK
we
Fry
D
N
Black’s King is on the Short Side of the pawn
Black draws by giving his Rook Checking Distance on the Long Side of the
board.
1...Rh8!
Suddenly Black threatens a cascade of checks along the distant h-file. Incred-
ibly, White has no answer to this!
2.d6
The attempt to block the checks with the white Rook via 2.Rel fails to 2... Ke7
when black’s King gets in front of the pawn with a drawn position. Counting on
the King to do the job also doesn’t work: 2.Ke5 Rh5S+ 3.Ke6 Rh6+ 4.Kd7 Rh7+
5.Kc8 Rh8+ 6.Kd7 Rh7+ 7.Ke6 Rh6+ 8.Kf7 Rh7+ (8...Rd6 is also fine) 9.Kg6
Rd7 (Now that white’s King is far from its pawn, Black is able to pile up on the
abandoned unit and win it.) 10.Rd1 Ke5, '/2-'h.
2...Rh4+ 3.Ke5 Rh5+ 4.Kf6
Or 4.Kf4 Rd5 and the pawn is lost.
4...Rh6+ 5.Ke7 Rh7+ 6.Kf8 Rd7, '/2-'/2.
Diagram 240
i
I a
aera
BEae a
nae
w MEE
ae
Sa
as
Ly, @
bc def gih
White to move, draw
Earlier we stated that a pawn on the 4th rank wins if the defending King is cut
off by two files. The position in diagram 240 is drawn because the defending
king is only cut off by one file.
1.Kf4
The tempting 1.e5 seems strong, since 1...Re8?? 2.Ke4 takes us to our first
rule:A pawn on the Sth rank or beyond wins if the enemy King 1s cut off by one
file on the Long Side of the board. However, instead of the compliant 1...Re8,
Black can answer 1.e5 with 1...Ra4! when white’s King is cut off from its pawn!
Now moves that takes the white Rook off the d-file allows ...Kd7 with an im-
mediate draw, 2.Rd6+ Kc7 also leaves White without a good follow-up, and
2.Rd4 Rxd4 is a drawn King and pawn vs. King endgame. Thus: 1.e5 Rat 2.¢6.
Now White threatens to win by 3.e7 Ra8 4.Rd8, but 2...Kc7! (stopping the
aforementioned possibility of e7 followed by Rd8) holds the draw: 3.Rd7+ 3.e7
Ra8 followed by ...Re8, =) 3...Kc8 4.Rh7 (4.Kd3 or 4.Rd1 run into 4...Ra6, =)
4...Kd8, '/2-'/2.
1...Rf8+
This frontal check defense is quite effective against a pawn on the 4th rank.
2.Kg5
Note that 2.Ke5 Re8+ 3.Kf5 Rf8+ 4.Ke6 Re8+ gets White absolutely nowhere
due to the vulnerability of the pawn.
2...Re8!
And not 2...Rg8+?? 3.Kf6 when 3...Rf8+ 4.Ke7 and 3...Re8 4.e5 both lose
for Black. Also note that 3...Rh8 doesn’t give Black enough Checking Distance
because black’s King is on the Long Side: 4.e5 Rh6+ 5.Kg5 Re6 (5...Rh8 6.e6)
6.Kf5 Re8 7.6, winning.
The annoying attack against e4 (2...Re8) freezes the pawn in its tracks and
forces White to lose time defending the pawn.
3.K£5 Rf8+ 4.Kg6 Re8! 5.Rd4
White’s last shot (which threatens 6.Kf7 Re5 7.Kf6 Re8 8.e5), since 5.Rel
Kd6 is completely drawn.
5...Kc5!
A very important resource! Note that if our original position had started with
black’s King on c7 instead of c6, this move wouldn’t be possible and the result
would be very different:
Diagram 241
i777
A @ <a nm
et
2
me a
Cae
L080
eoOne GO
a bcdefgh
Black to move draws, White to move wins
Black to move draws in two different ways: 1...Kc6 (which takes us back to
diagram 240) or 1...Rd8 2.Rxd8 Kxd8 3.Kf4 Ke8!, '/2-"/.
White to move wins because he can take advantage of the fact that Black
no longer has the ...Kc5 defensive idea at his disposal: 1.Kf4 Rf8+ 2.Kg5 Re8
3.Kf5 Rf8+ 4.Kg6 Re8! 5.Rd4 Kc6 6.K£7 Re5 (6...Kc5 7.Rd5+, 1-0) 7.Kf6 Re8
8.e5, 1-0.
6.Rd5+ Kce6 7.Kf5 Rf8+
Diagram 242
Va, Wo
A
Gaon eU _
a A ae
nN
©
Age RS 2
ae
VW
HR
WH
NH
FPF
a
oo n
bec de fgih
It’s still tricky
8.Ke5
The alternative, 8.Kg4, also forces Black to use some care: 8...Re8 9.Kf4 Rf8+
10.Rf5 Ra8 11.Rf7 (11.e5 Kd7 will achieve an easily drawn Philidor Position)
11...Kd6 12.Kf5 Ra5+ 13.Kf6 Re5 14.Rd7+ Kxd7 15.Kxe5 Ke7 and, since Black
has the Opposition, the game is drawn.
8...Re8+ 9.Kd4 Re7 10.e5 Rd7!
An idea that we’ve already seen. The Rook move allows the black King to
make its way to the front of the pawn.
11.Rxd7 Kxd7 12.Kd5 Ke7 13.e6 Ke8 14.Kd6 Kd8 15.e7+ Ke8 16.Ke6
stalemate.
Diagram 243
7 Sean
ai 0,
Wo i
Yi “ae
ol VY
natesTg «
Draw
Though the stronger side wins with a bishop-pawn or center-pawn on the 4th
rank if the defending King is trapped two files away, a knight-pawn on the 4th
is more problematic. In this case the stronger side usually wins if the defending
King is trapped three files away.
The position in diagram 243 is drawn since the defending King 1s only two
files away.
1.Re2
White can’t improve his position so he “passes” in the hope that Black will
make a mistake.
1...Kd6!
Oddly, this is the only way to draw! Let’s look at the alternatives and see
why:
mum | ...Re7?? destroys the Rook’s Checking Distance. Black is
toast after 2.Kh4 Rh7+ 3.Kg5 Rg7+ 4.Kh5 Rh7+ 5.Kg6.
mam 1... Ra8?? 2.95 is hopeless.
mum 1... K4?? is the most interesting blunder since it allows White
to cut the black King off on a rank by 2.Re6! Kd5 3.Rh6.
Diagram 244
aa
oo
a 8
Aone ake
woo
ans
“68‘a©y
i
Black is lost!
Suddenly black’s game is lost! His King can’t get back into the fight since the
6th rank is a no-pass zone, and the white Rook blocks all checks along the h-file
which allows the King to calmly march up to h5. A sample of what could occur:
3...Ke5 4.Kh4 Rg7 5.Kh5 Rg8 6.g5 Kf5 7.Rf6+ Ke5 8.Kh6 Rh8+ 9.Kg7 Rhl
10.Rf2 Ke6 11.g6 and White will achieve the desired Lucena Position.
UsEFUL ADVICE
Sometimes cutting the defending King off along a
rank is as good as cutting it off along afile.
se
2.Re4
Otherwise Black just moves his King back and forth between d6 and d5. By
defending his pawn with the Rook, White hopes to relieve his King of guard
duty which will allow it to march triumphantly down the board.
2...Kd5!
Chasing the Rook away from its good position. A major mistake would be
2...Kd7?? 3.Kh4 Rh8+ 4.Kg5 Rg8+ 5.Kf6 Rf8+ (or 6.¢5 would have followed)
6.Kg7 and White wins.
3.Rel
Black draws easily after 3.Ra4 Ke6.
3...Kd6 and White must agree to a draw since he can’t make any progress.
Bishop of Opposite Colors
(Bishop and Two Connected
Passers vs. Lone Bishop and King)
One would think that this endgame would be an easy win for the two con-
nected passed pawns. However, this simply isn’t the case. ‘To illustrate my point,
allow me to indulge inalittle story.
The year was 1978, the city was London, and I was playing my second game
with the white pieces in the span ofa few months against Jonathan Speelman. I
had won the first and now my opponent was after blood. The opening promised
a sharp struggle:
1.e4 c5 2.Nf3 d6 3.d4 cxd4 4.Nxd4 Nf6 5.Nc3 a6 6.Bg5 Nc6 7.Qd2 e6
8.0-0-0 Bd7 9.f4 b5 10.Nxc6 Bxc6 11.Qe3 Be7 12.Bxf6 Bxf6 13.e5 Be7
14.exd6 Bxd6 15.Ne4 Bxe4 16.Qxe4 0-0
7
245
FP
©
N
KMD
nw
abs
How not to prepare
I had prepared this system a year before, and whatever theory I had access
to at that time had promised me good chances with 17.Bd3 g6 18.h4. Indeed,
243
it looks dangerous for Black, but as I sat there wondering why my opponent
exuded an air of confidence, I decided to take a deep look at the position for the
first time (Mindlessly memorizing book, and exploring a variation seriously, are
two very different things!). Sure enough, after pondering the situation for a long
while I realized that White didn’t have anything at all! It occurred to me that
after 18...Qf6 19.Rdfl Rfd8 20.h5 Bf8 21.hxg6 hxg6 22.¢4 Bg7 my opponent’s
Bishop would be very happy on g7 where it would defend the black King while
simultaneously eyeing my monarch ina lecherous state of rut.
Diagram 246
BE
V, y
YW,
77
WW
Cpe,
sem
<
“
>= D>
2 as oO a o ey ge >
Killer Bishop on g7
(Years later the position after 21.hxg6 hxg6 22.g¢4 Bg7 did indeed occur, with
this result: 23.c3 b4 24.f5 exfS 25.gxf5 g5, 0-1, Santo Roman- Palac, Cannes
2000).
RULE
Opposite colored Bishops are wonderful attacking weapons in the
middlegame (or in endgames with many pieces remaining) since one
Bishop can attack something that the other can't defend.
Whatever the truth about this line might be, during the game I began to panic,
and this led to a “cowardly” act on my part (from diagram 245):
17.Qd4 Bc7 18.Qxd8 Raxd8 19.Rxd8 Rxd8 20.g3
Yes, I renounced my manhood and shamelessly played for a draw!
20...h5 21.Be2 h4 22.Rd1
Since leaving too many pieces on would actually make the Bishops of opposite
colors useful to Black, I made sure to exchange everything that wasn’t nailed
down. ght, “Sebaiat! Steam neerte ease
RULE
Bishops of opposite colors often give the defender serious drawing
chances in the endgame even if he’s one or two pawns behind!
22...Rxd1+ 23.Kxd1 g5 24.fxg5 hxg3 25.hxg3 we arrived at the following

situation.
Diagram 247
ylaeae
I,
Pe
es mia
,
rono2%“a
YY tf
4, U.4 wa
AW Ama | Yi
DWBN
WN
Kk
2B Ze0
nNwWw
FP
U.
a bc
de fgih
Is Black getting something?
My opponent was getting a bit excited, no doubt due to the fact that both my
g-pawns were in bad shape. Losing them would lead to two black connected
passed pawns marching down the board. Was it time for me to get hysterical?
Not at all! Why? Because I knew that the following position (a true worst case
scenario) was dead drawn.
Diagram 248
i, Vy, UU:
Vi a“waa7]
Vy aaa "a
es/
eae — Wi
FP
©
N
DA
UW
rk
nw
“6 82"a's
‘=
Dead draw!
That’s right. If White loses both g-pawns and his three queenside pawns for
black’s two, the game is still a draw!
The extreme position in the last diagram didn’t occur though, and the actual
game ended without any adventures:
25...Kg7 26.a4 bxa4 27.Bxa6 Kg6 28.Bb5 Bxg3 29.Bxa4 Kxg5 30.Ke2 £5
31.Kf3 Bd6 32.c3 e5 33.Be2, '/2-'/2.
Okay, after seeing me label diagram 248 a dead draw, many of you might be
thinking, “Someone let Silman loose in the pharmaceuticals again!” So, just in
case you doubt this humble writer, let me try and prove my point of view.
We'll explore two different methods for Black.
Diagram 249
Vs ]
on
ARTA
aOO €
Ll.0 0
ae
NMA
hk
WwW
NY
He
N
&
Falgl aol
Dead draw!
Method 1 aah
Black tries to bring his King to d4 without pushing his pawns.

1...Kf5 2.Be8!
So that the f7-pawn won’t be defending the e6-pawn anymore.
2...f6 3.Bd7!
Now the black King is stuck defending the e6-pawn. He has to give up his
plan and try
3...Ke5 4.Bc8 Kd6 5.Ke4
But now Black will have to push his pawns if he wants to win, and that will be
examined next. However, we’ve discovered an important idea (brought to light
by the moves 2.Be8! and 3.Bd7!) when defending this kind of opposite colored
Bishop endgame: The defender can tie his opponent’s King down by using his
Bishop to attack the pawns.
We'll see many examples of this rule in action.
__Method
2 oe:
Black shoves his pawns forward!
(From diagram 249)
1...£5 2.Bb3!
ae
RULE
The defender must attack an enemy pawn with his Bishop

in order to tie down the enemy King.
This fine move gives Black two choices: he can play ...Kf6 and simply guard
the pawn for the rest of the game (which means he’ll make no progress what-
soever), or he can push the pawn to e5, which is clearly what Black was aiming
for anyway. However, once this pawn moves to e5, White can then demonstrate
his key defensive plan.
ZsOd
Now Black threatens (after something hideous such as 3.Ba4??) 3...e4+ 4.Ke3
Bc5+ 5.Ke2 f4 when the pawns will soon make their way to the 6th rank: 6.Bc2
f34 7.Kel Kf4 8.Bb1 e3 9.Bd3 Bb4+ 10.Kfl KeS (Black will march his King
around to d2 so he can play ...e3-e2+ without letting White sacrifice his Bishop
for both enemy pawns. White can’t do anything to prevent this plan.) 11.Ba6
Kd4 12.Bb5 Kc3 13.Kel Ke2+ 14.Kfl Kd2, 0-1.
RULE
In this kind of endgame, two connected passed pawns on the sixth are
winning. The defender must not allow the pawns to get that far!
3.Bc2!
Believe it or not, this simple move, which stops ...e4+ due to Bxe4, ends the
game. Black is no longer able to generate any kind of threat whatsoever.
3...Kf6 4.Bd3 Ke6 5.Bc2
Black would have chances if he could get his King to d4 (which would help
the e-pawn safely advance to e4), but white’s attack on f5 freezes the enemy
King in its tracks. Since white’s defensive plan now calls for nothing more than
Bc2-bl-c2-b1, the game should be declared drawn.
Let’s now compare two positions that seem to be very similar, yet their result
turns out to be vastly different!
8 Pay ghak
]7 an
stotsa
a
* 4,
Gretee!sryypyy, Se
a "weal
“a 8
a bc de fgih
Draw agreed
This position is literally over (White didn’t let the Black pawns get to the sixth,
as mentioned earlier), and should be agreed drawn. White will simply play Bg2-
hi-g2-hl and Black can’t make progress since ...f4-f3+ is always met by Bxf3.
Note how the Bishop ties the black King to the defense of its e-pawn.
However, our next position is won for Black.
Diagram 251
hy gige
ae
WY TeWY)
Y
seni oy ae
——
White loses!
Ah, the lovely sound of chess players mumbling in confusion! Why is diagram
250 a dead draw while this one is dead lost? Understanding the difference will
give you the true key to this whole endgame!
In the drawn version of this position (diagram 250), black’s King is forever
doomed to baby-sit the e4-pawn. That means he can’t get the King to g3 (which
would allow a winning ...f4-f3 push) because the e-pawn would hang. Of course,
if Black tries ...e4-e3, then White just moves his Bishop mindlessly (and end-
lessly!) along the h1l-a8 diagonal, forming a perfect block to both enemy pawns.
In the losing version (diagram 251), the e4-pawn is not attacked by the white
Bishop. Now the black King is indeed free to roam, and after ...Kd4-e3, the
...f4-f3 advance will seal the deal.
. REMEMBER
'
j The correct defensive stance calls for the defender’s Bishop
to tie the enemy King down to the defense of its pawn.
Some of you might now be wondering what happens if Black leaves his pawns
back a bit and instead strives to improve the position of his King (in an effort
to avoid the drawn position we have just seen). If you glance back to Method 1
(it probably didn’t make much sense earlier!), you'll finally understand what I
was trying to do—the defender will answer this strategy by attacking the pawns
with his Bishop and force their advance!
Let’s look at a simple example of this:
Diagram 252
i
a U
aee
ae te
07
“Ose
a
ot
KR
WwW
rNYN
FP
NN
DB
&
A
wa wo
a bc def gih
Black has one last shot
In this position, we’re familiar with 1...d4 2.Bc2 when we have our basic dead
drawn defensive posture. But suppose Black refuses to take the bait and instead
tries to activate his King by 1...Kd4. Here’s a quick white suicide that will serve
as an example of what Black has in mind: 2.Bc2 Kc3 3.Bb1?? (3.Kd1!) 3...Kb2
when the Bishop, and the game, are lost!
Fortunately, after 1...Kd4 White can easily draw if he remembers to always
restrict the enemy King’s movements by forcing it to defend its pawns. Thus
2.Ba2! stops the King’s march in its tracks! After 2...Bg5 (Hoping White will
move his Bishop off the d-pawn.) 3.Bb3 (Nope. White can go Bb3-a2-b3 all
day!) 3...Ke5 4.Ba2 d4 5.Bb1! Kd5 6.Bc2 and we once again have our ideal
drawing posture.
Fortresses in Bishop-up Endgames

The idea of a defensive fortress is an important one. In general, you’re not
expected to memorize lots of fortress examples. Instead, seeing a few patterns
and keeping the possibility in mind will serve you well.
Fortresses in Bishop-up endgames are fairly common due to the Bishop’s in-
ability to control a whole color complex. These usually occur when the stronger
side’s rook-pawn or knight-pawn get down to the sixth and/or 7th rank, or if a
rook-pawn of the wrong color is lurking on the board. Here are a few examples
that don’t need much explanation.
RULE
There are no fortresses for bishop-pawn, queen-pawn or king-pawn!
4
a bedefgih
Draw
White reaches a dead end if Black shuffles his King between b8 and c8. Allow-
ing black’s King access to a8 also doesn’t get the job done: 1.Be6 Ka8 2.Kd6
Kb8, '/2-'/2.
Diagram 254
ie aa
Ca
BL
A tl le
af
_
saat
Vi
Oe
DBD
ON
KV
PNY
a bc defgih
Draw
White is up a Bishop and pawn, yet the game’s a draw since white’s King can’t
approach without delivering stalemate. Note that sacrificing the b-pawn (in the
hope of giving black’s King more wiggle room) leads to the previous diagram
after 1.Bd5 Ke7 2.b8=Q+ Kxb8.
Diagram 255
The dreadful position of white’s Bishop allows Black to draw. His mindless
plan of ...Kg7-h8-g7, ete. is unbreakable. Oddly, if white’s Bishop where to turn
into a pawn, then White would win by 1.h8=Q+ Kxh8 2.Kf6. In other words,
the Bishop on h7 is worse than a pawn!
Diagram 256
a oS
ae ‘
OSG
afit 7.
ta we
eae
aa a a
a b cde fgh
Draw
Black happily dances between g8 and h8 until White finally gives up and
stalemates his opponent.
Diagram 257
aa el
ii ‘‘
Y “@ "ORG
Y), ale “@
i “Tao
Bon ae
a a a
a bc def gih
Draw
We've seen that White has no chance of winning if black’s King gets to g8/
h8. That means that white’s Bishop must prevent this by staying on the a2-g8
diagonal. However, now Black skips between e8 and f8 and, again, White must
eventually tip his hat to the draw.
As stated earlier, ¢/f-, d-, and e-pawns prevent such blockades, as show by the
following example:
— 258
‘a
a
a2a “OW
ean e
kw
DW
WT
©
sPN
&
goog a2
2
White Wins :
1.Bb6 Kf8 2.Kd7 Kg8 3.Ke7, 1-0. It doesn’t get too much easier than
that!
Diagram 259
Bagg
a
Vj,a
a
a a
a a a
“a0 0 te
a bc def gh
White to move wins
Usually a rook-pawn will draw in a Queen vs. King and pawn on the 7th rank
endgame. However, the position in the diagram is an exception, and the tech-
nique White makes use of is important. It shows how, in some endgames, you
can allow one side to promote his pawn to a Queen and still win by weaving a
back rank mating net.
1.Kg6
Not 1.Kh6?? since that would stalemate the black King! By 1.Kg6, White
moves his King closer to the enemy pawn and simultaneously blocks the Queen’s
control over the g-file, thus preventing an unpleasant stalemate.
1...Kg2 2.Kf5+
In this kind of endgame, White wins if he can get his King into the box shown
in diagram 260. The reason for this will be clear in a moment.
253
Diagram 260
2 Vs
Ue
oe
Y
we
Black’s lost
2...Kf2
Black realizes that 2...Kh1 3.Kg4! just helps White get closer with his
King.
3.Qb2+ Kgl
Black loses immediately after 3...Kg3 4.Qb7 when the pawn is permanently
frozen.
4.Kg4!
White lets Black make a Queen!
4...h1=Q 5.Kg3 and Black must resign since he can’t stop Qf2 mate or a back
rank mate unless he gives away his Queen.
As you can see, in the case of a rook-pawn vs. a Queen and close King (dia-
grams 259 and 260), the Queen can easily create this mate from any position
along its 2nd rank (the moves after diagram 260 had White’s Queen settling on
b2). Thus, if the white King gets in the box shown in diagram 260 (with White
having the move or Black being in check), he always wins.
Note that this idea is sometimes possible against a bishop-pawn—whether it

does or doesn’t work against the other pawns is of no consequence since the
Queen easily beats a knight-pawn or center pawn no matter where the Kings
might stand. In a situation where Black turns his bishop-pawn into a new
Queen and has the move, the white King has to be on its third rank in front
of the enemy King, and the white Queen must be on a2 or e2 in the case of a
c-pawn/h2 or d2 in the case of an f-pawn. Diagrams 261 and 262 clearly illus-
trate both situations.
From diagram 261: 1.Qh2! (the best possible square) 1...Kel 2.Kf4 fl=Q+
3.Ke3 and black can’t stop mate since White’s Queen prevents all black checks
by covering e2, f2, gl, and h3 (White’s King defends against the other checks
on its own).
Diagram 261
aaa
a ata
a a a
a s ete
Te
Ui, a
a a ‘a
i tes
wg «ao
FPF
NN
MNO
KR
Nw
one“s"
a
Ue
bc de fgih
White won (in diagram 261) because the Queen on h2 keeps the Black King
out of the corner and doesn’t allow him any stalemate tricks.
Diagram 262
Vi Ay Vd,
aseM
et “oo
eM
UW
FS
DN
fk
YW
PN
aA
a bc de fgih
White to move, draw
The position in diagram 262 looks promising for White since his King is quite
close: 1.Qe2 Kb1?? 2.Kce4 cl=Q+ 3.Kb3 mates. Sadly, 1.Qe2 Kal! is a huge
improvement which forces a draw: 2.Qd2 (2.Qxc2 stalemate) 2...Kb1 3.Kb4
cl=Q and White can’t win.
In the case of a bishop-pawn, mate is only possible if White has the move im-
mediately after Black pomotes his pawn to a Queen, or if the Queen can safely
reach one of the specified squares (i.e., c-pawn = a2 or e2, while the f-pawn =
h2 or d2). As we’ve seen (in diagram 262), the Queen on e2 doesn’t always ice
the win, but getting the Queen to h2 (as in diagram 261) grabs the brass ring
and doesn’t let go.
Overview
Complex positions can’t be solved unless you are firmly trained in
endgame basics!
King and Pawn endgames

> In a King and pawn vs. King and pawn situation, when the
defending side can give up his pawn but take the Opposition, the
game is drawn unless the stronger side’s pawn is on the 5th rank.
HP It’s clear that, aside from simple race considerations (brought about
by both pawns being passed), the real question surrounding King
and pawn vs. King and pawn theory is whether or not a pawn can
be won. If a pawn does indeed drop, the assessment of the resulting
position (which has suddenly transposed into one of our already
mastered King and pawn vs. lone King situations) is made by who
owns the Opposition.
Rook Endgames
HP In a Rook and pawn endgame, a “Lucena” with a rook-pawn is only
won if the defending King is cut off by four or more files. Another
way of putting it is: It’s a win if the enemy King is cut off on or
beyond the farthest bishop-file.
EP In general, both sides should strive to get their Rooks behind a
passed pawn.
Ga In the case of a passed rook-pawn on the 6th with the defending
Rook behind it, the stronger sides King must try and wend its way
down the board and find shelter in front of its pawn. When this
is going to happen, having the defending Rook behind the passed
pawn doesn’t quite hold up, so a knowledge of the Vancura Position
is necessary.
> The Vancura Position doesn’t suffice if it’s facing any pawn other
than a rook-pawn.
256
WEB In the case of a Rook and pawn vs. Rook endgame where the
defending King is trapped one or more files to the side of the pawn,
the result depends on whether or not the stronger side can achieve a
Lucena Position. This is determined by the following rules:
® A pawn on the Sth rank or beyond wins if the enemy King is
cut off by one file on the Long Side of the board!
@ A pawn on the 4th rank wins if the enemy King is cut off by
two files. A knight-pawn is an exception and takes three files.
Bishops of Opposite Color Endgames

Bishop and two conected pawns vs. Bishop
@ Two connected pawns on the 6th rank are winning.
® The correct defensive stance (only valid if both pawns don’t
make it to the 6th) calls for the defender’s King to be in front
of the pawns, while the Bishop ties the enemy King down to
the defense of its pawn. Ideally, this freezes the pawns since
one push allows a total blockade, while the other allows the
defender to sacrifice his Bishop for the two remaining pawns.
Fortresses in Bishop Endgames

MB Fortresses in Bishop-up endgames are fairly common due to the
Bishop’s inability to control a whole color complex. These usually
occur when the stronger side’s rook-pawn or knight-pawn get down
to the 6th and/or 7th rank, or if a rook-pawn of the wrong color is
lurking on the board. There are zo fortresses for a bishop-pawn,
queen-pawn or king-pawn!
Diagram 263
Wi 2
Cdl. ce
‘a . 07 Wj
4777
a b cde fgh
White to move
Can White win?
TEST2 Diagram 264
Vt, 4, fl
~ SU, A
“oo@ Vi
U/,
w
xn
nan
Wud Os
Va, “a Via
Uh,“ae
WwW
NY
RB
a ae Y
a b cde fégih
White to move
Who wins this position?
Diagram 265
we
w
SN
DA
PN
RW
a bc def gih
White to move
What’s going on?
Diagram 266
P
|
e e
m e e
0 0 @
“oi tt g
00 Ges @
a bedefgih
Black to move
Can White win or is this a draw?
TEST 5 at Diagram 267
CeOlWt
i “awo
u
ai
a ti
o oea
a“Oo. 0a 0 @
©
WON
we
FN
“Ca @
a bc de f gh
White to move
White appears to be lost. How can he save himself?
oe TEST 6 os
Diagram 268
TTT
Wy“Ont “a
a w
ae 2
Sana ee
“ee
Feet et
White to move
Consider both 1.Ke2 and 1.Ke4, which is correct?

Bissau 269
ye
_ Vj
WS
ty, GY
KR
Ww
NN
ND
FN
a bec de fgih
Black to move
Can Black save himself?
“TEST 8 ~ Diagram 270
Black to move
White is targeting the a7-pawn. Can Black save himself?
Diagram 271
Z Ve
Z Ui. Mi Y)
S&S
yy, ZZ 0
GY
AY
a”,
Ms Ay
Vda
a becde@fgih
a
Black to move
Black has two ways to draw this position. What’s the easiest one?
= TEST O° ce Diagram 272

oo
0ie
@
eo oe
‘6 668
2//
ae UU
tata
WwW
Ow
nN
DH
kU
FY
U7 _7
4 bc -d-€ f g A
White to move
Who is winning?
Diagram 273
eee
“a ‘ae
Vy Y by
eea "i.
5oatsie
a aa
a bc de fgih
White to move
How do you assess this position?
oe TEST12 =— Diagram 274
Via, J, l,l
a
Uh VJ,
Yay, Ma
87),
Vy Ye
re
a U7)
NN
DA
&kV
Nw
P
oe et
a bcdefgih
White to move
What in the world is going on here?

TEST
13 Diagram 275
7 B JA
Mii, “aa
era Vi
ao
tt
WNW
KR
WO
NY
EF
N
oe 6a
a be ed,
-e- ofhege hi
White to move
White’s clearly better, but can he win?
_ SOLUTION ]
UU. U8
1
| GY &GY
iat i
YW Vy “ow
yA
wok
BLD CG,
nN
i
Zea
abcde fgih
White to move
Can White win?
White wins easily after ...

1.£7+ Kf8
1...Kg7 2.Ke7 b2 3.f8=Q+.
2.Ke6! b2 3.Kf6 b1=Q 4.g7 mate.
weew
gig@a
eat aw
Raoo6|
SEN
Ow
Oabe
WTWD
wh ““88.
Bew
a bede
if gh
White to move
Who wins this position?
White can draw: 1.a5 h3 2.a6 h2 3.a7 hl=Q 4.Kb8!, =.
_ SOLUTION 3 Diagram 265
a a8d: <& fi é th
Riazantsev - Se. Ivanov, Russia 2004

White to move
What's going on?

ae eee saul
White has a forced win.
1.Rh1!
By leaping behind the passed pawn (“Rooks belong behind passed pawns.”),
White turns it into a run away train that will ultimately force the win of the
enemy Rook.
1...Rxb2 2.h5 Rd2
2...Rxa2 3.h6 Rd2 4.h7 Rd8 5.h8=Q Rxh8 6.Rxh8 a5 7.Kd4 wins. Anaylsis by
Riazantsev.
3.h6 Rd8 4.h7 Rh8 5.Kf6 a5 6.Kxf7

An important move that turns the g-pawn intoa passer.
6...b4 7.Kg7 Rd8 8.h8=Q Rxh8 9.Kxh8 b3 10.axb3 cxb3 11.g4 a4
12.Rb1!, 1-0.
| SOLUTION 4. Diagram 266
mane_
ar Wu”
We
Yi Oy Vy Yi
; 2 “aia
| UU. 7,
ar bee dee Of. eeOh
Black to move
Can White win or is this a draw?
Black draws because his King is only cut off three files from the pawn. ‘To win,
White needs to cut the black King off by four or more files!
1...Rb2! (Irapping the white King on a8) 2.Rh1 Kd7 3.Rh8 Ke7 4.Rb8 Rc2
5.Rb7+ Kc8 and White can’t free his King. Thus, '/2-'/2.
|SOLUTION 5 Diagram 267
a we ee
Study by Prokes 1946

White to move
White appears to be lost. How can he save himself?
1.Kf7
An obvious move that threatens to enter the Square of the a6-pawn (thus
stopping it) by Ke6.
1...a5 2.f4!
Not 2.Ke6?? a4 3.f4 a3 4.£5 a2 5.f6 al=Q 6.f7 Qa3 followed by 7...Qf8.
2...a4
Black also fails to secure victory with 2...Kg4 due to 3.Ke6! Kxf4 (3...a4 4.5
is a draw since both sides promote) 4.Kd5 and White has entered the a-pawn’s
square.
3.f5 a3 4.f6 a2 5.Kg8!
An important move since 5.Ke7?? al=Q 6.f7 Qe5+ 7.Kd7 Qf6 8.Ke8 Qe6+
9.Kf8 KgS lets the black King get too close: 10.Kg7 Qe7 11.Kg8 (11.Kh8 loses
to 11...Qcl+, and not 11...Qxc2 stalemate) 11...Kg6 12.f8=N+ (Note that
12.f8=Q fails to 12...Qh7 mate) 12...Kh6, 0-1.
5...al=Q 6.7, '/2-'/2.
.. SOLUTION 6 Diagram 268
Vi, Wy, We
BOND Gh
W280),0;
Yi,
4
YG
we
Yi
Y, U., Y
WU, & we
4oa
OT ee Fe ah
Kochiev- Smyslov, Lvov 1978

White to move
Consider both 1.Ke2 and 1.Ke4, which is correct?
In the actual game, Kochiev played 1.Ke2?, which loses: 1...Kb5 2.Rb1+ Ka4
3.Rcl Kb4 4.Rb1+ Ka3 5.Rcl Rd5! 6.Ke3 Kb2 7.Rc4 Kb3, 0-1. It’s interesting to
see how even grandmasters sometimes botch these basic theoretical positions!
1.Ke4 is a draw since 1...Rd4+ 2.Ke3 Kb5 3.Rh1 Kb4 4.Rb1+ Ka3 5.Rel Rd5
and now 6.Ke4! saves the day. Compare this with the actual game continuation
where Ke4 wasn’t available.
SOLUTION f Diagram 269
‘|
? ne
8,
a bede@
ff gh
Black to move
Can Black save himself?
White will win if he is allowed to push his pawn to d5: 1...Kc7?? 2.d5 Kb6
(2...Kd7 3.Kf6 Kd8 4.Ke6 Kc7 5.Ke7 Kc8 6.Kxd6 is also winning) 3.Kf6! (And
not 3.Ke6?? Kc5 with a winning Trébuchet for Black!) 3...Kb5 4.Ke7! Ke5
5.Ke6, 1-0.
‘To prevent white’s pawn from reaching the 5th rank, Black must play:
Tid 5!
He knows he’s losing his pawn, but he also knows he will be able to take the
Opposition and make a draw.
2.Ke6 Kce7 3.Kxd5 Kd7, '/2-'/2.
| SOLUTION Q Diagram 270
a
||
6
Oa fit 2
te
tanta
a40 2
~~
Schlage - Ahues, 1921

Black to move
White is targeting the a7-pawn. Can Black save

himself?
No, Black is quite lost.

1...Kc3 2.Kd5!! wins. (This move was discovered by Maizelis.)
In the actual game, White blundered with 2.Kd6?? and drew after 2...Kd4
3.Kc6 Ke5 4.Kb7 Kd6 5.Kxa7 Ke7, '/2-'/2.
De
Te
CaO
teZ
ta
3G FGWY W
ae
“E20 @
a0 heoie ido é ff %g: th
Black to move
Black has two ways to draw this position. What's the

easiest one?
|
White to move wins by 1.Kf4. Fortunately, Black has the move and is able to
improve the position of his King in two fundamentally different ways.
1...Rd8!
Simplest. Black also draws with 1...Kc6 intending to meet 2.Kf4 with 2...Rf8+
3.Kg5 Re8 4.Kf5 Rf8+ 5.Kg6 Re8 6.Rd4 Kc5!
2.Rxd8
Naturally, 2.Rh1 Kd7 poses no problems for Black, who will get his King in
front of the pawn and draw by making use of Philidor’s Position.
2...Kxd8 3.Kf4 Ke8!
The only move! Now Black can take the Opposition on any advance by white’s
King. Losing choices are 3...Kd7?? 4.Kf5 Ke7 5.Ke5, and 3...Kc7 4.Ke5 Kd7
5.Kf6.
4.Kf5
Obviously 4.Ke5 Ke7 and 4.Kg5 Ke7 also give Black the Opposition, while
4.Ke4 Ke7 (and not 4...Kd7?? 5.Kf5) 5.Kf5 Kf7, is equal.
4...Kf7, =
|SOLUTION 10 ease 272
ca ta
ametas
NN
UO
WR
PN Sy -"
Laa
Em. Lasker
-Tarrasch, St. Petersburg 1914
White to move
Who is winning?
tiara
A glance might convince us that White is losing, but Lasker found a nice idea
that, up to that time, had never been seen before.
1.h4! Kg4 2.Kg6!

This is it! White threatens to promote his pawn, but if it’s taken the white
King has a faster road to the queenside than black’s.
2...Kxh4 3.Kf5
Suddenly it’s Black who is fighting for a draw!
3...Kg3 4.Ke4 Kf2 5.Kd5 Ke3 6.Kxc5 Kd3 7.Kxb5 Ke2 8.Kxa5 Kxb3,
hh,
ll q Diagram 273
SOLUTION
“i an
¢ i
2 oan
anOy._
a
aoe
a Re
id wee bY ge oh
Composition by Pal Benko

White to move
How do you assess this position?
White wins by forcing the black King on to a square that will allow the a-pawn
to promote with check.
1.a4
Not 1.Kd4? Kf4 2.a4 e5+ 3.Kc3 e4 4.a5 e3 5.a6 Kg3! 6.Kd3 Kf2, =.
1...e5 2.a5 e4 3.Kd4 Kf4 4.26 e3 5.Kd3 Kf3 6.a7 e2 7.a8=Q+, 1-0.
12 >274
SOLUTION
a bede z=g oh
Horwitz, 1879
White to move
What in the world is going on here?
The problem White faces is not so much his opponent's three kingside pawns,
but rather the fact that his King is far from the queenside. This means that if
we removed all the kingside pawns, the resulting position is drawn.
The solution is to use the movements of the kingside pawns to get white’s
King a bit closer, then employ the idea we learned in “A Trick Win in Queen
vs. rook-pawn on 7th” (diagram 259) which allows Black to promote his a-pawn,
only to find himself in a mating net.
1.Qb6 f2+ 2.Kxg2 fl=Q+ 3.Kxfl 22+ 4.Ke2 gl=Q 5.Qxgl+ Kb2 6.Kd2
al=Q 7.Qb6+ Ka3 8.Qa5+ Kb2 9.Qb4+ Ka2 10.Ke2 and mates. PersonallyI
would now give 10...Qc3+ a go, since 11.Qxc3 is stalemate! Of course, 10...Qc3+
11.Kxc3 forces mate next move.
- SOLUTION 13 | Diagram 275

ee.
a6 Ko,
Oa weby .
a a
abcde fgh
Smyslov - Botvinnik,
World Championship Match 1957
White to move
White’s clearly better, but can he win?

!
t
White wins by placing his Rook behind his passed pawn. Once he freezes
black’s Rook on b8, he can then decisively penetrate into black’s helpless king-
side with his King.
1.Rd3 Ra8 2.Kb3 Ra5 and Black resigned without waiting for a reply. Why?
Because black’s kingside pawns fall like ripe fruit after 3.Kb4 Rb5+ 4.Kc4 Rb1
5.Rb3 Rcel+ 6.Kd3 Rdl+ 7.Ke3 Rd8 8.67 Rb8 9.Ke4 Kd7 10.Kf5! Analysis by
Botvinnik.
Complex Rook endgames are the main focus of this section, and it takes a
certain amount of chess strength (i.e., tactical clarity and the ability to absorb
complicated patterns) and work ethic to absorb the advanced material presented
here. Apparently, you’ve succeeded in doing so. This not only verifies that you
belong in the “A” class, but it also speaks volumes about your dedication to
climbing up the rating ladder.
At this point, you could easily rest on your endgame laurels for the rest of
your life and never have to back-down to anyone when the final phase of a
game is reached. However, why stop here? You’ve done the vast majority of
“grunt-work” and will be surprised to find that the Expert section concentrates
more on concepts and making use of the material you already possess than the
memorization of alien ideas and rules.
So, when you’ve recovered from the effort you’ve just made and feel that
it’s time to leave the “A” class behind and become an Expert, feel free to open
yourself up to the mysteries of Part Seven.
270
—EN SEVENPA
t this point you know enough basics to change your general mode of
study. Instead of looking at isolated positions, we will look at more
complex situations that are made easy by being firmly schooled in all
the foundation endgames. Here you'll be introduced to the concept
of solving complicated positions by beginning with a very simple idea
(i.e., your previously acquired knowledge), then adding a bit more complexity to
it, and adding to it again. This “flow” of information, in essence a Flowchart,
can be used to deconstruct a surprising amount of endings, no matter how ad-
vanced they might appear to be at first glance.
272
Rook endgames are a mystery to most players. The fact is, if you don’t know
the building blocks of Rook endgames, you won’t be able to play any Rook
endgame properly. In other words, knowledge is a must. Since you’re reading
this Expert section, you should be well acquainted with the ins-and-outs of
basic Rook endgame theory. This will allow you to understand the more com-
plex situations that we’ll be addressing here, and also make the concept of the
Flowchart rather easy to grasp.
The Flowchart— Taking a Simple

Position Into Deeper Water
We will now take a leap into Flowchart mentality—a simple technique that
will enable you to turn many complex positions, which at first glance will appear
unintelligible, into simple situations that you have already mastered.
The Flowchart mentality is, in reality, a form of transition where you take the
game from one situation to another and, perhaps, to yet another! This can mean
maneuvering a complex Rook endgame into abasic, well known situation, or
it can mean going from one specific kind of endgame to a completely different
situation (for example, a Rook and minor piece can turn into a favorable Rook
endgame if you exchange the minor pieces, and this can turn into a winning
King and pawn endgame if you later exchange the Rooks).
Let’s start with the following “confusing” position.
REMEMBER
Diagram 276
A Flowchart is nothing
Yj V Yi Y more than a way of
ik ae using basic knowledge
a Yi oe to solve positions
that seem extremely
he Vi, jo J, complex.
te
i.0
Yii
“Y “WY,
FP
®D
NN
DO
WW
fk
yw
a bec de fgih
Black to move, can he win?
273
Compare it with this next one.
Diagram 277
ease
ane ee
LO, se
Ww
FPN
T77_7_7]
a bcdeéfgih
The average Expert or Master would hazard a guess, but would not be able
to definitively figure out either of these positions. We’ll return to them when
you have the tools to make some educated deductions. And what are these
“tools?” Basic building blocks, of course! By this time, you should have dozens
of building block positions stored in your head, though we’ll add a few more
in the pages to come.
Building Block 1 ae
a becde fgih
A dead draw
This is a position you already have in your internal “basics” database. As long as
white’s King stays on h2 or g2, and as long as the Rook remains on the a-file and
checks the black King every time it touches its pawn, the game can’t be won.
PART SEVEN — ENDGAMES FOR EXPERTS (2000-2199) 275
- Building Block 2
Diagram 279
ee yu}
M f uf”
oViw“eat“te
8
7
6 heae i
RULE
ee
5 Y Y) Yj, be
pintsa-
]
4
3
on the 7th comb its
2 Ree et ce
Rook trapped in front
1
of it), and an h-pawn.
A dead draw
This is new, and should be added to your rapidly growing store of memorized
basic positions. Black can’t win because the h-pawn isn’t able to deprive the white
King of both critical squares (it can take away g?, but not h2). Thus:
1...h4 2.Kh2 h3 3.Ra8
And not 3.Kxh3?? Rh1+ followed by al=Q.
3...K£5 4.Ra7 Ke4 5.Ra8 Kd3 6.Ra7 Ke2 7.Ra8 Kb3 8.Rb8+ Kc3 9.Ra8,
'/,-'/, Black’s King can wander the Earth like Cain, but it can’t bother white’s
King, nor can it help extricate its Rook from the prison on al.
~ Building Block 3
Diagram 280
ee
et a I
| a a “Well
raneanA x RULE
King and Rook draw vs.

:
a Ball I, King, Rook, a-pawn on
OA
Vi
fk
Wwe
FPN
N
att ctl the 7th (with its Rook
trapped in front of it),
and g-pawn.
A dead draw
Another new position. This is also drawn because the pawn can take the h2-
square away from white’s King, but not g2.
1...¢4 2.Ra8 g3 3.Ra7
Naturally, moves like 3.Ra6+ are also more than sufficient to split the point.
3...Kf5 4.Ra8 Kf4 5.Ra7, '/2-'/2. Black can’t come close to winning.
Building Block A ~
Diagram 281
o_o oD
ee
te eet
ae
RULE 9 Ay Yi Os
sy
King and Rook lose vs. 4 “y bye
Ay Y)
King, Rook, a-pawn on 3 My,oy, a Y
the 7th (wath its BOok 2 ag Y, 2s
& WY
trapped in front of it), 1 at WY Y, og
and an f-pawn.
a bc de fgih
White should resign
New and very important! The win is suddenly effortless since the f-pawn will
successfully pull white’s King off of both critical squares on h2 and g2. In fact,
Black doesn’t even need to use his King to claim to full point.
1...f4 2.Ra8
Checking by 2.Ra6+ doesn’t accomplish anything since black’s King would
just march towards the Rook (i.e., 2...Kf7 3.Ra7+ Ke6 4.Ra6+ Kd7 5.Ra7+ Ke6
6.Ra6+ Kb7 and the checks are history) and then continue pushing the f-pawn
once the checks ended.
2...£3+!, 0-1. White’s choices are 3.Kh2 f2 when fl=Q can’t be prevented,
3.Kxf3 Rfl+ 4.Kg2 al=Q, or 3.Kf2 Rh1! 4.Rxa2 Rh2+ 5.Kxf3 Rxa2.
Building Block 5 ee:

Diagram 282
Vay afi yO
we
oe
ate
©
mata
ot ale
he See ae
Draw
This must be a draw since even if Black manages to win the g4-pawn, it takes
us back to the dead drawn position in Building Block 3.
Diagram 283
Y) eyYW
Yj os“~
ii,a Yi
Z a osa
YY Y
faa ate
NS
DA
WV
whrk
Pry
©
Mm UU 7
abcde fgih
Black wins with accurate play
Since building block four was an easy win for White, it’s clear that the same
holds true here if Black can win the f4-pawn. The winning method is simple
and instructive.
1...Ke7
If Black wants to make contact with the f4-pawn, he must break through the
6th rank.
2.Kh2 Kb7 3.Ra3 Kb6 4.Kg2 Kb5 5.Ra8 Kb4 6.Ra7 Kc3 7.Ra5 Kd3
Of course, White has no fear of 8.Rxf5 since that allows the black Rook to
safely leave its prison on al: 8...Rb1 and 9...al=Q.
8.Ra8 Ke4!
Avoiding 8...Ke3 9.Ra4 when a key position has occurred:
Diagram 284
a a
ao aste
amshe
20
Se
Z Vy a
a
ae “a GeO
Kk
wwVm
FPN
©
N
UD mi 6 6 ee
a bc de fgih
Black wants White to move here!
Black to move can’t force White to implode, so he would have to dance around
a bit until this same position is reached with White to move: 9...Kd3 10.Kh2
(10.Ra8 Ke4! transposes to our main line) 10...Ke2 (threatens L1...Kf2 and/or
11...Kf3) 11.Kg2 Ke3 reaching the diagrammed position with White to move
and winning due to zugszwang, as explained in our main line.
9.Ra4+ Ke3
Zugzwang! White is forced to drop his pawn or move his King to a poor square.
10.Kh2 Kf3 and White must give up the pawn since 11.Kh3?? Rh] is mate.
After 11.Ra8 Kxf4 we are back to building block four.
These six building block positions should give you enough Flowchart knowledge
to make solving our original two “problems” possible. So let’s take another look.
Diagram 285
&
AN
WW
we
Fn
A quick guess would tell us that Black can’t win because if he pushes his a-
pawn to a2 and trades the g5-pawn for white’s h3-pawn, the resulting two extra
pawn position is drawn, as shown in building block three.
Diagram 286
li la
This position, though, seems very winnable because we can see a clear “light
at the end of the tunnel.” Using building block four as our guidepost, we know
that pushing the a-pawn to a2 (which freezes the white King) and then exchang-
ing the f5-pawn for the g3-pawn would be game over.
Furthermore, building block six showed us that we would win the position
even if we got the a-pawn to a2 and dragged white’s g-pawn to f4. Once we have
a goal position in mind, coming up with the actual moves that allow us to reach
our dream position is rather easy:
1...a4
Black immediately rushes his pawn to a2, knowing that this will leave the
white King shackled to the h2- and g2-squares.
2.Kf2 Ral 3.Kf3 a3 4.Kg2
And not 4.Kf4?? a2 when White can’t stop a back rank check followed by the
promotion of the a-pawn.
4...a2
Black’s first goal is accomplished! white’s King is now stuck on h2 and g2. If
you are not completely familiar with this, the material in Part Six should refresh
your memory.
5.Kh2 f4! 6.gxf4 £5! and we've reached building block six, which we should
now know is a basic win for Black.
We'll be looking at other complex situations in Part Seven where Flowcharts
prove useful, but all of them are only comprehensible if you’ve retained the
lessons learned in the first six parts of this book.
Rook and Two Connected Passed

Pawns vs. Rook and Pawn
Positions featuring two passed pawns vs. one enemy passed pawn are usually
winning for the two pawns. Previous knowledge is important here, too, since
many positions are won by following basic rules, and by exchanging a pair of
pawns and creating a winning Rook and one vs. Rook position.
Diagram 287
ae a
Big ake
A
en
aie en
Ui, 0S 10e©
aa
Caae
Gettee?,
UV
kK
wo
@®
ws
A
“6 oe
Be
PN
a bcdefgih
White wins
1.Kf2
The King must take part in this battle!
1...Kf5 2.Kf3 g5 3.Re8
White’s Rook prepares to place itself behind the enemy passed pawn (as dis-
cussed in Part Six).
3...Rb1 4.Rf8+ Ke6 5.Ke4
White isn’t too concerned with black’s pawn. Instead, he continues to bring
his own King up so it can support his two passers.
5...Rel+ 6.Kd3 Rdl+
The immediate 6...¢4 loses to 7.Re8+ followed by 8.Rxel.
7.Ke4 g4 8.Kc5
Optimizing the position of white’s King. He’s finally ready to start moving
his own pawns forward. Please note: he will only do so after the King gets into
a position to support them.
8...23 9.Rg8
Placing the Rook behind black’s passed pawn and stopping it from dashing
to gl.
9...Rg1 10.c4
At last!
10...g2 11.d5+ Kd7 12.Rg7+ Ke8
Diagram 288
REMEMBER
You can avoid Rook osAG

“waxi Age
checks by keeping
Ww te wo
your King in front
3 _ y Ua
of your pawns!
V/s 4
a bcde#fgih
White to move
13.Kd6
White heads for a winning Rook and pawn vs. Rook endgame. Even stronger
is 13.d6 Kf8 18.Re4 Kf7 15.Kc6 Rel 16.d7, 1-0. However, the play after 13.Kd6
is more instructive.
13...Rel
13...Kf8 14.Rg4 Rel 15.Rxg2 Rxc4 16.Kd7 would transpose into our main
line.
14.Rg8+
This check forces black’s King away from e8 and thus gives white’s King ac-
cess to the d7-square.
14...Kf7 15.Rxg2 Rxc4 16.Kd7
White is heading for a Lucena Position (explored in Part Four). Black tries
to resist, but his position is too far gone.
16...Ra4 17.Rf2+
Trapping black’s King away from the action (see Part Four).
17...Kg7 18.d6 Ra7+
Poor Black doesn’t even have Checking Distance (explained in Part Six).
19.Kc6 Ra6+ 20.Kc7 Ra7+ 21.Kb6 Rd7 22.Kc6, 1-0.
When a Philidor Goes Bad

In Part Four we explored one of the most important Rook endgames one can
know: the Philidor Position. We saw that it offers the key to defending a pawn
down Rook and pawn versus Rook endgame. However, what if a Philidor goes
bad and one isn’t allowed to use the main “dominate the rank and stop the enemy
King from advancing” idea?
Diagram 289
fafa hy
a Ge
He le
Aygo Wi
a te
NN
HO
NA
Pag ae
&
Ww
PN
“eea
(nt
White to move and cause black pain
We used this same diagram in Part Four, though in that case we gave Black
the move. This allowed him to end things right away by 1...Rh6 when White
can’t make any progress. However, what if White has the move? In that case
1.Rg6! prevents the key defensive maneuver and forces Black to adopt a “plan
B.” Of course, if you don’t know “plan B” off the top of your head, and if you
don’t remember our lessons about the Philidor Position (Part Four), the Lucena
Position (Part Four), Checking Distance (Part Six) and the Short and Long
Side of the board (Part Six), then you are, to put it mildly, up the creek without
a paddle.
Let’s play a few moves so you can see how knowledge of the Rook endgame
basics (as listed above), and the Flowchart they allow you to create, will make
your life easy.
1.Rg6! Kd7
Black seems unimpressed. Isn’t his King safe?
2.Ra6!
So black’s King wasn’t safe after all. Now the threat of Ra7+ forces a reaction.
2...Rh1
Best.
REMEMBER
If you intend to check the enemy King, try to put as much distance between
your Rook and his King as possible (i-e., Checking Distance).
We'll soon see why this is important.

