Culture War
Culture War
Culture War
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Culture Wars and Enduring American Dilemmas
contemporary political and social issues
—alan wolfe
Trust beyond Borders: Immigration, the Welfare State, and Identity in Modern Societies
Markus M. L. Crepaz
America Beyond Black and White: How Immigrants and Fusions Are Helping Us
Overcome the Racial Divide
Ronald Fernandez
A CIP catalog record for this book is available from the British Library.
American culture appears to be deeply divided: those who believe there are
absolute moral truths contend with those who place moral authority in in-
dividual judgment. Armed with these competing visions, “orthodox” ver-
sus “progressive” culture warriors clash on issues of abortion, homosexual-
ity, feminism, school prayer, multiculturalism, popular culture, and
university curricula. The population is increasingly polarized as a result.
The problem with this image is that it is not supported by survey data.
American public opinion is considerably more ambivalent and internally
inconsistent than the image of a culture war implies. Most Americans are
moderate or centrist in both their political and religious beliefs. Very few are
consistently for or against abortion and same-sex marriage, for example.
Proponents of the culture wars thesis acknowledge that most Ameri-
cans occupy a position between the polar extremes. The issue, they con-
tend, is not about what people think or believe, but about the public cul-
ture—the meanings and understandings enunciated by elites who seek to
frame how we think. The competing moral visions of these elites inex-
orably pull all arguments into one or the other of the contending camps,
effectively eclipsing the middle ground.
The question thus becomes whether American public culture is divided
2 culture wars and enduring american dilemmas
into the two opposing camps of the culture war, or whether both sides
share the same American cultural ideas in propounding their differing vi-
sions. I ‹nd support for the latter view in my analysis of the 436 articles
dealing with culture war issues that were published in four popular politi-
cal magazines between 1980 and 2000. The culture war debaters in the
pages of National Review, Time, The New Republic, and The Nation—maga-
zines representing the mainstream American political spectrum, from Na-
tional Review on the right to The Nation on the left—adhere to remarkably
similar cultural principles.
Rather than dividing along the lines of “orthodox” versus “progressive”
morality, the arguments of culture war partisans are nuanced and riddled
with internal disagreements. There are abortion rights supporters who re-
gret the immorality of abortion and antihomosexuality advocates who dis-
pute whether or not homosexual behavior is a matter of morality. The sym-
bols and rhetoric of the two sides often mirror each other. Consider the
following statement: “A culture that is at once moralistic, self-righteous,
alienated, and in a minority will constantly be tempted to break the rules
of political discourse.” Are these the words of a progressive describing the
efforts of Christian Fundamentalists to in›uence American politics? No.
This is a description of the Left written by a well-known conservative (Bork
1989, 27).
While there are doubtless persons for whom the binary logic of the cul-
ture wars is all-important, the elites represented in the pages of these main-
stream media—the journalists and intellectuals, feminists and “family val-
ues” advocates alike—instead re›ect shared cultural patterns. These
discussions take place within the context of enduring American dilem-
mas—about the role of religion in politics and society, the tension between
morality and pragmatism, how much individualism should be sacri‹ced
for larger community goals, the meaning of pluralism in a “nation of im-
migrants,” and how to reconcile the will of the people with standards
enunciated by elites.
Though they disagree about speci‹c issues and policies, the partisans
on all sides subscribe to the following ideas: (1) respect for religion but un-
certainty about its role; (2) use of moral frameworks but without “moraliz-
ing”; (3) belief in individualism but not to excess; (4) respect for pluralism
but within one culture; (5) ambivalence toward elites; and (6) a high regard
for moderation. The ‹rst ‹ve of these items represent dilemmas to which
Culture Wars and Warring about Culture 3
In one of the earliest and best-known portraits of the culture wars, James
Davison Hunter (1991) described a fundamental split between orthodox
and progressive views of morality and suggested that this divide cuts across
4 culture wars and enduring american dilemmas
class, religious, racial, ethnic, political, and sexual lines. In the eyes of one
partisan, the culture war is apparent in the simultaneous emergence of
“moral disarray” and “moral revival” symbolized by the success of both
gangsta rap and gospel rock (Himmelfarb 1999, 117).
A year after Hunter put “culture wars” on the social science map,
Patrick Buchanan popularized the idea in his speech to the 1992 Republi-
can National Convention. He told the audience in Houston that “a cultural
war” was taking place, a “struggle for the soul of America.” The de‹ning is-
sues were abortion, homosexuality, school choice, and “radical feminism.”
In the aftermath of this address, the idea of a “culture war” became a jour-
nalistic staple.
But for all the credence given to the idea of culture wars in the press,
public opinion analysts present a different portrait (see N. J. Davis and
Robinson 1996a, 1996b, 1997; DiMaggio, Evans, and Bryson 1996; J. H.
Evans 1997; Fiorina, Abrams, and Pope 2005; A. S. Miller and Hoffman
1999; C. Smith et al. 1997; Wolfe 1998; Wuthnow 1996). Only small per-
centages of Americans are consistently orthodox or progressive on such is-
sues as abortion, stem cell research, the morning-after pill, gay marriage,
and gay adoption (Pew Research Center 2006b). And while “the gap be-
tween the ideologically consistent liberals and conservatives may have
widened a bit,” there are now fewer Americans “in those fragments” than
there were in the 1960s (Fischer and Hout 2006, 238).
Religious conservatives and liberals differ in their religious beliefs, how-
ever, and there is a loose correspondence between people’s religious identi-
ties and their views on abortion, homosexuality, and school prayer (N. J.
Davis and Robinson 1996; Wuthnow 1996). But their views do not clearly
differ with regard to the values and moral orientations that are prominent
in American culture. Both are guided by self-interest and by what feels
good; both are dedicated to work and family and the desire to secure a com-
fortable life. Differences in political and social views are more related to
people’s religious activities than to their conservative or liberal religious
philosophies. Those who participate actively in religion “are in substantial
agreement on many aspects of their worldviews,” whether they are liberals,
moderates, or conservatives (Wuthnow 1996, 326). Furthermore, the reli-
giously orthodox do not take a conservative stance on issues of racial and
economic inequality (N. J. Davis and Robinson 1996a); three-quarters of
the members of this group favor sex education in public schools, and al-
Culture Wars and Warring about Culture 5
side appears uni‹ed in opposition to the other (Olson and Carroll 1992,
778). Even if religious elites present positions as if they were internally con-
sistent packages, group members show no such attitude consistency (Jelen
1990, 124). Furthermore, differences in religious beliefs are not necessarily
re›ected in actual behavior. Thus, the family behaviors of religious conser-
vatives were not found to differ from those of religious progressives
(Clydesdale 1997).
Within religious denominations, little evidence supports the idea of po-
larized views on culture war issues. Ironically, the one exception that has
been found is among Evangelicals and Fundamentalists. These presump-
tively orthodox groups manifest intradenominational ideological polariza-
tion (Demerath and Yang 1997, 35).
Remarkably, the attitudes of religious conservatives and liberals on
most social and political issues converged rather than further differentiated
during the 1970s and 1980s (DiMaggio, Evans, and Bryson 1996, 729). Atti-
tudes toward abortion may be the one exception. Evidence indicates
greater polarization here, though this phenomenon peaked in the 1980s,
and some analysts using different statistical techniques dispute the ‹nding
of polarization (Mouw and Sobel 2001). Evidence also shows increased in-
ternal division among both Catholics and mainline Protestants on the
abortion question (J. H. Evans 2002). Yet in some ways, realistically, “there
are not two political opinions on abortion—pro-choice and pro-life, but
three. The third is ‘It depends,’ and is larger than the other two put to-
gether,” with large majorities of the population favoring abortion if preg-
nancy was the result of rape or if the mother’s health is in danger (Greeley
and Hout 2006, 121, 123). Even with respect to this most polarizing issue,
one recent poll found that 66 percent of Americans support ‹nding “a mid-
dle ground,” and only 29 percent believe “there’s no room for compromise
when it comes to abortion laws” (Pew Research Center 2006b).
Those who take extreme positions on the issue of abortion do not share
a coherent worldview. Thus, pro-life supporters are deeply divided in their
attitudes toward the death penalty, civil rights, feminism, and other social
issues, while those most in favor of abortion are differentiated into liberal
and libertarian camps. Despite their collaboration in antiabortion cam-
paigns, the Catholic Church and the Southern Baptist Convention do not
share cultural or religious outlooks, and even their antiabortion rationales
differ substantially from each other (Dillon 1996).
Culture Wars and Warring about Culture 7
The idea of multiculturalism also is less divisive an issue than some cul-
ture warriors suggest. Survey data show that while few Americans support
the “hard multiculturalist” position that calls on the government to help
racial and ethnic groups to maintain their original cultures, most Ameri-
cans prefer an “inclusive nationalism” that “coexists with the widespread
acceptance of pluralism in cultural practices.” Faced with the option of
having different ethnic groups “blend into the larger society” or “maintain
their distinct cultures,” 38 percent favored the melting pot position, 32 per-
cent chose the cultural maintenance option, and 29 percent said neither.
That a large segment of the public takes a middle position on this question
suggests that many Americans do not view assimilating and maintaining
elements of one’s ethnic heritage as mutually exclusive (Citrin et al. 2001,
260). And while 63 percent favored designating English as the of‹cial lan-
guage of the United States, only 37 percent agreed that ballots should be
printed in English only (261).
Americans appear to manifest both a center-seeking tendency and
strong ambivalence about culture war issues. Divisions between those who
side with Ozzie and Harriet images of family life and those who align with
Murphy Brown, for example, “do not take place between camps of people;
instead, they take place within most individuals.” In effect, “the culture
war lies within” (Wolfe 1998, 111). While Wolfe’s analysis is based on in-
depth interviews with two hundred middle-class suburbanites, Fiorina,
Abrams, and Pope report similar results based on national surveys of “tens
of thousands” of Americans (2005, 8).
Perhaps such ambivalence is understandable in light of the contradic-
tory pattern of American values. In the World Values Surveys, Americans’
high level of adherence to traditional values (strong beliefs in God and re-
ligion, conservative family values, absolute moral standards, and national
pride) resembles that shown by the populations of developing and low-in-
come societies. At the same time, however, Americans are attached to self-
expression values: “No other society is as traditional and as self-expression-
oriented as America” (Baker 2005, 39). Since traditional values and the
quest for self-realization may dictate contradictory behaviors, it is no won-
der that Americans may experience con›icts over culture war issues and
may simultaneously embrace both sides of the debate. Signi‹cant numbers
of Americans, for example, believe both that homosexual behavior is im-
moral and that homosexuals deserve civil rights (Loftus 2001). Conserva-
8 culture wars and enduring american dilemmas
tive Protestants are more willing to censure homosexuals but are no less
supportive than are other Americans of hate crime laws designed to protect
gay men and lesbians (C. Smith 2000, 226).
Data from the World Values Survey also suggest that between 1981 and
1990, Americans became almost evenly divided between “moral abso-
lutists,” who believe there are clear guidelines about good and evil, and
“moral relativists,” who believe that what is good or evil depends on the
circumstances. This polarized distribution persisted through the 1995 and
2000 surveys (Baker 2005, 79). But such polarization does not indicate the
presence of a culture war, since these moral visions are only loosely linked
to attitudes and beliefs. Whether people are moral absolutists or relativists,
they “tend to share similar religious beliefs, cultural values, and attitudes
about social issues and policies” (104).
The orthodox and progressive camps thus are not polarized about social
policies. Close elections may re›ect not a deeply divided electorate but
rather an ambivalent one that is closely divided about the choices offered
by political elites who have become more polarized (Fiorina, Abrams, and
Pope 2005, 8, 14–15). For example, a 2003 poll found that although weekly
churchgoers are only half as likely to favor legalization of homosexual rela-
tions as those who never attend church, 40 percent nevertheless favored
such legalization (89). And the single largest disparity found in 2000 be-
tween voters in “red” and “blue” states was the 16 percent difference be-
tween the 60 percent of Democrats who support gays in the military and
the 44 percent of Republicans who do (26). There is little connection be-
tween party af‹liation and views about abortion, despite the party align-
ments with “pro-choice” and “pro-life” slogans. The population may well
be more divided over such labels than over the actual policy alternatives,
just as women are more likely to approve of government policies to im-
prove the status of women than they are favorably inclined toward the
term feminist (Fiorina, Abrams, and Pope 2005, 63). Over time, as the labels
have become more widely known, religiously orthodox people have be-
come more likely to categorize themselves as “conservative,” and religious
progressives identify themselves as “liberal,” even though their attitudes
on issues have not changed. This phenomenon would account for “the
paradox of a perceived increase in divisiveness despite a lack of empirical
support at the individual level” (A. S. Miller and Hoffmann 1999, 728).
It is not clear that the majority of Americans attach great political
Culture Wars and Warring about Culture 9
the middle ground. The two sides are in a struggle “over the meaning of
America” (50). Individuals “become subservient to” or “must struggle
against the dominating and virtually irresistible categories and logic of the
culture war” (1998, 14). The culture war is “not re›ected so deeply in pub-
lic sentiment” (Hunter and Wolfe 2006, 93). But this does not mean that
there is a centrist consensus. Rather, “the competing moral visions in pub-
lic culture” are “a reality sui generis” (Hunter 1996, 246). Any coherent
center that may exist is eclipsed by “the grid of rhetorical extremes” that
either labels moderates as “wishy-washy” or judges them by the standards
of the extremists—so that, for example, a moderate conservative on issues
of homosexuality will still be dubbed a homophobe (247). Those who ar-
gue against the culture war hypothesis are engaged in “a denial of deep dif-
ference” (Hunter and Wolfe 2006, 36).
But to critics such as Alan Wolfe, a “culture war is not autonomous from
the people who ‹ght it. It has no reality of its own” (Hunter and Wolfe
2006, 100). There is also no reason to assume that people become “sub-
servient to” the opposing logics of culture war rhetoric (Demerath and
Straight 1997, 216). People can and do sustain inconsistency and ambiva-
lence within their beliefs. This is not to deny that the opposing visions
themselves have social effects. As A. S. Miller and Hoffmann (1999) have
pointed out, people who come to identify with one side may feel increased
antagonism toward the opposing side. Evidence suggests, for example, that
anti-Fundamentalists harbor negative stereotypes about Christian Funda-
mentalists (Bolce and De Maio 1999a, 1999b). But people may also adhere
selectively to the ideas of each side.
Hunter argues that the culture wars are about the power to de‹ne real-
ity, to create and shape meaning. With competing worldviews in contest,
the representatives on each side seek to project their “vision of the world as
the dominant, if not the only vision of the world, such that it becomes com-
monsensical to people” (Hunter 2004, 5). If this is the case, a struggle over
the soul of America is indeed taking place, despite the absence of polariza-
tion in the population.
How, then, can one determine the truth of the assertion of a culture war?
How does one study the “public culture” or tap into the “deep differences”
within contemporary American culture? Hunter’s initial discussion of the
culture wars focused on the advertising and persuasive literature emanating
from culture war organizations and spokespersons. Yet scholars have long
Culture Wars and Warring about Culture 11
recognized that organizations and movements that seek public support tend
to state their claims in exaggerated form. To overcome inertia and to moti-
vate ‹nancial contributions, they emphasize the dire consequences of doing
nothing or allowing the opposition to prevail. The public culture clearly en-
compasses more than the rhetoric of fund-seeking partisans.
Hunter recognizes that culture war issues ‹lled “the nation’s news-
papers, magazines, and intellectual journals” (1991, 176), yet he focused on
the sixty-second commercials, full-page advertisements, sound bites on the
evening news, op-ed pieces, and direct mail letters that resulted in “much of
public discourse” being “reduced to a reciprocal bellicosity” (170). Despite
the “extremism and super‹ciality” of these sources, Hunter argued that they
provided “the only objecti‹cation of the debate that really exists” (170).
But why should one make this assumption? Since the elites who shape
the public culture express themselves in many venues, it seems rather arbi-
trary to de‹ne “public discourse” in such narrow terms. An analysis of the
opinions and assumptions presented in large-circulation political maga-
zines offers an excellent opportunity to test the culture war thesis. The
journalists, academics, public intellectuals, and political ‹gures whose writ-
ing appears in these magazines offer a representative array of the partisan
views that constitute the public culture. I have also supplemented the mag-
azine articles with selected works by writers whose names are associated
with the culture wars—‹gures such as William Bennett, Allan Bloom,
Dinesh D’Souza, Thomas Frank, Francis Fukuyama, Henry Louis Gates,
Roger Kimball, and Michael Walzer.
Hunter has argued that “within the contemporary public discourse, one
risks being branded a ‘right-winger’ by even invoking moral criteria. In-
deed, the very word ‘morality’ has become a right-wing word” (1991, 323).
And “the concept of religion or transcendence is also very often dismissed
by secular progressivists as ‘right-wing’” (324). My analysis of the writings
of partisans on both the left and the right does not support such hyperbolic
images. Rather, the spokespersons for both sides have “drawn on the same
symbolic code to . . . advance their competing claims,” as J. C. Alexander
and Smith found in their analysis of discourse within earlier American civil
debates (1993, 197).
An empirical test of the culture war hypothesis is of some signi‹cance
to both social scientists and the general public. For the most part, empiri-
cal researchers have tended to reject the idea of a culture war based on sur-
12 culture wars and enduring american dilemmas
vey data, while those who defend the hypothesis have done so without em-
pirical research into the “deep culture” whose existence they claim. I hope
that a systematic study of the public discourse about culture wars will shed
light on the topic in a way that goes beyond the persuasive analyses of sur-
vey researchers.
There is, of course, an intuitive appeal—a surface plausibility—to the
culture war idea, given the differences in the ideas espoused by Jerry
Falwell, Pat Robertson, and Patrick Buchanan, on the one hand, and femi-
nists, gay-marriage advocates, and abortion-rights supporters on the other.
Even some social scientists are so wedded to the culture war concept that
they behave like the proverbial pessimists who see only the doughnut hole.
Thus, they see only divergences within the population where other ana-
lysts see convergences. John Kenneth White, for example, argues that a
“values divide” exists in American politics, with one side emphasizing
“duty and morality” while the other stresses “individual rights and self-
ful‹llment” (2003, 65). Citing a 2000 Zogby poll that asked whether there
are “absolute moral truths that govern our lives,” he reports that among
those who classi‹ed themselves as “very liberal,” 48 percent agreed and 46
percent disagreed, while among those who saw themselves as “very conser-
vative,” 74 percent agreed and 25 percent disagreed. He concludes that “the
values divide between liberals and conservatives . . . has become a chasm”
(66). But surely there is room for disagreement about whether this degree
of difference constitutes a “chasm” or a culture war.
Why does it matter whether there is or is not a culture war? A society
experiencing a culture war would face grave dif‹culties. It would lack com-
mon standards and assumptions, and as a result, the ability to make public
policy decisions would be severely compromised. Indeed, a society without
such common ground could barely function. It is instructive to recall that
after Culture Wars appeared in 1991, Hunter’s next book was titled Before the
Shooting Begins (1994). My analysis of American public culture suggests that
such images are unwarranted.
The culture war debates are embedded within a larger contention concern-
ing the nature of culture itself. Unlike the culture wars, however, disputes
about the concept of culture are not new. The term culture, used in the an-
Culture Wars and Warring about Culture 13
widely shared or consensual the culture is (Swidler 2002, 313). The analysis
of public culture also might fail to appreciate the extent to which some
public cultures may represent “the authorized beliefs of a society about it-
self” (Swidler 2001, 213). Nevertheless, Geertz’s work was very in›uential.
But Geertz’s idea that culture should be understood “through the
(recording and) interpretation of the publicly available forms in which it is
encoded (the ‘symbols’)” did not come to grips with the problem that cul-
ture may no longer be “‘contained’ in a location and/or attached to a
particular group” (Ortner 1999, 6–7). Television, for example, makes such
containment problematic. Symbols are now “conveyed by media to indi-
viduals without the co-presence of other human beings” (Schudson 1989,
154). Television anywhere in the world contains an “articulation of the
transnational, the national, the local, and the personal,” making it dif‹cult
to continue to assume that any particular culture is the only or the most
powerful way “to make sense of the world” (Abu-Lughod 1999, 129).
Given the multiplicity and complexity of cultural ideas in the contem-
porary world, the view of culture itself had to change. In the newer view of
culture, as people draw on local, national, and global sources of cultural
ideas, such “ideas never form a closed or coherent whole” (S. Wright 1998,
10). Cultural “worlds of meaning” are normally “contradictory, loosely
integrated, contested, mutable, and highly permeable” (Sewell 1999, 53).
Indeed, in complex contemporary societies, attempts to pin down the
“mainstream” or “dominant” culture often lead to the “intellectually em-
barrassing” result that “homogeneity may vanish like a mirage” (Hannerz
1992, 80). It becomes “harder to say from what normative cultural world a
particular sub-culture deviates” (Eagleton 2000, 75). However, at least one
anthropologist suggests that distinctions between earlier and later concep-
tualizations of culture are exaggerated. Marshall Sahlins has argued that
early American anthropologists were too individualistic to assume that cul-
tures were monolithic or coherent. Rather, he suggests, contemporary an-
thropologists appear to be applying “the historiographic principle . . . of at-
tributing to one’s predecessors the opposite of whatever is now deemed
true” (1999, 404).
Be that as it may, by the late twentieth century, earlier notions that a
uni‹ed culture determined behavior were increasingly called into question.
Research in cognitive psychology suggests that “our heads are full of im-
ages, opinions, and information, untagged as to truth values to which we
Culture Wars and Warring about Culture 15
have powerful effects when it is not deeply internalized (2002, 315). Sheer
knowledge of the public code exerts pressure on people to give Christmas
presents or to acknowledge their secretaries during National Secretaries
Week or their mothers on Mother’s Day. In such situations, “one is con-
strained not by internal motives but by knowledge of how one’s actions
may be interpreted by others.” If one does not follow the code, one “may
need to negotiate a way around it” (2001, 163).
Struggles over the rethinking of culture are occurring in all the social
sciences. Within sociology, the tradition stemming from Emile Durkheim’s
late-nineteenth-century images of culture as a thinglike external force com-
petes with newer images of the “social construction of reality” (P. L. Berger
and Luckmann 1966). And whereas religion has always been at the “core”
of studies of culture, those who study the sociology of culture today tend
“to ignore religion altogether” (Casanova 1992, 33). Presumably, if culture
is no longer about deep-seated meanings, religious understandings are no
longer central.
Within anthropology, earlier traditions of ethnographic accounts por-
traying culture as a whole contend with arguments about whether the con-
cept of culture remains useful. An anthropologist notes that the discipline
has largely avoided the study of popular culture even though those in “cul-
tural studies” who do study popular culture use de‹nitions that should be
attractive to “an anthropology that attempts to think of cultures as frag-
mented, hybrid, deterritorialized, and mutually entangled” (Traube 1996,
128–29). But another anthropologist points out that while contemporary
scholars generally view culture as “unbounded,” “neither ‘boundedness’
nor its absence is given in the world.” Therefore, “to say a priori that ‘cul-
tures’ are not ‘bounded’ . . . is misleading since local discourses do, in fact,
establish authoritative traditions” (David Scott 1992, 376).
A political scientist contends that “the concept of ‘political culture’ or
‘common knowledge’ with which most political scientists operate presup-
poses an internal coherence and stability that is indefensible empirically.”
Political scientists are instead urged to think of culture as the practices
through which “social actors attempt to make their worlds coherent”
(Wedeen 2002, 720). An American historian notes that following the
demise of “consensus history” in the post–World War II period, the em-
phasis shifted from an examination of “static national values to contingent
state structures and political processes” (Rodgers 2004, 32). In lieu of a sta-
ble culture, one now assumes change and contingency.
Culture Wars and Warring about Culture 17
canon. If people are divided, as they have always been, about “what kind of
country they want,” then “books cannot mold a common national pur-
pose” (Pollitt 1991, 331). It is also wrong to treat works of art as if their pur-
pose is “therapeutic.” “Imbibe the Republic or Phaedo at 19, and you will
be one kind of person; study Jane Eyre or Mrs. Dalloway, and you will be
another” (Hughes 1992a, 47).
Progressives thus appear to attribute greater autonomy or agency to in-
dividuals in the face of cultural symbols than do the conservatives. Yet at
least one conservative, unwilling to tolerate government censorship of cul-
tural materials, suggests that the sex and violence in contemporary popu-
lar culture do not have dire consequences. He agrees with those who argue
that “as an in›uence on the development of my children, my words and
my example outweigh . . . anything Britney Spears does. . . . It’s the cul-
ture—but it doesn’t matter; it does no great harm” (Derbyshire 2000, 34).
Similarly, at least one progressive acknowledges that cultural imprinting
can have signi‹cant effects. Although we are aware of the social construc-
tion of cultural categories, they often act “as needless calci‹cations,” he
says. We know that “cultural de‹nitions of sexual and gender unorthodoxy
have shifted over time. . . . Most of us, alas, however attracted to the theory
of in‹nite malleability, have been trained in a culture that regards sexual
appetite as consisting of two, and only two, contrasting variations—gay or
straight. And most of us have internalized that perhaps false dichotomy to
such a degree that it has become as deeply imprinted in us—as im-
mutable—as any genetically mandated trait” (Duberman 1993, 22).
Commentators from all sides acknowledge the pervasiveness of popular
culture and the dif‹culty of disentangling one’s own thoughts from those
disseminated by the media (Gibbs and McDowell 1992; Labi 1998; Morrow
1994a). Conservative writers are more likely to ‹nd these in›uences perni-
cious and to attribute power over the culture to the Left. “Culture shapes
our lives and affects every action we take,” says one such commentator,
and “the current epidemics of drug use, AIDS, and crime are testimony
enough to the power of culture to in›uence our lives. Just think how im-
plicated the cultural agenda of the Left has been in these disasters,” since
the Left’s literature, music, and ‹lms have “glori‹ed every kind of libertin-
ism and polymorphous perversity” (Lipman 1991b, 53).
Despite disagreements about where power lies, most commentators
Culture Wars and Warring about Culture 23
subscribe to the idea that culture is ultimately made by people in their on-
going social interactions. Though conservatives assume that “most people
aren’t pleased to have their most cherished values challenged” (Hyde
1990a, 26), while progressives assume that traditions are or should be
“open to criticism and renegotiation” (G. Graff and Cain 1989, 312), the
idea that culture is socially constructed and changeable appears to be
shared by all. Writers on the left and in the center may use the language of
“social construction” more frequently than those on the right, but all
seem to share some version of the following idea: “Each of us in our daily
lives helps shape the cultural images and assumptions that de‹ne the lim-
its of the permissible” (Pollitt 1990, 24). Debates about the meaning of
Columbus, for example, are seen as a way of reinventing ourselves, over-
turning earlier myths and replacing them with new ones (Gray 1991). More
generally, “America is a construction of mind. . . . America is a collective
act of the imagination whose making never ends” (Hughes 1992a, 44).
What is discussed in the culture wars is a matter of the rede‹nition of
morality—“a process in which all Americans, from born-again to New Age
to agnostic, are already participating” (Judis 1999, 56). A National Review
writer notes that if we capitulate to the demands of the multiculturalists,
we might “create a self-ful‹lling prophecy” and produce a multicultural
society, though none currently exists in the United States (Chavez 1994,
26). And a well-known conservative describes the process through which a
culture can erode over time. He argues that the essentially WASP American
character, rooted in hard work, civic-mindedness, and individual con-
sciences, has come under attack. “The danger is not that a new post-WASP
personality will emerge. A nation’s character is not so mutable; it takes ma-
jor upheaval—revolution, conquest—to transform it. What is possible,
however, is that the character America already possesses will slip into
chronic malfunction. Most of us will keep behaving the way we always
have, without knowing why, while the rest will act differently, simply for
the sake of being different.” (Brookhiser 1993b, 79). We are not powerless
to change the culture, another conservative suggests, as the example of
smoking illustrates. In the not-very-distant past, “the culture and its sus-
taining icons (Humphrey Bogart for example) loved smoking. Today smok-
ing cigarettes is disreputable. . . . Change the myth and the values follow”
(Morrow 1995, 90).
24 culture wars and enduring american dilemmas
Those who participate in the culture wars are, of course, intensely aware of
the struggle for control. As each side attempts to de‹ne the culture while
fearing its opponents’ ability to do likewise, a kind of mirror imagery ap-
pears in descriptions of the struggle. The Left says that at issue is “a power-
ful movement to impose intellectual and cultural hegemony on the whole
society. The New Right agenda not only includes compulsory prayer; it de-
mands compulsory heterosexuality, compulsory sobriety, compulsory
racism, sexism, and imperialism” (Editorial 1984, 308). The Right, in turn,
explains “the Left’s cultural agenda” as consisting of “primitivism, femi-
nism, racialism, multiculturalism, and sexual radicalism. The Left wishes to
. . . destroy every traditional social habit and institution, including
churches and ending with the family” (Lipman 1991b, 38). If a critic on the
left portrays the culture war as a contest between questioning authority
and Father Knows Best, between self-expression and deference to norms
(Ehrenreich 1993b, 74), an observer on the right suggests that what “drives
the culture war” is “the power of rationalization” that convinces people
that “heretofore forbidden desires are permissible,” whether such desires
are homosexuality or abortion (Reilly 1996, 60).
The two sides fear each other’s in›uences in very similar ways. A com-
mentator on the left cries out, “How long are we going to let conservatives
de‹ne the national agenda on social issues?” (Tax 1995, 378). And from the
right, the question is, “Why is culture formed so completely by the Left,
rather than by the Right?” (Lipman 1991b, 38). Those on the right argue
that support for the traditional family goes against “the reigning ortho-
doxy” (Marshner 1988, 39) and subjects one to “the charge of being a
bigot, a religious nut, or just hopelessly out of touch” (Tucker 1993, 28).
On the left, the contention is that “it’s even harder to get a serious public
hearing for a radical critique of the family than for a radical critique of
capitalism” (Willis 1996, 22). The Right accuses American society of a form
of religious intolerance, suggesting that “culture makers” bear a “disdain
bordering on contempt . . . for the deeply religious” (Krauthammer 1998,
92). The Left argues that it is not possible in American society to “mock re-
ligious belief as childish” or to “describe God as our creation” because such
sentiments violate “the norms of civility and religious correctness”
(Kaminer 1996, 24).
Both sides fear that their opponents have gained the upper hand in
Culture Wars and Warring about Culture 25
American Culture
Can one subscribe to the newer view of culture and still speak of an entity
called American culture? Can one refer to American culture without doing
Culture Wars and Warring about Culture 27
from those of their European counterparts, who have not experienced the
extremes of a constitutional amendment banning alcohol or the outright
ban on prostitution, for example.
Lipset and others have argued that unlike other nations, whose citizens
belong as a matter of birthright, the United States was born out of revolu-
tion, and its unity hinges on a shared creed. In Europe, for example, “one
cannot become un-English or un-Swedish. Being an American, however, is
an ideological commitment. It is not a matter of birth. Those who reject
American values are un-American” (1996, 31). Lipset’s critics reject the idea
that a set of enduring values can explain American history and politics,
maintaining instead that values result from at least as much as they cause
institutional practices and historical events. Lipset acknowledges the role
of institutional factors in producing values, noting that “a new settler soci-
ety, a Bill of Rights, Protestant sectarianism, wars, and the like” have pro-
duced American values. Nevertheless, he asserts that these values “result in
deep beliefs, such as deference or antagonism to authority, individualism
or group-centeredness, and egalitarianism or elitism, which form the orga-
nizing principles of societies” (25). Such an approach minimizes the roles
of both human agency and power differentials and exaggerates the degree
to which one end of each polarity is dominant.
Some adherents to newer understandings of culture question the utility
of the concept of values. Swidler argues, for example, that American indi-
vidualism should not be seen as a “value.” Rather, it represents the idea
that action depends on individuals’ choices. And the “individualistic way
of organizing action can be directed to many values, among them the es-
tablishment of ‘community’” (1986, 276).
If many contemporary scholars are willing to abandon the concept of
values and to question the idea of well-de‹ned cultures, others continue to
assert that “deep culture is more than the epiphenomenal product of polit-
ical and economic arrangements” (Wuthnow 2006, 28) and that cultural
assumptions often make change dif‹cult. Assumptions about “individual-
ism and the American dream,” for example, may “make it dif‹cult to con-
front inequality and discrimination” (Wuthnow 2005, 363). Yet as Bennett
Berger has observed, culture entails “a continuing historical process” in
which “the meaning of none of the key terms is ‹xed over time” (1995, 39).
Indeed, many aspects of the “American Creed” can be seen as persisting
while being subjected to change, con›ict, and the evolution of new mean-
Culture Wars and Warring about Culture 29
scious efforts to shape cultural meanings are now part of the political
agenda.
The chapters that follow explore each of the American cultural dilem-
mas in which the culture wars are embedded through the lens of two
decades’ worth of political commentary. Where data are available concern-
ing public sentiments on these issues, these data are incorporated into the
narratives. Also addressed are historical and theoretical arguments con-
cerning the larger issues—for example, questions about American religios-
ity and civil religion, the nature of American individualism and pluralism,
and how multiculturalism is related to individualism. Although there is
more agreement among the cultural antagonists than is usually imagined,
there is also more internal disagreement within each camp than is usually
acknowledged. These internal divisions are explored in the penultimate
chapter, which assesses the current forms of polarization in American soci-
ety, whether they result from an “American exceptionalism,” and whether
the 2000, 2004, and 2008 presidential elections demonstrate the
signi‹cance of the culture wars. A brief concluding chapter offers observa-
tions on ongoing cultural change.
CHAPTER 2
When Alexis de Tocqueville visited the United States in the 1830s, he ob-
served that the American case belied the eighteenth-century philosophers’
assumption that religious faith would decline in the face of broader free-
dom and knowledge: “In America, one of the freest and most enlightened
nations in the world, the people ful‹ll with fervor all the outward duties of
religion” (1848/1961, 1:319). He also noted that although a politician could
attack a particular sect without being damaged, “if he attacks all the sects
together, everyone abandons him” (317). In this regard, little appears to
have changed.
31
32 culture wars and enduring american dilemmas
and morality. Five years after that editorial appeared, an article published
in the same magazine argued that we are now “more moral” than we were
earlier. The writer’s progressive sympathies are clearly indicated by his mea-
sures of moral progress: declines in sexism, racism, ageism, and discrimina-
tion against homosexuals and the disabled. Nevertheless, he also lists as
indicators of moral progress a slight increase in church attendance and
prayer and no decline in religious belief (Whitman 1999, 18).
