P.E 4 Quarter 3
P.E 4 Quarter 3
P.E 4 Quarter 3
EDUCATION
GRADE 4
Compiled by:
Shiela P. Calleja
Edited :
Stanley G. Bulalacao
Reminders
1. Use the module with care. Avoid unnecessary
markings.
2. Observe honesty and integrity at all times.
3. Read and understand instructions carefully before
doing each task.
4. Finish the task at hand before proceeding to the
next activity in the module.
5. Return this module once you are finished.
Learning Facilitators
Subject Guide
This module has the following parts and matching
icons.
What’s More. This comprises activities
for independent practice to solidify your
Prayer. Prayer is a way we communicate understanding and skills of the topic.
with God, it changes our heart to be more You may check the answers to the
like His. exercises using the Answer Key at the
end of the module
What’s In. This is a brief drill or Post Test. This is a task which aims to
review to help you link the current evaluate your level of mastery in
lesson with the previous one. achieving the learning competency.
TABLE OF CONTENTS
QUARTER 3 –P.E 4
Lesson 1 Skills involved the Dance (Week 1 to 8)
Lesson 1
Skills in Dance
Prayer
Dear God,
Heavenly Master, Father God in Heaven, I thank you for this life you have given me.
I am asking Lord for you wisdom and understanding so I may understand the lesson for
today. I know You are the giver of everything and wisdom so I put my trust on you. In Jesus
name. Amen.
1 Corinthians 10:31
What’s In?
Rhythm in dance is the regular repetition of steps and positions.
Rhythm come from Greek word rhythms, meaning’ ’measured
motion. In dancing, rhythmic patterns and variationsare created by
body motions of shorter or longer duration and greater or lesser
emphasis.
What Is It?
ARMS POSITIONS
1st position
-Both arms are raised forward in a circle in front of the chest with
the fingertips about an inch apart.
2nd position
-Both arms are raised sideward with graceful curve at shoulder
level.
3rd position
-Left arm is raised sideward as in 2nd position; right arm raise
upward.
4th position
-Left arm is raised in front as in first position; right arm raised
overhead.
5th position
-Both arms are raised overhead.
FEET POSITIONS
1st position
-Heels close together; toes apart within an angle of around 45
degrees.
2nd position
-Point the right toe sideward; bring down the heel of the right foot.
3rd position
-Heel of one foot is close to in step of other foot.
4th position
-Point the right toe forward; bring down the heel of the right foot.
5th position
-Close the right foot to the left by circling and return to the first
position.
What’s More?
Play an upbeat music and do streaching and swaying exercises in
tune with the beats.
Draw the basic Arms and Feet Positions.
Draw them on each picture frames.
What I Have Learned?
Post Test
(Performance Activity..)
EVALUATION CHART
Criteria O VG G
Mastery of arms
And feet position
Keeping proper
body posture and
alignment
Coordination of
movements
LEGENDS
(O-Outstanding) (G- Good )
(VG-Very Good) (NI- Need Improvement)
Additional Activities
History
Kunday –kunday is a Tagalog dance which literally means graceful
movements of the hands
Somewhat like kumintang. The adults ask the children to kunday if
they want the children to show them graceful movements of the
hands.
Costume
The girl dancers wear balintawak –style costume and the boy
wears Barong Tagalog and red trouser
Do you still remember what the costume of the Subli dancers
look like? Aren’t they quite the same?
Music
The music is divided into two parts ,A and B
Count
Count one, two, or one and two to a measure.
Formation
Each pair stands about six feet apart, facing the audience .The girls
stay at the right side of their partner.
Dance Instruction
INTRODUCTION
Music Introduction
I
Music A
Partners face front.
Starting with R foot, take four change steps forward. Kuomintang
R and L hand alternately
At every measure,free hand on waist .Kumintang hand two times
for every measure (1ct. for each kumintang)
…………………………………………….4M
Step R foot backward (ct.1),point L in front (ct. 2)
Kumintang R hand ,L hand on
waist…………………………….1M
Repeat(b),three timesL,R,L in front Reverse position of hands
every measure……………….3M
Repeat all (a-c)
……………………………………………………………….8M
II
Music A
Partners face each other
IV
Music B
Partners face front.
(a)Starting with R foot ,take three steps forward (cts1,2,1)close L
to R (ct .2) L hand on waist ,R arm on reverse ”T’position and k
umintang on ct.2) of second measure………2 M
(b) Repeat (a), starting with L foot .Reverse position of arm .2M
(c)Change steps sideward, R and L .Hands as figure1 (a).2M
(d) Four –step turn right about place. Girl holds skirt, Boy places
hands on waist ……2M
(e) Repeat all (a-d) .Finish with a bow to partner on last count of
last measure…………………8M
REFLECTION
We have learned how colorful, meaningful, artistic and graceful
our folk dances are .Each movement basically has a meaning .The
steps must also executed with grace .Instruction such as keeping
the body straight, standing tall ,smiling and keeping movements.
Light are included in the dance instruction. However they are
necessary.
Gracefulness plays an important part in dancing any folk dance.
This applies for both the girl and boy participants. Perhaps, it is
now time to check how we show gracefulness in our daily
activities so that being graceful can already be automatic in every
movement we make.
Maybe you can start practicing how to be graceful while sitting,
standing and walking. You can try doing this activity with partner
at the start so that someone can give you feedback. You may also
try to do this in front of full-length mirror if it is available. Later on
Apply what you think looks graceful every day.
Mastery of dance
Coordination of movements
EVALUATION CHART
LEGENDS
(O-Outstanding) (G- Good )
(VG-Very Good) (NI- Need Improvement)
REMINDERS:
Before you start the activity watch the kunday-kunday
dance in youtube.
.