3.Ra7+ Ke8 4.Kd6!
Diagram 290
W Wee @
aea
CEaGgGe
Yj on @
a“oa w
a
“6 wax
a becdefgih
Black to move
The start of a multi-question “test”
Our key position. This is where you must have a preexisting knowledge of
the saving idea and/or a firm understanding of the basics that enable you to
make sense of it, or you'll almost certainly go down in flames. Since 4...Rh6+?
5.e6 is clearly horrible, and 4...Rd1+? 5.Ke6 Kf8 (in Part Four, we saw that
laying passively on the back rank via 5...Rd8 fails to 6.Rh7) 6.Ra8+ Kg7 7.Ke7
has White rushing towards the creation of a Lucena, Black is forced to pass a
multi-question test to survive!
REMEMBER
White is trying to create a Lucena Position (which would win).
Black is trying to create a Philidor (which would draw)
4...Rel!
Question one: correct! What does this do? 4...Re1l makes it hard for White
to advance his pawn, as you'll see in a moment.
5.Ra8+ Kf7
The point of 4...Rel is now clear: White can’t play 6.e6+ due to 6...Rxe6+.
Since Black now threatens to make an immediate draw via 6...Rd1+, White
must step back and move to the previous position.
6.Ra7+ Ke8 7.Ke6
Diagram 291
VY, V4.7
cae
SN
SONS
wm
NN
AN
mates YW
AO
a aan
i
A
WH
FN
a bc de fgih
Black to move
Part two of the “test”
The threat isn’t subtle—Black must take immediate measures against Ra8
mate.
7...Kf8!
This is known as going to the Short Side (explored in Part Six). The idea is
that Black is leaving far more distance on the left for future lateral checks with
his Rook (without his King getting in the way). Remember: when you check a
King with your Rook, you always like to have as much distance between your
Rook and the enemy King as possible.
8.Ra8+ Kg7 9.Kd6

Diagram 292
eat
wea
ae
ass
WwW
PrnY
I
DW
RW
Black to move
Part three of the “test”
9... K£7!
Again showing the strength of 4...Rel. Now the e-pawn is again stuck and
...Rd1+ is threatened, chasing the white King away from the action. Far worse
was 9...Rd1+? 10.Ke7 when White is again getting perilously close to setting
up a Lucena Position (the defender must avoid this at all costs!).
10.Ra7+
White repeats the position again and sets up a completely different kind of
test for his opponent.
10...Ke8 11.Ke6 Kf8 12.Ra8+ Kg7
We’ve been here before, but now White tries a different idea.
13.Re8
Diagram 293
ZT
a et
aHES
be0 2”
rane
2 a af
OA
WW
N
rR
aa
wyNw
FP
Black to move
Part four of the “test”
SEVEN — ENDGAMES FOR EXPERTS (2000-2199) 285
PART
Now “passing” doesn’t work: 13...Re2? 14.Kd7! when 14...K£7 fails to the
simple 15.e6+, while 14...Rd2+ 15.Ke7 has allowed White to make progress.
How can Black defend?
13...Ral!
After 13...Ral we can see long distance checking at work. Black threatens to
set up a pure, easily drawn Philidor Position by 14...Ra6+ 15.Kf5 Kf7 and the
game is as good as over.
14.Rd8
Diagram 294
a
Savagete
Yih,
Ow
J
Yi
“6 Oe
Be
ae8 age
a eet oa
Black to move
Part five of the “test”
White is hoping for 14...Ra6+ 15.Rd6. But Black doesn’t have to be so ac-
commodating.
14...Rel!
Back to our key idea! White can’t make progress and, since Black has demon-
strated his understanding of this endgame, the game can be agreed drawn.
Pawns on One Side of the Board

In the vast majority of endgames, the defender’s drawing chances are improved
with every pawn trade. This is certainly the case of a Rook endgame where one
side has an extra pawn, but all the pawns are situated on the same side of the
board. The defensive ideas are based on:
mum [rade as many pawns as possible (unless striving for a particular

pawn exchange severely weakens your pawn formation).
waa Keep the Rook as active as possible (preferably tying the
defender’s King down to the defense of its pawns).
game Keep trading down until you end up with a Philidor position,
which we know from experience is a simple draw.
Rook and Two vs. Rook and One

In positions where the two vs. one pawn difference is on one side of the
board, the game is usually drawn if the stronger side doesn’t have a passed
pawn. Nevertheless, even in non-passed pawn situations, like e- and f- vs.
f-pawn, the defense can still be difficult in over-the-board practice (just be-
cause something is a theoretical draw doesn’t mean it’s easy to achieve!). The
simplest two vs. one situation to draw is King, Rook, and h- and g-pawns vs.
King, Rook, and g-pawn. However, even here good players have been known
to botch the defense and go down in flames.
Unfortunately, in cases where one side does have a passed pawn, these end-
games often prove far more complex than one might imagine. For example, if
one side has a passed pawn, as in e- & f- vs. g-pawn, the stronger side has serious
winning chances. There are several reasons for this:
wae ‘The stronger side’s King will enjoy more cover than its black
counterpart.
mum “The stronger side can use his greater force to push the
opponent back and, ideally, win the defender’s remaining
pawn.
mmm The stronger side can push his pawns to the Sth and/or 6th
rank, exchange a pair of pawns, and end up with a favorable
King, Rook and pawn vs. King and Rook situation where the
weaker side hasn’t been allowed to create his ideal defensive
setup.
mame The passed pawn will always be threatening to “go

somewhere,” forcing the defender to deal with that on top of
everything else.
Personally, I’ve met very few players under 2400 who have mastered these
different two vs. one on the same side of the board situations. And why should
they? The defensive technique is hard to quantify, and I find that most of the
positions need heaping doses of common sense, care, accurate calculation, and
a good knowledge of more basic positions to draw. As a result, I'll leave it to
the reader to study these complex situations if and when he feels the need to do
so—personally, I strongly feel that such in-depth study of complex specifics is a
waste of time for players in the Expert and even low Master class.
Userut ADVICE
Don't let the gobbledygook scare you! Stick with the basics and with
the new patterns I’m about to show you and life should prove easy.
Having said that, we can still acquire a basic understanding of many two vs.
one situations by making use of a simple defensive Flowchart:
wae Don’t allow a losing Rook and one vs. Rook position to
occur. This usually means that the defending King gets
trapped on the side and can no longer prevent a Lucena from
materializing, or it can mean that the defending Rook is
passively placed.
we Trade a pawn and get a Philidor Position.
wm King and pawn endgames might occur. You'll need to make
occasional use of your of knowledge of Trébuchet (Part Four)
if you’re going to do well in cases like this.
mu You'll need to know the drawing technique for failed Philidor
positions (found in Part Seven).
Let’s take the following position and let it show us how all these things might
occur from a “simple” Rook and two vs. Rook and one endgame.
Diagram 295
wa
a nOia”
“4
2 4,
alll Vs w
7
8
White to move
1.Kg5
This frees the f4-pawn and allows it to advance. Once it gets to £5, it will put
the big squeeze on black’s King.
1...Re5
An important move that intends to chop off e5 if the f4-pawn advances! ‘Trying
to activate this Rook so it can check from a distance doesn’t work: 1.. Rel?? (This
position occurred in Hanisch -Steibl, 1996 when White showed his confusion
with 2.Ra6?, failing to take advantage of black’s error. Instead, White can force
a win.) 2.Rb7+ Ke8 3.f5 Rh1 (Also hopeless is 3...Rc5 4.Kf6 Rc6+ 5.e6 fxe6
6.fxe6 when 6...Rd8 7.Rh7 wins thanks to black’s passive Rook—you can find a
study of this concept in Part Four) 4.Rb8+ Ke7 5.f6+ Kd7 6.Rf8 Rh7 (This is
one ugly Rook, but how else can Black defend the f7-pawn? 6...Ke6 7.Re8+ Ke6
8.e6! is certainly no improvement) 7.Kg4! (This creates a zugzwang since any
black Rook move allows Rxf7 while any black King move allows Re8 followed
by Re7) 7...Kc7 8.Re8 when Re7 followed by e6 is completely decisive.
2.Rb7+
In Markus — Lenhardt, Poland 1993, White gave Black a chance to move off
the rank by 2.Ra6 and only checked after 2...Rb5 3.Ra7+, when the game was
agreed drawn. Evidently, White didn’t realize that there was still a lot of tricky
chess to be played, though perhaps the fact that it was already move 91 and
rigor mortis was beginning to set in had something to do with the somewhat
hasty peace offering.
2...Kf8!
2...Ke6?? 3.f5+! Kxe5 4.Re7+ Kd6 5.Rxf7 leads to a winning Rook and pawn
vs. Rook position since black’s King can no longer get in front of the pawn.
3.f5
3.Kh6 Rc6+ 4.Kh7 f6 lets Black trade a pawn in favorable circumstances (i.e.,
white’s King is pathetically off to the side) and draws easily.
3...Rxe5 4.Kf6 Rel
— 296
KR
N
WwPrN
WD
We’re about to enter familiar territory
5.Rxf7+
The King and pawn endgame after 5.Rb8+ Re8 6.Rxe8+ is nothing for White:
6...Kxe8 7.Kg7 (7.Ke5 Ke7 8.f6+ Kd7 9.Kd5 Kce7, =) 7...Ke7 8.f6+?? (Suicide.
The sane 8.Kg8 Kf6 9.Kf8 draws) 8...Ke6 and suddenly Black finds himself with
a winning Trébuchet (Part Four).
PART
5...Kg8 6.Rg7+ Kh8 7.Rb7 Rf1!

This key idea (it ties the white King to the defense of its pawn and also prevents
the pawn’s advance after 8.Rb8+ Kg7) in the “Philidor gone bad” situation was
looked at earlier in Part Seven.
Though I would expect the reader to know this position (since it was explored
earlier in this section), I will give the remaining moves to push the defensive
technique home.
8.Ke6
Threatening 9.f6. Note that 8.Kg6 Rgl+ 9.Kf6 (9.Kf7?? Rg7+) 9,..Rf1! gets
White nowhere.
8...Kg8 9.Kf6
9.{6 Rel+ ends white’s hopes.
9...Rf2 10.Rb8+ Kh7 11.Rf8
Threatening 12.Ke7 when 12...Kg7 13.f6+ and 12...Re2+ 13.K£7 would both
make White happy.
11...Ra2!
Creating lots of Checking Distance and threatening to create a dead drawn
Lucena by 12...Ra6+ followed by ...Kg7.
12.Re8
Intending to meet 12...Ra6+ with 13.Re6.
12...Rf2!, '/2-'/2. White can’t make any progress.
We've seen that the stronger side’s chances (in a Rook and two vs. Rook and
one) are based on pushing his pawns to the 5th rank, which creates a squeeze
against the defending King and pressure against the weaker side’s final pawn.
With that in mind, the defender can’t wait passively for his opponent to tighten
the screws. The next position is a very basic example of this.
Diagram 297
a we
eaeox
a
GAG mw
ee ee
ea a a”
a becdefgih

Waiting around by 1...Rf7?? runs into 2.c5 when Black begins to get that,
“T’m being squeezed” feeling. Fortunately, after the correct 1...b6 White has
no winning chances at all (2.Rc6+ Kb7).
Another hopelessly drawn position can be seen in diagram 298.
Diagram 298
Amawae
oe
YY
Fe
NN
DO
KN
YW
on
a bcecdeefgih
White to move, draw
The problem White faces is that even if he succeeds in pushing his g-pawn
and exchanging it for black’s f-pawn, a drawn Philidor Position would result.
Nevertheless, that’s the only plan White has.
1.Rd5
Otherwise Black just moves his Rook back and forth along the 5th rank.
1...Ra4
You should know that trading Rooks would lead to an easily won King and
pawn vs. King position for White thanks to the lessons in Parts Three and Four:
1...Rxd5?? 2.exd5 Kf7 3.Kf5 Ke7 4.d6+! (sacrificing the outside passed pawn
for the unit on f6) 4...Kf7 5.d7 (White insists!) 5...Ke7 6.d8=Q+ Kxd8 7.Kxf6
Ke8 8.Kg7, 1-0.
The move 1...Ra4 pins the e-pawn and leaves White with no useful way to
improve his position.
2.g5 fxg5+ 3.Rxg5+ Kf6 and Black will get a Philidor Position (Part Four)
or, if things get out of hand, a Philidor Gone Bad (Part Seven), either of which
are easy draws.
Rook and Three vs. Rook and Two

This common endgame is also a draw if Black has prevented white’s pawns
from eating up too much space (the space-gaining pawns would result in black’s
King being pushed back and his pawns becoming vulnerable).
:ES
Diagram 299
7a ee
o OxGae a
state
7 Oeil
NSN
AO
a aw alll
WH
NY
FPF
&
flegz a
Ll i
White to move
Black’s worst nightmare
Black is doomed because white’s pawns are far too strong. Usually this kind
of debacle is caused by passive defensive play.
1.Kh5
Preventing ...Kg6 when f5-f6 is played.
1...Rd8
White threatened a back rank mate after f5-f6, so Black was compelled to
prevent this with his Rook.
2.f6+ Kg8 3.Kh6 Rb8
Black is helpless since any Rook move off the back rank allows mate by Ra8.
4.Ra7
Threatening 5.e6! fxe6 6.Rxh7 when Black should quietly resign.
4...Re8 ale Remaeasa
“T stopped it,” thinks Black. Alas, he’s wrong. UseFruL ADVICE
5.e6!, 1-0. Black had no wish to experience 5...Rxe6 Dont play passively and
6.Ra8+, nor 5...fxe6 6.f7+, which picks up black’s Rook. lerthesteenee ade
Ee
pawns march down the
Diagram 300 board and eat up every
bit of space!
Y Yj
ae My Y
Y Y
hkGG
—Z_' WY
EG Ot
WE KY, a
ak we
Bete
NSN
DA
WV
kK
WH
®PN
“sn ee
a bc de fgih
White wins thanks to the power of his pawns

White has achieved (in diagram 300) a dominant pawn position and can now
force a win by mixing two plans:
mame Moving the King and Rook out of the way and then playing
for c4-c5-c6.
mame Placing the Rook on the 7th rank, threatening to take
advantage of the pinned c-pawn by d5-d6.
1.Re6
It’s important to move to the e-file since in some lines when White plays Kc6,
a check along the 6th rank can be met by the white Rook returning to e6 (where
it’s defended by the d-pawn).
1...Rel
Forced, since something like 1...Rb2 runs into 2.Rh7 (threatening d6) 2...Kb8
3.Kc6 when it’s all over.
2.Re8!
This forces the black Rook to step up to c2 or c3 when there won’t be suffi-
cient Checking Distance (explained in Part Six) to bother the white King when
it moves off of the c5-square.
2...Re2
And not 2...Rg1 3.Re7 (threatening d6) 3...Kb8 4.Kc6 Rg6+ 5.Re6 Rg8 6.c5
(Once again, the pawns roll Black off the board) 6...Rd8 (On 6...Rh8, White
wins by 7.Kd7—the idea is to trade Rooks by Re8—7...Rg7+ 8.Re7 Rg5 9.Re8+
Kb7 10.c6+ Kb6 11.Rb8+ followed by Kxc7) 7.Re7 Rc8 8.Rh7 and Black loses
the c-pawn.
Also of importance is 2...a6 (Irying to exchange pawns, but it’s too late for
this to help!) 3.bxa6+ Kxa6 4.Rb8 (trapping the enemy King away from the ac-
tion) when the threat of Rb4 followed by Kc6 is decisive.
3.Rel!
Preparing to pull the white King away from c5. Now the black Rook doesn’t
have access to the Ist rank, which means it won’t be able to gain serious Check-
ing Distance.
3...Re3
We’ve already seen that moves like 3...Rh2 fail to 4.Re7.
4.Kd4 Re2 5.Kd3
Avoiding the annoyance of 5.f5 Rd2+.
5...Rh2
5...Rb2 doesn’t help due to 6.Kc3.

6.c5
Diagram 301
wan ee
Vkae
ae
hintate®
Be see
aa Ot
A a
at
@®@
MS
Da
WwW
wer
Fn
OYEF_
a
Zn
bcecdefgih
2
White’s pawns eat up the board
Success! White’s pawns have achieved their dream positions.

6...Rh3+
Black doesn’t fare any better with 6...Rb2 7.Re7 Rxb5 8.Kc4 Rb1 9.d6 Rel+
10.Kd5 Rdl+ 11.Ke6 Rel+ 12.Kf7 Rf7+ 13.Ke8, 1-0.
7.Kd4 Rh4+ 8.Re4 Rh7 9.Re8 Rh4+ 10.Kc3 RhS
10...Rh3+ 11.Kb4 Rh4+ 12.Ka5 only helps White.
11.Kb4!
11.Rd8 a6 is less forcing.
11...a5+!
11...Rxd5?? 12.c6+ Kb6 13.Rb8 mate.
12.Kxa5 Rxd5 13.c6+ Ka7 14.Re7!
Giving black’s King a bit of room and avoiding 14.Rc8?? Rxb5+! 15.Kxb5
stalemate.
14...Kb8 15.Ka6 Rd8 16.b6! Rc8

No better is 16...cxb6 17.c7+.
After 16...Rc8 both 17.b7 and 17.Rd7 cxb6 18.Kxb6 win easily (this position
with Black having a passive Rook was examined in Part Four).
Clearly, the defender can’t allow his opponent to march his pawns down the
board in this fashion. However, by strategically placing the black pawns so that
any white advance leads to soothing exchanges, the game can usually be saved
without too much difficulty.
ee
Diagram 302
aren
a 6
ei «
Usrrut ADVICE
ane eeos
Stop the pain of the
BA
big squeeze by seeking 5
out soothing pawn
exchanges.
a2 8
me
“8
a
8 ee
bc de fgih
Black to move
White hopes to play f3-f4, gaining space and putting his pawns into aggressive
motion. Black’s simplest response to this threat is:
1...g¢5!
Now any pawn advance leads to a trade and an easily drawn 2 vs. 1 position.
2.Rd5
Trying to coax Black into the exchange.
2...Rb3
Refusing to bite. Instead Black follows the usual formula: Keep the Rook active
by using it to pin and tie down white’s King to its pawns.
3.e5 fxe5 4.Rxe5 Kf6 5.Ra5 Kg6 6.Ra6+ Kg7 and white’s position can’t
be improved since any swap of the f-pawn for black’s g-pawn leads to a dead
drawn Philidor Position.
Rook and Four vs. Rook and Three

In this endgame the defender has the following fears:
wage ‘The stronger side’s pawns will create the kind of big squeeze
we’ve seen in our Rook and Three vs. Rook and Two
examples.
gama A transposition to a poor Rook and Three vs. Rook and ‘Two
or Rook and Two vs. Rook and one will occur.
Fortunately, being forewarned is being forearmed—it’s clear that the defender

must favorably exchange pawns whenever possible, while also being careful to
prevent the stronger side’s pawns from swarming down the board. This “swarm-
ing” should be stopped in two ways:
mum Use your own pawns to stop the enemy’s.
mum Use your Rook to tie the enemy King to the defense of its pawns.
Diagram 303
a ae
Pees
tascame=
eerata2Y
WDA
HK
Wo
©
NPN
a b cde fgih
Having the move here is important!
This is a typical basic starting position for Rook and Four vs. Rook and Three.
One might think that having the move wouldn’t be that important, but this isn’t
the case. Black to move would rush to play 1...h5!. This key move stops white’s
pawns from expanding (no big squeeze!) since h3 followed by g4 would allow
a well-received pawn trade.
With this in mind, it’s clear that, if White had the move, he would play 1.g4!,
stopping ...hS and ...f5 (White would capture and leave Black with a shattered
pawn formation) and preparing the squeeze by Kg3, h4 and perhaps h5. This
doesn’t mean that White is winning after 1.g4, but black’s defensive chore would
be considerably more difficult.
Diagram 304
° Yi Us Y, a Y RULE
In this kind of 4 vs. 3
U2) “Uae
i UY Vy or de
Rook endgame ...h7-h5,
WO Ok whch stops White from
eotatat playing the space gaining/

weakness fixing g3-g4, is a
huge accomplishment!
Black has managed to get in the extremely useful ...h7-h5 advance. He should
now draw easily by following our basic formula:
mum Exchange pawns.
mame Use the Rook to tie white’s King down to the defense of its
pawns.
One possible continuation might be:
1.h3 Rb2
The Rook is happy to stay on the f2-pawn, where it keeps the white King
under control.
2.¢4 hxg4
And trading a pair of pawns is definitely a part of black’s plans!
3. hxg4 g5!
Telling White that any future advance of the f-pawn will lead to even more
pawn exchanges. Play now enters areas we’ve already explored. Rook and Three
vs. Rook and ‘Two, Rook and Two vs. Rook and One, and even Philidor and
“Philidor gone bad” situations. For example:
4.Rc3
Black would meet 4.Kg3 with 4...Rb3, continuing to annoy White with pins.
Seeing that he has to allow another exchange of pawns after f2-f4, White hopes
to recapture on f4 with his e-pawn since split e- and g- vs. f-pawn offers no
chances at all.
4...f6 5.Kg3 Kg6 6.f4 gxf4+ 7.exf4
As stated earlier, accepting split pawns by 7.Kxf4 doesn’t give White any any
hope of victory.
7...Rb1
It’s a good idea to keep the Rook as active as possible. This move creates a bit
of Checking Distance, and sets up some checks on the Ist rank.
8.Re7
Preparing the advanced of the f5-pawn. The immediate 8.f5+ Kg5 is clearly
a bad idea, while 8.Kh4 gets nowhere fast after 8...Rh1+.
8...Rg1+ 9.Kh3 Rh1+ 10.Kg2 Ral
Intending to incarcerate white’s King by 11...Ra3.
11.f5+ Kg5 13.Rg7+ Kf4, /2-'/2.
That was easy, but even if White manages to trick Black into a worse case
scenario, knowledge of the trusty “Philidor gone bad” drawing formula should
still save the day.
Diagram 305
Vi, (i, Jl
aaa
Vj, fl oe Vi,
0. O87, _
Patan
(M/A
a becdefgih
Black to move and save himself
If you imagine this coming froma four vs. three situation (chopped down to a
three vs. two and finally two vs. one), it’s clear that White has made real progress.
In fact, one can imagine Black panicking here and going down in multi-colored
flames: 1...Re8?? 2.Kxf6 Kg8 3.Kg6 Rc8 4.f6 with an easy win thanks to the
passive black Rook as seen in Part Four.
Fortunately, if you studiously learned the lessons in the order given, you'll
be aware of the “Philidor gone bad” formula and, without hesitation, toss your
Rook behind white’s (soon to be) passed f-pawn.
1...Rf4!
This isn’t ideal since we’d prefer the Rook on fl (Checking Distance). How-
ever, it turns out that this still allows Black to draw via his usual “Philidor gone
bad” techniques.
2.Kxf6
Clearly, 2.Ra8+ Ke7 only helps Black. Also ineffective is 2.Ra7 Rf1 with a po-
sition explored earlier in Part Seven. In case of 2.Rxf6+ Kg8 3.Ra6 Re4+ 4.Kf6
Rf4, we end up in the same position that occurs after 2.Kxf6.
2...Kg8!
Going to the Short Side of the board so, in some lines, black’s Rook can have
Checking Distance on the side.
3.Ra8+
Nothing is changed by 3.Ra7 Rfl, while 3.Ke6 Re4+ 4.Kf6 Rf4 and 3.Kg6
Rg4+ 4.Kf6 Rf4 also achieve nothing.
3...Kh7 4.Ke6
Or 3.Rf8 Ra4! (Here’s that Checking Distance I mentioned a moment ago)

4.Re8 Rf4!, =.
4...Kg7 and White can’t make progress.
We’ve seen that, in a Rook and four vs. Rook and three, exchanging pawns
is something the defender loves to see. That leaves the stronger side with only
one other idea: he needs to avoid trades and try and gain some space by push-
ing his center pawn up the board. This is by far the more dangerous plan and,
even though itis still a draw, it’s worth avoiding by making use of the following
defensive setup.
Diagram 306
Eu
assau
a aT a
CC
nN
an
Wi, Ws
etn UG"
N lJt
EKYea &
LY,
YG
HR
Ww
wH
PrP
WI
a bcdefgih
White to move
Black threatens to make things difficult for White with 1...e5 when White can
draw by 2.Rb6 (keeping black’s King at bay) but it’s complicated and far beyond
what the student needs to know at this stage of his endgame training.
However, knowing that such positions are dangerous is important, and this
knowledge should frighten the defender so much that he goes out of his way to
avoid the advance of the e-pawn. Thus the move 1.f4! and the resulting defensive
posture has proven remarkably effective.
Diagram 307
eth
Ya
“0 OLe
gt
xa aa.
Uncrackable
The f-pawn stops black’s e-pawn in its tracks while the white Rook ties black’s
King to its pawn on f7. Since an attack on g3 via 1...Ra3 can be comfortably
met by 2.Kf2, Black is forced to “go for the gusto” with:
1...Kf6 2.Re7 K£5
Otherwise White would continue to shuffle his Rook back and forth along
the 7th rank.
3.Rxf7+ Ke4 4.Rf6 Kxg3 5.Rxg6+ Kxf4 6.Rxe6 Kg3 7.Re3+ with a hope-
lessly drawn position.
We've looked at Bishop of opposite color endgames, but what happens if the
Bishops are of the same color? Where the presence of opposite colored Bishops
gives the defender hope of drawing, same-colored Bishops usually guarantee
the side with the extra pawn(s) serious winning chances.
Diagram 308
244, ),,
i, Oa le
an
©
nN
aii “a Mia
& Ay,.s a
Ay,
a “¢ “GO
228
KH
WwW
VW
NO
Fe
ae ae
a bc
de #fgih
White wins easily
When up a pawn (with no other pawns remaining), the stronger side has win-
ning chances if the pawn is advanced and if the defending King isn’t able to get
in front of it. In general, a situation will often be reached where the defending
Bishop is preventing the pawn from advancing (an immediate draw will result
if it can sacrifice itself for the last pawn). The stronger side can only win if his
own Bishop can block the diagonal of the defending Bishop. Diagram 308 offers
a simplistic example of this.
1.Be5 Kg6 2.Bc7, 1-0.
Even if the weaker side’s Bishop is on the longer diagonal (d8-h4 instead of
d8-a5, as in the following position) the game is still “in the bag.”
In diagram 309 the black Bishop’s control of the h4-d8 diagonal makes
things a bit harder for White, but black’s cause is still hopeless.
300
Diagram 309
we me
oo @ “
Vi, a “a Ang
Ce a
Pa ne
V7
a bc de fgih
White still wins easily
1.Ba5 Kg6 2.Bd8

Ending black’s domination of this long diagonal to d8.
2...Bel 3.Be7 BaS 4.Bd6, 1-0 since Black can’t prevent 5.Bc7.
To have any drawing chances, the defending King must be directly in front
of its counterpart.
Diagram 310
RULE
oe a In this kind of endgame,

oF o. center pawns only win if
Yi the defending King isn’t
“a.
“a.a on top of the action.
an O “O eee
matata"s
a Vi, lu
——
Draw
Here white’s normal winning idea of chasing black’s Bishop to the a5-d8
diagonal and then maneuvering his own Bishop to c7 is no longer viable since
black’s King controls the c7-square: 1.Bd8 Bel 2.Bg5 (2.Bb6 Bh4) 2...Ba5 3.Bd2
Bb6 4.Bf4 BaS fails to make progress for White. Note that Black didn’t face any
problems here because:
mum The c7-square is covered by black’s Bishop and King.
mae White's King is frozen since it needs to defend the d-pawn.
mame Black will never run out of tempo moves since he can shuffle his
Bishop to g5, f6, and/or e7 at will, while he also has access to
three squares on the a5-d8 diagonal if his Bishop is chased there.
This “shuffle defense” isn’t possible if the pawn is a bishop-pawn—then the

side diagonal is shortened and zugzwangs appear.
Diagram 311
aU Wal
0 OIAe
ae
i 6 a
oe
one", a
Rh
WwW
DA
®VU
NPN
White wins
White's first order of business is to chase the black Bishop off the a3-f8 di-
agonal and onto the fatally short h6-f8 line.
1.Bg7 Bb4 2.Bf8 Bd2 3.Bc5 Bh6é
Our first goal has been reached, and black’s Bishop is now stuck on the un-
comfortably short h6-f8 diagonal. Next stop, zugzwang!
4.Bd4!
Suddenly Black has no good move! Moving the Bishop off the h6-f8 diagonal
lets White make a new Queen, while moves like 4...Bg7 or 4...Bf8 both hang the
Bishop. Since 4...K£6 isn’t possible, and since 4...Kg5 runs into 5.Be3+, Black is
left with either 4...Kf5 or 4...Kh5. Sadly, White would then end matters with
5.Bg7, ensuring the successful promotion of the pawn.
Diagram 312
Ie TT
RULE
tS a ti
This idea of a
het “2B
shortened defensive
diagonal means sw
WO
ioo te
ow
(ghai
that one’s winning
chances improve
a
when the pawn is
a os
a bishop-pawn and
knight-pawn.
BB
WH
NON
FP
7 Za
a
L. Centurini 1847
White wins
White wins by chasing the black Bishop off the h2-b8 diagonal and onto the
pathetically short a7-b8 complex. Then a timely Bishop move/sacrifice along
the gl-a7 diagonal forces the black Bishop off the queening square and allows
the pawn to successfully promote.
1.Bh4 Bf4 2.Bf2 Bh2 3.Ba7 Bg3 4.Bb8 Bf2 5.Bf4 Ba7
Black is now undone due to the lack of diagonal length.
6.Be3!, 1-0.
The seemed easy, but Black can improve and put up some annoying resistance:
1...Kb5! (Far better than the lemming-like 1...Bf4) 2.Bf2 Ka6
Suddenly Black has prevented Ba7. Can White still win?
Diagram 313
eh ea”
0m
oa ow
a _
a
Vi, U,,
oom
7)
White has only one good move
3.Bc5!
Getting ready to swing back to c7.
3...BeS
Black will rush his King back to c6, but he can’t do it yet since 3...Kb5 is met
by 4.Ba7.
4.Be7 Kb5
Else White wins by Bd8 followed by Bc7.
5.Bd8 Kc6
It seems like Black has stopped White again, but now a nice maneuver shows
that the game is, in fact, over.
6.Bf6! Bf4 7.Bd4 when Black can no longer keep white’s Bishop off of a7.
The rest: 7...Bg3 8.Ba7 Bf4 9.Bb8 Be3 10.Bg3 Ba7 11.Bf2, 1-0.
This leaves us with one question: from our last diagram, why was 3.Bc5 the
only way to win? Wouldn’t 3.Be3 be just as effective? It’s important that you
understand the answer to this question: 3.Be3 Bd6 4.Bg5 Kb5 5.Bd8 Kc6
6.Be7 Bh2 and 7.Bc5 isn’t possible due to 7...Kxc5. Therefore, 3.Bc5! was very
important since it stopped Black from moving his Bishop to d6, which in turn
allows White to successfully swing his Bishop with tempo to the g1-a7 diagonal
and avoid contact with black’s King.
Let’s repeat this in a slight different way: 3.Bc5! prevents ...Bd6 and forces
the black Bishop to move to g3, f4, or e5. When White ultimately challenges
that Bishop via Bh4, Bg5, or Bf6, white’s Bishop will then be out of reach of the
enemy King (now on c6) when it moves to f2, e3, or d4.
Centurini, in the middle of the nineteenth century, postulated that a zugzwang
isn’t possible if two free squares along the crucial diagonal remain open to the
defending Bishop. If the defending Bishop has less than two, then the stronger
side will usually win (there are a couple of exceptions, but since we’re after con-
cept and not brute memorization, we’ll let these pass by—if you wish to make
an in-depth study of this kind of Bishop endgame, you can find the exceptions
in any detailed endgame tome).
Centurini’s Rule
A zugzwang isn't possible if two free squares along
the crucial diagonal remain open to the defending
Bishop. If the defending Bishop has less than two,
then the stronger side will usually win.
The following example illustrates this rule rather nicely, while also showing
the student how these ideas can often allow you to successfully advance a pawn
that’s as far back as the 5th rank.
Diagram 314
IxXG
exe ee
xe "i
ae
an
N
& «wun
Yi ae
oO. @
Pe
VI
eR
Nw
(Gy
a bcdefgih
White wins
If White can safely push his pawn to a6, the game will be won. White’s first
order of business is to chase the black Bishop off the fl-a6 diagonal (easily done
PART SEVEN — ENDGAMES FOR EXPERTS (2000-2199)
by moving the Bishop to a6). This will force black’s Bishop to the a6-c8 diagonal,
but he will find it impossible to remain there due to the diagonal’s shortness
(only one free square will be available which, according to Centurini’s Rule,
means that black’s defense will break down).
1.Bb7 Bd3 2.Ba6 Be4 3.BbS5!
Phase one is accomplished. Now Black has to try and set up a block along the
shorter, and thus less stable, a6-c8 diagonal.
3...Bb7 4.Bd7!
Naturally, 4.Kxb7?? Kxa5 must be avoided. After 4.Bd7, we have Centurini’s
rule: “If the defending Bishop has less than two free squares along the crucial
diagonal, zugszwang will occur and the stronger side will win.”
Indeed, this position is zugszwang since black’s Bishop only has one free square
along the a6-c8 diagonal. Thus, any black King move will allow Kxb7, and any
black Bishop move along the h1-a8 diagonal will allow the pawn to safely make
its way up the board.
4...Bg2 5.a6 Bf3 6.a7, 1-0 since 7.Bc6 follows.
‘Two extra split pawns usually win since in most cases the stronger side can
play to promote one pawn, secure in the knowledge that the defender can no
longer draw by sacrificing his Bishop since the remaining pawn will eventually
promote.
Diagram 315
‘ie aa
Pe aee ge
L060. 0
aea
Bp aoi
KH
NW
Fe
——
White wins
1.d6 BaS (1...Bb4 2.Bf6 followed by Kc7) 2.Bf6, 1-0 since Black has no way
to deal with 3.Kc8, 4.d7, and 5.d8=Q.
As always, one must be mindful of cases where one of the pawns is a rook-
pawn of the wrong color.
Diagram 316
Pen bMn
I, 0 ame
“oo
aewe
Vs
a
oo 0 8
a bcdefgih
Draw
Black draws by giving up his Bishop for the e-~pawn, which leaves him with a
basic Bishop and wrong colored h-pawn vs. King.
1.Bg6
1.e6 Bd5 followed by 2...Bxe6, =.
1...Bg4 and White can’t make progress.
‘Two extra protected passed pawns usually assure the stronger side of the full
os Diagram 317
8 My Ay UY,
ha 3
‘|g a a
57 & 7
[i oil
:2 aAse a
io
C Yj,@ 3
White wins
1.d4+
An important idea: pushing the d-pawn takes control of the dark squares (c5
and e5) while the Bishop keeps an eye on the light squares. This team control
over the key squares forces the enemy King back.
White must be careful to avoid letting the enemy King create a blockade.
This would occur after 1.e4?? Kd4 when the game is drawn since White can’t
march his King to f3 and f4 due to ...Kxd3, while 2.Bfl (preparing for the King
march to f4) runs headlong into ...Bg6 followed by ...Bxe4.
1...Kd6 2.e4 Bg6 3.Ke3
It’s very important to support the pawns with the King!
3...Bh7 4.e5+
Again, 4.d5?? (losing control over the dark squares) allows Black to create a
blockade with 4...KeS.
4...Ke6 5.Kf4 Bc2 6.d5+ Kd7 7.Bh3+ Ke7 8.d6+ Kd8 9.e6 Ba4 10.Ke5
Of course, there’s nothing wrong with 10.e7+ either. But I like the idea of
making sure every piece participates in the execution.
10...Bb5 11.Kf6 Ba4 11.e7+ Ke8 12.Bg4 BbS 13.d7+!
Naturally, 13.Bh5+ Kd7 14.e8=Q+ nukes Black, but why not force mate.
13...Bxd7 14.Bh5 mate.
Pretty easy, as long as you don’t allow one of two things:
mua Don’t let the defender give up his Bishop for both pawns.
mumme— Don’t let the defender achieve a blockade by creating a hole
(which the defender’s King would live on) on the opposite
color of your Bishop.
In general, the study of Queen endgames is not something a non-professional
should waste his time on. I recall playing a five-minute game against Fritz where
I ended up on the happy side of a Queen and pawn vs. Queen position. I had
no idea if it was a theoretical win for me or not, but that didn’t matter—it was
clear that I could torture the computer for a long, long time. Suddenly Fritz “lit
up” and announced that I could mate it in 83 moves! Horrified, I did something
that seemed logical and Fritz said, “Mate in 87!” I then turned Fritz off—who
needed the humiliation?
The rarified air of Queen endgame theory shouldn’t be inhaled until you’re a
senior master (2400 and up), but the following situations deserve a “first taste”
right now.
Blockade
— Queen vs. Rook
and Pawn
In general, any pawn on the 2nd rank other than a rook-pawn will give the
defender a draw unless the stronger side’s King has managed to break through
to the 6th rank. A knight-pawn almost always draws.
Diagram 318
Ly x U/,,,““
7 a. a oy
ale—
ae
AW
Ww
PN
a
abcde fégih
Philidor, 1777
Draw
Black has all the key bases covered:

308
mum [is Rook is stopping white’s King from penetrating to the 6th
and/or 7th ranks.
mame Elis Rook can mark time by going to two safe posts (c6 and
e6). A rook-pawn only allows the defender one safe post.
mmm White's Queen isn’t able to get behind the pawn and it will
never be able to chase black’s King away from e7, e8, or c7, c8.
Thus, after 1.Qh8 Rc6 2.Qg7+ Ke8 White can’t improve his position.
Such Queen vs. pawn endgames can be very complicated and rule dependent
(and these rules change as the pawn advances), and are far beyond anything a
non-professional needs to study. Suffice it to say that if you keep in mind our
one example and its rules, you'll have something to grasp onto if you’re down
material and this kind of defensive situation happens to arise.
Blocka de and Pawn vs.

— Queen
Rook and Two Pawns
The weaker side can often draw by creating the same kind of blockade as we
saw in Queen vs. Rook and Pawn.
Diagram 319
aa
a a
oe ee
nN
Nn
&
a
oe Oe
aw
WN
HR
WwW
PN
2 oS
a bc def gh
Draw
White draws easily by shuffling his Rook between e4 and g4. Black might
eventually try to sacrifice his Queen for the Rook (on e4 or g4) and a pawn, but
the resulting King and pawn vs. King and pawn endgame is easily drawn.
It’s important that the student is aware of this kind of blockade since it can
occur from many positions that might, at first glance, appear hopeless. The
following position shows a simple example of this.
Diagram 320
White to Move
Black seems to be on his way to victory since his Queen and pawn would
normally run roughshod over a Rook and Bishop. However, White can sacrifice
his Bishop and create a successful blockade.
1.Bxd4+!
1.Re4 is playing with fire: 1...Qc5 2.Bg3 d3 3.Rxe5? Qxe5 4.Bxe5 d2 and
Black wins.
1...exd4 2.Rxd4
Since White threatens to safely plant his Rook on e4 or g4, Black must start
checking in the hope of taking advantage of white’s loose Rook.
2...Qce7+ 3.Kh1
And not 3.Kg1?? QcS, picking up the Rook.
3...Qh7+ 4.Kg1 Qb1+ 5.Kh2 and Black isn’t getting anywhere.
The Flowchart
Complex positions can’t be solved unless you have a firm foundation
of knowledge behind you. The Flowchart method, which is really
nothing more than the recognition of previously absorbed patterns,
is dependent on the student having thoroughly mastered the
material in earlier sections.
Rook Endgames
A Rook and rook-pawn or knight-pawn on the 7th, with the
stronger side’s Rook in front of its pawn and the defending Rook
behind the pawn, is drawn even if an extra knight-pawn or rook-
pawn exist on the other side of the board.
A Rook and rook-pawn or knight-pawn on the 7th, with the
stronger side’s Rook in front of its pawn and the defending Rook
behind the pawn, is easily won if an extra bishop-pawn exists on the
other side of the board.
Positions featuring Rook and two passed pawns vs. Rook and one
passed pawn are usually winning for the two pawns.
In a Rook and pawn vs. Rook endgame, an inability to achieve a
perfect Philidor defensive setup doesn’t necessarily mean doom
for the defender if his King is in front of the pawn and his Rook is
actively placed behind it.
In a Rook and four vs. Rook and three, or Rook and three vs. Rook
and two, or Rook and two vs. Rook and one with all the pawns on
one side of the board, the defender’s goals are to:
@ Trade as many pawns as possible (unless striving for a
particular pawn exchange severely weakens your pawn
formation).
® Keep the Rook as active as possible (preferably tying the
defender’s King down to the defense of its pawns).
e Keep trading down until you end up with a Philidor position,
which we know from experience is a simple draw.
311
Bishops of the Same Color Endgames

Ma Where the presence of opposite colored Bishops gives the
defender hope of drawing, same-colored Bishops usually
guarantee the side with the extra pawn(s) serious winning
chances.
Bishop and pawn vs. Bishop: When up a pawn (with no other pawns
remaining), the stronger side has winning chances if the pawn is
advanced and if the defending King isn’t able to get in front of it.
B2 Centurini’s Rule (for Bishop and advanced pawn vs. Bishop): If the
defending Bishop has less than two free squares along the crucial
diagonal, zugszwang will occur and the stronger side will win.
Queen Endgames
E@™B> Queen vs. Rook and pawn or Queen and pawn vs. Rook and two
pawns: The defender’s main hope is the creation of a successful
blockade that keeps the stronger side’s King from approaching the
defender’s pawn(s).
Diagram 321
7 Ay Vi,
87) “a me
“a Vi,“o
Vie a”
BA! so
Lh 7Yj 2
“y
UYUGTD
Bg? o
FP
©
N
WDA
kK
Nw
a bedef gioh
White to move
Does White have any realistic winning chances?
eat
Diagram 322
@ meata
Gaa
PB
N
A
YW
KR
ww Y
——
White to move
Is black’s pawn on hS a weakness? If so, would it be more comfortable on

h6? Finally, should White win this position?
313
Diagram 323
TESTTZ i =
Va,
a Jb,@Uo,
te
x Yj, 0G
i
wy,
“C0 a
Ye
SN
DA
WN
®Pn
KR
rf te
——
Black to move
Assess the position.
er324
nN
a
w
me
7s
Ke
VI
KR
Kw
ne Y, 17
a b cde fgih
White to move
Another seemingly ungraspable position is really just a prelude to yet another
Flowchart puzzle. See if you can ascertain (or guess!) what basic concept
will appear on the board.
Diagram 325
a ee
anes
Co
KaZ
welllnil
oa ee we
Fe
Kk
NI
NW
UD
a bc de fgih
White to move
This is a surprise quiz in that it dredges up an important lesson from Part
Five (Which you should know! You didn’t think I was going to let you get
away with a haphazard understanding of past material, did you?). Can White
win, or is the game a draw?
— 326
Vi 4,4
VA a “a V5.
M,, Ke “y Vs
SET Yi, Ua
oe
a te
wrk
w
N
Vd
Pn
oa
oo 2
a bedefgih
Black to move
Is Black doomed?
Diagram 327
aEe
oe a
Lea
00 O80
ilesaline
ann
285
Ww
NY
FP
&
ye ee
abcde fégih
White to move
Can White win?
REST8 oe Diagram 328

EX J] ZU
KY], 77, Ja
W “a. ae
ZZ Ie
gtatatal
sueI 7
wer
Da
N
Pn
WW
W2# go
abcde fgih
White to move
This is a Flowchart exercise. Try to turn this insane position into something
we can understand from our basic endgame foundation.
ee Diagram 329
TEST 9
40 ia
Fy
Ve
Y
_
Ga W
Ay“ oo
V aSONG
YU
kK
YY
DN
FN
YY JY
a bec de fgih
White to move
As White, what defensive ideas come to mind? These ideas should be word
and concept based and not dependent on streams of variations.
LS
Den TA ae Diagram 330
tH
Ui, Js
87) a
Oa Oya
®
N
YDB
KR
rPnwW
Sam
AY mm
“s
av ibee-e <d. ce: fooh
White to move
Black appears to be headed towards victory. Is this true?
Diagram 331
77.77
li“hell o
a 0
ae at
Va a0
mata ae
7 Zi
ce ae
Black to move
Can Black save the game?

) CREST22 oo Diagram 332
io
2
het
ent i.
a
Yj;
KR
Ww
@
Ss
WO
Pn
abc def gih
White to move
This seems to be a complex position that has nothing to do with the basics
we’ve studied thus far. Try and see how some of these basics might prove use-
ful in this position. Remember, I’m looking for ideas, not moves.
4 =e 5 :7B Se _ = a4
N
AOA
aaa
ta
ee
Ay “y Y
Le
“y Ys ae
a bc defgih
Black to move
What kind of basic situation is Black trying to achieve? Can he win?
‘TEST 14.ieee . Diagram 334
fener»
A A,
a oneof
DAN
WW
we
FN
a bc de f gih
Black to move
Who stands better in this extremely strange position?
ao — Diagram 335
77 YYVia We
yi, jj),, yaad Y Y
44
WY wx
V4 a
Sa
aaa
NM
DA
YU
kK
HW
®Pn
enue
a bcdefgih
White to move
Does 1.f7 win the game, or does the resulting King and pawn endgame
hide stalemate tricks?
— 336
Black to move
Can Black win?
Diagram 337
sini
Ww
Ow
NS
DA
KY
PN
a
oO w becdefgih
White to move
Can White draw?
Diagram 338
7 0 eea
nO
28, aSelk
mom OR
“a oi 4m
oi MAR
WwW
GO
OO
NS
VI
PN
KR
“oO
12 oe
asUbe ode ce Af 6) A
Black to move
White just moved his pawn to g3. Is he going to lose?
Diagram 339
77, WaT
lk
A I
matatat
a int
ee
BP
N
WDA
KR
OW
fl
__--
White to move
Should White keep the Rooks on or exchange by Rxf6?
ee aa Diagram 340
TESTT 20 aii
ae ae at
“oo
1,00, 7, %
Balinta8
stant &
BD
NN
UDO
wk
Pn
Coe g™
a b cde fgih
Black
to Move
Black now played 55...Rf5. Was this wise?

TEST 21 ee Diagram 341

aa wae
eats
beat
ata
“4<>A
a8
a bedefgih
White to move
Is 1.Rc8 a good move?
aren eo a oe = Dinpiesa
a
ae
2 "o. Uh
nNyNw
FP
wD
I
DA
KW
Bl
White to move
a 123 a - Diagram 343
hee o-
atea
esne ” UV
santa”D,
U5
“Ze
KY
Nw
WDA
PN
xen 6
abcde fgih
White to move
Is White winning?
Diagram 344
Est 4 _— M4, 0, l
"Pate
YG DO
Uj
ae a
tae
DW
UV
KR
Ye
®D
MS
Pn ‘oa
@: Bi ie ord" Hee Uf ve hi
White to move
ERST 98 —~ — Diagram 345
TOUT
ae “a
i a i
an co
a“6.0 ©
®
s
DA
WV
kk.
Prnw
fatale
“ooocw
a bcdefgih
White to move
Diagram 346
ITT
oa ae
Oia
Bl aVy
ce Oy YU a
om mt
FP
©
N
NDA
KR
Nw
a b cde fgih
White
to move
Can White win?

| TES
27T Diagram 347
“a Vii,
an Vi
ae
Ay Va
Gy
“exe@
Y
“ates
WwW
nN
PF
SN
DH
RW
-
a_i
YZ
a becde#fgih
Black to move
Does 1...Rc4 give Black any realistic winning chances?
Diagram 348
Vi, fl,
Ayo «" UW
“e ase
a.tee
“aaa
i ante
WDA
KR
WwW
NY
Be
®
N
ee ae
Black to move
Does White have any chance of saving this game?
TEST 99 Diagram 349
77
. 2 8m
ZG
an
ae
Ox
a6 woe eg
Fe
WI
DB
WV
fF
vw
maeTh“wa
i
Black to move
Does promoting the pawn win?

Diagram 350
OB ge
a
i
a a
ae
By
“oe
a
@ becdefgih
White to move
Can White draw?
|SOLUTION 1
FPN
IWA
WR
———
White to move
White has no chance whatsoever to score the full point. Even if White swaps
his c-pawn for black’s b-pawn, the game would still be completely drawn. Why?
Because a Philidor could be set up, which is an easy draw, while the fact that
White would be left with a knight-pawn means that even a passive Rook posi-
tion would be drawn.
| SOLUTION 7) Diagram 322 |
ae
Ponomariov -Judit Polgar, Sofia 2005

White to move
Is black’s pawn on h5 a weakness? If so, would it be

more comfortable on h6? Finally, should White win
this position?
Having the pawn on hS is an important defensive idea for Black! It stops the white
pawns from taking over too much kingside space, and happily seeks exchanges
if White ever plays his g-pawn to g4. Though the defense of such positions is
long and tedious, Black should be able to comfortably make a draw.
1.h4 g6 2.Kh2 Kg7 3.Kg3 Re2
Black’s Rook is tying white’s King to the defense of g2.
4.Rb6 Kf8 5.Rb1 Kg7 6.Rg1
Freeing the King, but this doesn’t mean that White can make any real progress.
6...Ra2 7.Kf4 Rb2 8.g3 Rb4 9.Rd1 Ra4 10.Ke3 Ra2 11.Rd4 Rg2
It turns out that white’s King is still tied down to its g-pawn!
12.Kf4 Rg1 13.e5 Rel 14.Re4 Rg1 15.Re3 Rg2 16.Rel Rf2 17.g4
White didn’t want to exchange pawns, but he wasn’t able to make any progress.
Black’s pressure against the e- and g-pawns kept White off balance.
17...hxg4 18.Kxg4 Rg2+ 19.Kh3 Rf2 20.Kg3 Ra2 21.Rd1 Re2 22.Rd5
Rel 23.Kf2 Rhi
With white’s g-pawn gone, Black turns her attention to the pawn on h4!
24.Rd4 Rh2+ 25.Kg3 Re2 26.Re4 Ra2 27.Re3 Ral 28.Rd3 Rel 29.f4
Rel+ 30.Kf3 Rhi 31.Kg4 f5+ 32.Kg3
Of course, 32.Kg5?? Rg1+ 33.Rg3 Rxg3 mate is something that only happens
in nightmares (or in dreams, if you’re Black!).
32...Rg1+ 33.Kf3 Rhi1 34.Rd7+
34.Kg3 Rgl+ 35.Kh2 Rf4 was also an easy draw.
34...Kg8 35.Ke3 Rxh4 36.e6 Kf8 37.Kd4 g5 38.Ke5 gxf4 39.Rf7+ Ke8
40.Rxf5 Rhi1 41.Rxf4 Ke7 42.Rf2 Rel+ 43.Kd5 Rxe6, '/:-'/2.
[ :
_| SOLUTION 3 Diagram 323
Fag gh
ae owe
a
sY
“a
pat a
1m te08
abcde fgih
Black to move
Assess the position.
Your past knowledge (Flowcharting a seemingly complex situation) should

make it clear that White is winning if he avoids the many pitfalls that are lurk-
ing. The key elements here are:
gee White must not allow a Vancura Position.
gue White must not allow a two pawn up position where his
a-pawn is on the 7th and his other pawn is a g-pawn.
mum White must be aware that the win is easy in a two pawn up
position where the a-pawn is on the 7th and his other pawn is
an f-pawn.
The following moves might occur:
1...hxg5
1...fxg5 2.hxg5 will transpose to our main line.
2.hxg5 fxg5
The position after 2...f5 is an easy win for White, even if he doesn’t have the
g-pawn!
3.f5!
Not falling into a drawn Vancura Position after 3.fxg5?? Ra5! 4.Kd2 (4.g6+
Kxg6 5.a7 Kg7, =) 4...Rxg5 5.Kc3 Rg6 (entering Vancura’s safe waters) 6.Kd4
Kg7 7.KeS (of course, 7.a7 Ra6 is an instant draw) 7.. -Rb6 (not 7...Rf6?? 8.Rg8+!)
8.Kd5 (White’s Rook is stuck to its pawn, and a7 allows ...Ra6, so White brings
his King to the queenside. However, the Vancura holds firm.) 8...Rf6 9.Kc5 Kh7
10.Kb5 Rf5+ 11.Kc6 Rf6+ 12.Kb7 (or 12.Kd5 Kg7, =) 12...Rf7+, =
3...¢4
No better was 3...Kg7 4.a7! 4 5.f6+ Kh7 6.7, 1-0, or 3...Ra5 4.a7 when the
threat of f6 is decisive and 4...Rxf5 doesn’t help since 5.Rb8 will leave White
with an extra Rook.
4.a7
Freezing black’s King and Rook.
4...93
Threatening to win by 5...g2.
5.Kf1! Kg7
Nothing works, since 5...Rf2+ 6.Kg1 Rxf5 7.Rb8 forces the win of black’s
Rook (or creates a new Queen), while 5...¢2+ 6.Kg1 leaves Black unable to deal
with the threat of f6-f7-f8.
6.f6+! Kh7!
A last try. Hopeless is 6...Kxf6 7.Rf8+ Kg7 8.a8=Q, and 6...Kf7 7.Rh8 Rxa7
8.Rh7+.
7.Kg1!
White also wins after 7.f7 Rf2+ 8.Kg1 Rxf7 9.Rh8+ Kxh8 10.a8=Q+, but why
rush into a complex Queen vs. Rook position when the text move makes things
easy?
After 7.Kg1 Black must resign since he has no answer to the threat of f7 and
f8=Q.
_ SOLUTION 4 Pees 324
a ES
Tarrasch - Hollaender, Nuremberg 1892

White to move
Another seemingly ungraspable position is really just

a prelude to yet another Flowchart puzzle. See if you
can ascertain (or guess!) what basic concept will ap-
pear on the board.
Believe it or not, a King and pawn endgame featuring Fox in the Chicken
Coup will soon appear!
Optically White seems a bit better: his Bishop has possibilities along the h1-
a8 diagonal, he possesses more central space, black’s doubled c-pawns create a
certain lack of flexibility, and black’s a-pawn is weak.
Tactically though, things are even worse—the c6-pawn and the Knight are
unprotected. White makes immediate use of these factors to either win a pawn
or transition the game into an easily won King and pawn endgame.
1.e5!
Blasting open the h1-a8 diagonal.
1...fxe5
1...d5 2.c4! leads to a very unpleasant position for Black after 2...fxe5 3.cxd5
c5 4.d6! cxd6 5.Bd5+ Kh8 6.Bc6 Rd8 7.Rxd6. For example 7... Nb8 8.Rxd8 Rxd8
9.Bb5 a6 10.Bc4 exf4 11.Rxf4 g6 12.Rf6 Kg7 13.Rb6 and Black, whose pawns
are weak and whose Knight is dominated, is completely lost.
2.Bxc6
Not only threatening the Knight, but also pinning it to the e8-Rook.
2...Re7
And not 2...Rf7? 3.Bd5, winning the Exchange.
3.Bxd7
Why exchange this nice Bishop for black’s Knight? Because it forces the black
Rook onto an unprotected square.
3...Rxd7 4.fxe5 Rxfl+ 5.Kxfl Rf7+?
This prevents the loss of a pawn, but allows a resignable King and pawn end-
game to arise. Instead, Black should have kept the Rooks on the board (It’sstill
bad, but at least he can fight!) by 5...d5 when 6.c4 (6.e6 Rd6 7.e7 Kf7 8.Rel Ke8)
6...d4 7.Ke2 Kf7 8.Kd3 Ke6 9.Ke4 c5 10.Rf1 (stronger is 10.b4! cxb4 11.Rxd4)
10...Rd8 (not allowing White to penetrate to f8) when Black can battle on (ideas
like ...Rb8 followed by ...a5 and ...a4 are screaming to be tried).
6.Kg2
And not 6.Ke2?? Re7 when Black is suddenly okay.
6...dxe5 7.Rd8+
This final transition, taking the game into a King and pawn ending, is deci-
sive since white’s queenside majority will ultimately leave him with a Fox in the
Chicken Coup situation.
7...Rf8 8.Rxf8+ Kxf8 9.Kf3 Ke7 10.Ke4 Kd6 11.b4!
A very important move which leaves white’s queenside pawns free to roam.
Badly mistaken is 11.c4? c5 12.a3 a5 with a situation where two black pawns are
stopping three white pawns.
11...a6 12.a4 g6 13.c4a5
13...c6 14.b5 axb5 (14...cxb5 15.cxb5) 15.axb5 cxb5 16.cxb5 Ke5 17.Kxe5
Kxb5 18.Kf6 is a classic Fox in the Chicken Coup. Also hopeless is 13...Ke6
14.b5 a5 (14...axb5 15.cxb5) 15.c5.
14.bxa5 Ke5 15.Kxe5, 1-0.
VR px YeY
YS
“yw
a bec de fgih
Alekhine - Yates, Hamburg 1910

White to move
This is a surprise quiz in that it dredges up an impor-

tant lesson from Part Five (Which you should know!
You didn’t think I was going to let you get away with a
haphazard understanding of past material, did you?).
Can White win, or is the game a draw?
White wins by making use of Opposition and Triangulation.