A broad consensus holds that religion contributes to civil society. As
one commentator sees it, if all religious claims were to be deemed inadmis-
sible in the public arena, we would be “depluralizing our polity,” to its
detriment. Religious ideas and communities encourage civic participation,
mutual assistance, and humanistic values. And it is not possible for “per-
sons of faith” to “bracket their beliefs when they enter the public square.”
Much of the animus against religious participation in public life comes
from the style of that participation, which should be altered to be intelligi-
ble to those who do not share the faith (Elshtain 1996, 25).
Articles in magazines across the political spectrum suggest that debates
in the public square must be based on secular reasons, not on faith. Because
religious reasons are not persuasive to the nonreligious, the secular reasons
must be debated, even in matters such as abortion (Editorial 1994a, 7).
Whatever public policies arise from religious understandings “will have to
be justi‹ed, in the public square, on other grounds” (Pollitt 1996, 9). To be
sure, some conservative religious spokespersons contend that religious de-
baters can bring “a nuanced appreciation of complexity and a level of pub-
lic reasoning that can elevate the otherwise debased moral discourse in
American society” (Neuhaus 1986, 46).
Articles by William F. Buckley Jr. and Harvey Cox nicely illustrate the
convergence between Left and Right in their support for religious discourse
within the public sphere. While Buckley writes in National Review that pub-
lic ‹gures should be able to say that greed or adultery is wrong, as the New
Testament tells us (1996, 63), Cox argues in The Nation that religious dis-
course can enrich political discourse and that either politics is “linked to
morality or it withers” (1996, 20). A conservative writer in The New Repub-
lic also argues that “conservatives are not the only ones who are troubled”
by the question of “what happens to a free society when a major source of
its values—religion—declines” (Krauthammer 1981, 25).
Of the forty-six articles that deal with aspects of religion other than the
Respect for Religion but Uncertainty about Its Role 33
1960s. Bellah defended his concept against the accusation that it repre-
sented “national self-worship” by arguing that its central idea is “the sub-
ordination of the nation to ethical principles that transcend it and in terms
of which it should be judged” (Bellah 1970, 168). In Bellah’s understanding
at the time, the references to God in our currency and in our pledge of al-
legiance to the ›ag, in the oath of of‹ce and in the inaugural addresses of
most American Presidents signify that though sovereignty is in the hands
of the citizenry, it ultimately rests in God. There is thus a “higher criterion”
by which to judge the will of the people (171). The beliefs (including the
idea of America as the promised land and the idea that “God has led his
people to establish a new sort of social order that shall be a light unto all
the nations”) (175), the symbols (the ›ag), and the rituals (the presidential
inauguration, the Fourth of July, and Memorial Day) together constitute a
civil religion that is nonsectarian and is not tied to Christianity, though
they may share some ideas.
Bellah recognized that the American civil religion could be used for
good or for ill. Though it is “dif‹cult to use the words of Jefferson and
Lincoln to support special interests and undermine personal freedom,” the
theme of the American Israel was used to justify shameful treatment of the
American Indians, and “an American-Legion type of ideology that fuses
God, country, and ›ag has been used to attack nonconformist and liberal
ideas and groups of all kinds” (1970, 182). Yet his tone remained guardedly
optimistic. Even a decade later, he asserted, “I am not prepared to say that
religious communities, among which I include humanist communities, are
not capable even today of providing the religious superstructure and infra-
structure that would renew our republic” (1978, 200). This is of great im-
portance, Bellah argued, because civil religion is “indispensable” to the ex-
istence of a republic—a government in which there is an active political
community that has purpose and values (197).
But by 2001, when analysts saw a resurgence of American civil religion
in the aftermath of the September 11 attacks, Bellah was clearly skeptical of
the uses to which civil religious themes were being put. He was highly crit-
ical of an address given by President George W. Bush at the Washington Na-
tional Cathedral, calling it “stunningly inappropriate . . . because it was a
war talk” (Broadway 2001, B09). The use of the concept had clearly now be-
come so identi‹ed with conservative causes that Bellah and other liberals
no longer felt tied to it. Bellah’s initial discussion of civil religion had ap-
Respect for Religion but Uncertainty about Its Role 35
peared during the liberal era of the 1960s. At that time, he cited as an ex-
ample of American civil religion President Lyndon B. Johnson’s 1965 ad-
dress calling for a strong voting-rights act, which concluded, “God will not
favor everything that we do. It is rather our duty to divine his will. I cannot
help but believe that He truly understands and that He really favors the un-
dertaking that we begin here tonight” (Bellah 1970, 181).
Twenty years after this use of civil religious language to promote the
cause of civil rights, noted theologian Martin E. Marty asserted that civil re-
ligion “has been transposed in public perception, from moderate and
liberal contexts to conservative and nationalist ones” (1985, 16). Robert
Wuthnow proclaimed that there were now two versions of American civil
religion: conservative and liberal, with the former emphasizing biblical ori-
gins and economic and other freedoms and the latter concerned with peace
and security and America’s role in the world (1988, 281). Both sides talk of
“higher principles” that govern what America should be (Derek H. Davis
1997), but the Right emphasizes “one nation under God,” while the Left
stresses “liberty and justice for all” (Guinness 1993, 232). While it may seem
like an oxymoron to talk of competing civil religions, Bellah et al. argue
that the two do not represent “a polarization of American civil religion.”
Rather, American popular culture embraces the values proclaimed by both
sides; it’s not a matter of either/or (1991, 215).
In the wake of the September 11, 2001, terrorist attacks, “the ailing civil
religion” seemed to come back to life. Large numbers of Americans went to
church for comfort and displayed American ›ags everywhere—“an instinc-
tive melding of the religious and the civil” (McClay 2004, 16). Those on the
Christian Right, such as Jerry Falwell and Pat Robertson, who viewed the at-
tacks as evidence of “God’s displeasure at America’s having turned away
from its Judeo-Christian roots” were “quickly and soundly rebuffed”
(Machacek 2003, 157), their credibility damaged (McClay 2004, 6). Per-
haps, one analyst argued, “a great many Americans” understood that “their
brand of narrow-minded religiosity is not, after all, the ‘American way’”
and that American civil religion can be inclusive of all Americans
(Angrosino 2002, 265).
The search for a “common faith” remains (McClay 2004, 19), as does
the desire for a more expansive civil religion that af‹rms “religious diver-
sity as a positive value” (Machacek 2003, 157). Civil religion is seen as pro-
viding “a second language of piety” within a pluralistic society where “reli-
36 culture wars and enduring american dilemmas
gious believers and nonbelievers alike need ways to live together” (McClay
2004, 19).
Struggles over how to de‹ne the civil religion are certainly not new. In-
deed, “it is doubtful whether America ever existed as an ideological whole”
(Demerath and Williams 1985, 163). The Durkheimean image of moral in-
tegration and cultural consensus was probably never accurate. Our newer
understandings of culture make it clear that the unifying characteristics of
a civil religion have been exaggerated.
Though Bellah disputed any necessary connection between Christian-
ity and American civil religion, such connections clearly are often made. As
one historian has noted, the idea that “Christians have a proprietary rela-
tion to the United States” dies a very slow death (Hollinger 2002, 863). Ef-
forts at greater inclusion through the use of the term Judeo-Christian are not
persuasive in a twenty-‹rst-century America whose population includes
many Hindus, Muslims, Buddhists, Sikhs, and members of other faiths. In
such a religiously pluralistic society, no “religious common denominator”
is possible, “no faith can be shared, public, all-American—and transcen-
dent” (Guinness 1993, 233–34).
While members of both the contemporary Left (as represented by
Bellah) and Right (as represented by Guinness) view civil religion as requir-
ing a standard of judgment that transcends the social system, some earlier
observers de‹ned American civil religion as the equivalent of a “folk reli-
gion” (D. G. Jones and Richey 1974, 15). Thus, for Will Herberg, the Ameri-
can Way of Life “is a civil religion in the strictest sense of the term, for, in
it, national life is apotheosized, national values are religionized, national
heroes are divinized, national history is experienced as . . . a redemptive
history” (1974, 78). To critics such as Bellah and Guinness, this is little short
of idolatrous. Indeed, the very Durkheimean understanding of religion as a
kind of societal self-worship makes civil religion “inescapably idolatrous”
(Guinness 1993, 225). Another critic points to the contradictory elements
in American civil religion. “Can American civil religion be anything other
than the patriotic cult of the manifest imperial destiny of the American na-
tion or the cult of a nation made up of individuals pursuing their own pri-
vate utilitarian forms of religion? Both would undermine republican
virtue” (Casanova 1994, 60).
The few efforts to test the idea of American civil religion with empirical
data have not produced convincing evidence. A study of editorials in one
Respect for Religion but Uncertainty about Its Role 37
asking if respondents agree that all men are created equal, that they are en-
dowed by their creator with certain inalienable rights, and that govern-
ments derive their just powers from the consent of the governed (1976,
155).
Perhaps the main conclusion to be drawn from this brief review of four
decades’ worth of discussion of American civil religion is that the idea of
viewing political issues in religious and moral terms remains a signi‹cant
element in American culture. Whatever the ongoing contests, however
varying the interpretations of civil religion that reign at different times,
there is the continuing tendency to seek divine legitimation for American
political ideas and social movements. If today the conservative uses of civil
religion seem dominant, it is well to remember the role of civil religion in
the Populist movement of the late nineteenth and early twentieth cen-
turies. William Jennings Bryan declared in 1896 that “every great economic
question is in reality a great moral question,” and the Populists condemned
economic inequality “as a violation of God’s ‘natural order’” (Rhys H.
Williams and Alexander 1994, 6). They repeatedly recalled the image of
Jesus throwing the moneychangers out of the temple. “American Pop-
ulism—so often considered an ‘economic’ ideology—was also a religio-
moral enterprise” (12).
Despite—or because of—the perceived conservative domination of civil
religious thought in the contemporary period, several articles in The Nation
discuss the contributions that religion can make to progressive causes (Cox
1996; Ferber 1985; Kazin 1998). These articles note that the “religious re-
vival” in contemporary American society includes movements for social
justice and disarmament. All agree that the Left must not relinquish the
terrain of values and transcendence to the Right. “We must recover some of
our own lost traditions—such as the Romantic rebellion against early in-
dustrial capitalism—which were infused with moral and religious themes.”
Moreover, the secular Left needs the Religious Left. Religious institutions
“provide a space that is relatively untouched by the commercialization of
the larger society” and can thus serve as “centers of a counterculture, pock-
ets of resistance [to] the dominant bureaucratic culture” (Ferber 1985, 12).
“To rule out religious imagery is to ignore a discourse that at its best can
speak out powerfully against greed, ennui and coldness of heart.” Religion
can help us “to imagine creatively different ways of organizing economies
and politics” (Cox 1996, 23). “The bashing of religious faith serves neither
Respect for Religion but Uncertainty about Its Role 39
our democratic principles nor the practical need to build a culturally inclu-
sive mass movement” (Kazin 1998, 19). Railing against “popular religion vi-
olates the ‹rst principle of democratic politics: Empathize with the con-
cerns of everyday people, even if they are not your own” (16). The writer
identi‹es himself as a Jew and an atheist but sees his own beliefs as irrele-
vant in view of the need for democracy and democratic social movements
to take religion seriously. Barack Obama’s 2008 campaign clearly heeded
this message.
Whether one believes that religion should speak to public issues is per-
haps less a matter of what one’s religion is than a question of what the is-
sues at hand are. During the 1960s, mainline Protestants advocated taking
public stands, whereas evangelical and fundamentalist Protestants more of-
ten do so now (Regnerus and Smith 1998). Nevertheless, some highly reli-
gious evangelicals would prefer “religious separationism” (Jelen and
Wilcox 1997, 286). And recent evidence suggests that their numbers are
growing. In 2008, 36 percent of white evangelical Republicans thought that
churches should keep out of politics, an increase of 16 percent since 2004
(Pew Forum 2008b).
Those who argue that religion has an important role in civil society must
nevertheless deal with the question of how exactly church and state are to
be separated. Many commentators insist that religion must not be ruled out
of public life. Thus, an opinion piece in Time suggests that “a healthy coun-
try would teach its children evolution and the Ten Commandments” and
that biblical creation should be taught not as science but for its “mythical
grandeur and moral dimensions.” Furthermore, although “creationism is
back door to religion, brought in under the guise of . . . science,” secularists
have been doing the same thing. Teaching the proper way of using a con-
dom “is more than instruction in reproductive mechanics. It is a seminar—
unacknowledged and tacit but nonetheless powerful—on permissible sexual
mores” (Krauthammer 1999, 120). An article in Time about the separation of
church and state argues that “for God to be kept out of the classroom or out
of America’s public debate by nervous school administrators or overcautious
politicians serves no one’s interests” (Gibbs 1991, 68). Supreme Court rulings
40 culture wars and enduring american dilemmas
against prayer in the public schools, says one conservative, go against “the
intended meaning of the First Amendment from its inception.” It “was the
work of people who believed in God and who expressed their faith as a mat-
ter of course in public prayer” (M. S. Evans 1995, 76).
In the enduring American view, religion provides the basis of morality,
moral behavior, and social values. Thus we are told that the rigid wall of
separation between church and state mandated by recent Supreme Court
decisions has helped to bring “deterioration in American life” (Buckley
1994, 86–87) and that “how the nation de‹nes itself spiritually will have
much to do with its future political directions and with the strength of its
moral foundations” (Ostling 1989, 94). “It is a mistake to assume that re-
jecting the lunacy of the far right means we must deny the value to society
of a religious sensibility” (Krauthammer 1981, 25).
A commentator on the right suggests that “the bent condition of hu-
man existence in these closing decades of the twentieth century is an af›ic-
tion resulting principally from the decay of belief in an ordered universe
and in a purpose for human existence” (Kirk 1983, 626). And one on the left
proposes that “the Christian left offers Americans something its secular
counterpart no longer seems to favor: a sincere faith in moral progress”
(Kazin 1998, 18).
Articles in both Time and The New Republic decry the fact that religion
has been relegated to a minor role in school textbooks. The writer in Time
suggests that schoolchildren deserve “a more profound image of, say,
Thanksgiving than as a pumpkin-pie party with the Indians” (Bowen 1986,
94). The discussion in The New Republic suggests that for the most part, his-
tory textbooks “place religion at the lunatic fringe of American society”
and that liberals should view this situation as a serious de‹ciency (Pasley
1987, 20). Some scholars, however, dispute the contention that contempo-
rary textbooks give less attention to religious history, a point to which I will
subsequently return.
It is also a sign of respect for religion that various commentators are dis-
mayed by the use of religion for purposes of therapy, “lifestyle,” or other
reasons of social utility. One writer notes that from Norman Vincent Peale
in the 1950s through Robert Schuller in the late 1980s, religion itself has
been transformed “into primarily a social and therapeutic activity. . . .
[R]eligion has become a lifestyle strategy,” as when a Dallas Cowboys rep-
resentative told a talk show host that “being a Christian has become Deion
Respect for Religion but Uncertainty about Its Role 41
eternal (McConkey 2001; C. Smith 2000; Wolfe 1998). Some analysts have
argued that evangelical Protestants abandoned their reluctance to get in-
volved in politics when the Republicans articulated concerns about moral
decline in American society (Leege et al. 2002, 89).
The relatively small contingent of political commentators who are op-
posed to religious in›uences argue that there is no true separation of
church and state in American society. Rather, they contend, we “live in a
society that favors all religions equally” (Pollitt 1983, 24), a society in which
religious institutions are exempt from equal opportunity statutes and do
not lose their tax exemptions when they use their money for political
causes (Pollitt 1983; Vidal 1997). “The of‹cial American civil religion” cur-
rently appears to be that “what religion you have” is “your own business,
. . . but it’s society’s business that you have one” (Pollitt 2000, 10).
These critics argue that there is neither equal treatment of the nonreli-
gious in American society nor recognition of the connections between
church and state powers. In the United States, one critic asserts, even those
on the left tend to be more respectful of religion than is the case in other
societies. Elsewhere it is recognized that “the Church is part of the material
reality of the ruling order” and that “temporal ruling elites” need religion
in some form to “convince themselves that they rule in the interests of all.”
In the United States, by contrast, “the left is either actually religious or sec-
ular in a semi-apologetic way” (Hitchens 1984, 230). Another critic of reli-
gion argues that as religion and politics “are once again mingled, . . . it is
time that humanists wipe the respectful smile off their faces when
organized religion is discussed.” There are, after all, “no events on record
where the orthodox acted more humanely or nobly than the unorthodox”
(Koning 1980, 501).
This critic of religion and others argue that the nation’s laws and insti-
tutions are public, but beliefs “are purely private matters.” They “may give
comfort to those who hold them, but they have no brief to give discomfort
to those who do not. They have been private matters since the last public
burning of a heretic” (Koning 1980, 501). Put with more civility by another
critic of the sacredness of religion in American life, “Secularists are often
wrongly accused of trying to purge religious ideals from public discourse.
We simply want to deny them public sponsorship” (Kaminer 1996, 32).
Supporters of religion, by contrast, do not see such mingling of religion
and politics. They contend that religion is effectively ruled out of the pub-
Respect for Religion but Uncertainty about Its Role 45
While various writers on the left value the moral critique that religion
can offer to society, some conservatives fear that a politicized church can
no longer serve moral purposes. Today, “churches that once served as
sources of clear moral guidance are . . . grappling uncertainly . . . as they try
to decide whether their sexual standards will derive from biblical tradition
or the ›uid folkways of modernity” (Ostling 1991, 50). In contemporary
theological discussions, everything seems up for debate—homosexuality,
premarital sex, even adultery. “The obvious secular explanation for this
hubbub is that America’s churches are internalizing the mores of a devel-
oped society. . . . Like most obvious secular explanations, this one is shal-
low. American churches don’t just passively receive ideas from the general
culture. They also stimulate them.” In fact, innovators and traditionalists
within the church disagree about sex, as they do about everything else.
“The disputants are primarily motivated not by policy considerations, but
by what they believe to be right. That is what makes this ‹ght so all-Amer-
ican, and so angry” (Brookhiser 1991, 70).
Those who see churches as yielding to the norms of secular society fear
that this process is ultimately self-defeating. The “watering down of moral
requirements” and the “substitution of politics for morality” produce a
“kitsch religion” that is “free of troublesome moral obligations.” This dilu-
tion provides a feeling of spirituality without requiring orthodox belief and
action. The result is that the church loses members to such alternatives as
the gym, politics, and New Age movements (Klinghoffer 1996, 52). If the re-
ligion that is currently ›ourishing is “religion on our own terms,” then
“secularization has triumphed after all,” since religion of this sort “is de-
voted to need-meeting rather than truth-telling” (Neuhaus 1989a, 20).
Along with respect for religion and a tendency to cast issues in moral
terms, Americans often manifest a great reverence for the Founding Fa-
thers, and disagreements on issues of the separation of church are state are
often formulated as different interpretations of the intent and religiosity of
the Founding Fathers. People have commonly argued that the Founding
Fathers were attempting to protect religion from political in›uences (Edi-
torial 2000b, 9), to prevent the establishment of a national religion that
would threaten the religious diversity of the states (M. S. Evans 1995, 58), to
invoke God to give “America’s rights a Source beyond the state’s power to
modify or amend” (Editorial 1994b, 18), to remind people that our rights
derive from natural laws and “Nature’s God” (Brookhiser 1994, 84). The dis-
Respect for Religion but Uncertainty about Its Role 47
Elite opinion in the United States confers respect on religion and its role in
the public sphere. In recent American politics, Democrats and Republicans
alike have supported “faith-based initiatives.” There is no “culture war” at
issue here, no dispute between advocates of moral absolutes and supporters
of individual discretion. While policy disputes arise about how to imple-
ment faith-based initiatives—for example, whether churches should be re-
quired to employ nonmembers—most Americans appear to accept the ba-
sic principle. There are some dissenters, of course, just as there are a small
number of commentators in our sample who are unhappy with the role of
religion in American society and politics.
The culture wars are clearly related to the strength of religion among
some Americans. For example, between 1984 and 1996, a dramatic increase
occurred in the percentage of survey respondents who identi‹ed “family
decline” as the “most important problem” facing the United States. The
proportion of the population responding in this way rose from just under
2 percent to almost 10 percent, and the vast majority of those who re-
sponded this way were evangelical Protestants who attended church regu-
larly (C. Brooks 2002, 198, 203).
American political campaigns also have been exceptional. Where else
“could one ‹nd in the year 2000 a political campaign in which voters were
obliged to choose between two more-Christian-than-thou candidates?”
George W. Bush declared Jesus Christ to be his favorite philosopher, and Al
Gore claimed to solve ethical questions by asking, “What would Jesus do?”
(Hollinger 2001, 143).
The increased relevance of religion to American politics in the late
twentieth century might appear to be anomalous in view of secularization
and declines in religious participation. Yet perhaps the empirical reality
does not match the cultural perceptions here. A majority of Americans be-
48 culture wars and enduring american dilemmas
lieve that religious in›uence is in decline (Pew Research Center 2002), but
those who study religion are not as certain.
In recent American politics, the Christian Right has mobilized voters
for various causes and candidates. A study of the factors that make people
susceptible to having their votes in›uenced by the Christian Right found
that those who see themselves as “culturally embattled” are more likely
than others to be so in›uenced. The sense of cultural embattlement was
measured by questions asking whether or not the mass media, feminists,
and the public schools “are hostile to your moral and spiritual values.” To
be sure, there are possible reciprocal in›uences involved: having a sense of
being embattled makes one more receptive to the Christian Right, but be-
ing in the Christian Right constituency increases consciousness of such is-
sues. The political involvement of the devoutly religious is motivated by a
desire to protect the “private lifeworld” rather than for reasons of econom-
ics or status. “Those who ‘vote their pocketbook’ do not care to vote by the
Christian Right’s suggestions” (Regnerus, Sikkink, and Smith 1999, 1391,
1392, 1394).
Some analysts have speculated that the increased political involvement
of committed white Christians might well be a reaction to the growth of a
more secular and diverse society (Kohut et al. 2000, 123) or at least the per-
ception thereof. Between the late 1980s and the late 1990s, increases oc-
curred in the intensity of religious belief, in the number of people who
“strongly agreed” that God exists, and in the number of people who be-
lieved that divine judgment is inevitable and that there are clear guidelines
about good and evil (Kohut et al. 2000, 28). This increased intensity of be-
lief occurred among all groups, including seculars. One may indeed wonder
what secular means in American society when Pew Research Center data
from 1997 show that 44 percent of those identi‹ed as secular “strongly
agree” with the statement, “I never doubt the existence of God” (Kohut et
al. 2000, 28–29).
What, then, is the status of religious belief and participation in con-
temporary American society? Ambiguities abound, despite the fact that
Americans are notoriously more religious than citizens of other Western in-
dustrialized societies. In 1995, 50 percent of Americans rated the impor-
tance of God in their lives as a 10 on a ten-point scale; no other advanced
industrial society even came close (Baker 2005, 40).
Analysts have long suggested that American religious strength is based
Respect for Religion but Uncertainty about Its Role 49
the United States and the social acceptability of religious participation have
likely led to some exaggeration in the portraits that survey data reveal. For
many Americans, expressions of belief in God and reported levels of reli-
gious participation may reveal more about “cultural expectations” than
about the reality of their beliefs and practices (Demerath 2002, 17). If in-
deed it is true that the actual church attendance of Americans is approxi-
mately half of what they report, and if similar studies in other societies re-
veal less of this overreporting, then “a different sort of ‘American
exceptionalism’ is at work. Americans may not differ much in terms of be-
havior, but rather in how they report that behavior” (Hadaway, Marler, and
Chaves 1993, 749). While various methodological criticisms have been of-
fered of the studies that show a gap between actual and reported church at-
tendance (see Hout and Greeley 1998; Woodberry 1998), other research has
demonstrated that the apparent misreporting is likely “caused mainly by
social desirability pressures associated with interviewer-administration.”
Both self-administered questionnaires and time-use studies minimize such
overreporting (Presser and Stinson 1998).
That norms of social desirability encourage Americans to overstate their
religious participation—just as they similarly overstate their participation
in voting—is itself a commentary on American attitudes toward religion. In
addition, while young people in the United States are less religious than
their elders, few “are irreligious—compared with young people in most
wealthy industrialized nations, most are remarkably religious” (Zukin et al.
2006, 166), or at least they claim to be. It may well be true that in a religious
society such as the United States, “irreligion . . . replicates itself across gen-
erations less effectively than active religious preference” because people
“are surrounded more by religion than by irreligion” (R. S. Warner 1993,
1077). And the ‹nding that the overwhelming majority of Americans be-
lieve people should arrive at their religious beliefs independently of any
church or synagogue attests to the signi‹cance of the voluntary nature of
American religion (1075, 1080).
While belief in God has remained remarkably stable, hovering around
95 percent for more than half a century, questions may be raised about this
‹nding as well. For one thing, the proportion of the population that is ab-
solutely certain of God’s existence has declined, although the percentage
remains quite high (Bishop 1999, 423). For another, the proportion that be-
lieves not in a personal God but rather in “a higher power of some sort” has
Respect for Religion but Uncertainty about Its Role 51
the sway of religious institutions and values, has religion also become “pri-
vatized”? If so, has religion necessarily been weakened at the individual
level? Or could private religious experiences ›ourish “even as public reli-
gious institutions ›ounder?” (Gorski 2000, 162). Perhaps secularization
means competition or pluralism in de‹ning the sacred. The competing in-
stitutions are not simply alternative religions but other institutions in
which people place faith, such as education and science (Swatos and Chris-
tiano 1999, 225).
Those sociologists who take issue with the secularization hypothesis
contend that it has exaggerated both the religiosity of people in past cen-
turies and the irreligion in contemporary societies. There really was no
golden age of faith, and even the most seemingly secular societies today
have large numbers of believers in their midst. In Iceland, for example,
only 2 percent of the population attends church services weekly, yet the
1990 World Values Survey found that 81 percent of Icelanders say they be-
lieve in life after death, 82 percent say that they sometimes pray, and only
2.4 percent describe themselves as “convinced atheists” (Stark 1999, 264).
Other sociologists, however, point to a decline in religious authority
over both societies and individuals. To be sure, much variation exists
among social groups in contemporary American society, with white Protes-
tant Fundamentalists and African Americans showing lower levels of secu-
larization than other religious groups. But, for example, by 1990, only 12
percent of American Catholics accepted the church’s ban on arti‹cial con-
traception (Chaves 1994, 768). The increase in religious intermarriage like-
wise suggests the decreased salience of religion. When religious authority is
strong, religion signi‹cantly affects behavior, and religious endogamy is
high. “If religious differences are increasingly irrelevant for marriage deci-
sions, then religious authority’s scope surely is narrowing” (768). Moreover,
members of conservative Protestant denominations report having more
sexual partners than do mainline Protestants, quite the opposite of what
would one expect based on the beliefs of these denominations (Greeley and
Hout 2006, 135).
While few doubt the signi‹cance of religion for those who are seriously
committed to it, much less clarity exists about the signi‹cance of the kind
of religious af‹liation that is little more than nominal—identi‹cation with
a religious tradition that does not translate into religious participation or
agreement with its doctrines. This form of “cultural religion” may have
Respect for Religion but Uncertainty about Its Role 53
liefs and practices of those who attend church regularly and those who do
not. And even secular Americans and those with weak religious ties believe
that American society would be better off if religion’s in›uence were on the
rise (Pew Research Center 2002).
The secularization thesis has included the idea that in modern societies
religion becomes privatized, con‹ned to the realm of personal individual
beliefs. But though the secularization thesis remains accurate insofar as the
secular spheres are emancipated from religious institutions, religious de-
cline and privatization do not necessarily follow. Indeed, it can be argued
that a deprivatization of religion became widespread in the 1980s. Varieties
of “public religion” now act as “normative critiques of dominant historical
trends,” raising questions about the moral norms or human considerations
inherent in institutional activities (Casanova 1994, 43).
The belief that religious expression can contribute to American democ-
racy has a long history, as does the belief that any religion is a good thing.
Yet such ideas must “seem like a deplorable heresy to the European church-
man” (Herberg 1956, 97) and may also deny the reality of tensions among
religious groups. In the United States, Herberg suggested, “every tension
between religious communities, however deep and complex it may actually
be, tends to express itself as a con›ict over church-state relations” (248).
Disputes about the First Amendment often occur as con›icts between those
who argue that there is not enough religion in the public square and those
who think there is too much. Many of those in the latter camp see a con-
tinuing mainstream Protestant hegemony, so that diverse religions are mar-
ginalized and kept that way (Beaman 2003, 318).
The political salience of being an evangelical Christian appears to be
greater in areas where there are higher proportions of secularists (religious
nonadherents). In such areas, Evangelicals are more likely to vote Republi-
can (Campbell 2006, 109). Observers suggest that Evangelicals feel threat-
ened by larger number of secularists in their midst and that this tension is
but the latest example of religious con›ict in American politics, similar to
earlier Catholic-Protestant con›icts (113). Perhaps, too, those who are anti-
Fundamentalist feel threatened by the perceived increased political visibil-
ity of Christian Fundamentalists. They thus perceive Christian fundamen-
talist leaders as “too pushy” in asserting traditional values and exaggerate
the degree to which they maintain ideologically “extreme” positions (Bolce
and DeMaio 1999b, 514, 515).
Respect for Religion but Uncertainty about Its Role 55
Conclusions
When culture was understood to consist largely of values that were inter-
nalized and that shaped people’s behavior, churches were seen as exercising
a bene‹cial in›uence on the society by in›uencing individual members’
values. When this view of culture began to come into question, churches
began to exercise their power by attempting to in›uence the morality that
56 culture wars and enduring american dilemmas
primary authority for American culture and society” (C. Smith et al. 1997,
190). Reconciling these contradictory ideas has become more challenging
as the non-Christian population in the United States has increased.
Increased religious diversity has also made consensus about American
civil religion more dif‹cult, although disputes about civil religion began
during the Vietnam War, when arguments about America’s role in the
world were compounded by theological disputes about the meaning of
God. Theologians no less than social scientists have shown a heightened
“concern for the symbolically constructed character of reality” (Wuthnow
1988, 299).
CHAPTER 3
58
Moral but Not Moralistic 59
Far from one side advocating moral judgments while the other eschews
them, all sides in the culture wars frame issues in the language of morality
while speaking disparagingly of their opponents as either immoral or
“moralistic.” No one argues in favor of “moral relativism.” Conservatives
tend to lump together moral and cultural relativism (see Arkes 1989; J. Gray
1992; Lipman 1991b; Mans‹eld 2000) and to accuse the Left of espousing
relativism, but progressives argue that the cultural relativism that they en-
dorse does not imply that “there are no ultimate moral principles” (di
Leonardo 1996, 29). And all agree in principle that it is foolish to attempt
to legislate morality, even if such legislation might be the outcome of their
preferred policies.
Although their understandings of morality may differ, both Left and Right
clearly see their perspectives as moral. The Right speaks of the “moral foun-
dations of capitalism” (Gilder 1986, 31) and suggests that capitalism breeds
virtues such as honesty, achievement, and cooperativeness (Hyde 1990b,
53). The Left talks of the “moral principles” underlying progressive pro-
grams for economic democracy, antiracism, feminism, and gay rights (di
Leonardo 1996, 29) and suggests that some immorality—such as the intol-
erance of social differences—is espoused by those “who claim the mantle of
God” (Judis 1999, 56).
In the late nineteenth and early twentieth centuries, the progressive
movement railed against the immorality of individual greed and wealth ac-
quired through ‹nancial manipulation rather than hard labor (Rhys H.
Williams and Alexander 1994, 10). In our more conservative era, a connec-
tion is often made between the free market and religious fundamentalism.
Evangelicals share a conviction that “economic and spiritual freedoms go
hand in hand” (J. D. Hunter 1991, 111). Regardless of the ideology, ideas
“without explicit ethical support risk appearing individualistic to an im-
moral degree” (Hicks 2006, 508).
Well-known conservative and liberal commentators have long seen
economics and morality as intertwined. Both sides see extramarket forces
as important in shaping the economic system. Conservatives such as Fran-
cis Fukuyama (1999) argue against the frequently heard allegation that the
60 culture wars and enduring american dilemmas
amoral drive for pro‹t and ef‹ciency undermines the moral basis of capi-
talism. Rather, he suggests, people who repeatedly do business with each
other establish norms to ensure trust. Self-interested individuals seek to ac-
quire a reputation for honesty or fairness. Religion may help, but it is not
required. In this view, contemporary conservatives hark back to the obser-
vations of Tocqueville, who saw “the principle of self-interest rightly un-
derstood” as disciplining people “in habits of regularity, temperance, mod-
eration, foresight, self-command” (1848/1961, 2:131).
Liberals such as Paul Krugman, conversely, see an immorality in con-
temporary economic life because of the permissiveness that has altered ear-
lier understandings of fair compensation. The norms of fairness that had
been in place since the New Deal began to unravel in the 1980s and the
1990s. In their stead, a new “anything goes” ethic has arisen, allowing for
soaring rates of executive compensation and generating extreme social in-
equality (Krugman 2002). While Fukuyama and other conservatives see the
sexual revolution as the root of immorality, Krugman here appropriates the
“anything goes” idea to explain ‹nancial rather than sexual licentiousness
and self-indulgence.
If Krugman and other liberals decry the excesses of executive pay, con-
servatives, too, see moral failure in the absence of self-restraint. But their
concern is a broad one about the decline of the work ethic, and their tar-
gets of criticism are lower down in the class hierarchy. Thus, a National Re-
view editorial argues that our system is “in deep trouble because it lacks
the traditional moral imperatives of self-restraint and delayed
grati‹cation.” The result is “non-competitive shoddy workmanship, an
underclass locked in dependency, and widespread cultural vulgarity” (Ed-
itorial 1988a, 21). To the contrary, says a more progressive analyst. Con-
sumer hedonism has transformed the old Protestant Ethic values. But
“what is at stake is not the decline of morality but its rede‹nition” (Judis
1999, 56).
Commentators on the right portray themselves as the defenders of
“‘bourgeois morality’ (which is drawn in the main from classic Jewish and
Christian morality)” while labeling the Left as devoted to “a radical and
thoroughgoing moral relativism” (Hyde 1990a, 25). The Left has created
an “upside-down moral world” in which free choice is all that matters
(Chiusano 1996, 56). Individual freedom is the supreme concern, even
among children. Thus, the sex education supported by liberals is “unin-
Moral but Not Moralistic 61
formed by any value base but the moral autonomy of the child and the pur-
ported objectivity of the educator” (Nadler 1997, 50). Children are taught
“the value-free science of sex” and are “trusted to make sexual decisions all
on their own, rationally, using the evaluative and normative criterion of
personal comfort” (Mindus 2000, 46).
Conservatives in our sample of political commentary contend that the
‹rm exercise of authority is required to make people good. One writer in
National Review notes that this statement is perfectly obvious but must nev-
ertheless be voiced because authority is currently on the “Index of Prohib-
ited Concepts and Words” (Martin 1991, 26). For their part, those on the
left characterize many conservatives as “authoritarian” (Ehrenreich 1993b;
Hitchens 1985). The New Left that emerged in the 1960s, as progressives see
it, was all about questioning authority. The New Right, in contrast, devel-
oped to defend authority—whether legal, familial, religious, or military—
in distinction to the Old Right, which had an antiauthority streak, as rep-
resented by the likes of Ayn Rand (Ehrenreich 1993b, 74).
The Left rejects the accusation that its programs are based on “license or
rebellion” (di Leonardo 1996, 29), just as the Right rejects the idea that an
inherent opposition exists between the workings of the capitalist market-
place and adherence to traditional values. All agree that individuals can
and do make moral choices. “Blaming ‘the system’ for the moral failures of
individual Americans is a cop-out,” says a well-known conservative (Hyde
1990b, 53). All of us “must subject our choices to moral criticism,” says an-
other (Lipman 1991b, 53). Both sides face dif‹culties here, however, as a
writer in Time points out: “Just as conservatives think they can restore a
moral center without making concessions to government activism, liberals
think they can revive the language of morality without being judgmental”
(R. Wright 1996, 45).
Writers on the left see themselves as espousing causes of bene‹t to all.
Movements in support of women’s rights or gay rights, for example, do not
simply serve the interests of these groups. Ideally, “every outgroup carries
with it a critical perspective, forged in the painful experiences of rejection
and marginalization.” The aim of the women’s movement is “to improve
an imperfect world,” not just to have women exchange places with men
(Ehrenreich 1990, 15; see also Gevisser 1988). Feminists are called on to
reaf‹rm “the moral legitimacy of women’s liberation” and to recognize
that “a repressive sexual politics “ makes people “feel guilty about aspiring
62 culture wars and enduring american dilemmas
to freedom and happiness, and thus more inclined to bow to corporate and
governmental authority” (Willis 1981, 495).
Disputes over the university canon and political correctness have also
been seen through the lens of morality. One conservative sees the debates
as representing a “moral divide” where one side is wrong and the other is
right (Teachout 1992, 54). Political correctness “in its purest forms is evil,”
and liberalism is unable to “supply the moral basis for effective resistance
to evil.” Liberalism entails radical tolerance of all competing values; it in-
sists that “opponents of right reason are never evil but merely misin-
formed” (55). On the other side, a progressive criticizes “political correct-
ness” for failing to support true diversity, though “morally, it may pose as a
compliment to pluralism and ‘diversity’” (Hitchens 1991, 472). Since critics
on the right similarly note that the claim of “diversity” is often used to en-
force conformity to certain ideas, a Left-Right consensus exists against the
ills of political correctness.
Popular culture fare presents both moral issues and the dif‹culties of
weighing considerations of morality against those of censorship. Media
companies that do not censor rap artists’ violent messages are accused of
exhibiting “moral irresponsibility,” but companies that restrict such mes-
sages are accused of “corporate censorship” (Kinsley 1992c, 88). Several
commentators advocate media self-censorship regarding sex, violence, and
drug use (C. P. Alexander 1990; Kinsley 1992c). Conversely, a progressive ar-
gues that given our culture’s violence, obscenity, sexism, and racism,
smothering the messages we do not want to hear with “morally bankrupt,
politically self-serving Muzak” also is not desirable. Isn’t it odd, he ob-
serves, that the free market reigns “except when rap music captures a lion’s
share of the multi-billion dollar music market. Then, in the name of de-
cency and family values, we’re duty bound to regulate it” (quoted in Sachs
and Washburn 1995, 33). But The New Republic takes liberals to task for fail-
ing to recognize that “lives are ruined by the ethos of ‘anything goes.’”
Since licentiousness in popular culture harms children, and liberal activists
support government intervention for the public good, why not here? (Edi-
torial 1988b, 7). During the controversy surrounding rapper Ice-T’s album,
Cop Killer, a progressive argued that “our free market of ideas and images
. . . shouldn’t be any less free for a black man than for other purveyors of
‘irresponsible’ sentiments” (Ehrenreich 1992a, 89). And a writer in Time
contended that “X-rated pop deserves its First Amendment cloak” because
Moral but Not Moralistic 63
“it speaks from the gut of disenfranchised America.” One cannot argue, he
said, that the material offends “community standards” because its popular-
ity means that “a lot of the community is laughing and singing along”
(Corliss 1990, 99).
If those on the right decry the immorality and depravity of television
talk shows, those on the left ‹nd it “morally repulsive” that the guests “for
the most part . . . are so needy—of social support, of education, of material
resources and self-esteem—that they mistake being the center of attention
for being actually loved and respected” (Ehrenreich 1995, 92). Thus, the
Right appears to criticize the immorality manifest in popular culture, while
the Left focuses on the structural injustices that it sees as the underlying
causes of immorality.
Aspects of the feminist movement are likewise fraught with issues of
morality. A conservative attacks the feminist “gender sliming” that labels
all men rapists or potential rapists (Morrow 1994a, 55). Such a contention
is not only outrageous but also “a moral stupidity,” since it eliminates the
distinction between decent men and rapists (57–58). A progressive assails
the “difference feminism” that seeks to portray men and women as having
different needs and accuses it of selling women domestic labor “as a badge
of moral worth” (Pollitt 1992b, 805). A conservative notes that feminist
concerns about women’s health issues that have the effect of portraying
women as ill might re›ect “a subconscious way of saying that they want
their moral superiority back”—a superiority women had in the days when
they used illness as “a protective coloration” (King 1992, 64). From the per-
spective of the Left, of course, this alleged moral superiority came at the
cost of economic and social inequality. And “there is no moral justi‹cation
for treating women as having lesser rights than men” (Etzioni 1993, 76). A
critic of radical feminism, however, sees earlier “‹rst wave” feminism,
which had an equity agenda, as carrying a “moral authority” that is lacking
in newer, more radical, feminism, which seeks to eliminate all hints of male
dominance (Sommers 1992, 32).
For some conservatives, “the woman’s morality is the ultimate basis of
all morality.” Most of what we de‹ne as humane and individual “originates
in the mother’s love for her children,” and “the woman in the home with
her child is the last bastion against the amorality of the technocratic mar-
ketplace when it strays from the moral foundations of capitalism” (Gilder
1986, 31). In the battles between the feminists and the traditionalists,
64 culture wars and enduring american dilemmas
women will decide what happens next, since “women transmit culture”
(Charen 1984, 27).
Conservatives also assert that gender traits “make a tremendous differ-
ence in the way people can and will act. Any worldview that pretends
otherwise is either dishonestly or maliciously inviting human misery”
(Marshner 1988, 39). While feminists assert that the real differences be-
tween men and women are “merely cultural” and therefore are amenable
to elimination, this idea is clearly false. No society really believes that
women could be as aggressive as men or men as nurturing as women (S.
Goldberg 1993, 34–35). The behavioral and emotional differences between
men and women “are rooted in male and female physiologies,” and “all so-
cial systems conform to the limits imposed by that reality” (S. Goldberg
1991, 30). An editorial in National Review that advocates single-sex schools
because they boost girls’ achievement notes that feminists view sex as a so-
cially constructed category, like race. “But sex is not at all like race. Sex mat-
ters a whole lot, particularly for adolescent girls, who are wont to exchange
concern over grades for concern over appearance in the presence of boys.
That’s not an artifact of sexism; it’s a fact of life” (1998b, 17–18). In the dom-
inant conservative view, biology trumps culture and has great signi‹cance
for human behavior and morality.
Progressives are more likely to see behavior and morality as rooted in
cultural realities, though at least one article on the progressive side cau-
tions against the currently fashionable view that denies that “any biologi-
cally based commonalities . . . cut across cultural differences” (Ehrenreich
and McIntosh 1997, 12). It is too simple, the authors contend, to see biol-
ogy as deterministic while viewing culture “as a domain where power rela-
tions with other humans are the only obstacle to freedom.” In truth, cul-
ture is not “a realm of perfect plasticity” (15). A similar concession is made
on the other side, as a conservative writer concedes that however much the
reality of male and female behavior is biologically based, cultural de‹ni-
tions matter: “the attitudes and values held by men and women do deter-
mine whether they live their lives on a dance ›oor or a battle‹eld, and this
is not such a little thing” (S. Goldberg 1993, 36).
While liberal feminists early on sought to improve women’s standing in
the public spheres of business and politics, more radical feminists argued
that one could not separate the public and private in this way. As one pro-
gressive writer in our sample has explained, radical feminists have always
Moral but Not Moralistic 65
both pragmatic and moral responses to the issue. As one commentator per-
ceives, “Americans want to register their moral disapproval and keep the
procedure available at the same time” (Caldwell 1999, 15). Most Americans
say that they oppose abortions for lifestyle reasons, such as not wanting an-
other baby now, not being able to afford one, and not being married. Yet
they use abortion for precisely such reasons. Because abortion has become
an “indispensable part of the normal middle-American toolkit,” there is “a
rock-solid, European-style support for abortion, with American moral pos-
turing plastered on top” (16). “A pro-life regime is not really something
Americans want—it’s just something they feel they ought to want” (14).
Most Americans see abortion as a “necessary evil” (Forsythe 1999, 42).
For many Americans, the way to resolve this dilemma is to avoid think-
ing or talking about abortion. We fear that “to voice any doubts might
jeopardize our tenuous hold” on the issue “and could give aid and succor
to the other side” (Carlson 1997, 40). “Not thinking about the issue is the
way a majority of the public can say that abortion is ‘murder,’ but not feel
obliged to do anything about it” (Ponnuru 1999, 43). Americans agree with
the idea that the fetus is a human baby and killing it is wrong, but they also
accept the idea that a woman has a right to choose (Mathewes-Green 1997).
The abortion issue has made “hypocrites of us all” (Kinsley 1989, 96). The
majority of Americans clearly want to keep abortion legal, but they are
“passive and quiet.” Shifting the debate to partial-birth abortions gave mo-
mentum to the pro-life movement. “By failing to acknowledge the moral
questions raised, pro-choice leaders stilled the voices of many of their
allies, ashamed to be on their side” (Carlson 1998, 60). Yet, a pro-choice
pastor is quoted as saying, “as long as the bottom line is the protection of
the conscience of the individual woman to do what she has to do, we’re in
our tradition” (M. P. Harris 1988, 44). There is clearly recognition here of
the pulls of both moral and pragmatic considerations.
The existence of both pro-life feminists (see Gallagher 1987) and of a
well-known “Jewish, atheist, civil libertarian, left-wing, pro-lifer,” Nat
Hentoff, offers further testimony to the complexities of moral argument re-
garding abortion. Hentoff argues that abortion is, in fact, inconsistent with
“the liberal/left worldview,” since “respect for human life demands opposi-
tion to abortion, capital punishment, euthanasia and war. . . . It is out of
character for the left to neglect the weak and helpless” (1992, 24).
Antiabortion advocates who perceive “a war over the moral de‹nition
Moral but Not Moralistic 69
(Teachout 1983, 1412). And a gay conservative takes offense at the many
cruel things uttered by conservatives against “people who through no fault
of their own happen to be different in their sexuality” (quoted in “Notes
and Asides” 1990, 17).
Yet other conservatives balk at the idea of absolving homosexuals of
moral responsibility. They argue that even if homosexuality is in some
sense “natural,” it is still not right. If we found a gene for arson, we would
still expect people to exert self-control, and “we would hardly waive our
moral reservations about arson” (Arkes 1993, 44). It is false to believe that
when something is biological, there is no volitional element. Nor is it true
that the degree of volition determines “the moral status of homosexuality”
(Editorial 1993b, 16–17). Furthermore, “the precise mix of genetic and envi-
ronmental in›uences is morally irrelevant. They can cause a predisposition
toward homosexuality; they cannot cause homosexual conduct itself” (Ed-
itorial 1998c, 16).
How to translate a moral distaste for homosexual behavior into practice
is unclear, however. The conservative movement is split between those
who advocate “institutionalized repression of the homosexual commu-
nity” and those who prefer what one writer considers “a more sensible and
less strident way.” Before the gay rights movement, a kind of “tolerance
contract” was in effect whereby homosexuals agreed to be discreet and the
law left them alone. Now that such is no longer the case, conservatives in
some communities are taking repressive measures against what they per-
ceive as subversive elements. The “sense of the community” must be re-
spected (Teachout 1983, 1412).
Conservatives ‹nd the gay rights movement offensive because it is “an
attack on privacy and on the very idea of sexual morality. It seeks public ap-
proval for every variant of sexual activity.” Behaviors that are socially
harmful may be tolerated in private life—a matter of discretion, not
hypocrisy. Gay people who are conservative “neither hide nor proclaim
what they are.” Their friends know; others have no business knowing
(Short 1990, 44). Many conservatives see the public acceptability of homo-
sexuality as a challenge to the whole “moral tradition.” God judges na-
tions, says one conservative, “less on what the nation does in private than
on what it sanctions in public” (Klinghoffer 1998, 26). “The demand for
‘gay rights’ is essentially a demand for respect and approval rather than for
rights” (van den Haag 1991, 35).
Moral but Not Moralistic 71
is not true, she argues, that such laws merely establish basic equality and
are neutral with respect to the morality of being gay. Rather, they “effec-
tively stand for the proposition that discrimination based on homosexual-
ity is as reprehensible as discrimination based on race or gender.” More-
over, judges who think homosexuality is immoral will continue to see
discrimination against them as legitimate (Feldblum 2000, 24).
As conservatives view the matter, the law cannot and should not com-
pel people to regard homosexuals as “morally equal” to heterosexuals (van
den Haag 1991, 38). “The heterosexual community would ›atly resist, and
quite properly so, any demand for a modus vivendi the implications of
which are that the difference between the two lifestyles is on the order of
the difference between people who like Pepsi Cola and those who like
Coca-Cola” (Buckley 1993a, 70). Most Americans are hostile to same-sex
marriage precisely because it “constitutes the ultimate societal declaration
of the moral equality of homosexuality and heterosexuality” (Kraut-
hammer 1996, 102).
Charity and toleration toward homosexuals are desirable but should
not come at the cost of “convictions rooted . . . in theological and moral
truths” (quoted in “Notes and Asides” 1990, 18). There is concern that if re-
quired to interact with gay people in more intimate settings, such as in Boy
Scout troops, people will be unable to express their moral views about ho-
mosexuals (Cloud 2000).
As a result of such concerns, some conservatives take a dim view of laws
that compel association with gays. Such laws, one conservative argues, “re-
distribute rights from straights to those gays willing to use the power of the
state to compel social acceptance.” Landlords must rent to them, employ-
ers must hire them, and “nondiscriminatory” school curricula have given
gays “the right to have the city proselytize on their behalf” (Sobran 1986,
24). But another conservative suggests that laws requiring nondiscrimina-
tion in housing and employment do not forbid anyone from disapproving
of homosexual acts. Nor do “morally neutral” descriptions of homosexual-
ity in school curricula constitute “proselytizing” (Woolman 1986, 30).
Yet another conservative maintains that although homosexuals should
have the same civil rights as heterosexuals, laws should not prohibit private
discrimination. Churches, for example, have a right to discriminate. And
the law should not interfere with the right of parents not to have their chil-
dren taught by “persons whose conduct they abhor and who they think
Moral but Not Moralistic 73
will set a bad example for their children.” This right should take prece-
dence over anyone’s right to be employed in a school (van den Haag 1991,
37). A well-known gay conservative, Andrew Sullivan, argues that while all
public discrimination against gays should be eliminated, private discrimi-
nation is another matter. There should be “no political imposition of toler-
ance” (1993, 36). Indeed, argues another conservative, using state force to
bar private discrimination is “immoral,” and “state immorality is much
more dangerous than personal immorality” (Woolman 1986, 58).
From a strictly libertarian perspective, neither gay rights laws nor anti-
sodomy laws are good, since government should not be used for such pur-
poses. The same libertarian logic should apply to both kinds of laws, argues
one conservative. Nevertheless, conservatives have not called for the repeal
of sodomy laws (Woolman 1986, 58). Others in the conservative camp argue
that antisodomy laws represent a widely shared defense of a set of “binding
norms.” Thus, William F. Buckley Jr. takes Senator Barry Goldwater to task
for calling the ban on gays in the military “just plain un-American.” That,
Buckley says, is a peculiar way to talk about banning a practice (sodomy)
that until recently was outlawed by forty-seven states (1993a, 70).
Similarly, for one conservative writer “the conservative view, based as it
is on the inherent rights of the individual over the state, is the logical po-
litical home of gay men and women” (quoted in “Notes and Asides” 1990,
17–18). Not so, says another, since conservatism recognizes that “freedom
also depends on moral character—on habits of self-control” (Short 1990,
44). Yet another insists that a clash arises between the Judeo-Christian tra-
dition as a “way of life” and homosexuality as “another way of life”
(quoted in “Notes and Asides” 1990, 18). He cautions that conservatives
should not abandon their belief that “the practice of homosexuality is a vi-
olation of an organic moral code. Those in favor of gay rights must guard
against a kind of extortionate moral egalitarianism” that sees any opposi-
tion to gay practices as bigotry (Buckley 1992b, 71).
If those on the right fear falling into the de‹nitions set by the Left, so
that opposition to gay practices is seen as bigotry, an exquisite parallel to
this sentiment exists on the left, where the concern is that gays might buy
into the Christian Right’s de‹nition of acceptability. As gay images and gay
culture have become increasingly visible, the national movement has be-
come more conservative, say progressive critics. There is now the risk that
gay leaders appear to be saying, “We’re just as good as any Christian, white
74 culture wars and enduring american dilemmas
American family” (Ireland 1999, 16). There is a danger that the Right has a
“lock on the way gay issues are framed. . . . We present ourselves as ‘just like
heterosexuals,’ when most people—straight and gay—believe we are in fact
quite different. . . . We argue for civil rights at a moment when the entire
paradigm of that phrase has been shifted by conservatives to be equated
with special rights” (Vaid 1993, 28).
Gays now have the opportunity to change American values and politics,
to subvert traditional gender and sexual roles and counter the oppressive
uses of male power (Kopkind 1993, 592). Homosexuals must seek to “go be-
yond mere identity politics to bind equality for gay people with equality for
all people” (Vaid 1993, 28). To seek only acceptance by the larger society
means setting “narrowly self-serving goals” divorced from “the larger battle”
(Gevisser 1988, 414). While the gay rights movement adopted the strategy
and tactics of the civil rights movement or of identity politics—“How else do
you get ahead in America except by banding together and hoisting a ›ag?”—
the true signi‹cance of the movement lies in making everyone aware that
sexuality is ›uid, that our conventional categories may not be valid (Ehren-
reich 1993a, 76). The struggle for gay rights is thus, like the struggle for
women’s rights, an issue with broader social and moral implications.
In disputes about same-sex marriage, both sides argue that morality is
on their side. Those opposed to same-sex marriage consider homosexuality
morally inferior to heterosexuality and hence see homosexuals as not enti-
tled to the same privileges (Buckley 1992b; Krauthammer 1996). Supporters
argue that legalizing gay marriage would provide a “long-overdue correc-
tion of a moral anomaly that dehumanizes and excludes a signi‹cant por-
tion of the human race” (Editorial 2000a, 9). Marriage acts as both an in-
centive and a reward for “moral behavior” (Sullivan 1996, 12); “not to
promote marriage would be to ask too much of human virtue” (Sullivan
1989, 20).
All in all, it is hard to ‹t the culture war rubric to issues regarding ho-
mosexuality. Conservatives disagree among themselves on the stance to be
taken; gays are divided in their goals and the de‹nition of their identity.
There is no neat division between the “orthodox” and the “progressive.”
What is apparent, however, is that all sides share the tendency to frame is-
sues in moral terms. And when “rights” rather than “morals” are the cho-
sen framework, sympathetic onlookers suggest that such framing is in-
suf‹cient. Thus, observers argue, if gay student organizations seek not just
Moral but Not Moralistic 75
legal rights but “social and cultural acceptance,” they need “to confront
the issue of morality more directly. . . . The possibility exists here to de‹ne
the action of protecting and supporting gay students as a moral imperative
as well as a legal matter of civil rights” (Miceli 2005, 609).
While all sides use the language of morality, they do not agree about
whether the prevailing situation is one of moral decline or moral progress.
Differing opinions exist even within the conservative side. Thus, Paul
Weyrich, who coined the term moral majority, is cited as arguing at the end
of the 1990s that such an entity no longer exists. “Abortion is still legal; the
NEA is still funded, the Greater Adulterer is still in of‹ce; the Republican es-
tablishment still thinks social issues are too thorny to embrace; and too
many evangelical leaders have been seduced by their power at the expense
of their principles” (Gibbs 1999, 47). Only a few months earlier, another
conservative had suggested that conservatives could claim credit for turn-
ing the tide in the culture wars. The divorce rate had fallen; the marriage
rate had stabilized; births to unmarried women had fallen somewhat; the
teen birthrate had dropped; the number of abortions had dropped; fewer
teenagers were sexually active; and suicide and violent crime rates were de-
creasing (Nadler 1998, 26).
For the most part, writers on the left do not speak of moral decline. For
all the “hand-wringing about moral decline,” says one, “there is surpris-
ingly little evidence that Americans act more immorally today than they
did a quarter-century ago. . . . Americans are less likely to drink too much,
take drugs, cheat on taxes, drive drunk, rely on the dole. . . . They also give
more to charity, volunteer more, and spend more time in church” (Whit-
man 1999, 18–19).
Progressives, of course, do not always accept the conservative designa-
tions of what is immoral behavior and sometimes look askance at some of
the movements to improve morality. Thus, one liberal writer questions the
motives of those involved in promoting “family values,” suggesting that
“most of the impulses that propel people toward the right-wing profamily
movement” are “nasty ones: misogyny, racism, sexual repressiveness and a
punitive attitude toward young people” (Ehrenreich 1982, 305). Another
76 culture wars and enduring american dilemmas
liberal argues that people “divorce for all kinds of reasons, not because they
lack moral ‹ber.” If what people want from family life is more intimacy, sex-
ual pleasure, and shared goals, and if single women want to be mothers,
“why shouldn’t society adapt? Society is, after all, just us.” Yes, such behav-
ior has costs, but the reasons for the suffering “lie not in moral collapse but
in our failure to acknowledge and adjust to changing social relations.” Most
of the harm associated with family dissolution is economic (Pollitt 1992a,
90, 92, 94). A writer in Time notes that the very idea of “family values” rep-
resents “an American warehouse of moral images, of inherited assumptions,
of pseudo-memories of a golden age, of old class habits” (Morrow 1992b,
26). He also suggests that politicians and government cannot “have much
to do with improving a society’s values—family or otherwise. Surely the val-
ues if worth anything, must be more deeply embedded in the culture than
the slogans of transient politicians” (25).
The one clear reference to moral decline in a liberal publication occurs
in the context of an argument against the “cultural conservatives” who
“would have us believe that government, politics, and public policy should
be instruments through which to affect a moral revival.” This writer argues
that “cultural politics and the law” do not provide answers to moral prob-
lems. And “when thinking about moral decay in the inner city,” it is im-
portant to remember that “we should be embracing these people, not de-
monizing them” (Loury 1998, 17).
The general thrust of conservative discussions of moral decline is that
the culture has become exceedingly permissive. The “moral education” of
children has been shaped by rock music, with only ineffectual efforts made
to deal with it, argues Allan Bloom in his best-selling The Closing of the
American Mind (1987). The Left “has in general given rock music a free ride”
in part because liberals “regard it as a people’s art” and enjoy its revolu-
tionary potential (77–78). Moreover, “the uneasy bedfellowship of the sex-
ual revolution and feminism produced an odd tension in which all the
moral restraints governing nature disappeared” (105). With the help of sec-
ular liberals, the media, and Hollywood executives, an “anything goes”
aura has been established.
For many conservatives, much of the moral decline in American society
can be traced to the countercultural movements of the late 1960s and early
1970s. William F. Buckley Jr., for example, wrote a scathing piece attacking
the New York Times for its praise of the counterculture. After the 1994 elec-
Moral but Not Moralistic 77
there is really no way of distinguishing right from wrong, if there is “no ra-
tional ground for our moral judgments,” then “the enterprise of moral
judgment” is “dissolved” (Arkes 1989, 36). Almost all of the discussion of
moral relativism appears in National Review (see Arkes 1989; J. Goldberg
2000; J. Gray 1992; Hyde 1990a; Lipman 1991b; Short 1990). There, Holly-
wood is seen as celebrating “the message of moral relativism” and “the idea
that we are all our own priests” (J. Goldberg 2000, 62, 64). And conven-
tional wisdom is seen as supporting relativistic and subjective approaches
to issues that deny the existence of moral truths. That we harbor different
ideas of ultimate good, one conservative argues, does not mean that we
cannot distinguish between good and evil. Thus, “the goods expressed in
the lives of Mother Teresa and Oscar Wilde are incommensurable,” but we
can “con‹dently assert that the life of a crack addict is a poor one” (J. Gray
1992, 36).
Yet for all their concerns with the evils of moral relativism, some con-
servatives acknowledge that views of what is moral are always changing,
that moral absolutes are not always appropriate. Indeed, one conservative
writer takes radical feminists to task for being “absolutists.” Not so long
ago, he notes, many people—including women—were indignant at the
idea of giving spinster schoolteachers the same pay as men who were sup-
porting families. “Lost in a dream of absoluteness, feminists are ill
equipped to face the inevitable somersaults of modern moral pluralism”
(Minogue 1991, 48).
As noted earlier, writers on the Left reject the assertion that their views
amount to moral relativism. The “cultural relativism” that conservatives at-
tack as meaning “moral relativism” is simply an attempt “to empathize
with the moral logics of others” (di Leonardo 1996, 29). Some conservatives
appear to understand the distinction, pointing out the dilemmas faced by
liberals. According to O’Sullivan, some “principled” liberals are “equally
hostile to all cultures, for instance overriding both Christianity and Islam
without distinction where they con›ict with sexual equality.” Then there
are “instinctive” liberals who are “equally friendly to all cultures, for in-
stance embracing even those cultures that have no truck with individual
rights.” The two groups have fought “over whether clitoridectomy was a
horrible violation of women’s rights or a legitimate expression of Third
World culture beyond our ken” (1994b, 39).
For all their disagreements, some commentators suggest that American
Moral but Not Moralistic 79
society has more consensus than meets the eye. Writing in National Review,
one analyst says, “we are mostly agreed about good and bad. . . . A consis-
tent moral relativist is hard to ‹nd” (Martin 1991, 25). Another writer in
The New Republic contends that all of the combatants in the culture war
“stand for visions of the good society and not simply the good life” (Judis
1999, 56). In the early 1980s, a writer in Time suggested that the “right-wing
insurgency in America today . . . may resonate in a certain moral harmony
with large numbers of American citizens” because there is now a move-
ment toward “the ‹rmer, commonsense moral ground that radicalism and
experimental youth abandoned years ago” (Morrow 1981, 74). Several years
later, a writer in The New Republic pointed out that for people under the age
of forty, a return to “traditional values” does not mean a return to the pre-
vailing middle-class values of the 1950s. Even young conservatives now
“avidly pursue extramarital sex, occasionally enjoying pornography, often
listen to rock music, usually tolerate and sporadically use recreational
drugs, typically regard abortion as a matter of personal choice. . . . These
young conservatives share the American ethic of social permissiveness that
holds many of these cultural innovations to be beyond the coercive reach
of government” (Morley 1986, 12).
For all their moral consciousness, writers on all sides deride the “moralism”
of their opponents. Neither side wishes to be seen as imposing its values or
morals on the larger population. The Left may notoriously celebrate indi-
viduals’ freedom to make their own moral and lifestyle decisions, but so
does the Right: “as the party of liberty, conservatives ‹nd it hard to pre-
scribe thought and behavior for others” (Lipman 1991b, 53).
Numerous commentators on the left take aim at the “moralistic im-
ages” of “the new family warriors” (Stacey 1994, 121, 119) and the “moralis-
tic approaches” to family matters that conceal underlying economic reali-
ties (Pollitt 1992a, 92). These liberals consider “the packaging of sexual
orientation as an issue of ‘morality’” to be part of the repressive forces op-
erating in contemporary society (LaMarche and Rubenstein 1990, 526).
They deride “cultural feminists” (who believe that “female values” are su-
perior to male values) as engaging in “moralistic attacks on women whose
80 culture wars and enduring american dilemmas
“the right wing minions of moral correctness” have attacked the arts
(Brustein 1997d, 31). Unlike Europe, in America, the arts “have always had
to prove how moral they are” (Hughes 1995, 64). Our “New Puritanism,”
with its obsessive devotion to health and longevity, has meant that joggers
and vegans have become “favored minorities” that can obtain legal privi-
leges, while smokers and drinkers have become “unfashionable minorities
. . . subjected to . . . moralistic intervention in their chosen styles of life” (J.
Gray 1992, 30).
Perhaps this tendency to take some moral offenses seriously while over-
looking others (and dubbing those who do manifest concern about those
offenses as “moralists”) is a long-standing American characteristic. Thus,
Tocqueville noted that Americans treat certain vices differently than
others. Those connected with the “love of wealth,” for example, “are
lightly reproved, sometimes even encouraged,” whereas “all those vices
that tend to impair the purity of morals and to destroy the conjugal tie are
treated with a degree of severity unknown in the rest of the world”
(1848/1961, 2:248–49). In the contemporary United States, sociologists
characterize middle-class Americans as favoring “nonjudgmentalism”
(Wolfe 1998), while a leading conservative writer decries this development
in language usage: “to pass moral judgments is to be ‘judgmental’ and
‘moralistic’” (Himmelfarb 1999, 118).
Ambivalences about morality and moralizing are well demonstrated in
the popular response to the scandal involving President Bill Clinton’s affair
with Monica Lewinsky. While European allies mocked the Clinton im-
peachment as evidence of a peculiar American Puritanism, Americans re-
acted somewhat curiously. To the surprise of many analysts, “Clinton’s job
approval ratings climbed throughout the scandal.” When asked about this
increase, “65 percent said they had adopted a more ‘realistic’ view that
presidents should be judged on their performance, not on their personal
lives. Yet, in another twist, 56 percent said that Clinton’s high approval rat-
ings re›ected a national decline in personal standards and morality”
(White 2003, 30).
Whatever the desire to see one’s view of morality ensconced in the cul-
ture, all agree that legislation is not the appropriate route for doing so. At-
tempting to legislate morality while behavior contradicts it leads only to
cynicism, as Prohibition demonstrated (Loury 1998, 17). Moral disapproval
or censure is a better technique. Most civilizations have expressed their
82 culture wars and enduring american dilemmas
Conclusions
84
Individualism but Not to Excess 85
do not accord with the realities of working America (Stacey 1994, 121). The
Right equates feminism with individualism, as in the idea that “feminism—
and radical individualism generally—is a bust outside academia and the ac-
tivist groups” (Cunningham 1992, 48). But all sides disavow the exercise of
merely sel‹sh pleasures.
Excessive individualism or sel‹shness in the economic sphere also
comes under attack. The Left assails the conservative culture for its “pos-
sessive individualism, ideological narrowness, social meanness, and Social
Darwinist arrogance” (Howe 1984, 29), while a leading conservative
spokesman argues the need for “a new conversation about the common
good,” since self-aggrandizement alone is “empty, ignoble, and in the end,
profoundly unsatisfying” (Hyde 1990b, 54). The latter idea is certainly
shared by the Left, where one feminist warns that the women’s movement
must not lose its idealistic vision of reform lest it end up “degenerating into
a scramble for personal advancement” (Ehrenreich 1990, 15).
Writers from across the political spectrum suggest that Americans need
to cultivate more of “the sense of what the individual owes to his commu-
nity.” They need to remember that “in many other cultures, individual is a
pejorative, suggesting an antisocial elevation of one’s own welfare above
the welfare of everyone else” (Morrow 1981, 74). Individualism alone is in-
suf‹cient to hold a society together. Without a common sense of what is
good, without a common culture, constant battles over policy will erupt
(O’Sullivan 1994b, 41).
Conservatives and liberals alike feel discomfort when they must choose
between protecting individual rights and freedoms on the one hand and
protecting the social good and exercising moral judgment on the other.
Such dilemmas arise in connection with censorship of offensive or morally
suspect popular culture. As one conservative puts it, “We must recognize
that in a free society, private choices in culture must be subject to mini-
mum restraint. But we must also be careful not to confuse rights with
virtues: the exercise of the right to free cultural choice is not a good in it-
self, but rather must be subject to moral criticism and judged by the con-
tent of the choice” (Lipman 1991b, 53). An editorial in The New Republic
suggests that while songs such as “Cop Killer” should not be censored, lib-
erals should be concerned with such lyrics just as they were justi‹ably up-
set by the Willie Horton ads (used by Republicans to convey racist notions
of blacks as criminals). The message is that “the contents of American cul-
Individualism but Not to Excess 87
ture cannot be hidden behind the freedom of American culture. For culture
brings news.” Therefore, “we must hear the news that culture brings. But
then we must engage it, and challenge it” (Editorial 1992, 7).
Whether one gives preference to individual rights or to the welfare of
the community hinges on the speci‹c issue at hand. For all their attach-
ment to laissez-faire economics and to individual self-suf‹ciency, conser-
vatives are likely to condemn individualism if it appears to be wreaking
havoc with certain institutions. The family is, of course, a prime example.
Yet even here, unanimity is not present, as one conservative writer points
out. For all the conservative desire to strengthen and preserve marriages,
the Wall Street Journal is leery of changes in the tax code that would consti-
tute “a marriage bonus” (Gallagher 1999, 40).
Whether or not feminists are ultimately “pro-family” is a matter of
some dispute among progressives—again largely because of the individual-
ist/communitarian split. Thus, one progressive has argued that feminist-
backed measures such as child care support, ›exible work schedules,
parental leave, health care, and housing assistance can only help the fam-
ily (Connell 1986, 106). But another progressive contends that such mea-
sures may be pro-family but will not necessarily produce the family stabil-
ity so valued by the Right. After all, socialized medicine and day care would
make women less dependent on their husbands’ bene‹ts and thus might
encourage some young mothers to stray. By the same token, cutting off le-
gal aid for divorce is pro-family but not progressive (Ehrenreich 1982,
303–4). One should af‹rm “individual desire and imagination” because
“they are not disruptive, or sel‹sh, but pre‹gurative of a happier World.”