1.Kd3!
1.Kd4?? Ke6 gives Black the Opposition, loses the e5-pawn, and allows Black
to enter a very difficult Queen endgame after 2.Kc5 Kxe5 3.Kxb5 Ke4 4.Kxa4
Kxe3 5.b4 f4 6.b5 f3 7.b6 f2 8.b7 f1=Q 9.b8=Q that White would really prefer
to avoid.
1...Kd7!
Taking Distant Opposition and avoiding 1...Ke6? 2.Kd4.
2.e4! £4
2...fxe4+ 3.Kxe4 is resignable for Black.
3.Ke2
Threatening Kf3 followed by Kxf4. black’s reply is forced.
3...Ke6 4.Kf2!, 1-0. White wisely avoided 4.Kf3?? Kxe5 when Black wins!
After 4.Kf2 Kxe5 5.Kf3 White takes the Opposition, wins the f-pawn, and wins
the game. If this was too difficult, go back to Part Five and review the material
there!
_ SOLUTION & a 326

Ua,
MAE
cS
a Wis
Yj,
0. 0, %
DO
Ow
HY
Ienw
RN
L460.
eas
a bedei fgih
Black to move
Is Black doomed?
It’s too late to set up a Philidor Position, but he can still save himself by using
our “Philidor gone bad” formula:
mmm Activate the Rook
waa Place it behind the pawn
mame Run the King to the Short Side of the board.
mum Make sure you create Checking Distance for your Rook.
1...Rd1
Creating maximum Checking Distance! Note that the pawn endgame after
1...Rd7?? 2.Rxd7 Kxd7 3.Kb6 Kc8 4.Kc6 is completely lost.
2.Kb6 Rcl!!
And not 2...Rb1+? 3.Kc6.
3.Kc6
Of course, White can’t make any progress after 3.Rh8+ Kd7 since black’s Rook
and King make c6 impossible.
3...Kb8!
Going to the Short Side of the board so the Rook can have Checking Distance
on the kingside.
4.Rh8+ Ka7 5.Rc8
No better is 5.Kd6 Kb7!, =.
5...Rh1!
Creating optimum Checking Distance and threatening to slide back into a
perfect Philidor with 6...Rh6+.
6.Rd8
Now White can meet 6...Rh6+ with 7.Kce7 Ra2+ 8.Rd7.
6...Rel1!, '/2-'/2 since White can’t make any progress.
|SOLUTION a Diagram 327
a” Yi
J WY,
ws f as“9 Y
wei
nee
Oey
Se
®
al
VED
WR
N we u
oo
enh
Re
etn
White to move
Can White win?

——
White would not win an analogous position with a center pawn (with the
Kings facing off), but here the shortened second diagonal (a6-c8) allows White
to claim victory:
1.Bb7 Bg4 2.Bc8 Be2 3.Bf5 Ba6 4.Be4! and Black must resign since any
King move allows Bb7, while a Bishop move either hangs the Bishop or allows
White to make a Queen.
|SOLUTION 8 Diagn 328
xe 7,
eee aae
sg (se
LO
L060 G
Af a
eee
““ os
Tarrasch - Alapin, Ostend 1905

White to move
This is a Flowchart exercise. Tryry to turn this insane

position into something we can understand from our
basic endgame foundation.
sated
It seems odd to mention endgame transitions and Flowcharts when we’re

faced with a very sharp, complex middlegame position. Yet it’s quite proper to
do so since White has the opportunity to end black’s attack and reach a winning
Rook endgame by sacrificing some of his excess material.
1.f4!
The winning move. White hits the enemy Queen and allows his own Queen
to stop black’s threatened ...Qg2 mate.
1...Qg2+
Even easier for White is 1...Qh5 2.Qxa8! (Pure greed in chess is a lovely sight!)
2...Bg4+ 3.Kg1 Bf3 4.Qxf3! Qxf3 5.Rb3 Qg4+ 6.Rg3 Qxf4 7.6 and white’s two
Rooks and passed e-pawn will pick up the full point.
2.Qxg2 Bxg2+ 3.Kxg2 Rxb8
The first transition has been achieved: the complex middlegame is gone and
a pawn up Rook endgame has “miraculously” appeared in which white’s Rook
is resting happily behind its passed pawn.
4.Kf3 Kg7 5.Rd1
It turns out that pushing the e-pawn would now be a mistake, so White acti-
vates his Rook in search of new weaknesses to conquer.
5...Rb7 6.f5!
An excellent move that takes us to our second transition (in fine Flowchart
fashion). White temporarily gives up his doubled f-pawn so that:
mum Tle creates a target on f5.
mum After winning it he reaches known territory: the resulting
connected passed e- and f-pawns vs. lone passed h-pawn is an
easy win.
6...gxf5 7.Kf4 Kf8

Black can’t hold onto his pawn since 7...Kg6 is met by 8.Rg1+, while 7...Rf7
8.Rg1+ followed by 9.Rg5 and 10.Rxf5 is also easy for White.
8.f3
The f5-pawn can’t be held, so why rush things and allow 8.Kxf5 Re2, attacking
both a2 and f2 at the same time?
8...Rf7 9.e6 Re7
9...Rf6 10.Ke5 is hopeless for Black.
10.Kxf5 Ke7 11.Rd5!
This stops 5th rank Rook checks and kills the opponent’s counterplay since
black’s Rook can’t leave its 2nd rank due to Rd7+. Now that everything is safe,
White will calmly advance his f-pawn.
11...h5 12.f4 h4 13.Ke5 h3 14.f5 h2 15.f6+ Ke8 16.Rb5!, 1-0. Black had
no desire to experience 16...Rc8 (to stop back rank mate) 17.f7+ Ke7 18.Rb7+
Kf8 19.Kf6 hl=Q 20.e7 mate.
Wi Vii, lu
LZ)
SNnets
Y
me
W
—-
oe
io
es
Be 0ge
Y
noe
ae an
ls
2
WHR
w
st
WD
Sy
A ee |
\S
Topalov - Kramnik, Sofia 2005

White to move
As White, what defensive ideas come to mind? These

ideas should be word and concept based and not |
dependent on streams of variations. |
Don’t fail to make use of your basic knowledge! Most players just calculate in
these situations, without getting a grip on various defensive possibilities first.
However, you can’t find good moves if you don’t have a verbal goal in mind.
Bravo if you thought of some of the following things:
wm [t's an easy draw if White can exchange all the kingside pawns.
mumme— If Black ends up with his pawn on a2 and Rook on al (white’s
Rook behind the pawn on a7), it’s a draw if White can trade
his two pawns on e3 and g2 for black’s f-pawn.
wamme— If Black ends up with his pawn on a2 and Rook on al (white’s
Rook behind the pawn on a7), White loses if he trades his two
pawns on e3 and g2 for black’s h-pawn.
wae If black’s pawn gets to a2, white’s King must be on h2 or g2, or
be in front of one of its pawns so a Rook check isn’t possible.
wamme Black's kingside pawns are vulnerable. Attacking them will
prove very annoying.
It turns out that attacking black’s kingside pawns is very annoying indeed!
1.e4 Kg6 2.g4 Ral 3.Kf4
White intends to attack black’s pawns by Rb6 followed by e5 (taking advantage
of the pin along the rank). Black has no good answer to this plan.
3...a5
No better is 3...Rfl+ 4.Kg3 a5 5.Rb6 a4 (5...Kf7 6.Rb7+ Ke6 7.Rxh7 a4
8.Ra7, =) 6.Ra6 Ral 7.5 a3 8.Rxf6+ Kg7 9.Ra6 a2 10.Kg2 is a draw even if
White doesn’t have his e- and g-pawns!
4.Rb6 a4
4,..Kf7 5.Rb7+ Kg6 6.Rb6 doesn’t get Black anywhere, so he has no choice
but to slog on with his pawn.
5.e5 a3 6.Rxf6+ Kg7 7.Kg5!
The only good move. 7.Ra6?? loses because white’s King can’t get back to
g2 or h?2 in time, while moving to g5 now encounters a problem: 7.Ra6?? a2
(threatening ...Rfl+) 8.Kg5 (8.Ra7+ Kg6 9.Ra6+ Kf7 10.Ra7+ Ke6 11.Kg5
h5! destroys the white King’s cover.) 8...h6+! 9.Rxh6 (9.Kf5 Rf1+ followed by
...al=Q) 9...Rb1 10.Ra6 al=Q 11.Rxal Rxal and it’s all over.
Toad
7...h5 leads to more interesting positions, though they also end in draws: 8.Rf2
Rel 9.Kf5 h4 (9...hxg4 10.Ra2 Re3 11.Kxg4 Kf7 12.Kf4, =) 10.g5 h3 11.Ra2 Kf7
12.g6+ Kg7 13.e6 Re3 14.Kf4, =, intending to meet 14...Re3 with 15.e7, =.
8.Rf2!
Avoiding 8.Ra6?? h6+ when white’s King loses its protective cover.
8...Rel 9.Rxa2 Rxe5+, '/2-'/.
|SOLUTION 10 7 330
aw
gs«
aeeS
ZG
cnet
NSN
BWA
PNW 8B. Y
i peed ee fg i
White to move
Black appears to be headed towards victory. Is this

true?
White can draw by 1.Rxd6+! Bxd6 2.Rxd6+ Ke7 3.Rd3 with a blockade.
SOLUTION ]] | — 331
Zee
o eeu |
ne
"ol ihe
mat
a VW
Figky ne
me”
Vi 22
Reshevsky
- Najdorf, Lugano 1968
Black to move
Can Black save the game? i

Lem
Black can draw, but his King needs to reach the Short Side of the board. In
the actual game, Black dismally fails in this goal: 1...Ke8? 2.Kf6 Kd7 3.Rh7+
Ke8 4.Rh8+ Kd7 5.Rf8 Rhi 6.Kg7 Rel+ 7.Kf7 Rfl 8.f6, 1-0.
Instead, he could have saved himself by 1...Ke7 2.Rh7+ Kf8 3.Kf6 Kg8
4.Ra7 Rf1! and White can’t win.
i SALUTION 12 | Diagram 332
Yi, 0, 4,
"He
ae
Y mA
Vo,
Smyslov- Korchnoi, Moscow vs. Leningrad 1967

White to move
This seems to be a complex position that has noth-

ing to do with the basics we’ve studied thus far. Try
and see how some of these basics might prove useful
in this position. Remember, I’m looking for ideas,
not moves.
This position seems complicated and hard to define in terms of the basic
lessons we’ve learned in this book. However, there are some key ideas we can
grasp onto. We’ve seen many instances of weak pawns being attacked, so White
would like to make black’s pawn mass on the kingside as vulnerable as possible
(you should always try to create new weaknesses in the enemy camp!). And, since
White has a passed b-pawn, he should be aiming to advance it and force black’s
King and Rook to the queenside so they can deal with it.
The idea of using the outside passed pawn should dredge up two more con-
cepts: placing the Rook behind its passed pawn and Fox in the Chicken Coup.
You might find it odd to think of Fox in the Chicken Coup in the context of
a Rook and pawn endgame, but it makes good sense and brings to mind two
different scenarios:
mum White's Rook gets behind the passed pawn, pushes it as far
as possible, and if Black wins the pawn by taking it with his
Rook (leading to a Rook exchange and black’s King sitting
somewhere on the b-file), White wins the resulting King and
pawn endgame because his King is on the kingside, ready to
eat black’s pawns.
mame White sacrifices his b-pawn so that he can win a kingside

pawn. The resulting Rook and kingside pawn vs. Rook
endgame will be winning due to the AWOL black King.
1.Re2!
By defending the only two attackable points in white’s camp (i.e., b2 and f2),
white’s King is relieved of guard duty and is thus free to march up to dé4 or c4.
1...Ke7
After 1...e5, White would have moved his King to c4 and then pushed the
b-pawn.
2.e4
This pawn advance, and the ultimate exchange of pawns that it leads to, will
leave black’s kingside pawns far more vulnerable than they were in the initial
diagram. I’ll discuss this move once the position crystallizes.
2...Ral
2...fxe4 3.Ke3 Rel+ 4.Re2 picks up e4 (trading Rooks is an easy win for White)
and leaves Black with two very weak pawns on e6 and g4.
3.Kd3 Kd6 4.exf5 exf5
Black’s kingside pawns are now vulnerable to attack if the white King can reach
f4 or e5 (clearly 5 is far easier for White to attack than e6 was).
5.Ke4
White would prefer to move his King to f4, but this isn’t so easy to achieve
since Ke3 is met by ...Ra4. Due to this, White will calmly prepare to advance
his b-pawn. Once that pawn gets moving, it will demand the attention of black’s
Rook and King which, hopefully, will allow white’s King to attack black’s king-
side pawns.
5...Kc6 6.Kd4+ Kd6 7.b3 Rel 8.Kc4 Kc6 9.Kd3+ Kd5 10.b4 Rb1
Logically placing his Rook behind white’s passed pawn.
11.Kc3 Kc6
Black would prefer to play more aggressively via 11...Ke4. Unfortunately
that would allow 12.Rb2 when 12...Rxb2 13.Kxb2 Kf3 14.b5 wins. As a result
of this, black’s King has to prepare to block the b-pawn.
12.Kd4+ Kd6 13.Kce4 Kc6
Refusing to let white’s King penetrate into his position. It’s time for white’s
Rook to play a more dynamic role in the proceedings.
14.Re2!
This creates a real problem for Black! Re6+ is threatened, and stopping this
by ...Kd6 allows KbS. That leaves 14...Rcel+, which has flaws of its own.
14...Rcl+ 15.Kd4
And now Black is facing the double threat of 16.Ke5 and 16.Rb2.
15...Kd6 16.Rb2 Ral 17.b5 Ra4+ 18.Ke3 Ke7 19.b6+ Kb7 20.RbS!
Threatening to jettison the b-pawn by 21.Rxf5 Kxb6 22.Rf4 with an easy win
for White.
20...Re4+
Both 20...Kc6 21.b7! and 20...Ra3+ 21.Kf4 Rf3+ 22.Kg5 Rxf2 23.Rxf5 are
also hopeless.
21.Kd3 Re8 22.Rxf5 Kxb6 23.Rg5
White’s Fox in the Chicken Coup plan has been realized. The battle is raging
on the kingside while black’s King is napping on the other wing.
23...Rd8+ 24.Ke4 Re8+ 25.Kf5 Rf8+ 26.Ke6 Rxf2 27.Rxg4
It’s all over. Black’s King needs to be in front of white’s passed pawn or at
least close by.
27...Re2+ 28.Kf5 Kc5 29.Re4 Rf2+ 30.Rf4 Rd2 31.g4 Rd5+ 32.Kg6, 1-0.
_ SOLUTION 13
V1,
ygog”
4, Us, we,
gh g®
‘| UU, la,
Y Vi das
Y Y
a
as(be
dd.ses iP og, Ch
Morozevich - Gelfand, Amber 2005

Black to move
What kind of basic situation is Black trying to achieve?

Can he win?
Black’s dream is to create a Lucena Position. The first step towards this goal
is to trap the white King away from the action. The advance of the pawn will
follow.
1...Rf5+ 2.Ke2 g5 3.Ke3 Kg2 4.Ke4 Rf4+ 5.Ke3 Rf3+ 6.Ke2 g4 7.Re4
g3 8.Rb4 Rf8 9.Rh4 Re8+ 10.Kd3 Kf2 11.Rf4+ Kg] 12.Kd2 g2 13.Rf7 Rh8
14.Ke2 Khl, 0-1.
PART
|SOLUTION 14 . Diagram 334

ZOO
enemes
tae
ft, van
abcd RGF ees Nh
KingKings - MzBoop, 2001

Black to move
Who stands better in this extremely strange

position?
re
This amazing position occurred in a one-minute bullet game (with two-second

increment). Black wins easily because his a-pawns are outside passed pawns.
1...Ke5 2.Kd3 Ke6 3.Ke2 Kd7 4.Kb3 Ke6 and Black won. He can either
play ...f5, ...g4, and ... f3, or do a Fox in the Chicken Coup by chopping off all
the c-pawns and then dashing over the kingside and eating g?.
Pg a
te
aR
a
Oi
“OU
a aw
a bedefgh
Nakamura - Peersson, Copenhagen 2005

White to move
Does 1.f7 win the game, or does the resulting King

and pawn endgame hide stalemate tricks?
L
1.£7 wins, and black’s one stalemating trick is easily dealt with: 1.67 Bxf7 2.h7
Kxh7 3.Kxf7 Kh8 4.Kg6! (Avoiding 4.g6?? stalemate), 1-0. If you didn’t get
this, reread Part Two through Part Four.
Diagram 336
a
faa
a becdefgh
Short - Anand, Tilburg 1991

Black to move
Can Black win?
The material in Part Seven should have made this one easy to solve: 1...Ral+
2.Kg2 a2 3.Kh2 Kf8 4.Ra7 Ke8 5.Kg2 Kd8 6.Kh2 Kc8 7.Kg2 Kb8 8.Ra4
Kb7 9.Ra3 Kb6 10.Ra8 f4 11.gxf4 f5 12.Ra3 Ke5 13.Ra8 Ke4 14.Ra3 Kd4
15.Ra8 Ke4 16.Ra4+ Ke3, 0-1.
xs meal
“6.8
7 a 5 y aM
ooo”
27
Sa eee
eee
| as bo ed:
S Cf gh
|
Emms - Willmoth, Great Britain 2000
White to move
|Can White draw?

{
White draws by trading off all the queenside pawns and one pair of Rooks:
1.Rxa7 Rxa7 2.Rxa7 Rc5 3.a4 Rxc3+ 4.Kg2 Rb3 5.a5 RbS, '/2-'/.
Diagram 338
SOLUTION 18 ]
TOT
aggwhe oi |
“oe
By, ai |
anes
aiB
a bee. de “heh i
Benjamin
-Karpov, Cap d’ Agde 2000
Black to move
White just moved his pawn to g3. Is he going to

lose?
White draws because he knows that it’s unwinnable even if he ends up two
pawns down: L...hxg3+ 2.Kg2! (Avoiding 2.Kxg3?? Rgl+) 2...Ke6 3.Rb8 Kxe5
4.Rb7 Kd6 5.Rb8 g4 6.fxg4 Ke5 7.Rb4 Kf6 8.Rb5 Kg6 9.Rb8 Kg5 10.Rg8+
Kf4 11.Rf£8+ Kxg4 12.Rg8+ Kf5 13.Rf8+ Ke6 14.Re8+, '/2-'/.
|SOLUTION 19
a ee
a UY
a7 mw
Ae
gil |
(At
ee:
jf
awe
Wea
Hn ZOD
a bo-e@eid) -€ of gh
NN- Staunton, London 1842

White to move
Should White keep the Rooks on or exchange by

Rxf6?
White feared the King and pawn endgame that would occur after 1.Rxf6, so
he tried 1.Rd2 and went on to lose: 1...25 2.Kg4 Kh7 3.h5 bS 4.Kg5 Re6 5.Kf5
Rel 6.Rc2 Rh 7.Kg4 Rb1 8.Kf4 a4 9.Kf5 c5 10.Ke4 Kh6 11.Kf5 b4 12.axb4
exb4 13.Rg2 a3 14.bxa3 bxa3 15.Ra2 Rb3 16.Kg4 Rb4+ 17.Kf5 Rb5+ 18.Kf4 Ra5
19.Ke4 Ra4+ 20.Kf5 Kxh5 21.Rh2+ Rh4 22.Rg2 g6+ 23.Kf6 Rf4+, 0-1.
However, taking on 6 by 1.Rxf6 would have given White an outside passed
pawn, and this would have allowed him to save the game: 1.Rxf6! gxf6 2.Kg4
Kf7 3.h5 c5 4.Kf5 b5 5.h6 c4 (No better is 5...a5 6.h7 Kg7 7.h8=Q+ Kxh8
8.Kxf6 b4 9.axb4 cxb4 10.Ke5 a4 11.Kd4, '/2-'/) 6.h7 Kg7 7.h8=Q+ Kxh8
8.Kxf6 a5 9.KeS b4 10.axb4 axb4 11.Kd4, '/2-'/2.
SOLUTION )() | Diagram 340
a bec de fgih
Bruijn
-Kloos, Amsterdam 1851
Black to move
Black now played 55...Rf5. Was this wise?
Yes, this forced transposition into a King and pawn ending wins an otherwise
drawn Rook endgame:
1...Rf5! 2.Rxf5+ gxf5
The actual game saw 2...Kxf5?? 3.Kf3 KeS 4.Ke3 Kf5 5.Kf3 g5 6.hxg5
Kxg5, '/2-'/2.
3.Kf4 Ke6 4.Kg5 Ke5 5.KxhS f4
The ever alert Fritz points out that 5...Kf6! 6.Kh6 f4 7.Kh5 f3 is even
easier.
6.Ke4 Ke4 7.hS £3 8.Kg3 Ke3 9.h6 f2 10.h7 f1=Q 11.h8=Q Qgl+ 12.Kh4
Qh2+, 0-1.
SOLUTION 9 ] Diagram 341
a bec de JF og Ch
Szen - Newham, London 1851

White to move
Is 1.Rc8 a good move?
Placing a Rook behind a passed pawn is often important, and that rule holds
true here since Black threatened to win with |...c2. By stopping the pawn with
1.Rc8, white’s material advantage will ultimately prevail.
1.Rc8 Kb4
1...Rc4 2.Rxc4 Kxce4 3.Ke2 is easy for White.
2.h5 Re6 3.f3 a5 4.94 fxg4 5.fxg4 Rh6
Also hopeless is 5...Re4 6.h6 Rxg4 7.h7 Rh4 8.h8=Q Rxh8 9.Rxh8 Ka3
10.Ke2.
6.Ke2 Ka3 7.Rxc3+ Kxa2 8.Rc5 a4 9.Rb5 a3 10.Kf3 Kal 11.Ra5
White makes sure he doesn’t stalemate the black King by 11.Kf4 a2 12.Kg5
Rxh5+ 13.Kxh5 stalemate.
11...a2 12.Kg3 Kb2 13.Kh4 al=Q
A better defense was 13...Rc6, but after 14.Rxa2+ Kxa2 15.g5 White still wins
because black’s King is too far away from the pawns.
14.Rxal Kxal 15.g5 Ra6 16.h6 Ra7 17.g6 Ra4+ 18.Kg5 RaS+ 19.Kf4
Ra4+ 20.Ke5 RaS+ 21.Kd4 Ra4+ 22.Kc5, 1-0. An impressive performance
by the legendary Szen. Hard to believe they were playing such fine endgames
way back in 1851!
Diagram 342
|oearian 22
iEYa 40
@ aw
oa
UW, 0,
Yi
BP aa” om
KGOZaZ
YW, W W:
a bedefgh
Campbell
- Wormald, London 1859
White to move
White wins in nice fashion by
1.£5! gxf5 2.26

Clearing off the 7th rank so White can make use of the old Rh8-h7+ trick.
2...Ra3+ 3.Kf4 Ra4+ 4.Kxf5 Ra5+ 5.Kg4 Ra4+ 6.Kg5 Ra5+ 7.Kh6 Ra6
8.Kh7 Ral
It’s also over after 8...fxg6 9.Rg8 Rxa7 10.Rg7+ Kf6 11.Rxa7 g5 12.Ra5 g4
13.Kh6 g3 14.Ra3 g2 15.Rg3.
9.¢7, 1-0 since 9...Rh1+ 10.Kg8 Ral 11.Rf8 is game over.
SOLUTION )3 | Diagram 343
Ye, oy,
Oy we
& “7 Ap)
| 5 i, i, Wh, hee
| fe
| ;
|
abcde fgih
Shirov
-Kramnik, Eurocup 1999
White to move
Is White winning?
I
White employs a simpler version of the idea used in Test 22 to force a quick
kill: 1.b6! cxb6 2.Rh8, 1-0.
“i
Bao”
ae ane
UO EG
Ze om
oO
x,“y a,
a bec dé f£ 2 “h
Horwitz
- Bird, London 1851
White to move
White wins because black’s King is too far away from the queenside action:
1.Kd5 Rd2+ 2.Kc6 Rd4 3.Kb7 Rd7+ 4.Ka6 Kh3 5.Rg8 Rc7 6.Ra8 Kg4
7.Rxa7 Rxc4 8.Rf7 Kg5 9.Kxb6 Re2 10.Kb7 Rc5 11.b6 Rc3 12.Kb8, 1-0.
Diagram 345
_ SOLUTION ? 5 7
a |
a |
aGe, Uo,
Ea phnha |
Z2 Be
a becde fgh
|
Tal - Bagirov, USSR 1967
White to move
White wins by force because he promotes first and his King gets close to the
enemy monarch: 1.Ke4! Kxa2 2.f4 a5 3.£5 a4 4.f6 a3 5.7, 1-0. Black didn’t
need to be shown 57...Kb2 58.f8=Q a2 59.Qb4+ Kal 60.Qd2 Kb1 61.Kd3 al=Q
62.Qc2 mate.
vege 346
|SOLUTION 26
Vay ayyCo
et, th
tihe
0
Wa Ws Get
yy
dataia
YJ
aegh
Be 8ag
Fas bote fd ce. <P es
Cunningham - Loewenthal, London 1856

White to move
Can White win?

Ls
White wins by cutting the black King off from the kingside: 1.Re2! Rhl
2.Kf6 Rfl+ 3.Kg7 Rg1 4.26 Rg3 5.Kh7 Rh3+ 6.Kg8 Rg3 7.27 Rgl 8.Re4
Rg2 9.Kh7 Rh2+ 10.Kg6 Rg2+ 11.Kh6 Rh2+ 12.Kg5, 1-0.
7
i
SOLUTION )7 | ~~ 347
Vi Yi |
Yj
lB “ewa |
“ KY
0.40 0
EYYVA
‘owe Y
a bed
ee f ¢ h
Petrov - Urusov, St Petersburg 1853

Black to move
Does 1...Rc4 give Black any realistic winning

chances?
aa acid
No, the game was dead drawn no matter what Black had played:
1...Re4
The game continuation was 1...Re2+ 2.Kcl Kc3 3.Kd1 Re4 4.Ra8 Re3 5.Ra3+
Kd4 6.Ra4+ Kd3 7.Rb4 e4 8.Ra4 Rf3 9.Kel Ke3 10.Ra8 Rf7 11.Ra3+ Kf4 12.Kf2
Rc7 13.Ra2 Rh7 14.Kg2, '/2-'/2.
2.Rb8+ Kc5 3.Rc8+ Kd4 4.Rxc4+ Kxc4 5.Ke2 e4 6.Kd2 Kd4 7.Ke2 e3
8.Kel, '/-!'/,
SOLUTION 2 8
/;
aonb
“LGze,
el
wi,
wena
a Ue
Williams - Harrwitz, London 1852
Black to move
Does White have any chance of saving this game?
White’s dead: 1...Ke6 2.h5 Rgl+ 3.Kh7 Kf7, 0-1.

Dagiani 349 |
SOLUTION 29 /
Bagh ge gk
a |
ta
be te
| an Y |
Pataie
Yih
|
]
vee |
a bc de f gih "
Loewenthal - Morphy, London 1858

Black to move
Does promoting the pawn win?
Promoting the pawn (which wins white’s Rook) is decisive, since the black
King is able to get back in time to stop white’s pawn: 1...cl=Q 2.Rxcl Rxcl
3.Ke4 Rel+ 4.Kd4 Ke2 5.f5 Kf3 6.Kd5 Kf4 7.f6 Kg5 8.f7 Rfl 9.Ke6
Kg6, 0-1.
30 : Diagram 350
|SOLUTION
Yi8G,
ato, ee
i
ts ti
GG ay
Oy. 4wh
ae ee |
Karklins - Gufeld, American Open 1999
White to move
Can White draw?

{
d
The defender is usually happy to trade off pawns, and in this case a draw can
be achieved if he can exchange his three remaining pawns for black’s two.
1.Kh4
In the actual game, White lost quickly after 1.Kf6 Kd8 2.Kf7 Bfl 3.e6 Bet
4.Kg7 Ke7 5.Kxh7 Kxe6 6.Kg6 Ke5 7.Kg5 Be6, 0-1.
1...Kd7 2.f3 h5 3.f4
And not 51.fxg4?? Bxg4.
3...Ke6 4.Kxh5
Also adequate is 4.Kg5 Bg2 5.Kxh5 Kf5 6.e6 Bc6 7.Kh4 Kxf4 8.e7 Kf3 9.Kg5
Bd7 10.Kh4 is a positional draw: Black can’t improve his position since ... Kf4
leads to the stalemate in our main line, while moves like ...Ke4 or ...Kg2 allow
White to win black’s final pawn.
4...Kf5 5.Kh4 Kxf4 6.e6 Bg2 7.e7 Bc6 8.h3 g3 9.e8=Q Bxe8, '/2-'2. A
beautiful stalemate, discovered by IM Jack Peters.
This section tightened up the material you already know, and showed you
how to make use of your acquired knowledge to figure out positions that ap-
pear to be extremely complex. Having done this, you’re more than ready for
one final step.
Where in past sections I only wanted you to move on if you felt you had serious
aspirations towards that next rating group, now I highly recommend you study
Part Eight (Endgames for Masters) and Part Nine (Endgames for Pure Pleasure).
Why the change of heart? Because these final two parts of the book are concept
driven—anyone who has mastered the material through Part Seven should find
Parts Fight and Nine enlightening, easy to understand, and enjoyable.
Let me extend my congratulations for your efforts thus far. You’ve come a long
way, and now possess an impressive internal “endgame database.” You’re almost
at the top of the mountain—there are only a few easy steps left to take.
ou’ve finished Part Seven, and now you should have a rich foundation
in all endgame basics. Of course, you will add to that knowledge by
experience and any extra study you feel like doing.
Though there is always a place for mastering complex positions—Rook
and pawn, Queen and pawn, and King and pawn endgames have unlim-
ited depths—the need to shore up one’s openings and add to one’s middlegame
skills forces the 2200 player to take a more practical approach. At this point
“concept” (memorization finally takes a back seat to simple understanding) is
the thing one needs to round out the endgame skills taught in this book’s earlier
parts. Here we’ll focus on six concepts that will enable the master to play many
kinds of endgames with depth and flair.
348
Weak players usually deal with one-move threats, while players who reach 2000
to 2200 try to imbue every move with a deeper, more expansive purpose. In a
normal position, where the opponent is trying hard to show that his ideas and
plans trump yours, every move should be filled with carefully crafted design.
However, from time to time a player is blessed with a position where his op-
ponent is helpless—doomed to passively wait while the stronger side prepares
the decisive break/thrust/maneuver/tactic. In such situations it’s often a good
idea to take your time, make small improvements in your position, and let the
horror of the defender’s seemingly endless defensive task slowly seep into his
blown out, exhausted brain. This kind of “water torture” punishment is known
in chess circles as Cat and Mouse.
A strange rule of thumb is, “Do in ten what you can do in two.” Lest you think
I’m joking, consider this: taking your time and torturing an opponent is fun,
but being the object of this torture is painful, depressing, and leads to a form
of lobotomy that can linger for weeks afterwards. The ideas behind “do in ten
what you can do in two” are:
mum If you make some pointed move right away, your opponent
will be expecting it and will take appropriate measures.
However, if you dither about for a while before employing
your grand scheme, he will be lulled into the aforementioned
lobotomized state and miss anything and everything you are
intending.
mame Since your opponent is helpless, you have nothing to lose by

showing your almost preternatural patience.
349
wee Optimizing your position before undertaking a decisive move

forward has to be useful. Usually one doesn’t have the luxury
of wasting time in this fashion, but if you have carte blanche to
tidy up every imperfection, why not take advantage of it?
mee You might find that you’re burning up too much time on
the clock in an effort to find the final, winning maneuver. If
another time control can be painlessly reached by treading
water (thus giving added time ina safe fashion), grab the gift
of free minutes with both hands!
Our first example features two famous endgame aficionados—Grandmasters
Pal Benko and Yuri Averbach—going head to head, with Benko relishing his
ability to inflict long, slow torture on his esteemed foe.
Diagram 351
ai”
Benko-Averbach, Portoroz 1958

White to move
Benko had this to say about the position: “Black’s dream is to trade the b-pawns
and the minor pieces and play a Rook ending with four vs. three on the kingside.
Such an endgame is usually drawn. Dreams are one thing, though, and reality is
quite another. I would never allow such a situation to come to pass.”
1.Nc5 Ra7
1...Bxc5 2.Rxc5 is winning for White because he has two advantages: his Rook
is more active than its black counterpart (due to the need to defend b5), and he’s
a solid pawn up on the kingside.
2.Nd3 Ral+ 3.Kg2 Rdl 4.Kf3
White’s winning plan is very simple: he intends to slowly improve his posi-
tion on the kingside (e3-e4, gaining space and defending the Rook, is a useful
prelude), defend the Knight with his King (the immediate threat is Ke2), and
then win the pawn on bS.
EIGHT — ENDGAMES FOR MASTERS (2200-2399) 351
PART
4...Rd2
This stops Ke2.
5.e4
Preparing Ke3.
5...h5
This move not only prepares ...h5-h4, but also intends to meet 6.Ke3 with
6...Bh6+.
6.e5
Gains space and gives white’s King access to e¢.
6...h4
Let’s borrow a bit more from Benko: “Another pawn is about to fall so Black
tries one last idea: if he can trade as many pawns as possible, he might be able
to sacrifice a piece for white’s remaining pawns.”
7.gxh4 Rdl 8.Ke2
The pin is finally broken and White will get to eat the b-pawn, giving him a
powerful passer.
8...Rh1 9.Rxb5 Rxh2 10.Rb8 Rxh4 11.b5 Kg7 12.b6 Rhi 13.Rb7 Rbi
cs
14.f4
Diagram 352
Ly Aig Ui
0sLe ia re
OS mae
—
feaebe& KG
oi
a“woDo aw
ase te
Ww
FT
NUD
PN
KR
a bcdefgh
Benko is happy to solidify his position and keep black’s counterplay to almost
zero. The very tempting 14.e6 Kg8 15.e7 (15.exf7+ Kg7) 15...Bxe7 16.Rxe7
Rxb6 would have left White with only one pawn. Why deal with such a hard
technical task when you can torture your opponent at your leisure.
14...Kg8 15.Kd2 Ba3 16.Ke2 RbS 17.Ke3 Bf8 18.Kc4 Rb1 19.Rb8
White’s King is now near its passed pawn. With all his pieces so well placed,
the win must be just a few moves away.
19...g5
Desperation, but 19...Kg7 runs afoul of 20.Rxf8! Kxf8 21.Nb4 Rcl+

22.Kb5.
20.fxg5 Kg7 21.Rxf8! Rxb6
Black wasn’t happy about this, but 21...Kxf8 22. Nb4 Rel+ 23.Kb5 Rc8 24.Nc6
is hopeless.
22.Rd8 Rg6 23.Rd7 Kf8 24.Kd5 Rxg5 25.Ke4
Diagram 353
Za ee
Vi) "nwaa
Vi, UD
Vy aj iP,
Va ei Va
aie
V/A
a bc de fgh
The game is clearly won, but Benko goes about it with extreme patience. Ob-
viously he can’t allow the exchange of the last pair of pawns, but other than that
his goal is clear: make use of the power of the 7th rank Rook combined with the
free-range King and Knight to attack f7 or create potential mating nets.
25...Rgl 26.Nf4 Rel+ 27.Kf5 Rfl 28.Ra7 Ke8 29.Rb7
Cat and Mouse. In a way, White is asking his opponent, “Are you enjoying
this? I certainly am!
1?
29...Kf8 30.Kg5 Ke8 31.Nd5 Rgl+ 32.Kf5 Rfl+ 33.Ke4 Kf8 34.Ne3 Rf2
35.Nf5 Ke8 36.Nd6+ Kf8 37.Rc7 Rf1 38.Kd5
Benko finally decides to put his opponent out of his misery. The King will
march down the board and prepare to create a winning King and pawn vs. King
position by sacrificing his Rook and Knight for black’s Rook and pawn.
38...Rd1+ 39.Kc6 Rel+ 40.Kb7 Rxc7+
40...Rb1+ 41.Ke8 Rfl 42.Rxf7+ Rxf7 43.Nxf7 Kxf7 44.Kd7 amounts to the
same thing.
41.Kxc7 Ke7 42.Nxf7!, 1-0. The pawn promotes after 42...Kxf7 (or 42...Ke6
43.Kc6) 43.Kd7.
If you thought that game showed patience, let’s let Benko take us even deeper
into the world of Cat and Mouse against another great endgame player—the
legendary Victor Korchnoi!
PART EIGHT — ENDGAMES FOR MASTERS (2200-2399) 353
Diagram 354
iia Ww Ladd
qpy aV) ‘wa
"é “gaa ts
RW Grane?
me Y a
ei
Vi
“N
a ee
yoy? Up LY,
one Wot srrtt, Uattet
ws
DW
©KWYj 8
oe
Pnw Yi YB
a bc de fgh
Benko - Korchnoi, Curacao 1962

White to move
1.Nd4
Benko: “I was willing to trade my Bishop for the Knight becauseI felt that, ulti-
mately, my Knight would prove itself to be more useful than the enemy Bishop.”
1...Nc4+ 2.Bxc4 Bxc4 3.Rc2 Ba6 4.Rhel Rxc2 5.Rxc2 Kd7 6.e5
Diagram 355
aye
Aaogaua
ao Cae
rae as
kK
PNW
WON
Benko: “In such positions, little things make all the difference. Here I’m
gaining central space, getting my pawns off the color of black’s bishop, and (by
preventing an eventual ...e6-e5) making sure the d4-square will be permanently
available for use by my Knight or King.”
6...Rc8 7.Rxc8 Kxc8
Benko: “The Rooks are traded and, to the uninitiated, the game appears to
be headed for a draw. However, the position is actually very pleasant for White
because only he can play for a win while Black will be defending for a long time
to come. Why is White better? The flexibility of the Knight is one huge factor
(the d6-square in particular is calling to it!), and my central space advantage and
superior King also combine to make black’s life unpleasant.”
Note how Benko is raving about the superiority of his Knight over black’s
Bishop. We’ll delve far deeper in this “Knight worship” in the section The
Pleasures of a Knight.
8.Nf3 h6 9.Nd2 Kd7 10.Ne4 b6 11.4 Bfl 12.Kd4 Bg2 13.Nd6 f5
Benko: “White’s position has improved, but Black has everything covered.
Now starts a long game of Cat and Mouse: I make little jabs at his weak points
and torment him endlessly.”
14.Nb5 Bfl 15.Nd6
Benko points out that 15.Nxa7 Kce7 16.a4 Kb7 17.Nb5 BxbS 18.axb5 would be
drawn because his King would not be able to penetrate into the enemy camp.
15...a5 16.b4 axb4 17.axb4 Bh3 18.Nc4 Kc6 19.Nd6 Kd7 20.Nc4 Kc6
21.Ne3 Kb5 22.Ke3 g5 23.Nc4 gxf4 24.gxf4 Kc6 25.Kd4 h5 26.Nd6 h4
27.Nc8 Bg2 28.Ne7+ Kb5 29.Kc3 h3 30.Ng8 Kc6 31.Nf6 Bf3 32.Kd4 Kb5
33.Nd7 Bd5
Avoiding 33...Kxb4 34.Nxb6 Kb5 35.Nd7 Kc6 36.Nf8 Bd5 37.Nh7 Bg2
38.Ng5 Kd7 39.Ke3 when White wins a pawn by Kf2, Kg3, and Nxh3.
34.Kc3 Ba2 35.Nf8 Kc6 36.Nh7 Kd5 37.Nf6+ Kc6 38.Kd4 Kb5 39.Kc3
Kc6 40.Nh7 Kd5
Diagram 356
Fi yy Vay //,
NIC
DA
WW
fk
WwW
YO
F
“08
White has “Cat and Moused” his opponent into a near state of coma and now
(with Black bleary-eyed and exhausted) decides to carry out his final assault.
41.Ng5 b5 42.Kd3
Benko: “Suddenly Black is facing some serious problems. White is willing to
enter the race by giving up his b-pawn because the passed e-pawn or h-pawn
(whichever one White creates) will prove faster. Note that the immediate
42.Nxh3? would have been an error due to 42...Ke4.”
42...Bc4+ 43.Ke3 Bfl 44.Kf2 Bg2 45.Kg3??

Evidently Korchnoi wasn’t the only one tired from the battle. Benko could
have forced a win by 45.Ke2! (this allows the King to stop black’s b-pawn in the
key variation) 45...Kc4 46.Nxe6 Kxb4 47.Nd4 Kce5 48.Nxf5 b4 49.Kd2, etc.
45...Kc4 46.Nxe6 Kxb4 47.Nd4 Kce4??
Diagram 357
A a
a
nN
ao
ea
3
ote
kK
VW
ww
FP
Benko: “Korchnoi finally cracks. He had to try 47...Kc5! when the game would
be drawn: 48.Nxf5 b4 49.Ne3 b3 50.Nd1 Kd4 51.e6 Bd5 52.e7 Bf7 53.Kxh3 Kd3
54.f5 Kd2 55.Nb2 Kc3, and a peaceful conclusion can’t be avoided.”—Benko.
48.Nxf5 b4 49.Ne3+ Kd3 50.Nxg2 hxg2 51.Kxg2 b3 52.e6 b2 53.e7
b1=Q 54.e8=Q
The rest is easy for White.
54...Qa2+ 55.Kg3 Qa7 56.Qb5+ Ke4 57.Qe5+ Kd3 58.f5 Qh7 59.h4
Qye8+ 60.Kf4 Qc4+ 61.Kg5 Qg8+ 62.Kh6 Qf8+ 63.Qg7 Qd8
63...Qxf5 64.Qg6 Ke4 65.h5 is also game over.
64.6, 1-0.
Are you getting a feel for the power of Cat and Mouse yet? Remember, the
concepts in this chapter are not things to be memorized, they are ideas that
need to be embraced.
Since Benko is doing sucha great job teaching us about the effectiveness of
Cat and Mouse, I’ll let him drive the message home by borrowing one more
example from Pal Benko: My Life, Games, and Compositions. This time he Cat
and Mouses one of the greatest endgame players of all time.
Diagram 358
N
©
UNDA
kK
we
Pn
a bc de fgih
Benko - Smyslov, Zagreb 1959

White to move
White, with an extra pawn, a superior King, and a strong Knight vs. a Bishop
should win. However, it won’t be easy. This is what Benko had to say: “The game
was adjourned here and after analyzing at leisure, I realized the win would take
quite a long time. If victory is to be achieved, the white King will have to find a
way to penetrate. Unfortunately, black’s King and Bishop make this difficult. As
a result, I decided that it was time for a bit of Cat and Mouse: I would patiently
maneuver, hoping to make Smyslov less alert. I knew that such long-term torture
from a passive position would be very hard for Black to deal with, so I sat down
and resumed the game ready for a lengthy siege.”
1.£5+
Benko: “The first order of business is to push back the black King. It isn’t
optimal to place my pawn on a vulnerable white square, but I had no choice in
the matter.”
I should add that, after 1.f5+, Black is completely passive and can’t do anything
but go back and forth and hope that White can’t find a way to finish him off.
Such positions virtually scream for Cat and Mouse treatment!
1...Kd7 2.Nc4 Bb5 3.Kc3 Ba6 4.Kb3 Bb5 5.Nd6 Be2 6.Kc3
Continuing his Cat and Mouse torture, but the more straightforward 6.Ka4
seems to win by force: 6...Bd3 7.Ka5 Ke7 8.h4 h6 9.h5 Be2 (9...Kd7 10.Kb6 Bc2
11.Kb7 Bd3 12.Nf7 Bxf5 13.Nxh6 Be6 14.Nf7 Bxf7 15.h6 Bg6 16.b5) 10.Ne8+
Kd8 11.Nxf6—analysis by Benko.
6...Ke7 7.Nc4 Kd7 8.Ne3 Ke7 9.Nc2 Kd7 10.Nd4 Bfl 11.Kd2 Bc4 12.Ke3
Bf7 13.Kf4 Bc4 14.Kg4 Bf7 15.Kh4 Ke7
Smyslov wrongly assumed that, after 15...Kce7, White wouldn’t be able to win
the h-pawn because the Knight gets trapped. However, Black was dead lost in
any case: 15...Be8 16.b5 cxb5 17.Nxb5 and the threat of Nd6 or even Nc3-e4,
mixed with ideas of pushing the c-pawn and/or advancing the King to h5 and
h6, is overwhelming.
16.Ne6+ Kd7
16...Ke8 17.Nf8 Bg8 18.Kh5 is easy for White.
ee
17.Nf8+! Ke7 18.Nxh7 Bg8 19.Ng5! fxg5+ 20.Kxg5
Diagram 359
aa Wsa
0,
orAaaORE O
0
Cc
ann
amopal
ae
WN
&
we
Pn
os 8
V7.7) a. 2
White’s pawns are unstoppable since Black must also take a b4-b5 break into
account.
20...Kf7 21.h4 Kg7 22.f6+ Kf8 23.h5 Bc4 24.Kf4 Kf7 25.Ke5 Bd3 26.h6
Kg6 27.Ke6 Bc4+ 28.Ke7 Bd5S 29.f7 Bxf7 30.h7, 1-0.
Obviously, Cat and Mouse and patience go hand in hand. Our next example
shows IMJack Peters (who dominated Southern California chess for almost three
decades!) picking his opponent apart in unhurried and impressive fashion.
Diagram 360
Vi, Way Vz,

Oesssame
wr
a
ij
mn
ABA a7
a
_ 4 ff
a becdefgih
R Schutt-J Peters, Los Angeles 1989

White to move
Such bad Bishop positions are almost always lost—the fact that white’s pawns
are on light colored squares mean they are targets that will ultimately be picked
off by black’s pieces, while an exchange of Bishops usually leads to a lost King
and pawn endgame since black’s King is already deep in white’s position.
In the present case the position seems resignable for White. Black has man-
aged to penetrate with this King to el and an attack against white’s pawn on
c4 via ...Bd1 seems to ensure that material losses are impossible to avoid.
However ...
1.Be2!
A shock! Taking the Bishop leads to immediate stalemate.
1...Bh3 2.Bf3
Black’s King can’t scamper over the queenside due to the white Bishop’s con-
trol over the d1-h5 diagonal, and black’s Bishop isn’t able to penetrate either,
though he gives it one more shot.
2...Bfl 3.Be2!
Yes, I guess it’s true! It really is stalemate! Has White managed to save the
game?
3...Bg2 4.Bg4 Kfl
No, Black is still winning. Having accepted white’s miracle defense (and that’s
an important emotional step, since a shock like white’s stalemate defense can
easily throw a player for a loop), Black calmly (and very, very patiently!) plans
the following:
wae [le will swing his King around to g3 (which is where it came
from earlier, by the way!). White’s King would then be stuck
keeping it out of the decisive f2- and f4-squares.
mum Ee will force his Bishop into white’s camp by leaping into d1.
= Once that is done, Black will make use of tempo moves and
attacks against the white pawns to decisively penetrate with his
King.
mum [f White tries to prevent this (i.e., black’s Bishop reaching d1)
by placing his Bishop on the d1-a4 diagonal, black’s King will
march to el and reach a position where the Be2 stalemate
defense is no longer possible (it needs to be on the d1-h5
diagonal).
5.Bh5 Kgl 6.Be2

Forced. A move like 6.Bg4 would have lost immediately to 6...Bfl 7.Be2
Bxe2 8.Kxe2 Kg2 (This decisively takes the Opposition, though to be fair, the
King and pawn endgame wins for Black in most instances here. White would
have no defense, no matter who has the Opposition, if the black King reaches
g4, h4, £3, g3, £2, or g2.) 9.Ke3 Kg3 10.Ke2 Kf4 11.Kd3 Kf3 and White loses
all his pawns.
6...Kh2
Still patiently following the plan discussed on move four. Note that 6...Bfl??
fails to 7.Bxfl Kxf1 8.Kf3 when White has reached one of the few positions
where his King can successfully keep black’s away from his pawns.
7.Bd3 Kg3 8.Be2 Bh3
Diagram 361
Vii, l,l
PeJaf _-
a AT “oo
se
NN
NO
UY
ADATU, Y)
Y) 7 CS ee
a a
“60
PF
NW
ab ccd
é€ Fog h
Black’s King has reached g3. Next on the agenda is getting the Bishop
to dl!
9.Bd3
No better is 9.Bd1 Bg4 when 10.Bxg4? Kxg4 is a winning King and pawn
endgame for Black.
9...Bg4 10.Bc2 Bf3 11.Bd3
White allows the Bishop to dl without afight. Jack Peter’s analysis (comments
by Silman) shows that 11.Bb3 would not have changed the result: 11...Bg4 12.Bc2
Kg2 (Heading back to e1. Note that as long as white’s Bishop is stuck on a4/b3/c2,
the Be2 stalemate defense won’t be possible.) 13.Bb3 (13.Bd3 Bdl 14.Kd2 Ba4
15.Ke3 Kg3 16.Bfl Bc2 17.Be2 Kg2 18.Bh5 Kf 19.Bg4 Kel 20.Bf3 Bb3 21.Be2
Ba2 22.Bd3 Kdl 23.Bfl Ke2 and white’s pawns will soon fall from the board like
[I’m quoting from dozens of old chess books] “ripe fruit.”) 13...Kfl 14.Bc2 Kel
15.Bb3 Be2! (Again, Black must avoid 15...Bd1?? since 16.Bxd1 Kxd1 17.Kd3
gives White the Opposition and a draw) 16.Ba2 Bd1 (Now that white’s Bishop
no longer controls the d1-square, black’s King will be able to swing over to the
queenside via d1 and c2) 17.Bb1 (Also easy for Black is 17.Kd3 Kf2 18.Kd2 Be2
19.Bb3 Kf3 20.Ba2 Bfl and White loses material.) 17...Bb3 18.Bd3 (18.Kd3 Kf2)
18...Kd1 19.Bfl Ke2 with ...Kc3 and ...Bxc4 to follow.
11...Bd1 12.Kd2 Ba4 13.Ke3 Bb3 14.Be2

Also losing are 14.Bf1 Bc2 15.Be2 Kg2 16.Bh5 Kf1 (when the black King will
make decisive inroads into the white position) and 14.Ke2 Kf4 15.Kf2 Bd], idea
..Bf3 and ...Bxe4.
14...Be2 15.Bf3
This allows a pretty finish. However, 15.Bfl wouldn’t have made any differ-
ence: 15...Bb1 (forcing white’s Bishop to give up control over g2) 16.Be2 Kg2
17.Bh5 Kfl 18.Bf3 Kel
Diagram 362
Nm
WwW
VW
NY
&
Fe
Now this is easily winning
Black wins this position (compared to our starting position) because his Bishop
has already penetrated into the enemy camp! 19.Bg4 (Now 19.Be2 is blasted
away by 19...Bxe4) 19...Ba2 20.Be2 Bb3 (Zugzwang! Either the Bishop must
give up control over c4 or dl, or the King must hand Black access to f2 or d2.)
21.Bd3 (21.Kd3 Bxc4+; 21.Kf3 Kd2) 21...Kd1 22.Bfl Kce2 when Black has finally
achieved his dream penetration.
15...Bd3!, 0-1 since 16.Kxd3 Kxf3 leads to the loss of all the white pawns.
Diagram 363
ab ¢ dé
£ gh
Kuznecov - Silman, Oregon 1986

Black to move
Black fixes white’s pawns on light squares before stepping into the minor
piece endgame. This shows how one can prepare a favorable endgame right in
the middlegame.
Tace3!
A strong move that clamps down on d4, prepares ...Nc5-e6-d4, and also
fixes white’s e-pawn on the light-colored e4-square. White’s position is now
extremely uncomfortable.
2.Qd1 Rxd2 3.Qxd2 Ne6 4.Ne2 Qe7 5.Ncl Kg7 6.Nb3 c5 7.Ncl Bc6
8.Qd1 Qd7!
Simultaneously hitting a4 and dl and forcing White to enter a very poor
minor piece endgame.
9,.Qxd7 Bxd7 10.b3
Diagram 364
ae ee
aren
GD
wa
©
N
.“ ot Wnt yyyyy Garnted,
Lar A]
A&W
DW
NY
Re
A lost minor piece endgame
With so many of white’s pawns on light squares, it’s hard to imagine White
saving the game. All Black needs is patience—slow improvements in pawn struc-
ture, kingside space, and piece position, followed by penetration into white’s
camp, should be enough to eventually claim the full point.
10...Nd4
Now white’s Knight is stuck doing guard duty to the b3-pawn.
11.Kg1 £5
Adding to black’s list of advantages by grabbing kingside space.
12.Bd3 Bc6
Putting pressure on e4 and letting White worry whether Black will leave the
pawn on f5 or push to f4 with even more kingside territory.
13.exf5 gxf5 14.Kf2 Kf6 15.Ke3 Kg5 16.Bb1 hS 17.Bd3 h4
This threatens to undermine the f3-pawn by ...h3.
18.h3?
This is too much! Putting another pawn on a light square can’t be healthy. He
should have played 18.Be2 with the understanding that he was going to passively
suffer for a long time to come.
18...Be8! 19.Be2 Bg6
Preparing ...f4+ followed by a Bishop penetration on the b1-h7 diagonal.
20.Bdl
Diagram 365
a ae
i
page
tn
nee
Z “y A
GG
asMeheAa
ariosdod. @ wee
Also possible was the desperate 20.f4+ exf4+ 21.Kf2, though Black wins com-
fortably enough. One clear continuation is 21...Nxe2! 22.Nxe2 (22.Kxe2 Bh5+
23.Kf2 Bdl 24.Kel Bc2 is completely hopeless) 22...Bh5 23.Ngl (23.Nc3 Kf6
24.Nd5+ Ke5 25.Nxb6 Bd] is resignable) 23...Bd1 24.Nf3+ Kf6 25.Nd2 Ke5
26.Kel Bc2 27.Nf3+ Kf6 28.Nd2 f3! 29.gxf3 Ke5 and it’s time for White to
shake hands.
20...f4+ 21.Kf2 Bb1 22.Ne2
Things end quickly after this, but even the more resilient 22.Kel couldn’t
hope to nullify the accumulated Black advantages. Both 22...e4 and 22...Bf5
23.Na2 Nc2+ would ultimately drag White down to defeat.
22...e4 23.fxe4
Of course, 23.Nxd4 e3+ followed by 24...cxd4 is horrific.
23...Nxe2! 24.Bxe2 Bxe4
The game is over. White can’t stop ...Bc2 (winning material) and/or ...Kf6-
e5-d4.
25.Bg4
25.Bd1 Kf6 is also easy for Black.
25...Bc2 26.Kf3 Bd1+ 27.Ke4 Bxg4 28.hxg4 Kxg4, 0-1.
I made Cat and Mouse the first topic in Part Eight since the idea of patience
will overflow into many kinds of endgames.
In the middlegame, it’s quite common to see a player saddling his opponent
with as many weaknesses as possible. In general, it’s hard to tear down a defensive
position if there is only one weakness to attack. However, two or more weak-
nesses (these can be weak squares, weak pawns, material disadvantage—anything
that causes a problem for the opponent) often spread the defense enough to
allow breakthroughs to occur.
Here’s a nice middlegame example that spills over into the endgame.
Diagram 366
7 7 Ze]
ALT Ui, Ws
Co A Mi
Ve Mee, e r? ,
rte oA,
rn
FP
kK
@
NI
WD
w
Unzicker - Donner, Goteborg 1955

White to move
White is clearly better thanks to his passed pawn (which can push to d6 at
will) and the loosening of black’s King position. However, the passed pawn
alone won’t win the game—another weakness will be needed to stretch black’s
defense to the breaking point.
1.a4!
Intending a5 followed by axb6, weakening the b6-pawn and the b5-square.
In some lines the a-pawn might also march on to a6 where, with NbS to follow,
it turns a7 into a target.
1...a5?!
Too panicky! Now White has a strong passed pawn to push, a weak b6-pawn
to attack, and a juicy b5-square to live on. More than enough to force a win.
363
2.Qb5 Qc7 3.d6! Qc6

In the actual game, Black played 3...Qd8 and lost with hardly a whimper
after 4.Nd5 Bxd5 5.Rxd5 e4 6.Rad1 Kg7 7.d7 Rf6 8.h3 Re6 9.Qc4 Re7 10.Rd6
Ra7 11.Qc3+ Kg8 12.Qf6 Ra8 13.Qxe7, 1-0 since 13...Oxe7 14.d8=Q+ Rxd8
15.Rxd8+ Kf7 16.R1d7 leaves White with an extra Rook.
The more aggressive looking 3...Qc6 allows us to see how an “innocent”
weakening of the b6-pawn can have profound repercussions on a defender’s
position.
4.Qxc6 Bxc6 5.d7! Rfd8 6.Rd6 Bxd7 7.Rad1
The pin is killing Black.
7...Ra7 8.Nd5
ee 367
lp sveey
(nnnte?.
ve
Si a UD
aa ftAAR
Ww
nH
FPF
®
DN
KW
a one
a b cde if gih
The weakness of b6 haunts black
The weakness of b6 has become extremely important since White threat-

ens both Nf6+ (which can be defended by ...Kf7) and Nxb6 (which can’t be
stopped).
8...K£7 9.Nxb6 and now after 9...Ke7 White can torture his helpless (and
quite lost) opponent in several ways (10.f3, 10.b3, and 10.R6d5 all leap to mind).
Clearly, the creation of a second weakness/target in the enemy camp 1s a far
from trivial accomplishment!
An untrained eye might consider things (in diagram 368) to be fairly balanced.
However, White enjoys certain advantages that decisively tip the scales in his
favor. Here’s the short list:
meme Superior King position.
mum A passed c-pawn after a well timed c3-c4 push.

mame Black’s a6 pawn is a target that can be attacked if white’s Rook
is able to penetrate into the enemy position.
Diagram 368
Y,4U.U,%4
aes
Auxuen:
Y oa
“a ‘gem
Mab
oo
C&C
NWN
&
wo
Pry
ane
Saaa
Rubinstein - Cohn, Carlsbad 1907
White to move
Two problems/questions must be addressed. One is whether black’s e-pawn

is a strength or weakness. The other is finding a way for White to infiltrate
with his Rook.
1.Rh3!
This maneuver aims to turn black’s kingside pawns into weaknesses. Defending
the h- and g-pawns will force Black to make concessions which, when taking
white’s other plusses into account, should prove decisive (after all, there’s only
so much “bad news” a position can handle’).
1...h6
Mihail Marin, in his fantastic book, Learn From the Legends—Chess Cham-
pions at Their Best, gave a couple ways White can successfully deal with 1...g6.
This is one of them: 2.Rxh7 Rxc3 3.Ra7 Rc6 (3...Rxb3 4.Rxa6+ Kf7 5.Rb6
also loses for Black) 4.Rg7 Kf6 5.Rb7 Rc3 6.Rb6+ Kg5 7.Rxa6 Rxb3 8.Re6 b4
9.Rxe5+ Kg4 10.Re6 g5 11.a6 Ra3 12.Kd4 Ra2 13.Ke4 Rxg2 14.27 Ra2 15.Re7
Kh3 16.Kxb4 Kxh2 17.Kb3 Ra6 18.Re2+ Kg3 19.Ra2 Rxa7 20.Rxa7 Kf3 21.Rf7+
Ke3 22.Rg7 Kf4 23.Kc2 stopping black’s pawn and winning the game.
2.Rg3
The two new weaknesses on g6 and g7 have placed Black under serious pres-
sure to which there is no completely adequate response.
2...Kf6
2...g5 is met by the “obvious” 3.Rh3, a move low in subtlety but high in
strength.
3.Kd5
White’s vast superiority is now strikingly clear: White’s King is completely
dominant, while black’s e-pawn has now been labeled as weak.
3...Re6 4.Rf3+ Ke7 5.g3!