This idea means, among other things, that “spouses whose lives are de-
pleted by sexual boredom ought to be able to consider alternatives to
monogamy” (306). Americans’ classic ambivalence about family issues—
wanting to protect the family while guarding individual rights—is to some
extent re›ected in the “neoliberal” or communitarian arguments that
emerged in the early 1990s. This movement sought to bolster the family, ar-
guing that individuals were happier within intact families. As seen by one
progressive, these arguments exploited a yearning for “simpler family
times” while offering a “gesture toward gender equality” (Stacey 1994, 120).
In addition to the family, conservatives see the military as another in-
stitution whose well-being is more important than the rights of individu-
als. In writing about the controversy concerning gays in the military, one
88 culture wars and enduring american dilemmas
If the idea of juggling individual versus collective rights and well-being of-
ten lies at the heart of culture wars issues, the question of just how indi-
vidualistic Americans are is a contentious one. In one respect, the evidence
is clear: Americans are more supportive of economic individualism than are
citizens of any other nation and are more likely than others to believe that
individuals’ fates lie in their own hands. Beyond this, however, there is
considerable room for debate. Survey data reveal ambivalences and incon-
sistencies. Historians and sociologists offer varying portraits of individual-
ism and its relationship to American society, both past and present.
Americans have consistently and unambiguously supported the values
of free enterprise and competition. More than 75 percent of Americans in
four different national surveys during the 1970s and 1980s supported the
value of free enterprise and endorsed “the right to one’s own opinion” and
the view that “what happens to me is my own doing” (Inkeles 1990–91,
109). Of the sixteen nations included in the 1990 European Values Study,
the United States ranked highest in preferring personal freedom to equality,
blaming the individual for being poor, and favoring jobs that encourage in-
dividual initiative over those in which everyone works together (van
Elteren 1998). To be sure, if one asks Americans questions about “social re-
sponsibility” rather than “economic individualism”—that is, beliefs about
the obligation to meet the basic needs of all people in society and to redress
Individualism but Not to Excess 89
mold the nation’s identity. American canonical novels focus on strong and
autonomous self-de‹nition. They “stress the dangers of social identity, the
constraints of human connection.” This “emphasis on individualism, the
freedom of each man from his family, birthplace, and ancestry was one of
the central myths” in the effort to construct an American nation. By con-
trast, in the development of Canadian identity, the need was rather to dif-
ferentiate Canadian culture from those of the United States and Great
Britain (Corse 1995, 1288).
Elite culture thus represents Americans as the highly individualistic be-
ings they imagine themselves to be. International comparisons indicate
that Americans place a high value on individual self-expression, although
the United States does not lead the world in the self-expression dimension
of Inglehart’s postmaterialism scale, an honor that goes to Sweden and the
Netherlands (Inglehart and Baker 2000, 31). Then, too, ambiguities and
ambivalences exist in American attitudes toward self-expression. When
asked about child rearing, Americans rank near the top among seventeen
nations in endorsing the desirability of children’s “independence.” But
they are simultaneously among the highest in approving of “obedience”
(in separate questions) (Fischer 2000, 6).
Americans are also the “least likely among citizens of large Western na-
tions to agree that ‘right or wrong is a matter of personal conscience’” and
are among “the most likely to agree that the church provides answers to
moral problems” (Fischer 2008, 366). As Alan Wolfe has noted, there really
are not two mutually exclusive categories of people: those devoted to God
and those devoted to the self (2001, 12). Americans combine the two. They
defer to authority and respect self-expression.
Indeed, one might ask why critics of American life have recently fo-
cused exclusively on the negative qualities of self-expression despite the
fact that it coexists with traditional morality and obedience to authority.
Wolfe has observed that in both the Victorian and the contemporary peri-
ods, American “moralists tend to think that self-discipline is a virtue and
self-indulgence is a vice. Yet over and over again, Americans told us that
they agreed with the ‹rst half of that sentiment—but not the second.”
Some forms of self-indulgence are seen as humanizing people (Wolfe 2001,
75–76). Are late-twentieth-century critics of American individualism such
as Christopher Lasch (1979) and Robert Bellah et al. (1985/1996) who focus
Individualism but Not to Excess 93
Critiquing Multiculturalism
vate recognition. And to its critics, this public quality renders multicultur-
alism undesirable. Multiculturalism represents “not just an empirical de-
scription of culturally diverse societies, but also a normative claim that cul-
tural difference is to be publicly recognized and instituted, and thus to be
made the business of state rather than of private initiative” (Joppke 1996,
487).
If, in the early or mid–twentieth century, cultural groups were viewed as
a healthy counterweight to standardization or “mass society,” by the late
twentieth century they were more likely to be seen as an undesirable form
of “social capital.” Putnam’s “social capital”—the trust and reciprocity nec-
essary for a healthy society—was divided into two categories, bonding and
bridging social capital. “Bonding” entails strong in-group ties that may
generate out-group hostility or lack of concern with the larger society, as
compared with the societal involvements of “bridging” social capital. The
examples of bonding social capital Putnam cites include “ethnic fraternal
organizations, church-based women’s reading groups, and fashionable
country clubs”; examples of bridging social capital include “the civil rights
movement, many youth service groups, and ecumenical religious organiza-
tions” (2000, 22).
Thus, ironically, while those commentators who fear the decline in so-
cial capital are concerned about individuals’ withdrawal from participation
in group life, they also fear the kind of intensely meaningful participation
that binds individuals into tightly knit groups. Tight-knit groups are not as
socially constructive as those that are less well integrated. It appears, then,
that the fear of excessive individualism has come to include a fear of exces-
sively individualistic—or “sel‹sh”—groups (Thomson 2005). Hence the
dominant concern in our sample of political commentary is to counter the
antisocial or sel‹sh tendencies of the groups that gather under the multi-
culturalist umbrella. In the words of one commentator, multiculturalism
“promotes group loyalties at the expense of a larger national identity”
(Steel 1998, 13).
That all groups do not have equal power makes the matter somewhat
more complex, as the loyalties of dominant and subordinate groups to the
larger society may differ. Indeed, some evidence suggests that high-status
groups may more readily retain allegiance to both their ethnic groups and
the larger society than do lower status groups. Perhaps unsurprisingly, one
study has found that the patriotism and nationalism of Euro-Americans are
Individualism but Not to Excess 95
linquish the teaching of some of these freedoms to further the goals of the
ethnic and social groups to which they belong?” (P. Gray 1991, 13). The cur-
rent “celebration of cultural diversity” entails an “insistence on group
rights over individual rights” (Krauthammer 1995; see also Auster 1994; J.
Gray 1992); it “emphasizes the betterment of the group” (Henry 1993, 74).
It advocates a nation of “inviolable ethnic and racial groups” rather than a
nation “of individuals making their own choices” (Schlesinger 1991, 21).
“Imagine places where it is considered racist,” says a critic of multicultural
curricula in universities, “to speak of the rights of the individual when they
con›ict with the community’s prevailing opinion” (Henry 1991, 66). Mul-
ticulturalism entails a “revolutionary” change from America as “a nation of
individuals, voluntary associations, and ethnic groups to a confederation
of diverse ‘peoples’ with separate worldviews and different ‘cultures.’” This
phenomenon represents a shift from individual citizens entering the pub-
lic arena to groups entering the public arena, a change from a “multiethnic
America” to a “multicultural America.” (Fonte 1996, 48). Multiculturalism
might be called “the socialist theory of American nationality, in contrast to
the liberal theory that sees Americans as rights-bearing individuals” (O’Sul-
livan 1994a, 38). The dreaded result is Balkanization (Krauthammer 1990,
1995; O’Sullivan 1994b).
Multiculturalism “turns upside down” the principle on which America
is based: “the freedom to create a new personal identity” and “to become
part of a nation of people who have done the same thing” (P. Gray 1991, 17).
Indeed, “the American achievement is not the multicultural society, it is
the multicultural individual” (Wieseltier 1994, 30). Diversity does not
mean simply the presence of different racial, ethnic, or sexual groups. “True
diversity lies in acknowledging that every human being is an individual,
and not simply a member of racial, ethnic or sexual groups. The variety of
these individual differences is what bonds us all to each other.” We must
recognize that “we are individuals ‹rst, Americans second and tribalists
third” (Brustein 1997a, 34). One writer cites Woodrow Wilson to the effect
that “you cannot become thorough Americans if you think of yourselves in
groups. America does not consist of groups” (Hart 1996, 52).
Furthermore, individuals can and do transcend their groups and sub-
cultures. “The great artists and thinkers of every culture have always looked
for what is individual in humanity rather than what is general” and have
celebrated the capacity of people “to transcend externally imposed roles to
achieve a richer individuality” (Brustein 1991, 34). Students’ minds should
Individualism but Not to Excess 97
Progressives, the author argues, must recognize that “black politics should
address economic inequities” and must therefore reject postmodern multi-
culturalism (27). For if it fails to maintain a vibrant group life, “the black
community will continue to be vulnerable to AIDS and crack epidemics,
and must await salvation from without or resort to rank individualism”
(29). This piece demonstrates that social scienti‹c discourses about culture
have affected the thinking of some activists who are struggling to support
a kind of multiculturalism that recognizes the looseness and ›uidity of
“culture.”
Another liberal commentator in The New Republic shows some sympa-
thy for those who assert multiculturalism but similarly suggests that their
tactics are misguided. Michael Walzer argues that the groups involved are
not well served by multiculturalism because it is “a symbolic politics” that
“challenges dominant beliefs . . . where the emotional pull of oneness—›ag
and country, God and family—is most deeply felt” (1996, 39). Instead of
cultural symbolism, he argues, political and economic power are needed.
Concern for preserving group identity is not con‹ned to the Left, how-
ever. All sides recognize the need for groups or communities to maintain
their own cultures and identities. Being open to others’ ideas must not
mean having no commitments to beliefs of our own. If we are “liberated
from tradition and particularity,” we will not have much to say to each
other, says a conservative writer (Neuhaus 1988b, 24). When the mainline
Protestant churches “persuaded people to embrace tolerance and inclusive-
ness,” they “lost their internal sense of identity” (Ostling 1989, 95).
For all the ethos of the group and group rights that is embodied in mul-
ticulturalism, however, some commentators view multiculturalism as an
outgrowth of individualism. It is seen as a form of “collective narcissism”
(Brustein 1995, 30), a kind of “tribal solipsism” in which blacks, women,
and the Moral Majority, for example, assume that true understanding is
available only to their own membership (Morrow 1981, 73). If I love some
work of art or music “because it is mine,” says another critic, “properly
translated, this means: I do not love it, I love me” (Wieseltier 1994, 32). For
those who de‹ne the United States as “a nation almost like any other,”
re›ecting a “sense of common nationhood in the European sense,” multi-
culturalists’ demands point up the fallacies of the liberal theory that Amer-
icans are united by their devotion to individual rights. This theory cannot
resist the claims of multiculturalism because “if people believe they can
100 culture wars and enduring american dilemmas
‹nd self-expression only in ethnic and linguistic enclaves, the theory of in-
dividual rights allows them to do so” (O’Sullivan 1994a, 43).
The allegation that various cultural claims are false and simply self-in-
terested has been framed by one anthropologist as a manifestation of the
larger clash between what he calls “liberal theory” and “culture theory.”
Liberal theory, which is dominant politically, sees individuals as forming
society based on their own self-interested concerns; culture theory, in con-
trast, assumes that culture is important in shaping individuals. Liberal the-
ory does not “allow for persistent cultural difference” or for “the legitimacy
of claims based on it.” Thus, if Native Americans claim that a given loca-
tion is a “cultural site,” local non-Indians respond by suggesting that “to-
day’s Indians had lost their original cultures” and therefore cannot “claim
legitimate traditional connections to it” (Boggs 2002, 604).
Multiculturalism can also be viewed as a different way of incorporating
people into the larger society. Jeffrey C. Alexander sees multiculturalism as
offering a more welcoming mode of “incorporation” into society for groups
outside the mainstream. Unlike both the assimilation and hyphenation
models, multiculturalism does not maintain a separation between one’s
public and one’s private identity. It thus erases the suggestion of inferiority
that is attached to difference in these other models. It celebrates difference
and encourages the maintenance of these diverse cultural communities. Its
aim is not separation but a “more democratic mode of civil integration”
(2001, 238). In multiculturalism, the qualities that make one an outsider
are to be understood by all, rather than relegated to the private realm. “It is
the qualities of being woman, of being nonwhite, of being homosexual or
lesbian, of being handicapped that core group and out-group members
struggle to understand and experience. . . . Insofar as such understandings
are achieved, rigid distinctions between core and out-group members break
down, and notions of particularity and universality become much more
thoroughly intertwined” (246). As the proponents of multiculturalism
have long noted, they seek “cultural pluralism without hierarchy” (Asante
1992, 309).
In somewhat similar fashion, Richard M. Merelman argues that African
Americans have developed their own culture in response to the larger soci-
ety’s racism. Indeed, multiculturalism claims that “racial domination has
contributed to blacks and whites becoming culturally different groups. Sym-
bols of commonality, such as ‘individualism,’ ‘Americanism,’ and ‘citizen-
ship’ not only hide this fact, but also protect ‘meritocratic’ practices which
impede real political and economic parity between the races” (1994, 17). Be-
Individualism but Not to Excess 103
cause blacks have been isolated and subordinated, whites have controlled
“the de‹nition and ›ow of cultural capital in most universities, in the me-
dia, and in primary and secondary schools. . . . Blacks are asked to absorb
some types of knowledge and certain speci‹c values which many in their
own group suspect and which—being unfamiliar—are dif‹cult to acquire”
(5–6). As blacks and whites increasingly interact, and cultural capital be-
comes increasingly important for economic and political power, “a height-
ened awareness of culture as such may well develop,” and con›ict over cul-
ture emerges (6). Citing a study of student life at Rutgers University,
Merelman notes that when confronted with racial realities on campus,
“white students reluctantly are forced to acknowledge that race and culture
do in›uence most [people’s] choice of friends. In order to defend individu-
alism in the face of this challenge, white students at Rutgers distinguish be-
tween spheres—such as friendship—where they think individualism
should continue to apply—and other spheres—such as politics—where
they think the group has the right to come ‹rst. In effect, students protect
individualism by ‘choosing’ multiculturalism as a public norm and by
‘choosing’ individualism as a private norm.” In this process, “multicultur-
alism transforms individualism itself,” since the earlier idea was that racial
group choice was to be con‹ned to private life and proscribed in the public
sphere. If this newer view were to take root in the larger society, “a public
norm of racial, ethnic, and cultural diversity” would be erected “at the very
time when the private, organic foundations of such diversity in ‘ethnically
pure’ families, schools, neighborhoods, universities, and churches have
substantially eroded” (16).
If advocates of multiculturalism celebrate it as a mode of incorporation
into society, opponents see it as precisely the opposite. Spencer (1994), for
example, characterizes it as a form of “minority nationalism” that com-
petes with both American nationalism (white Christian supremacy) and
cosmopolitan liberalism. The difference between American nationalism
and African American nationalism, he argues, lies only in their power dif-
ferentials; all nationalisms are essentially ethnocentric. Because it lacks
power, African American nationalism must call for “diversity” and “inclu-
siveness,” just as religious groups that are politically weak and the victims
of repression call for toleration and religious freedom while those that are
politically strong repress other religions “in the name of the ‘one true
faith’ ” (556). Other analysts, such as Ravitch, have talked of two different
104 culture wars and enduring american dilemmas
images of a totally independent self. They also told readers to reject inter-
personal manipulations of the kind taught by Dale Carnegie and Norman
Vincent Peale. Survey data similarly re›ect a heightened concern over time
with the interpersonal dimensions of all roles and a more relational view of
the self (Thomson 2000, 73–84). A self that is ›exible, capable of change,
and embedded within a variety of groups has become a more culturally ap-
proved model than one that is in con›ict with the society.
This newer view of the individual self mirrors the change in paradigm
that has taken place with regard to culture. Rather than seeing the self as an
integrated, stable, and well-de‹ned entity, newer understandings see the
self as ›uid rather than ‹xed, constantly in process of change and rede‹ni-
tion. This kind of self is nurtured as well as constrained by cultures and re-
lationships (Gergen 1991; Leinberger and Tucker 1991; Thomson 2000). As
one sociologist has described our current view of self, “whether we ›ee
from it or embrace it—we know ourselves as a ‘construction’ of culture”
(McCarthy 1996, 84).
Paradoxically, however, the decrease in con›ict between the individual
and the society may have generated greater levels of con›ict—or at least
the perception of con›ict—among groups and between groups and the
larger society. To the degree that Americans now embrace groups as vehi-
cles for individual well-being, even reinventing themselves through groups
of Fundamentalists or gays or Eastern mystics (FitzGerald 1986, 23), the
groups come to be seen as sel‹sh, perhaps particularly where the groups are
de‹ned in cultural rather than interest group terms, since interests can
more readily be compromised than cultures.
Conclusions
Historical Perspectives
The debate about multiculturalism had a precursor in the much less con-
tentious discussion of cultural pluralism beginning in the 1910s. In the
early decades of the twentieth century, assimilation or Americanization
was so much the dominant idea that cultural pluralism hardly received no-
tice. While Horace Kallen claims to have ‹rst used the term during a class
at Harvard in 1906 or 1907, half a century later he noted, “it has taken these
two generations for the term to come into more general use and to ‹gure in
philosophical discourse” (1957, 119). Through the ‹rst decades of the cen-
tury, cultural pluralism was opposed for much the same reasons that mul-
ticulturalism has been. Critics argued that it failed “to consider each indi-
vidual personality as primary” and that it “made race a greater factor than
it deserved to be” (Wacker 1979, 331).
Then as now, no unitary view on the issue prevailed. Even during the
Progressive Era, some people adhered to the right-leaning view that sought
to impose superior American ways on the immigrants, while others es-
poused a left-leaning perspective that saw immigrants’ “heritages as cul-
tural treasures too important to destroy” (Gerstle 1994, 1051). Unable to re-
110
Pluralism within One Culture 111
solve this dispute, liberals abandoned the issue in favor of economic con-
cerns. But Nazism brought a “shift in liberal sensibilities” in the United
States as well as new concerns about racial and religious prejudices (1070).
By the 1950s, Kallen suggested that Americanization as “a cultural
monism” was “slowly and unevenly being displaced” by Americanization
as “a cultural pluralism” based on “the American Idea” (1956, 97). In
Kallen’s understanding, the American Idea meant equality and freedom as
enunciated in the Declaration of Independence and the Constitution. Plu-
ralism within one culture is thus not a new idea.
Though lacking the language of multiculturalism, the United States may
have been more multicultural in the past than it is today. In 1776, a greater
proportion of the population consisted of racial and ethnic out-groups than
is now the case. Today’s immigrants learn English at least as quickly as those
of the past and probably more quickly because of the mass media (Parrillo
1994, 525, 531, 543). “Too little remembered in the contemporary discus-
sion, except by historians” are the widespread existence in the early twenti-
eth century of bilingual public schools, teaching in English and German,
and a Catholic school system that perpetuated French (Alba 1999, 8).
By the middle of the twentieth century, most Americans understood
the term pluralism to mean a diversity of interest groups that contended for
power and in›uence rather than a diversity of cultures that simultaneously
gave allegiance to the American nation. The idea of pluralism largely fo-
cused on occupational groups and functional associations, with economic
self-interest or advocacy of certain causes at the root of most contentions.
Only toward the end of the century did the newer social movements based
on cultural identity enter into discussions of political pluralism (Bickford
1999, 90).
Yet an earlier, more philosophical understanding of pluralism saw it as
a matter of multiple perspectives based on the differing experiences and
circumstances of diverse individuals and groups. In the writings of William
James, for example, these different perspectives were justi‹ed and valid,
and no unitary perspective was possible. Contemporary multiculturalists
have returned, in essence, to this view of pluralism—to an understanding
of multiple subjectivities or situated knowledge (Schlosberg 1998). But their
views about diversity are complicated by concerns about inequality (Bick-
ford 1999), since multiethnic or multiracial societies almost always entail
the dominance of some groups over others. Because of their awareness of
112 culture wars and enduring american dilemmas
groups are creating new identities rather than holding onto old ones. If
ethnic groups previously hesitated to give up aspects of their native cul-
tures, Latinos, African Americans, and Native Americans now construct
their identities based on “the particular circumstances that these groups
face in contemporary American society” (Spencer 1994, 564). If older white
ethnic groups fought to hold onto their cultural characteristics, newer
groups often must construct their own identities. As Appiah has suggested,
“the new talk of ‘identity’ offers the promise of forms of recognition and of
solidarity that could make up for the loss of the rich, old kitchen comforts
of ethnicity” (1997, 33).
Curiously, however, the black middle class, which is larger and doing
better than ever, has “led the ‹ght for the recognition of a distinctive
African-American cultural heritage” and has done so “at a moment when
cultural differences are diminishing” (Appiah 1997, 32). The tensions that
now exist with regard to race and gender are not really cultural ones. “Be-
cause on many occasions disrespect still ›ows from racism, sexism, and ho-
mophobia, we respond, in the name of all black people, all women, all
gays. . . . But the truth is that what mostly irritates us in these moments is
that we, as individuals, feel diminished. And the trouble with appeal to cul-
tural difference is that it obscures rather than illuminates this situation. It
is not black culture that the racist disdains, but blacks. . . . Culture is not the
problem, and it is not the solution” (36). Talk of multiculturalism rather
than structural obstacles may be harmful (Barry 2001, 307).
To the contrary, argues Henry Louis Gates Jr., it is important for African
Americans to construct themselves culturally. “Self-identi‹cation proves a
condition for agency, for social change. And to bene‹t from such collective
agency, we need to construct ourselves, just as the nation was constructed”
(1992, 37). “One must learn to be ‘black’ in this society, precisely because
‘blackness’ is a socially produced category” (101). Although some aspects of
black culture are the products of encounters with white racism, “black cul-
ture . . . is radically underdetermined by the social dynamism of white
racism” (103). “To say that ethnic identity is socially constructed is not to
say that it is somehow unreal” (127). The differences matter. But blacks
must not “resurrect our own version of the Thought Police, who would de-
termine who, and what, is ‘black’” (127).
“Whether a particular grouping of persons is or is not ‘a culture’ is not
simply a fact” (Segal and Handler 1995, 396). Indeed, the current de‹ni-
Pluralism within One Culture 115
The assumption that the United States had a unitary culture into which im-
migrants would be assimilated remained dominant into the middle of the
twentieth century. At that time, American culture was understood as hav-
ing a set of overarching or mainstream beliefs and practices. Those who dif-
fered from these practices—groups that would now be seen as subcultures
or as part of our multicultural society—were characterized as alienated. As
one empirical sociologist of the time noted, “a high or moderate intensity
of alienation” was to be expected among individuals in “religious, ethnic,
political, educational, occupational, associational, status, ‘residential,’ and
other minorities” (Hajda 1961, 761). Social commentators frequently char-
acterized students, intellectuals, blacks, and poor whites as alienated
(Finifter 1972, vii). By contrast, contemporary commentators rarely use the
language of alienation.
It is of interest, therefore, that the term has reappeared in the writings
of some conservative spokesmen who seek to portray contemporary Amer-
ican society as essentially uni‹ed except for the few dissidents. William J.
Bennett, for example, asserts that a cultural split exists between “most
Americans” and “a liberal elite” that is “marked by alienation” (1992, 27).
He characterizes the (liberal) leaders of mainline churches as showing “a
profound alienation from the American experiment” (223). Another con-
servative commentator sees both “the overclass” (or the “knowledge class”)
and the “underclass” as “profoundly alienated from the American experi-
ence” (Neuhaus 1995, 66). Still another observer argues that the Left is so
mistrustful of American society and its institutions that it can be seen as in
a “state of alienation” (Bork 1989, 27). And after arguing that Americans
“should take pride . . . in the historic content of their culture,” another con-
servative commentator suggests that “if there are Americans who feel as
116 culture wars and enduring american dilemmas
alienated as the Amish, let them live like the Amish—without harassment,
but without subsidized proselytizing for their rejectionist world views”
(Brookhiser 1992, 74). Implicit in such remarks are the ideas that there is
one agreed-upon American culture and that those who depart from it are
aberrant.
By contrast, the few progressive writers in our sample who talk of alien-
ation use it in the Marxist sense of disconnection from one’s fellows and
lack of power to effect social change. One such writer argues that the nega-
tive and stereotypical portraits of the members of poor and minority
groups who appear as guests on television talk shows eradicate any under-
standing of their plight. The audience “feeds off the misery and humilia-
tion of others. Less obvious is the price we all pay . . . in increased alien-
ation, contempt and hatred” (Nelson 1995, 801). Another notes that these
talk show guests appear to the audience “as alien and unreal” (Willis 1996,
22). In this view, it is not the absence of mainstream characteristics that
makes one alienated but the inability to understand the social conditions
underlying individual behaviors.
Discussions of American culture during the last two decades of the
twentieth century are fraught with concern about whether the United
States retains a common culture. Within the conservative camp, a contin-
gent of writers argues that American society “is not multi-cultural—at any
rate, not at or near the top,” where behavior conforms to the modern
American version of the English gentleman (Hart 1996, 56). American cul-
ture is fundamentally Anglo-Saxon (Brookhiser 1992; Editorial 1991a;
O’Sullivan 1994a, 1994b).
Other conservatives express concern that when “ethnic cultures thrive,
the sense of national solidarity is weakened” and that if immigrants are in-
troduced into a multicultural America, they may never become American
(O’Sullivan 1994b, 45). Our “universalist immigration policy” has un-
leashed the “forces of cultural separatism and group rights” (Auster 1994,
54). If nations are “imagined communities,” held together by shared cul-
ture, multiculturalism works against the creation of such communities
(Custred 1997, 39). A multiethnic society will survive only if it becomes
monocultural (O’Sullivan 1994a, 44).
But no unity exists within the conservative camp on the topic of immi-
gration. For all the hostility that social conservatives bring to bear against
unlimited immigration, some economic conservatives see immigration as
Pluralism within One Culture 117
equivalent in ‘92 being ‘extremists’ eroding Western values with their mul-
ticulturalism and contempt for Great Books” (Cockburn 1991, 704). In the
eyes of another writer, “Republican attack politics turned on culture and
suddenly both academe and the arts were full of potential ‘Willie Hortons’”
(Hughes 1992a, 46).
Conservatives view the connection between race and multiculturalism
in a different but equally political way, arguing that proponents of multi-
culturalism have associated the common American culture with whiteness
and have thus made opposition to “diversity” appear racist. As one conser-
vative puts it, “The common American culture has been relativized as
‘white’ culture, [and this] lie serves to delegitimize assimilation, by charac-
terizing it as the imposition of an alien culture on all non-Anglo Ameri-
cans. . . . And once America is relativized as a ‘white’ construct, it can
hardly be defended, let alone celebrated by whites with a guilty conscience
about race. Hence the weakness of the opposition to diversity” (O’Sullivan
2000, 22). Once the “traditional reference points” such as “our Western
heritage” or “our Founding Fathers” are ruled out because “a critical num-
ber of us are no longer from the West” or because Founding Fathers sounds
racist, a “massive deculturation” takes place (Auster 1992 , 43).
A recent study that employs in-depth interviews suggests that the
con›ation of race and diversity is quite prevalent even among a sample of
people active in urban organizational life. Respondents “typically de‹ne di-
versity in broad and inclusive terms, but when asked to describe personal
experiences with difference, their responses are almost exclusively tied to
race” (J. M. Bell and Hartmann 2007, 905). The language of both diversity
and multiculturalism assumes a “white center” to which racial others “add
›avor” (909).
While critics of multiculturalism see it as divisive, some liberals accuse
the “monoculturalists” of being divisive. “Identity politics,” says one lib-
eral, is attacked as divisive “by people who cling to the vision of a singular
America. . . . But perhaps their love of singularity also divides us” (Walzer
1996, 39). Perhaps, too, it is no longer possible to maintain a uni‹ed cul-
ture. For one thing, technology is now “dividing a culture once clustered
around a common core into distant, discrete clumps, making it harder for
any one preacher, however high the pulpit, to reach the whole nation” (R.
Wright 1996, 44). For another, globalization creates an international class
of managers whose “cultural and political loyalties” are no longer clear.
120 culture wars and enduring american dilemmas
grants have come from all over the world, attracted by our democracy and
our economy. “This blend produced a genuinely pluralist society—indeed,
the very concept of pluralism is itself a product of the European (or ‘Euro-
centric’) tradition” (McConnell and Breindel 1990, 21). The multicultural-
ists often fail to appreciate this idea as well as the many “American gains in
cultural pluralism” (Sullivan 1990, 21).
Pluralism could not only replace the extremism of the multiculturalists
but also defuse the culture wars. As opposed to the “bogus pluralism of
multiculturalism,” with its ethnic, religious, and sexual militias, true plu-
ralism is bred by decentralization and consumer choice, says a conserva-
tive. School vouchers, for example, would allow parents to choose their
children’s curricula (Brookhiser 1993a, 74). In the past, this genuine form of
pluralism was “based on the relative isolation of internally homogeneous
communities” (Wagner 1986, 32).
As seen by conservatives, liberals have rede‹ned pluralism as “manda-
tory exposure to con›icting viewpoints” (Wagner 1986, 52). The public
schools and the mass media wield “tremendous cultural power” against the
family, church, and small town. In the face of the ban on school prayer, the
legalization of abortion, and sex education and “values clari‹cation” cur-
ricula in the school, traditionalists attempted to take back their culture. As
they did so, civil libertarians argued that they were blocking pluralism. Yet
the “old-fashioned pluralism” of internally homogeneous communities
can be restored via school vouchers and parental choice, cable television,
greater local control of public schools, and generally through competition
“in the various culture-making arenas” (52).
If some liberals oppose school choice because they see it as establishing
“cultural, religious, or ethnic ghettoes” (Wagner 1986, 32), a conservative
also acknowledges that parental control, school vouchers, and decentral-
ization would yield so much diversity that “children of neighboring fami-
lies would end up learning none of the same things.” It would also be irra-
tional to have public money ‹nancing the teaching of Satanism, for
example. Yet opting for a centralized educational system brings the danger
that professional educators will be able “to clarify your child’s values, to tu-
tor him in paci‹sm, multi-culturalism, and atheism” (Finn 1986, 35). The
author, writing as an administrator in the U.S. Department of Education
during the Reagan administration, ‹nds a self-serving solution to this
dilemma. Today, he argues, one can trust the federal government because it
122 culture wars and enduring american dilemmas
ties as female-operated banks, black Baptist nursery schools, and gay men’s
health centers matter more than debates about feminism, homosexual or-
ganizing, or “sun people and ice people” (39). “Groups need a well-rooted
institutional life to ›ourish. Pluralist theory accommodates both a shared
civic culture and the room for private-sphere institutions to maintain a vi-
brant group life” (Daryl Michael Scott 1998, 29). Even in the matter of fund-
ing for the arts, one commentator suggests that if one believes all citizens
should have access to art, what we need is not a National Endowment for
the Arts but “art vouchers for the needy” (Chait 1997, 14).
Sociologists also have noted that pluralism defuses culture wars. Thus,
even Christian Evangelicals in the United States who believe that Christian
morality should dominate in the culture have a commitment to freedom of
religious belief that neutralizes cultural warring. Historically, this “plural-
ism-versus-Christendom dilemma” was fairly readily resolved, since Protes-
tantism dominated American public discourse. Today, individuals manage
the dissonance by compartmentalizing their beliefs (C. Smith et al. 1997,
189–91).
In addition to this convergence about the desirability of pluralist com-
munities, both sides agree that indifference to values or to cultural differ-
ences is a form of false pluralism. A number of conservative writers make
this point. Pluralism, says one, is not to be confused with “moral indiffer-
entism.” “It is sad to see so many college students who think that pluralism
means moral relativism. . . . Such relativism reduces genuine pluralism to
molasses. It is powerless before ugly passions” (Novak 1984, 48). Nor does
pluralism require one “to transcend the particular in order to embrace the
universal.” Such a response really represents a “denial of pluralism” be-
cause it rests on “pretending that our deepest differences make no differ-
ence. Genuine pluralism is the vibrant engagement of differences.” We
need to have strong beliefs to discuss with others; it is hard “to suppose
that we have much to say to one another unless we have internalized the
tradition that distinguishes our contribution to the conversation”
(Neuhaus 1988b, 24).
A writer in The New Republic similarly argues that the absence of strong
beliefs does not produce pluralism and tolerance. Unfortunately, he main-
tains, it is all too easy for “people who grow up in a world of great skepti-
cism and diversity” to become complacent and not self-critical. “The dan-
ger that people will arrogantly impose their beliefs on others is happily
124 culture wars and enduring american dilemmas
diminished,” but people who “do not believe in anything strongly enough
to engage in systematic persecution . . . also lack the strength of principle
that would lead them to stand up to the intolerance of others, and the in-
tolerance within themselves. Students today . . . are too morally mellowed
out to object to racist jokes” or to “mock slave auctions at a fraternity
party.” The loss of certainty that arises in a diverse or multicultural society
generates the danger of dogmatism and closed-mindedness (Melzer 1991,
11). Another writer in The New Republic expresses concern that modern life
has destroyed many of the traditional channels for transmitting the culture
to new generations. As a result, there is the threat of a “hitherto unknown
in‹rmity: deculturation.” For this reason, Americans should learn Ameri-
can traditions—the institutions or concepts of public life, not just the orig-
inal cultures of individual inhabitants, many of whom are recent immi-
grants (Todorov 1989, 29).
Nor does pluralism require us to challenge all of our own sincere beliefs.
One conservative alleges that the people who today run the schools in-
clude liberals who appear to de‹ne pluralism in this way. “So ‘pluralist’ are
we that we cannot allow traditional moral norms to be propounded to the
next generation without a challenge” (Wagner 1986, 32). By the same to-
ken, those academics who proclaim “cognitive and moral relativism” to be
a matter of expert consensus and exclude those who view truth as “neither
a dogma nor a chimera” fail to manifest the “pluralism” of which they
boast (Todorov 1989, 29). One commentator on the left argues similarly, at-
tacking “the P.C. felons” whose “emaciated terminology leads in the direc-
tion of a mini-consensus that does not welcome dissent” (Hitchens 1991,
472). Efforts to do away with ethnic humor in the name of political cor-
rectness not only may back‹re but also do little to deal with real power dif-
ferentials. That ethnic humor “is often deployed by the powerful against
the powerless is best answered not by silencing the powerful (that hardly
takes away their power) but by unleashing the humorous abilities of the
powerless.” Let blacks make fun of whites, gays mock straights, women de-
ride men (David Segal 1992, 10).
For all the self-consciousness about cultural pluralism, some old-fash-
ioned ethnocentrism appears in the writings of both conservatives and lib-
erals, although agreement does not always exist about precisely which as-
pect of “our culture” makes us superior. One liberal takes offense at the
notion that multiculturalists sometimes portray “Europe—the unique
Pluralism within One Culture 125
through choice would certainly be less disruptive than having the myths of
multiculturalism fed to all school children by a state monopoly” (1991b, 16).
The population at large did not appear to share in these commentators’
negative assessments. National survey data from 1994 found that only 26
percent of the population believed that “ethnic history is getting too much
attention,” 50 percent agreed that “there’s now about the right amount of
attention to ethnic minorities in history classes,” and 24 percent believed
there should be more such material (Citrin et al. 2001, 259–60). Moreover,
while 92 percent of the sample agreed that we should “choose teachers
based on ability, not ethnicity,” only 44 percent agreed that we should
“choose history teachers based on ability, not ethnicity” (258). The differ-
ence in the two numbers presumably indicates sensitivity to ethnicity in
the teaching of history, an indirect suggestion of support for multicultural
education.
Defenders of multicultural education suggest that it bene‹ts not just
oppressed minorities but all of us, since we all need “to navigate a society
that truly is multicultural and is becoming more so everyday” (Ehrenreich
1991, 84). All students need “to learn how to develop multiple perspec-
tives” (quoted in “What Do We Have in Common?” 1991, 19); acknowledg-
ing the contributions made by different groups is a way of “strengthening
our unity” (20); “America has always been a study of different cultures op-
erating on one continent” (20). Conversely, a critic notes that two- and
three-year-old children in nursery school are now being taught about “cul-
tural differences.” Families that have been American for generations are re-
quired to produce some other heritage for show-and-tell. The result is that
children are now “talking about things that separate rather than connect”
them (Konig 1997, 46).
If support for Afrocentric curricular changes in the schools amounts to
“the politicizing of history,” says one supportive commentator, so be it:
“teaching the young is necessarily and inevitably political. It entails the au-
thoritative promulgation of values as well as information” (Loury 1997, 25).
But a more right-wing commentator argues that it is absurd to consider
every choice of college textbooks a political one: “what makes it political?
That it is a choice? . . . Would the choice of textbooks in a course in math-
ematics be political too?” (Hook 1989, 32). To claim that all texts have po-
litical dimensions, says another, that “politics or ideology is everything,” is
to diminish both politics and literature (Howe 1991, 46).
Pluralism within One Culture 127
pus (Robinson 1989, 319); free expression is not being sti›ed (Kinsley 1991).
Traditional classics are still being taught (G. Graff and Cain 1989), and stu-
dents can still take many courses about “dead white males” (Kinsley 1991).
Debate and change are healthy, and curricular change always accompanies
continuity (Bowen 1988; Howe 1991; Todorov 1989). Furthermore, only 20
percent of college students actually take core courses in Western civiliza-
tion (Cockburn 1991, 691). And books neither determine behavior nor
“mold a common national purpose” (Pollitt 1991, 331).
Supporters of curricular change note that all too often, “a different aes-
thetic is presumed to be no aesthetic. And the female, black, working-class
or homosexual experience is uncritically assumed to be, at best, an unlikely
candidate for canonization, precisely because it is the marked variant,
whereas the experience of straight white men has a unique claim to uni-
versality.” The idea is not to eliminate the canon but rather to add to it. The
whole tradition can then be read “from a perspective informed by our sense
of what is usually omitted and what that omission itself teaches” (Robin-
son 1989, 319). We must learn to see ourselves from the outside: “it is cru-
cial to study not only our own history, but also other cultures . . . in order
to convince ourselves there is more than one way of being human”
(Todorov 1989, 30). History and philosophy necessarily subsume “forms of
inquiry into the strange and unsettling.” Therefore, adding gay studies, for
example, to the university curriculum makes sense (Nussbaum 1992, 35).
Critics of curricular revision, however, see the changes as wrongheaded,
silly, or pernicious. “Eccentric reading lists” accompany “a combative po-
litical agenda” (Henry 1991, 66); “fad is king” as 1960s radicals continue to
“promote their own progeny” (Hart 1988, 32). The “multicultural fads” on
campus promote student ignorance of history (Giesea 1997, 64). Academic
freedom is threatened (Roche 1989); assaults take place on both free speech
and common sense (Teachout 1992, 54); and diversity becomes “an excuse
for suppressing real intellectual differences” (Sykes and Miner 1991, 31).
Most of these criticisms come from the Right, but at least one progressive
joins in, suggesting that much nonsense has entered cultural life as pro-
gressives in academe have littered the curriculum with courses in the hu-
manities that are manifestations of race, ethnicity, regionalism, or class
(Kriegel 1984–85, 714).
In a critique that harks back to the idea of multiculturalism as a form of
individualism, one conservative argues that “the gravest fault of our edu-
130 culture wars and enduring american dilemmas
cation today is that its content gives us nothing to aspire to.” The goal of
education should be to produce citizens who “can love, admire, respect
something or someone above themselves” (Mans‹eld 2000, 26). Rather
than fostering diversity, the prevalence of multicultural curricula may end
up encouraging solipsism. “The future may well lie with the Stanford stu-
dent who, when asked about studying important non-Western trends such
as Islamic fundamentalism and Japanese capitalism, responded, ‘Who gives
a damn about those things? I want to study myself’” (F. Siegel 1991, 40).
Just as some conservatives have expressed their acceptance of an earlier
accommodation with homosexuals that rested on their sexual practices re-
maining private, so too a conservative writer has suggested that the litera-
ture of blacks, females, Jews, and others had long been taught within uni-
versities but only to “insiders”—everyone studied the traditional classics,
while blacks also studied what blacks had done, women learned about
what women had done, and so forth. This “benign consensus” of the 1970s
later fell apart when the curriculum became a matter of contention and the
“new humanities” were “promoted for parochial purposes (to give blacks
self-con‹dence, to persuade Jews to remain Jewish).” Their promoters thus
“turned themselves into mere pressure groups on the campus, extensions
of political forces deriving from outside the campus” (Neusner 1984, 44).
Much of the animus against revisions of the curriculum, whether in
schools or universities, is based on the idea that these changes seek to deny
the existence of objectivity or truth. An editorial in The New Republic, for
example, objects to “a curriculum geared primarily to attack the notion of
objectivity itself.” Yet the editorial writers, like many other contemporary
commentators, are simultaneously wedded to the idea that reality is so-
cially constructed. The dilemma is nicely captured here: “Nobody, least of
all this magazine, is recommending a smug return to a naïve positivism.
But . . . the facts (even at this late date, we insist, the term may be used
without embarrassment) are far less contestable—and contested in Ameri-
can society today—than the multiculturalists claim.” The editorial ac-
knowledges, however, that “objectivity is often a mask for interests” (Edi-
torial 1991d, 5–6). Others, too, make that connection, arguing that we need
to distinguish between the power of an idea and its rightness. Nevertheless,
works created by particular people with particular political concerns can
contain universal truths (Todorov 1989, 30).
A fairly wide consensus holds that objectivity and truth do exist and
Pluralism within One Culture 131
43). American culture has always been open to new regions, new oppressed
classes, and immigrant communities. Democratic cultures move along
through internal con›icts—of classes, ethnic groups, literary schools, and
popular audiences (Howe 1984, 26). The debate about the canon “may be
the healthiest thing to have happened around academe in years” (Bowen
1988, 67). Efforts to suppress hurtful words and ideas to bring peace to a
racially diverse America are wrongheaded. “Up to now, . . . America’s genius
has not been in its civility, but in its raucous barroom brawl in search of
truth” (Henry 1993, 75).
One writer sympathetic to the idea of curricular changes suggests that
the concept of a canon, of the Great Books of Western Civilization, is itself
something of a myth. He argues that anything resembling such a canon
was ascendant only in the period from shortly after World War I through
the decades just after World War II. The inclusion of writers such as Shake-
speare and Walt Whitman had previously occasioned intense battles
(Levine 1996, 15). And even a conservative critic of contemporary trends ac-
knowledges that “con›icting cultural traditions” have “shaped the pres-
ent.” The curriculum should not be ‹xed; the texts selected “can be varied
from time to time” (Hook 1989, 30). Another conservative commentator ar-
gued against a “reversion to the old world of institutionalized prejudice
and cultural snobbery” and in favor of previously neglected works by
blacks, Jews, and women that should be taught for “what is general and ac-
cessible, suggestive beyond itself” (Neusner 1984, 44, 61).
Yet by far the dominant stance among writers in National Review is to
mock the idea of bene‹cial con›ict about the canon. Thus, Arthur
Schlesinger’s assertion that debates over beliefs and values in schools and
colleges are bene‹cial is derided as being “dismally squishy.” At stake in the
canon war are not simply “different styles of intellectual discourse” but
rather a struggle over “the power to teach the young and shape the cul-
ture.” And because the beliefs of the current curriculum revisers are “Lenin-
ist” or “totalitarian” in nature, it is not possible to compromise with them
(Teachout 1992, 55). In contemporary academe, left-wing fads are so domi-
nant that graf‹ti is studied as literature (Hart 1989b, 39), and serious intel-
lectual life will move outside the university (Hart 1988, 32).
One of the major conservative books against the revision of the cur-
riculum, Dinesh D’Souza’s Illiberal Education (1991), similarly argues that
Pluralism within One Culture 133
ample, Hart 1988, 1989a; Sykes and Miner 1991) and the left (see, for exam-
ple, Howe 1991; Kriegel 1984–85), there is also a fair amount of agreement
that adding works to the standard curriculum is permissible and even ad-
mirable as long as the number added is not so great as to “dilute” the tra-
ditional curriculum. There is, after all, “more to culture than Western cul-
ture, and one might well explore the standard list of classics for expansion
and replacement” (Glazer 1988, 21). Stanford University’s compromise is a
recognition of “the essential pluralism of Western civilization” (Bowen
1988, 66).
Critics of multicultural education and of changes in the university
canon allege that the underlying motivation for these program alterations
is to improve the employment opportunities of various minority group
members. Thus, it is argued, support for bilingual programs is high among
Hispanics even though such programs do not help students academically.
The bene‹ts of such efforts lie in providing “employment and political op-
portunities, as schools are forced to hire Hispanics without regular teaching
credentials” (Thernstrom 1981, 16). Another critic contends that matching
professors’ ethnic or gender identities with the ‹elds in which they work is
not a good idea: “The whole idea of history involves putting yourself in the
shoes of someone else.” Moreover, one could argue that minority students
“feel empowered” when they see a black female English professor teaching
the Shakespeare course (Barnett 1991, 26). And the idea that only blacks
and Asians can and should play black and Asian theater roles means “turn-
ing theater into an arena of entitlement” and promoting “racial exclusion-
ism” (Brustein 1991, 33). Some progressives take a more benign view of such
matters but acknowledge this role of multicultural programs. Thus, Katha
Pollitt suggests that when academic feminists de‹ne women as having a
separate culture, they are carving out a safe space for themselves: “It works
much like multiculturalism, making an end-run around a static and dis-
criminatory employment structure by creating an intellectual niche that
can be ‹lled only by members of the discriminated-against group” (1992b,
806).
If pluralism within one culture is to mean more than separate enclaves
replete with their own special employment opportunities, how is it to oc-
cur? If it means the coexistence of internally homogeneous communities,
how are they to be created?
Pluralism within One Culture 135
The liberal solution to the problem of pluralism within one culture lies in
promoting tolerance, though all liberals do not agree on how to de‹ne it.
Conservatives exhibit even less consensus on the issue. Thus, one conser-
vative derides multiculturalists’ tendency to place the “normative rights of
the community” above those of individuals (Henry 1993, 74), while an-
other suggests that such rights may be more important than pluralistic tol-
erance. During the struggles over homosexuality in the early 1980s, this
second commentator had suggested that “the community has a right to
preserve its conception of the American consensus by repressing those
whose actions would tend to undermine it” (Teachout 1983, 1433).
Yet another conservative maintains that only conservatives are capable
of “genuine tolerance.” Because the Left sees humans as perfectible and
wishes to use state power to root out imperfection, leftists are intolerant of
anything of which they disapprove. But since tolerance is an American
principle, the American Left has had to rede‹ne it as approval, and the re-
sult has been moral relativism. “Genuine tolerance, which is tolerance of
those with whom one disagrees or of whose behavior one does not wholly
approve, thus becomes uniquely a conservative virtue. A practicing homo-
sexual can remain on the Left only as long as the Left decides that homo-
sexuality is just as good as heterosexuality, but he can join the Right even
if conservatism condemns homosexual acts” (Short 1990, 44). A conserva-
tive gay commentator clearly distinguishes between tolerance and ap-
proval, noting that the struggles of the gay rights movement have gone
along a road from intolerance to tolerance to acceptance, with the last stage
not yet having been reached (Bawer 1994, 26).
The idea that tolerance serves as a cover for moral relativism begins
with the observation that liberals tolerate all sorts of lifestyles and are un-
willing to attach sanctions or stigma to misbehavior (R. Wright 1996, 44).
Liberals view all faiths and philosophies in our culture “not as objects of re-
spect in their own right” but rather as the “the raw material for construc-
tion of a society whose only absolute is tolerance” (Wagner 1986, 32). In
rede‹ning “tolerance as approval,” the American Left has sanctioned moral
relativism (Short 1990, 44).
The relationship between tolerance and moral relativism is, in actuality,
136 culture wars and enduring american dilemmas
not a simple one. On the one hand, those Americans who believe in grant-
ing civil rights and liberties to groups of whom they disapprove—whether
homosexuals, atheists, or communists—have done so on the grounds of
tolerance. On the other hand, sociologists concede that some of the items
in standard scales that supposedly measure tolerance may actually measure
“attitudinal ‘moral relativism’ rather than actual behavioral graciousness
towards those with whom one disagrees” (Woodberry and Smith 1998, 41).
The distinction between tolerance and social approval is signi‹cant. In
the eyes of many conservatives, homosexuals deserve our tolerance but not
our “coerced approval” (Editorial 1998c, 16). School curricula that include
books such as Heather Has Two Mommies are seen as “going beyond tolera-
tion to approbation” (Brookhiser 1993a, 74). “Moral failure” is increasingly
“rationalized” by convincing oneself that one’s previously illegitimate
wishes are now acceptable. But for the rationalizations to succeed, every-
one must agree with them. Hence “the necessity for self-justi‹cation re-
quires the complicity of the whole culture.” Gays and supporters of abor-
tion, for example, thus “moved naturally from a plea for tolerance to
cultural conquest” (Reilly 1996, 61). An article in Time cautions, however,
that social conservatism must be accompanied by tolerance because “in
every era when moral fervor held sway, a counterreaction began to build
when the community became intolerant of individual liberties” (Stengel
1986, 18).
Some conservatives express concern about the deleterious effects of tol-
erance on the unity of American culture, contending that “even the most
tolerant American culture” could not “incorporate other cultures whole-
sale” (O’Sullivan 1994a, 40), that Americans should take pride in “the his-
toric content of their culture” rather than in “empty formulas of tolerance
and diversity” (Brookhiser 1992, 74). These conservatives decry liberals who
rank all philosophies and faiths as subservient to the all-important value of
tolerance (Wagner 1986, 32). And they argue that the “gratuitous insults to
the religious sensibilities of fellow citizens by artists . . . are damaging to
democratic tolerance” (Hyde 1990a, 27), quite in contrast to the assump-
tion of many supporters of the National Endowment for the Arts that their
side represented the virtues of “reasonableness and toleration against nar-
row-minded Philistinism” (Chait 1997, 14).
But if some conservatives portray tolerance as a prime liberal value, at
least one liberal characterizes it as a basic American cultural theme. Ameri-
Pluralism within One Culture 137
ter of some dispute. One writer notes that “while polls show that many
Americans have a renewed appreciation for traditional values, their toler-
ance of their neighbor’s right to reject these values has not declined at all”
(Stengel 1986, 17). Yet critics on all sides see their opponents as producing a
less tolerant nation. Opponents of multiculturalism and political correct-
ness argue that they foster intolerance rather than tolerance. The new
thinking in academe, which sees most of American history as racist, sexist,
and classist, is “fostering a decline in tolerance and a rise in intellectual in-
timidation” (Henry 1991, 66). Those who advocate an Afrocentric curricu-
lum do not seek interracial tolerance; rather, their spirit of racial pride is
“synonymous with racial intolerance” (Sullivan 1990, 21). And an increase
in “diversity” in the newsroom is seen as “driven by truly totalitarian im-
pulses” that promote “cheerleading” rather than newsgathering and work
“to suppress ideas and information” (Seligman 1993, 28, 34, 32). On the
other side, a liberal accuses the Religious Right of preaching a “rabid intol-
erance of social differences (yes, lifestyles!)” (Judis 1999, 56). And right-
wing PC, no less than its left-wing counterpart, is seen as representing “an
intolerance of opposing views that verges on censorship” (Kinsley 1993,
66). Another progressive notes that although pressure groups on the right
frequently demand political correctness, the term is never applied to them
(Elson 1994, 64). And in a more humorous formulation: “Criticizing
gangsta rap for demeaning women is defending ‘American values.’ Criticiz-
ing right-wing talk radio for doing the same is ‘politically correct’” (quoted
in Sachs and Washburn 1995, 34).
The issue of how tolerant Americans truly are is a complicated one. On
the one hand, survey respondents say that all persons should be free to
think and believe as they see ‹t; on the other hand, respondents are quite
willing to see unpopular views being censored. If one asks people whether
their most disliked groups (for example, atheists, homosexuals, racists, mil-
itants, communists) should be allowed to give speeches, run for of‹ce, or
even legally exist as a group, surprisingly few Americans say yes (Gibson
1992). While some evidence indicates that Americans are becoming more
tolerant, in part because of higher levels of education (see, for example,
T. C. Wilson 1994), the use of a more stringent measure of tolerance—
putting up with views that one ‹nds objectionable—produces evidence of
only very minor improvements in tolerance. An analysis of survey data
from 1976 through 1998 found that “strong majorities of Americans were
Pluralism within One Culture 139
Conclusions
While conservatives may eschew the language of cultural politics, the two
sides nevertheless converge in recognizing that some actors are more
powerful than others in in›uencing the culture. Conservatives clearly see
power in the hands of an “establishment” or “new class” or “knowledge
class” whose tastes and values conservatives dislike. Sometime during the
1960s, says one conservative commentator, “the power of explaining Amer-
ica to Americans fell to a liberal, sometimes radical ‘new class’—academics,
145
146 culture wars and enduring american dilemmas
elites who construct the media content. While this populist sentiment ap-
pears on both the left and the right, the audiences in question appear to
differ.
While crediting the intelligence of average Americans over that of the
critics, conservatives may also suggest that lower-class populations are all
too easily in›uenced by the images they receive from the liberal media
elite. As one conservative commentator notes, “common sense suggests
that the pictures of the world disseminated by cultural elites would have an
impact over time.” Justifying their actions on the basis of white indiffer-
ence and failure to provide jobs to ghetto residents, black and Hispanic
gang members are echoing TV commentators, whose statements are picked
up from the culture elites (Rothman 1992, 35). In contrast, a liberal com-
mentator remarks that “young African Americans are not so naïve and sug-
gestible that they have to depend on a compact disc for their sociology
lessons.” They know that police stereotype and arrest blacks more than
whites for the same offenses. Critics of rap music imagine “empty-headed,
suggestible black kids, crouching by their boom boxes, waiting for the
word.” This view is clearly false (Ehrenreich 1992a, 89). An editorial in The
Nation similarly contends that the “culture war” propagated by the 2000
Democratic presidential and vice presidential nominees”implicitly portrays
American teens as empty vessels at the mercy of corrupting entertainment”
(Editorial 2000c, 3). And a writer in The Nation notes that those who wish
to censor certain publicly funded artists manifest a “faith in the power of
images” that “appears to involve a deep suspicion that seemingly decent
Americans will be overwhelmed by dark forces within them that such
images might unleash” (Mattick 1990, 356).
It is easy to see that the interests of various groups in›uence their per-
ception of media in›uences. Thus, a conservative writer who decries the
in›uences of Hollywood points out that “liberal activists who denounce
Joe Camel as a pied piper of social coercion swear that screen idols have no
in›uence on human behavior. Television executives who make billions of
dollars off the persuasive power of 30-second commercials declare that the
26- and 54-minute programs those ads punctuate have no net impact on
their views” (Goldberg 2000, 62).
If media elites have undue in›uence, those on the left see this phe-
nomenon as a consequence of the economic interests represented by the
major media. The media, they contend, are necessarily biased in a conser-
Antielitist but Respecting Achievement 149
human being with preadult traits or whether modern man has a split per-
sonality: half mutilated child and half standardized adult” (Lowenthal
1950, 332). It is hard to imagine any of today’s culture warriors on the right
or the left subscribing to such sentiments.
Distinctions between popular and high culture had become suspect by
the late twentieth century as observers recognized that what merits elite
status in the cultural realm is a matter of social construction and the power
to confer it. In an era when a major art museum (the Guggenheim) pre-
sented an exhibition titled The Art of the Motorcycle, the older distinctions
made no sense. Yet what exactly belongs in the mainstream remains a mat-
ter of dispute.
One writer looks at contemporary American popular culture and de-
clares that whereas a mainstream culture once existed, there are now “two
streams: one traditional and tranquil, the other torrential and caustic.” At
midcentury, “there was a single of‹cial pop culture: white middle class,
mid-cult, status quo.” Today, this group remains tranquil, but there is a
large pop culture that is based on the rage of those who are ignored: the
homeless, the junkies, the insane, the ghetto underclass, and “the young
white working class, in tattered towns and trailer parks, who feel left out of
bland, sitcom America” (Corliss 1990, 97). Another commentator in the
late 1990s suggested the presence of a new countercultural trend. Unlike
that of the 1960s, however, it is “inchoate” and neither united nor politi-
cal. Growing up around alternative music and the Internet, its members
seek original identities and are “far more sophisticated and authentically
nonconformist than Woodstock Nation ever was.” But theirs is an “apolit-
ical tribalism. . . . The belief in a singular ‘system,’ and a ‘counterculture’ in
opposition to it, comes from a time when there was a consensus reality
constructed of centralized media, personi‹ed by the three TV networks”
(Sirius 1998, 88–89).
A liberal defender of middlebrow culture suggests that “it provides
some unity in a culture where political, social, and intellectual fragmenta-
tion is now the norm.” Highbrow culture, he argues, “has never been so
high—so removed from daily discourse. And lowbrow has never so mes-
merized the masses or carried such highbrow chic. . . . We have lost appre-
ciation for the art that was once the mainstay of American culture and the
unguilty delight of intelligent readers, listeners, and viewers.” Middlebrow
art “appeals across barriers of age or station” because it offers both amuse-
Antielitist but Respecting Achievement 151
ment and instruction. It also engages with the world and can produce so-
cial change, as novels such as Uncle Tom’s Cabin and The Jungle illustrate
(Friend 1992, 24, 27). A writer in The Nation applauds this defense of mid-
dlebrow culture and reinforces the suggestion that accessible art can
change minds and hearts (Pochoda 1992, 344).
Another progressive writer contends that a “democratization of cul-
ture” has taken place, so that the barriers between high and low culture
have broken down, much to the displeasure of social conservatives (Willis
1996, 22). And indeed, one noted conservative art critic decries the fact that
“all distinctions between high and low culture, including outright trash,
are considered too invidious to be given a hearing.” In fact, he argues, the
priority given to “the lowest forms of popular culture and media entertain-
ment at the expense of literature and the ‹ne arts in the ‘quality’ press is
now so advanced that it amounts to a cultural revolution. So does the
politicization of reviewing, where the tenets of political correctness and
multiculturalism are now regularly substituted for criteria of aesthetic judg-
ment” (Kramer 1993, 37). Another critic agrees that “high art in America is
dying” (Brustein 1992, 38).
A commentator on the left suggests that the “sleaze and moral degra-
dation” of contemporary popular culture is less worrying than the “brutal-
ity and emptiness of our political culture.” The excesses of TV talk shows
demonstrate the problem. “Pop-bashing is the humanism of fools: In the
name of defending people’s dignity it attacks their pleasures and their mea-
ger store of power. On talk shows, whatever their drawbacks, the proles get
to talk. The rest of the time they’re told in a thousand ways to shut up”
(Willis 1996, 23).
To be sure, even this supporter of the “proles” who “get to talk” on tele-
vision talk shows notes that they are often subjected to “the manipulative
condescension of their producers and hosts” (Willis 1996, 23). And as noted
earlier, some progressives suggest that these programs merely exploit the
poor and minority groups. In addition, not all progressives see cultural de-
mocratization as a good thing. Thus, what some progressives perceive as
the “democratization” of culture others see as “a consequence of the left’s
inability to make distinctions. Because we tend to see all cultural expres-
sion as a manifestation of political ideology, ideology itself has ceased to
serve any de‹nable purpose, except as a leveler of distinctions. As a result,
cultural life is overwhelmed by nonsense. . . . It was the left that favored
152 culture wars and enduring american dilemmas
education in the humanities for all; it was the left that wanted to make cul-
tural life widely available. . . . When those of us on the left called for cul-
tural diversity, we questioned, justi‹ably at the time, the obeisance to West-
ern culture that pervaded American colleges and universities.” But this
“cultural politics . . . was disastrous. . . . Courses in the humanities became
manifestations of race, of ethnicity, of regionalism or of class. And by al-
lowing all values, all opinions, all feelings, all ideas—no matter how ridicu-
lous or ill-conceived—to be considered equally, we made humanistic edu-
cation a minor branch of what might be called ‘arts for living’” (Kriegel
1984–85, 714). Irving Howe has noted similarly that “the deep suspicion of
the making of distinctions of value”—long part of American populism—
has “found a prominent place in the universities” since the counterculture
of the 1960s (1991, 42).
The debates about the university canon appear to pit academics against
their critics. This situation is unfortunate, says one liberal commentator,
because there is clearly something wrong “if society no longer wants to lis-
ten to its intellectuals, and if intellectuals cannot bear to hear how they are
judged by society.” Academics argue that specialization of knowledge is re-
quired and even that it makes thought possible. “This is an outrageous
claim. It implies, among other things, that outside of universities people do
not think.” This goes along with the elitism that sees “popular” books as in-
evitably being too simple (Todorov 1989, 26, 28).
While writers on the left and the right share an undertone of populist
distaste for elites, the attacks on elites for behaving in a self-serving fashion
appear more prominently from conservatives. The elites in question are
those whose work is seen to in›uence the culture. Not just artists, intellec-
tuals, and academics, but experts in the school system and supporters of
multiculturalism come under such suspicion. The Right sees those who
support multiculturalism as part of an establishment that is out of touch
with reality. “It is only the political class and the intelligentsia” who do not
know that there is a common American national identity (O’Sullivan
1994a, 45). “Multiculturalism is not a grassroots movement”; it would die
without government support (Chavez 1994, 32). And immigrants them-
selves are not the problem. They are here because they believe in American
values. The problem lies in an indigenous overclass intent on balkanizing
American society and exploiting immigrants and the poor to that end
(Neuhaus 1995, 66). Elites either “acquiesce in” or “actively promote”
Antielitist but Respecting Achievement 153
themselves part of the elite. Quayle is the millionaire son of media mil-
lionaires (Hughes 1992b, 43). Observers have also suggested that conserva-
tive Republicans were free to criticize the “cultural elites” in the arts and
humanities because these audiences were no longer so dominantly Repub-
lican (Jensen 1995, 28).
The controversy surrounding federal funding for the arts drew such
high-level political ‹gures as Republican speaker of the house Newt
Gingrich and Senator Henry Hyde into writing articles against the NEA.
Gingrich argued that Americans should not be forced to pay for “political
statements masquerading as art,” should not be required to support views
that contribute to our “cultural fraying” instead of our unity, and should
not be “forced to underwrite cultural dependents who add to our decay and
undermine our values” (1995, 70, 71). Hyde similarly proclaimed that the
public need not pay for offensive art or art that re›ects merely the narcis-
sistic self-expression of the artist rather than a quest for the good, the true,
and the beautiful. Yet the two disagreed about the desirable outcome.
Whereas Gingrich thought that removing cultural funding from the federal
budget was the solution, Hyde hoped that such a drastic measure would
not be necessary since it would mean that “we simply can’t reach agree-
ment on a reasonable approach to issues at the intersection of politics and
culture,” a result that would be “deeply saddening” (Hyde 1990a, 26).
Some on the left, by contrast, have no problem endorsing art that is
“overtly political.” “The demand that art must be representative of the
whole community or must be universally accepted . . . is reminiscent of
that used in totalitarian states to condemn any work of art that does not
represent the whole community or that breaks with convention” (Neier
1980, 376). Some traditional art critics’ animus against the “misdeeds of the
NEA” may re›ect their sense that it re›ects a loss of their own power
(Mattick 1990, 356). And in the climate of the culture wars, the arts have
become “scapegoats, grotesquely politicized culture-war stereotypes,” so
that many people now believe that preserving the NEA means preserving
“sodomy, blasphemy, and child abuse” (Hughes 1995, 66). Conversely, at
least one liberal who disapproves of the NEA is concerned that it offers lit-
tle money to the arts while wielding lots of power as a consequence of the
prestige associated with its grants. This combination of little money and
lots of control “is the worst of all possible worlds” (Chait 1997, 16).
All sides are concerned about the incompatibility between the interests
156 culture wars and enduring american dilemmas
of the art establishment and those of ordinary citizens. Some on the right
argue that given this incompatibility, a libertarian argument is the best so-
lution: let artists do what they want, but don’t make taxpayers fund it (Fer-
guson 1989, 21). An editorial in The New Republic similarly contends that
“taxpayers ought not to be expected to support displays that do violence to
deeply held community values” (Editorial 1989, 6).
Both the Left and the Right accuse the art world of remaining aloof
from the world of ordinary people. Some liberal commentators suggest that
the lower classes’ concerns and tastes are excluded. Arts producers and con-
sumers display a “broad condescension” toward working people, who
“sense that their lives and opinions are uninteresting to arts-world decision
makers” and whose “rage was there long before it was tapped by . . . right-
wing churches” (Spillane 1990, 739). In controversies regarding the place-
ment of art in public squares, the rights and interests of those who use
those spaces must be considered more important than the aesthetic value
of the art. A commentator on the left thus argues against placing Richard
Serra’s large sculpture, Tilted Arc, in New York’s Federal Plaza. Despite his
personal admiration for the sculpture as a work of art, this commentator
opposed such a placement because the public “has an interest in not hav-
ing all of its open spaces treated as though they were museums” (Danto
1985, 776).
Observers on the right perceive that the art world has deliberately cho-
sen to distance itself from the respectable world of the middle classes. Be-
cause the members of the bourgeoisie are afraid to look bourgeois, they are
no longer shocked by art and are willing to pay high prices for Andy
Warhol’s soup cans. The NEA funds whatever the arts community produces
because it too is afraid to look bourgeois, with the result that artists have
become more violent and lewd and the public taste is further corrupted
(Berns 1990, 35–36). Some on the right question whether offensive art—
such as Mapplethorpe’s photography and Serrano’s Piss Christ—is indeed
art as opposed to political statement (Buckley 1990b, 62).
Yet some commentators on the left defend the arts and art institutions
against the charges of elitism. Unlike so many other institutions, “Ameri-
can art institutions are among the most zealous in reaching out. . . . How
else explain the preoccupation with multiculturalism, the debate over qual-
ity, the effort, with whatever success, to dismantle the barriers of race and
gender? (The contradictory fallback position of those who can’t get the
Antielitist but Respecting Achievement 157
label ‘elitist’ to stick is that arts institutions are too ‘politically correct’!)”
(Danto 1997, 6). Those who condemn the excesses of multiculturalism and
political correctness indeed suggest that being politically correct means be-
ing “deeply skeptical toward the very idea of a ‘masterpiece,’ because it im-
plies that one idea, culture or human being can actually be better than an-
other” (Henry 1993, 74).
Those concerned about the fate of art fear that the very controversies
about artistic merit have been detrimental because the effort to avoid po-
litical controversies has made public art increasingly bland. Artists increas-
ingly must fend off criticisms from all sides of the political spectrum—from
“religious and cultural conservatism” as well as “identity politics” and “or-
dinary philistinism” (Grant 1999, 47). And the increased pressure against
subsidizing provocative art may lead some theater producers, for example,
to “decide that survival is more important than social commentary” (Yeo-
man 1998, 33).
While elites in many areas of American life may be seen as out of touch
with popular sentiment, they nevertheless remain objects of respect and
emulation. Indeed, the con›ict between elitism and democratic populism
plays itself out in a variety of spheres, with commentators from both con-
servative and liberal perspectives siding with the elites. Thus, a conserva-
tive commentator has argued that “the idea of the gentleman has been part
of American culture from the earliest days” (Hart 1996, 52). Though it em-
anates from the English model, its American form is characterized by “self-
control, subordination of the ego, understatement, respect for solid
achievement, courtesy (especially to social inferiors), respect for women,
family responsibility, professional obligation, respect for education, regard
for athletics” (55). To be sure, “the whole idea of the gentleman is an of-
fense against the idea of social equality.” But then the extreme individual-
ism of the American literary canon also “constitutes a polemic against the
leveling tendencies of democratic culture.” Despite the leveling pull of
democracy, “the idea of the gentleman has been a powerful presence in
America,” and it “operates within, and is not in radical opposition to, soci-
ety itself” (54). A liberal defender of high culture likewise suggests that the
158 culture wars and enduring american dilemmas
because of their positions (Horton 1994, 31, 44). Yet this critique may be
missing the intended irony in the use of the term cultural elite. According to
Lakoff, conservatives subordinate culture to morality so that “the idea of a
real cultural superiority that isn’t moral superiority makes no sense. . . . For
this reason, the term ‘cultural elite’ can only be ironic, referring to a self-
sustaining in›uential group with false claims to superiority” (2002, 240).