A common “don’t hurry” Rubinstein move. As discussed in the Cat and Mouse
section, a player shouldn’t hesitate to make quiet, “fixing moves” if his opponent
is helpless. Placing the pawn on g3 gets a pawn off the 2nd rank in case black’s
Rook makes its way to d2 after ...Rd6+.
5...g6 6.Re3 Kf6 7.c4
Diagram 369
a ae
ie oe
hanee
‘(am @a@a
VW
ee
Frew
a bc def gh
The c-pawn finally becomes a passed monster. Black’s position has, as if by

magic, become hopeless!
7...bxc4 8.bxc4 Re8 9.Rf3+ Kg5
Hoping to gain some counterplay by attacking white’s kingside pawns.
10.c5 e4 11.h4+ Kg4 12.Rf4+ Kxg3 13.Rxe4 Ra8
This looks strange, but 13...Rd8+ 14.Kc6 Rc8+ 15.Kb6 was no picnic
either.
14.c6 g5 15.hxg5 hxg5 16.c7 Kf3 17.Rel1, 1-0. White will win black’s Rook for
the c-pawn, give up his own Rook for black’s g-pawn, then finally have a meal
on a6 and promote the a5-pawn.
Diagram 370
oO CxO Le
“a“mx@a
ak
a ae
nis
MY
Y
Smyslov- Simagin, Mosow 1966

White to move
White has an annoying edge. Aside from his superior kingside pawn structure,
both his Rook and Knight are more active than their black counterparts. The
main target is the b6-pawn, but before laying siege to it, White fixes black’s %
kingside pawn weaknesses.

1.g4!
A huge move! Now the f6- and h7-pawns are long-term additions to black’s
“list of problems.”
1...h5
Black can’t wait for White to play Rc6 followed by Ke4-d3-c4-b5 with a
total rout.
2.gxh5 Kh6 3.Kg4 5+ 4.Kh4 f4
Trading off one of his potentially weak pawns makes good sense.
5. Rc8 fxe3 6.fxe3 Rd5 7.Rh8+ Kg7 8.Ra8 Nc3 9.Ra7
Threatening Nxe6+ but also preparing an attack against black’s King by Nf3
and NgS.
9...Re5
This stops Nxe6+ but gives White time for his kingside dreams.
10.Nf3 Re4+
And not 10...Rxe3 11.Ng5 when f7 can’t be defended.
11.Kg5 Rxe3?
Black gets overwhelmed after this natural but poor move. Far better resistance
was offered by 11...Nd5.
12.h6+ Kg8 13.h7+ Kxh7 14.Rxf7+ Kg8
Diagram 371
NN
NO
Y Y
BK
Ww
NHN
FP
Both sides only have two pawns left, so one might expect Black to have real
chances to survive. However, his King is in serious trouble and—by mixing
threats to black’s King and pawns—White can eventually pick up the bit on b6
and walk away with a won Rook endgame.
15.Kg6 Ne4
Black needs to have his Knight participate in the defense, but the jump to
e4 doesn’t get the job done. Sadly, neither does 15...Nd5 16.Ng5 e5 (Losing
instantly is 16... Nxb4 17.Nh7 when the threat of Nf6 mate might prove a tad
annoying) 17.Ne6 (the threat of Rf8 mate forces black’s reply) 17.. .Nf4+ 18.Nxf4
exf4 19.Rxf4 Rh3 20.Kf5 Rxh2 21.Ke6 Rd2 22.Rf5 with a decisive advantage
since White can eventually pick up black’s b-pawn by Rd5, Kd6, b4-b5, and
Kce7xb6.
16.h4 Nd6 17.Rd7 Rxf3 18.Rxd6 Kf8 19.Rxe6 Rg3+
As good as resignation is 19...Rf4 20.Rf6+.
20.Kf5 Rgl
20...Rh3 loses to 21.Kg5 (21.Kg4 is also good) 21...Rg3+ 22.Kh5 b5 23.Re5
with White owning two extra pawns.
21.Rxb6, 1-0.
Our final two examples show how “fishing for new weaknesses” is a common
strategy even when material ahead. In the first, Alekhine turns what might be a
oe
complex technical task into something so smooth that it stuns the eye.
Diagram 372
Aa
ee ea
a a a ea
mn
Wn
ee
ei
me atatn
Sa _i
&
WHY
FPN “=6 2
228
a bc def gh
- Samisch, Baden Baden 1925

Alekhine
White to move
White has an extra passed b-pawn but doesn’t wish to push it right away since
that would expose his King. Instead, he patiently plays to create a second weak-
ness in black’s position.
1.Qd4
Alekhine: “By this and his following move White selects the correct winning
plan, which is the advance of his kingside pawns. The passed b-pawn must be
advanced only later, when with the exchange of Queens the danger of perpetual
check will be eliminated.”
1...Qe7 2.Bd3! Qc7 3.g4 K£7
Of course, 3...Qxh2?? loses the Knight to 4.Qd7+.
4.h4 Nb6 5.h5 gxh5 6.gxh5
A second weakness has been created—the h7-pawn.
6...Qc6 7.Be4!
White could have exchanged Queens with 7.Qe4 but decided to only do so
when the h7-pawn was fixed, thus forcing the black King to stay on the kingside
and baby-sit the weak h-pawn.
Note that White didn’t fall for 7.Bxh7 Oxf3 8.Qxb6 Qd1+ 9.Ka2 Qa4+ with
a draw by perpetual check.
7,..Qb5 8.h6
Now the h7-pawn is stuck on a light square, where it will be forever vulner-
able to the attentions of the Bishop.
8...Qb3
Also bad is 8...Qf1+ 9.Kce2 Qe2+ 10.Kc3 Qel+ 11.Kb3 Qa5 12.Bxh7 QOb5+
13.Qb4 Qd5+ 14.Ke2 Qc6+ 15.Qc3 and Black’s done since 15...Qa4+ is killed
by 16.Qb3+.
a
9.Bce2! Qb5
Diagram 373
maha
waeoa UG
Sarat
a.
wen eeY
a bc de fgih
10.Qd3
Only now is White ready to force the trade of Queens. What's the difference
between this position and the position after 6...Qc6 (when 7.Qe4 would have
forced this exchange)? In the earlier position black’s h-pawn could have advanced
to the safe square on h6, which would have allowed black’s King to rush over
to the queenside and help stop the b-pawn. Now the h7-pawn is a permanent
target and black’s King is stuck doing guard duty in Siberia.
By the way, 10.Bxh7 also wins, but why allow Black to go bonkers with checks
when you can trade Queens and win without any bother at all?
10...Qxd3 11.Bxd3
White has achieved the exchange of Queens in the most favorable circum-
stances: the black King is tied to the defense of the h-pawn and the Knight is
quite unable to cope with the passed b-pawn supported by King and Bishop.
11...Nc8
Also hopeless was 11...Kg8 12.b4 when 12...Nd5 13.Bc4 picks up the pinned
Knight, while 12... Nc8 13.b5 with Kb2-b3-b4-c5 to follow is not worth play-
ing out.
12.Bxh7, 1-0.
Amazing what a second weakness in the opponent's position can do, isn’t it.
Our last example is a very smooth victory by the 5th World Champion where
we see simplification, a bit of Cat and Mouse, and the creation of more than
one new weakness (the more the merrier!).
Diagram 374
Moa a “a
\ 7/07)a
ora Bae
me ee
Aa We
Yj
iyfle U#& ene
AS
EY Wf PRE"
FP
kK
BD
nw
VON
a bcdefgih
Euwe - van Doesburgh, Dutch Championship 1938

White to move
Before moving on, I can imagine some of you screaming, “Wait a second!
White’s a pawn up and should be winning easily. Why bother using such an
example?”
This is a fair question, butI can answer it with a question of my own: “How
often have you (meaning all of us) failed to convert such a decisive plus?”
The beauty of this game is that White doesn’t rest on his laurels, nor lose his
concentration. In fact, he does what we all should learn to do in such a situation:
Don’t give the opponent any counterplay whatsoever and constantly strive to
make new positional gains in the form of multiple enemy weaknesses.
1.Qc5!
This more or less forces Black (who would love to retain the Queens and keep
things as complicated as possible) to accept the trade of Queens, since both 1...a6
and 1...b6 run into 2.Qe5! when the Rook is pinned to its King.
1...Qf5 2.Qxf5 Rxf5 3.Kfl
Wisely bringing the King into the center. Absolutely horrible is 3.Rc5?? (What's
the hurry?) 3...Rxc5 4.dxc5 Kf6 5.f4 (Trying to prevent ...Ke5/...Kd5/...Kxc5)
5...Kf5 (and not 5...Ke6? 6.e4) 6.Kf2 Ke4 when Black’s the one in charge.
3...Kf8 4.Re5
Now White is happy to transpose into a King and pawn endgame, but this
time Black must avoid it since a pawn on c5 could now be supported.
4...Rf6
4...Rxc5 5.dxc5 Ke7 6.Ke2 Ke6 7.Kd3 Kd5 8.b4 a5 9.e4+ Ke5 10.bxaS is
winning for White.
5.Ra5!
A strong move that forces the creation of a hole on bé6 that, after a4-a5, will
freeze black’s queenside pawns. Note that White isn’t simply going to try and
win by using his extra pawn. Instead, he wants to create as many weaknesses as
possible in the enemy camp until the defense simply falls apart. You can never
give the opponent too many weaknesses!
5...a6 6.Re5
Stopping the enemy King from coming towards the center. Note how patient
White is, how he is slowly playing for new enemy weaknesses, and how he is
going out of his way to prevent enemy counterplay.
6...Rd6
6...b6 7.25 b5 leaves the c6- and a6-pawns very weak, and the c5-square ready
to accept the white King as a squatter.
7.a5
Freezing black’s pawns on a6 and b7. If Black plays passively, white’s King will
calmly walk all the way to b6.
7...£6 8.Rc5 Ke7 9.¢4
Now that Black is more or less helpless, White begins a new plan: he
intends to push this pawn to g5, exchange it for the f6-pawn, and create a
passed e-pawn.
9...h6 10.Ke2 Re6 11.f4 Rd6 12.h4 Kf7 13.h5!
13.g5 hxgs 14.hxg5 f5 15.b4 is another way to win since his plan of marching
the King all the way to b6 is hard to deal with, while a well-timed d4-d5 push
is also in the air.
13...gxh5
No better is 13...¢5 14.fxg5 fxg5 (14...hxg5 leaves White with a powerful
passed h-pawn) 15.Rf5+ (Trapping the King on one side or the other.) 15...Ke7
16.Kd3 when e3-e4 gives Black few chances to resist.
14.Rxh5
Suddenly Black is not only a pawn down, but also must care for weaknesses
on hé6, f6, and b7!
14...Kg6 15.Kd3 Rd7 16.e4 Kh7
Things were looking grim, so Black allows a little sequence that leads to the
exchange of a few pawns. However, this fails to ease black’s pain.
17.g5 fxg5 18.fxg5 Kg6 19.Rxh6+ Kxg5
Black no doubt was happy that he has managed to trade off his weak pawns on
f6 and h6; the defender is usually delighted to exchange pawns. Unfortunately,
this position is, in reality, dead lost for Black.
20.Rh2!
Threatening Rf2, trapping the black King away from the action.
20...Kf6
No choice.
21.e5+ Ke6 22.Rh6+ Kd5
Again, there was no choice. 22...Ke7 23.Rh7+ trades Rooks and enters a won
King and pawn endgame, while 22...Kf5 23.Rf6+ forces the black King to no-
man’s land.
23.b4
eaeresa
Diagram 375
Yj, &e Yi
nan
an
x
aia
‘GG GBD
on "a
ol a
Pe
HR
Nw
VI
Fa a of
Another “No counterplay allowed!” move. Now that ...c6-c5 has been stopped,
Black finds himself in zugzwang: any pawn moves loses material, a King move is
illegal, any move of the Rook away from the d-file allows Rd6 mate, and moving
back to d8 (which is all he has) let’s white’s Rook target b7.
23...Rd8
Forced. The Rook must stay on the d-file since moving away allows Rd6
mate.
24.Rh7 Rb8 25.Re7!
Accurate to the end. Black must either give up his b-pawn or push it.
25...b6
25...Rh8 is met by 26.Rd7+ (Don’t give Black counterplay after 26.Rxb7 Rh3+)
26...Ke6 27.Rxb7 when Black should resign.
26.Rd7+ Ke6 27.Rd6+, 1-0.
One would think that King and pawn endgames would be easy to master since
all the pieces have been traded. Doesn’t the lack of mutual armies make things
far less complicated? The answer to this is a resounding “no!” In fact, many
King and pawn endgames are so complex that they even boggle the minds of
the world’s elite players.
Due to this complexity, masters know that entering into any King and pawn
endgame is an “all or nothing” decision. Leaping into one is perfectly okay
(and often the only way to win or draw a game), but make sure you have a firm
handle on the resulting position before doing so!
The following examples are meant to do two things:
wae Teach you to appreciate their beauty.
mum Act as a warning. Consider it a “Danger Will Robinson,
danger!” kind of thing. Don’t ever enter a King and pawn
endgame unless you have no choice, or are sure that it leads to
the desired result.
Diagram 376
Shirov- Grischuk, New Delhi 2000

Black to move
374
Okay, I can hear the outraged protests. This isn’t even close to being a King
and pawn endgame! ‘True. But it turns out that one could occur by force after
black’s sacrificial move.
1...Bg4!? 2.hxg4
After pondering the upcoming King and pawn endgame, Shirov decided on
2.Qb7 in the actual game and ended up winning, though the Queen move didn’t
give him any advantage whatsoever. It turns out, though, that 2.hxg4 wins by
force. But, as Shirov admits, it took him three years and computer assistance to
finally prove this to himself!
2...Qxg4 3.Rf1 f3 4.Qa2 Qh4+ 5.Kgl Qg3+ 6.Rg2 Qxg2+ 7.Qxg2 fxg2
8.Rxf8+ Kxf8 9.e6 g5 10.Kxg2 h5S
Diagram 377
“»
—
Levit
a CY Ay a
wsA WO
Ye
celeaeit
DA
WW
KR
WS
N
©PN
ee4 ge
a bcdefgh
We've reached the position that Shirov couldn’t quite solve during the game.
It’s clear that white’s only hope of winning is to create a pawn mate, a concept
we've already looked at in Strange Races in Part Six. To accomplish this, White
needs to reach one of the following two positions:
— 378
me
a y o
AKG, iat
ataan”
DA
WU
KR
WwW
NH
Be
©
“
Boag? ay
a libre Ge sd és feyg Ch
White wants Black to have the move

Diagram 379
770
i et
“06 ow
Wi, a © Ga
7
GG Bale
a
WwW
oo oo
PFN
a b c def gih
To win, White needs the move
The following tempo moves (from diagram 377) are all designed to make one
of these two diagrammed positions occur.
11.e7+ Ke8 12.Kh2!
Akey Triangulation maneuver. The straightforward 12.Kf3? h4 13.Kg4 Kf7
leads us to diagram 378, where White wins if Black has the move, but only draws
if White has it (which is the unfortunate case here). The note to black’s 12th
move will demonstrate why this is so.
12...Kf7
12...h4 13.Kh3 Kf7 14.Kg4 gives White the position we labeled as winning
in diagram 378. Black has the move and must step back to the fatal e8-square.
14...Ke8 15.Kxg5 h3 (else White would take the h-pawn) 16.Kf6 h2 (16...Kd7
17.Kf7 and white Queens with check) 17.Ke6 h1=Q 18.d7 mate.
13.Kg3 Ke8 14.Kg2!
Diagram 380
Vs,
oS 7 a7afll
JOU,
Af Vi,yayup
Js OsJe
Yi)
ZY OG4 OY he
a eal
Ay“a fa
Bt
a bc defgih
Zugzwang!
Incredibly, this seemingly innocuous move leaves Black in zugzwang! We’ve

already seen that 14...h4 fails to 15.Kh3 Kf7 16.Kg4 when Black loses since
he’s left with the “fatal” move. However, a King move or pushing the pawn to
g4 both allow White to create our second key diagram (379).
14...g4 15.Kg3 Kf7 16.Kf4 Ke8 17.KeS Kf7
Ke6 can’t be allowed.
18.Kd5 g3 19.Kc6 g2
No choice. 19...Ke8 20.d7+ Kxe7 21.Kc7 g2 22.d8=Q+ is easy for White.
20.Kd7 g1=Q 21.e8=Q+ and White wins. Sure enough, after 21...Kg7
22.Qe5+! Kg6 3.Kc7 Black can’t prevent White from promoting his d-pawn.
Though this game might seem unfathomable to some, at least the basic ideas
(pawn mates and queening with check) are easy to grasp. Our next example is
even more outrageous.
Diagram 381
as Vi, 4
hayYj, a "4aa
“UhAoE Yi
ei “a.
ew
See
Ba
neAG, U7, 7
Le a ee
SF
kK
ZX
Nw
WON
a bc de f gh
Martz - Benko, Torremolinos 1973

Black to move
Black is a pawn up avd he has the move, so how hard can this be? Judge for
yourself as we follow Benko’s comments from his book, Pa/ Benko: My Life,
Games, and Compositions:
“So we find ourselves in an interesting King and pawn endgame. This kind
of ending rarely occurs in modern tournaments, so I was delighted to get the
chance to play such a position.
“Here the game was adjourned and J had to seal my move. A quick calcula-
tion convinced me that 41...Kxc5 would be a blunder: 42.Kf7 b5 43.Kxg7 h5
44.Kg6 Kb4 45.Kxh5 c5 46.Kg6 c4 47.bxc4 bxc4 48.h5, with a draw. I must
admit that, in the little time I had left, my first plan was 41...Ke4, when 42.Kf7
Kf5 43.Kxg7 h5 would be an easy win. Also winning for me is 41...Ke4 42.Kd6
a5 (or 42...h5 43.a3 Kd4) 43.Ke7 Kd5 44.Kb6 g6 45.a3 h6 46.b4 axb4 47 axb4
Kce4 48.Kxb7 Kb5!. Then I noticed that 41...Ke4 42.b4! created some difficul-
ties for me: 42...h5! 43.a4! and now:
Diagram 382
Htata a
ype
a
NN
@®
WO
KR
WwW
NH
PF
Black to move
wu 43... Kd4 44.Kd6 (44.Kd7? a5!) 44...Kc4 45.Kc7 Kxb4

46.Kxb7 Kxc5 47.Kxa7 (47.25? Kd6! 48.Kxa7 Kc7 49.Ka6 g6!
wins) 47...Kb4 48.Kb6 Kxa4 49.Kxc6 is a draw.
wu 43. K£4 44.b5! 95 45 .hxe5 Kxg5 46.b6! (46.a5!? a6!) 46...axb6

47 .cxb6 h4 48.a5 isn’t what Black wants. However, Black
can improve his chances with 46...a5! (instead of 46...axb6)
47.Kd7 h4 48.Ke7 h3 49.Kxb7 h2 50.Ka8 h1=Q 51.b7 Qd5
52.b8=Q Qxc5, and now White can force a draw with 53.Qb6!
Qc3 54.Kb7 c5 55.Kce6 c4 56.Qb5+ Kf4 47.Ke5, =
mmm 43...26! 44.05! Kf4 45.Kd7 g5 46.hxg5 Kxg5 47.Ke7 h4
48.Kxb7 h3 49.Kxa6 h2 50.Kb7 h1=Q 51.a6 and a strange
position has come about:
Diagram 383
VY 5,54,%0
ee
a
A7/,&AZ “e. Yi
a Vi ©
7 Ay VU:
a oe
GCttes 2.
fe
WV
&
NW
FPF
“6 8 Ge
=
“White’s pawn only stands on the 6th rank (which usually means that it’s time
to resign) but, despite this, Black has to showabit of care if wants to reel in the
point: 51...Qb1? (Correct is 51...Qh7+ 52.Kb8 Qg8+ 53.Kb7 Qf7+ 54.Kb8

Qf4+! and wins) 52.a7 Qxb4+ 53.Ke7 (not 53.Kxc6?? Qe4+ followed by 54...Qa8.
Also bad is 53.Kc8?? Oxc5 54.a8=Q Qf8+ 55.Kb7 Qxa8+ 56.Kxa8 c5 and wins)
53...Qa5+ 54.Kb7 and Black doesn’t have time to take the pawn on c5.
“The position after 43...a6 is full of interesting variations, e.g., 44.a5! Kd4
(instead of 44...Kf4) 45.Kf5 Ke4 46.Kg6 Kxb4 47.Kxg7! Kxc5! 48.Kg6 Kb4
49.Kxh5 c5 50.Kg4 c4 51.h5 c3 52.h6 c2 53.h7 cl=Q, and Black should win.
After considering all of this, I came to the conclusion that I must find an easier
solution. As it happens, there is one in the position.”
The move Benko found was 41...g6!! when there followed 42.Kf6 Ke4!
43.Kg7 Kf4 44.Kh6 Kg4 45.Kxh7 g5! 46.hxg5 Kxg5 47.Kg7 Kf5 48.Kf7
Ke5 49.Ke7 Kd5 50.Kd7 Kxc5 51.Ke7 b5 52.Kb7 a5 53.a3 b4 54.24 Kd4
55.Kxc6 Kc3 56.Kb5 Kxb3 57.Kxa5 Ka3, 0-1.
I don’t know about you, but I have two thoughts whenever I look at this end-
game. One is, “It’s very beautiful.” The other is, “My god! I would never have
found any of that over the board!”
The message should be clear: never enter a pawn endgame lightly!
‘Transposition into a pawn ending often marks the final stage of the opponent's
demise. However, masters have learned to be very wary of all King and pawn
endgames since strange, often unforeseen, complications can turn an easy win
into a draw or even a loss!
aa 384
Aronin - Smyslov, Moscow 1951

White to move
Most experienced masters would note the possibility of entering an appar-

ently winning King and pawn endgame with 1.Rg8. However, their spider sense
would tingle and they would hold off on such mass exchanges. Why should
they trade? Their Knight is a monster, their pawns are safe, and their Rook
is active. Compare that with black’s garbage Bishop, his passive Rook, and his
vulnerable pawns.
One would expect such a strong player as Aronin to only go into a winning
King and pawn endgame after tidying up the position. Thus, 1.Ke2, stopping
black’s Rook from penetrating into white’s camp and also centralizing white’s
King, would easily win the game.
1.Rg8? Kh7 2.Rxg7+??
White completely missed black’s brilliant defensive trap. It’s easy to miss! But
why go into something that might turn complex when simple moves keep the
win safely in hand? For example: 2.Rb8 c5 3.Rc8 Kg6 4.Ke2 (the c-pawn isn’t
going anywhere) when Black will lose material without having any counterplay
whatsoever.
2...Rxg7 3.Nxg7 Kxg7 4.g4
This was white’s idea. It seems to end all kingside counterplay for Black since
leaving the pawn on g¢ results in a winning endgame for White, while taking en-
passant gives White a “winning” outside passed pawn. It zs winning, isn’t it?
4...hxg3!
I guess it isn’t! White had evidently hoped for 4...Kf7 5.Ke2 Ke6 6.Kd3 Kd6
7.Ke4 a5 8.c3 bxc3 (8...c5 9.Kb5 is no better) 9.bxc3 Kd7 10.Kc5 Ke7 11.c4
Kd7 12.Kb6 and wins.
5.fxg3 g4!! 6.h4
Diagram 385
Grace?
eS
4 Y, Core: Z|
RA
A 5
oo ase
a b cde fgih
A positional draw
White has nothing after 6.hxg4 Kh6 7.Kf2 Kg5. However, it does seem that
white’s outside passed pawn should bring easy victory. Incredibly, this doesn’t
prove to be the case.
6...c5!
An important move that deprives white’s King of the d4-square once the e5-
pawn moves forward. Okay, this doesn’t make sense now, but it will soon!
7.Ke2 Kh7! 8.Kd3 Kh6!
Black avoids the g6-square since, in the tactical lines that might follow, ...f6-f5
would allow an unfortunate check after exf5.
9.c3
9.Kc4?? actually loses to 9...f5! 10.exf5 (It’s already too late to defend: 10.Kd3
f4 11.exf4 exf4 12.Ke2 Kh5 13.e5 Kg6 wins) 10...e4! 11.c3 a5 12.f6 Kg6 when
the e-pawn turns into a Queen.
9...a5 10.cxb4 axb4, '/2-'/. After 11.Ke2 Kh7 White can’t make progress.
Are you convinced yet that almost any King and pawn endgame might turn
out to be a minefield that you should think twice about before walking through?
No? Yes? Let’s look at a game won byIM Jack Peters. The transition into a King
and pawn endgame was the perfect solution here, but the calculation necessary
to prove this is far from easy in an over the board situation.
Diagram 386
UY Vy Yi, Us
ale “a6
Y Wy Ws
awe
we i
a A ae
eaeat e
a
ae
Oa a
me
Oe ae
“a
a
S Hughes -J Peters, Los ee 1994

Black to move
Queen and pawn endgames are notoriously difficult so, in the interest of mak-
ing his life easier, Black must consider the very forcing 1...Qf3 when it’s clear
that, in the ensuing King and pawn endgame, both sides will eat each other's
pawns. After a deep count it might seem that each side will promote with a
resulting Queen and pawn vs. Queen endgame. Is that what Black wants, or is
something else going on here?
1...Qf3!
It turns out that this is a dead win! But that decision can only be made if Black
notices a subtle point at the end of a long, forcing sequence.
2.Qxf3
White doesn’t have much choice. 2.Qh4 Kxb3 is hopeless, 2.Qc7 Qxf2+ is
even worse, and 2.Qg1 Qh3 mate is the worst of all!
2...gxf3 3.Kg3 Kxb3 4.Kxf3 Kxa4 5.Kg4 Kb5!
Getting out of the way of the a-pawn and simultaneously preparing to stop
white’s pawn with the King.
6.f4 Kc6 7.Kg5 Kd7 8.Kg6 a4 9.f5 a3 10.f6 a2 11.f7 Ke7!, 0-1. This was
seen by Black when he played 1...Qf3. White resigned since 12.Kg7 is met by
12...al=Q+.
Such transitions from “messy” positions to the supposed serenity of a King
and pawn endgame can be a blessing or a curse. In the following example White
had to decide whether or not to leap into unknown King and pawn waters.
Diagram 387
Akiko Uto - Tran, Paris 2005

White to move
In the game, White avoided the King and pawn endgame and took a walk down
the wrong path with 1.Nd7+. The real questions concerning this position are:
mum [5 the King and pawn endgame worth considering after 1.Nxd5?
mumme- [f White retains the Knight, who is better and why?
The King and pawn endgame that arises after 1.Nxd5 exd5 2.g4 proves to be
extremely interesting.
Diagram 388
wow ae
a6 Bae
ay
atesZ
FP
WwW
HD
WNhk
NY
WN
It seems that white’s plan of creating a passed e- and h-pawn (which will be
unstoppable due to their distance from each other) will give her the full point:
2...d4 3.h4 (and not 3.f52? g5 when the g-pawn stops two white pawns) 3...Ke7
4.f5 followed by h5 when Black must resign.
Is it really that simple? Of course not! It’s a pawn endgame and that means
there are almost always surprising resources lurking behind the scenes. So let’s
try (after 2.¢4) 2...g5. A bit of analysis makes it clear that this is a dismal failure:
3.fxg5 Ke7 (or 3...Kg7 4.h4 Kg6 5.Kc3 Kg7 6.h5 Kh7 7.g6+ fxg6 8.e6 Kg7 9.h6+
and a pawn will queen) 4.h4 d4 (4...Ke6 5.h5 Kxe5 6.h6 forces the promotion
of the h-pawn) 5.h5 Kf8 6.h6 Kg8 7.g6! fxg6 8.e6, 1-0.
Can Black try ...f7-f6 at some point? Let’s see: 2.¢4 Ke7 3.h4 f6 4.h5! and we
have a very pleasing pawn structure that guarantee’s White success: 4...g5 5.h6
Kf7 6.e6+!, winning.
How about 2.g4 f6! (threatening to win by 3...fxe5 4.fxe5 g5!, fixing two
pawns with one) when 3.e6 Ke7 4.f5 g5, =. Are we on to something? Suppose
White chops off the pawn after 2...f6 3.exf6 Kf7 4.g5. This paints a nice visual
picture, but it’s only a draw after 4...d4 5.Ke2 c3 6.Kd3 Ke6—black’s c- and
d-pawns handcuff white’s King, while white’s four kingside pawns are stopped
by black’s King and pawn.
It seems we might have found a defense for Black, but one last calm look will
give us the “answer”: 2...f6 3.h4! fxe5 (3...Ke7 is met by 4.h5) 4.fxe5 Ke7 5.h5
and White’s back in the win column.
At this point I can see White snapping off black’s Bishop and rushing into this
endgame, confident that victory will be hers. However, we've missed something!
Take one final look at the position after 2...f6 3.h4
Diagram 389
Mayfly
ee
VU, hT
was
Gan AG aS
ee
SY WW
SF
N
@Vn
Cea
rywnr
ee we
a bcecde@ ff h
Black to move and save himself
It turns out that 3...g5!! saves the game:

mum 4.hxe5 fxe5 5.fxe5 d4 6.04 Kf7 7.Kc2 Kg6 8.c6 Kg7, =.
wae 4.exf6?? gxh4 and Black wins.

mam 4.55 oxf4 (4...fxe5?? 5.fxe5 wins for White) 5.c6 f3 6.h6 c3+
7.Ke2! (This allows White to follow up with Qc8, an idea that isn’t
possible after 7.Kxc3 f2 8.h7 f1=Q 9.h8=Q+ Ke7 10.Qc8?? [10.
Qg8 was correct] 10...Qcl+ picking up the Queen) 7...f2 8.h7
f1=Q 9.h8=Q+ Ke7 10.Qc8! Qe2+ when only Black has chances.
mum 4.fxo5 fxe5 and Black wins ifhe can reach the following key
position with White to move:
Diagram 390
a we
aes
Om
faite:
YF
ea
“a6
as
‘eo 6 6 @
oOa
a b cde fgih
Whoever moves loses
White to move: 1.Kc3 e3 2.Ke2 d4 and black’s pawns are like a tidal wave.
Black to move: 1...Kg8 2.h6 Kh8 3.g7+ Kh7 4.g6+ Kg8 5.Ke5 e3 6.Kf6 e2
7.h7 mate.
It turns out that Black can indeed achieve the sunny side of the diagram after
5.Kc3 Kf7 6.h5 e4 7.Kd4 a4 8.g6+ Kg7! (and not 8...Kf6?? 9.g5+ Kg7 10.a3
and White wins, as shown in the diagram above) 9.a3 Kf6! (Avoiding 9...Kh6??
10.Ke5! e3 11.Kf6 e2 12.27 el=Q 13.g8=Q) 10.g5+ Kg7 and White possesses
the fatal move and, as aresult, loses.
So it turns out that White can’t do more than draw the King and pawn end-
game, once again confirming our adage that “all King and pawn endgames are
confusing!” Instead, returning to diagram 387, an experienced player would
quickly look over the mess we just explored and then refuse to make the ex-
change, even if he wasn’t able to plumb the King and pawn endgame’s depths.
Why would he make this decision? Because it should be obvious that the minor
piece endgame gives White a huge advantage with no risk whatsoever.
From diagram 387:
1.Kc3
White fixes the c-pawn on c4 and ties down black’s Bishop to its defense.
1...Kg7
Moving towards the middle doesn’t help: 1...Ke7 2.g4 Kf8 3.h4 Ke7 4.h5
gxh5 5.gxh5 Kf8 6.h6.
2.h4!
This not only gets white’s kingside majority into motion, but also stops all
...g6-g5 based counterplay.
2...Kh6 3.4 Kg7 and now White has many ways to win the game. She can
take her time and play “fixer” moves like 4.43, or she can go into a winning
King and pawn endgame by 4.Nxd5 exd5 5.f5 (this is far superior to the King
and pawn position we entered earlier—White will follow with hS and promote
one of her pawns), or White can go right for the win of material via 4.g5 kf8
5.Nd7+ Ke7 6.Nb6 when Nxc4 can’t be stopped.
After looking over this endgame, World Championship candidate Yasser
Seirawan said: “My thought process would be that if the King and pawn ending
was ‘close,’ White should start with 1.Kc3 in order to always get the King and
pawn ending she wants by handcuffing the d5-Bishop to the c4-pawn. As Black
‘passes,’ White advances her kingside pawns to g4 and h4, getting a position
where black’s King is on g7 before playing f4-f5. Then she can transpose into
the King and pawn ending.”
Note that Seirawan made it clear that he would have no interest in entering
a “close” position from a position of strength. In other words, why take risks
when you can step into the King and pawn endgame on your own (highly fa-
vorable) terms?
We’ve seen players of all strengths having trouble correctly assessing some
very complicated King and pawn endgames. However, it’s not uncommon for
even world-class players to botch positions that should be well within their
range to solve. Our next game, between the legendary Miguel Najdorf and
World Championship contender Henrique Mecking, is winning for Black, but
he doesn’t come close to winning it!
Diagram 391
.
Hata
wAmee
oe A
a he
Ae
C&C
N
WD
wrk
Pn
a becdefgh
Najdorf- Mecking, Wijk aan Zee 1978

Black to move
In the actual game, Black tossed certain victory away by playing 1...e3+?? 2.Ke2
Ke4, but after 3.h5 and the game was drawn since 3...Kxc3 loses to 4.¢5.
Instead, 1...exf3! 2.Kxf3 Ke5 wins for the following reasons:
Diagram 392
White to move
gum At some point White will be forced to advance his kingside pawns,
whereupon Black will be able to munch on them with his King.
wae Trying to hold Black off with King moves (such as Kf2) fails
since ...Ke4 followed by ...f3 and ...Kf4 still picks off the
kingside pawns.
mum Black has two tempo moves on the queenside to white’s one.
This is of critical importance!
3.Kf2 Ke4 4.h5

Lines like 4.¢5? Kf5 5.Kf3 a6 6.a3 c6 7.Kf2 Kg4 and 4.Ke2? f3+ 5.Kf2 Kf4
6.5 Kg4 and 4.Kf1? Kf3 5.¢5 Kg4 are even easier for Black.
Diagram 393
One move wins
After 4.h5 we have a “Black to move and win” situation.

4...Ke5!
I can only guess that Mecking missed this move. Other tries don’t get the
job done:
mum 4...167? 5.25! wins for White!
mum 4...£3 5.05 Kf5 6.26 hxg6 7.hxg6 (and not 7.h6?? Kf6 8.Kxf3
Kf7 9.Kf4 Kg8 10.Kg4 Kh7 11.Kg5 a6 12.a3 c6 and, thanks
to that extra queenside tempo move, White has to drop his
h-pawn and will lose the game) 7...Kxg6 8.Kxf3 Kf5 9.Ke3
Ke5 10.Kd3 Kd5 11.Kd2 when 11...Ke4 12.Ke2 and 11...c5
12.Kd3 both get nowhere for Black.
mum 4...26 5.Kfl! (5.Kel is the same thing since 5...Kf3 6.5 Kg2
7.¢6 hxg6 8.hxg6 f3 9.g7 £2+ 10.Kd2 fl=Q 11.g8=Q+ would
make White happy) 5...Ke5 6.Kf2 and suddenly black’s win is
gone since he has tossed away one of his precious queenside
tempo moves: 6...Kf6 7.Kf3 Kg5 8.h6! Kxh6 9.Kxf4, =.
5.Kf3
Nothing saves White: 9.g5 (or 5.Ke2 Kf6 6.Kf3 Kg5 7.23 a6 8.h6 c6 and
White loses all his kingside pawns.) 5...Kf5 6.g6 hxg6 7.h6 Kf6 8.Kf3 g5 and
it’s all over.
5...h6! 6.23 a6 7.Kf2 Kf6 8.Ke2 Kg5 9.Kf3
Now, after black’s quiet push with his c-pawn, we have a “whoever move’s loses”
situation. Thanks to that final queenside tempo move, Black gets the prize.
9...c6 and it’s time for White to resign.
Diagram 394
a. db Ged! c@. 7 «8B
Bacrot - Kramnik, Dortmund 2005

White to move
White is two pawns up and is clearly winning, yet claiming a theoretical win
and actually proving it are often two different things. In the present situation
White has many good moves (1.Rb5 and 1.h4 are good choices), but offering a
Rook exchange by 1.Re5 is extremely tempting since, if the resulting King and
pawn endgame is indeed a win, it would avoid the potential complications of a
long, drawn out Rook endgame.
Thus we come face to face with a common question: does entry into the King
endgame make life easier, or are we setting ourselves up for some strange King
and pawn endgame pitfall?
1.ReS!
Best, but the two sets of doubled isolated pawns will demand some skill from
White before he gains the full point.
UsEFuL ADVICE
If you find yourself facing a decision like this and you have any doubts about
the King and pawn endgame that results, avoid it like the plague!
1...Rxe5 2.fxe5 g5
Stopping white’s King from penetrating and also gaining counterplay by set-
ting his own pawn majority into motion. Completely hopeless is 2...Ke7 3.Kf4
Ke6 when both 4.h4 h6 5.c5 Kd5 6.h5 gxh5 7.Kxf5 Kxc5 8.e6 Kd6 9.Kf6 and
4.c5 Kd5 5.c4+ Kxc5 6.Kg5 win quickly.
3.c5
The material in Part Five should have already taught you that side-by-side
passed pawns, separated by one file, guard themselves. For example, 3...Ke6 is
met by 4.c6 when 4...Kxe5 5.c7 leads to a new Queen for White.
3...h6 4.c4
Diagram 395
Wy yyy
he V2
Ststat
4...h5 |
Trying a waiting game by 4...Kd8 also fails: 5.Ke3 Ke7 (5...Kc7 6.€6 is easy
while 5...Kd7 6.Kd4 intending Kd5 will shortly force Black to lay down his
arms: 6...Ke6 7.c6 f4 8.c7 Kd7 9.e6+ Kxc7 10.Ke5 Kc6 11.e7 Kd7 12.Kf6 Ke8
PART EIGHT — ENDGAMES FOR MASTERS (2200-2399)
13.Ke6 when the advance of the c-pawn leads to mate in six) 6.c6 Ke6 7.c5 Ke7
8.Kd4 g4 9.Kd5 f4 10.e6 (10.Ke4 g3 11.hxg3 fxg3 12.Kf3 is another way to go
about it) 10...f3 11.exf3 gxf3 12.c7 f2 13.c8=Q fl=Q 14.Qd7+ Kf6 15.Qf7+
Kg5 16.Qxfl, 1-0.
5.h4 g4+
Black gets no hope at all from 5...gxh4 since 6.Kg2 followed by 7.Kh3 and
Kxh4 is ridiculously easy.
6.Kf4 Ke6
Similar lines to the actual game occur after 6...Kd8 7.c6 Kc7 8.e6 Kxc6 9.c5
Ke7 10.e3 Ke6 (10...Kd8 11.c6) 11.Ke5.
7.c6 Ke7 8.c5 Ke6
Black has no choice since 8...Kd8 9.e6 forces a new Queen ina clear, simple
manner.
9.c7!
Diagram 396
aa 7G “eo a
Y
Se ae
jj, & # as
at a
seZi 1G
oo
M aa“h
Vi a U
oe 6 Hn
WH
ry
FP
WN
DA
kW
a becdefgih
The key to the position. White gives up this pawn so his e-pawn can march
down the board with tempo.
9...Kd7 10.e6+ Kxc7 11.e3!
Most accurate. Since 11...Kd8 12.c6 loses immediately, Black must move his
King to c6 where it will be in check if the pawn promotes on e8.
11...Kc6 12.Ke5!
This leads to a winning Queen endgame.
Though 12.e7?? Kd7 would win for Black, White could have played 12.Kxf5.
He decided to leave that pawn on the board since, in some lines, it would block
checks on the f-file by black’s soon-to-be-born Queen.
12...g3 13.e7 Kd7 14.Kf6 g2 15.c6+ Ke7 16.e8=Q gl=Q 17.Qd7+ Kb6
18.c7, 1-0. Black would run out of checks after 18...Qal+ (18...Qxe3 19.cB=Q
Qh6+ 20.Kxf5) 19.Kg6 Qg1+ 20.Kh7.
Our final example shows me entering an extremely complex King and pawn
endgame simply because it was my only chance for survival!
Diagram 397
VU, W2eV7
YW osOo.
m7
tae
Lentrel,,,,,,, MUU, wert! grypags teen N
Hen W287
Be
a, “sn”
Coxe
Milat - Silman, National Open 1998

Black to move
My opponent had been thrashing me for the whole game (White had missed
at least one instant win), and the creation of various perpetual check themes
was my last line of defense. After offering my opponent several bottles of free
beer, which he refused (seemingly intent on winning the game), we reached the
position in the diagram.
Black has a choice between two legal moves, 1...Kd7 and 1...Ke7. Only one
is playable. |
1...Ke7!
The only good move, and it shows how selection between seemingly similar
choices can have an enormous impact on a game’s result. When faced with this
kind of decision, you can’t take it lightly. It’s very important to hunker down and
try and discern what the differences are, and how those differences will ultimately
affect your chances. In this case, 1...Kd7?? would have led to a lost King and
pawn endgame after 2.Qe6+! Qxe6 3.fxe6+. Note that this move comes with
check, meaning that Black must deal with the pawn immediately. Unfortunately,
3...Kxe6 allows 4.¢4 when Black would have a very inferior version of the actual
game since black’s kingside pawn majority would be crippled.
2.Qe6+!?
At the time I was positive that this allowed me to save myself, though much
of that view was based on ignorance. I was more worried about 2.Qxh7+ Kd6
3.Qb7 though I was pretty sure that 3...Qd1+ would give me sufficient play. I
reasoned that my King was active, white’s King was vulnerable, and the white
Queen was out of play and unable to stop perpetual check. Whether this re-
ally drew didn’t matter at the time, the game had been going on for hours and
my old, exhausted brain was willing to grab hold of any happy result, real or
imagined, that it saw.
2...Qxe6 3.fxe6 £5!
Made possible by 1...Ke7 since his 3.fxe6 was no longer check. Now my
kingside majority is mobile and keeps his King at bay.
4.b3 Kxe6 5.c3
Diagram 398
ee? ZZ Ca
a Vay, Zs,
b % Vi;
Y Y
yyy, Wl, Yin,
I began to think that I might even have winning chances! At this point a
well-known grandmaster happened to stroll by. He glanced at the position
for a couple of minutes and walked away. Later he confided that he also
thought that I was on top (two minutes isn’t time enough for anyone to
figure things out, but it does show that even a world class player won't find
these positions easy).
Now I began to think. I thought and thought and thought and became more
and more depressed as the minutes ticked by. Finally I convinced myself that I
was lost. White can create an annoying outside passed pawn on the queenside.
True, black’s King is more active than white’s but, during the game, I couldn’t
see how this was going to save me against best play! Cursing my luck, I struggled
to find some saving scheme and finally came up with something. Notice that I
didn’t say “something good.”
5...Ke5
At the time I thought this was very important. The idea is to meet 6.Ke3 with
6...f4+. Unfortunately, it turns out that this check is a losing blunder. However,
during the game I fully intended to play it! Embarrassing but true! Let’s see
why 6.Ke3 £4+ fails:
7.Kf3 (7.Kd3 Kd5 8.b4 c4+ 9.Ke2 g4 creates a drawing blockade. This is one
of the important points of 5...Ke5) 7...Kf5 8.b4 g4+ 9.Ke2 Ke4 10.a5 bxa5
11.bxa5 Kd5.
Diagram 399
Cagarat
‘|
a
J] J7 UO
swan a
7,
an oats
i
oon
VW
KR
w~
NY
=
abcde fgih
Position after 11...Kd5
I really believed I was drawing here since 12.Kd3?? is met by 12...c4+.

I happily rested in my fool’s paradise until I got home. Setting up this posi-
tion on a board, I immediately noticed that 12.c4+! wins: 12...Kc6 13.Kd3 Kb7
14.Ke4 3 15.gxf3 gxf3 16.Kxf3 Ka6 17.Ke4 Kxa5 18.Ke5! Kat 19.Kd6 Kb4
20.Kd5 and Black is toast since he’s on the wrong end of a Trebuchet!
Fortunately, my opponent agreed with my incorrect assessment and tossed
out:
6.g3
Now the game was eventually agreed drawn due to a line I’d worked out when
I played 5...Ke5:
6...Kd5 7.Ke3 Kd6 8.Kd2 Kd5 9.Kc2
And not 9.Kd3?? c4+! when Black wins.
9...Kd6 10.Kd3 Kd5 11.64 Kc6 12.Ke4 cxb4 13.cxb4 b5+! 14.axb5+ Kb6
15.Kd5 Kxb5 16.Ke5 f4 17.gxf4 gxf4 18.Kxf4 Kxb4 19.Kf5 Ke5 20.Kf6
Kd6 21.Kg7 Ke7 22.Kxh7 Kf?7, '/2-'/2.
At the time I was impressed with myself. As already pointed out, though, my
elation turned to self-loathing when I returned home. It seemed (incorrectly,
as it turns out) that I was indeed lost after 6.Ke3. In a way, I was lucky to have
been deluded. Who know what I would have done if I’d seen what was “really”
going on? In this case, ignorance really was bliss.
Now other voices started to join in on this King and pawn endgame de-
bate. First, IM Jack Peters offered up some new ideas from the position in
diagram 400.
Diagram 400
one Gs
a
WG
| at
w
ns
NO
Ww
YO
FP
lol
I have already pointed out that 10.a5 (10.bxc5 bxc5 11.c4 also does the trick)
10...bxa5 11.bxaS Kd5 12.c4+ wins for White, but Jack noted, quite correctly,
that Black can put up a better but ultimately hopeless defense after 12...Kc6
13.Kd3 Kb7 14.Ke4 with, instead of my 14...f3, 14...Ka6 15.Kxf4 Kxa5 16.Kxg4
Kb4 17.Kf3! Kxc4 18.¢4 with four possibilities:
18...Kd5 19.¢5 Ke6 20.g6, queening.
18...Kb3 19.¢5 c4 20.g6 c3 21.g7!, when White queens with
check.
18...Kd3 19.95 c4 20.g6 c3 21.gxh7 c2 22.h8=Q cl=Q
23.Qd8+ Ke2 24.Qc8+ Kb1 25.Qxcl+ Kxcl 26.h7 and White
wins.
mame 18... Kb4 19.95 c4 20.96 c3 21.Ke2 Ka3 22.gxh7 c2 23.Kd2

Kb2 24.h8=Q+.
I wasn’t too upset by these additions. They basically verified my own conclu-
sions. Then I found a bombshell waiting in my e-mail. A strong grandmaster
(who wishes to remain anonymous) claimed that my analysis was completely
flawed and that Black was better after all (that makes two grandmasters who were
off their rocker!), though a draw would ultimately be the correct result!
Shocked, I glanced at his e-mail “blindfolded” (as the years roll by, I get lazier
and lazier and often don’t bother looking at a chessboard) and took his word for
it (yes, I too am influenced by a high rating!). Sending the analysis to IM John
Watson, he lambasted me for listening to anyone (a very wise bit of criticism,
by the way!). This prompted me to take a closer look and I immediately saw
that the grandmaster was hallucinating.
Diagram 401
4y, Va, Maiyjlf

Bs “oO A
he as,
‘ae VY, XS
oe
“2
wer
SN
VD
Pn
aot
a. te
a bcdefgih
Black to move and demonstrate grandmaster dementia
5...Kd5
The “unknown grandmaster” considered 5...Ke5 (the actual game continu-
ation) to be a mistake. As we shall eventually see, it turns out that, in reality,
both 5...Kd5 and 5...Ke5 lead to a draw.
6.Ke3 Kc6
Black’s idea is to play ...b6-b5. I must admit that I’d never considered such
a plan.
7.Kd3
The grandmaster claimed a Black win after 7.b4 Kd5 8.Kd3 f4 9.a5 bxa5 (this
analysis is horribly flawed. Here, 9...c4+ is the correct way for Black to icethe
game) 10.bxa5 (and now 10.c4+ gives White the better game!) 10...c4+ 11.Ke2
4, but IM John Watson and Patrick Hummel pointed out that he was a bit
off since 9.c4+ wins easily for White. IM Ron Burnett came back with a chal-
lenge: “Just how does White win after 9.c4+?” Fortunately, Mr. Hummel had
answered this several days earlier and saved me the trouble of doing any real
work: 9.c4+ Kd6 (9...Ke5 10.bxc5 bxcS 11.a5 Kd6 12.Ke4 is easy for White)
10.b5 Ke5 11.Ke2! g4 (also hopeless is 11...Kf5 12.a5) 12.Kd3 and white’s King
will penetrate to e4 and enjoya feast.
7...b5
I later discovered that this is a losing blunder but that Black could still draw
with a correct seventh move, though I’m leaving that to the Master or near
master (don’t forget, this is a master section!) who is reading this analysis to
figure it out for himself.
After 7...b5, our mystery grandmaster claims a draw by: 8.axb5+ Kxb5 9.Ke2
Kc6 10.g3 Kd5 11.Ke3 Ke5 12.Kf3 Kd5. However, IM Watson once again
points out that White wins easily with 8.a5 (instead of 8.axb5+??) 8...b4 9.cxb4
cxb4 10.Kd4 Kb5 11.Ke5 Kxa5 12.Kxf5 Kb5 13.Kf6 Ke5 14.Kg7 and it’s time
for Black to hang up his Rooks.
So what does this mean? Are international masters better endgame players
than grandmasters? Was the grandmaster pulling my leg? Is there any meaning
to unearth? I tend to think that the grandmasters in question were too lazy to
give this position a serious look. But it does show that King and pawn endgames
can be very tricky, and that anyone is capable of completely misjudging such a
complicated situation.
We’re done with the adventure. It’s time to see what the truth is:
Diagram 402
_ 4
a aa
i,
a te
Va Y, A «
oh”
act
abc
aoe YW,
de#fgih
5...KeS
As played in the actual game. At the last second, I also discovered that 5...Kd5
draws in all lines! A small sample: 6.Ke3 Kc6 7.b4 Kd5 8.Kd3 Ke6 9.Kc4 exb4
10.cxb4 b5+ 11.axb5+ Kb6 12.Kd5 Kxb5 13.Ke5 £4! and Black draws as in Peter’s
subsequent analysis to 5...Ke5.
6.Ke3 Kd5
Instead of my original intention of 6...f4+??, which analyzed earlier.
7.Ke2 Ke4 8.b4 cxb4!
Worse is 8...Kd5 9.Kd3 £4 10.c4+! Ke6 (10...Kd6 11.b5 KeS 12.Ke2 g4 13.Kd3
isn’t any better) 11.b5+ Kd6 12.Ke4 Ke6 13.g3 (or the simple 13.Kf3) and black’s
defense breaks down. Analysis by Patrick Hummel.
9.cxb4 Kd4 10.a5 bxa5 11.bxa5 Ke5 12.Kd3
This was given as a White win by Mr. Hummel and John Watson, but Jack
Peters points out that the position is a draw.
12...Kb5 13.Kd4 Kxa5 14.Ke5 f4!
This very important, but simple, move (found by Peters) was missed by a whole
team of titled players. Black’s King looks awfully far away, doesn’t it?
15.Kf5 Kb6 16.Kxg5 Kc6 17.Kf6
A book draw follows 17.Kxf4 Kd7 18.Kf5 Ke7 since black’s King gets to h8.
17...Kd7 18.Kg7 Ke7 19.Kxh7 Kf7 and now the point of 14...f4! is clear:
White doesn’t have a tempo move that will enable him to regain the Opposition.
Thus, the game is drawn (20.Kh8 Kg6 21.Kg8! [21.h7?? Kf7, 0-1] 21...Kxh6
22.Kf7 Kg5 23.Ke6 Kg4 24.Ke5, =).
Remember, all this is merely meant to be a warning. The fact is, complex King
and pawn endgames area bit of a rarity and most masters (on up) love the idea
of playing them. But they also know that such positions should be avoided if a
safe, clear alternative is available.
I constantly hear players arguing over the relative values of Bishops and
Knights. Which is really the stronger piece? The majority of voices point to the
Bishop as the superior entity. The following quote from José Rati] Capablanca is
particularly pointed: “The weaker the player, the more terrible the Knight is to
him, but as a player increases in strength, the value of the Bishop becomes more
evident to him and of course there is, or should be, a corresponding decrease in
the value of the Knight as compared to the Bishop.”
That’s all well and good, but then how do we explain the following game?
Vi Oy 87)
Vi i “a wa
wae *)
N
AO
eaGae f<
pen V8
YoU D &A6
YG Aye we
nia W
AN
Ow
N
_
Capablanca - Reshevsky, Nottingham 1936

Black to move
Note the holes on b4, c5 and d4, plus the weak pawn on d5. If Black plays
“normally” (...Kf7-e6) White will achieve a sweet “torture position”: 1...Kf7
2.Nb4 axb3 3.axb3 Bb7 4.Ke2 Ke6 5.Kd3 KeS (5...Kd6 6.Kd4) 6.Ne2 with Nd4
and Kc3 to follow.
Due to this, Black tries to make use of his Bishop’s long-range powers by
creating an outside passed pawn on the kingside.
1...g¢5! 2.hxg5 fxg5 3.Nb4
Capablanca avoided 3.f4 gxf4 4.exf4 due to 4...d4! when Black would even-
tually lose his d-pawn, but his active Bishop will give him serious chances to
save the game. The third World Champion was one of the greatest endgame
397
players of all time and always avoided unclear situations in favor of “iron
control.”
3...axb3 4.axb3 Bb7
Black now hopes to play ...h$-h4 with an outside passed pawn.
5.¢4
White prevents black’s plan and now intends to swing his King over to d4
with total control. Refusing to die passively, Black realizes his only counterplay
is based on an ...hS advance. Thus ...Kh7-g6 and ...h5 will exchange pawns
(always a good defensive idea in the endgame) and allow the King a measure
of activity.
5...Kg7 6.Ke2 Kg6 7.Kd3 h5 8.gxh5+ Kxh5 9.Kd4 Kh4 10.Nxd5 Kg3
Diagram 404
TOT
bs oo
aint a”Y,
a Ne
"i i O
ee
BO gl lt
a bc defgih
Black has lost a pawn but his active King and the limited remaining material
gives him some practical chances to save himself. Nevertheless, White should
win with best play.
11.f4 ¢4
Black loses after 11...Bxd5 12.Kxd5 ¢4 13.f9 Kh3 14.6 g3 15.f7 g2 16.f8=Q
gi=Q 17.Qh8+ Kg2 18.Qg8+.
12.f5 Bc8
Still twitching. Far worse is 12...Bc6 13.Nc7 (now black’s Bishop can’t stop
white’s f-pawn from promoting) 13...Kf2 14.f6 g3 15.7 g2 16.f8=Q+ Bf3 17.Qg8
gl=Q 18.Qxg8+ Kxg8 19.e4 and it’s all over.
13.Ke5 Bd7 14.e4
Now 14.Nc7 doesn’t work: 14...Bxf5! 15.Kxf5 Kf3 16.Ne6 g3 17.Nf4

Kxe3, =.
However, it’s not clear to me that 14.e4 is really necessary. More straightfor-
ward is 14.f6 Be8 15.Ke6 Kh4 (or 15...Kf3 16.Ke7 Bh5 17.Nf4 g3 18.Nxh5 g2
19.f7 gl=Q 20.f8=Q+ Kxe3 [20...Ke2 21.Nf4+ Kxe3 22.Ne6] 21.Qf5 with an
easy win) 16.Ke7 BhS 17.Nf4 g3 18.b4 Kg4 (18...Kg5 19.Nxh5 g2 20.Nf4 gl=Q
21.Nh3+) 19.NxhS g2 20.7 g1=Q 21.Nf6+ Kh3 22.f8=Q Qxe3+ 23.Kd6 when
23...Qd4+ 24.Nd5 and 23...Qb6+ 24.Kd5 are both hopeless.
14...Be8
Diagram 405
Vi, V2. Oy YW
Patan
maw GAY
GaGa
male G
“a 6 @
a bc de fgih
15.Kd4??
This blunder throws the win away. Bondarevsky showed that White could still
claim victory by 15.f6! Kf3 16.Nf4 g3 17.Kf5 Bd7+ 18.Kg5 Be6é 19.Nxe6! g2
20.f7 g1=Q+ 21.Kf6 and White wins. This theme of allowing Black to promote
first comes up more than once.
15...Kf3 16.e5 g3 17.Ne3 Kf4?
Also losing is 17...Bd7 18.e6 Bc8 19.e7 Bd7 20.f6 Be8 21.Nf5—Alekhine.
However, Bondarevsky found a draw: 17...Bf7!! 18.e6 Bg8 19.e7 (or 19.b4
Kf4!) 19...Bf7 20.f6 Kf4! when White can’t improve his position.
18.e6 g2 19.Nxg2+ Kxf5 20.Kd5 Kg4 21.Ne3+ Kf4 22.Kd4, 1-0 since Black
has no defense against e7 followed by swinging the Knight to c7.
The “explanation” for Capablanca’s obvious favoritism towards Bishops while
he used his Knight to good effect against Reshevsky is simple: Bishops tend to
be better in the majority of cases (i.e., open positions, passed pawn races where
the Bishop’s long-range abilities crush the slow Knight, etc.), but Knights have
their own set of advantages:
gemmee ‘They can land on light and dark squares. This means that
nothing is safe from them!
mum Knights are more flexible than Bishops.
wae Knights are often superior in closed positions.
mame Knight-hops confuse amateurs and masters alike! After I

managed to draw a pawn down endgame (multiple pawns and
two Knights each) against the strong IM Georgi Orlov, he
lamented, “Hop, hop, hop! The Knights are hopping all over
the place! How could I possibly figure out what was going on?”
What this means is that the master has an open mind and understands that
many positions are highly favorable for Knights. He might prefer the Bishop
in a general sense, but won’t hesitate to rush into a Knight vs. Bishop endgame
if he feels the horse will reign supreme.
Our next example shows what happens when a “Bishop is better than a Knight”
mentality becomes set in stone (or in this case, in metal).
Diagram 406
Ay BO gh
we
“es € we
a a
Et Aeal
a Af
bert
FP
@
nN
VU
hr
yw
Mephisto Computer
-Silman, Los Angeles 1989
Black to move
At the time, computers hadn’t quite made their mark at the highest levels of
tournament chess. This event was historic in that Mephisto did very well against
several strong players and Deep Thought dragged down Bent Larsen and my-
self (Larsen didn’t take the machine seriously, while I was “introduced” to the
computer's incredible defensive skills in the final round—I outplayed it, achieved
a position that would have given me excellent winning chances against any hu-
man, and then ran into a “non-human” defensive wall while in time pressure).
Though my loss to Deep Thought was traumatic (and costly!), I managed to
uphold the integrity of the human race earlier in the same event against Me-
phisto. The game was a long, grueling affair that demanded accurate play and
tremendous amounts of energy. I managed to win a pawn and began the long
Cat and Mouse process of torturing the cursed bucket of bolts in the resulting
endgame. In the diagrammed position, I played ...
1...Ba4
It was here that I discovered a glitch in the machine. Any experienced human
would understand the tremendous flexibility of a Knight in such a position,
but the machine was programmed to believe in the superiority of Bishops over
Knights. Thus, it allowed me to take on b3 and enter a winning Knight vs.
Bishop endgame.
2.Kel?? Bxb3!
I wasn’t going to let it change its mind!
3.Bxb3 Kc5 4.Ba4 Nf7
Diagram 407
777
a.oe0 a wo Do
nN
Yi a7 7
stananae
WwD
WwW
VW
&
PNY
Be wi
‘an
a bc def gih
The only fly in the ointment is black’s vulnerable pawn on g4. Thus, I
swing my Knight to e5 where it defends g4, deprives the Bishop of the
d7-square, and also threatens to decisively leap into d3 (targeting f2) or
c4 (pressuring e3 and making a ...d5-d4 push serious business) at the ap-
propriate time.
5.Bb3 Ned 6.Bc2 Nc4 7.Ba4 d4 8.Bc2 Kd5 9.Bb3 Kc5 10.Bc2 dxe3 11.fxe3
ge
Nxe3 12.Bxe4 Kd4 13.Bg6 Nc4 14.Kf2 Nd2 15.Bf5 Ne4+
Diagram 408
7.7.7.7
00.0 Oh
i 0.0.0
Z gleeoF
etataete
©
Ss
AO
I0.8 0
Y AZy
Fe
BR
WY
N
on 2 oO
a bc de fgih
Nothing is safe from the mighty Knight! Now it chases white’s King off of
f2 and threatens the pawn on g3. As will be seen in the next note, it will also
train its sights on f1, breaking any effort White makes to stop the f-pawn from
turning into a Queen.
This highlights the Knight’s main advantage over a Bishop: it can control any
color and thus potentially place pressure on any square on the board.
16.Bxe4
A sad necessity, but 16.Kgl Ke3 17.Bxg4 f2+ 18.Kg2 Nd2 promotes my
remaining pawn.
16...Kxe4
The rest is basic King and pawn ending fare.
17.Kfl Ke3 18.Kel f2+ 19.Kf1 Kd3 20.Kxf2 Kd2 20.Kf1 Ke3, 0-1.
The edge in flexibility that a Knight often has over a Bishop is graphically
shown in our next game, played between two World Champions.
Diagram 409
a
a a tee eUy *
aS A het
a.
“aiapeae
ae Yi
8 a BAeD
eh
Smyslov- Euwe, Groningen 1946

White to move
Black is in serious trouble. The reasons for this:

wae White's King is more active than black’s.
mame “The white Knight will dominate black’s Bishop.
waa Black has potential pawn weaknesses on c7, f6, and h5 (that
weakness will move to g4 if White plays f3 followed by fxg4).
White will push his f-pawn to 3, so that will only leave g3 in
need of defense. Simply put: Black has far more weak pawns
than White does.
mum In general two Knights don’t work well together.
However, in this case black’s Knight is dominated and,
if it moves, an exchange will take place that will leave
PART EIGHT ~ ENDGAMES FOR MASTERS (2200-2399) 403
White with a crushing Knight versus a rather impotent

Bishop.
mame The c3-c4-c5 pawn lever allows White to break through on
the queenside in many different variations.
mame Correctly handling a Knight takes more skill than correctly
handling a Bishop. Asa result, lower rated players fear
Knights—in a way, mastery of Knights is the test that separates
the men from the boys.
1.Ke2 Bel
Smyslov analyzes 1...Bg5 (intending to transpose into a King and pawn end-
game) and shows that it also loses: 2.Kb3 Bxh4 3.gxh4 Ne7 4.Nxe7 Kxe7 5.Kc4
f5 6.f3 £4 7.Kb5 Kd7 8.c4 Kd8 9.Kc6 Kc8 10.c5 dxcS 11.Kxc5 Kd7 12.Ke4
Ke7 13.Kb4 Kd6 14.Kb5 g3 15.Kb4 Ke7 (15...c6 16.dxc6 Kxc6 17.Kc4 Kd6
18.Kb5 wins) 16.Kc4 Kd6 17.Kb5 Kd7 18.Kc5 Kc8 19.d6, winning all of black’s
pawns.
Perhaps this is true, but John Watson feels that 5...f5 is a bad move since it
later deprives the e5-pawn of some much-needed protection. Instead, he rec-
ommends 5...Kd7 6.Kb5 Ke7 7.Kc6 g3! 8.f3 (8.fxg3 f5!, =) 8...Kd8 9.c4 Kc8
10.c5 dxc5 11.Kxc5 Kd7. His logic is shown by the position that results from
the following moves: 12.Kb5 Kd6 13.Kb4 c6 14.dxc6 Kxc6 15.Ke4 Kd6 16.Kb5
Kd7 17.Ke5 Kc7 18.Kd5 Kd7, =, since black’s e5-pawn is solid thanks to black’s
f-pawn remaining on f6.
This fits nicely into the chapter, King and Pawn Endgames Are Confusing.
Whatever the truth might be, our focus here is on the upcoming Knight vs.
Bishop battle, which shows the Knight running rings around its “faster” foe.
2.3
White intends to play c4 and then march his King all the way to c6. Black
would like to “greet” the white King by moving his own monarch to d7, but
then Ng7+ followed by Nxh5 would follow. As a result, Black has no choice but
to exchange a pair of Knights.
2...Ne7 3.Nxe7 Kxe7 4.fxg4 hxg4 5.Nf5+ Kf7 6.c4 Kg6 7.Kb3 Kg5
Black desperately seeks counterplay on the kingside. Trying to defend on the
queenside by 7...Kf7 also falls on its face (see diagram 410 on the next page):
Vig VY, ui
Vii a
a
begees7,
x ye Y gy
Wn KEG,
Yi oY Yi
ekanna
Ss
NDA
7
woeawx
Z
We
Ww
NHN
FP
oo ea
a b cde fgih
8.Ka4 Ke8 9.Kb5 Kd7 10.Nh6 Bxg3 11.Nxg4 Bh4 12.Nh6 Bg5 13.Nf5 Bd2
14.Ka6 Kc8 15.Ka7 Bf4 16.Ka8 Bd2 17.¢4 Bf4 18.Ne7+ Kd7 19.Nc6 Kc8
20.Na7+ Kd7 21.Kb7 wins according to Smyslov. Let’s verify this (note how
the Knight dominated both the black King and black Bishop): 21...Be3 22.Nc6
Bc5 23.Nb8+ Kd8 24.Kc6 Bd4 25.Na6 Bb6 26.Nb8 and now:
mum 26...Bd4 27.Nd7.
mmm 26...Be3 27.Nd7 Bg5 28.Nf8 and Ne6 will prove decisive.
mum 26...Ke7 27.Nd7 Bad 28.c5 Bb4 (28...dxc5 29.Nxc5 Bb6
30.Nb7 K£7 31.d6) 29.Kxc7 dxc5 30.Nb8! Ba5+ 31.Kc6
c4 32.Kc5 c3 33.Nc6+ Kd7 34.Nxa5 c2 35.Nb3 and Black
must resign. White’s Knight gives the impression of being
everywhere at once, while the Bishop seems ponderous and
completely ineffective.
8.Ka4 Bxg3
The only chance, otherwise White just marches his King to c6 and feasts on
black’s queenside.
9.Nxg3 Kf4 10.Nh5+ Kxe4 11.Nxf6+ Kf5
Black doesn’t do any better with 11...Kf4: 12.Kb5 e4 13.Nxe4 Kxe4 14.Kc6
g3 15.Kxc7 Ke3 16.Kxd6 Kf2 17.Ke5 Kxg2 18.d6 Kf3 19.d7 g2 20.d8=Q gl=Q
21.Qd3+ when White forces the trade of Queens (21...Kf2 22.Qd4+ or 21.. .Kg2
22.Qg6+), leaving himself with an extra baby Queen on c4.
After 11...Kf5 Black intends to push his e-pawn to the ends of the Earth. How
can the Knight deal with this threat?
12.Ne8!
White’s super-Knight goes in the opposite direction, seeking a quick Junch
before dealing with the e-pawn.
12...e4 13.Nxc7 e3 14.Nb5 Kf4
He didn’t like the look of 14...e2 15.Nd4+ followed by 16.Nxe2.

15.Nc3 Kg3 16.c5, 1-0. An impressive endgame that shows us just how light
on its feet a Knight can be.
Our final example gives us more fancy hoof-work by a Knight.
Diagram 411
LCG Vi,
“Yn, UK
Vy yf N yy ted f
ie ohne
®W
NM
WDA
kK
Ww
PNY
G27 Ji
a bc de fgih
Bernstein - Suesman, U.S. Championship 1938

White to move
White’s superior pawn structure and centralized pieces make an obvious

impression. However, White has an idea here that allows him to add one more
advantage to his quiver of plusses: he can create a crushing Knight vs. a poor
Bishop scenario.
1.Bxa6! bxa6 2.a5!
The point. White clears away the one defender of the c5-square, which will
turn into a wonderful home for white’s Knight.
2...b5
This lets White rule the position with an iron grip thanks to the holes on b4
and c5 (lovely resting places for white’s Knight and King). Like it or not, Black
should have tried either 2...bxa5 or 2...Kb7.
3.Ng4!
By using tactics aimed at the pawns on 6, f7, and c6, White forces his Knight
onto the dream c5-square.
3...f5 4.Ne5
Threatening a fork on c6.
3...Ke7 5.exf5 exf5
Ugly, but 5...Bxf5 6.Nxf7 was even worse.
6.Nd3 Kb7 7.Rhel Rhe8 8.Nc5+ Ka7
=e 412
Vs
1
Vn Vi
ane
PX
BY &e4
L7G
KM luaaK
1 mak
NY
PF
NI
NO
WR
“2
An experienced player will always head for a position like this. A Knight this
good (along with black’s passive King and the target on a6) will bring home the
full point almost every time.
9.Kc2
The famous German player Fritz is gung ho for 9.Ka3 f4 10.Rxe8 Rxe8 11.d5
exd5 12.Rxd5 Re2 13.Rd7+ Kb8 14.Nxa6+. However, I think Bernstein’s choice
is by far the more “human” move (Note that “human” doesn’t necessarily mean
“best.” It’s just a good, practical decision). The idea is simple: He intends to
move his King to d2 and then swap off all the Rooks. The resulting minor piece
endgame is winning for White, while if Black retains a Rook he will allow White
to invade the 7th rank. What's particularly nice about this plan is that there is
no risk involved—White doesn’t want to allow Black any counterplay.
9...f4+ 10.Kd2 Bf
The alternative, 10...b4, lets White decisively invade on the 7th rank: 11.cxb4
Rxd4+ 12.Kc3 Rxd1 13.Rxd1 Re3+ 14.Kc4 Re2 15.Rd7+ Ka8 16.Rc7 Rxg2
17.Rxc6 Rxh2 18.Rxa6+ Kb8 19.Rb6+ Ka8 20.b5 h5 21.Rd6 and it’s all over.
11.Rxe8 Rxe8 12.Rel
Diagram 413
be
A Got Gee
YRY
Zi
Y Y
a
q Z
ea
OG
12...Rg8
Though 12...Rxe1 13.Kxel is indeed losing for Black, picking the right plan
might be harder than one might suppose. In my view, White can make this
easy on himself if he realizes that he’s a King up—black’s King is frozen to the
defense of a6. Thus, all White has to do is find a way to penetrate into black’s
camp with his King: 13...h5 14.Kf2 h4 15.g3 fxg3+ 16.hxg3 hxg3+ (16...h3 17.¢4
is easy) 17.Kxg3 Bc8 (Passive play offers no hope either: 17...Bg6 18.Kf4 Bbl
19.Ke5 Ba2 20.f4 Bc4 21.Kf6 Bd5 22.Ke7 f5 23.Kd6 Be4 24.Kc7 Bf3 25.Ne6
Bd5 26.Nd8 and it’s time for Black to give up) 18.Kf4 Kb8 19.Ke5 Kc7 20.4 5
21.d5 cxd5 22.Kxd5 and Black is out of options.
13.Re7+ Ka8 14.Re2 Bc8
14...Ka7 15.Kel followed by Re7+ and Kf2 is a trivial win.
15.Nd3 Be6 16.Nxf4

This not only wins a pawn but it also defends g2. Now white’s Rook is free
to roam.
16...Bc4 17.Re7 Rd8 18.Nd3, 1-0. The position after 18...Bxd3 19.Kxd3
c5 20.Rxf7 b4 21.Rc7 is completely lost.
The King is an extremely strong piece, but many players lose sight of this
fact due to the necessity for it to hide during the middlegame. Experienced
tournament competitors, though, are well aware of the need to let their King
flex its muscles once an endgame is reached. In fact, many games are saved or
won when one side manages to activate their King, while the other King sits
smugly at home doing nothing.
Though the “Use your King in an endgame!” concept is given regular lip
service from class “D” on up, few realize just how important it is. Hopefully
the examples that follow will boil your blood and make your want to reach for
your King and kick it into dance mode.
Diagram 414
aan.
“wa
Oot
ft
Lilienthal - Smyslov, Leningrad 1941

Black to move
The Bulgarian chess saying, “I make your pawns look like your grandmother's
teeth,” seems a good way to describe black’s structure—his pawns are weak and
many of them appear to be doomed.
Though things look bad for Black, he’ll be able to save himself by following
two classic endgame concepts:
mum In the endgame, make your King a fighting piece!
mame Keep your Rook active at all costs.
408
1...¢5 2.Rxh7 Rxa2 3.Rh6+ Ke5 4.Rxc6

No better was 4.h4 g4 5.h5 (5.Rxc6 Ke4 6.Rxc5 f4!, =) 5...Ke4 6.Rf6 Rb2
(6...Ral+, =) 7.h6 Rxb3 8.h7 Rbl+ 9.Kg2 Rb2+ with an instant draw since
10.Kf1 allows 10...Rh2.
4...Ke4!
Black’s King, which is extremely active, has turned into a berserk fighting unit
of death, while white’s pathetic leader is trapped on the back rank, begging for
its life.
5.Rxc5
White is three pawns up, but one King down.
5...f4!
Sacrificing another pawn to ensure the safe advance of the King.
6.exf4
6.Kfl Ral+ 7.Ke2 £3+ 8.Kf2 Ra2+ is another way to make a draw.
6...Kf3
Diagram 415
a ee
“6 GU
hate”
oY
a
Now black’s King is safe from checks while White is threatened by immedi-
ate mate.
7.b3
Suicide could still occur by 7.h4 Ral+ 8.Kh2 Ra2+ 9.Kh3?? g4 mate.
7...Ral+, '/2-'/2.
Our next example shows Larry Christiansen enjoying superior King position,
then sacrificing a pawn to make it even better!
Diagram 416
ant
«i
te
28
atta etree?
Ottley eettTee,
we
®D
Ns
WD
Pn
a bcd ¢ f£ g A
D Gurevich - Christiansen, U.S. Championship 2000

Black to move
Black’s a pawn up and has the better King position, but his d3-pawn is vulner-
able and there are no obvious breakthroughs happening any time soon. ‘The
way Black turns this into a forced win is very instructive.
1...Bd5! 2.Bb1
Trading would leave White with a losing Queen endgame after 2.Bxd5 Kxd5
3.Kxd3 g4 4.Kc3 h5 5.Kd3 a6 6.Kc3 Ke4 7.Kc4 Kf3 8.Kc5 Kg? 9.Kb6 Kxh2
10.Kxa6 h4 11.b5 hxg3 12.b6 g2 13.b7 gl=Q 14.b8=Q+ Kg2 15.Qa8+ Kf2
16.Qf8+ Ke2.
2sd2!
Black sacrifices his extra pawn to increase the domination of his King. This,
in turn, will allow black’s King to make contact with (and eventually win) the
b-pawn.
3.Kxd2 Be!
Ending the threat of 4.Bxh7 by offering up another King and pawn end-
game.
4.Ba2
Now the exchange of Bishops is even worse for White than it was before:
4.Bxe4 Kxe4 5.Ke3 g4 6.Ke4 Kf3 7.Kb5 Kg2 8.Ka6 Kxh2 9.Kxa7 Kxg3 10.b5
Kf3 11.b6 g3 12.b7 g2 13.b8=Q gl=Q+ 14.Ka6 Qal+ 15.Kb7 Qb2+ 16.Kc8
Qxb8+ 17.Kxb8 hS.
4...Kd4
Black’s King is a dominating piece. Next on his agenda is:
wae Place all his pawns on dark squares so they will be immune
from the white Bishop’s intentions.
game Force the b-pawn to advance to b5 so the c5-square will

become available to the black King. He will then surround and
win it by ...Kc5 mixed with the Bishop moving to the fl-a6
diagonal.
Diagram 417
770
a ik
“0 @@
rea
e Z
Fk
ns
NW
WW
Fe
5.h4 h6 6.hxg5 hxg5 7.Be6 Bd5S

Giving black’s King access to the c4-square.
8.Bd7
As always, the trade of Bishops leads to a lost King and pawn endgame: 8.Bxd5
Kxd5 9.Kd3 g4 10.Ke3 Ke4 11.Kf4 Kxb4 12.Kxg4 a5.
8...Kc4 9.b5 Kd4 10.Ke2 Kc5 11.Ke3 Bc4 12.Ke4 BxbS 13.Be6 a5
Black has won the b-pawn and should now win the game. However, care must
be shown: White would love to pick up the pawn on gS and then sacrifice his
Bishop for black’s remaining pawn.
14.Bb3 Kb4 15.Bd1 Ba4
Nothing wrong with this, though 15...Bc4 16.Ke3 Bb3 17.Bg4 Kc3 would
lead to white’s quick resignation.
16.Bg4
Here Black suffered a meltdown: 16...Ke3 17.Ke5 Bb3 (17...Bc6 wins) 18.Bd7
g4 (18... Kb4 was a winner) 19.Kf4 Bd1 20.Be8 Kb4 21.Ke3 Ba4 22.Bh5 Bd7
23.Kd2 Kb3 24.Kel Ka2, '/2-'/2. Apparently he forgot that white’s King could
scoot back to the queenside and take advantage of the fact that the a-pawn is a
“wrong colored rook-pawn” (If white’s King can reach al he could make a draw
by sacrificing his Bishop for the g-pawn.).
Sadly, he had an immediate win after 16.Bg4 by 16...Bc2+ 17.Ke3 (17.Kd4 a4
18.Be6 a3 19.Ba2 Bb3 20.Bb1 Bg8 with ...Kb3 and ...Kb2 to follow) 17...Kc3
18.Bd7 a4 19.Bxa4 Bxa4 20.Ke4 g4 21.Kf4 Bdi and White must resign.
412. SILMAN’S COMPLETE ENDGAME COURSE
Most young players today aren’t familiar with Salo Flohr. That’s a shame,
since he was a powerful positional player and was also blessed with fantastic
technique. In our next game, Flohr uses both his pieces (his King and Rook)
to the maximum. His Rook seems to dance rings around its Black counterpart,
while his King almost single-handedly rules the board.
Diagram 418
1 O
Y att
pat2.
Flohr- Petrov, Semmering 1937

White to move
A glance might convince some players that Black is doing well; he has a Rook
on the 7th rank and a passed a-pawn. However, Black is actually in serious
trouble. How can this be? How can a white advantage be logically explained?
The answer is simple: White’s pawn structure is superior, and his King will prove
to be far more active than black’s (which is too far away from the kingside to
defend its pawns there)!
1.Ra5!
A very nice Rook maneuver. The threat against d5 forces black’s reply.
1...Rb5 2.Ra2!
Now black’s Rook is denied the 7th rank and f2 is no longer under attack. ‘This
frees the white King for a triumphant march into black’s kingside.
2...6
It’s possible to push the a-pawn, but after 2...a5 3.Kf4 Ka6 4.Ke5 Rb1 5.Kxd5
Kb5 6.Kd6, White wins: 6...a4 7.Ke7 Kb4 8.d5 Rd1 9.d6, etc.
3.Kf4 £6
Trying to prevent white’s King from breaking through.
4.¢4 hxg4
4...a5 5.gxh5 gxh5 6.K£5 wins material.
5.Kxg4 Rb1
It seems that White threatened h4-h5, and this prevents it. However, what if
Black ignores the “threat” and instead plays the logical 5...a5, simply shoving his
passed pawn? It turns out that white’s threat wasn’t h4-h5 at all, but rather f4-f5!
Thus, after 5...a5 6.4! Black’s busted: 6...Re3 7.f5! gxf5+ 8.Kf4 and wins.
6.RaS!
There’s that wonderful Rook maneuver again!
6...Rb5 7.Ral!
White’s 1st rank is now more important than his 2nd rank. The way white’s
Rook zips to a5 then backtracks to whatever rank is crucial at that moment is
nothing less than striking.
7...Rb2 8.Kf3
Threatening to win black’s g-pawn by Rg1.
8...Rb6 9.Rg1 £5
Black has defended g6, but now the e5- and g5-squares have been opened up
for white’s King.
10.Kf4
Diagram 419
Yi Y
“a
Y
a “‘Y
Y aS
&
Vy
Y
SFP
DA
WN
kK
Ww
®
N
NHN
10...Re6 11.Rb1+ Ka7

Or 11...Rb6 12.Ral Rb2 13.f3 Rb3 14.Ra5! Rb5 15.Ra3 (Amazing! This
same maneuver has been used to control the 2nd rank, then the Ist, and now
the 3rd.) 15...Rb2 16.Ke5 Rh2 17.Kxd5 Rxh4 18.e4 fxe4 19.fxe4 and white’s
two connected passed pawns will win the day.
12.h5 Re4+ 13.Kg5 Rg4+
I think Black could have put up more resistance by 13...gxh5! 14.Kxf5 h4!
with a rather odd position.
Diagram 420
YUU
es G, Vi, Wa
aii.
enh
x *
UTC ee?
The variations concerning 15.Kg5 are extremely complex and outside the
scope of this discussion. However, I suspect white’s best chances can be found
with 15.Kf6 when Black has:
mame 15...)3 16.Rhi Rh4 17.Ke6 Rh5 18.4 Kb6 19.f5 Ke7 20.f6
Kd8 21.e4! dxe4 22.d5 and Black’s dead, though I'll let you
analyze a bit and convince yourself of that.
wumme 15.25 16.Rb5 Ka6 (16...a4 17.Rb4!) 17.Rxd5 a4 18.Re5
Kb6 19.Rc8 Kb5 20.Rb8+ Kce4 21.Ra8 Kb5 (21...Kb3 22.d5
wins for White) 22.Kf5 Re7 23.Rh8 Rf7+ (23... Kc4 24.Rxh4
a3 25.d5+ Kxd5 [25...Kb3 26.d6] 26.Rd4+ Kc6 27.Ra4 Rf7+
28.Ke6 Rxf2 29.Rxa3 Ke7 30.Rd3 with a winning position—
Nalimov TableBase claims mate in 38!) 24.Ke6 Rxf2 25.Rh5+!
Kce4 26.Rxh4 a3 27.d5+ Kb3 28.d6 a2 29.d7 al=Q (Worse is
29... Rf6+ 30.Kxf6 al=Q+ 31.Rd4 Qa6+ 32.Ke7 Qb7 33.e4
when White wins: 33...Kc3 34.Rd5 or 33...Qc7 34.Rd6! Kce4
35.e5 [threatening Ke8] 35...Qb7 36.Ke6 and Black must
resign) 30.d8=Q Qa6+ 31.Ke5 when White is clearly better.
Amazing stuff, and I barely scratched the surface. This should give you a real
wake up call as to just how complicated endgames can be!
14.Kf6 gxhS 15.Kxf5
White’s plan is clear: he wants to create two connected passed pawns in the
center.
15...Rg2 16.Ke5 Rg5+
16...Rxf2 let’s White achieve his goal after 17.Kxd5.
17.Ke6 h4 18.Rh1 Rh5 19.f4
Diagram 421
wm
©
NN
WD
PN
White didn’t manage to get his two connected passed pawns, but it turns out
that this single passer will do more than both of black’s rook-pawn runners.
Why is one pawn better than two? Because it’s being escorted by white’s King,
while black’s monarch is still on a queenside vacation.
19... Kb6
19...a5 20.£5 a4 21.6 is easily winning for White.
20.f5 Ke7 21.f6 Kd8 22.Rf1! Rh6
22...Ke8 runs into 23.Rb1 Kd8 24.Rb8+ Kce7 25.7.
23.Kf7!, 1-0. The threat is Kg7 followed by f6-f7 and f8=Q. A beautifully
played endgame by the great Flohr.
I’m finishing this section with a famous King and pawn endgame by Ru-
binstein, who is widely thought to be one of the greatest endgame players of
all time. The reason for its inclusion is obvious—one rarely gets to see such a
dominating King!
Diagram 422
wae Gan
4;
Ka M
YY
nla ale
eee
“1 OO
DA
UW
kK
WwW
N
FN
Cohn - Rubinstein, St. Petersburg 1909

Black to move
White has just played his Rook to cl, which is a horrible mistake since it al-
lows Black to trade into a winning King and pawn endgame.
1...Rxcl 2.Kxcl
Why is this endgame winning for Black? Aside from his superior pawn struc-
ture, the answer is simple: Black’s King will dominate white’s! In general, you
don’t want to rush into a King and pawn endgame if your opponent’s King can
take up a far superior position to your own.
2...Kf6
Many players blindly rush their King to the center, which (I must admit) is
usually the right thing to do. However, in this case black’s superiority is on the
kingside, so he makes a dash to that embattled area where it will target the pawns
on h2, f2, and f3 for extinction.
3.Kd2 Kg5 4.Ke2
White’s King tries to shore up his weaknesses on the kingside, but the vast
superiority of the black monarch will eventually drag him down. However,
trying to create a pawn race also ends in dismal failure: 4.Kd3 Kh4 5.Kd4 Kh3
6.Ke5 Kxh2 7.Kd6 Kg2 8.Kc7 h5 (Black can gain a tempo with 8...b5, but it’s
not really necessary: 9.Kc6 h5 10.Kxb5 h4 11.Ka6 h3 12.Kxa7 h2 13.b5 h1=Q
14.b6 Qal 15.b7 Qxa3+ 16.Kb6 Kxf3 17.b8=Q Qb4+ 18.Kc7 Qxb8+ 19.Kxb8
Kxf2) 9.Kxb7 h4 10.Kxa7 h3 11.b5 h2 12.b6 h1=Q 13.b7 Qal 14.b8=Q Qxa3+
15.Kb7 Qb4+ 16.Kc7 Qxb8+ 17.Kxb8 Kxf3 and it’s time for White to resign.
4...Kh4 5.Kf1 Kh3 6.Kg1
Diagram 423
A Ay Gi,
ase ary
Ae
a.“es “@ a
Sm ee
“Sle KG
%G
“Yy My
Y
EY, x
&
Z / z “
SI
HO
WN
kK
wWwW
NY
PF
@
Just in time! However, the difference in King placement is glaringly apparent.

6...e5
A good move that stops the f3-pawn from safely moving to f4. Thus, the
normally desirable 6...b5 (fixing white’s queenside pawns and squirreling away
a useful tempo move via ...a6) would be met by 7.f4.
7.Kh1
Other possibilities:
mum 7.4 (not very challenging) 7...g5 8.Kh1 h5 9.Kg] h4 10.Kh1
g4 11.fxg4 Kxg4 12.Kg2 h3+ 13.Kg1 Kf3 and wins—analysis by
Hans Kmoch.
mame Speelman and Mestel say, “The best chance was 7.a4 b6 8.b5.
Now the winning plan used in the game wouldn’t work as
Black doesn’t have the tempo-gaining ...a6 in reserve (this is
explained in the note to white’s 12th move). However, he can
still win by another method: 8...f5 9.Kh1 g5 10.Kg1 h5 11.Kh1
h4 12.Kgl e4 13.fxe4 fxe4 14.Kh1 (14.63 exf3 15.e4 94 16.5
g3) 14...Kg4 15.Kg2 h3+ 16.Kg1 Kf3 17.Kfl g4 and wins.”
7...b5
It’s always useful to fix enemy pawns, especially if you are able to retain a
tempo move like ...a6.
8.Kg1 f5 9.Kh1 g5 10.Kgi h5 11.Kh1
White is completely helpless and must sit tight and hope Black can’t find a
way to break through.
11...g¢4
Diagram 424
Vi, Wa Vy Yi
anata
Y,
aati he ya@a
ie
Bow
ane
noe
DG
WU
kK
Ww
me
FPF
©
N
a as
The deathblow finally comes and, not surprisingly, there isn’t a defense. Of
course, 11...h4, as in the note with 7.24, was also winning.
12.e4
This makes things easy. Far trickier is 12.fxg4 hxg4 13.Kgl f4 14.exf4 exf4
15.Khl
Diagra sm 425
kK
we
NN
WO
PN
a becdefgih
Trickier than one might imagine
Hans Kmoch wrote that 15...¢3?? 16.fxg3 fxg3 17.hxg3 Kxg3 was winning, and
a glance might make us agree with him since what can stop black’s King from
marching over to the queenside and eating white’s remaining pawns? Speelman
and Mestel, though, showed this to be an illusion. White draws: 18.Kg1 Kf3
19.Kfl Ke3 20.Kel Kd3 21.Kd1 Kc3 22.a4! (The key defensive trick. Taking
on a4 leaves Black with two rook-pawns. Of course, if we move things over one
file [WH: K-el, P-b3, c4; BL: K-d3, P-b7, c5], Black would win easily—Silman)
22...a6 23.axb5 axb5 24.Kcl Kxb4 25.Kb2, =
Once again, our friends Speelman and Mestel show us the correct way for
Black to continue from diagram 425. 15...f3 16.Kg1 Kh4 and now:
mame 17. KI Kg5 18.h3 gxh3 19.Kh2 Kg4 20.Kg1 Kf4 21.Kh2
Ke4 22.Kxh3 (22.Kg3 h2) 22...Kd3 23.Kg4 Ke2 24.Kg3 and
here we must return to Speelman and Mestel’s comment in
the analysis to 7.a4: “Now the winning plan used in the game
wouldn’t work as Black doesn’t have the tempo-gaining ...a6
in reserve.” This is the position they were referring to. After
24.Kg3 we have a Trebuchet, meaning that whoever has to
move their King loses. Fortunately for Black, he has that all-
important tempo move 24...a6 available, when White must
resign.
mum 17.61 Kh5! (Very nice! Black wants his King on g5 after
White plays Kel. That way the flexible black Monarch retains
the choice of going after h2 via ...Kh4, or penetrating in the
center via ...Kf4—Silman) 18.Kel Kg5 19.Kfl (Not what he
wanted, but 19.Kd2 loses immediately to 19...Kh4 20.Ke3
Kh3 21.Kf4 Kxh2 22.Kxg4 Kg2—Silman) 19...Kf4 20.Kel Ket
21.Kd2 Kd4 22.Ke2 Kce4 23.Kd2 Kb3 24.Ke3 Kxa3 25.Kf4
Kxb4 26.Kxg4 a5 and wins—analysis by Speelman and Mestel.

I (Silman) should add that this is a nice illustration of the old
“opposite corner rook-pawn rule” where whoever promotes
first wins since he covers the queening square of the other
pawn: 27.h4 a4 28.h5 a3 29.h6 a2 30.h7 al=Q, etc.
12...fxe4 13.fxe4
No better is 13.fxg4 hxg4 14.Kg1 e3 15.fxe3 e4 16.Kh1 g3—analysis by
Kmoch.
13...h4 14.Kg1 g3 15.hxg3 hxg3, 0-1. The finish could be: 16.f4 exf4 17.€5
g2 18.e6 Kg3 19.e7 f3 20.e8=Q f2 mate.
Passed pawns are important in all endgames, but they have the greatest impact
in Queen endings. Why is this the case? Let’s look at the following series of
Kingless diagrams.
Diagram 426 Diagram 427
8
7
6
5
4
3
2
1
Fe
DA
KN
NW
NC
In all these diagrams, we have a position where each side has the same piece
(Knight vs. Knight, Bishop vs. Bishop, or Rook vs. Rook), White is a pawn up,
and the defender’s piece is blocking the enemy passed pawn. In each case, the
blockade of the passed pawn can’t be broken.
Let’s compare the following Kingless diagram with the previous three:
420
Diagram 429
a
us. an
a Lo
oa a
aaa
ee
YW,
NM
QA
WN
KR
WwW
NHN
me
©
ue ee
a becde
fg h
Here’s White can break black’s blockade by Qb5/Qb4, Qc5, and Qc7.
This series of four diagrams has shown us that, in positions with Bishop vs.
Bishop, Knight vs. Knight, or Rook vs. Rook, without Kings or other pieces or
pawns helping, a firm blockade can’t be broken. However, ina Queen ending,
this defensive blockade can easily be torn down by the stronger side’s Queen
and pawn.
RULE
Passed pawns have the greatest impact in Queen endgames because a blockade
of an advanced passer is very difficult, if not impossible, to maintain.
The following examples should “brutally” push this rule home.

a 430
Ze 7
ne ea RULE
Am In a Queen endgame,
nN
nan
nA
Pe a passed pawn’s value
is dependent on how
ee
advanced it is. When both
sides have passed pawns,
Patan the player with the fastest

B®
WwW
NH
FP
Ui |
70-7 passer (even if he’s a pawn
or two behind) often has
a becdefeg h
a marked advantage.
Black to move, draw
Though Black is no less than four pawns ahead, white’s single pawn on a6
is so powerful that Black is forced to scramble for the draw (1...Qg5+ forces
perpetual check).
Understanding the rule connected to diagram 430 allows you to save posi-
tions that appear lost, simply because you’ll know that it’s not a material count
that matters, but rather the creation and subsequent speed of a passed pawn.
Diagram 431
Yi, 3, UV
Ya)
GE
a7 ZeY Za
Y
VW,
Zi, ay
Re
HR
N
Nw
NA
White is two pawns down, apparently for nothing. All of black’s pawns
are safe, his King is secure, and white’s queenside majority seems to be
going nowhere fast. But, as has already been stated, material often takes a
back seat to passed pawns in Queen endgames. Since white’s only plus is his
queenside majority, he must create a passed pawn in that sector, no matter
what the price!
1.Qd4+ Kg8
White’s task is even easier after 1...Kh7?? 2.Qf4! when it’s not clear how
Black can save the game: 2...Qb6 (2...Qxf4 3.gxf4 d4 4.Kg1 intending b6 is an
easy win for White, while 2...Qe8 3.Qc7 is also grim for the second player.)
3.Qxf7+ Kh6 4.Qf8+ Kh7 (4...Kg5? 5.Qf4 mate) 5.Kg2 d4 6.Qf7+ Kh6 7.Qb7
Qc5 8.b6!, winning.
2.b6!
re 432
DH
NSN
WwW
NY
UW
@KR
Pe
Sacrificing a pawn (which puts him three behind!) in order to create a far
advanced passer. Also adequate is 2.Qc5 with the idea of Qc6-b7.
2...axb6 3.Qa4 Qa7
Avoiding the losing race that occurs after 3...d4? 4.27 Qa8 5.Qa6 d3 6.Qxb6
Kh7 7.Qb8 Qf3 8.a8=Q Qxf2+ 9.Qg2, 1-0.
4.Qe8+ Kg7 5.Qc8
Suddenly it’s clear that white’s a6-pawn—soon to be unblocked by Qb7—is
light years ahead of black’s whole armada.
5...b5
Realizing that the tide has turned, Black bails out and plays for perpetual
check.
6.Qb7
The most striking way to force the draw. Of course, 6.Kg2 is a bit less extreme:
6...Qd4 7.Qb7 Qe4+ 8.Kg1 h4 9.gxh4 Qh4+, =.
6...Qxf2+ 7.Kh1 Qxg3
Diagram 433
Y, iu, ,,,,
oe
awa aa
Ca Gm
&®
Aee
WDA
kK
FPN
&
N
BMwe
a bc de fgh
Six pawns to one, yet Black must play for the draw!
8.a7 Qels, '/:-'/2.
Since blocking a far advanced passed pawn is often impossible in a Queen

endgame, the defender often resorts to perpetual check as his main “survival
mode” weapon. To combat this, there are two basic ways for the stronger side
to avoid the perpetual and try for the full point.
mame Duel Purpose Queen: The Queen escorts the pawn down
the board and simultaneously covers the only road available to
its King.
wu Doubled Pawn Protective Cover: The doubled pawns

around the stronger side’s King act as a wall, blocking any and
all checks.
Let’s look at each of these concepts in action.
— 434
REMEMBER
The Queen has the

ability to control
the queening square
of a passed pawn
NAO
N
while simultaneously
protecting its King.
Re
BW
NM
Ok
Duel Purpose Queen

White to move
White’s monster b-pawn will win the game unless Black can generate some
counterplay against white’s King. Black to move would allow 1...Qd1+ (1...Qel+
2.Kh2 Qg3+ 3.Kg1 Qel+, etc. is an immediate draw) 2.Kh2 Qd6+ followed by
3...Qxb6. However, the whole “King safety” problem can be taken care of by
one simple move.
1.Qc7!
White’s Queen becomes master of the h2-b8 diagonal (which means that
when white’s King moves to h2 it will be immune from harm) while simultane-
ously forcing through the b-pawn by b7 and b8=Q (the fact that it attacks f7
also doesn’t hurt!).
1...Qe1+ 2.Kh2 Qa5
The only chance.
3.Qxf7+ Kh8
Far easier for White is 3...Kh6 4.Qf4+ g5 (4...Kh7 5.b7) 5.Qd6+ with b7 to
follow. By staying on the h2-b8 diagonal, White leaves Black no hope of saving
the game.
4.Qe8+ Kh7 5.Qe7+
And not 5.b7?? Qc7+ followed by 6...Qxb7. On e7 the Queen covers the c7-
and e5-squares, making it hard to check along the sensitive h2-b8 diagonal.
5...Kh6 6.Qxh4+
Though hardly necessary, why not pocket a free pawn and then return to the
same position alittle bit richer?
6...Kg7 7.Qe7+ Kh6 8.b7 Qa7 9.Qf8+ Kh7 10.b8=Q, 1-0. Note how the
new Queen takes up the task of defending the diagonal.
=a 435
an
©
a
“a “ewa, Nis
V0, “Noe
RP
Ww
UW
NM
HR
Baa a
a bc de#fgih
Doubled Pawn Protective Cover

White to move
In this position white’s doubled f-pawns form a perfect “anti-check seal” against
the attentions of the black Queen. Note that if we took the doubled pawn on
f3 and made it “healthy” by placing it on h2, Black would be able to annoy his
opponent via checks on d5 and/or e4.
Since the King is safe, White can go about the business of promoting his
pawn.
1.c6, 1-0. Black can’t bother white’s King or stop the c-pawn’s decisive
advance.
Let’s see an illustration of these ideas at the highest level.
— 436
~
genres Ey
HR
Ww
NN
Pe
WD
a b ¢c dee f g¢ h
Rubinstein- Capablanca, St Petersburg 1914

Black to move
Black’s a solid pawn down, his c-pawn is loose, and white’s Queen is more
actively placed than black’s. One might think that a superb endgame player like
Rubinstein will reel in the full point, but Capablanca is aware of the principles
illustrated in this section and knows that he must use his queenside pawn major-
ity to create a passed pawn or face certain defeat. If this calls for the sacrifice of
another pawn or two, so be it!
1...b4!
Immediately striving to make a passed pawn.
2.c4!
This is white’s best winning try. In the actual game White played 2.Qxc5
when, after 2...bxc3 3.Qxc3 Qb1+ 4.Kh2 Qxa2 (the powerful passed a-pawn
will soon force White to take a draw by perpetual check) 5.Qc8+ Kh7 6.Qf5+
g6 7.Qf6 a5 8.4 a4 9.h5 gxh5 10.QF5+ Kg7 11.Qg5+ Kh7 12.Qxh5+ Kg7, the
game was agreed drawn.
An instructive position arises that beautifully illustrates our “a passed pawn is
more important than material” philosophy after 2.cxb4 Qxb4 3.Qxa6 c4 4.Qa8+
Kh7 5.Qe4+ Kg8 6.Qe8+ Kh7 7.Qxf7 c3.
ates
Diagram 437
ae
ee
mataUi, bs
AG ao
NN
DA
VW
Kk
ww
PrN
@
an ag faa}
os
Even though White is ahead by three big pawns, the c-pawn is too strong—
White must take a perpetual check.
2...Qc8!
Simply bad are 2...a5?? 3.Qd8+ Kh7 4.Qxa5 and 2...b3?? 3.axb3 Qxb3
4.Qxa6.
Tempting but inaccurate is 2...Qe4? 3.Qxc5 Qb1+ 4.Kh2 Qxa2 5.Qxb4 Qxf2
6.Qe7! with a winning position.
This leaves us 2...Qa7 which, apparently, should (along with 2...Qc8) prove
adequate: 3.¢4 (3.Qd8+ Kh7 4.Qa5 Qe7 5.Qxa6 and now 5...Qxh4 6.Q0b5
Qe7 is okay, but I prefer 5...Qe4, =. I’ll let you figure out the variations here!)
3...a5 4.h5 a4 and, as always, the passed pawn will prove to be equivalent to
a small nuke:
Diagram 438
Fe
DWN
WN
NW
5.25 b3 6.26 Qa8 7.axb3 a3 8.Qd7?? (8.gxf7+ Kxf7 9.Qg6+ Kg8 10.h6 Qa7
11.h7+ Kh8 12.Qe8+ Kxh7 13.Qh5+ is a draw by perpetual check and would be
the sane way to play for White) 8...a2 9.gxf7+ Kf8 and Black wins.
The idea behind 2...Qc8 is twofold: Black intends both 3...Qf5 with ...Qb1
and ...Qxa?2 to follow, and also 3...a5 followed by 4...a4 when a passed pawn
will soon be born.
3.Qb6
This freezes black’s a-pawn and, apparently, ties black’s Queen down to the
defense of both a6 and cS.
3...QF5!
Refusing to buy into the “defend your pawns passively” myth.
4.Qxa6 Kh7!
Diagram 439
ss
nN
WA
WW
WH
NH
FP
It’s interesting how Black, now two pawns down, can play a quiet move like
this and stil] assure himself of good chances. The idea behind 4...Kh7 is clear:
he wants to avoid an unpleasant back rank check after the Queen eventually
penetrates to bi or c2.
5.Qa7
As usual, allowing Black to create an advanced passed pawn is a bad idea:
5.Qb7 Qb1+ 6.Kh2 Qxa2 7.Qxf7 b3 8.Qh5+ Kg8 9.Qd5+ Kh7 10.Qxc5 b2 and
White should bail out with perpetual check.
5...f6!
Another calm move, telling White that he has no good way to improve his
position. Also possible was 5...Qe5!? with the usual idea of giving up lots of
pawns to create an advanced passed b-pawn.
6.Qe7
Also fine for Black is 6.Qa4 Qb1+ 7.Kh2 Qb2 with annoying threats.
The most dangerous move is probably 6.e4 when 6...Qxe4?? 7.Qxc5 is win-
ning for White. However, 6...Qe5! 7.Qf7 Qal+ 8.Kh2 Qxa2 gives Black enough
counterplay to draw.
6...Qb1+ 7.Kh2 Qxa2
Diagram 440
aa
YU,4h
a
am: Ys, “Y
weg
Ww
N
®
ye aS
WDA
KR
Pn
a bc de fgih
Another monster passed pawn
8.Qe4+ Kh8 9.Qe8+ Kh7 10.Qh5+ Kg8 11.Qxc5 b3 when, as we’ve seen time
and again, the strength of the passed pawn, mixed with a Queen’s ability to
torment the enemy King, should allow Black an easy draw. (Some of the varia-
tions were culled from those by Paul Keres in the classic The Art of the Middle
Game.)
:
ne
es
hile Parts One through Eight are part of a detailed study program,
Part Nine (Endgames for Pure Pleasure) is something anyone of
any rating can enjoy. Who doesn’t find the sight of an entombed
or dominated minor piece almost comic in nature? And who
doesn’t stare in wonder at startling tactical thrusts in any phase
of the game?
My favorite “finding pleasure in the endgame” subject, though, surrounds the
eternal “Who was the greatest of all time?” question. Here I picked five players
whose endgame prowess is the stuff of legends. This allows us to analyze what
part of the endgame each of the five excelled in, and see examples of endgame
mastery at levels few will ever rival.
Have fun! I hope the earlier parts of this book, and this section in particular,
allow you to see the endgame as I do: mysterious, of great practical importance,
and most of all beautiful.
430
One of my favorite patterns in chess is the domination or actual entombing
of an enemy minor piece. While rendering a piece helpless can often result in
an uninteresting (one-sided) beating (due to the fact that the side with the en-
tombed piece is, for all intents and purposes, a piece down), at other times the
paralysis of a piece creates a rather eye-pleasing effect.
In general, pawns are the prison bars that entangle Bishops, leaving the once
mighty pieces trapped in a tiny cell. Knights, on the other hand, can easily be-
come dominated (literally frozen) by Bishops. Of course, the noble steed isn’t
immune to the “pen-building” properties of the pawns and, like the Bishop, can
easily find itself imprisoned in a cage.
First, let’s enjoy a medley of basic entombments and dominations.
Diagram 441
AeA
cn
we
®
SN
UD
Fn
a bcdefgh
White to move
An experienced player wouldn’t hesitate to play 1.f6 Bh8 2.g5, entombing

black’s Bishop and leaving himself effectively a Bishop up in the resulting end-
game. Black would be a pawn ahead, but his game is hopeless because the Bishop
on h8 will never see the light of day.
431
Diagram 442
Yjj27, 8% GG,
7% w as
a ‘
nee
mat
na
VW
wrk
N
wPn
“eu
a b cde fgih
White to move
The position in diagram 442 is another no-brainer. White plays 1.Bd7 when
1...Na7 leaves the Knight trapped on a7 and the King trapped in its kingside
tomb. White would then march his King to b6, pick off the Knight, and then
promote his a-pawn.
Diagram 443
7 2@
:“aA“os
nae
WwW
FPN
®
DN
RW
iene
a
oea a a
ab: ¢- dé -e° f gh
Black to play
The game is completely drawn—the presence of Bishops of opposite colors,

and the fact that both side’s queenside pawns can’t be threatened by the enemy
minor piece, doesn’t leave either player with anything to hope for. However,
miracles are occasionally known to occur in chess, and 1.,.Bxh2?? instantly
changes that assessment! After 2.g3 the Bishop is trapped and lost by Kg2
and Kxh2.
The position in diagram 444 is clearly lost for White. Yes, the Bishop on c6
is a monster, and yes, Black has more space on the queenside and kingside. But
the main reason that White is doomed is that c3-Knight is going to be caged.
PART NINE — ENDGAMES FOR PURE PLEASURE 433
—>444
i Ke
un
ao
x
ay
ye
Fe
WN
KR
Nw
abedefgih
White to move
1.NbI1 (1.Na4 Nxa4 2.bxa4 Bxa4 is easy for Black) 1...c3! leaves the b1-Knight
entombed and “a piece down” in the upcoming endgame battle.
Now that we’ve gotten a taste for minor piece imprisonment, let’s see how
such things pan out in actual play.
Diagram 445
gy By aggMH
fe,aa
ay,o%
li
WW
aoa salt
WOR
PNY
a
saa as
a bedefgih
V Pupols - Silman, Portland 1985

White to move
This comic position is overkill, but it also makes an excellent illustration of a

dominated Knight. Black has just played ...Bc5-d4, taking away all the Knight's
squares and effectively freezing it in place. Of course, white’s misery goes far be-
yond this one indignity—his King is trapped in a corner (that’s two “caged” white
pieces!), Black is two pawns up, and black’s King is free to roam the board.
This is one of those occasions where resignation really is the best move, but
White decided to linger in his death agony.
1.Bf3
Black threatened 1...Bg4 when 2.Bc2 allows 2...Bf3 mate.
1...Kf6
Why not let the King take part in the festivities?
3.Be2 Ke5 4.Bf3 h4 5.Be2 Kf4 6.Bd3 Bg4
Threatening both 6...Bxd1 and 6...Bf3 mate.