The Right aligns itself with elites insofar as it defends WASP culture but
characterizes WASP culture as little more than the traditional American cul-
ture. WASP ideals—of industry and success, of conscience and civic-mind-
edness—have continued to dominate American society even as WASPS
themselves have slipped to minority status because “being a WASP was a
game anyone could play. Over the years, everyone has, including descen-
dants of the people Lincoln freed” (Brookhiser 1993b, 79). Attachment to
this elite is thus acceptable because it represents the democratic potential
of American society. Or does it?
Conservatives have reached no consensus here. One commentator ar-
gues that despite cultural myths of universalism and of the United States as
an immigrant nation, “in real life what was important was the assimilation
to a WASP norm” (O’Sullivan 1994b, 36). But another conservative con-
tends that “there is no Anglo copyright on the characteristics that make for
assimilation and success in America: hard work, thrift, civic-mindedness,
devotion to faith, family, and freedom. The successful third-generation Pol-
ish-American is not a WASP but a successful third-generation Polish-Amer-
ican” (Neuhaus 1995, 64). Yet a third conservative writer suggests that
whatever the ethnicities and cultures of those at the lower levels of the so-
cial pyramid, the culture at the top remains Anglo-American (Hart 1996, 52,
56). An editorial in National Review argues that not just the top of the social
hierarchy remains WASP-like but rather pretty much everything above the
bottom. “The important social divisions in American life are those between
the Knickerbocker Club, the Nashville Kiwanis, and Teamsters Local 137—
but to a foreign eye they all look WASPish.” (1991a, 18). As seen by the Left,
of course, the WASP nature of the hierarchy is offensive. That is, those at
the top are always “indisputably American,” seemingly without culture or
race. White ethnic groups and then nonwhite ethnic groups follow the
elite. These “hierarchies of worth” are “perpetuated by dominant groups”
(Chock 1995, 317).
If some conservatives align themselves with WASP elites, other com-
Antielitist but Respecting Achievement 161
by a cultural elite, but they, too, distance themselves from such elites—of-
ten as defenders of popular culture and of what they call the democratiza-
tion of culture. Thus, one writer notes that “social conservatives have been
notably unsuccessful at stemming the democratization of culture, the
breakdown of those class, sex, and race-bound conventions that once reli-
ably separated high from low, ‘news’ from ‘gossip,’ public from unspeak-
ably private, respectable from deviant” (Willis 1996, 22). But critics includ-
ing Thomas Frank have pointed out that little of substance has been
accomplished by those in the Academic Left who have celebrated the “de-
mocratization” of culture. During the 1990s, he argues, academic specialists
who engage in cultural studies proclaimed “a populist celebration of the
power and ‘agency’ of audiences and fans, . . . and of their talent for trans-
forming just about any bit of cultural detritus into an implement of rebel-
lion.” They studied these “lowbrow” samples of popular culture and
“turned their attention from the narrow canon of ‘highbrow’ texts” as an
“assault on the powers that be” (2001, 282–83). Yet their studies of resis-
tance were not far from the “stuff of market populism.” Rather than being
“daringly counterhegemonic,” their ideas seemed like an “apologia for ex-
isting economic arrangements” (295); “our newfound faith in active, intel-
ligent audiences made criticism of the market philosophically untenable”
(303). In a more conventional and old-fashioned vein, Robert Brustein be-
moans the fact that “criticism is largely left to the mass media, which arbi-
trates . . . literary and cultural approval.” This situation differs substantially
from the earlier time of little magazines and small publishers, of avant-
garde theaters, adventurous galleries, and listener-supported radio—a time
when respected critics helped to develop new tastes and identify new talent
(1992, 37).
A progressive writer cites TV talk shows as a product of cultural democ-
ratization and suggests that they are “anathema to social conservatives, for
whom the only legitimate function of popular culture is instructing the
masses in the moral values of their betters.” Because it “would be a breach
of American democratic etiquette” for critics to suggest that their cultural
tastes are superior, they blame either money-hungry media corporations or
“a perverse New York and Hollywood cultural elite” for such popular fare
(Willis 1996, 19).
The Right is not alone, however, in deriding “Hollywood liberals.”
Frank, for example, paints an ugly portrait of this genre as seen in the pages
Antielitist but Respecting Achievement 163
of People magazine: “Here you read about movie stars who go to charity
balls for causes like animal rights and the ‘underprivileged.’ . . . Minor TV
personalities instruct the world to stop saying mean things about the over-
weight or the handicapped. . . . Here liberalism is a matter of shallow ap-
pearance, of fatuous self-righteousness; it is arrogant and condescending, a
politics in which the beautiful and the wellborn tell the unwashed and the
beaten-down and the funny-looking how they ought to behave, how they
should stop being racist or homophobic” (2005, 240–41).
Division exists within the Left about the signi‹cance of television talk
shows. Not all leftist commentators believe that these programs constitute
a genuine expression of the people. Indeed, one observer suggests that
such shows “take lives bent out of shape by poverty and hold them as en-
tertaining exhibits. . . . This is class exploitation, pure and simple” (Ehren-
reich 1995, 92). Another writer is concerned that these shows “intention-
ally or not, have become storm troopers for the right” because “they focus
attention on the individual, aberrant behavior of a small number of citi-
zens and declare them representative of a group.” In exploiting and solidi-
fying stereotypes about young, mostly black and Latino poor people, such
shows destroy “any sense of understanding, connectedness, collective re-
sponsibility and the potential for redemption” (Nelson 1995, 801). As if to
prove this writer correct, National Review editorializes that TV talk shows
“offer a window on the future of diversity-dominated America. [They] are
the only national forum in which blacks, Hispanics, and trailer-park
WASPS freely join together with the ground rules drawn from Diversity
Theory. No thought or desire is ruled out as unacceptably perverse” (Edito-
rial 1995b, 18).
There is derision on the left about the Right’s tendency to see “danger-
ous elites” in many places. Thus, liberal observers note that historians have
been added to the list of such elites because of proposed national history
curriculum standards. Historians have thus joined the “internal enemies,”
along with media executives who promote rap and eggheads who watch
PBS and support government funding for the arts (Foner 1995, 302).
Some commentators on the left engage in criticism of elitist tendencies
within their camp. Critics complain, for example, about the “cultural nose-
thumbing” that is “common in the writings of feminists and leftists who
speak about things that concern everyone in language interesting and
available to few but themselves” (Pochoda 1992, 344). And some observers
164 culture wars and enduring american dilemmas
are concerned that the “cultural left” has given a bad name to leftist poli-
tics because of “its arcane ‘elitist’ battles over curriculum . . . and its aver-
sion to the socially and sexually conservative values that most Americans
uphold” (Willis 1998, 18).
In the area of contemporary feminism, the Left offers a hint of the kind of
status anxieties that conservatives discuss. One progressive feminist sug-
gests that “the current attack on ‘victim feminism’ is partly a class phe-
nomenon, a kind of status anxiety. It represents the wish of educated fe-
male professionals to distance themselves from stereotypes of women as
passive, dependent, helpless and irrational” (Pollitt 1994a, 224). The help-
lessness and irrationality of those such as Lorena Bobbitt (who cut off her
husband’s penis) must be punished, lest all women are tainted by her char-
acteristics. The Bobbitt affair revealed a gap between feminist intellectuals
and the average woman, since Bobbitt garnered “grass-roots female back-
ing” despite women’s studies professors’ reluctance to support such mili-
tancy (Ehrenreich 1994, 74). “Maybe the troops are more militant than the
generals” (Pollitt 1994a, 224).
The Left and the Right converge in a way on the issue of feminist elit-
ism, as commentators from the right and center also criticize American
feminism for its detachment from the concerns of “average” women. Thus,
a writer in Time notes feminism’s “upper-middle-class intellectual elite” ori-
gins and suggests that feminism “remains suspect to those who have never
ventured onto a college campus” (Bellafante 1998, 57). Those on the left are
concerned about poor and minority women whose concerns are often ig-
nored, suggesting that “what’s missing is a grassroots, militant, political
movement” (Pollitt 1998c, 10).
For many commentators on the right, feminist leaders have failed to
appreciate most women’s desire for marriage and families. These pundits
argue that much of what has happened in the name of women’s liberation
hurts “all but an elite minority of career-oriented childless women profes-
sionals” (Gallagher 1987, 39). And they do not view the supposed backlash
against feminism during the 1980s as an attempt to sow doubts in
women’s minds about feminist goals. Rather, they suggest that the media
Antielitist but Respecting Achievement 165
Conclusions
Though populism and antielitism have long been part of American culture
and politics, the unleashing of the culture wars brought new attention to
otherwise arcane aspects of elite culture—the curricula offered at elite uni-
versities, the grants awarded by the NEA. A hyperconsciousness of how ideas
in the arts and the academy might in›uence the larger society appeared to
make culture war antagonists feel obliged to attend to aspects of the culture
that might heretofore have received little notice. Defenders of the tradi-
tional culture on the right now had to distinguish between the “true” or tra-
166 culture wars and enduring american dilemmas
ditional culture and that which passes for it in contemporary arts and aca-
demia. On the left, struggles took place between the desire to applaud the
“democratization of culture” and the desire to maintain standards.
An increased self-consciousness about the cultural dimensions of status
might also have caused concern among economic and political elites who
have generally maintained a distance from cultural matters. Heightened in-
securities about one’s status in the social hierarchy might have led to at-
tacks against cultural products that were unfamiliar or were perceived to be
alien or challenging to their positions.
CHAPTER 7
Unlike the other American cultural themes that occupy the culture war-
riors, moderation is seen as an uncomplicated good. The American admira-
tion for it contains no ambivalences or ambiguities. In his 1979 study of
American journalism, Herbert Gans suggested that “moderatism” or dis-
taste for “excess or extremism” was among the “enduring values in the
news” (51). Americans, he suggested, tend to question polar opposites and
uphold moderate solutions. Both atheists and religious fanatics are
frowned upon. Both conspicuous consumers and hippies who renounce
consumer goods are condemned; “political ideologists are suspect, but so
are completely unprincipled politicians.” Being immoderate is not good,
“whether it involves excess or abstention” (52).
Moderation is basic to American middle-class morality: “Americans in-
stinctively try to ‹nd the centrist position between extremes” (Wolfe 1998,
72). They support seeking the “middle ground” even on such highly con-
tentious issues as abortion (Pew Research Center 2006b). More than one-
‹fth of Americans have a highly unfavorable opinion of both anti-abortion
activists and strong advocates of abortion rights, seeing both as intolerant
and extremist (Dillon 1996, 120). In national surveys of religious attitudes,
the majority of Americans identify themselves as being in the middle; only
167
168 culture wars and enduring american dilemmas
belief that there is a simple, one-to-one correlation between books and be-
havior” (Pollitt 1991, 331).
Others who criticize the extremes on all sides likewise perceive culture
as continually changing and being renegotiated. If American culture is al-
ways and necessarily a work in progress, says another critic, attempts by
both the Right and the Left to ‹x it at any point do not make sense. There
cannot be “only one path to virtuous American-ness” (Hughes 1992a, 45).
In the current debates, there is no longer a Left and a Right, “just two puri-
tan sects—one saying obscure Third World authors will replace Milton”
and the other unable to “mount a satisfactory defense since it has burned
most of its bridges to the culture at large.” Those who rail against multicul-
turalism and those who “sanctify grievance” are equally to blame. Accusa-
tions of “a new McCarthyism of the left” are absurd, since “no conservative
academics have been ‹red by the lefty thought police” (46). Yet the “ex-
tremists” of political correctness are equally absurd in their view that only
blacks can write about slavery and only the oppressed deserve credibility
(48).
Multiculturalism itself is to be approved of in its moderate versions but
not as presented by its extremist advocates. Thus, “if multiculturalism is
about learning to see through borders, one can be all in favor of it,” but if
it means “cultural separatism,” one cannot (Hughes 1992a, 47). Multicul-
turalist prodding has made American history “more inclusive, representa-
tive, and accurate.” But this change has failed to satisfy those multicultur-
alists who prefer “to describe the Western tradition as just one of many
equally important contributors to the American identity” and thus “make
hash of history” (P. Gray 1991, 16).
The very intensity of the debates about the canon or multicultural edu-
cation also comes in for some criticism. One writer suggests that both sides
should “lighten up.” Conservatives must “realize that criticisms of the
great books approach to learning do not amount to totalitarianism. And
the advocates of multiculturalism need to regain the sense of humor that
enabled their predecessors . . . to coin the term P.C. years ago—not in arro-
gance but in self-mockery” (Ehrenreich 1991, 84).
Another moderating view takes the culture warriors to task for confu-
sion or simpli‹cation. Conservatives are accused of con›ating “the whole
intellectual heritage of the West with . . . capitalism and representative
170 culture wars and enduring american dilemmas
democracy,” even though any great books curriculum would include the
“hierarchical totalitarianism of Plato” and the “leveling totalitarianism of
Marx” as well as novelists and poets who do not sing the praises of capital-
ism (Stanford 1989, 18). The allegation on the left that the traditional
curriculum reinforces the status quo is equally wrongheaded, since Marx,
Darwin, Nietzsche, and Freud hardly serve as “an inducement for voting
Republican” (20).
Because moderation is so often equated with the good, claiming a posi-
tion at the center is often seen as desirable. One conservative writer there-
fore rejects the right of liberals such as Robert Hughes or Arthur Schlesinger
Jr. to appropriate the center for themselves. Terry Teachout argues that the
center is getting crowded as liberals and “ageing leftists” now attack the
“new left-wing cultural orthodoxy” that previously came in for criticism
only from the right (1992, 53). This is progress of a sort, but the liberal cen-
trists still cling to the idea that “there are two equally ominous threats to
high culture, one from the Left and one from the Right.” In truth, few con-
servative politicians take any interest in culture. “There certainly are right-
wing zealots afoot, but they are mainly interested in such things as abor-
tion, free condoms, and prayer in the schools, not deconstruction,
phallocentrism, and clitoral hermeneutics” (54).
But while all are hostile or derisive toward those they consider extrem-
ists, the existence of a “center” is often questioned. Thus, Hughes, one of
the liberals Teachout cites as attempting to monopolize the center, argues
that there really is no such thing as a center. Conservatives such as Jesse
Helms, Hughes maintains, believe that the National Endowment for the
Arts must not stray “from what he fancies to be the center line of American
ethical belief. The truth is, of course, that no such line exists—not in a so-
ciety as vast, various and eclectic as the real America” (1989, 82). In similar
fashion, a progressive contends that government funding for the arts can-
not rely on “community standards” because this “rests on the idea of a ho-
mogenous community, with clearly demarcated standards, which does not
in fact exist” (Mattick 1990, 357). And while Teachout mocks liberals for
their eagerness to place themselves in the desirable center, he, too, suggests
that the center does not exist. There is only good and bad, right and wrong.
Liberals’ center-seeking pattern persists because the “idea of choosing sides
in the culture war makes them intensely uncomfortable” (1992, 54). Many
Moderation, Plain and Simple 171
other culture warriors undoubtedly would agree with Teachout that there is
right and wrong and that they are in the right.
One of the major books in the canon wars dispute, Roger Kimball’s
Tenured Radicals (1990), closes by suggesting that the center has collapsed.
“What we have witnessed is nothing less than the occupation of the center
by a new academic establishment, the establishment of tenured radicals”
(189). In response, Russell Jacoby suggests that conservatives have written
the major books in the canon wars because the “leftist academics” are “se-
cure employees of mainstream institutions.” Because they are insiders, not
outsiders, they “attack hegemony and conservatism from within hege-
monic and conservative institutions” (1994, 162).
In fact, a 2006 national survey of political opinion among faculty mem-
bers suggests that academics have become more centrist, at the expense
largely of the conservatives, though there are also fewer liberals today than
there were in 1969. Indeed, more faculty now describe themselves as “mod-
erate” (47 percent) than as either liberal (44 percent) or conservative (9 per-
cent), and the youngest cohort (those between the ages of twenty-six and
thirty-‹ve) contains the highest proportion of moderates and the lowest
proportion of liberals (Gross and Simmons 2007; see also Zipp and Fenwick
2006).
Centrism or moderation is also an appealing position with respect to
the issue of support for the arts. In the campaign against the National En-
dowment for the Arts, two forms of extremism are seen: the “self-appointed
political guardians of American virtue” and those “who think any denial of
a grant to ‘experimental’ art is cultural fascism.” Most Americans lie be-
tween these extremes, supporting government funding for the arts with lit-
tle government control (Hughes 1992b, 43). Put slightly differently, it is not
a violation of the First Amendment to criticize the National Endowment
for the Arts (as some on the left would have it), nor should art be tame, old,
and heterosexual (as some on the right would have it) (Editorial 1990a, 7).
As to the art itself, “for every neoconservative highbrow who denies that
art can exist in the schlock-swollen ›ood of popular culture, there is a post-
modernist leveler who insists that every morsel of schlock is art” (Bayles
1994, 65).
One spokesman for the arts sees them as being attacked from the left,
the right, and the center. The politicization of the National Endowment for
172 culture wars and enduring american dilemmas
the Arts, Brustein argues, has brought the “assumption that any resources
derived from the taxpayer’s pocketbook should be distributed according to
the taxpayer’s preferences” rather than using expert judgment. So art is
now attacked by “the politically correct left,” “the right-wing minions of
moral correctness,” and “the middlebrow arbiters of culture . . . who bark
at anything not immediately familiar to the middle-class public.” Each side
claims “endorsement from the majority.” For the Right, this majority usu-
ally means “the clean-cut Americans who celebrate Thanksgiving in
Norman Rockwell paintings.” For the Left, it means “all those previously
excluded from the cultural banquet”—in other words, multiculturalism
and cultural diversity. For the center, it means effectively the marketplace’s
“bottom line” (1997d, 31–32).
The issues of family values and feminism also elicit writing of the
“plague on all your houses” variety. A progressive feminist writer chooses
to mock all sides. It is so easy, she says, to support “family values” and to
‹nd the culprits who are undermining it. “The right blames a left-wing cul-
tural conspiracy: obscene rock lyrics, sex education, abortion, prayerless
schools, working mothers, promiscuity, homosexuality, decline of respect
for authority and hard work, welfare and, of course, feminism. . . . The left
blames the ideology of postindustrial capitalism: consumerism, individual-
ism, sel‹shness, alienation, lack of social supports for parents and children,
atrophied communities, welfare and feminism. The center agonizes over
teen sex, welfare moms, crime and divorce, unsure what the causes are be-
yond some sort of moral failure—probably related to feminism” (Pollitt
1992a, 88, 90). Though this is clearly a defense of the ever-beleaguered fem-
inists, it is also a mockery of the rhetoric of family values.
Another commentator, not wedded to feminism, mocks both the femi-
nists and the traditionalists who oppose them, assailing both “victim femi-
nism” and “victim antifeminism.” Conservatives who see women as miser-
able because of the changes wrought by feminism manifest a “pessimistic
view” that “probably bears about the same relation to reality as the feminist
view that discrimination and bias against women are running rampant in
America.” Both sides view the problems of contemporary women as social
problems, so that feminists see stay-at-home mothers as victims of patriar-
chal oppression, while conservatives see working mothers as victims of fem-
inist cultural coercion. The ideologies of both sides are “irrelevant to the
lives of the majority of men and women who are interested neither in gen-
Moderation, Plain and Simple 173
der warfare nor in going back to a mythical idyllic past but are trying to ‹nd
their own balance between the modern and the traditional” (Cathy Young
1999, 20–21). Once again, only the sensible moderates see things clearly.
Moderation may take the form of simply heaping epithets on both
sides, as when Krauthammer proposes respect for civil religion while derid-
ing “Bible thumpers” and “zealous relic-hunting secularists” (1984, 16). The
idea of moderation may suggest that a particular population does not look
like the descriptions given to it by the extremists. Thus, a gay writer sug-
gests that neither the queers who spout liberation from convention nor the
conservatives who advocate adherence to convention represent the gay
population. Most gays combine “sex and taxes, passion and furniture,” and
“lesbian and gay differences are more various—and more public—than ei-
ther Helms can hope to contain or than any few lesbian, gay or queer com-
mentators can claim publicly to represent” (Abraham 1997, 6).
Another expression of moderation lies in ‹nding the common ground
between what appear to be extremes. Thus, one liberal writer suggests that
the current culture war is not really about the “‹nal battle between good
and evil.” Both sides share the goal of worldly success but reject the “purely
individual strategy of salvation” of the how-to-get-rich gurus. Both seek
“social rather than purely individual solutions to the achievement of the
good life.” But both operate within the con‹nes of modern capitalism and
can therefore steer things only a bit to the right or the left (Judis 1999, 56).
In a rather different vein, a critic of both creationism and the “multicul-
tural left” notes that both worldviews aim to indoctrinate children rather
than encouraging them to make up their own minds. The creationists who
say that evolution and creationism should receive equal time in schools are
succumbing to the “relativistic trope” of multiculturalism despite their hor-
ror at the multiculturalists’ insistence that “there is no single Truth.” But a
similar contradiction plagues the multiculturalists, who welcome the per-
spectives of gays, women, and racial minorities but not those of funda-
mentalist Christians (Zimmerman 1999, 13–14).
Even in such a seemingly irreconcilable argument as that between evo-
lution and creationism, the sounds of moderation can be heard as both the
creationists and those who use Darwinist explanations of all behavior are
taken to task for similar failings. “In their insistence that the meaning of
human life stands or falls on the truth or falsehood of evolution, the cre-
ationists resemble certain Darwinians who derive ethics from paleontology
174 culture wars and enduring american dilemmas
and biology, and have scienti‹c explanations for the entirety of emotional
and cultural life, and con›ate the truths of evolution with a materialist
view of human existence. . . . The explanations of the determinist Dar-
winians are not scienti‹c, they are scientistic; and scientism, too, is only a
faith” (Editorial 1999, 12). Similarly, a writer suggests that the current argu-
ments are akin to a battle “between two 19th century fundamentalisms,
one religious, the other scienti‹c” (Glynn 1999, 44).
There is also a kind of centrism in such statements as, “In culture this
year, as in politics, the extremes are touching. The tribunes of the people
have joined forces with the conglomerated princes of capitalist darkness to
defend the right of Ice-T and Body Count to arouse their listeners with fan-
tasies of cop-killing” (Editorial 1992, 7). Being derisive about both sides—the
“extremes”—is another typical manifestation of moderation. On the abor-
tion issue, for example, numerous commentators see bad behavior or
hypocrisy on both sides. “For a decade and a half, the abortion issue has
made extremists and hypocrites of us all—pro-choicers enshrining trimesters
in the Constitution, pro-lifers using an ostensible concern for the mothers’
health to restrict the mother’s freedom of choice” (Kinsley 1989, 96).
Finally, a kind of moderation is expressed in the repeated suggestion
that culture warriors offer extremist proclamations for fund-raising pur-
poses. A liberal notes that while the actual dollar amounts of government
funding for the arts are trivial, conservatives use the issue in their direct-
mail fund-raising as a “hot-button” issue (Kinsley 1992a, 6). And a conser-
vative says that conservatives have failed to acknowledge all the ways in
which they have been winning the culture wars—with divorce, illegiti-
macy, teen sexual activity, abortion, crime, and suicide rates all falling—be-
cause to do so would not be good for fund-raising; the apocalyptic style
sells (Nadler 1998, 30).
If moderation has been something of a constant in American culture, is
anything new about its current manifestations? To the degree that elites are
now more polarized than was previously the case, moderation is unusual
because it represents antipolarization among the polarized. The political
pressures toward centrism present dif‹cult choices for those whose views
represent polar extremes in a culture war. In addition, the new awareness of
subcultural variations in the population makes it more dif‹cult to ‹nd the
“center.”
CHAPTER 8
While this volume argues that there is no culture war, just newer iterations
of long-standing American cultural dilemmas, the rhetoric and the social
movements associated with the “culture wars” raise questions about the
nature of the divisions within contemporary American society. Why is a
culture war perceived to have broken out in the late 1980s and early 1990s?
Are cultural issues generally displacing economic ones as the basis of polit-
ical allegiances? Is the American pattern exceptional? What role does class
division play within current American politics? Has polarization increased
within the American polity? Do the presidential elections since 2000 ex-
emplify the culture wars, with Sarah Palin the latest incarnation thereof?
How do issues of economics versus culture play out in the internal discord
of the partisans?
Cultural Politics
175
176 culture wars and enduring american dilemmas
became political issues during the 1990s, how much of this language served
as a cover for economic and political issues? Yet some analysts of American
politics tend to treat race as a cultural factor—for example, when Leege and
his colleagues suggest that no other cultural factor had the staying power
of race between 1960 and 1996 (2002, 193).
Of interest, too, is the question raised by McCormick (1974, 371–72): if
the majority of nineteenth-century voters cared mostly about cultural mat-
ters, why were only a small proportion of public policies culturally ori-
ented? Why was so much government activity devoted to economic af-
fairs? And even if a policy matter is a clearly cultural one—as was the case
with temperance, for example—the meaning of voter reaction is not en-
tirely clear. Was the ‹ght over alcohol a matter of con›icting religious be-
liefs, differing lifestyles, or simple hatred for out-groups? Any or all might
have been involved (367), as were class differences communicated in sym-
bolic terms. Moreover, for all the talk of culture wars in American politics
during the early 1990s, the Contract with America issued by the newly
dominant congressional Republicans in 1994 “did not include a word
about cultural or moral issues” (Layman 2001, 247). It did address some of
these issues by indirection—for example, it argued against giving welfare
payments to mothers who are minors and in favor of tax incentives for
adoption and of stronger child pornography laws.
Few would deny, however, that precursors to modern-day culture wars
are apparent in nineteenth-century American politics. Disputes about laws
regarding the Sabbath or temperance or the abolition of slavery produced
splits between those religious groups that favored government interven-
tion to promote and protect morality and those that favored government
neutrality. But then as now, issues of class and culture were not mutually
exclusive; voters cared about both. When late-nineteenth- or early-twenti-
eth-century workers participated simultaneously in work-based opposi-
tional subcultures and neighborhood-based ethnic groups and churches
that dictated different views, the prevailing attitude depended on the con-
crete choices and circumstances at hand. Modern-day Kansans who re-
spond to Republican Party appeals seemingly against their class interests
(Thomas Frank 2005) may also be acting on the basis of an antigovernment
populism that links government actions to support for racial minorities
and the “underclass.”
180 culture wars and enduring american dilemmas
the New Left are marginalized because “middle-class white radicals ‹t only
uneasily into this story line” (Schulman 1999, 1533).
American Exceptionalism?
vanced industrial societies (Inglehart and Baker 2000, 23–24, 31). And
while nations that resemble the United States—Canada, Britain, and Aus-
tralia, for example—showed an increase in secular-rational values between
the administration of the 1981 survey and those in the 1990s, the United
States showed a very slight decrease in these values (40).
American society is exceptional, as Lipset and others have argued, be-
cause what makes one American is not birth or ancestry but subscribing to
the American Creed. The United States started from a revolution and “has
de‹ned its raison d’etre ideologically” (Lipset 1996, 18). Americans “feel
emotionally connected to one another” because of their shared “ideals, val-
ues, and aspirations. . . . This ideational foundation of America is a chief
feature of American exceptionalism” (Baker 2005, 174). If American society
rests on shared ideas, then the nature of these ideas would appear to be crit-
ical to understanding American exceptionalism. Yet Lipset and Baker em-
phasize very different core values. Lipset emphasizes individualism and
voluntarism, whereas Baker believes that the key to the American culture
lies in adherence to traditional moral authority. “America’s traditional val-
ues—strong beliefs in religion and God, family values, absolute moral au-
thority, national pride, and so on—are fundamental to what it means to be
American” (Baker 2005, 54).
The relative lack of class consciousness and of political organizing along
class lines and the absence of a socialist party of any strength have long
been seen as part of “American exceptionalism.” In this understanding, the
sheer strength of U.S. economic individualism, coupled with animosity to-
ward government power, rendered Americans unreceptive to any socialist
movement. Lacking a history of feudalism, Americans were “born equal”
and hence saw no need for European-style class politics. As a result, “even
when Franklin Roosevelt adopted many of the quasi-collectivist measures
of the European Liberal reformers, he did not use their language of class,”
and supporters of the New Deal did not drift into socialism any more than
their progressive predecessors had. Early-twentieth-century progressive re-
formers championed individual social mobility through hard work and
achievement (Hartz 1955, 205, 235).
In the late 1820s, workingmen’s parties received substantial support in
such major American cities as New York, Boston, and Philadelphia, garner-
ing 10–15 percent of the vote in local elections. But their version of equality
did not exclude private property or individual competition. Rather, they
Culture, Class, and American Exceptionalism 183
“common political faith” that would allow American society to “escape the
ideological vicissitudes and divisive passions of the European polity.” This
faith rests on “being entirely a middle-class society, without aristocracy or
boheme. . . . As a liberal society providing individual opportunity, safe-
guarding liberties, and expanding the standard of living, it would escape
the disaffection of the intelligentsia, the resentment of the poor, the frus-
trations of the young. . . . Today, the belief in American exceptionalism has
vanished” (197).
Fourteen years later, however, Bell was once again willing to entertain
the idea that an American exceptionalism existed. It resided in the fact that
the United States “has been the complete civil society, perhaps the only
one in political history” (1989, 48). The state always had a limited role.
Even during periods of class warfare, which were at times of greater inten-
sity than in Europe, workers’ movements were not accompanied by at-
tempts to seize state power. As the power of the central government grew
beginning in the 1930s, the idea of civil society was threatened. But it is
now revivi‹ed, emphasizing voluntary association, church, and commu-
nity (56). Bell rejects the idea that the absence of socialist movements and
the presence of evangelical and fundamentalist religious movements make
for American exceptionalism. In both cases, he asserts, there are no general
rules or laws of development against which to view the American case as
exceptional. Rather, the strength of voluntary church and community or-
ganizations de‹nes American exceptionalism.
Bell’s de‹nition of American exceptionalism does not accord with that
of most commentators, who see it as including the absence of class con-
sciousness and socialist movements, the presence of strong religious move-
ments, and greater levels of individualism and voluntarism than are pres-
ent elsewhere. Though historians are generally more dismissive of the idea
of American exceptionalism than sociologists and political scientists have
been, one American historian takes a somewhat different perspective, not-
ing that “American exceptionalism is as old as the nation itself and, equally
important, has played an integral part in the society’s sense of its own iden-
tity” (Kammen 1993, 6). Another historian hostile to the idea of American
exceptionalism also concedes that “in popular culture, exceptionalism re-
mains strong” (Tyrrell 1991, 1032).
While the idea of American exceptionalism originated with eighteenth-
century European observers who saw the United States as being free of “Old
186 culture wars and enduring american dilemmas
tion to abortion does not produce the “extreme actions” of their American
coreligionists who “have assimilated to Protestant moralistic styles” (Lipset
1996, 67). And one might wonder how many European sociologists would
agree that politics is fundamentally a struggle for power that “is in large
part a struggle between competing truth claims which are, by their very na-
ture ‘religious’ in character if not in content” (Hunter 1991, 58).
There is little doubt that those who attend church frequently have
come to differ in both their voting patterns and their attitudes from those
who seldom or never attend church. Even analysts who view the culture
war idea as an exaggeration relevant only to partisan elites note the
signi‹cance of church attendance in presidential voting in the elections of
1992–2000. Controlling for party, ideology, presidential performance, and
candidate evaluation, church attendance was a highly signi‹cant predictor
of presidential voting (Fiorina, Abrams, and Pope 2005, 101). In the 2004
election, a large difference existed in the voting behaviors and attitudes of
white voters who regularly attended church and those who seldom or
never did so (Abramowitz and Saunders 2005). And this pattern continued
through the 2008 election, though Barack Obama won a slightly larger
share of the votes of those who attend church more frequently than once a
week than did John Kerry in 2004 and Al Gore in 2000 (Pew Forum 2008a).
While the United States may have had periods of greater class awareness
than its mythology allows for, it is nevertheless a society that often has
dif‹culty talking directly about social class, a society in which status in-
juries may remain “hidden” (Sennett and Cobb 1972). Not surprisingly,
therefore, cultural issues serve as a convenient surrogate for social class. On
the right, references to the “liberal elite,” the “establishment,” or the “new
class” all invoke images not of money and achievement—which are be-
yond reproach in the American mainstream—but of intellectual snobbery
and rare‹ed tastes. On the left, issues of race, ethnicity, and gender—re-
plete with their “cultural” components—may serve as surrogates for social
class. And the upsurge of religious sentiment associated with the culture
wars has had strongly populist overtones, suggesting “protest and resis-
tance against a secular elite” (P. L. Berger 1999, 11).
188 culture wars and enduring american dilemmas
der are included within the “materialism” scales (Flanagan 1987). Perhaps
as a result, the data do not con‹rm the existence of consistent political and
social attitudes accompanying the values of materialism/postmaterialism
(C. Brooks and Manza 1994; Brown and Carmines 1995; Darren W. Davis
2000; Darren W. Davis and Davenport 1999). The postmaterialist middle
class may well have moved left while the working class has moved right
(Flanagan 1987, 1305–7). In many countries, the more educated libertarians
who had traditionally supported the Right for economic reasons have be-
gun to move to the left for social reasons, while the less educated who had
historically voted for the Left for economic reasons have moved to the
right because of social issues (Flanagan and Lee 2003). Curiously, well-edu-
cated libertarians are more likely than authoritarians to support unions,
perhaps because unions are seen as elite-challenging institutions. More
likely, however, the union movement now has more white-collar than
blue-collar members. The National Education Association in the United
States, for example, has become the champion of many items on the New
Left agenda (259).
As political parties in most economically developed nations appear to
have moved away from an emphasis on class politics (labor and welfare is-
sues) and toward “postindustrial” or “new” politics issues (ecology and the
environment, women’s rights, gay rights, animal rights, and so on) (Clark
2003), some analysts see a general decline in class politics (Pakulski and
Waters 1996, 671). Other observers note that an inverse relationship exists
between the strength of class politics and cultural politics. Thus, it has been
argued that “culture wars” have come to the fore in American political dis-
course as a re›ection of both the weakening of class politics and increasing
contention over the scope of the centralized state. In this understanding,
the very success of the limited U.S. class politics in the aftermath of the
New Deal—re›ected in an increase in welfare state provisions—has reduced
its salience. Cutbacks in the welfare state might well revive class politics in
the future. In the interim, however, groups have been mobilized when they
see their values and norms challenged by a central authority that appears
to intrude into the formerly more autonomous realms of family and
schooling (Hechter 2004).