7.h3 Bxdl, 0-1.
Diagram 446
nea
Y mem"
"ae Ae
Vay YW,
Y
7 Vey Lj
NG
FP
SN
NDA
KR
Nw
a bc defgih
Eddy - Silman, Anchorage 1993

Black to move
This position looks like it should be a fairly simple win for Black since he’s in
effect a Bishop ahead. Due to this, black’s only real question is whether or not he
can penetrate into the queenside with his King after the exchange of Rooks. If he
can (while also retaining a queenside pawn), it’s game over. If he can’t, it might
be a draw. Here are three typical positions that Black will be sure to avoid.
Diagram 447
Vy 4y Vi, fl
Ay nsVi, ,
Vy . a 4
aunt
io ee
Draw
Diagram 448
Vy
Yi, VW: oe
VY (i,j
Alleyawa
///,be
arash
we
DN
kW
Pn
——
Draw
Diagram 449
7 70
ea
aa
nN
an
aA
mo male
BOs ee La
Z “0 8
Vs, Y
es GRY a
Wo
PN
YU.U 7
a bc def gih
Draw
In the first two illustrative diagrams (447 and 448), black’s King can’t enter
the white position and the game is drawn. In the third diagram (449), black’s
King has managed to penetrate but all the queenside pawns are gone. This too,
is a draw.
With these failures in mind, black’s play from our starting diagram (446) is
easy to understand: he will exchange Rooks when his King can penetrate into
the queenside, and he will be sure to retain a queenside pawn.
1...a5
This gains space and also shows that Black is in no hurry. White is completely
helpless so Black should only begin the decisive phase (i.e., trading the Rooks)
after he’s optimized his King and pawns.
2.Kel Bb3 3.Kf2 Rel 4.Bg2 g5 5.h3 g4 6.h4 b5 7.Bfl Ke6?
Failing to embrace a true Cat and Mouse mentality. This well-intentioned but
lazy (and hasty!) move allows White a bit of counterplay by Rd8. Though the
position after 8.Rd8 would still be quite lost, why give the “helpless” opponent
anything at all?
The older (more patient) Silman would have avoided any bother by 7...Rc8!
(taking the d8-square away from white’s Rook) 8.Bg2 (Ah, the sweet sight of the
helpless opponent doing absolutely nothing!) 8...Ke6 9.Bfl Rc2 10.Kel (10.
Rd8 is now hopeless thanks to 10...Rxb2) 10...Rxd2 11.Kxd2 b4 when we end
up back in our actual game.
By the way, Black passed on 7...Rc2?? due to 8.Rxc2 Bxc2 9.b4 axb4 10.axb4
Ke6 11.Kel Kd5 12.Kd2 when White achieves one of our drawing illustrative
diagrams.
8.Bg2
White should have played the last gasp 8.Rd8 and hoped for the best.
8...Re2!
Black can now exchange Rooks in optimal fashion.

9.Kel
The other choices were no better:
mum 9. Rxc2 Bxc2 10.b4 axb4 11.axb4 Kd5 12.Kel Kce4 and black’s
King picks up white’s b-pawn.
mum 9. Rd8 Rxb2 10.Rh8 Bc4 11.Bfl Ra2 12.Rxh5 Rxa3 and it’s all over.
9...Rxd2 10.Kxd2 b4!
Diagram 450
Zo
a0
nN
an
a Went
ce, att
Ae Ae
WN
HR
ww
PrN
The Bishop on b3 and pawn on b4 form a wall against white’s King. This allows
the black King to calmly march to a4 or c4 and enter the white position.
11.axb4 axb4 12.Bh1 Kd5 13.Bg2 Kce4 14.Bfl Ba4 15.Kcel Kb3 16.Kb1
Bb5
Forcing White to make a highly unpleasant decision: give up e2 or let black’s
King into a2 or c2.
17.Kcl Ka2 18.Ke2 Ba4+ 19.Kel Bdl!
Diagram 451
y
AydeF
Aa
aa
ma
Vs Ya
A
a
There were many ways to win, but this is the most fun. It graphically shows
just how bad the entombed Bishop really is.
20.Bg2
After 20.Kxd1 Kxb2, White would be powerless to stop the promotion of
the b-pawn.
20...Bxe2 21.Ke2 Bd3+ 22.Kel b3 23.Bh1 Bf1, 0-1. White’s poor Bishop
was first entombed, and now dominated.
Diagram 452
7-7
ae a
aaa
a
7a
ma
Reh
WwW
N
NO
FN
a becde#fgih
Kujovic - Stryjecki, World Youth Championship 1999

Black to move
One might think that things are not so bad for White since material is even
and black’s King is no better than white’s. However, this evaluation drastically
changes after black’s first move.
1...Ba3!
Suddenly white’s Bishop is stuck on the uninspiring al-square! Though it
seems that black’s Bishop isn’t doing much either, the fact is that it can leap
into action on cl or anywhere along the a3-f8 diagonal in a flash, while white’s
Bishop is a useless hunk of plastic/wood.
2.Kf2 Kf7 3.Kf3 e5 4.Ke4
Also losing was 4.e4 h5 5.g4 Kf6 and now:
mam 6.14 Ke6 (as soon as a white pawn moves to a dark square, the
black King dashes over to the queenside) 7.g5 Kd6 8.Ke2 Ke5
9.Kd2 Kb5 10.Ke2 Ka4 11.Bb2 Bc5 when ...Bf2 followed by
...Bxh4 is completely decisive.
mmm 6.93 Ke5 7.exh5 (on 7.h4+ Black revels in the fact that
a white pawn is on a dark square and rushes over to the
queenside, as in our previous variation and as in our actual
game continuation) 7...Kxh5 8.Kf3 Kh4 9.Kg2 g5 10.Kh2 g4
11.hxg4 Kxg4 12.Kg? Kf4 13.Kf2 Kxe4, 0-1.
4...Ke6 5.¢4 h5S 6.gxh5 gxh5 7.h4
Placing a pawn on a dark square doesn’t seem right, but 7.Kf3 Kf5 is just as
hopeless: 8.e4+ (8.Ke2 e4 9.Kf2 Kg5 10.Kg3 Bel 11.h4+ Kf5) 8...Kg5 9.Kg3
h4+ 10.Kf3 Bel when White is in zugzwang and must resign.
7...Bcl 8.Kf3 Kd5 9.e4+ Ke5 10.Ke2 Kb5, 0-1. White didn’t need to experi-
ence the horror of 11 Kd1 Bf4 12.Bb2 Ka4 13.Kc2 Be3 (13...Bg3 is simpler, but
further Bishop domination is hard to resist!) 14.Bal Ka3 15.Bb2+ Ka2 16.Bcl
Bxcl 17.Kxcl Kb3 18.Kd2 Kb2 and enough is enough.
Diagram 453
. ne 0 Ay0
AO
ofaneta
amt
N
VDA
kK
rPrNYNwYwe
a bc def gih
F Say
-Peters, Los Angeles 1990
Black to move
It only took one move to make White lay down his arms.
1...Be5!
White resigned since his Bishop would end up in a comic situation after ..
2.Bf2
There’s no relief from 2.a5 bxa5, 2.b4 cxb4, or 2.Kfl Kf3.
2...Bc3 3.Bg1 Bel 4.Bh2 a5, zugzwang.
Diagram 454
He
4, m want
VY
XI
OA
UW
KR
WwW
PN
If you’re Black you laugh, if you’re White you cry. Of course, any move White
plays leads to material loss. Thus, White resigned.
Everyone loves the rush of a beautiful or surprising tactical shot. Many play-
ers think such things only reside in the realm of the opening and middlegame.
However, it turns out that the endgame is rich in tactics, tricks, combinations,
and the need for extremely deep calculation.
The forty examples below are grouped in order of difficulty. You can cover
up the answers and try to solve them yourself, or you can just play them over
and marvel at their beauty.
Diagram 455
Pato
Yi
Ai O
ee
“oo os wo
means
Hh
WwW
NH
PB
ND
WD
a
a bcdefgih
1.Rg8+!, 1-0.
Diagram 456
7, 787,
ae a
ame
wW
©
MN
DB
kU
Pn
a becdefgih
Flohr- Spielmann, Bled 1931

1.g6!, 1-0. White makes a new Queen after 1...Rxh5 2.g7!

439
Diagram 457
I,
oe
Va
GY
oon al
J as
“as
Nm
EF
Nw
WDA
wR
a becdefegh
Donner - Spanjaard, Holland 1961

Black to move and win
1...Rh1+! 2.Kxh1 Kg3, 0-1. White’s enormous army can’t deal with the
threat of 3...Rel mate.
Diagram 458
lj, .4,.40
Ay — Ken
Vi, a Y
Yi), ae os
a a “a. Wi
a aMaMate
WwW
vo
Pe
N
AkW
GYiZJTZ
a becdefgih
1.Rg7+, 1-0.
Diagram 459
Vis —
ViY Ba
La A .
“« 2
jor
FP
D
DN
kU
nw
——_————
1...c4!, 0-1. White’s Bishop can’t deal with both pawns (2.Bxc4 g2), and 2.Ke4
allows 2...g2.
—> 460
WV
kK
WwW
BH
ON
FN
a b cde fgih
1.Nxb6! Ke6 2.Na4 Bd6 3.b6 Bb8 4.b7 Kd7

Holding onto the c-pawn by 4...Kd6 allows white’s King to invade the kingside
by 5.Kf4 followed by 6.KgS.
Of course, 4...Bd6 doesn’t really guard cS at all, as shown by 5.Nxc5+.
5.Nxc5+ Kc6 6.Na4
White’s Knight and c-pawn stops the black King from attacking a6. Now all
White has to do is break through on the kingside and it’s game over.
6...Kd7
6...¢5 7.g3 followed by 8.h4 gives White a passed h-pawn.
7.24, 1-0.
Diagram 461
Dg yfa
ot
gigs
*utArs
oe
Black’s King is ready to march to e3 and begin feasting on white’s kingside

pawns. One might peg the second player as the likely winner, but a “small”
tactical device has been overlooked that turns the game in white’s favor.
1.Bh5!!
And not 1.Bc4?? Bd5.
1...Bd5
1...gxh5 2.g6 forces the creation of a new white Queen.
2.Bxg6! Bg8 3.Bxf5 Kd4 4.96 hxg6 5.Bxg6, 1-0.
Diagram 462
77 Te
a ik
YU, Y,
ii,=o ine a”
Y, q Ne
Vj a "Zk
soem ets
hk
FP
®D
DN
UW
5 G
rnynw
abcde ff gh
Averbach - Ragozin, Kiev 1954

1.Nf6+!, 1-0. 2.Re8 mate follows.
Diagram 463
= Y/f, Yi V/,
Oy, Y W,
oi
seins
aa “a
Sa “motel
Ww
AN
kW
PN
X77 7
a bc def gih
Duif Calvin - NN, Internet 2005

1.Rh1! Kxhl
1...f34 doesn’t make any difference: 2.Ke3 (2.Kel amounts to the same thing)
2...Kxh1 (2...f2 3.Ke2!) 3.Kf2 a5 4.a4 stalemate.
2.Kf2 f3 3.Kfl a5 4.44 f2 5.Kxf2 stalemate.
Diagram 464
4g ah ge
a a
a ee
wD
SN
ND
mt Oe
L, ”
am a
Ww
NN
SFP
A
ee W/Ol
s poe doe OP eh
A.A. Troitsky, 1924
1.h7 Rh2
r 1...Rd8 2.Rc4+ Kd2 3.Rd4+! Rxd4 4.h8=Q
2.Rfl+ Kd2 3.Rf2+! Rxf2 4.h8=Q with a theoretical win.
Diagram 465
770
0 tes
amo i
2n2n
e
e m “4
SP
DAN
KRW
Nw “16 26.
a bcdefgih
C Hertan -J Peters, Philadelphia 1979

Black is aiming for a Queen vs. Rook endgame win, something that White
must avoid by checking, threatening to win the f-pawn, and/or keeping black’s
King in front of his pawn.
1...Ke2 2.Re7+ Kf3 3.Rf3+ Kg2
Threatening 4...Rxb7!—white’s moves are all forced.
4.Rg7+ Kh2! 5.Rf7 Rb4+
Black’s plan is clear: he will combine threats of ...Rxb7 with pushing white’s
King backwards until ...Rxb7 pins the Rook to its King!
6.Kh5 Kg2 7.Rg7+ Kh3 8.Rf7 Rb5+ 9.Kh6 Kg3

Again threatening 10...Rxb7.
10.Kh7
Giving in to the inevitable. Black’s concept would be strikingly fulfilled after
10.Rg7+ Kh4 11.Rf7 Rb6+ 12.Kh7 Rxb7.
10...Rxb7 11.Rxb7 fl=Q 12.Rg7+ Kh4 13.Kg8 Qf5 14.Rh7+ Kg5 15.Re7
Kh6 16.Rf7 Qc8+, 0-1. It’s all over, since 17-.Rf8 Qe6+ 18.Kh8 (18.Rf7 Kg6)
18...Qd4+ mates.
—>
”6 Hi an"aUa
2 a Yi, VY,
Sha a xX
aa ao
‘etait
‘wie wees
a bcdefgih
1.Rel! (The only good move!) 1...g2+ 2.Kf2+ gl=Q+ 3.Kf3! Qxel
stalemate.
=
467
Yi 12
77 87/
eran |
Oo nO
YE iM.
Vi lieiy a
wo
Pe
“©
WD
fk
Ww
"a ti
V1 u
Karpov- Hort, Tilburg 1979
1.g5! hxg5 2.h6 Kxa5 3.h7 Rd8 4.Rxf7 bS 5.cxb5 Kxb5 (5...cxb5 6.Rg7 Rh8
7.45) 6.Rb7+ Ka6 7.Rg7 Rh8 8.Ke4 Kb5 9.Kf3 Ke4 10.Rd7 Kd3 11.Kg4
Rxh7 12.Rxh7 Kxd4 13.Rd7+!, 1-0.
— 468
restate
47a
UY
Aa a" QS= 6
ae
YJ TZ “oe
a b c¢ def gih
Euwe -Averbach, Zurich 1953

1...Nxa3! 2.Bxa3 Nb5 3.Bcl Nxc3 4.Ne2 Nb1!, 0-1.
Diagram 469
ag iy iy,Mr
a . in
\, Ay ks
a0 Vi, i
x Mea ViZ
“a. U., a
a
oO
WD
KH
Ww
FN
ALa
a bc de fgih
F. Stamma, 1737
1.Rd1+ Rg 2.Rf1! Rxfl+ 3.Kxfl a5 4.bxa5 b4 5.26 b3 6.a7 b2 7.a8=B mate.

Diagram 470
8 Ay Dy 80/4
7. ae
AX Wo
a
meow
Woo!
‘byoe. of¢ fa
eB
Smyslov- Guimard, Mar del Plata 1962

1.cxb6!! Rel+
This wins the white Queen.
2.Rxel Qxb5 3.bxa7

Unfortunately for Black, the passed a7-pawn will promote.
3...Qc6 4.Rb1 Kh7 5.Rb8, 1-0.
= 471
oO
FP
VM
HR
Nw
a becdeéfgih
Fine -Golombek, Hastings 1935/36

White has pressure against the black King, which means that he would nor-
mally try and retain the Queens so his attacking chances would be enhanced.
However, in the present case White sees that transposition into an endgame
leads to immediate material gains thanks to tactical considerations—namely the
poor position of the black King and the pin along the a3-f8 diagonal.
1.Qe6! Qxe6
Of course, 1...Nxe6 2.Bxd6+ leaves White a piece up.
2.Rxe6 Rb8
2...Ne7 3.Rxb6 followed by Rb5 is decisive.
3.Rxb6!, 1-0 since 3...Rxb6 4.Bxc5+ wins a piece.
Diagram 472
Va, bay Hil

Vo Vi, bye)
Zo Vi, YB KS
Zit YW, UU)
fe
4A CZ
hee
a 1t
a b cde fgih
Ljubojevic - Karpov, Milan 1975

1...b4! 2.axb4
The actual game continuation was less interesting: 2.Kd4 c3 3.bxc3 bxa3 4.c4
a2 5.Kc5 Kb] 6.Kb4 al=Q 7.Bxal Kxal 8.c5 Kb2 9.c6 a3 10.c7 Be6 11.Kc5 a2
12.Kd6 Bc8, 0-1.
2...c3 3.bxc3
The win is also a sure thing after 3.Bxc3 a3, though Black does have to use a
little care: 4.bxa3 Kxc3 5.Kf2 Kb2 6.Ke3 Ba4 7.Kd4 Kxa3 8.Ke5 Kxb4 9.Kxf5
Kc5 10.Ke6 Bb3+ 11.Ke7 Bc2 12.Ke6 Bdl! 13.f5 Bg4 14.Ke5 Kce6 15.Ke6 Bh3
16.Kf6 Kd6.
3...Bc4!
The nice point. By blocking the c-pawn, Black doesn’t allow white’s Bishop
to cover al.
4.b5 a3 5.b6 a2 6.b7 al=Q 7.b8=Q
White has managed to make a Queen of his own, but now his King gets
mated.
7...Qg1+ 8.Kf3 Bd5+ 9.Ke2 Qg2+ 10.Kel Qg3+ 11.Ke2 Bc4 mate.
Diagram 473
of Wf)
Ae
Y
oe
W550 me
fei me
oem,
a be ed ve. -f sh
A.A. Troitsky, 1897

1.Nd4+ Kb1
White’s minor pieces permanently stop black’s pawns (meaning that they will
eventually be captured) after 1...Kd2 2.Nb5 a2 3.Bf6 Kel 4.Na3.
2.Nb5 a2 3.Na3+ Kb2 4.Bf6+ Kxa3 5.Bal b5+ 6.Kc3 b4+ 7.Kc4
The same mate occurs after 7.Kc2 b3+ 8.Kc3 b2 9.Bxb2.
7...b3 8.Kc3 b2 9.Bxb2 mate.

Diagram 474
Mi, 1), J
sacks a
“yo @he
w
N
An
VW
He
pata
FP
AW
WH
NY
7
errant
Simagin - Bronstein, Moscow 1947

Black is about to make a second Queen so one might think that giving per-
petual check is a more or less forced. However, White has a lovely tactical trick
that cements the victory.
1.Bg5!! h1=Q
A “show me” move. However, 1...fxg5 2.f6 is horrible, while 1...Qxg5
2.Qd8+ Kh7 3.Qc7+ followed by 4.Qxh2 leaves White with a winning mate-
rial advantage.
2.Qe8+
2.Qe6+ mates one move faster, but who cares?
2...Kg7 3.Qg6+ Kf8 4.Qxf6+ Kg8 5.Qd8+ Kg7 6.Qe7+ Kg8 7.Qe8+, 1-0.
It’s mate after 7...Kg7 (7...Kh7 8.Qg6+ Kh8 9.Bf6 mate) 8.f6+ Kh7 9.Qf7+ and
10.Qg7 mate.
Diagram 475
a0
aT Te
age
ew
Yi,
a
aaa
YW, Wy
DA
VU
KR
Ww
PrN
JN
a bcdefgih
Vesely - Antos, Czechoslovakia 1968

It seems the Knight must run to the queenside and stop black’s passed a-pawn.
However, if he does that the resulting position on the kingside holds for Black.
Seeing that the basic Knight stop doesn’t get the job done, White looks into
mating patterns that often occur when a King is trapped in a corner. This allows
him to find a very pretty win.
1.Kf7! a4
1...Kh7 2.g6+ Kh8 3.Kf8 followed by 4.Ne6, 5.Nd8, and 6.Nf7 mate.
2.Ng6+ Kh7 3.Ne5 a3 4.g6+ Kh6
4...Kh8 5.Kf8 with 6.Nf7 mate to follow.
5.Ng4+ Kg5 6.Ne3
Now the kingside situation is winning for White so he rushes to stop black’s
pawn.
6...a2 7.Ne2, 1-0. After 7...Kh6 8.Nal the g-pawn is lost.
Diagram 476
77, ane
es a
oa a
oe i
nn
an
@
ws
Y an
rm i.
Fe
WH
NO
Aa ats
oe eo
A
Taimanov - Averbach, Leningrad 1947

White to move, is the obvious move good?
How would you assess this position and which move would you choose if you
were White?
A glance might give the impression that Black’s about to lose afters.
1.Ra8?
But this turns out to be a mistake. Better was 1.Rb7 RaS 2.Bxf8 Kxf8 3.Rxb3
RbS 4.Rd3 Rb8 5.Rd6 Ra8 6.Rxe6 a5 7.Rd6 a4 8.Rd2 a3 9.Ra2 Ke7 10.KB
Ke6. Analysis by Averbach, who feels this position is drawn due to the fact that
white’s Rook is passive and, after ...Ra4, neither his pawns nor his King are
going anywhere.
1...Rb4!!
This eye-opener completely turns the tables.
2.Rxf8+ Kh7
The threat of ...b2 forces White to give up his Bishop.
3.Bd4 Rxd4 4.Rb8 Rd3+ 5.Kf2 a5 6.f5!

Getting some counterplay just in time. White would have lost quickly if he
had allowed Black to advance his a-pawn to a4.
6...Rd5 7.fxe6 Rxe5 8.Rxb3 Rxe6 and Black, being a pawn up, had good
winning chances (and indeed he won in the end after a long battle).
— 477
a bc de fgih
Bonner - Medina, Haifa Olympiad 1976

Here’s a rather odd example of a Knight’s4g “problem” in dealing with a passed

rook-pawn.
1...Nc3!!
A lovely and very surprising move! White’s Knight is trapped and thus he
must capture on c3.
2.bxc3
2.Nxc3 dxc3 3.bxc3 a4 also allows the pawn to make a touchdown.
2...a4 3.cxd4 cxd4 4.c3 a3, 0-1.
Diagram 478
7a 77
peor
abcde fgih
‘Topalov- Kasparov, Linares 1999

Black to play and win
1...Qg1+ 2.Ke2 Qg2+ 3.Ke3
3.Kel Kd3 mates.
3...f44!!, 0-1. After 4.Kxf4 Kd3! 5.Q¢5 (5.Qg¢8 Qxg8 lasts a few moves longer)
5...Qf2 is mate.
Diagram 479
Vi, ]
Vs, 2 a
a wea
a ‘Os
agesa
a bedefégh
Weinstein - Rohde, Lone Pine 1977

One might think that White must be better due to his outside passed pawn.
Indeed, in the actual game White made use of this fact to create a classic Fox in
the Chicken Coup situation: 1...h4?? 2.gxh4 gxh4 3.Kd4 Ke6 4.a5 bxa5 5.bxa5
Kd6 6.a6 Kc6 7.Ke5 Kb6 8.Kxf5 Kxa6 9.Kxe4, 1-0.
However, it turns out that Black could have won by force:
1...f4! 2.gxf4
No better are 2.Kd4 e3 3.fxe3 £3 4.gxf3 h4 and 2.a5 bxaS 3.bxa5 h4 4.Kd4 e3
5.fxe3 £3 6.gxf3 h3 7.a6 Kc7. In both cases black’s h-pawn can’t be stopped.
2...gxf4 3.Kd4 3 4.fxe3 £3 5.gxf3 h4 and White must resign.
Diagram 480
Sof aca
aoe
aMgtih
am a
Now
Fe
VW
BD
DN
ek
a ibe ed ef. hh
Hindle - Méhring, Tel Aviv 1964

1...Be3!
The tempting 1...¢4 2.Kf5 g3 3.fxg3 Bxg3 4.Kg4 Bel 5.Kh3 a2 6.Bxa2 Kxa2
is a draw since black’s rook-pawn is of the wrong color.
2.Kxh6
Of course, 2.fxe3 g4 promotes a pawn.
2...¢4+ 3.fxe3 g3 4.Kh7 22 5.h6 gl=Q 6.Kh8 a2 7.Bxa2 Kxa2 8.h7 Qg6
9.e4 Qf7, 0-1.
Diagram 481
aur ibe oe ade ces Og Ah
Kobaidze - Cereteli, USSR 1969

1...Ke8!
Telling White that he doesn’t need the Knight to draw!
2.Bxb6 Ke7, '/2-'/2. Black just moves his Bishop back and forth along the
el-b4 diagonal and dares White to make some form of progress (which he
obviously can’t).
Diagram 482
Ww
TB
APN
VIO
wR
a becdefgih
1.Qxb4! cxb4 2.Nxh6!

2.Kf8 b1=Q 3.Nxh6 amounts to the same thing.

2...b1=Q
Black also gets mated after 2...gxh6 3.Kf7 h5 4.g7+ Kh7 5.g8=Q+ Kh6 6.Qg6
mate.
3.Kf8!
The threat of Nf7 mate forces Black to chop on h6.
3...gxh6 4.¢7+ Kh7 5.g8=Q mate.
— 483
ite
,a
“GY,
bc
Y
def
U7
gh
A Petrosian - Hazai, Schilde 1970

Black to move and Swindle
Black is lost due to the weakness of his a5-pawn. White intends Qd2 (hitting
a5 and preventing a later ...Be1) followed by Kb3, Nc3, Ka4, and (if necessary)
Na2-cl-b3. Realizing that there is no defense to this plan, Black tries to throw
White off by ...
1...Qb6! 2.Nxb6+??
And White goes for the bait! Instead, he should have ignored the Greek gift
and simply continued with the above plan.
2...cxb6
Threatening 2...h4.
3.h4 gxh4 4.Qd2
White probably felt he would now win by Qd1-h1-h3. However, he’s in for
a shock.
4...h3! 5.gxh3
Else ...h2 follows.
5...h4, —t/.
Diagram 484
BBBy
Y
eo ea
“ee
einei
a bc def gi ih
Teschner- K. Richter, Berlin 1951

1...Ka4!
And not 1...Ka2?? 2.Rxc2 since 2...Rxc2 3.g8=Q is check, or 1...Kb4?? 2.7
when the f-pawn queens with check.
2.¢8=Q cl=N+!, 0-1. Note that 2...Rxg8?? 3.Kxc2 would have allowed White
to draw. After 2...cl=N+ White gave up because 3.Rxcl bxcl=N+! 4.Ke4 Rxg8
5.Kf5 Nd3 6.f7 Rf8 7.Kf6 Ne5 8.Kxe5 Rxf7 followed by ...Rh7 and taking the
h-pawn leaves a simple King vs. Rook position.
Diagram 485
Mi, lo “«
Y “s
os
NN
NA
-a
m
PrP
WH
wre
&
aan
Silman
- Yermolinsky, World Open 1991
Yermolinsky was sure he was going to win at this point. He failed to see my
next move, which sacrifices a second pawn in order to force a positional draw.
1.e5!
This prevents Black from getting two connected passed pawns.
1...Rg3+ 2.Kh2 fxe5
2...gxf4 3.Rxf6 (White also draws by 3.exf6+ Kf7 4.Rc4) 3...£8 4.Kh1! leaves
Black unable to improve his position.
3.fxg5 Rxg5 4.Kh3 RhS5 5.Ra6 Rh8 6.Rb6 Kd7 7.Ra6
Diagram 486
4 ya aX
_ ie a
cm
oe
ae
Bate
al
K
so
ND
kK
WwW
wo
oeaa
abedeéfgih
A positional draw
7...Rh5 8.Kg4 Rh8 9.Kh3 e4 10.Ra4 Re8 11.Kxh4 Kc6 12.Kg3 Kb5
13.Ra2 e3 14.Kf3 Ke4 15.Ke2, '/2-'/2.
o« @
a
he
On
Ww
ae
Zo
Y
&
Stadt
sa aN
me
NO
Yi a
a bc deofgih
Maroczy - Marshall, Monte Carlo 1903

Geza Maroczy was one of the finest endgame players of all time. However,
the crazed tactician Marshall was also very strong in this final stage of the game.
In the present example, we get a taste of Marshall’s ability to calculate deeply
and accurately.
1...Nxb3!!
A real surprise. Why? Isn’t the ...cS-c4+ fork pretty obvious? Yes it is, but the
resulting position leaves White with an outside passed pawn, which could easily
turn the tide in white’s favor.
2.Nxb3 c4+ 3.Ke2 cxb3+ 4.Kxb3

Has Marshall miscalculated and, in his search for beauty, forgotten that outside
passed pawns usually rule the roost in King and pawn endgames?
4...Ke4! 5.Ke2
The straight race by 5.a4 doesn’t get the job done since after 5...d3 6.a5 Ke3
7.a6 d2 Black will queen with check. Instead, Maroczy wisely blocks the d-pawn
with his King before pushing the a-pawn.
5...Ke3
And not 5...d3+?? 6.Kd2 when White wins thanks to his outside passed pawn
which will allow him to make use of the Fox in the Chicken Coup routine (i.e.,
while black’s King is dealing with the a-pawn, white’s King takes the d-pawn
then rushes over to the unguarded kingside to eat everything in sight).
6.Kd1 Kf2 7.24 Kxg3 8.a5 f4 9.a6
9.Ke2 f3+ 10.Kfl d3 is no help to White.
9...f3 10.a7 f2 11.Ke2
11.a8=Q fl=Q+ 12.Kd2 Qg2+ 13.Qxg2+ Kxg2 leads to an easily winning King
and pawn endgame since Black will win white’s h-pawn and then get his King
in front of his remaining pawn.
11...d3+
11...Kg2 wasn’t possible due to 12.a8=Q with check!
12.Kd2
12.Ke3 fl=Q 13.a8=Q Qe2+ 14.Kd4 d2 is also hopeless. Also bad is
12.Kfl1 d2.
12...f1=Q 13.a8=Q Qg2+ 14.Qxg2+ Kxg2 15.Kxd3 Kg3
For those that have studied the earlier lessons in this book, this King and pawn
endgame should be kid stuff!
16.Ke3 Kxh4 17.Kf3 g5 18.Kg2 Kg4 19.Kh2 Kf3 20.Kh3 g4+ 21.Kh2
Kf2 22.Kh1 Kg3
Avoiding 22...g3?? stalemate!
23.Kg1 Kh3, 0-1 since 24.Kh1 g3 25.Kg1 g2 is game over.
Diagram 488
xT
Fe
Ua
ae
aN
1), ome
FP
VV
KR
Nw
ata
“16a
ab uc dine. She.
Ribli-Oszvath, Hungary 1971

White’s a solid Knight ahead. However, Black is able to create a surprising

positional draw. Iwo of his trumps are:
game White's King is cut off from the field of battle.
wm White can’t win if he loses his final pawn.
1...h4!
Giving up his pawn and leaving himself a piece and a pawn down!
2.Rxh4
White also fails to get anywhere with 2.Rf6+ Kh5 3.Rh6+ (3. g6 Rg8 wins the
pawn) 3...Kg4 4.6 Kf5 5.g7 Rg8 and the pawn can’t be retained.
2...Kf5
Now black’s idea is clear: White’s King is still trapped away from the embattled
area, the Knight can’t move without losing the pawn, the pawn will be eaten if
it dares to move, and the white Rook can’t move without losing the Knight.
3.Kc3 Rdl 4.Kc4 Rd8 5.Kc5 Rd3 6.Kc6 Rdl
Black is happy to move his Rook back and forth along the d-file (making sure
he avoids 6...Rd4?? 7.Ng3+) since White isn’t able to improve the position of
his pieces.
7.Ke7 Rd3 8.Rh1
White finally gives it a shot.
8...Re3!, '/-'/2. Seeing that Black avoided 8...Kxe4?? 9.Rg1 (getting the Rook
behind his passed pawn) 9...Ra3 10.g6 Ra8 (10...Ra7+ 11.Kd6 Rg7 12.Ke6)
11.g7 Rg8 12.Kd6 Kf5 13.Ke7 and White wins, peace was agreed since 9.Rgl
Rxe4 10.g6 Re7+ 11.Kd8 Rg7 leaves nothing to play for.
Diagram 489
a eae
ee @7 w
nN
AO
a “a 00.0 &
S
ing
sea
WwW
FN
a bc de fgih
Pal Benko composition, 1988

Black intends to gobble up white’s b-pawn and make a new Queen. Since
White can’t prevent this, one might guess that Black will win. However, White
can save the game by a very strange maneuver.
1.Kd7!
1.Kf5? Ke4 2.Kg4 Kb3 3.c4 Kxc4 4.Kxh4 Kb3 5.g4 Kxb2 6.g5 a3 7.g6 a2 8.97
al=Q 9.g8=Q Qhl1+ 10.Kg5 Qgl+.
1...Ke4 2.Ke7 Kb3 3.Kb8 Kxb2 4.c4, '/2-!/2. After both sides promote their
pawns and Black chops with his Queen on g2, we get a TableBase draw.
3
490
i
Ve. Une 4 4
Vs AN 2S
U
FP
DWBN
WW
er
®Nw
6
a bede@
fF g
Rubinstein-Cohn, Carlsbad 1911

Black to play. Is 1...g5 a good idea?
Black’s position is extremely uncomfortable (he has no space, his Bishop is

absolutely horrible, and white’s d6-pawn is a nightmare), but he thought he saw
a way to end his troubles tactically.
1...g5? 2.fxg5 Rxf2 3.Qxf2 Qxh4+ 4.gxh4 Rxf2
Black must have entered this thinking “I’ve exchanged pieces and have a Rook
on the 7th. My position has really improved!”
5.Rd1
This must have burst his bubble. It turns out that Kg] is crushing since an
exchange of Rooks leaves White with a winning Bishop endgame.
5...Kg7
5...Rb2 6.Rf1 allows White to decisively penetrate along the f-file: 6...Kg7
7.Rf6 Rxb4 8.Bxe6 Bxe6 9.Rxe6 and it’s all over.
6.Kg1! Rf8 7.Rf1 Rxfl+ 8.Kxfl, 1-0. Black has no answer to white’s plan of
Kfl-e2-d2-c3-d4-c5-b6 when ...Bc8 is met by Kc7. Note that 8... Kf8 (trying to
bring the King over the queenside, though this would lose even if he was able
to achieve it) 9.Bh5! creates an impenetrable wall since 9...Be8 10.Bxe8 Kxe8
11.h5 forces the promotion of a pawn.
=
491
Zl ~
tae
odecy Ux a
a bec de fgih
Alburt - Lerner, USSR 1978

At first glance one could easily think that Black is better. After all, his King is
far more active than white’s, and his passed e-pawn seems more dangerous than
white’s on d6 (which is firmly blocked by black’s Knight). On top of all that,
white’s Knight seems out of play on b7. Yet, White can force a win by taking
advantage of the black King’s absence from the queenside.
1.Nxc5!!
I’m sure Mr. Lerner couldn’t believe his eyes!
1...bxc5 2.b4 axb4
Other moves fare no better:
mum 2... Nd7 3.bxa5 Kf2 4.46 e4 5.a7 €3 6.a8=Q e2 7.Qe4 el=Q
8.Qxel+ Kxel 9.25 Nb8 10.Kc3! (Not falling for 10. a6 Nxa6
11.d7 Nb4+ 12.Kb3 Nc6 13.Ka4 Kd2 14.Kb5 Nd8 15.Kxc5
Kc3 when both 16.Kd5 Kb4 17.c5 KbS5 and 16.Kb5 Kd4 17.c5
Kd5 lead to draws) 10...Ke2 11.a6 Nxa6 12.d7, 1-0.
mum 2. cxb4 3.c5 63+ 4.Kxb3 Kd4 (4...Ne4 5.Kc4) 5.c6 Ne4 6.d7
Nc5+ 7.Ke2 Ne6 8.c7 wins.
3.a5 e4 4.a6 Kf2 5.a7 e3 6.a8=Q e2 7.Qf8 e1=Q 8.Qxf6+ Kg3 9.Qg5+
Kh3 10.Qd2 Qal
White also prevails against 10...b3+ 11.Kc3 Qal+ 12.Kxb3 Qbl+ 13.Ka4.
11.d7 Qa4+ 12.Kb1 Qb3+ 13.Kcl Qa3+ 14.Kd1 Qb3+ 15.Ke2 Kg4
16.Qd1!
Not falling for 16.d8=Q?? Qf3+ 17.Kel Qhl1+ 18.Kf2 Qh2+ 19.Ke3 Qf4+
20.Kd3 Qf5+ with a draw by perpetual check.
Though 16.Qd1 is completely decisive, I should add that Mr. Fritz preferred
16.Qd3 Qb2+ 17.Kel when 17...Qe5+ 18.Qe2+ and 17...Qcl+ 18.Qd1+ both
force immediate resignation.
16...Qxc4+ 17.Ke3+, 1-0.
Diagram 492
fk
WwW
wo
wD
NI
UA
F
a b cde ae g h
Topalov- Shirov, Linares 1998

If white’s King can get to e3, black’s pawns will be firmly blocked and the
game will be drawn. Thus, Black must get his King to e4 before white’s reaches
e3. There is only one way to do this:
1...Bh3!!
Absolutely brilliant! The generic 1...Be4 2.g3 Kf5 3.Kf2 only leads to a
draw.
2.exh3
Since 2.Kf2 Kf5 3.Ke3 Bxg2 leaves Black three pawns up.
2...Kf5 3.Kf2 Ke4 4.Bxf6
White also loses after 4.Ke2 a3 5.Kd2 d4 6.Bal £5.
4...d4 5.Be7 Kd3! 6.Bc5 Kce4 7.Be7 Kb3, 0-1. The finish could easily have
been 8.Bc5 d3 9.Ke3 Kce2 10.Bb4 a3 when a pawn turns into a Queen.
Diagram 493
ata,a ,
“G, ee Uf
WwW
“I
FPN
DW
VW
KR
e f gih
Shirov
- Andersson, Biel 1991
1...Bxh4!! 2.Kxh4
Black also wins after 2.Bc2 Bel 3.Kf3 Kg5 4.Bdl Bc3 5.Ba4 Kh4 6.Bd1 Kh3
7.Ba4 Bd4 8.Bc2 Kh2 9.Bdl Kgl etc.
2...Kf5 3.Kg3 Ke4 4.Kf2 Kd3 5.Kel Kxc4 6.Kd2 Kb4 7.Kc2 e4 8.Bg4
a4 9.Bf5 e3 10.Be6 c4, 0-1.
‘Hard Tactics _
Don’t even think about solving these last two positions! Just play them over
and enjoy their raw, lovely complexity.
Diagram 494
uaa
4.0 0 @
Xx
Mi
"ae
pu eee
a
we
FX
—=
Nwo
A
VW
KR
a becdefgih
Pal Benko composition, Magyar Sakkelet 1972

Pal Benko’s endgame compositions simply blow my mind. You can stare at
them for months and never solve them. However, that doesn’t matter! What
does matter is simply looking at the amazing path to victory that Benko weaves
and marveling at its sheer beauty.
1.Nb5!!
A real key move which fully deserves two exclamation marks. The Knight
jump to bS is counter-intuitive since it allows the black King to escape from the
mating net and, in addition, it takes the Knight further from the threatening
pawn, apparently allowing it to promote. Is this key move necessary? Wouldn’t
1.Ne2 lead to a White win? No, 1.Ne2 fails to 1...h2 2.Nac3 b5 (the note after
black’s 1st move shows what happens if Black promotes to a Queen here) 3.Nd4
b4+! 4.Kxb4 Kb2 and Black escapes since his King is out of the trap.
1...Kb1
The best try. The tempting 1...h2 loses beautifully after 2.Nac3 hl=Q 3.Nd4
Qcl+ 4.Kb3 Qb2+ 5.Kc4 b5+ 6.Kd3 Qxf2 7.Nb3+ Kb2 8.Nd1+. It’s now clear
that the black Queen was led into a trap. Due to all the possible forks, she would
have been lost whether she captured the f-pawn or not.
2.Nac3+ Kce2 3.Nd4+! Kd3!
The obvious 3...Kxc3 runs into 4.Ne2+! (A very important move! The obvious
4.Nf3? fails to 4...b5!, when Black can draw.) 4...Kc4 (4...Kd2 fails to 5.Ng1 h2
6.Nf3+, while 4...Kd3 5.Nf4+ is also easy for White.) 5.¢4 h2 6.Ng3 Kc3 7.Ka4
Ke4 8.5 b5+ 9.Ka5, and White wins since he will queen with check.
4.Nd1!!
This is the only way to win. White fails to achieve the victory after 4.f4 Kxc3
5.Ne2+ Kd3, and Black wins because White no longer can play Nf4+. If White
had tried 4.f3 instead of 4.f4, then 4...Kxc3 5.Ne2+ Kd2 wins since 6.Ng1 h2
7.Nf3+ isn’t possible. White can try 4.Nf3, but he still fails to win the game:
4...Kxc3 5.Ka4 Ke4 6.24 b5+ 7.Ka5 b6+! 8.Ka6 b4 9.5 Kd5 10.g6 Ke6 11.Ng5+
Kf6 12.Nxh3 b3 13.Nf4 b2 14.Nd5+ Kxg6 15.Nc3 Kf5, with a draw.
4...h2 5.f4 Kxd4
And not 5...h1=N 6.£5, winning for White.
6.Nf2 Ke3
6...Ke3 7.Ng4+ wins for White.
7.£5 b5S 8.f6 b4+ 9.Ka2 Ke2 10.f7 b3+ 11.Ka3 b2 12.f8=Q b1=Q
13.Qf5+, 1-0.
=>495
abcde fgih
Pal Benko composition, Sakkelet 1987

White seems to be in trouble since he’s a piece down. He faces mating threats
and his passed pawns appear to be frozen in their tracks.
1.Qd1!
White threatens 2.Qd8! Bxd8 3.cxd8=N+!.
1...Qa8
If Black tries 1...Qe8!?, White must avoid 2.Qd8? since the position would
be a draw after 2...Bxd8 3.c8=Q+ Kd5 4.b7 Qe7! 5.b8=Q (White gets nowhere
with 5.Qxf5+ Kc6 6.b8=Q f6+.) 5...f6+ 6.Kg6 Qe8+. However, White still has
a win by answering 1...Qe8 with 2.Qe2+ Be5 3.Qxe5+ Kxe5 4.b7 Qc6 5.c8=Q
Qg6+ 6.Kh8 Oxh6+ 7.Kg8 Qg6+ 8.Kf8 Qh6+ 9.Ke8 Qh8+ 10.Kd7, and Black
must resign.
2.Qd8!
2.Qb3+ Ke7 3.Qe3+ Kd6 4.Qd3+ isn’t nearly as strong.
2...Bxd8 3.b7!
Diagram 496
Ys)
elles
“0 7.0
C0 @
7 _-f aei
Wy
A remarkable situation: the two pawns beat the Queen and Bishop.
3...Qxb7 4.cxd8=N+ Ke7
The game comes down to a race between the passed pawns. Black’s alterna-
tive is 4...Kd5 5.Nxb7 f4 6.Na5 Ke4 (Black also gets caught after 6...f3 7.Nb3
f2 8.Nd2 b4 9.Kg7 b3 10.h7 b2 11.h8=Q fl=Q 12.Qd8+ Ke6 13.Qc8+ Kd6
14.Qb8+ and 15.Nxfl) 7.Nb3 Ke3 8.Nd4! Kxd4 9.Kg8, and the h-pawn queens
with check.
5.Nxb7 Kf8
Black tries to trap the white King and then push his own passed pawns.
6.Nc5 f4 7.Nd7+ Ke7 8.Kg7 f3 9.Nf6
Weak is 9.Nb6? due to 9... Ke6.
9...f2 10.Nd5+ Ke6 11.Ne3, 1-0.
hat “something extra” do the players on this short list have that
other all-time greats didn’t? Every World Champion and true
World Championship Candidate was a giant among grandmas-
ters, and it must be stated that chess legends of this stature were
magnificent at every stage of the game. But each player’s style is
unique, and each player tends to excel in one area more than others. For example,
Alekhine, Tal, and Kasparov would head the list if we were searching for the
greatest calculators and attackers. Petrosian and Karpov would be our choices
if we were looking for sublime positional skills.
On this list, though, we are limiting ourselves to those few who reached the
highest heights in technique and endgame mastery. Such talent in this area of
chess isn’t merely learned; it requires a “feel,” an artistic touch that few ever
achieve.
Putting together such a small list was anything but easy since a case can be
made for the inclusion of several players. Who would have argued if I had placed
Karpov here? And players like Alekhine, Botvinnik, Reshevsky, Petrosian, and
Korchnoi also possess(ed) magnificent endgame skills. Ultimately, I decided to
stick with the classical choices, Lasker, Rubinstein, and Capablanca, with the
addition of Smyslov and Fischer.
Hopefully, this sampling will inspire chess fans to read more about chess his-
tory, and to study the games of all the players I’ve just mentioned—Kasparov’s
My Great Predecessors series is an excellent way to do this. Remember that chess
is more than just a competitive game. Its history is rich in pain and triumph, and
the writings and games of the great masters can both inspire the student to new
heights, and leave one in awe at the depth of artistic beauty they’ve created.
465
Dr. Emanuel Lasker (1868-1941), the legendary German World Champion
who held the title from 1894-1921, had a rather unusual style. His openings
were poor, and his middlegame play, while powerful, didn’t have the fluid feel
of Rubinstein’s. His strengths, though, combined to create a player that dwarfed
the world’s best during his prime years, and instilled fear into the hearts of his
competitors long after he gave up the crown to Capablanca. These strengths
were: An untiring fighting spirit, endless optimism, a magnificent tactical vision,
unsurpassed defensive skills, and an almost flawless command of the endgame.
Our first example shows Lasker overwhelming Frank Marshall from a posi-
tion that the American attacking genius probably expected to draw. Somehow,
Lasker made it look easy.
Diagram 497
WN
AO
VW
KR
WwW
NM
ke
@
Marshall - Lasker, New York 1907

Black to move
466
Capablanca said, “In this position it is black’s move. To a beginner the position
may look like a draw, but the advanced player will realize immediately that there
are great possibilities for Black to win, not only because he has the initiative, but
because of white’s underdeveloped queenside and the fact that a Bishop in such
a position is better than a Knight. It will take some time for White to bring his
Rook and Knight into the fray, and black can utilize it to obtain an advantage.
There are two courses open to him. The most evident, and the one that most
players would take, is to advance the pawn to c5 and c4 immediately in conjunc-
tion with the Bishop check at a6 and any other move that might be necessary
with the black Rook. The other, more subtle, course was taken by Black.”
1...Rb8 2.b3 RbS!
The Rook is very active on the 5th rank, and can torment white’s pawns by
moving to a5, c5, e5 or even hS.
3.c4
This makes sense because it avoids attacks against c2 and also closes down the
a6-f1 diagonal (which black’s Bishop might well have made use of). However, the
resulting positions turn out to be remarkably difficult for White to deal with.
Defenses like 3.Nd2 Rc5 4.Nc4 Ba6 5.Ke2 Bxc4+ 6.bxc4 Rxc4 7.Kd3 Re3+
8.Kxd4 Rxc2, 3.Nd2 Rc5 4.c4 dxc3 5.Nf3, and 3.Nd2 Rc5 4.Nf3 Rxe2 5.Nxd4
were all possible (and might well have been better than what was actually played),
but they look risky and one can understand why Marshall avoided them.
3...Rh5 4.Kg1 c5 5.Nd2 Kf7
Diagram 498
A
WwW
NH
VI
—
@®Yj a
Black’s plan is now clear: he wants to play ...Bg4 (dominating the Knight)
and then bring his King up to eS. After that, ...d4-d3 followed by ...Kd4 is
very strong.
6.Rf1+
A mistake that forces Black to continue with his plan. He should have tried
for queenside counterplay with a3 followed by b4.
6...Ke7 7.23 Rhé!