Other analysts argue, however, that it is a mistake to make zero-sum as-
sumptions about “class” versus “new” or “postclass” politics, since they ob-
viously coexist (Manza and Brooks 1996, 721). Defenders of the continuing
190 culture wars and enduring american dilemmas
signi‹cance of class maintain that one’s class location shapes one’s atti-
tudes but does so in conjunction with a range of other factors. Moreover,
attitudes are “often irreducibly idiographic.” After all, it would be “hard to
imagine a multivariate regression rooted in social structural variables that
would ‘predict’ that Engels, a wealthy capitalist, would be a supporter of
revolutionary socialism” (E. O. Wright 1996, 710). And if one’s employment
situation in the United States does not predict class loyalties as readily as it
might in some European nations, class may still remain relevant in such
labor-related issues as whether management should be able to hire replace-
ment workers to break strikes (Gerteis and Savage 1998).
Class also remains relevant insofar as class cultures affect the ways in
which people in different class positions organize and interact within so-
cial movements. The repeated accusations that movements of gays or fem-
inists, for example, are too “middle class” is generally more a matter of style
than of economic interests. Thus, working-class organizations and move-
ments may be more likely to see the world as a matter of competing inter-
ests or powers, whereas middle-class organizations more often see the
world in terms of opposing ideas (Rose 1997, 480). To be sure, movements
that appear to be universal in nature—for example, draft resistance,
af‹rmative action, and land use policies—often disproportionately bene‹t
the middle classes. But even those concerns that do not offer any
signi‹cant class bene‹ts—for example, preserving obscure species such as
the snail darter—may still entail class “interests.” Because middle-class
members of such organizations seek to de‹ne themselves through their
work and knowledge, they may pursue their personal identities through
engagement with activist social movements. In contrast to middle-class en-
vironmental organizations, the working-class antitoxics movement deals
with issues of immediate need and challenges the existing system of
bene‹ts (483).
In contemporary American society, class is often mentioned alongside
race and gender. But class, race, and gender—often jokingly referred to as
the “holy trinity”—interact with culture in complex and varying ways. Not
only are cultural differences presumed to exist among people of different
class, race, and gender, but the imagery and rhetoric associated with each
group may have political consequences. The signi‹cance of cultural images
becomes clear if Thomas Frank (2005) is even partially correct that conser-
vatives have succeeded in painting “liberals” as an “overclass” that domi-
Culture, Class, and American Exceptionalism 191
nates the media and the courts, telling “us” how to live. This imagery al-
lows conservatives to distance themselves from elites such as “Hollywood
liberals” and to speak instead on behalf of the “common man.” Various less
powerful groups have also used the rhetoric of culture to attain their goals,
as people not previously seen in cultural terms have come to de‹ne them-
selves as worthy subcultures—the handicapped, the deaf, and the obese, for
example.
Yet the use of culture as a framing device to attain equal rights does not
work equally well for all groups. For example, racial and gender groups
have employed culture in different ways. In American society, as Gunnar
Myrdal asserted in 1944, the treatment of racial minorities has posed a seri-
ous “dilemma.” Ideas of white supremacy clearly collided with ideas of
egalitarianism. Indeed, as noted earlier, racism in the United States may
have been especially virulent because the justi‹cation of racial inequality
was often accomplished by positing the negative characteristics of non-
whites. A heightened sensitivity to issues of race in the post-civil-rights era,
however, may have fastened on cultural dimensions to the detriment of
economic and social progress for minority group members. Numerous
commentators have noted that talking of “multiculturalism” may be harm-
ful because it ignores the structural and class factors responsible for the fail-
ures of racial integration and the economic advancement of African Amer-
icans. The terms multiculturalism and diversity have become euphemisms
that “ignore issues of justice, power, and equity” (Andersen 2001, 197). Re-
spondents to in-depth interviews attempting to understand “the deep
structure and cultural commonsense implicit in diversity discourse” reveal
an “inability to talk about inequality in the context of a conversation about
diversity” (J. M. Bell and Hartmann 2007, 898, 910). People appear to want
to see “diversity without oppression”—they wish to acknowledge diversity
while avoiding “any discussion of race and diversity that points to contin-
uing inequity in group life chances” (Andersen 2001, 195).
An anthropologist with roots in South Africa has pointed out the be-
nign intent underlying the American view that race and culture are inde-
pendent of each other, that culture is responsible for who people are, and
that cultural differences are to be respected. Nevertheless, from a South
African perspective, these views would be seen as a justi‹cation for
apartheid. Racial segregation was seen as proper because “only segregation
would preserve cultural differences” (Kuper 1999, xiii). And for many pro-
192 culture wars and enduring american dilemmas
A Polarized Population?
When advocates of the culture wars thesis see a tie between social groups
and the two transcendent worldviews, the groups they refer to are political
and cultural elites. Although the public as a whole does not show increased
polarization of opinion, those who self-identify as Republicans or Demo-
crats have become more polarized (DiMaggio, Evans, and Bryson 1996; J. H.
Evans 2003; Layman and Carsey 2002). Whether this “raises troubling
questions about the role of political parties in a pluralistic society” (DiMag-
Culture, Class, and American Exceptionalism 195
gio, Evans, and Bryson 1996, 738) or “allows less sophisticated Americans to
connect their values and interests with vote choice” (Hetherington 2001,
629), such partisan distinctiveness does not re›ect a change in the attitudes
of the citizenry as a whole, since partisans remain a small minority.
Some observers have argued that polarization is unlikely to remain
con‹ned to elites or to the signi‹cant minority of largely college-educated
citizens who are partisan activists. “To imagine that extremist politics has
been con‹ned to the chattering classes is to believe that Congress, the me-
dia, and American interest groups operate in an ideological vacuum. I ‹nd
that assumption implausible” (J. Q. Wilson 2006, 19). Others contend,
however, that it is not clear that the “party sorting” now in evidence will
eventually lead to attitudinal polarization on a more massive scale (J. H.
Evans 2006, 4). The political parties are now more distinctive, but the dis-
tribution of attitudes and ideological positions among the citizenry has not
changed much (Fiorina 2006, 3).
No simple one-to-one relationship appears to exist between elite and
mass polarization. Rather, research ‹ndings vary depending on the issue
being examined. Thus, one study found that increasing elite polarization
between 1970 and 1999 (as measured by congressional roll-call votes) on
the issues of gay rights and pornography was not matched by mass polar-
ization (as measured by responses to the General Social Survey). Mass po-
larization did follow elite polarization on environmental issues. On the is-
sue of gun control, the sequence was reversed: a kind of bottom-up
polarization occurred, with leaders following the masses. The difference
perhaps lies in the degree to which the issue was salient to the masses. A
relative lack of interest in gay civil rights and pornography conceivably
produced a lack of response to elite cues (Lindaman and Haider-Markel
2002).
The preferences and perspectives of party elites tend to be much more
consistent and stable than those of the mass public, and communications
between elites and masses are subject to misunderstanding and simpli‹ca-
tion (Jennings 1992). The mass public is not altogether ignorant regarding
the meaning of conservative and liberal ideologies, but one study ‹nds that
“well over a third of the mass sample did not offer any de‹nitions” of these
labels. And while conservative elites do not see the conservative philoso-
phy as a matter of preference for retaining the status quo, the mass sample
does. Indeed, those in the mass electorate who identify themselves as con-
196 culture wars and enduring american dilemmas
lar positions on cultural issues, thus forcing “cultural extremists” into pur-
suing alternatives such as protests or third-party formations. Keeping such
disputes within the dominant party structure may ensure a greater degree
of compromise (2001, 330).
Concerns about polarization of attitudes or values are often based on
fears of social con›ict or disintegration. Yet the understanding of public
opinion shared by most experts suggests that attitudes are rarely polarized,
despite popular beliefs to the contrary. “Takeoff issues” that become the fo-
cus of attention (abortion or gays in the military, for example) often dis-
tract attention from the larger number of issues about which attitudes are
not at all polarized. Similarly, while people experience homogeneity of at-
titudes within their own social networks, these same networks generally re-
tain heterogeneity of attitudes overall. Attitude differences are underesti-
mated because people discuss important issues selectively and may
consequently experience more homogeneity than actually exists. What are
the consequences of these paradoxical realities for collective action? On
the one hand, polarized interaction structures and their accompanying
heightened radicalism can indeed arise on single issues. On the other hand,
polarization may remain con‹ned to single issues, so that radicalization on
such a limited scale will not have major disruptive consequences (Bal-
dassarri and Bearman 2007). Yet whatever the actual probabilities of a “cul-
ture war,” the concept appears to have taken hold of the collective imagi-
nation and become the lens through which many Americans view political
contests. The case of Sarah Palin is illustrative.
From virtually the moment in 2008 that Sarah Palin was named as the Re-
publican vice presidential nominee, commentators began to talk of the cul-
ture war reentering the campaign. On September 5, David Kirkpatrick in
the New York Times spoke of “Firing Up the Faithful with Echoes of Culture
War Rhetoric.” One week later, the Christian Science Monitor ran an editorial
under the title “The Palin Factor in the ‘Culture Wars.’” On September 23,
Jay Tolson wrote in U.S. News and World Report that “Sarah Palin Sparks Re-
vival of the Culture War.” On October 4, The Economist discussed the “End-
less Culture War.” By her very presence on the ticket, this conservative
198 culture wars and enduring american dilemmas
Christian whose infant son was born with Down syndrome appeared to
have inserted the culture war into a campaign from which it had been no-
ticeably absent.
Until Palin’s entry, the culture war theme had not featured in the 2008
election for a number of different reasons. The Democratic campaign had
sought compromises on abortion (keeping it legal but sponsoring programs
that would cut down on the number of abortions), and the candidates
agreed on same-sex unions. Barack Obama’s very appearance on the na-
tional scene, in his speech to the Democratic National Convention in July
2004, was devoted to the idea of bridging the cultural divisions in the
country. He spoke famously about religiosity in the Blue States and concern
for civil liberties in the Red States. John McCain had equally famously
railed against the intolerance of such culture warriors as Jerry Falwell and
Pat Robertson in 2000, and McCain remained a ‹gure not trusted by the
Christian Right.
Internal wrangling among Evangelicals also complicated culture war
politics. With an obvious intent to in›uence the course of the campaign, a
group of more than eighty evangelical leaders issued an “Evangelical Man-
ifesto” in May 2008. The manifesto explicitly called for “an expansion of
our concern beyond single-issue politics, such as abortion and marriage”
and repudiated “the two extremes that de‹ne the present culture wars in
the United States” (Evangelical Manifesto Steering Committee 2008, 13,
16). The document asserted that Evangelicals should never be “completely
equated with any party, partisan ideology, economic system, or national-
ity.” They must participate in the public square but never in such a way
that “Christian beliefs are used as weapons for political interests” (15).
Many evangelical notables signed the manifesto, but missing from the sig-
natories were such well-known culture warriors as Gary Bauer, Tony
Perkins, and James Dobson (W. Smith 2008). Some conservative Catholics
who had previously been allied to the politics of the Christian Right were
beginning to break away as well (Peter J. Boyer 2008).
Given the Christian Right’s lack of strong support for McCain, poll data
that showed popular repudiation of George W. Bush’s presidency, and the
fact that Democratic social policies (for example, on health care) were more
popular than Republican ones even among Evangelicals, it is not too sur-
prising that the McCain campaign might have sought to reinvigorate the
culture wars by selecting Palin. As The Economist noted, “If the election is
Culture, Class, and American Exceptionalism 199
fought about anything except culture, then the Republicans are on dif‹cult
ground” (“Endless Culture War” 2008, 23). But the cultural issues that Palin
introduced into the campaign were not primarily those of the culture wars.
From the outset, her themes were of a different sort. Her acceptance
speech to the Republican National Convention emphasized her ties to a
small-town America of hardworking people. She described herself as “just
your average hockey mom” and her husband as a “commercial ‹sher-
man,” “a production operator in the oil ‹elds,” and “a proud member of
the United Steel Workers’ Union.” She pledged advocacy for “children
with special needs.” And she assumed a populist stance against the “Wash-
ington elite.” The rest of the speech was devoted to the need for energy in-
dependence (famously captured by McCain’s exhortation to “Drill, baby,
drill”), to praise for McCain’s military service and patriotism, and to at-
tacks on Obama’s willingness to increase taxes and “forfeit” victory in Iraq
(Palin 2008). Her stump speeches were essentially the same, except that
she devoted more time to the classic vice presidential duty of attacking the
opposition. She thus accused Obama of “palling around with terrorists”
(Cooper 2008) and of supporting a “spread the wealth” policy that
amounted to “socialism” (Bosman 2008). Criticisms of Obama aside, she
repeatedly expressed her solidarity with “unpretentious folks,” with
“good, hardworking, patriotic Americans.” She extolled the virtues of “Joe
the Plumber” and other “average Joes.” She said, “Man, I love small-town
U.S.A.” (Healy 2008).
These speeches completely lacked the culture war rhetoric that ap-
peared so prominently in the campaigns of both major candidates in 2000.
Bush, Gore, and Gore’s running mate, Joe Lieberman, asserted the impor-
tance of faith in their lives and talked of the need to support faith-based
programs. They advocated cleaning up popular culture to restore morality
and reinforce family values. Palin did not talk about her faith, did not pro-
claim the virtues of prayer, did not assert the need to remoralize American
society. She did not address same-sex marriage and seldom mentioned the
“sanctity of life,” though her decision not to abort a fetus with Down syn-
drome and her seventeen-year-old unwed daughter’s unwillingness to end
her pregnancy amply proclaimed the Palin family’s pro-life values.
Unlike earlier rhetoric, the very meaning of “family values” in 2008
seems unclear. In the 1990s, the phrase clearly signaled a distaste for moth-
ers in the workplace and a hostility to premarital sex. What might it mean
200 culture wars and enduring american dilemmas
she represented “the real America.” The white working-class audiences that
Palin excited could not, of course, announce their support for “white
power.” Yet they represented a kind of identity politics that differs little
from that initiated by the Black Power movements of the late 1960s. They
manifested “a racial pride that dares not speak its name, and that de‹nes it-
self through cultural cues instead—a suspicion of intellectual elites and city
dwellers, a preference for folksiness and plainness of speech (whether real
or feigned), and the association of a working-class white minority with ‘the
real America.’” (Hsu 2009, 54).
Is there any evidence to support the idea that Palin’s presence on the
ticket in›uenced voters who cared about the culture war divides? Among
those who identi‹ed themselves as Evangelicals or born-again Christians,
exit poll data indicate that Obama won more votes (26 percent) than Kerry
did in 2004 (21 percent). The same holds true for white Catholics. Obama
also made gains among those who attend church services more than
weekly; 43 percent of such voters voted for Obama, compared to 35 percent
for Kerry and 36 percent for Gore. At the other end of the religious spec-
trum, 67 percent of people who never attend church services voted for
Obama, an increase from the 62 percent of such voters who supported
Kerry and 61 percent who selected Gore (Pew Forum 2008a). Such results
hardly indicate a resurgence of the culture war.
One way of checking more speci‹cally for the possible in›uence of
Palin’s presence on the Republican ticket is by looking at two polls of white
voters who attend church weekly. Gallup conducted the ‹rst poll in August
2008 (before her nomination) and the second the following October. The
results were essentially unchanged: in August, McCain led Obama among
these voters by 39 percent; in October, that margin was 37 percent. But if
this minor decrease in support is set against the slippage in McCain’s lead
among white voters generally (from 7 percent to 2 percent), Palin’s pres-
ence can be seen as helping Republicans retain support among highly reli-
gious voters (Newport 2008). The overwhelming majority of Republicans
maintained a favorable view of Palin, while both Democratic and indepen-
dent voters came to view her more negatively over time (Pew Research Cen-
ter 2008).
Did Palin’s candidacy make a difference in de‹ning the issues that vot-
ers considered important? Here the evidence seems clear: it did not. The
economy was far and away the dominant issue, with 91 percent of voters in
202 culture wars and enduring american dilemmas
because same-sex marriage was on the ballot. In ‹ve of the eleven states in
which such measures appeared, his share of the vote was lower than it had
been four years earlier; in two others, his increased vote was lower than his
increase nationally (Ashbee 2005, 213). Of those who defected from their
party, many more did so because of their position on the Iraq war than be-
cause of their view of gay marriage (T. Jones 2005).
No one disputes the clear dominance of economic issues in the 2008
election. Whether this dominance had the effect of swamping the culture
war or whether the culture war is otherwise moribund remains a matter of
speculation. Some liberals in the ‹rst ›ush of victory proclaimed Palin the
“last of the culture warriors” (Beinart 2008a). In effect, the war is over and
we have won, they argued. Comparing the scene in Chicago’s Grant Park
on election night 2008 to the infamous 1968 riots there, Beinart argues that
the cultural freedoms celebrated in that earlier era no longer seem alien to
Americans. “Feminism is so mainstream that even Sarah Palin embraces the
term; Chicago mayor Richard Daley, son of the man who told police to
bash heads, marches in gay-rights parades. . . . Younger Americans—who
voted overwhelmingly for Obama—largely embrace the legacy of the ’60s”
(Beinart 2008b, 31).
On the other side, an interesting exchange occurred in the pages of Na-
tional Review in 2007, sparked by a libertarian who advised conservatives to
bid “farewell to culture wars.” Brink Lindsey argued that those who be-
lieved that “family life could not survive the exodus of women into the
workforce” were wrong. Those who “believed that only a revival of faith in
Christianity could stave off social breakdown” were also wrong, as cultural
liberalism in New England now coexists with the “lowest levels of social
dysfunction (crime, divorce, illegitimacy, etc.) in the country” (2007,
39–40). Ramesh Ponnuru countered that the culture wars remain relevant.
After all, both parties follow what the survey data tell them. So it is inter-
esting that Republicans emphasize “social conservatism rather than market
economics” and Democrats stress “statist economics rather than social lib-
eralism” (40).
Whatever the future may bring, it seems clear that the story of the Palin
candidacy and the lessons of the two previous presidential campaigns lend
support to the thesis of this book. The major themes of the 2000 election
were not the con›ict between “orthodox” and “progressive” morality.
Bush, Gore, and Lieberman were all on the same side. In some senses, the
Culture, Class, and American Exceptionalism 205
winners in 2004 were Bush on the one hand and Obama on the other.
Obama’s 2004 “postpartisan” speech to the Democratic National Conven-
tion put him on the national radar screen and began his campaign for the
presidency. He talked then of a common culture rather than a divided one.
During the 2008 campaign, Obama refused to answer the Reverend
Rick Warren’s question about when life begins, while McCain said simply
“at conception.” The Democrat nevertheless inserted provisions into his
party’s platform to help women prevent pregnancy or carry pregnancy to
term, thereby reducing the number of abortions. He showed a similar sense
of moderation and compromise concerning the role of religion. “Not every
mention of God in public is a breach to the wall of separation—context
matters,” he said. “Having voluntary student prayer groups use school
property to meet should not be a threat, any more than its use by the High
School Republicans should threaten Democrats” (quoted in Peter J. Boyer
2008, 28).
The population, too, gives evidence of converging on issues of religion
and morality. More Americans of all stripes have come to believe that
churches should stay out of politics. Opposition to church involvement
has increased among both Republicans and independents so that they now
share the views of Democrats, and similar proportions of self-identi‹ed
conservatives, moderates, and liberals oppose church involvement in poli-
tics (Pew Forum 2008b). A January 2009 survey about priorities for the new
administration found that the proportions of Republicans and Democrats
who thought that “dealing with moral breakdown” was a “top priority”
were highly similar. Although this issue was well down on the list of prior-
ities for members of both parties, the difference between them (4 percent)
was among the smallest in the survey—second only to the gap in reducing
the budget de‹cit (1 percent) (Pew Research Center 2009).
One ‹nal element of the Palin story is the high degree of internal dis-
sension her candidacy generated among conservatives. Though she was al-
legedly promoted for the nomination by such stellar conservatives as
William Kristol, Fred Barnes, Michael Gerson, Rich Lowry, and others
(Mayer 2008), within short order she was rejected by such equally well-
known conservatives as David Brooks, Christopher Buckley, George Will,
and Peggy Noonan. In Noonan’s view, Palin was “failin’” because “You
must address America in its entirety, not as a sliver or a series of slivers but
as a full and whole entity, a great nation trying to hold together” (2008).
206 culture wars and enduring american dilemmas
If Palin’s campaign was about the culture of class rather than the econom-
ics of class, issues of culture versus economics are implicated in many of the
internal divisions that challenge both the Right and the Left. If the story of
Palin’s candidacy brings into focus discord within the conservative elite as
well as within the evangelical elite, these dif‹culties do not differ from
those faced on the left or in the feminist and gay social movements.
Because both the Left and the Right face con›icts between economic
and cultural considerations as well as tensions between their libertarian
and communitarian strands, each side easily derides the other for its inter-
nal contradictions. A progressive notes that the Right attacks the National
Endowment for the Arts for eschewing market-based public tastes in favor
of “cultural elitism” while blaming movie and media companies for giving
the public what it wants (quoted in Sachs and Washburn 1995, 34). A con-
servative says, “American-style liberalism is schizophrenic. On the one
side, it is profoundly communitarian; on the other, radically individualis-
tic” (Neuhaus 1989b, 40).
Conservatives, a liberal argues, must reconcile the bene‹ts of the mar-
ket with its tendency to undermine “the moral character that the social
conservative desires” (quoted in Sachs and Washburn 1995, 34–35). They
cannot favor the use of public broadcasting to counter the market-based
hedonistic media because this position re›ects a liberal ideology. In fact,
opposition to public broadcasting has allowed for some degree of agree-
ment between economic and cultural conservatives. The latter decry pro-
gay and antifamily programming, while the former attack it as an instance
of “big government” interfering with the marketplace and traditional com-
munity life. Thus, in this instance, “cultural orthodoxy” and a “defense of
free-market economics” can readily coexist (Hoynes 1996, 74). But conser-
vatives cannot support the idea that public schools should instill moral
character, since many of them favor giving parents vouchers to be re-
deemed at the private schools of their choice (R. Wright 1996, 44).
Social conservatives vie with economic conservatives on issues of pop-
ular culture, just as libertarian liberals vie with social welfare liberals. Al-
though the Right favors regulation in the personal/moral sphere while pre-
ferring to leave the economic sphere unregulated, while the Left favors the
reverse, libertarians dislike regulation in either sphere, and communitari-
Culture, Class, and American Exceptionalism 207
ans would like to see regulation in both spheres. Given this complexity, a
“one-dimensional culture war” is implausible (Olson 1997, 256).
If conservatives must somehow juggle marketplace dominance against
their more communitarian wing’s desire to protect and defend society’s val-
ues and morals, so too liberals disagree about whether to favor freedom of
speech regardless of its content or to promote laws against hate speech. A
conservative summarizes the liberal dilemma by referring to a campus
speech code at the University of Wisconsin: “If a similar code were drawn
up with right-wing imperatives in mind—one banning unpatriotic, irreli-
gious or sexually explicit expression on campus—the people framing the
Wisconsin-type rules would revert to their libertarian past” (Wills 1989, 71).
And a writer in The New Republic expresses concern that “frank talk about
race, sex, class, and sexuality” is impeded by our heightened awareness of
what is and is not “politically correct.” He fears that the “war against in-
sensitive humor might end up generating the very social and racial tension
it is trying to defuse” (David Segal 1992, 10).
In contests that pit economic and cultural priorities against each other,
the case of immigration policy bedevils the Right, as some conservatives fa-
vor liberal immigration policies for economic reasons and others oppose
such policies for cultural reasons. Those opposed to unlimited immigration
argue that it is not even economically advantageous. The closing off of im-
migration during the 1920s reduced the amount of cheap labor available
and thus stimulated capital-intensive investment that produced signi‹cant
economic expansion (Auster 1992, 44). At the present time, another anti-
immigration conservative argues, expansion of “the ‘diversity’ industry
will mean less social stability and more ethnic and class tension—none of
which bodes well for the market” (Custred 1997, 40). As detailed in chapter
5, conservatives argue among themselves about whether the United States
is an immigrant nation or a nation like all others with a common culture
and an emerging shared ethnicity.
Similar contention arises between the Cultural and Economic Lefts re-
garding the primacy of class versus race and gender. As one progressive
writer sees it, the Cultural Left operates on high levels of abstraction that
are “irrelevant and infuriating” to many Americans. Yet the class-based
analysis of the Economic Left “appeals to neither the racism/sexism/ho-
mophobia crowd nor to the self-images of most Americans.” The dilemma
is made more complicated by the need to speak the language of the aca-
208 culture wars and enduring american dilemmas
demic (cultural) leftists because faculty and graduate students from the
postmodern literature and theory crowd volunteer in campaigns such as
those to support a living wage (Alterman 1998, 10).
For other progressives, class remains dominant, and there is a simple
need “to rediscover the language of class” (Tom Frank 1996, 19). Progres-
sives should be wary of “postmodern multiculturalists” who emphasize
racial identity. They often hinder the organizing efforts of progressives, as
“the black postmodernists, no different from the whites they criticize, are
often incapable of deracializing themselves and ‹nding common cause
with other progressives.” Postmodern multiculturalists have a middle-class
bias and so give only lip service to issues of class and thus hamper inter-
racial organizing (Daryl Michael Scott 1998, 27).
But other progressives see class, race, and gender as intertwined; class is
structured via race and gender. Unionization and increases in minimum
wage alone will not ‹x the problems of inequality based on racism and sex-
ism (Pollitt 1998b, 9). Class movements and movements for blacks, women,
and gays should be seen as “natural allies.” Critics who assume that the Left
“can do class or culture, but not both are simply wrong. People’s working
lives, their sexual and domestic lives, their moral values, are intertwined”
(Willis 1998, 19).
Another dimension of the economics versus culture debate on the left
appears in an essay written for Time by a liberal commentator who suggests
that America is now “tiptoeing” to the left on “lifestyle” issues. Michael
Kinsley argues that while liberals are said to have made a mistake by aban-
doning economic issues for “lifestyle” or “identity” politics, “the country
seems to be moving left” in precisely those lifestyle issues. His examples in-
clude support for medical marijuana, abortion, gay rights, and freedom on
the Internet. While acknowledging that lifestyle libertarianism “is not a
completely attractive phenomenon,” since it favors self-indulgence over
concern for the poor and the social welfare, he nevertheless sees it as a
bene‹cial “counterweight” to both the social conservatives and the com-
munitarians in both the liberal and conservative camps (1996, 38). In re-
sponse, Thomas Frank, writing in The Nation, calls this essay a “banal con-
tribution to the ongoing journalistic effort to solve the mystery of the
vanishing left.” If one forgets about the “efforts of the historical political
left to control the vagaries of the market economy,” then “this sort of
lifestyle liberation sells.” But in fact this approach is nothing more than the
Culture, Class, and American Exceptionalism 209
“liberation marketing” that portrays ads as telling lies, work as boring and
exploitative, and bosses as bastards. Liberation comes from your Saab or
your Doublemint gum. “Planet Reebok has offered the world a way to do
without the troublesome historical left altogether” (1997, 10). Another
commentary in The New Republic contends that “lifestyle as a value system
grows steadily more powerful.” Abortion, the author argues, has become
part of the American lifestyle. “It’s not a matter of monolithic, time-hon-
ored religion versus itty-bitty, ›ighty lifestyle. It’s religion—marginal ves-
tige, subculture, private matter—versus lifestyle—the engine, the symbol,
the central organizing principle” of the nation (Caldwell 1999, 15).
Advocates commonly accuse their opponents of seeking to impose their
views on the population. Conservative critics, for example, have seen the
rigorous enforcement of feminism or “diversity” on campus as “liberal fas-
cism” (Hart 1987, 46) or “soft fascism” (O’Sullivan 2000, 22) or “state-sub-
sidized sensitivity fascism” (Teachout 1992, 54). What is perhaps surprising
is that similar accusations are hurled at opponents within the same camp.
In a relatively mild rebuke, for example, a conservative religious writer,
hostile to the “religio-cultural mainline,” contends that its view of “plural-
ism” is that “everybody should compromise its way” (Neuhaus 1986, 46). A
much angrier denunciation of those on his own side comes from a pro-
gressive who is angered by the writings of some liberal intellectuals.
Alexander Cockburn argues that the damages associated with the “right-
ward swerve of the Zeitgeist” have not been in›icted by Birchers or the
Moral Majority but rather by respectable intellectuals such as Nathan
Glazer, David Riesman, and Robert Coles. These liberals have supported
“character education” and education to support “patriotism” and have ar-
gued that saluting the ›ag and reciting a school prayer should not become
de‹ned as problems. Thus, Cockburn concludes, “there’s no Nazi like a lib-
eral in search of the nation’s soul” (1985, 70).
Such progressive anger at some liberals for favoring the communitarian
over the libertarian side is matched by the anger of those who seek to over-
turn the libertarian bent within liberalism. Thus, an editorial in The New
Republic emphatically rejects the overemphasis on individual rights. “Con-
temporary liberalism is so intellectually and psychologically invested in
the doctrine of ever-expanding rights—the rights of privacy, the rights of
children, the rights of criminals, the rights of pornographers, the rights of
everyone to everything—that any suggestion of the baleful consequences
210 culture wars and enduring american dilemmas
of that doctrine appears to them as a threat to the liberal idea itself” (1988b,
7). As a result, “the issue of cultural degeneration has become taboo among
liberals who mock Tipper Gore and her campaign to clean up rock lyrics.
. . . But what is so wrong with . . . the protection of children from the
numbing norms in our culture of random drugs, random sex, and random
violence? . . . How strange it is that modern interventionist liberals would
leave the determination of all this to a rapacious market” (8).
Questions of the role of economic versus cultural factors make for dis-
cord within the Left on the issue of feminism as well. Some feminists com-
plain that the Left does not take their issues seriously enough because it rel-
egates them to the culture wars, which are of less value than economic
policy questions. One such writer argues that “no broad left will revive in
this country until the men in it grasp the importance of culture wars. . . .
The Christian conservatives’ language of transformation and righteous-
ness” cannot be countered simply with policy discourse. Women have been
responsible for most of the activism over the past thirty years (Tax 1995,
378). Another feminist contends that “by marginalizing abortion as an is-
sue of concern only to women and feminists, the left allows the right to
control moral discourse, or what is now known as ‘values,’ and particularly
‘family values’” (Gordon 1998, 5).
But there is also considerable disagreement on the left about how the
feminist movement should proceed. A progressive commentator assails the
“difference feminists,” who emphasize aspects of “women’s culture” that
are different from and superior to “men’s culture.” She argues that differ-
ence feminism, “like other forms of multiculturalism . . . looks everywhere
for its explanatory force—biology, psychology, sociology, cultural iden-
tity—except economics.” Yet differences between men and women reside
not in “universal features of male and female psychosexual development”
but in “the economic and social positions men and women hold” (Pollitt
1992b, 801).
Other progressive feminists see both difference feminism and the em-
phasis on cultural rather than economic issues as something of a trap for
the movement. They argue that cultural feminists only reinforce “oppres-
sive cultural stereotypes” of women as peaceful nurturers. (Willis 1981,
495). Moreover, “the ultimate paradox of difference feminism is that it has
come to the fore at a moment when the lives of the sexes are becoming less
distinct than they ever have been in the West” (Pollitt 1992b, 806). Differ-
Culture, Class, and American Exceptionalism 211
ferent from those of other identity-based movements for social and politi-
cal change” (B. Smith 1993, 14). That the gay population has signi‹cant in-
ternal divisions—divisions of social class, race, gender, and lifestyle—is not
a matter of dispute (see Abraham 1997; Bawer 1994; Ireland 1997; B. Smith
1993). At issue, however, is whether con›icts exist between the movement’s
leadership and its grassroots.
Gay conservatives express irritation that some gay leaders have aligned
themselves with numerous progressive causes that do not really represent
the allegiances of most American gays (Bawer 1994, 26). The idea of “sexu-
ality as cultural subversion” is at odds with the view of most gays, “who not
only accept the natural origin of their sexual orientation, but wish to be in-
tegrated into society as it is.” Queer radicalism does not de‹ne gay identity
but rather “may actually have to de‹ne itself in opposition to it” (Sullivan
1993, 32, 33). A progressive agrees that lesbian and gay students seem intent
on “cultural assimilation. They want to be upright solid citizens. Openly gay
solid citizens.” But he cautions that such pragmatism is dangerous: “For
once we accept that salvation comes in the form of a contract with straight
society,” we lose sight of the larger goals (Gevisser 1988, 414). The gay move-
ment, though sanitized by those in power, has “radical roots” and “connec-
tions” to “the other great transformative struggles of these times, to the joy-
ously skewed visions . . . that lie outside the conventions of the straight
world, and occasionally stand it on its head” (Kopkind and d’Adesky 1993,
4). Another progressive expresses concern that “the publicly visible gay
movement has become the gay right,” despite the fact that queer theory has
become important in academe. The gay conservatives ‹nd a ready audience
because they say what many straight editors want to hear; queers must
speak up and lobby both the gay and the straight press (M. Warner 1997,
18–19). But another progressive cautions that gays and lesbians are a highly
diverse group of people whose differences are greater than those suggested
by the commentators on either side (Abraham 1997, 6).
Within the pages of The New Republic, more and less conservative gays
argue about whether the gay movement should maintain alliances with
other social movements. Are coalitions with liberal black and women’s
groups ultimately harmful, since “many straight blacks and women have
little enthusiasm for aligning their causes with that of gays”? The gay
movement must face up to its “contradictions. Is it primarily now a public
health organization, a civil rights movements, or another band to a defunct
Culture, Class, and American Exceptionalism 213
rainbow coalition?” (Blow 1987, 16). Do such coalitions hurt the gay move-
ment by falsely implying that most gay people sympathize with progressive
movements (Bawer 1994, 26)? Or do gays need to articulate what “a post-
liberation society looks like”? Neither claiming to be just like everyone else
(when others believe that gays are different) nor arguing for civil rights
(when the Right has succeeded in shifting the meaning of this to “special
rights”) will succeed. Instead, gays need to seek equality not just for gay
people but for all people (Vaid 1993, 28). Writers in The Nation applaud such
coalitions, not only with blacks and women but also with labor, environ-
mental, and pro-choice groups (see Ireland 1999; Kopkind 1993; B. Smith
1993).
According to gay conservatives, gay leaders who see themselves as wag-
ing a “cultural war” are framing the issue in the wrong way. What is truly
at stake is the need to get America to accept homosexuality, and this is “a
matter of education” (Bawer 1994, 26). But another gay conservative argues
that any attempt to achieve gay freedom by changing heterosexuals’ be-
havior is clearly ›awed. The aim instead should be to ban all public dis-
crimination against gays and to extend to homosexuals all the rights and
responsibilities enjoyed by heterosexuals—including marriage and service
in the military (Sullivan 1993, 36). Both of these writers agree that no in-
herent con›ict exists between gays and the family—quite the contrary.