A fine move that renews the Rook’s flexibility by leaving the 5th rank for the
wide open 6th. Now ...Ra6 looms on the horizon.
8.h4
8.b4 fails to 8...Ra6 9.Rf3 Bg4 10.Rb3 Bdl 11.Rb1 Be2 12.Rcl d3.
8...Ra6
Probing at the weakness on a3. If he can get White to play a3-a4, then ideas
of freeing himself with b3-c4 would be a thing of the past.
9.Ral Bg4 10.Kf2 Ke6
Diagram 499
LL
; ‘,
a
Y
Vi
QA
WW
kK
NOW
FP
FC
N
A nice picture: Black’s King is better than white’s, his Rook is far superior to
the thing on al, and the Bishop is dominating the Knight.
11.a4
11.Nf3 doesn’t help: 11...Bxf3 12.Kxf3 Ke5 when the threat of ...Rf6+ gives
Black a winning game.
11...Ke5 12.Kg2 Rf6
White is completely helpless.
13.Rel d3 14.Rfl Kd4
Black’s plan is a major success. I’m sure Marshall was wondering how he had
allowed such a horrible position to occur!
15.Rxf6 gxf6 16.Kf2 c6 17.a5 a6
The first zugzwang. Any pawn move hangs something, a Knight move gives
up e4, and Kel allows the decisive ...Kc3 when White would be forced into
heavy material losses.
18.Nfl Kxe4 19.Kel Be2 20.Nd2+ Ke3 21.Nb1 £5
Taking his time and not allowing White any counterchances. White is helpless,
so why not make everything perfect before beginning the final phase?
22.Nd2 h5
Another zugzwang. White must step back to bl.
23.Nb1 Kf3 24.Nc3 Kxg3 25.Na4 f4 26.Nxc5 f3 27.Ne4+ Kf4 28.Nd6
The last several moves were all forced. Now both 28...Ke3 and 28...Kg3
(threatening ...f2+) would be parried by 29.Ne4+.
28...c5!
One final zugzwang! 29.Kd2 f2 and 29.Kf2 d2 both lose immediately, while
29.Nb7 Kd3 leads to mate. That only leaves the suicidal advance of the b-pawn.
29.b4 cxb4 30.c5 b3 31.Nc4 Kg3 32.Ne3 b2, 0-1. This game was from a
fifteen game match they played in New York. Though Marshall was considered
to be one of the world’s best players in 1907, Lasker mercilessly routed him 8
wins to none, with 7 draws.
Though he excelled in all kinds of endgames (as we’ve just seen!), his ability
to save poor or even lost endgame positions has never been equaled through
the span of chess history.
> 500
an
©
N
hms
fy CESZ ey)
dasten
Y GY Y
re
WI
hk
WwW
NY
a baa
a bc de fgih
Lasker- Dus Chotimirski, Moscow 1925

White to move
Lasker’s position is completely lost! Let’s see what Reuben Fine had to say:
“White’s light-squared Bishop is stalemated, his pawn structure hopelessly weak,
his other pieces (with the exception of the dark-squared Bishop) have little or
no freedom. In such positions, Lasker’s conception of chess as a struggle has
valuable practical applications: Lasker makes the win as difficult as possible for
his opponent, and he seizes upon any slight chance which his opponent may
regard as unimportant.”
1.Rxe8+!
An important move that cuts down on black’s options since now he must take
back with his Bishop (1...Rxe8?? 2.Bxb3 is something White can only dream
of!). The immediate 1.Bb1 would have allowed 1...Bh5! (1...Ne5 2.Ng3 gives
White undeserved play) 2.¢4 fxg4 3.Rxe8+ Rxe8 4.Ng3 Bg6 5.hxg4 Nb6 6.a5
Na4 with a dead win.
1...Bxe8 2.Bb1 NeS
The entombed Bishop on b1 makes it seem that the position should be won by
itself. Thus, it’s understandable that Black didn’t want to let white’s pieces make
noise after 2...Bxb2 3.Ne3 Bg6 4.Bxd6 Re8 5.Nd5 (though 5...Bd4—centralizing
and stopping any d3-d4 nonsense—leaves White in a bad way).
However, this hesitation to “wage war from a position of strength” ultimately
comes back to haunt Black.
3.Ng3
sr 501
Tx
DBD
DN
UE
vk
Pn
3...Bg6?
Bogoljubov claimed a Black win after “3...Bd7 4.Rd2 Nf7 5.a5 Re8 6.Ne2
Bf6 with ...Bd8 and ...Bxa5 to follow”. While this does favor Black (what
doesn’t?), White can answer 6...Bf6 with 7.d4 when his position is far better
than it initially was.
Instead of all this delicacy on black’s part, it was time for him to cash in with
3...Bxb2! when 4.Nxf5 Bxa4 leads to complicated play (just what Black was try-
ing to avoid!), but both 5.Nxh6+ Kh8 (which is hopeless for White) and 5.Nxd6
Rf8 should ultimately allow Black to prevail.
Note how Dus Chotimirski became lazy due to his crushing position, while
Lasker’s play forced his opponent to either wake up and play well or lose much
of his advantage.
4.Rd2 Rb4?!
He still could have retained an advantage with 4... Nf7, guarding d6 and h6,
and also allowing the dark-squared Bishop to retreat if it’s attacked by white’s
Knight.
5.Ne2 Rxa4?
Keeping the dark-squared Bishop by 5...Bf2 still gave Black some chances.
6.Nxd4 cxd4 7.c5!
Diagram 502
au ue
@&
an
ae
a7 a
4,
yy
AS
WG ROG KS
WY
KR
WwW
Pry
454,07
a becdefgih
Suddenly White is getting real counterplay.

7...Ral?
Like a wounded animal, I would guess that Black couldn’t understand what
was happening to him. After the move played, White actually emerges with the
superior game. Instead of this meltdown, he could have tried 7...Bh5 (threaten-
ing ...Ral since White can’t guard his Bishop with Rd1 anymore) 8.cxd6 Nd7,
but 9.Rf2! intending 10.Rfl1 seems fine.
Black’s last chance to keep some pressure was 7...Be8! 8.cxd6 Nf7 9.Rd1 Bb5
(and not 9...Ral? 10.Bc2!), keeping ...Ral in reserve.
8.cxd6 Nd7 9.Rd1
Threatening Be2!
9...Bf7 10.Rel
Also possible was 10.Bxh6, but that lets Black gain a tempo for queenside
counterplay by 10...a5 11.Rel a4. One fun possibility is: 12.Bg5 a3 13.bxa3
Rxa3 (not 13...b2? 14.Bh4) 14.Re7 Nf8 15.Rb7 Ral 16.Rb8 Be6 17.Bh6 Rxbl
18.Rxf8+ Kh7 19.Re8 b2 20.Rxe6 Rhl+ 21.Kxh1 bl=Q+ 22.Kh2 Qb3 23.R{6
(or 23.d7 Qxe6 24.d8=Q Qe5+ with a draw by perpetual check) 23...Qxd3 24.d7
Qb5 24.d8=Q Qe5+ with a draw by perpetual check.
Lasker’s choice forces Black to deal with some straightforward threats—not an
easy thing for Dus Chotimirski to face since his confidence was likely smashed
to jelly by this time. 10.Re] is also safe since, in case of perfect Black play, White
can always force a draw.
10...a5 11.Re7 Ne5??
Black cracks and manages to complete his nightmare by losinga position that
was once won. He had to play 11... Nf8 when 12.Rel Nd7 13.Re7 Nf8 would
be drawn.
12.Be5! Ra4
12...Rxb1 13.Bxd4 Ne6 (13...Rel 14.Bxc5 Rxc5 15.d7) 14.d7 Nd8 15.Re8+
also loses for Black.
13.Rc7 Ne6 14.d7 Rb4 15.Rc8+ Kh7 16.Rh8+ Kg6 17.Re8
Lasker’s technique is brutal. He wants to get every last drop of juicy goodness
from the position.
17...Rb6 18.Bf4!
Not settling for 18.Rxe6+ Rxe6 19.d8=Q RxeS.
18...Nxf4 19.d8=Q Rc6 20.Re7, 1-0. Poor Dus Chotimirski must have been
emotionally devastated after this loss.
Our final example sees our hero walking on the precipice of defeat. ‘To save
this game, he creates a problem-like draw over the board that had never been
seen before.
Eeieeene
Diagram 503
“— nn
e277)
"® yyy
G2OAe
UG
ane
WN
wer
wy
FP
®
N
A
ap eb see nd) rem uf 9% ih
Emanuel Lasker - Edward Lasker, New York 1924

White to move
Visually White seems to be doing well—his two connected passed pawns seem
very dangerous. The reality of the situation, though, is quite different. White’s
kingside pawns are far slower than one might suppose due to the Rook’s defensive
powers, while ...a6-a5 will create a passed pawn for Black, which the Knight
will have serious trouble dealing with.
The immediate threat is 1...Re8+ 2.Kd4 Rd8, winning the pinned Knight.
Thus, White moves it to safety.
1.Ne3 Re8+ 2.Kd4 Rd8+ 3.Ke4!?
This keeps the King close to his kingside pawns. However, the published
analysis of 3.Kc3!? doesn’t seem particularly compelling. Edward Lasker said
he intended 3...a5 4.bxa5 Ke5 5.95 b4+ 6.Ke2 b3+ 7.Kb2 Rd2+. This analysis
contains a couple flaws. The first blip is, instead of 5.¢5, 5.Nc2, when I don’t
see how Black can win. However, even after 5.¢5 b4+ 6.Kc2 b3+, White should
avoid the blunder 7.Kb2?? and instead give 7.Kc3 a try when, once again, I’m
not sure Black can force a win.
In My Great Predecessors, Part I, Kasparov or Plisetsky simply say, “If

3.Kc3, then 3...Rd6! is unpleasant.” The position after 4.¢5 Kd7 5.f5 Ke8!
(this King move avoids lots of unpleasant checks in many variations) is a very
interesting one.
To say the position is “unpleasant” in diagram 504 is a bit funny, since the
whole endgame is unpleasant for White, whether he plays 3.Ke4 or 3.Kc3. The
real question is, can Black win by force after 3.Kc3? The idea of 3...Rd6 is clear:
to allow White to advance his pawns so they become vulnerable to attacks by
black’s Rook and King (The King will swing over to the kingside via ...Kd7,
...Ke7, etc.).
To make matters worse, Knight moves will allow Black to target b4 by
...Rc6+ followed by ...Re4. Naturally, 3...Rd6 also allows black’s King run to
the kingside by stepping behind the Rook, thus keeping the d-file a no-fly zone
for white’s King.
—=F 504
ae
KRUM
Pa
I a
DA
KRW
Ww
vo
Se
N
7 ‘of“yy
a bc def gih
White to move
One illustration of the problems White faces is: 6.Ng4 (6.Kc2 Rd4 7.Ke3
Rf4 really is extremely unpleasant!) 6...Kf8 7.Ne3 Rd8 when White is in a
mini-zugzwang since a Knight move allows ...Rc8+ followed by ...Re4 while a
King move lets the Rook into d4. Nevertheless, can even these facts guarantee
victory? One important line: 8.Ng2 Rc8+ 9.Kd4! Re4+ 10.Ke5 Rxb4 11.Nf4
and I don’t believe Black can win.
=
505
hk
Ww
NS
WD
PN
For example, 11...Rb1 12.Ne6+ Kg8 13.f6 Rgl 14.Kf5 b4 15.g6 Rfl+ 16.Ke5
b3 17.£7+ Rxf7 18.gxf7+ Kxf7 19.Ng5+ Ke7 20.Ne4 b2 21.Nd2 a5 22.Kd4 and
White successfully stops the pawns.
V’ll leave a truly in-depth analysis of the position after 3...Rd6 to someone
more inclined to spending weeks fishing for its secrets. After all, this section of
the book is titled Endgames for Pure Pleasure, and not The Pain of Drowning
in Chess Variations.
3...a5
With white’s King away from the queenside, the passed b-pawn that this move
creates will cost White a high price to stop.
4.bxa5_ b4 5.26!
ae 506
oa
Vi
nai
a et
shatnte
a DN a
ys,
“oo ue
FP
DA
NkU
NW
oo 6a
Forcing Black to deal with the a-pawn and thus gaining enough time to set
up his upcoming defensive scheme. Alekhine correctly pointed out that 5.g5 b3
6.Nc4 Ke5 7.Nb2 Rd2 8.Nd3+ Ke4 9.Ne5+ Kc3 wins for Black.
5...Kc5!
5...b3 6.Ne4 Kb5 7.Nb2 Kxa6 8.Ke3 Kb5 9.g5 Kb4 10.g6 Ke3 11.Na4+ Ke2
12.f5 Re8+ 13.Kf3 Red (13...Rf8 14.97 Rxf5+ 15.Kg4 Rfl 16.Kg5, =) 14.Kf4
Ra5 15.Nb2! Kxb2 16.g7 Ra4+ 17.Kg3 Ra8 18.f6 Ke3 19.£7 b2, =.
6.a7! b3!?
It’s not clear if this allows a draw or not, so perhaps the Fritz suggestion of
6...Ra8!? (mentioned in My Great Predecessors, Part I) was the way to go.
This whole endgame is so complicated that many of the positions have yet to
be analyzed to definite conclusions.
7.Ndl Ra8 8.g5 Rxa7 9.g6
Diagram 507
a Te
eta
“o ane
ieag
I, a te
“6 Ow
a
“gpm@
bc def gih
9...Rd7
My Great Predecessors, Part I once again bows to computer analysis, which
suggests that 9...Kd6 wins. They mention 10.Kf5 Ke7 and show that things
look grim for White. However, simply 10.Kd4! Rc7 11.g7! Rxg7 12.Kc4 sets up
the same defensive formation that occurred in the actual game.
10.Nb2 Rd2 11.Kf3!
White is saved by his central King. Now 11...Rxb2?? loses to 12.7.
11...Rd8 12.Ke4 Kd6 13.Kd4!
Rushing to the queenside so the King can deal with the black pawn, but sac-
rificing his own remaining pawns to do so.
13...Rc8 14.27! Ke6 15.g8=Q+ Rxg8 16.Kc4 Rg3
Diagram 508
WwW
N
DA
RW
PN
Black must hold onto his b-pawn since most Rook vs. Knight endgames (with
no pawns) are easily drawn.
Edward Lasker (in his classic little book, Chess for Fun and Chess for Blood)
wrote: “This is the move I had calculated would win my game after all. The
other contestants also believed I had now a fairly easy win as White could not
capture my pawn. I remember I left the room at this stage to stretch a little and
was congratulated upon my victory by Bogoljuboff and others who were in the
pressroom and told me the story of the game was ready to be released. However,
when I returned to the table, a rude shock awaited me.”
The only other move worth consideration is 16...Rb8. Shereshevsky (from
his excellent book, Endgame Strategy) gave the following explanation as to
why the game is drawn: “After 16...Rb8 Black again loses his pawn: 17.Kc3 Kf5
18.Nd3 Rb6. Now 19.Kb? is bad due to 19...Ke4, but if White coolly waits with
19.Nb2 Kxf4 20.Na4 Rb8 21.Nb2 Black has no possibility of winning. As soon
as the black King reaches e1 with the white King at c3 and Knight at b2, there
immediately follows Na4 ...Kd1 Kb2, forcing the win of the pawn by Nc5.”
17.Na4 Kf5 18.Kb4 Kxf4 19.Nb2!
Diagram 509
I-77
aaan
nO
fatat
ap
FP
@®
AN
KRU
NW
Edward Lasker: “I was certainly surprised when I saw this move. Examining
the position carefully, I soon realized that I had no way of driving white’s King
away. And I could not cross the 6th rank without exposing the pawn to capture!
The first thing I did was to rush back to the pressroom and tell the reporters
that they should kill their story. I was afraid they might have already released
it, for everyone had been telling them I had an easy win. Then I returned for
another analysis of the position. If I could reach d2 with the King by playing
him in back of my Rook, I could still win. And I made a last attempt.”
19...Ke4 20.Na4 Kd4 21.Nb2 Rf3 22.Na4 Re3 23.Nb2 Ke4 24.Na4 Kf3
25.Ka3!
Edward Lasker: “This foils my plan. After ...Ke2 white would play Kb2 and
I could never approach.”
25...Ke4
25...Ke2 26.Kb2.
26.Kb4 Kd4 27.Nb2 Rh3 28.Na4 Kd3 29.Kxb3 Kd4+, '/2-'/2. This game
took over thirteen hours to complete!
The great Polish Grandmaster Akiba Rubinstein (1882-1961) is the only
player on this list that wasn’t a World Champion. Though one of the world’s
four or five strongest players from 1907 to 1922, his results from 1907 to 1911
demonstrated that he was second only to Lasker, and his total domination in
1912 (four Ist prizes in four powerful events) led some to believe (then and
now) that he was Lasker’s superior at that time. A match between the two was
finally arranged for October 1914, but the advent of World War I prevented
what would have been an amazing battle between two chess titans.
What made Rubinstein great was his tremendous opening preparation, bal-
anced positional skills that allowed him to squeeze/attack/out-maneuver/push
you off the board at will, and an unsurpassed mastery of Rook endgames. In
particular, his credo of “Do not hurry!” served him very well in the endgame,
as we'll soon see.
Our first example is against no less an opponent than Emanuel Lasker!
477
Diagram 510
Be
N
WDA
kK
NW
Rubinstein- Lasker, St. Petersburg 1909

White to move
A pawn up, Rubinstein’s first order of business is in tying his opponent down
to the weakness on a7.
1.Ra5! Rb7 2.Ra6
A very important idea that the student can use in many Rook endgame situ-
ations. White’s Rook hits a7, thus forcing black’s Rook into a passive defensive
role. The Rook on a6 also stops the enemy King from any active undertaking.
2...Kf8 3.e4 Rce7 4.h4 Kf7 5.g4
Having rendered his opponent helpless, White now makes use of his extra e-
pawn and also begins to annex kingside space. Ultimately the advance of kingside
pawns will, hopefully, create an entry square on g6 or f6 for white’s King.
5...Kf8 6.Kf4 Ke7 7.h5 h6
Black weakens the g6-square. However, 7...Kf7 8.Kf5 Ke7 9.5 Kf7 10.e5 Ke7
11.g6 h6 12.Re6+ is also winning for White, as analyzed by Lisitzin:
Diagram 511
ZZ2 osDON
ma"rat
FP
HK
MN
Nw
YD
ba Oe "ss
a becdefgh
mmm 12...Kd7 13.Rf6!! Ke8 (13...gxf6 14.g7 Rc8 15.exf6 leaves

Black unable to stop white’s pawns) 14.Rf7 Rxf7+ 15.gxf7+
Kxf7 16.e6+! and wins since he will stalemate black’s King,
force him to give up a pawn, which will then mate him: 16...
Ke7 17.Ke5 Ke8 18.Kd6 Kd8 19.e7+ Ke8 20.Ke6 a6 21.a3 a5
22.a4 g5 23.hxg6 e.p. hd 24.g7 h4 25.g8=Q mate.
mum 12...Kf8 13.Rd6 Ke7 14.Ra6 Rb7 (14...Kd7 15.Rf6 wins as
above, or 14...Kf8 15.Ke6 Ke8 16.a4 planning a5, Rd6, a6,
etc.) 15.Rc6 Rd7 16.Rc8 followed by 17.Rg8, winning g7 and
the game.
8.Kf5 Kf7
Black can’t let white’s King into g6.
9.e5
Diagram 512
(ee
a.
wm
te
Be
Ale
hk
ZX
NDA
WW
ww
VN
FP
haan
ao ee
a becdefgh
Notice how the e-pawn protects the white King from checks along the 5th
rank.
9...Rb7 10.Rd6 Ke7 11.Ra6 Kf7 12.Rd6
Time pressure or Cat and Mouse? Cat and Mouse is the likely answer since
one doesn’t get many chances to torture a completely helpless Lasker! In other
words, why hurry the execution when you can let your opponent suffer!
12...K£8 13.Rc6 Kf7 14.43, 1-0. At this point I enjoy saying to my students,
“And here, upon seeing this crushing move, Black resigned!” The look on
their uncomprehending faces is always priceless. But this move actually has an
important point! After 14...Kf8 (or 14...Re7 15.e6+ Kg8 16.Kg6 Re8 17.e7
followed by Rd6-d8 is easy) 15.Kg6 the annoying 15...Rb4 would be possible
if the a-pawn still stood on a2. However, with a3 in, Black can’t avoid serious
material losses due to the threat of Rc8+.
Our next example of Rubinstein’s Rook endgame mastery shows the great
Pole making use of his main Cat and Mouse credo: “Take your time” and “No
counterplay allowed!”
Diagram 513
a Bie. di sé. P eee ch
Levenfish - Rubinstein, Vienna 1912

Black to move
Black has excellent winning chances thanks to the road along the a2-g8 diagonal
that will take black’s King straight to the weak pawn on b2. By mixing an attack
against b2 with threats against white’s King, Black will be using the Principle of
‘Two Weaknesses (b2-pawn and vulnerable King) in instructive fashion.
35...Kd5
Starting the journey to b3.
36.Rhd1+ Kc5!
One would have thought that Black would play the immediate 36...Kc4, when
37.Rd4+ Kb3 38.Rb4+ Ke2 39.Rg1 c5 40.Rg2+ Kb1 41.Re4 Rbf8+ 42.Ke3 (42.
Kg3 Rhg8+ is also easy) 42...Rh3+ 43.Kd2 Kxb2 wins.
Far tougher is the very nice defense found by Mr. Fritz: 37.Rd2 Kb3 38.Rad1
Rbe8 39.Kg5! Ref8 40.Kg6! Rhg8+ 41.Kh7 Rg3 42.Rh1 Rfg8 43.Rhh2 when
a Rook exchange (which would win for Black) isn’t possible, white’s King pre-
vents Rook mates on h8, while enemy Rook checks on the rest of the h-file are
stopped by the Rook on h2.
Diagram 514
Ma
ake
NS
CO
WI
KR
Ww
©PN
Fritz creates a tough nut to crack

Fortunately, Black can avoid this by answering 37.Rd2 with 37.. .Rhf8+! when
White doesn’t have the time to set up the Fritz defensive formation: 38.Kg5 RB
39.Kg6 (39.Rel Rg8+ 40.Kh4 Kb3 41.Ree2 Rfl wins immediately) 39...Rg8+
40.Kh7 Rfg3 41.Rh1 R3g7+ 42.Kh6 Rg2 and wins.
Rubinstein made the decision to move his King to c5 instead of c+ because
it’s a much better practical decision. Here’s why:
wm [e's in no hurry (don’t forget Cat and Mouse!), he can play
...Kc4-b3 whenever he wishes to.
mame Why leave c6 undefended in some lines when you can safely
move to b3 on your own terms?
mum Why add to the amount of calculations you have to make

by giving White a Rook check on d4? Note how Rubinstein
refuses to give his opponent any counterplay at all!
mame In some lines where black’s Rook powers its way to the 7th
rank, black’s King will have the option of moving back to b6 or
forward to c4. Thus, 36...Kc5 is more flexible than 36...Kc4.
37.Rd2 Rhf8+
see 515
7 0oll a a
6 onan
5
4 g ss“a
3
2
]
38.Kg3
A zugzwang occurs after 38.Ke3 Rbe8+ 39.Kd3 Rd8+ 40.Ke2 Rxd2+ 41.Kxd2
Rf2+ 42.Kd3 (42.Kel?? Rfl+ wins a Rook) 42...Rxb2 since any Rook move loses
the a3-pawn to ...Ra2, while a King move allows ...Kc4.
Playing for our earlier Fritz defensive formation is a total flop: 38.Kg5 Rf3
39.Kg6 Rg8+ 40.Kh7 Rfg3 41.Rfl (the same hopeless situation is reached after
41.Rad1 R3g7+! 42.Kh6 Rg2 43.Kh7 R8g3 when White is forced to swap Rooks)
41,..R3g7+! 42.Kh6 Rg2 when the threat of ...Rh8 mate forces White to take
on g2 and give Black the 7th rank.
38...Rb7!
Simply threatening mate in two!
39.Kh2
Both 39.Rg2 Rg7+ (which transposes into the actual game) and 39.Rd4 Rg7+
40.Re4 Rxg4+ 41.Kxg4 Rf2 42.Rb1 Kc4 are completely hopeless.
39...Rh7+ 40.Kg1 Rg7+ 41.Rg2 Rxg2+ 42.Kxg2 Rd8
Diagram 516
43.Kf3
The pawn endgame after 43.Rfl Rd2+ 44.Rf2 Rxf2+ 45.Kxf2 Ke4 is resign-
able.
43...Rd2 44.Ra2
Why is White playing on? He would also suffer horribly after 44.Rb1 Ke4.
44...Rd1
There were other ways to win, but this is the most humiliating.
45.Ke2 Rh1 46.Kd3 Rgl
Keeping White in a box and forcing him to either move his King and allow
black’s King to c4, or give up a pawn by pushing the b- or c-pawn. The third
and best option, resignation, seems to have been overlooked by White.
47.c4 Rg3+, 0-1. After 48.Kce2 Kxc4, ...Rg3-g2+ will nuke white’s position
once and for all.
Our final example of Rubinstein’s endgame skills is against the great Alekh-
ine. The classic battle that follows leaves one with a sense of awe at the Polish
layer’s tremendous strength.
play
Diagram 517
Ae coVi
A 8 Ayan
ae Vi
rer
om4" UU bagYW
YG, y
eer
i,
a
a bedeefgih
Rubinstein - Alekhine, Carlsbad 1911

Black to play
1...Re8?
The first thing that both sides had to do is determine if the pawn endgame
after 1...Re8 2.Rxc8 Kxc8 is viable for Black. The answer is no: 3.e4 h6 (3...fxe4
4.fxe4 dxe4 5.¢4 Kd7 6.Ke3 Ke6 7.Kxe4 h5 8.gxh5 gxh5 9.Kf3 Kd5 10.f5 and
white’s passed pawns take care of themselves) 4.e5 g5 (4...Kd7 5.g4 Ke6 6.K{2
Ke7 7.gxf5 gxf5 8.Kg3) 5.g4 (5.fxg5?? hxgs gives Black a drawing fortress since
white’s King can never penetrate.) 5...fxg4 and now not 6.fxg4?? Kd7 7.£5
since, though it looks very impressive, white’s King can’t participate and thus
the game’s a draw.
Instead of the horrific 6.fxg4, White can force a win by 6.fxg5 hxg5 7.Kf2!
(7.fxg4?? once again leaves white’s King with no way to get in) 7...Kd7 8.Kg3
gxf3 9.Kxf3 Ke6 10.Kg4 and it’s all over.
This means that Black is left with two other choices: passive defense (which is
rarely a good idea when you’re defending a Rook endgame) or the active coun-
terplay supplied by 1...a5. Marin points out that this draws by force: 2.Rxb6
Kc7 (2...a42? 3.Ra6 Rxa6 4.bxa6 Ke7 5.Kd3 wins) 3.Rc6+ Kb7 4.Kd2 a4 5.Ke2
Re8 6.Rc3 Kb6.
Having missed this opportunity, Alekhine faces endless pain as Akiba leaps
into “torture mode.”
2.Kd3
Why is White so much better here? There are several reasons:
wammme White's Rook is more active than black’s.
mame White's one queenside pawn holds back black’s two.
wummme Black's King is busy stopping Rook penetrations on c8 and/or
c7. Thus white’s King is far more mobile.
mem The ¢3-¢4 move will create new weaknesses in black’s camp.
wummme Black is passive and can’t do anything but wait for White to
improve his position—Rubinstein’s fondest fantasy!
2...Re7 3.¢4 Re6 4.Rcl

Apparently the exchange of Rooks is winning: 4.Rxe6 Kxe6 5.gxf5+
Diagram 518
ae
a ama
Z YEG
“C0 ow
W071
a bc def gih
Black loses
5...gxf5 (No better is 5... Kxf5 6.Ke2 h6 7.Kf2 h5 8.Kg3 Kf6 9.e4 Ke6 10.Kh4
Kf6 11.exd5 Ke7 12.f5 gxf5 13.Kxh5 Kd6 14.Kg5 Kxd5 15. Kxf5 Kxd4 16.f4 Kc5
17.Ke6 KxbS 18.f5 a5 19.f6 a4 20.f7 a3 21.f8=Q and wins. Analysis by Silman)
6.e4 Ke7 (6...fxe4+ 7.fxe4 dxe4+ 8.Kxe4 gives White a two passed pawns vs.
one position) 7.e5 Ke6 8.Ke3 Kf7 9.Kf2 Kg7 10.Kg3 Kf7 11.Kh4 Kg6 12.¢6
Kf6 13.Kh5 Kxe6 14.Kg5 h5 (14...Kf7 15.Kxf5 Kg7 16.Kg5 Kf7 17.Kh6 Kg8
18.f5 Kf8 19.Kxh7 Kf7 20.f6 Kxf6 21.Kg8 Kf5 22.Kf7 Kf4 23.Ke6) 15.Kxh5
Kd6 16.Kg5 a5 17.bxa6 e.p. Kc6 18.Kxf5, winning (analysis by Marin). This
is proven by 18...b5 19.Ke6 b4 20.f5 b3 21.f6 b2 22.f7 bl=Q 23.f8=Q Qel+
24.Kf6 when the Queen endgame is hopeless for Black.
Why did Rubinstein avoid this? Quite simply, he knew that all King and pawn
endgames are confusing (as explored in Part Eight). If that was the only way to
win, he would have gone for it, but why take the chance that he was missing a
defensive nuance in the King and pawn endgame when he could quietly dole
out the slow, patient death that the Rook endgame offered.
4...Re7 5.Rh1 Ke6 6.Rcl Kd7 7.Rel Rf7 8.Ral Kd6 9.Rc1 Kd7 10.Rc6
Vintage Cat and Mouse! Rubinstein begins to wear down his opponent by,
seemingly, doing nothing.
10...Rf8 11.Ke2
Finally he begins his true plan. His King heads for h4 where it hopes to pen-
etrate into the enemy position, or force Black to create new weaknesses in his
efforts to prevent it.
11...Rf7
The pawn endgame after 11...Rc8 is still lost: 12.Rxc8 Kxc8 13.gxf5! gxf5
14.e4 with play similar to that which occurs from diagram 518.
12.Kf2 Rf8 13.Kg3 Re8 14.Rc3 Re7 15.Kh4
Threatening Kg5
15...h6
— 519
a
nN
AOA
“ed
a0 WAG, 2/1)
Yi ‘&
oe it
KH
WO
PN
“eo 8
a becdefgih
New weaknesses along the 6th rank
Black had to keep white’s King out of g5, but now the 6th rank becomes seri-
ously weakened. Thus, White brings his King back to guard ¢3 and then begins
to “dance” between threats against g6, h6, and a7 with his Rook.
16.Kg3
Intending Kf2 (defending e3) followed by Rc6, immediately taking advantage
of the new weaknesses on the 6th rank.
16...h5
Alekhine realizes (a bit too late!) that he must create some form of counter-
play. Thus he avoided 16...Re8 17.Kf2 h5 18.Ra3 when the horribly passive
18...Ra8 would be forced.
17.Kh4
As always, Rubinstein makes a point of keeping his opponent’s counterplay to
a minimum. The immediate 17.gxh5 gxh5 18.Kh4 allows 18...Rg7 when White
still wins, of course, but why give black’s Rook free reign so quickly? Play might
continue: 19.Kxh5 Rg3 20.Ra3 Rxf3 21.Rxa7+ Kd6 22.Rb7 Rxe3 23.Rxb6+ Ke7
24.Rc6+ Kd7 25.Kg5 Re4 (25...Rb3 26.Kxf5 Rxb5 27.Rc5 is easy for White)
26.Kxf5 Rxd4 27.Ke5 Re4+ (27...Rb4 loses quickly to 28.Rd6+ followed by
29.Rxd5) 28.Kxd5 Rxf4 29.Kc5 Rfl 30.Kb6 etc.
17...Rh7 18.Kg5 fxg4
This sets a cute trap, which Rubinstein avoids.

19.fxg4
Not falling for 19.Kxg6?? g3 20.Kxh7 and now the very tempting 20...h4??
only draws: 21.Ra3 h3 22.Rxa7+ Ke6 23.Rg7
Diagram 520
gx
Vay fo
& ee Yay
AN
aA
Ow
N
ssis
WH
WwW
PFN
a b cde fgih
Black to move
An odd draw
23...h2 24.Rg6+ Kf7 (and not 24...Kf5?? 25.Kg7! hl=Q 26.Rf6 mate) 25.Rf7+
with a perpetual check.
Instead of 20...h4??, Black wins by 20...g2! 21.Rc1 h4 when 22.Ral no longer
draws against best play:
Diagram 521
Tau
ot27, [is
oa
maeigC a
LY
aaa eee
- 7. “a.
a bcde#fgih
Black to move wins
wu 22... .3>? 23.Rxa7+ lets White draw as he did against 20...h4.

mum 22... Kc8?? allows a problem-like situation to occur: 23.f5 h3
24.f6 h2 25.f7 hl=Q+ 26.Kg7 we arrive at the insane position
in diagram 522.
Diagram 522
ABO gs ]
i
et
oe
anata
Ag} Wi, Ui
WwW
w
SN
DA
RW
BN
e777 7%
a bcdefgih
Black to move, only a draw
26...g1=Q+? (simply 26...Qxal 27.f8=Q+ is drawn by perpetual

check) 27.Rxg! Qxg1+ 28.Kf6 and suddenly White wins!
mum (from diagram 521) 22...Kd8! 23.£5 h3 24.f6 h2 25.f7 when
25...h1=Q+?? 26.Kg7 is a draw, but 25...Ke7! 26.Rxa7+ Kf8
wins on the spot.
Great stuff!
19...hxg4 20.Kxg4 Rhi 21.Kg5
Black’s Rook has finally gotten out of its box, but white’s powerful King and
pressure against a7, d5, and g6 will prove decisive.
21...Rb1
White also wins after 21...Rg1+ 22.Kf6 Kd6 23.Rc6+ Kd7 24.KeS.
22.Ra3 Rxb5 23.Rxa7+ Kd6 24.Kxg6 Rb3 25.f5 Rxe3 26.f6
Diagram 523
ae
ae
ataai “i
atatata”
NO
WO
WD
NO
BR
—
Gt
a bc de fgih
White’s active King and far advanced f-pawn guarantee victory, though some
subtle play is still required.
26...Rg3+ 27.Kh7 RB
Or 27...Rh3+ 28.Kg8 Rg3+ 29.Rg7.
28.f7 Rf4
Black’s last stand. His idea is to check along the 4th rank until white’s King
blocks its own pawn on f8. Then he’ll capture the d4-pawn, give up his Rook
for white’s remaining pawn, and draw by running his b- or d-pawn down the
board as fast as he can.
29.Kg7 Rg4+ 30.Kf6!

Diagram 524
Fagg C&S
a a7
ry
ma as
oa WI
YY Ve
Yj
a bcdefgih
Brilliant refutation of black’s plan
Very nice! White will thwart black’s idea by chasing the enemy Rook off the
4th rank with his King, and only then allow himself to be herded to f8 since in
that case the d4-pawn will no longer be under attack.
30...Rf4+ 31.Kg5! Rfl 32.Kg6!
Willingly heading for f8.
32...Rg1+
32... Rf4 fails to 33.Ra8.
33.Kf6 Rfl+ 34.Kg7 Rgl+ 35.Kf8 Rd1 36.Ke8 Rel+ 37.Kd8 Rfl 38.Rd7+
Kc6 39.Ke8
Flawless technique! Black’s only hope is to swing his King to c4 and gobble
the d-pawn. Rubinstein’s maneuver has prevented this since 39...Kb5 would
run into 40.Rxd5+.
39...Rf4 40.Re7 Kb5
Is Black going to get white’s d-pawn after all?
41.Rc7!
No! As always, Rubinstein refuses to give his opponent the slightest hint of
counterchances.
After 41.Rc7, Black resigned due to the following maneuver: 41...Re4+ 42.Kd7
Rf4 43.Ke7 Re4+ 44.Kf6 Rf4+ 45.Ke5 Rfl 46.Kxd5. A magnificent demonstra-
tion of endgame mastery!
José Raul Capablanca (born in Cuba in 1888), is considered by most to have
been the greatest natural talent in the history of the game. He didn’t put much
time into opening study, and much preferred a night on the town to the tedious
task of chess analysis. Nevertheless, when he sat down to play, everything just
seemed to magically “click.” His plans and moves were crystal clear, and no
less a player than Alekhine said that he had never seen anyone else with such a
“flabbergasting quickness of chess comprehension.”
Looked upon as an unbeatable “chess machine,” Capablanca was most fa-
mous for his endgame skills. However, he didn’t play to reach an endgame per
se; instead, Capablanca tended to see the whole game as one living organism,
with whatever set of advantages he obtained often flowing logically right into
an endgame.
489
Diagram 525
SN
NON
WwW
NH
Fe
&
a b cde fgih
Marshall - Capablanca, New York 1909

Black to move
This middlegame position has one outstanding feature for Black: his queenside
pawn majority.
1...Rab8 2.Qe4 Qc7 (Unpinning his Bishop and thus avoiding the threat of
Bh3.) 3.Re3 b5 4.a3 ¢4 5.Bf3 (Lasker said that black’s advantage could be kept
toa minimum by 5.Rd1 Rfd8 6.Rccl.) 5...Rfd8 6.Rd1 Rxd1+ 7.Bxd1 Rd8 8.Bf3
26 9.Qc6 Qe5 10.Qe4 Qxe4 11.Bxe4
eo526
WwW
FPN
®
N
DA
KW
a bcdeéfgih
Black to move
Having zipped through eleven moves, we find that the basic nature of the posi-
tion hasn’t changed at all, except for the fact that we now have an endgame which
is won for Black—black’s middlegame play was completely devoted to achieving
this kind of “queenside majority rules the world” position! Note that the pawns
have become threatening, black’s Bishop is perfectly placed to support them, and
black’s Rook dominates its counterpart since it owns the only open file.
11...Rd1+
“Very important. Black must stop the approach of the white King by means
of Be2 followed by Kf1, etc.” Analysis by Capablanca.
12.Kg2 a5 13.Re2 b4
Black’s moves seem effortless, giving the impression that anyone can do it.
14.axb4 axb4 15.Bf3 Rb1
Diagram 527
7a
a
me
all
on
16.Be2
Kasparov points out that 16.Rd2 also failed: “16...Ral! 17.Be2 Ra2 18.Kfl
c3 19.Rd8+ Kg7 20.bxc3 Ral+ 21.Rd1 (21.Kg2 bxc3 22.Bd1 Ra2) 21...Rxd1+
22.Bxd1 b3 23.Kel b2, winning.” Of course, 24.Bc2 is met by 24...Ba2.
16...b3 17.Rd2
17.Re3 Rxb2 18.Bxc4 Re2!
17...Re1 18.Bd1
18.Kf3 loses nicely: 18...Re2 19.Rd4 c3 20.bxc3 b2 21.Rb4 Bd5+ 22.e4 Rxc3+
23.Kf4 Bb3.
18...c3 19.bxc3 b2 20.Rxb2
Not a happy decision, but 20. Bc2 Rxc2 was even worse. The rest is a dem-
onstration of Capablanca’s usual brutal technique—once he had an opponent
on a hook, few ever escaped.
20...Rxd1 21.Rc2 Bf5 22.Rb2 Rel 23.Rb3 Be4+ 24.Kh3 Re2 25.f4 h5S
26.24 hxg4+ 27.Kxg4 Rxh2 28.Rb4 f5+ 29.Kg3 Re2 30.Rc4 Rxe3+ 31.Kh4
Kg7 32.Rce7+ Kf6 33.Rd7 Bg2 34.Rd6+ Kg7, 0-1.
¥528
ao db ee)ad! te Se» py Gh
Capablanca - Janowski, New York 1913

White to move
This game shows that Capablanca had completely mastered the ideas of
patience and avoidance of counterplay. White’s three advantages: more active
Rooks, space, and superior pawn structure. Apparently, this is all the Cuban
genius needed to grind out a win.
1.g¢4
White’s Rooks look impressive on the half open f-file, but they can’t do dam-
age if they can’t penetrate into the hostile position. 1.g4 is the first step towards
that penetration, since a well-timed g4-g5 will blast open the f-file.
1...b6
Intending to gain space via ...c6-c5.
2.b4!
Nowadays this is a well-known idea in such positions. White’s one pawn freezes
the a6- and c6-pawns and effectively kills black’s whole queenside pawn mass!
In other words, one pawn kills four!
2...Kb7 3.Kf2
If there’s no threat, then Capablanca will happily improve the position of his
King. White’s philosophy is clear: don’t rush, stop all queenside counterplay, cen-
tralize the King, and slowly but surely prepare to blast open the f-file by g4-g5.
3...b5
An ugly looking move that creates a serious threat: Black wants to play ...Kb6
followed by ...a6-a5, with counterplay on the a-file.
4.a4!
Refusing to give his opponent anything at all! Now 4...Kb6 walks head first
into 5.a5+, while 4...bxa4 5.Ral followed by Rxa4 leaves black’s queenside
shattered.
4,..Rd4 5.Rb1 Re5?!
This ultimately loses with hardly a whimper. Though 5...bxa4? 6.Ra5 Re5
7.Ke3 Rd6 8.Rxa4 is winning for White, Black could have made use of his final
active chance and tried 5...a5!
Diagram 529
_ A Y ee
4 Aan
‘ghe Bs
ines
KR
WwW
NN
WD
Fn
EZ ZZ
Best is then 6.axb5 Rxb4 and now 7.bxc6+ Kxc6 8.Ral a4 9.Ra5 Rb2 gives
Black far more counterplay than he deserves. Thus, instead of 7.bxc6+, correct
is 7.Rxb4! axb4 8.Rc5 Re6 9.Ke3 Kb6 10.Rxc6+ Rxc6 11.bxc6 Kxc6 12.Kd4!
and the King and pawn endgame is very unpleasant for Black.
Diagram 530
Here’s a sample of what might occur: 12...Kb5 (12...Kd6? 13.Ke4 c5 14.Kb5

g6 15.Kb6 h6 16.KbS and Black will eventually run out of moves and be forced
to pitch his c-pawn) 13.Kd5 c6+ 14.Kd6 c5 15.Kd5 Kb6 (15...g5? 16.Ke6 c4
17.dxc4+ Kxc4 18.Kxf6 Kce3 19.e5 Kxc2 20.e6 b3 21.e7 b2 22.e8=Q bl=Q
23.Qe4+, 1-0) 16.h4 h6 17.Ke6 Kb5 18.Kf7 c4 19.dxc4+ Kxc4 20.Kxg7 Ke3
21.Kxf6 Kxc2 22.e5 b3 23.e6 b2 24.e7 bl=Q 25.e8=Q with a winning Queen
and pawn endgame.
6.Ke3
The King chases the Rook from its active position and White takes total
control of the game.
6...Rd7 7.a5!
a 531
a etinay
ore 6 fe
ao hice ade
Fp ee h
No more counterplay!
Ending black’s dreams of queenside counterplay once and for all.

7...Re6
Equally depressing are 7...c5 8.bxc5 Kc6 9.d4 and 7...Rxf5 8.gxf5. For those
that want a taste of the kind of slow torture that Black would be forced to endure
after this latter try: 8...Re7 9.h4 Kc8 10.Rg1 Kd7 11.d4 Ke8 12.c3 Kf8 13.Kf4
Rd7 14.h5 Rd8 15.Ke3 (Also very strong is the obvious 15.e5 fxe5+ 16.dxe5
Rd2 17.h6!, but I find the alternative plan of pushing the c-pawn to be quite
instructive) 15...Re8 16.Rel Ke7 17.c4 bxc4 (17... Kd6 18.cxb5 cxb5 19.d5 Ra8
20.Rc6+ is beyond awful) 18.Rxc4 Kd6 19.Re2 Re7 20.Kf4.
8.Rbf1
With black’s counterplay permanently suppressed, White goes right back to
his plan of “conquest along the f-file.”
8...Rde7 9.¢5 fxg5 10.Rxg5 Rh6 11.Rg3
Threatening 12.d4 followed by 13.e5, so Black tries to stop this by bringing
his Rook back to the e-file.
12...Rhe6 12.h4 g6
12...Rh6 13.R¢g4 is certainly no improvement.
13.Rg5 h6 14.Rg4
A new weakness has been created on g6.
14...Rg7 15.d4 Kc8 16.Rf8+ Kb7
Also unattractive is 16...Kd7 17.Ra8.
17.e5 g5 18.Ke4 Ree7 19.hxg5 hxg5 20.Rf5
Diagram 532
@
nn
ate
aca
Ww
me
WN
No
HR
I, V
i L, Y
GY
a bcdefgh
Here’s a quick checklist giving white’s plusses:

mum Vore active King!
gumme More active Rooks!
mm Far superior pawn structure!
geume— About to win material!
Black could resign here with a clear conscience. The rest was kid-stuff for
Capablanca.
20...Kc8 21.Rexg5 Rh7 22.Rh5 Kd7 23.Rxh7 Rxh7 24.Rf8 Rh4+ 25.Kd3
Rh3+ 26.Kd2 c5
Desperation is all that’s left to him. Another form would be 26...Ke6 27.Ra8
Kd5 28.Rxa6 Kxd4 29.Rxc6 Rh2+ 30.Kel Kxe5 31.Rxc7 and it’s over.
27.bxc5 Ra3 28.d5, 1-0. As usual, Capablanca made this endgame appear
remarkably easy.
Okay, so Capablanca was able to make “lower tier” grandmasters like Marshall
and Janowski look bad. How did he do against a monster like Lasker? Well,
let’s take a look!
Capablanca had lost to Lasker in 1914 and, due to the war, they didn’t play
again until a match for Lasker’s title was arranged in 1921. To be fair to Lasker,
he was no longer in his prime, out of practice, and suffered horribly from Cuba’s
stifling heat (Capablanca, of course, was well accustomed to it). After fourteen
games, the Cuban challenger was leading four wins to none (two were lost by
very basic blunders) and Lasker, on his doctor’s advice, resigned the match, thus
making Capablanca the new World Champion.
Here was the situation (after the final game) in Lasker’s own words: “Towards
the end of the fourth hour, just before the time control, I was almost exhausted
and with several obvious errors I ruined my entire strategic plan. I was look-
ing at the board as through a mist, and my head ached suspiciously. This was a
warning to me, and I heeded it.”
Before you think that Capablanca was “given” the title by crushing a used up
old man, consider this: three years later the best players on the planet competed
in one of history’s strongest events ever: New York 1924. Now fifty-five, the
old lion shocked the world by winning the event with a mind-blowing score of
16-4, a point and a half ahead of the 2nd place finisher, Capablanca!
— 533
sw
oO
es
WN
He
Nw
a bec de fgih
Lasker - Capablanca, Havana 1921

Black to move
White’s inferior pawn structure dooms him to eternal misery. Against a

player of Capablanca’s extraordinary endgame talents, the game can already be
considered lost.
1...Rb6!
An accurate move that forces white’s Rook into a clumsy position.
2.Rd3
Forced since both 2.Rb2 or 2.Ncl lose a pawn to 2...Rb4.
2...Ra6!
Creating a new threat of 3...Ral+ which would shut out the white King.
3.¢4
Of course, White would like to try and hold this position intact without cre-
ating new weaknesses. However, this is simply asking too much from white’s
unhappy forces: 3.Rd1 Ra2 4.Kfl Rb2 5.Ncl Ndé6 6.Rel (6.Kel Ne4 7.8 Ne3
8.Rd2 Rb1 9.Rc2 Nb5 is certainly no better) 6...Rd2 7.Ne2 NbS, winning
material.
Another line, pointed out by Kasparov, is 3.Nc3 Ral+ 4.Kh2 Rel 5.b4 Re2
6.Kg1 Rb2 7.b5 Rb4.
3...hxg3 4.fxg3
His life wouldn’t have been any easier after 4.Nxg3 Ral+ 5.Kh2 (Worse is
5.Kg2 Nh4+ 6.Kh2 Rbl) 5...Nd6 6.Kg2 Rb1 when white’s pawn structure is
even more fragmented than it was in the game.
4...Ra2 5.Nc3 Re2!
Threatening 5...Nxd4.
6.Nd1 Ne?!
Heading for c6, where it eyes the d4-pawn and the b4-square.
7.Ne3
7.b4 loses the pawn to ...Rcl followed by ...Rbl1.
7...Re1+ 8.Kf2 Nc6 9.Nd1
Diagram 534
Y, YU, W2F
se
nn
ae wat
nano
- as
maane
oO @e
A ag
Vs ae
KR
Ww
NO
FP
W
This sets a nice trap, but perhaps 9.Ne2!? would have put up more resistance.
9...Rb1!
Avoiding 9...Nb4? 10.Rd2 Rb1 11.Nb2 Rxb2? 12.Rxb2 Nd3+ 13.Ke2 Nxb2
14.Kd2! Kf8 15.Ke2 trapping the Knight, when a draw results after 15...Nc4
16.bxc4 dxc4 17.Kc3 Ke7 18.Kxc4.
10.Ke2?
White had to try 10.Kel, though one would expect Capablanca to eventually
win after 10...Na5 11.Kd2 Rxb3 12.Rxb3 Nxb3+.
10...Rxb3!
This is typical of Capablanca, who often made use of “petite combinations”
like this one.
11.Ke3 Rb4!
Retaining the Rooks makes black’s task much easier. Why? Because the
“army of two” (eventually to be joined by their King and pawns) can work
together to harass white’s King and keep the various weak pawns under con-
stant pressure.
12.Nc3 Ne7 13.Ne2 Nf5+ 14.Kf2 g5 15.¢4 Nd6
White’s position has worsened. Now the h-pawn is fixed and will be perma-
nently vulnerable.
16.Ng1 Ne4+ 17.Kfl
Diagram 535
_, “ Osa Vi
6 L Aa
-Oot “ol
Y
ont
Wi ! ‘Yi
Batt
NR
ma
a bc de fgih
White is dead
White can hold things together for a while, but once Black gets his King and
pawns into the act white’s resistance will crumble. However, note how Black
handles the position: he suddenly goes into Cat and Mouse mode, torturing his
opponent before finally lowering the axe.
17...Rb1+ 18.Kg2 Rb2+ 19.Kf1 Rf2+ 20.Kel Ra2 21.Kfl
21.Nf3 Nf2 picks up the pawn on h3.

21...Kg7 22.Re3 Kg6 23.Rd3 f6
Diagram 536
TT
a oats
i
oie
Be
NN
WDA
kK
Nw
Finally getting on with it. Black will bring his King to d6 and then create a
passed pawn by ...e5.
24.Re3 Kf7 25.Rd3 Ke7 26.Re3 Kd6 27.Rd3 Rf2+
A bit more Cat and Mouse! It seems that Capablanca is having so much fun
watching his opponent suffer that he doesn’t want the game to end.
28.Kel Rg2 29.Kfl Ra2 30.Re3 e5 31.Rd3 exd4 32.Rxd4 Kc5 33.Rd1
d4 34.Rcl+ Kd5, 0-1. 35.Rd1 Ng3+ 36.Kel Rg2 37.Nf3 Re2 mate would have
been a picturesque finish.
Comparing Capablanca and Lasker, an obvious question arises: “Who was the
superior endgame player?” Let’s allow Capablanca to share his opinion (given
after a brilliant tournament victory in San Sebastian, 1911): “The endings were
up to the highest standards, some players thinking that I played them better
than Lasker himself, until then reputed to have no equal. I do not believe that
I played them better, but just as well.”
Born in 1921, Smyslov was the second in a long line of Soviet grandmasters to
win the highest title. His autobiography titled, In Search ofHarmony, sums up his
style and his chess philosophy. Crediting his father for the skills he eventually
became known for, I find these words of Smyslov’s to be extremely interesting:
“He instilled in me a love for so-called ‘simple’ positions, with the participa-
tion of only a few pieces, I was able to gain a deep feeling for what each piece is
capable of, to sense their peculiarities, their strength and impotence in various
different situations on the board, the limits of their capabilities, what they ‘like’
and what they ‘don’t like’ and how they behave. Such a ‘mutual understanding’
with the pieces enables a player to see that which often remains concealed to
purely logical analysis. It is then that the innate ability of a player, which I call
a sense of harmony, manifests itself.”
With words like “simplicity” and “harmony” being tossed about, it’s easy to
imagine Smyslov as a dry player who craved boring positions. However, noth-
ing can be farther from the truth. The 7th World Champion was an excellent
opening theoretician in his prime, and many new, dynamic ideas and even
whole systems bear his name today. A positional player, he possesses a deep
chess intuition that allows him to navigate complex looking situations with a
minimum of calculation.
499
Though at home in both quiet and complicated middlegames, his main

strength is the endgame, and he claimed that his talents in this phase di-
rectly attributed to his World Championship Match victory over Botvinnik
in 1957,
Smyslov’s ability to find simple, to-the-point solutions to complicated end-
games is nicely demonstrated in our first example.
Diagram 537
aia we
“oO aX
&a a aw
mathe
YE
x ADE.Mi Vi;
Y eS
en
Smyslov- Xu Jun, Lucern 1985
White to move
White is a pawn up, but the d-pawn is firmly blocked (and in need of defense!)
and his King is having trouble reaching the juicy pawn on h6. However, the
64-year-old endgame genius makes the process look easy.
Some key points:
mame White doesn’t want to allow black’s King to move to e5.
wm Black can’t let white’s King land on e5, since then the blockade
against the d-pawn will be broken.
gum ‘Trading Bishops, even if it loses the d-pawn, usually leads to
a winning pawn endgame since white’s King is closer to the
h-pawn than black’s is to the a-pawn.
meme To win, White must figure out a way to safely get his King to
f5 where it will target h6 for assassination. This goal can only
be achieved through the use of zugzwang.
1.Bf5!
Temporarily breaking black’s hold on the f5-square and forcing the defender’s
Bishop toa less flexible diagonal.
1...Ba6
Forced. Two quick ways to lose would be:

mum 1...Bb7?? 2.Be6 Bxd5 (else White plays Kf5) 3.Bxd5 Kxd5
4.Kf5 Kc5 5.Kg6 Kb5 6.Kxh6 Kxa5 7.Kg5 Kb4 8.h4 a5 9.h5
a4 10.h6 a3 11.h7 a2 12.h8=Q and we get a well-known
situation where the promotion of one rook-pawn prevents the
promotion of the other!
wae 1... Bxf5?? 2.Kxf5 Kxd5 3.Kg6 Ke5 (going after white’s a-pawn
puts Black even farther behind in the race than he was in the
previous variation) 4.Kxh6 Kf6 5.a6 Kf7 6.Kg5 Kg7 7.Kf5 and
White marches over to the queenside and captures the pawn
on a7.
2.Be6
Defending the d-pawn and threatening a decisive penetration by Kf5.
2...Bd3 3.Bf7
White needs to show some fancy footwork if he wants to break through to
h6. For example, the straightforward 3.Kg4 (threatening 4.Kh5) can be foiled
by 3...Bg6.
3...Ke7
Also possible is 3...Bc2 when 4.Kg4 (threatening 5.Kh5) 4...Ke7 (4...Bd1+
5.Kf5) 5.Be6! Bg6 (worse are 5...Kf6 6.Kh5 Kg7 7.d6 Bdl+ 8.Bg4, 1-0, and
5...Bd1+ 6.Kf5 Bc2+ 7.KeS when White has landed on the winning e5-square)
6.Bf5 Bf7 7.Be4 Kf6 (7...Kd6 8.Kf5 and White’s successfully broken through)
8.Kf4 Bg8 9.d6! Be6 (9...Ke6 10.Bd5+!) 10.Bf3 Bd7 11.Bg4 has led to the suc-
cessful breaking of the blockade against white’s d-pawn.
Diagram 538
Dea a
(Gee
yg GG
ans
ee LY J
momma
Pre
VU
©
we
DN
“ow a
ab, > de
of sh
Care is still required
Incredibly, play is still somewhat complex, and surprising pitfalls exist: 11...Bb5
12.d7? (So natural and so wrong. I’m not sure White can win after this move)
12...Ke7 13.h4 Bc6 14.Ke5 Bb5S 15.d8=Q+ Kxd8 16.Kf6 Be8 17.Kg7 h5 18.Bf5
Kc7 19.Bg6 Bc6 20.Bxh5 Kd6 21.Bg6 Bf3 22.a6 (22.h5 BxhS 23.Bxh5 a6 wins
the a5-pawn and forces a draw) 22...Kc6 23.h5 BxhS 24.Bxh5 Ke7 25.Kf6 Kb8
26.Ke5 Ke7 27.Kd5 Kb8 and Black has miraculously created an unassailable
fortress (see diagram 253 in Part Six)!
Diagram 539
wo oe
te
A
i 020, Osgo
i a fe
a gate
WwW
NY
sma
NN
WD
KR
“eo ne
Draw
Fortunately for White, the win is fairly easy after the accurate 12.Ke4! (Tar-
geting black’s a-pawn for death. Note how the d6-pawn keeps black’s King
from coming to the defense of the queenside) 12...Bc6+ (12...Kf7 13.Ke5 when
14.Bh5+ will end things quickly) 13.Kd4 Bb7 14.Kc5 Kf7 (or 14...Be4 15.Bc8
when the a7-pawn will fall) 15.Bd7! Kf6 16.Kb5 Ke5 17.Bc6, 1-0.
4.Bh5 Kd6
4...Kf6 5.Bg4 Bc4 6.d6 takes us to the note to black’s 3rd move.
5.Bf3
Diagram 540
oe
tgaeo“.
i
on "o ©
an
a
2.0.72
bcdeéfegih
Believe it or not, the end is near! One might be justified in asking what White
has achieved—isn’t his Bishop on the same diagonal (h1-d5) that it started on?
However, now black’s Bishop has been herded to the b1-h7 diagonal, and a well
timed Be4 will shatter that control and give white’s King access to the coveted
f5-square.
5...Be2
PART NINE — ENDGAMES FOR PURE PLEASURE
Tucking the Bishop away on the kingside doesn’t work either: 5...Bh7
6.Bg2! (Forcing black’s Bishop off of h7. The immediate 6.Be4 Bg8 7.Kf5 fails
to 7...Bh7+.) 6...Bg6 7.Be4 Bf7 8.Kf5 and White has achieved the desired
position.
6.Be4 Bdl 7.Kf5
At last!
7...Be2 8.h4
It doesn’t hurt to get this pawn a bit closer to its queening square (as long as
it stays on a safe dark square!).
8...Bh5 9.Kf6 Be2 10.Bg2!
Very accurate. Now a later ...Ke5 won’t attack the Bishop.
10...Bg4 11.Kg6 hS
Note that without 10.Bg2, Black could now play 11...Ke5, hitting the Bishop
with tempo, before guarding his h-pawn.
12.Kf6!
Still denying black’s King access to e5.
12...Be2 13.Be4 Bg4 14.Bh1 Be2 15.Kf5
White’s King is heading back to f4 (all the while covering e5!) where it can
support the Bishop’s move to f3, winning the hS-pawn.
15...Bg4+ 16.Kf4 Be2 17.Bf3!, 1-0. The King and pawn endgame after
17...Bxf3 18.Kxf3 Kxd5 19.Kf4 Kc5 20.Kg5 Kb5 21.Kxh5 Kxa5 22.Kg5 leaves
White way ahead in the race, while 17...Bb5 18.Kg5 Be8 19.Bxh5 is also game
over.
An impressive display, no doubt, but let’s amp up the voltage a bit and see how
Smyslov completely outmaneuvers his opponent in our next position.
Diagram 541
an
@
s
wo
Ny
KR
=
a b cde fgih
Smyslov - Golombek, London 1947

White to move
White is better due to his more active King and his superior pawn structure
(two pawn islands to black’s three). To increase his advantage, White must place
his Knight on g4 and his Bishop on c3, dominating the enemy Knight. Any
trade of white’s Bishop for black’s Knight will increase the first player’s chances
because the black Bishop has very little mobility while the white Knight can
dance to almost any square on the board. Once White gets his Bishop to c3 and
his Knight to g4, the threat of Nf6 will force black’s h-pawn to move to h5. This,
in turn, weakens the g-pawn. When this is done, White will train his sights on
g6 and, if necessary, freeze it in its tracks by h3 followed by g4-g5.
1.Nd1!
Vacating the c3-square for the Bishop while intending to swing the Knight
to f2-¢4-f6.
1...Bd6
Black wasn’t enticed by 1...e5 since, aside from the fact that the d5-square is
seriously weakened and made accessible to the white King and white Knight
via Ne3-d5, the creation of a kingside pawn majority would be much simpler
to achieve after 2.5.
2.Nf2 Nd8
White wasn’t worried about 2...Nd4 since 3.Bc3 would force it into immedi-
ate retreat.
3.Bc3 Nf7 4.Ng4
Heading for f6 where it will attack h7. Keep in mind that any advance of
black’s h-pawn will seriously weaken the pawn on g6.
4...h5?!
There was no reason to push this pawn until it was actually attacked. Now
white’s advantage takes on very serious proportions.
5. Bf6+!
> 542
KR
wo
NY
Se
SN
YD
Smyslov plays very accurately. The Bishop’s leap to f6 stops Black from trying
any ...g6-g5 ideas.
5...Kd7 6.Nf2 Bc7
Too passive. He had to try 6...Be7 7.Bc3 g5 8.fxg5 Nxg5+, though White
would retain a considerable advantage with 9.Kf4.
7.Nd3 Kce6 8.Ne1
Bad would be 8.Ne5+?? BxeS since it wouldn’t be possible to attack g6 with-
out the white Knight, while the black Knight would keep white’s King out of
e5 and g5.
With 8.Nel White intends to swing the Knight around to h4, where it will
target g6 for destruction.
8...Nd6+ 9.Kd3
The bold 9.Ke5 would be answered by 9...Kd7 and not 9... Nxc4+?? 10.Kxe6
when the threat of Kf7 is decisive.
9...Nf5 10.Nf3 Kd7
Black decides against 10...b5 since 11.cxb5+ Kxb5 12.Ng5 would win material.
11.Ke4
Threatening 12.Ne5+ Bxe5 13.Kxe5 followed by a Bishop move and Kf6,
when white’s King penetrates into the enemy camp.
11...Nd6+ 12.Ke3
White’s King is heading for f2 where it will defend g3. Then h2-h3 followed
by g3-g4 will force the black Knight into a passive position.
12...Nf5+ 13.Kf2 Bd6 14.h3! Bc7 15.g¢4 hxg4 16.hxg4 Nh6 17.Kg3
Diagram 543
=X
nn
VW
HR
WwW
PN
a.“bee
di se. af gh
Hard to stand up to white’s slow torture
17...Nf7
White wins easily after this final display of passivity. Black had to try 17...Ke8
when 18.Be5 Bd8 19.Bb8 a6 (19...Nf7!? might be stronger) 20.Ne5 g5 21.Nc6
Bf6 22.Be5 BxeS 23.Nxe5 gxf4+ 24.Kxf4 leaves White with an outside passed
pawn in the Knight endgame.
18.g5
The annoying and highly destructive threat of Nh4 is once again “on,” and
18...Nd6 loses to 19.Ne5+.
18...Bd8
Of course, 18...Nd6 is met by 19.Ne5+.
19.Kg4 Bxf6 20.gxf6 Kd6 21.Ne5!, 1-0.Black would have nothing left to
play for after 21...Nd8 22.Kg5.
The following endgame was a key moment in Smyslov’s match against Botvin-
nik for the World Championship, and demonstrates how deeply and flawlessly
he could play these positions.
Diagram 544
a aa
oe a
Ma
imrs
i aS _ a
alt!
a bc defgih
Botvinnik - Smyslov, Moscow 1957

Black to move
1...Kh6
The game was adjourned at the diagrammed position and this was Smyslov’s
sealed move. Later, he had this to say: “The game was adjourned and the follow-
ing morning Goldberg, Botvinnik’s second, sent me an offer of a draw. The b3-
pawn and the Knight at c2 create a defensive line which the black King is unable
to cross. However, Black has a plan of penetrating with his King to the queenside,
using zugzwang motifs, via the Ist rank. And so the game continued.”
2.Nc2 Be7 3.Kg3?
Kasparov pointed out that White could have drawn by exchanging off black’s
a-pawn: 3.a3 Kh5 4.b4 axbé (4...a4 fails since he won’t have time to take the h-
pawn after 5.b5) 5.axb4 Bxh4 6.b5 Bd8 7.Kg3 g5 8.fxg5 Kxg5 9.Kf3 Bb6 10.Nel
(10.Nb4! also appears to draw) 10...Kf6 11.Ke2 f4 12.Kd3! fxe3 13.Ne2! e5
14.Nxe3 Ke6 15.Nxd5! Kxd5 16.dxe5 Bd4 17.b6 and Black can’t avoid the draw
since he loses his final pawn.
After the mistaken 3.Kg3, black’s magnificently precise play eventually drags
his opponent down to defeat.
3...Kh5 4.Kf3 Kxh4 5.Nel g5 6.fxg5 Kxg5 7.Nc2 Bd6 8.Ne1
According to Smyslov, 8.a3 no longer works since “8...Kh4 9.b4 a4 10.b5 Bc7
11.Nel KgS 12.Nc2 Ba 13.Nel Bb6 14.Nc2 Kf6 and the pawns on the a-file
improve black’s winning chances.”
8...Kh4
a 545
anon
RP
WV
HR
NW
The beginning of a beautiful journey by the black King. The game R Schutt-]
Peters, Los Angeles 1989 (diagram 360) comes to mind.
9.Nc2 Kh3 10.Nal
As in our note to white’s 8th move, 10.a3 Kh2 11.Kf2 Be7 12.b4 a4! is still
strong.
10...Kh2 11.Kf2 Bg3+
This forces white’s King to give ground and allows black’s King to move afile
closer to the white’s e-pawn and ultimately to the queenside.
12.Kf3
The same thing results from 12.Kfl Bh4 13.Ke2 Kg2.
12...Bh4 13.Nc2 Kg1 14.Ke2
14...Kfl1 can’t be allowed.
14...Kg2 15.Nal Be7 16.Nc2 Kg3 17.Nel Bd8 18.Nc2 Bf6
Diagram 546
Our first zugzwang! White can’t move his Knight due to the threat of ...f5-f4,
and he doesn’t want to play 19.Kd3 since that would allow ...Kf2.
19.a3
19.Kd3 Kf2 and now:
mum 2().23 Be7 21.b4 a4! is a theme we've seen before.
mum 20). Kxc3 Ke2 21.23 e5 22.b4 exd4+ 23.cxd4 Bd8 is completely
overwhelming. Analysis by Fritz.
mum 2().Nal Kel 21.Nc2+ Kdl 22.Nal Be7 23.Nc2 Bd6 24.Nal
Kel 25.Kxc3 Bb4+ 26.Kd3 Kb2 27.Nc2 Kxa2 wins. Analysis by
Smyslov.
19...Be7 20.b4
Let’s allow Smyslov to tell us what happens after the advance of the a-pawn:
“20.a4 Bd6 21.Nel e5 22.dxe5 Bxe5 23.Kd3 (23.Nc2 d4! 24.exd4 Bd6 25.Ne3
f4 26.Nf5+ Kge4 27.Nxd6 f3+ and one of the pawns queen) 23...d4! 24.exd4
Bd6 25.Ne2 (25. Kxc3 Bb4+) 25...f4 26.Kxc3 f3 27.Ne3 f2 28.Kd3 Kf3 29.Nfl
Bf4! (A lovely example of a Bishop dominating a Knight!—Silman) 30.d5 Kg2
31.Ke2 Kg] and Black wins.”
20...a4 21.Nel Bg5 22.Nc2 Bf6
Diagram 547
rnyw
PH
xX
IWD
kK
a becdefgih
A second zugzwang!
23.Kd3
Since any Knight move allowed 23...f4, white’s only alternative was: “23.b5 Bd8
24.Nel Ba5 25.Nc2 Kg4 26.Nel Bc7 27.Ne2 (27.Nd3 c2 28.Kd2 Ba5+ 29.Kxc2
Kf3, or 27.Kd3 Bb6 28.Ke2 4 29.exf4 Bxd4) 27...Bb6 28.Nb4 f4 29.exf4 Bxd4
30.Kd3 (30.Nd3 Kf5 31.Kf3 Bb6) 30...Bb6 31.Kxc3 Kxf4 32.Nc6 (32.Kd3 Ke5
33.Nc6+ Kd6) 32...Ke3 33.Kb4 d4 34.Ne5 d3 35.Kxa4 (35.Nc4+ Kd4) 35...d2
36.Nc4+ Ke2 37.Nxd2 Kxd2 38.Kb4 e5 39.a4 e4 40.a5 Bd8 41.b6 €3 and Black
wins.”—Smyslov.
23...Kf2 24.Nal Bd8 25.Nc2 Bg5
A third zugzwang! Since 26.Nal Bxe3 won’t do, and since 26.Kxc3 Ke2 27.b5
Bd8 28.Kb4 Kd2 29.Nal Kxe3 is resignable, that only leaves the advance of the
b-pawn.
26.b5 Bd8 27.Nb4 Bb6 28.Ne2 BaS5
Diagram 548
aa
aa
C et
a ee
Sora
“Gta
A ame
FP
DN
KW
nw
Our fourth and final zugzwang! Every legal move either hangs a pawn, or
allows black’s King to decisively step on el.
29.Nb4 Kel! and White resigned due to 30.Nc2+ (30. Kxc3 Ke2) 30...Kd1
31.Nal Kel 32.Nc2 Kb2.
Born in 1943, the legendary American grandmaster was an aggressive, “try to
win at all costs” kind of player. Possessing opening preparation that was ahead
of its time, the work ethic of an Alekhine, the technique of a Capablanca, and a
will to win that terrified literally everyone he faced, Fischer bulldozed through
the world’s best players on his way to the highest title.
Though Fischer played ultra-sharp openings like the King’s Indian and the
Najdorf as Black, and 1.e4 as White, don’t make the mistake of pegging him as
an attacking player—his was a style based on iron logic and deep positional ideas,
and he was always happy to leap into an endgame, secure in the knowledge that
few could challenge him in this stage of the game.
Fischer’s love of Bishops was well known, and his magnificent handling of
them in the endgame has never been equaled. Our first example is an excellent
illustration of Fischer’s incredible chess education.
510
=" 549
WwW
Oo
~FN
UD
aoaaamae
es
inal i
Taimanov- Fischer, Buenos Aires 1960

Black to move
Poor Taimanov suffered in several games due to Fischer’s skill in Bishop

endgames. His comments, from his excellent book Taimanov’s Selected Games,
give us a taste for what he went through in the game:
“I got into time trouble and before the control I missed a sure win. But in
the adjourned position I still had winning chances—Fischer faced a difficult
defense. My colleagues took bets: ‘Bobby won’t save the game, such accuracy
is required!’
“And indeed, when after tactical complications the game went into an ending,
where Bobby was a pawn down, one sensed that the correct decisions would not
come easily to Fischer, and that he was balancing on the edge of the abyss. But
then the critical, most important position was reached, and ... Bobby suddenly
began playing quickly and faultlessly, like an automaton—he rattled off more
than a dozen difficult moves within a minute, and the draw became inevitable.
Stunned by sucha finale, I asked him: ‘Bobby, how did you manage to find this
saving path, and so quickly?’ ‘I didn’t need to find anything,’ said the contented
Fischer with a smile, ‘a few years ago your magazine Shakhmaty v SSSR pub-
lished a detailed analysis of this ending by Averbakh, and I remembered all the
variations perfectly well.
999
1...Bg3
The Bishop and d-pawn will form a block to the white King that will force
White to part with a g-pawn in exchange for black’s d-pawn. The resulting posi-
tion, though seemingly dangerous for Black, is in fact a forced draw.
2.Kfl d3 3.Bb4
3.5 Kd7 4.¢5 Kf5 5.Bf6 Kg6, =.
3...Kd7 4.Bel Bf4
Threatening 5...d2, winning a piece.
5.Bc3 Bg3 6.g5 Ke6 7.86 Ke7(??)

Here we step into a bit of controversy, since this move has been considered
to be satisfactory since it was played in 1960. However, IM Jack Peters claims
that it loses and says that black’s correct drawing line was 7...Bh4! 8.¢4 Bg5
9.Kf2 Bh6 10.K Bg5 11.Bd4 Bh6 12.g7 Kf7 13.Bf6 Bcl 14.g5 Kg8 15.¢6 Bh6
16.Bc3 Bg5, =.
8.Bel
Having sidetracked black’s King, it’s time to free his own monarch from its
cage.
8...Bf4 9.Bh4+ Kf8 10.23
10.Bf6? Bg3, =
10...Bd6 11.Kf2 Bc5S+ 12.Kf3 Kg7 13.Bg5 Kxg6 14.Bf4(??)
And this move has also been glossed over in past notes. However, it turns out
to a blunder that allows Black back in the game. Jack Peter’s analysis proves that
14.Be3! Bb4 15.¢4! Kf6 16.Bf4 Kg6 17.Ke3 d2 18.Ke2 wins for White.
14...Kh5 15.Ke4 Kg4 16.Kxd3 Kf3
Diagram 550
Z Ya, Wi
ee
BAe ome
oa aSoa"
WY
Knowledge never hurts!
Fischer no doubt was playing fairly rapidly at this point, well aware that the
unavoidable exchange of g-pawn for his b-pawn would lead to a position that
he was well acquainted with.
17.Bc7 Bf2 18.Bd6 Bel
A little dance ensues. White takes his time (a bit of Cat and Mouse) before
finally winning black’s b-pawn in exchange for his g-pawn.
19.Kd4 Kg4 20.Kc5 b4 21.Kb5 Kf5 22.Kc4 Ke6 23.Bce7 Kf5
He doesn’t want to allow the pawn to advance to g4.
24.Kd3 Kg4 25.Bd6 Bc3 26.Kc4 Bel 27.Bxb4 Bxg3
Fischer takes no more than sixty seconds for the rest of the game!
28.Bc3 Bd6 29.Kd5 Be7 30.Bd4
Threatening BcS followed by b4-b5S.
30...Bb4
Forcing white’s King to give ground if the pawn is to safely advance.
31.Kce4 Ba5 32.Bc3 Bd8 33.b4
It turns out that (from diagram 551) if Fischer had played 33...Kf5 (instead of
his hyper-accurate 33...Kf4), a position from the game Capablanca-Janowski,
New York 1916 would have been reached after 34.Kd5. Amazingly, Janowski
resigned! At that time, analysts erroneously justified Janowski’s decision by
presenting the following line: 33...K5 34.Kd5 Bbé (It turns out that 34...Kf4!
would still have drawn) 35.Bd4 Bc7 36.b5 Bd8 37.Kc6 Ke6 38.Bb6 Bg5 39.Bc7
Be3 40.Bd6 Bf2 41.Bc5 Bg3 42.b6 Bf4 43.b7 Bg3 44.Bb6 Bb8 45.Bc7 Ba7 46.Kb5
Kd7 47.Ka6 and White wins.
Diagram 551
: © Vay
"YU, “eo Ay“a
of“eo 8 @ fe
a, “o
ey “Gel
g
:
: aeO
AW
WwW
NY
Pp
Seat
a b cde fgih
33... Kf4!
It was only years after the aformentioned Capablanca game that Fischer's
defensive scheme (bringing the King over the top of the pawn instead of in
front of it) was discovered.
34.b5 Ke4 35.Bd4 Bc7
White’s King will again have to give ground in an effort to advance his pawn
to b6.
36.Kc5 Kd3 37.Kc6 Kc4!
The point of black’s play. The pawn isn’t going anywhere.
38.Bb6 Bg3 39.Ba7 Bc7!, '/2-'/2.
Our next example is a complicated ending (once again Fischer possesses his
favorite Bishop!) where Fischer mixes mathematical precision and fine art,
creating one of the greatest endgame performances of all time.
— 552
ln
Fischer - Taimanov, Vancouver 1972

White to move
White’s advantage is clear: the Bishop is far more active than the Knight, white’s
Rook is more active than its counterpart, black’s King has no way into the enemy
position while white’s has a path down the fl-a6 diagonal, and black’s kingside
pawns are all on light-squares, meaning they will be permanently vulnerable to
attack by the Bishop.
1.Bb5 Rd6
Black is hoping to trade Rooks and then swing his Knight to d6 where it will
create a complete blockade by depriving white’s King of access to the c4-square.
White doesn’t mind the swap of Rooks, but he’ll only allow this to happen once
he prevents the Knight maneuver to d6.
2.Ke2!
It’s important that white’s King can recapture on d3 after a Rook exchange on
d3. For example, 2.Rd3?? Rxd3+ 3.Bxd3 Nd8! when Black forms an unbreakable
blockade after 4.Bc4 Ke7 5.Bd5 Kd6 6.Bg8 Ke7 7.Ke3 Nb7 8.Kd3 Nd6 (note
that 9.b4 Kf6 10.bxa5 bxa5 still leaves White with no way to enter).
2...Kd8
After 2...Rf6 there follows 3.Kd3 Rd6+ 4.Kc4 Rd2 5.Rd3+ Rxd3 6.Kxd3
Kd6 7.Bxc6 Kxc6 8.Kc4 Ke7 9.Kd5 Kd7 10.c4 when Black must allow White
to clean out his pawns on one side of the board (10...Kc7 11.Ke6 or 10...Ke7
11.Kc6).
3.Rd3 Ke7 4.Rxd6 Kxd6 5.Kd3
White now threatens to trade Bishop for Knight and get a winning King and
pawn endgame.
5...Ne7
5...Ke7 6.Bxc6 Kxc6 7.Kce4 Ke7 8.Kb5 was given by Marin: 8...Kb7 9.c4 Ke7
10.Ka6 Ke6 11.Ka7 Kc7 12.b3 Kc6 13.Kb8. Very nice, but far simpler is 8.Kd5
Kd7 9.c4 when we have the note to black’s 2nd move—Black will lose all his
pawns on one side of the board.
6.Be8
Starting a magnificent sequence where the Bishop ties the Knight down to
the defense of its pawns while simultaneously forcing black’s King back so that
its own monarch can advance.
6...Kd5 7.Bf7+
Kicking the King back so white’s can claim c4.
7...Kd6 8.Kce4 Kc6 9.Be8+
Again pushing black’s King backwards so that white’s can move up to b5. The
fact that the Bishop is dominating the enemy King and Knight at the same time
is remarkable.
9...Kb7 10.Kb5 Nc8 11.Bc6!+
This bully of a Bishop once again forces the black King’s hand—he must give
up control over either a6 or c6. It’s also important to point out that Fischer could
have ruined his masterpiece by 11.Bxg6?? Nd6 mate. This kind of helpmate in
an endgame has become known in some American circles as a “Nigel Short.”
11...Ke7 12.Bd5
Threatening Ka6
12...Ne7
Black also loses after 12... Nd6+ 13.Ka6 and now:
mum 13...Ne4 14.Bf7 Nxg3 15.Bxg6 Kc6 16.Be8+ Kce7 17.Kb5 Ne2
18.Bxh5 Nxf4 19.Bf7! dominates black’s Knight. He can resign
after both 19...Nd3 20.Bg6 or 19...Kd6 20.Kxb6.
mam 13...c4 14.Be8 Kc6 15.Bh7 Ne4 16.Bxg6 Nxg3 17.Be8+ Ke5
18.Bf7 Ne2 19.Bxh5 Nxf4 20.Bd1!—Kasparov. It might seem
clear to Mr. Kasparov, but let’s check out a few more moves:
20...Nd5 21.h5 Nf6 22.h6 £4 23.Bf3 Nh7 24.Be4 Ng5 25.h7
Nf7 26.Bg6 Nh8 27.Bh5 and the pesky Bishop continues to
dominate black’s pieces.
— 553
om.
; ate
- Wi
Yi, aaa
kK
Ww
PN
VW
aae
a becdefgih
Domination
The game might finish: 27...Kc6 28.Bf3+ Kc5 29.Kb7 Ng6 30.Bh5 (There
are other ways to win, but I love this theme!) 30... Nh8 31.Kc7 b5 32.axb5 Kxb5
33.Kd6 Ka4 34.Bd1+ Kb5 35.Ke7, 1-0.
13.Bf7 Kb7
Black seems to have managed to keep white’s King off of a6, but now the
Bishop regroups and manages to create a lovely zugzwang.
14.Bb3 Ka7 15.Bd1 Kb7
Forced. A Knight move allows the decisive Kc6.
16.Bf3+ Kce7
16...Ka7 17.c4! powers the white King into black’s camp: 17...Ng8 18.Kc6
Nf6 19.Kd6 Ne4+ 20.Ke5 Nxg3 21.Kf6, winning.
17.Ka6
Diagram 554
aeu
Lo
I
NN
+
Ww
NY
Fe
A
Success! Next up, bringing the Bishop back to f7 or e8 so it can continue to

bind the Knight.
17...Nc8 18.Bd5 Ne7 19.Bc4!
This allows the Bishop to go to f7 with gain of tempo.
19...Nc6
19...Kc6 20.Bb5+ Kc7 21.Be8 will lead to the same position as the game.
20.Bf7 Ne7 21.Be8
Diagram 555
Sy
yn Uj
vw
N
Fn
WDA
&
Zugzwang
This might well be the greatest Bishop of all time. Having completely outma-
neuvered the whole black army, it now creates a winning zugzwang!
21...Kd8
Black has no other move.
22.Bxg6!
The heroic piece now sacrifices itself in service to its King.
22...Nxg6 23.Kxb6 Kd7 24.Kxc5
White gets two protected passed pawns on the queenside vs. a rather clumsy
Knight. Two things can happen: one of the queenside pawns will promote, or
the pawns will be stopped but white’s King will infiltrate the kingside and clean
out those pawns as well!
24...Ne7 25.b4 axb4 26.cxb4 Nc8
Trying to hold off the pawns by 26...Kc7 also fails: 27.b5 Kb7 28.a5 Nc8
(28...Ng8 29.Kd5 Nf6+ 30.Ke6 Ne4 31.Kxf5 Nxg3+ 32.Kg6) 29.Kd5 Na7
30.Ke6 Nxb5 31.Kxf5 Nd4+ 32.Kg6 Ne2 33.f5 Nxg3 34.f6, 1-0.
27.a5 Nd6 28.b5 Ne4+ 29.Kb6 Kc8 30.Kc6 Kb8 31.b6, 1-0. One possible
finish could be: 31... Nxg3 32.a6 Ne4 33.a7+ Ka8 34.b7+ Kxa7 35.Kc7 and the
pawn queens with check. This perfect performance put Fischer up 4-0 in their
match, which he ultimately won by the unheard of score of 6-0!
Just in case you think that Fischer was a one minor piece kind of guy, let’s see
how he handles a Knight.
Diagram 556
Damjanovic- Fischer, Buenos Aires 1970

Black to move
Here we have a classic case of a flexible Knight vs. a “ghost” Bishop (i.e., a
Bishop that can move all over the board without ever being able to make contact
with an enemy piece or pawn). It might appear that Black has no way to penetrate
into white’s camp, but the truth of the matter is that White is dead lost.
1...Kb5
Preparing to advance the a5-pawn.
2.Kd3 a4 3.bxa4+
It turns out that 3.Ke3 a3 is extremely strong since it fixes the a2-pawn, which
suddenly becomes aserious target: 4.Kd3 Kc5 5.Ke3 Ne8 6.Kd3 Nd6 (threaten-
ing ...NbS-c3 winning the a2-pawn) 7.Bd7
—— 557
Re
NW
a bc de ofgih
Has black’s plan been foiled?
7...Nc4! 8.Be8 (Accepting the inevitable, since 8.bxc4 b3 forces the creation
of a new Queen.) 8...Nb2+ and it’s all over since 9.Kc2 let’s the black King in
by 9...Kd4, while 9.Ke3 Nd1+ followed by ...Nc3 picks up the a2-pawn.
3...Kxa4
Fischer has calculated the rest out to white’s resignation.
4.Kc4 Ka3 5.Kc5 Kxa2 6.Kxb4 Kb2 7.Kc5 Kce3 8.Kd6 Kd4 9.Ke6 Nxe4
10.Kf7
Of course, 10.Bxe4 Kxe4 11.Kf6 Kf4 12.Kg6 e4 doesn’t give White any chance
at all in the race.
10...Nf2 11.Kg6 e4 12.Kxh6
The alternative was 12.Bxe4 Kxe4 13.Kxh6 Kf4 14.Kg7 Nxg4 15.Kg6 and
now black’s clearest (and most fun!) way of winning is 15...Nh6!
Diagram 558
oe
Y),, Jl aon
NON
©
s
iy Ay a
e's Va
awe
A
Ww
NH
—
YZ a
a bedefgih
White to move, but Black wins
16.Kxh6 g4 17.Kg7 g3 18.h6 g? 19.h7 gi=Q+ 20.KE7 Qa7+ 21.Kg8 (21.Kg6

Qd4 followed by ...Qh8) 21...Kg5 22.h8=Q Kg6 and White gets mated in a
few moves. You’ll be familiar with this entertaining “let him Queen then mate
him” endgame if you studied Part Six.
12...e3 13.Kg7 e2 14.h6 el=Q 15.h7 Qe7+ 16.Kg8 Ne4!, 0-1. A good time
to give up since 17.h8=Q+ falls on its face due to 17...Nf6+, winning white’s
Queen. That only leaves 17.Bxe4 Kxe4 18.h8=Q Qe8+ 19.Kg7 Qxh8+ 20.Kxh8
Kf4 when black’s g-pawn will soon promote.
We’ve seen Fischer’s skill with Bishops. We’ve seen that he could wield a mean
Knight. And we’ve seen his enormous endgame knowledge. Let’s finish our study
of Fischer by taking a look at how he fares in an ultra-intense position when the
pressure of a World Championship is hanging over his head.
Diagram 559
777
ame a a
oo o.8
52 Ms 7//,
iw Y LRG
ANG
ZLNG
Wp Lh
‘ea Y Y
ae
Vay
Y
WiUi
MN
C&C
NQA
KR
Nw
~
a bee: ~.di ye 3 -8"ih
Spassky
P - Fischer, World Championship,
iP Reykjavik
ys) 1972
White to move
A very complicated position: White has a Bishop for three strong queenside
pawns. This is obvious. What make things difficult to figure out are the fol-
lowing questions:
mame With white’s Rook (which eyes al), King and Bishop all
defending the queenside, just how threatening are black’s
queenside passers?
mum How big a part will black’s fourth passed pawn on f5 play?
muume White has the option of pushing his h-pawn and creating a
passed pawn of his own.
An interesting aside is that chess engines like Fritz and Deep Junior give Black
an overwhelming advantage here (the poor things don’t realize that the position
is balanced, a draw being the proper outcome). That should give the reader a
glimpse into just how hard it was to play this endgame correctly.
1.h5!
An excellent move. White understands that passive defense won’t save the
game, so he sacrifices a pawn (giving Black an unprecedented fifth passed pawn
in the process!) in order to create his own passed g-pawn.
1...c4
Creating the threat of ...c3+ (blocking the Bishop’s control of the al-h8 di-
agonal) followed by ...al=Q. Black sees that he can capture white’s pawn next
move, since neither 2.h6 nor 2.hxg6 are playable (as shown in the note to white’s
second move).
2.Ral
Forced. The two moves that White would prefer to play both lose:
2.h6 c3+ 3.Kd3 al=Q 4.Rxal Rxal 5.h7 Rdl+ 6.Kc2 Rh1 7.h8=Q Rxh8
8.Bxh8 Kc4 when the three passed pawns easily beat white’s Bishop. Analysis
by Gligoric.
2.hxg6 c3+ 3.Bxc3 Rd8+ is game over since 4.Kc2 Rxd1 5.Kxd1 (5.g7 Re1+!
6.Kxcl bxc3 7.g8=Q al=Q+ forces mate, while 5.Bb2 al=Q 6.Bxal Rxal 7.g7
Ra8 is also 0-1) 5...bxc3 forces white’s immediate resignation.
2...gxh5 3.26 h4! 4.¢7!
An old analysis by Purdy gave 4.Bxh4 b3 5.Kc3 Rg8 as winning. However,
instead of 5.Kc3??, 5.Bf6! is a hard nut to crack: 5...Rd8+ 6.Kc3 Rd3+ 7.Kb2
Rg3 8.g7.
Kasparov’s answer to 4.Bxh4 is superior to Purdy’s: 4.Bxh4 Rg8 5.Rxa2 Rxg6
6.Ra8 c3+ 7.Ke2 Rg2+ 8.Kd3 Rd2+ 9.Ke3 Rd6! “One of the Black pawns would
have inevitably queened.”
4...h3 5.Be7 Rg8

The following Botvinnik quote is quite interesting: “Fischer finds a paradoxical
solution: he stalemates his own Rook, but blocks white’s passed pawn and ties
his Bishop to it. Now five passed pawns are fighting against the white Rook.
Nothing similar had previously occurred in chess. Spassky was astounded and
he lost. Soon Smyslov found a draw for White, but would he have found it at
the board, sitting opposite Fischer?”
6.Bf8!
This move, which entombs black’s Rook, is white’s only good reply. Two los-
ing possibilities:
mam 6.Rxa2?? Rxg7 is completely hopeless for White.
wummme- 6.Bf6 h2 7.Kc2 Re8! 8.Rh1 Re2+ 9.Kd1 Rg2 10.Rxh2 Rgl+
11.Ke2 c3 and Black wins. Analysis by Kasparov.
6...h2
A better try than 6...c3+ 7.Kd3 h2 8.Rf1 f4 9.Rd1f3 10.Kd4 f2 (Three passed
pawns are poised to promote on their 7th rank, but the Rook stops them all in
their tracks.—Silman) 11.Kd3 Kc6 12.Ke2 al=Q (Else the black King won’t be
able to penetrate to the kingside.—Silman) 13.Rxal Kd5 14.Kd3 c2 15.Kxc2
Ke4 16.Rf1! Kf3 17.Bc5 with a draw. Analysis by Soltis.
7.Ke2 Kc6
So far we’ve heard from Kasparov, Botvinnik, Gligoric, Purdy, and Soltis.
We might as well let Smyslov toss his voice into the mix too: “An exceptionally
original position: Black’s Rook is shut out of the game, but the five(!) passed
pawns guarantee him at least equal chances.”
8.Rdl1!
A key defensive idea. The Rook stops the black King from marching over to
the kingside.
8...b3+ 9.Kc3
>
560
x
ann
WwW
we
FP
Ww
he
Fully adequate, but simpler was 9.Kb2! £4 (9...h1=Q 10.Rxh1 Kd5 11.Rdi+
Ke4 12.Rel Kd3 13.Rd1+ and Rel, =) 10.Rd6+ Ke7 11.Rd1! f3 12.Ke3 f2 13.Kb2
with a draw. Analysis by Gligoric.
9...h1=Q!
Sacrificing this pawn is the only way to pull white’s Rook off the d-file and
let black’s King make a last desperate dash to the kingside, where it will try to
help the f-pawn promote.
Less critical is 9...f4 10.Rd6+ Ke7 11.Rd1 f3 12.Kb2, =. Analysis by Purdy.
10.Rxh1 Kd5 11.Kb2
White is still keeping the draw in sight. Another way to split the point is
11.Rd1+ Ke4 12.Rel+ Kf3 13.Kb2! f4 14.Rel! Ke2 15.Rxc4 3 16.Rel f2 17.Kxb3
fl=Q 18.Rxfl Kxfl 19.Kxa2, =. Analysis by Kasparov.
11...f4 12.Rd1+ Ke4 13.Rcel Kd3 14.Rd1+??
Spassky finally cracks from the pressure of the game and the occasion. A draw
could have been assured by 14.Rc3+ Kd4 (14...Ke2 15.Rxc4 f3 16.Rcl, =) 15.Rf3
c3+ 16.Kal c2 17.Rxf4+ Kc3 18.Rf3+ Kd2 19.Ba3! Analysis by Gligoric. Tim-
man takes it a bit further: 19...Rxg7 20.Rxb3 Rce7 21.Bb2, =, Timman, and not
21.Kxa2?? Ra7! when Black wins.
As was so common with Fischer’s endgames, one mistake (even a very small
one) was all it took to turn what seemed like a defensible position into a com-
plete wreck.
14...Ke2! 15.Rel f3
White finds himself a tempo down in the important drawing lines (shown
best in the note to white’s 11th move) where he takes on c4, brings his Rook
back to cl, takes on b3 with his King, and then gives up his Rook for black’s
f-pawn. Now 16.Rxc4 f2 17.Rcl fl=Q 18.Rxfl Kxfl doesn’t give White time
to chop off the b3-pawn.
16.Bc5 Rxg7
Kasparov points out that “Now and on the next move the crude ...f3-f2 also
won, but Fischer has his own way to the goal.”
17.Rxc4
Diagram 561
PrN
DN
NA
wh
17...Rd7 18.Re4+
White would also have to resign quickly after 18.Rcl Rd].
18...Kfl 19.Bd4 f2, 0-1. The end would have been: 20.Rf4 Rxd4 21.Rxd4
Ke2 22.Re4+ Kf3 23.Re8 fl=Q 24.Rf8+ Ke2 25.Rxfl Kxfl 26.Kal Ke2 27.Kb2
Kd3 28.Kal Kd2 29.Kb2 al=Q+ 30.Kxal Ke3 31.Kb1 b2 32.Ka2 Ke2. A mag-
nificent struggle!
Once you achieve a 2200 + rating and have mastered all the material in this
book, simple experience and analysis of grandmaster games will painlessly im-
prove your understanding of this final phase of the game. However, if you’ve
become addicted to endgame study and wish to continue your “technical” edu-
cation, the following books should prove both useful and enjoyable.
Reference
Fundamental Chess Endings by Karsten Miller and Frank Lamprecht.
London: Gambit Publications, LTD, 2001.
This encyclopedic tome is the best reference book ever written on the endgame,
and will promise you some guidance no matter what kind of endgame situation
you're looking for. Perfect for those that want a book that shows every possible
kind of endgame, but don’t expect heavy explanation or soul.
Dvoretsky’s Endgame Manual by Mark Dvoretsky. Milford, CT: Russell

Enterprises, Inc., 2003.
Okay, this isn’t anything like Fundamental Chess Endings, which is a true refer-
ence work. Dvoretsky’s wonderful book covers an enormous amount of material
though, and everything is explained and nicely presented. Many won't like me
listing this as “reference.” But, in my view, its size and complexity earn it a spot
in this category. This isn’t a book I would read from beginning to end. Instead,
I would turn to a particular section whenever that subject interested me.
Rook Endgames
Practical Rook Endings by Victor Korchnoi. Ziirich: Edition Olms, 1999.
Though not as practical as Survival Guide to Rook Endings, Korchnoi’s book
is wonderfully complex and informative.
The Survival Guide to Rook Endings by John Emms. London: Everyman

Publishers, 1999.
An excellent exploration of all kinds of Rook endgames. In-depth and practical.
525
Learn from the Best
Capablanca’s Best Chess Endings: 60 Complete Games by Irving Chernev.

New York: Dover, 1982.
The title speaks for itself. You can’t go wrong by immersing yourself in the
technical know how of the Cuban legend. The notes, of course, are not com-
puter checked. This means that quite a few errors are present, that allows you
to challenge everything Chernev says and see who’s right.
Vasily Smyslov: Endgame Virtuoso by Vasily Smyslov. London: Cadogan

Books, 1997.
Lots of Smyslov endgames with notes by the legend himself. How can you
go wrong?
General Endgame Reads

Botvinnik On The Endgame by Mikhail Botvinnik. Translated by Jim Marfia.
Coraopolis, PA: Chess Enterprises, 1985.
A small (80 pages) and out of print book that is an easy, relaxing, and in-
structive read.
Chess Endgame Lessons by Pal Benko. 1990.

A compilation of Benko’s endgame columns that first appeared in Chess Life
Magazine, this self-published monster is filled with so much fascinating and
extremely instructive material that one could lose themselves in it for months and
months. Since it’s almost impossible to find, making the effort to compile these
lessons from old issues of Chess Life would be time well spent. If I was allowed
just one endgame book ona desert island, this would be it, hands down!
Endgame Secrets: How to Plan in the Endgame in Chess by Christopher

Lutz. London: B.T. Batsford, UTD., 1999.
This is a serious endgame workbook. Be ready to put in some blood, sweat,
and tears, and your efforts will pay dividends.
Technique for the Tournament Player by Mark Dvoretsky and Artur

Yusupov. London: B.T. Batsford, LTD., 1995.
A top-notch book on technique, it takes the reader though many different
subjects, such as: How to Study the Endgame, Exploiting an Advantage, and
Techniques of Grandmaster Play, to name just a few.
Ban, Jené, The Tactics of End-Games. Translated b Jené Bochkor. Mineola, NY:
Dover, 1997.
Benko, Pal, and Jeremy Silman, Pal Benko: My Life, Games, and Compositions. With
an opening survey by John Watson. Los Angeles: Siles Press, 2003.
Cherney, Irving, Capablanca’s Best Chess Endings: 60 Complete Games. New York:
Dover, 1982.
ChessBase. DVD-Endgame Turbo 2, Nalimov Tablebases. Hamburg: ChessBase

GmbH.
ChessBase. MegaBase 2005. Hamburg: ChessBase GmbH.
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Yugoslavia: Chess Informant, 1978.
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Emms, John, Starting Out: Minor Piece Endgames. London: Gloucester Publishers
(Everyman Chess), 2004.
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2003.
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Scribner’s Sons, 1976.
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Dmitry Plisetsky. 4 vols. Gloucester Publishers (Everyman Chess), 2003-2004.
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commentaries by Miguel Najdorf. Translated by John Sugden. London: B.T.
Batsford Ltd., 2005.
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Sweden: Quality Chess, 2004.
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Absinthefan666, 156 Fischer, Bobby, 147, 465, 510-515, 517-519,
Adamson, 219 521-522, 527
Agrest, Evgenij, 206 Flohr, Salo, 412, 415, 439
Ahues, Carl, 266 Fritz, 308, 340, 406, 460, 474, 480-481, 508,
Alapin, Simon, 330 520
Alburt, Lev, 459
Garcia, Silvino, 210
Alekhine, Alexander, 328, 368, 399, 465, 474,
Gelfand, Boris, 336
482-483, 485, 489, 510
Gereben, Erno, 149
Anand, Viswanathan, 338
Gligoric, Svetozar, 147, 520-522
Andersson, UIf, 461
Golombek, Harry, 446, 503
Antos, Zoltan, 448
Grischuk, Alexander, 374
Aronin, Lev, 379-380
Gufeld, Eduard, 345
Averbach, Yury, 350, 442, 445, 449
Guimard, Carlos, 445
Bacrot, Etienne, 387
Gurevich, Dmitry, 410
Bagirov, Vladimir, 343
Benjamin, Joel, 339 Hanisch, Joerg, 287
Benko, Pal, 151, 268, 350-356, 377, 379, 458, Hansen, Curt, 206
461-463, 526-527 Harrwitz, Daniel, 344
Bernstein, Sidney, 405-406 Hazai, Lazslo, 453
Bird, Henry, 188, 342 Hertan, Charles, 443
Bogoljubov, Efim, 470, 476 Hindle, Owen, 451
Bondarevsky, Igor, 399 Hollaender, Karl, 326
Bonner, Gerald, 450 Hort, Vlastimil, 444
Botvinnik, Mikhail, 269, 465, 500, 506, 521, Horwitz, Bernhard, 268, 342
526 Hughes, Steve, 381
Bronstein, David, 448 Hummel, Patrick, 394-395
Bruijn, W, 340
Ivanov, Se, 263
Calvin, Duif, 442
Campbell, Joseph, 341 Janowski, David, 491, 495, 513
Capablanca, José Raul, 397, 399, 425-426,
Karklins, Andrew, 345
465-467, 489-492, 495-498, 510, 513,
Karpov, Anatoly, 339, 444, 446, 465
526-527
Kasparov, Garry, 450, 465, 473, 491, 496, 506,
Centurini, Luigi, 302, 305-305, 312
515, 520-522, 527
Cereteli, Michael, 452
Keres, Paul, 426
Christiansen, Larry, 409-410
KingKings, 337
Cohn, Erich, 365, 415, 458
Kloos, H, 340
Cunningham, James, 343
Kobaidze, Tsiuri, 452
Damjanovic, Mato, 518 Kochiev, Alexander, 265
Deep Junior, 520 Korchnoi, Viktor, 334, 352-353, 355, 465, 525
Deep Thought, 400 Kramnik, Vladimir, 77, 78, 332, 342, 387
Donner, Jan Hein, 363, 440 Kujovic, Michal, 437
Duras, Oldrich, 87 Kuznecov, Alex, 360
Dus-Chotimirski, Fedor, 469-472
Larsen, Bent, 400
Eddy, Ken, 434 Lasker, Edward, 472, 475-476,
Emms, Jonathan, 338, 525, 527 Lasker, Emanuel, 267, 465-466, 469-472, 477-
Euwe, Max, 370, 402, 445 479, 490, 495, 498
Leko, Peter, 77-78
Fine, Reuben, 446, 469, 527 Lenhardt, Stefan, 288
529
SILMAN’S COMPLETE ENDGAME COURSE
Lerner, Konstantin, 459 Salvio, Alessandro, 121

Levenfish, Grigory, 480 Samisch, Fritz, 368
Lilienthal, Andrei, 408 Satyam, 208
Ljubojevic, Ljubomir, 446 Say, Frank, 438
Loewenthal, Leopold, 343, 345 Schlage, Willi, 266
Schlechter, Karl, 148
Maizelis, Ilya, 266 Schutt, Ray, 357, 507
Marin, Mikhail, 365, 483-484, 515, 527 ShadowMan36, 156
Markus, Joost, 288 Shereshevsky, Mikhail, 476, 528
Maroczy, Geza, 455-456 Shirov, Alexey, 342, 374-375, 460-461
Marshall, Frank, 455-456, 466-469, 490, 495 Short, Nigel, 338, 515
Martz, William, 377 Silman, Jeremy, 4, 34, 58, 92, 162, 208,
Mecking, Henrique, 385, 387 216, 245, 274, 350, 359-360,
390,
Medina, Antonio, 450 400, 418-419, 432-435, 454,484,
Mephisto, 400 508, 521, 527, 528
Mestel, Jonathan, 417-419 Simagin, Vladimir, 366, 448
Milat, Marcel, 390 Smyslov, Vassily, 265, 269, 334, 356, 366,
Mohring, Giinther, 451 379, 402-404, 408, 445, 465, 499-
Morozevich, Alexander, 336 500, 503, 505-509,
521, 526,528
Morphy, Paul, 345 Soltis, Andrew, 521
MzBoop, 337 Spanjaard, Eduard, 440
Speelman, Jonathan, 243, 417-419
Najdorf, Miguel, 149, 210-211, 333, 385, 510, Spielmann, Rudolf, 87, 439
527 Stamma, F., 445
Nakamura, Hikaru, 337 Staunton, Howard, 339
Newham, William, 340 Steibl, Hans, 287
Nimzovich, Aaron, 124 Stryjecki, Marek, 437
Oszvath, Andras, 457 Suesman, Walter, 405
Szen, Jozsef, 340-341
Peersson, Tiger Hillarp, 337
Peters, Jack, 346, 357, 381, 392, 395, 396, 438, Taimanov, Mark, 449, 511, 514, 528
443, 507, 512 Tal, Mikhail, 343, 465
Petrosian, Arshak, 453 Tarrasch, Siegbert, 267, 326, 330
Petrosian, Tigran, 465 Tartakower, Saviely, 148
Petrov, Alexander, 344, 412 Teschner, Rudolf, 454
Philidor, Fancois-Andre Danican, 89, 121, Topalov, Veselin, 332, 450, 460
126-129, 131-132, 140, 153, 235, 240, Tran, Philippe, 87, 382,
267, 271, 281, 282-283, 285-287, 289- Troitsky, A, 443, 447
290, 294, 296-297, 308, 311, 323, 329
Unzicker, Wolfgang, 363
Plisetsky, Dmitry, 473, 527 Uto, Akiko, 87, 382
Polgar, Judit, 324 Urusov, Sergey, 344
Ponomariov, Ruslan, 324
Prokes, Ladislav, 264 Vancura, 232-235, 256, 325
Pupols, Viktors, 433 Van Doesburgh, Gerrit , 370
Vesely, Jiri, 448
Ragozin, Vladimir, 442
Reinfeld, Fred, 528 Watson, John, 188, 393-395, 403, 527
Reshevsky, Sammy, 333, 397, 399, 465 Weinstein, Norman, 451
Réti, Richard, 218-219 Williams, Elijah, 344
Riazantsev, Alexander, 263 Willmoth, Robert, 338
Ribli, Zoltan, 457 Wormald, Robert, 341
Richter, Kurt, 454
Xu Jun, 500
Rohde, Michael, 451
Rubinstein, Akiba, 365-366, 415, 425-426, Yates, Frederick, 328
458, 465-466,
468, 477-486, 488 Yermolinsky, Alex, 454

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Tea Le eae

How to Reassess Your Chess, 3rd Edition (1993)

All rights reserved. No part of this book may be used

Library of Congress Cataloging-in-Publication Data

Cover design and photography by Wade Lageose for Lageose Design

Another Rook-Pawn, Another Draw 61

Blockade—Queen vs. Rook and Pawn 308

Part Nine / Endgames for Pure Pleasure 429

Beyond Master (Recommended Endgame Books) 525

© Every player should receive well-rounded training. The

@ Create a love for the endgame. Most players seem unable to

e Introduce a “Unified Field of Endgame Study.” Every player needs

How to read this book

1 , Push the enemy King to one of the four sides

Black’s King is on the side of the board

In diagram 1, we see black’s King situated on the side of the board,

Black’s King is still on the side of the board

a Use one of your heavy/major pieces (Rook or Queen) to cut the

The Rook traps the enemy King

Kicking black’s King off the 7th rank

Repeating this information in paragraph form: As in almost all mating end-

King and Two Queens vs. Lone King

Misery is Black’s only companion

Force field along the 5th rank

After 1...Ke6 the whole Sth rank is “mined” by white’s b5-Queen.

youll win every time. a bcdefgih

Trapped like a rat!

Black’s King is forced back to the last rank

King, Queen, and Rook vs. Lone King

Ui te can approach the Rook

Let the checking begin!

The crowned goat is herded towards the Ist rank.

King and Two Rooks vs. Lone King

Push black’s King to the side

Black must step to the left

Trapped on the a-file!

Two mandates for a successful Box:

mum Use your King! UsEFUL ADVICE

a we the previous cases of two

at ao hunt or mate can't be

White needs his King!

Black’s King is running out of room

Shrink the Box

King and Queen vs. Lone King

White needs to use both Queen and King

White’s King and Queen are a team

King and Rook vs. Lone King

A mate based on a team effort

Our next position shows how we reached that final mate.

White’s King to the rescue

Dead King walking!

Black’s King can’t be mated in the middle

A Uj, Let me repeat (for the

8Be 1y, important point: there are

The Box is created

Slow and steady

White’s King takes away c5 and c6 from Black

It’s all over

move onae board would not result in the King’s capture.