Yet ordinary gays and lesbians rather than the national leadership pro-
moted the idea of gay marriage by applying for marriage licenses and ‹ling
lawsuits when those applications were denied. If the legalization of same-
sex marriage occurs without the enthusiastic support of gay and progres-
sive groups, it will be “one of the most breathtaking lapses of organiza-
tional vision in the history of the modern left,” says one commentator
(Rotello 1996, 18).
Advocates of “queer subculture,” conversely, deride those gays who
seek a happy lesbian or gay identity in a “normal, private home: secure,
mature and demure.” Such endorsement of assimilation and of state regu-
lation of sex means the abandonment of queer ideals in favor of “moral re-
spectability and self-esteem.” These conservative gays “forget unconscious
desire, or the tension between pleasure and normalization” (M. Warner
1997, 15). The idea of a “Queer Nation” may seem like an oxymoron, since
how would unity be achieved among people “who de‹ne themselves by a
perverse insistence on the individuality of their desires”? Yet the American
214 culture wars and enduring american dilemmas
gay writer argues that gay culture is merely a response to persecution. “The
gay subculture, like the speakeasy, ‘›apper’ era of Prohibition, or the so-
called ‘counterculture’ of the Sixties and early Seventies, is a culture of re-
bellion against such persecution.” Gays are, in fact, no more promiscuous
or sex-obsessed than are heterosexuals. The real difference is that whereas
heterosexuals can be anywhere, “a homosexual can be safely gay only in a
gay environment” (Woolman 1986, 30). But a progressive writer argues that
younger gay people “have created a queer culture that is rapidly recon‹gur-
ing American values, redesigning sensibilities and remodeling politics.”
Elements of gay culture “have in‹ltrated everyday life: the homoerotic ad-
vertising spreads, the ironic style in journalism and literature, the fashions
on the street, the new political calculus” (Kopkind 1993, 595).
Whether among feminists, gays, or Evangelicals, issues of strategy and
tactics often complicate the cultural struggles. It is sometimes dif‹cult to
ascertain whether particular actions and policies are the result of ideo-
logical commitment or of strategic or tactical pursuits in political con›icts.
For example, was the attack against the National Endowment for the Arts
and the National Endowment for Humanities in the late 1980s and early
1990s a matter of resuscitating the classical republican idea that govern-
ment should promote virtue among the citizenry? Or was it rather about
struggles within the conservative camp, as the Christian Right and other
highly conservative groups attempted to subvert the more moderate Bush
administration? Did they use the endowments and their various “cultural
sins” as tools to energize their ranks (Jensen 1995)? Similarly, if prayer were
again to be allowed in public schools, would this be a hindrance to those
Evangelicals who favor school choice and do not want the public system to
improve (Brookhiser 1994, 84)?
Conclusions
Concluding Comments
Defenders of the culture war idea contend that despite the moderation em-
braced by the American population, the “deep culture” that frames our un-
derstanding of social reality is divided into orthodox and progressive
camps. This public culture, enunciated by elites, must be studied separately
from public opinion. Examination of this culture will reveal that it does
not allow for anything other than the binary choice: one either believes in
absolute morality, or one does not.
After analyzing two decades of public discussion of culture war issues, I
do not ‹nd such clarity. These complex debates reveal numerous conver-
gences across the culture war divide and multiple internal divisions. They
also manifest a distinctly American cast, since all participants subscribe to
the enduring cultural ideas that frame the speci‹c issues under dispute.
While the language of culture wars emerged only in the late twentieth
century, cultural politics are decidedly not new in the United States. Battles
about religion and morality and whether the individual or the community
is primary have been present virtually from the outset. Nor are such cul-
tural dilemmas likely to be resolved, since they are constantly revisited as
new situations arise.
Economic, technological, and demographic changes constantly bring
217
218 culture wars and enduring american dilemmas
If the culture wars are more muted now than when they were ‹rst
named in the early 1990s, it may be because of some convergence in atti-
tudes about sexual behavior and family life, feminism and gay rights, and
even perhaps abortion. The polarization that culture war theorists imagine
has not developed. Though unanimity on cultural issues is unlikely ever to
occur, compromises appear to be possible and are now being discussed.
Combining American morality and pragmatism is seen as a way of ending
the culture wars (Saletan 2009). Federal protection of same-sex marriage
could be combined with exemptions for religious groups, for example
(Blankenhorn and Rauch 2009).
But whatever the progress of the culture wars, neither the culture that
is its subject nor the very idea of culture is likely to remain constant. Con-
ceptions of culture are likely to continue to change even as new battles for
hegemony emerge.
Methodological Appendix
The Sample
The four magazines in the sample were chosen to represent the mainstream
American political spectrum, from National Review on the right to The Na-
tion on the left, with Time in the center and The New Republic in the more
ambiguous position of a once clearly liberal magazine that veered right-
ward during the 1980s. The Nation, founded in 1865, is a venerable maga-
zine of the Left. While newer liberal magazines such as the American
Prospect and the somewhat more muckraking Mother Jones have captured
progressive audiences as well, they lack the cultural heft of The Nation. Na-
tional Review, founded in 1955 by William F. Buckley Jr. as the organ for con-
servative intellectuals, likewise has some younger competition—most no-
tably, the Weekly Standard, founded in 1995 by neoconservatives William
Kristol and Fred Barnes. Yet National Review retains its preeminence and de-
votes more attention to culture war issues than the newer publication does.
And the Weekly Standard was, of course, unavailable during the ‹rst ‹fteen
years of the study. Time magazine, established in 1923, has Newsweek
(founded in 1933) as its principal competitor. Time was chosen because it
generally has had higher circulation and greater visibility than Newsweek.
Many Time covers, for example, have become cultural icons. The New Re-
public was founded in 1914 by well-known liberal thinkers Herbert Croly
and Walter Lippmann. Its more diverse and less predictably liberal editorial
stances during the 1980s and 1990s made it a source of some interest and
perhaps greater prominence.
Although widespread circulation of the idea that a culture war was tak-
ing place did not occur until the early 1990s, discussion of such issues be-
gan in the previous decade. Soon after Ronald Reagan’s 1980 election to the
presidency, commentators began to talk about a “New Right.” During the
221
222 methodological appendix
The 436 articles published between 1980 and 2000 appeared in the maga-
zines as follows:
Abortion 32
The Arts 40
Canon Wars 24
Culture Wars Generally 51
Family Values Issues 22
Feminism Issues 37
Homosexuality 62
Multiculturalism 38
Multicultural Education 27
Popular Culture 33
Religious Issues 55*
Sex Education 15
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Index
251
252 index
culture. See also American culture; democra- day care, as pro-family, debate on, 87
tization of culture; popular culture death penalty, abortion views and attitudes
con›ating race and ethnicity with, 118 about, 6
constructed in social interactions, 23 deep culture, 12, 18, 28, 100–101
economic issues vs., 206–7 deep pluralism, 112, 142–43
evolution of academic use of term, 12–18 Democratic Party. See also Left
exiting, 106 Catholics, Jews, black Protestants and, 5
as framing device to attain equal rights, cultural politics and, 176, 177
191 on gays in the military, 8
Geertz on symbolic meanings and, 13–14 political polarization and, 194–95
Kroeber and Kluckhohn on values and, democratization of culture
13 Academic Left on, 162
lack of consensus on, 17–18 cultural distinctions and, 151–52
late twentieth century understandings of, culture to the masses and, 161
14–16 defenders of traditional culture and,
medicinal image of, university canon and, 165–66
168–69 Hollywood liberals and, 162–63
multiculturalists on, 19–21 deterministic view of culture, 15
textbook de‹nitions of, 17 difference feminism, 63, 210–11
transmission to new generations, modern diversity. See cultural differences/diversity
life and, 124 divorce, debate on legal aid for, 87
Wrong on independence from, 13 Douthat, Ross, 200
Culture Trust, 146–47 D’Souza, Dinesh, 11, 132–33
Culture War (Hunter), 12 Durkheim, Emile, 16, 33, 36
culture warriors. See also speci‹c groups
internal disagreements among, 2 economic elites, 147, 166
orthodox vs. progressive, 1, 217 economic individualism, 88, 89, 101
portrayal of culture wars as struggle for Economic Left, 207–8
control by, 24–25 economics and economic issues
culture wars. See also Palin, Sarah American politics 1896–1964 and, 176
American cultural patterns and, 29–30 campaign of 2008 and, 201–2, 204
appearance/disappearance over time, excessive individualism or sel‹shness and,
18–19 86
arts as scapegoat for, 155–56 industriousness and, 89–90
Buchanan on, 4 issues of culture vs., 206–7
campaign of 2008 and, 201–2 morality and, 59–60
campaigns of 2000 and 2004 and, 203–4 The Economist, 197, 198–99
class politics, centralized state and, 189 Edwards, John, 200
debate on continued relevance of, 204 elites and elitism. See also antielitism; cul-
determining truth in assertion of, 10–11 tural elites; culture warriors
elite culture and, 165–66 in academe, 159
elite vs. mass attitudes on issues of, 196, of American literary canon vs. conserva-
197 tive literature, 158–59
homosexuality framed in moral terms arts funding and, 154–57
and, 75 class and, 160, 161
Horton on recovery of faith among Chris- conservatives on excessive individualism
tians and, 55 of, 85–86
Hunter on orthodox-progressive split of dangerous, 163
morality and, 3–4 de‹nitions of, 145–46
Hunter on public culture and, 9–10 democratization of culture and, 162–63
magazine articles about, 222 in feminist movement, 164–65
moderation and, 168 in gay rights movement, 165
origin of, 3 high art and, 160–61
true pluralism as counter to, 121 on individualism vs. popular views
understandings of culture and, 19–20 thereof, 91–92
index 257
on public and private morality, 71, 81 homosexuality. See also gay rights move-
on tolerance and toleration, 141 ment; gays in the military; same-sex
Great Books of Western Civilization, 119, 132 marriage
Great Britain. See also British legislating morality of, 82
individualism in United States vs., 92 magazine articles on, 222
religious beliefs and religious identity in, morality issues and, 69–75
49 politics of tolerance vs. approval and, 135,
working class in, 183 136
groups. See also ethnic groups religious identities and views on, 4, 8
cultural, broadened de‹nition of, 144 Horton, Michael S., 55, 160
as cultures, differences in power and, Howe, Irving
114–15 on democratization of culture and human-
Durkheim on religious dimensions to, 33 ities education, 152
individualism, multiculturalism and, on elitism in the arts, 161
94–97 on excessive individualism, 86
individualism and identi‹cation with, on individually achieved sense of culture,
107–8, 109, 218 97
multiculturalism and, 99 on multicultural education, 126
social, political worldviews and, 192 on the Right’s uneasiness with subcultures,
Walzer on balance of individual with, 101 26
groupthink, Whyte’s indictment of, 107 on the university canon wars, 128, 129,
Guinness, Os, 35, 36, 55, 168 131–32, 134
on use of culture as therapy, 41
Harcourt, William, 143 Hughes, Robert
Hartmann, Douglas on American culture, 95, 118, 169
on American disapproval of atheists, 43 on American demand for morality in the
on different conceptions of diversity, 97 arts, 81
on diversity as code word for race, 119 on culture as therapy, 22
on subgroup interaction generating a com- on funding the NEA, 154–55, 170, 171
mon culture, 143 on Republican politics against the arts,
on talking about inequality and diversity, 119, 161
191 on social construction of culture, 23
on thick culture vs. thin culture, 104–5 human rights vs. cultural differences, 95
health care, as pro-family, debate on, 87 humor, political correctness and, 124
Helms, Jesse, 170 Hunter, James Davison
Hentoff, Nat, 68 as cultural fundamentalist, 20
Herberg, Will, 36, 49, 53, 54 on culture as internally consistent with
high culture, 149, 150, 151, 157–58, 161. See deep normative structures, 18
also cultural elites on culture as thinglike reality, 17
Hill, Anita, 80 on culture wars and 2008 campaign, 202
Hispanics on culture wars and power to de‹ne real-
assimilation through intermarriage, 118 ity, 10
bilingual programs and, 134 on culture wars and public culture, 9–10
construction of identities by, 114 on family values, 2008 campaign and, 200
cultural changes in United States due to, on fundamental split between orthodox
98 and progressive views of morality, 3–4
ethnic identities of, 117 on multiculturalism and individualism,
historians, as dangerous elites, 163 100
history teaching, 40, 125, 126, 127–28. See Hyde, Henry J.
also university canon on democratic tolerance, 136
Hoffman, John P., 4, 8, 10 on excessive individualism, 86
Hollinger, David A., 21, 36, 47, 104, 143 on funding the NEA, 155
Hollywood liberals, 162–63, 191. See also on moral failure of individuals, 61
media elites on moral foundations of capitalism, 59
Hollywood writers, as cultural elites, 147, 148 on morality of Left vs. Right, 60
260 index
on Murphy Brown debates, 147 accusations that the other side is “politi-
on political correctness, 149 cizing” culture, 25–26
on religion and public schools, 45 on American civil religion, 35
on religious discourse in the public sphere, Bellah on American civil religion and, 35
32, 44 on causes to bene‹t all, 61–62
on social construction of culture, 23 on Christian Right and gays, 73–74
on a university canon, 22, 128, 129, 168–69 claims for the center by, 170–71
Ponnuru, Ramesh, 68, 204 on conservative designations of moral
Pope, Jeremy C., 4, 7, 8, 176, 187 decline, 75–76
popular culture. See also counterculture; rap conservatives on alienation from Ameri-
music; rock music can culture of, 115
American exceptionalism and, 185 on counterculture, 77
behavior and, 21–22 criticism of elitist tendencies among,
con›icted positions on, 206–7 163–64
conservatives and liberals on, 149 cultural agenda of the Right vs., 24–25
culture war debates on, 21–22 Cultural vs. Economic, 207–8
democratization of culture and, 162 on democratization of culture, 151, 162,
distinctions between high culture and, 150 166
Left on pro‹t motive of economic elites elite vs. mass understanding of, 195–96
and, 147 on feminists, 87, 164, 210–11
magazine articles on, 222 gay, on allegiances with conservative
morality and individual choice in, 86–87 causes, 212
as seen through lens of morality, 62–63 on gay culture recon‹guring American
Populists and populism, 29, 38, 157, 187–88. values, 215
See also democratization of culture on gender traits and behavior, 64
postindustrial politics, 189–90 Hollywood, Frank on shallowness of, 163
postmaterialism scale, 92, 188–89 internal divisions among, 206–7
postmodernists, on objective truths, 131 on moral and cultural relativism, 78
postmodern multiculturalists, 208 moral decline rhetoric and, 75
post-multiculturalism, among artists, 95 moralizing by, 79–80
pragmatism, morality and, 2, 65, 68, 82–83, on moral principles of progressive pro-
219 grams, 59
privacy, 67, 70, 141–42. See also individual on moral stance of antichoice militants, 67
freedom multiculturalism issue and, 106–7
private discrimination, 72–73 opposition to communitarian vs. libertar-
privatization of religion, 54, 56 ian views by, 209–10
pro-choice advocates. See also abortion political views of religion among, 43
elitism and, 158–59 on religion as moral critique, 46
framing of abortion issue and, 196 secular causes, need for religion in, 38–39
individualism and, 85 on social conditions and moral views, 69
internal disagreements among, 65–66 on television talk shows, 63, 80, 116, 151,
party af‹liations and, 8 163
Progressive Era, 110–11 on tolerance, 135–37
progressive morality or worldview voting and social class, 188
campaign of 2000 and, 204–5 Prohibition, 81–82, 179, 186
on homosexuality, 74–75 proletarian community, conservatives on
as independent of social groups, 192 Left’s preferences for, 85
on individualism, 84 pro-life advocates. See also abortion
orthodox morality or worldview vs., 1, 3–4 abortion views among conservative Protes-
religious doctrines and, 5–6 tants, 5
of small percentage of Americans, 4 framing of abortion issue and, 196
social policies and, 8 liberal/left worldview and, 68
progressives. See also Democratic Party; femi- militancy of, 222
nists; New Left; pro-choice advocates; on moral character of abortion, 66–67
progressive morality or worldview party af‹liations and, 8
266 index
prostitution, U.S. prohibition on, 186 radical feminism, 63, 64–65, 78. See also fem-
Protestant ethic, progressives on consumer inism
hedonism and, 60 Rand, Ayn, 61
Protestantism, mainline, 45–46, 99 rap music, 62–63, 148, 163
Protestants. See also American civil religion; Ravitch, Diane, 103–4, 105
Evangelicals; Fundamentalists Raz, Joseph, 106
abortion views among, 6 Reagan, Ronald, 177, 222
attitudes toward premarital sex among, religion. See also American civil religion;
192–93 church-state relations; civil religion; reli-
Bellah on multiculturalism and religious gious beliefs/values; respect for religion
individualism of, 101 American Creed and, 29
on political involvement by, 39 American exceptionalism and, 186–87
on religious freedom vs. moral truths, conservative and liberal political and so-
56–57 cial views and, 4–6
public opinion. See also speci‹c groups in contemporary textbooks, 40
on abortion, Palin’s candidacy and, 202 cultural, 52–54
on American devotion to individualism culture warriors on, 26
and community, 27 elites on role in public sphere of, 47
culture wars thesis and, 9–10 expression of, American democracy and,
on differences over multiculturalism, 7 54–55
images of culture wars and, 1, 4–6 history of, in contemporary textbooks, 40,
pro-life advocates and, 196 180
on same-sex marriage, 204 magazine articles on, 222
study of public culture vs., 217 as matter of public consensus, 27–28
takeoff issues and, 197 moderation on issues regarding, 167–68
public schools. See also multicultural educa- Obama’s 2008 campaign on, 205
tion political role of, 43–47, 56
American civil religion and, 33 secularization and decline in, 51–52
bilingual, of early twentieth century, 111 as therapy or social utility, 40–41
cultural power of, 121 Tocqueville on outward duties of, 31
solutions for Fundamentalist objections to religious beliefs/values. See also religion
reading material in, 142 of American public, and antielitism, 154
tolerance for differences in curricula of, attending religious services in the United
137 States vs. Europe and, 51
views on keeping religion out of, 43 conservatives on silence by elites to assault
Putnam, Robert D., 94 on, 153
cultural focus of American politics and,
Quayle, Dan, 147, 154–55 215–16
cultural religion in America and, 52–54
race educational level in›uences on politics
class differences and, 120 and, 194
con›ating culture with, 118 Evangelicals on morality and freedom of,
as cultural issue or power distribution is- 123
sue, 178–79 gender-related economic/political atti-
and gender vs. class, 207–8 tudes and, 193–94
interactions with culture, 190–92 intensity of, in America vs. other societies,
multiculturalism as code word for, 118–19 48
Palin’s candidacy and culture of, 200–201 or nonbeliefs, Tocqueville on display of,
social views of religiously orthodox and, 5 42
as surrogate for social class, 187 postmaterialist concerns in United States
racism and, 181
American Creed and, 184 secularization and, 47–51
diversity discourse, inequality and, 191 social and political views and, 4–6
radical (rank) individualism, 85, 100, 154. See views on political role of religion and,
also individualism 44
index 267
voting for Obama vs. Kerry or Gore and, increasing and decreasing cycles of, 56
201 religious beliefs and, 47–51
Religious Right. See Christian Right self-expression values, 7–8, 92–93, 186. See
republicanism, on public good vs. individual also individualism
interests, 89 self-interest, 60, 101
Republican Party. See also Right sel‹shness, as excessive individualism, 84
attack politics by, 118–19 separation of church and state, 33, 39, 40,
cultural politics and, 176–78 46–47, 56. See also church-state relations
on gays in the military, 8 Serra, Richard, 156
on NEA as cultural elitist, 155 Serrano, Andres, 156
Palin effect on 2008 campaign of, 201, 202 sex education, 60–61, 153, 222
political polarization and, 194–95 sexual behavior, 29, 60, 192–93, 213–14
secularization and evangelical Protestants Short, Thomas
voting for, 54 on freedom and self-control, 73
white Protestants and, 5 on gay conservatives, 70, 135
respect for religion, 2–3, 31–32, 45, 47, 50. on moral relativism, 78
See also religion on politicizing culture, 25
Right. See conservatives on privacy, 71
right-to-life advocates. See pro-life advocates Simmel, George, 97
Roaring Twenties, contemporary morals vs. Slater, Philip, 27
moral issues during, 82–83 Smith, Philip, 11
Robertson, Pat, 12, 35, 198 Sobol, Thomas, 127, 128
rock music, 76 social capital, individualism, multicultural-
Roe v. Wade, 69, 153–54 ism and, 94
Roosevelt, Franklin, 182 social class. See class
Rousseau, Jean-Jacques, 33 social construction of reality, 3, 16
Rubin, Jerry, 77 socialists, absence of in U.S. politics, 182
social movements, 56, 149, 190. See also
Sahlins, Marshall, 14, 17 speci‹c groups
same-sex marriage. See also gay rights move- social opprobrium, legislating morality vs.,
ment; homosexuality 81–82
campaigns of 2000 and 2004 and public social welfare vs. individual freedom, 86–87,
opinion on, 204 88–89
as conservative vs. radical idea, 214 sociology, rethinking of culture within, 16
as co-optation into straight society, 165 South America, lack of nativist movements
grassroots gays and lesbians and support in, 140
for, 213 Southern Baptist Convention, 6
Left vs. Right on morality of, 74 Spencer, Martin E., 103, 114, 139
as moral equality of homosexuality and standards
heterosexuality, 72 community, X-rated pop culture and,
Palin’s candidacy and public opinion on, 62–63
202 cultural, Right on mass culture and, 149
Sanders, Deion, 40–41 democratization of culture and, 166
Schlesinger, Arthur, Jr., 96, 117, 125, 132, of good and evil, American belief in, 91
137 moral, Clinton’s approval ratings and,
school choice, 122, 206, 215 83
school prayer, 4, 9, 40, 177, 215 national curriculum, 163
schools, single-sex, feminists vs. conserva- sexual, politicized church on, 46
tives on, 64. See also public schools traditional and conservative philistinism,
Schudson, Michael, 14, 15 159
Schuller, Robert, 40 Stanford University, on pluralism of Western
secularists, on morality in public life, 39 civilization, 134
secularization subcultures
cultural religion and, 52–54 artists and thinkers’ transcendence of,
debates on extent and meaning of, 51–52 96–97
268 index
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Contents:
Culture wars and warring about culture -- Respect for religion but uncertainty about its role -- Moral but not moralistic -- Individualism but
not to excess -- Pluralism within one culture -- Antielitist but respecting achievement -- Moderation, plain and simple -- Culture, class, and
American exceptionalism.
Summary:
"Irene Taviss Thomson gives us a nuanced portrait of American social politics that helps explain both why we are drawn to the idea of a
'culture war' and why that misrepresents what is actually going on."--Rhys H. Williams, Professor and Chair, Department of Sociology, Loyola
University Chicago "An important work showing--beneath surface conflict--a deep consensus on a number of ideals by social elites."--John H.
Evans, Department of Sociology, University of California, San Diego The idea of a culture war, or wars, has existed in America since the 1960s-
-an underlying ideological schism in our country that is responsible for the polarizing debates on everything from the separation of church
and state, to abortion, to gay marriage, to affirmative action. Irene Taviss Thomson explores this notion by analyzing hundreds of articles
addressing hot-button issues over two decades from four magazines: National Review, Time, The New Republic, and The Nation, as well as a
wide array of other writings and statements from a substantial number of public intellectuals. What Thomson finds might surprise you:
based on her research, there is no single cultural divide or cultural source that can account for the positions that have been adopted. While
issues such as religion, homosexuality, sexual conduct, and abortion have figured prominently in public discussion, in fact there is no single
thread that unifies responses to each of these cultural dilemmas for any of the writers. Irene Taviss Thomson is Professor Emeritus of
Sociology, having taught in the Department of Social Sciences and History at Fairleigh Dickinson University for more than 30 years.
Previously, she taught in the Department of Sociology at Harvard University.
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CULTURE WAR
DAN HUNTER
Abstract
Over the last ten years, much of copyright and patent has come under attack from those who suggest that
capture by private interests has had a pernicious influence on public policy in this field. In the related areas of
telecommunication spectrum management and internet regulation there have emerged strong arguments for
not allocating private property interests, and instead considering these domains as commons property. I
suggest that, together, these developments form part of a culture war, a war over the means of production of
creative content in our society. I argue that the best way to understand this war is to view it as a Marxist
struggle. However, I suggest that copyright and patent reform—where commentators have actually been
accused of Marxism—is not where the Marxist revolution is taking place. Instead I locate that revolution
elsewhere, most notably in the rise of open source production and dissemination of cultural content.
Document Control
Public Beta Revision 1.2, Tuesday, August 10, 2004. This is a non-canonical draft. It goes without saying that you
may cite to it, but this document may not represent my final view.
DAN HUNTER∗
It wasn’t long ago that intellectual property law was seen as a wholly positive force in
society. In those simpler times, intellectual property was thought to guarantee social
progress, promote innovation, and (no doubt one day) cure baldness. But within the
blink of an eye the golden period faded, and intellectual property became a mares’
nest. In copyright, scholars and civil society groups lead a series of attacks on
copyright term extensions, and on the diminution of the public domain. Within patent
we witnessed increasing concerns about the extension of patent scope, and the grant
of wildly overbroad patents: recently a number of civil society groups announced
plans to challenge the grant of those patents which these see as the worst offenders.
Internationally, criticism was leveled at the role of Western intellectual property
policy on developing nations, in areas like plant and seed protection, drug pricing in
Africa, and the development of indigenous high-technology industries. And in related
areas like telecommunication spectrum allocation, and internet regulation there
emerged movements seeking to protect commons property from private
encroachment. At the same time, intellectual property owners decried rampant
piracy, and daily foretold the deaths of their industries. Where once intellectual
property was seen as good for all, we now survey a battlefield that pits private
interests against the public good.
Karl Marx and Friedrich Engels’ Communist Manifesto foretold the end of private
property and the inevitable rise of a workers’ paradise. Though this failed as a
∗ Robert F. Irwin IV Term Assistant Professor of Legal Studies, Wharton School, University of
Pennsylvania. Email: [email protected] Thanks to Greg Lastowka, Larry Lessig,
Polk Wagner, and Kevin Werbach for their guidance on the different battles in the culture war.
1 Available at http://emoglen.law.columbia.edu/publications/dcm.html
CULTURE WAR
The purpose of this Essay is to describe the nature of the culture war, and to explain
why viewing this war through a Marxist lens can shed light on it. In doing so, we can
begin to recognize how current battles might be fought, and how future battles will
emerge. Thus, in the part that follows I first look at how we came to find intellectual
property holders pitted against civil society groups and scholars. I go on to suggest
that copyright and patent reform—where commentators have actually been accused of
Marxism—is not where the Marxist revolution is taking place. Instead I locate that
revolution elsewhere, most notably in the rise of open source production and
dissemination of cultural content. In charting this revolution, I also show how
spectrum allocation and internet regulation follows this Marxist cultural revolution,
and forms part of it.
-I-
Intellectual property has a venerable provenance, tracing its roots back to the
beginning of the Eighteenth Century in copyright, and earlier in patent, but its
significance has changed profoundly as we moved from the industrial era into the
information age. For much of the Twentieth Century, the three fundamental grants of
intellectual property interests—patent, copyright, and trademark—were relatively
narrow and relatively unimportant. Patents were used by business to forestall
competition in useful inventions (like chemical processes), trademarks were useful to
denote one company’s product from another, copyright was relevant to stop
-3-
[PUBLIC BETA V.1.2 | NON-CANONICAL AUGUST 10, 2004]
commercial reproduction of, say, a book. But on the whole, businesses in the
industrial era didn’t care that much about intellectual property. They cared about the
factory, the production line, and the land on which these were sited. This was the
property that mattered.
In the latter part of the Twentieth Century the importance of these new property
interests was obvious to business and government, and so the intellectual property
system grew.4 Thus copyright’s scope, which had been limited in its infancy to maps,
charts and books,5 broadened over time to encompass musical and dramatic works,
-4-
CULTURE WAR
Patent law followed the same path. Its scope widened, over time annexing new
inventive territories like plants, surgical procedures, computer algorithms, and
6 Photographs: Burrow-Giles Lithographic Co. v. Sarony, 111 U.S. 53 (1884); Sound recordings:
Sound Recordings Act of 1971, Pub. L. No. 92-140, 85 Stat. 392. See generally Robert P.
Merges, One Hundred Years of Solicitude: Intellectual Property Law, 1900- 2000, 88 CAL. L. REV. 2187
(explaining the connection between the expansion of intellectual property protection and the
advent of new technologies).
7 Copyright Act of 1790, ch. 15, 1, 1 Stat. 124, 124 (repealed 1831).
8 Extensions to copyright terms were granted by Pub. L. No. 87-668, 76 Stat. 555 (1962); Pub. L.
No. 89-142, 79 Stat. 581 (1965); Pub. L. No. 90-141, 81 Stat. 464 (1967); Pub. L. No. 90-416, 82
Stat. 397 (1968); Pub. L. No. 91-147, 83 Stat. 360 (1969); Pub. L. No. 91-555, 84 Stat. 1441
(1970); Pub. L. No. 92-170, 85 Stat. 490 (1971); Pub. L. No. 92-566, 86 Stat. 1181 (1972); Pub.
L. No. 93-573, 88 Stat. 1873 (1974); Pub. L. No. 105-298, 112 Stat. 2827 (1998). See generally
L AWRENCE L ESSIG, FUTURE OF I DEAS : THE FATE OF THE C OMMONS IN A C ONNECTED
WORLD, 107-8 (2002) (suggesting that it’s not unreasonable to say that copyright was extended
each time that Mickey Mouse was due to fall into the public domain).
9 The latest extensions were introduced in the Sonny Bono Copyright Term Extension Act of
1998, Pub. L. No. 105-298, 112 Stat. 2827 (1998). The copyright term has been increased from
life of the author plus 50 years to life plus 70 years (15 U.S.C.A §303(a)), and for pseudonymous
works and works made for hire from 75 to 95 years from publication or from 100 years to 120
years from creation. (Id. §302(c)).
10 Peter Jaszi, Toward a Theory of Copyright: The Metamorphoses of ‘Authorship,’ 1991 DUKE L.J. 455,
478 (quoting EATON S. DRONE, A TREATISE ON THE L AW OF PROPERTY IN INTELLECTUAL
PRODUCTIONS IN GREAT BRITAIN AND THE UNITED STATES, 451-52, (1879))
11 Whelan Associates, Inc. v. Jaslow Dental Laboratories, Inc., 797 F.2d 1222 (3d Cir. 1986) (structure,
sequence and organization of a computer program held to be copyright expression); Meredith
Corp. v. Harper & Row, Publishers, Inc., 378 F. Supp. 686, 690 (S.D.N.Y. 1974), aff'd per curiam,
500 F.2d 1221 (2d Cir. 1974) (copying of structure and sequence of literary work justified
finding of copyright infringement).
12 Detective Comics, Inc. v. Bruns Publ'ns, Inc. 111 F.2d 432 (2d Cir. 1940) (holding Superman
character a copyrightable element of comic book); Walt Disney Prods. v. Air Pirates, 581 F.2d 751
(9th Cir. 1978), cert. denied, 439 U.S. 1132 (1979) (finding Mickey Mouse and Minnie Mouse
characters protectable elements of copyrighted works even if placed in unrelated stories);
Anderson v. Stallone, 11 USPQ2d 1161 (C.D. Cal. 1989) (characters from the Rocky motion
picture separately protectable); Metro-Goldwyn-Mayer v. American Honda Motor Co., 900 F. Supp.
1287 (C.D. Cal. 1995) (holding literary character James Bond protected under copyright);
13 See Fisher, supra note ___ at 268.
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[PUBLIC BETA V.1.2 | NON-CANONICAL AUGUST 10, 2004]
Trademarks too were set loose from their historical moorings. The trademark term
was extended17 and the prototypical application of a physical brand to a physical
product no longer marked the limit of trademark’s dominion. Not only could the
hourglass shape of the Coke bottle be a trademark in itself,18 but sounds such as the
Harley-Davidson exhaust note for motorcycles,19 a fragrance, or a distinctive color of
dry cleaning pads20 were equally protected from copying. In time wholly
impressionistic elements comprising the “trade dress” of a restaurant—features such
as the color scheme, layout, and roof design—came to be owned.21
At first these manifold expansions were ignored, not only by socially progressive
commentators but also by the public. The growth of intellectual property didn’t seem
to involve a reduction of any interests in the common weal. Of course, the grant of a
patent over a new class of inventions, or a new form of trademark, or the extension of
14 Plants: Plant Patent Act of 1930, codified in 35 U.S.C. secs. 161-164; Plant Variety Protection
Act, 7 U.S.C. §§ 2321-2582. Surgical procedures: Ex parte Scherer, 103 U.S.P.Q. (BNA) 107
(Pat. Off. Bd. App. 1954) (approving patent for method of injecting drugs by pressure jet).
Computer algorithms: Diamond v. Diehr, 450 U.S.175 (1981) (approving patent for software that
monitored temperature inside a rubber mold). Business methods: State Street Bank & Trust Co. v.
Signature Fin. Group, Inc., 149 F.3d 1368 (1998) (approving patent for financial calculation
business method)
15 Diamond v. Chakrabarty, 447 U.S. 303 (1980) (establishing patent protection for commercially
valuable organism). The expressed sequence tags of the human genome was the subject of patent
applications by Celera Genomics and Incyte Genomics, two companies engaged in mapping it.
See Dennis Fernandez & Mary Chow, Intellectual Property Strategy in Bioinformatics and Biochips, 85
J. PAT. & TRADEMARK OFF. SOC'Y 465, 467 (2003)
16 Mark A. Lemley, The Economics of Improvement in Intellectual Property Law, 75 TEX . L. REV. 989,
1004 (1997).
17 Trademarks are capable of infinite term, since they may be repeatedly renewed. Trademark
terms were effectively extended by the introduction of the intent-to-use standard rather than
initial commercial use requirement. This allows the applicant to claim a (fictional) constructive
use date and store the mark without any use for more than four years. See Trademark (Lanham)
Act of 15 U.S.C.A. §1051(b) (2000).
18 See e.g. Coca-Cola v. Gemini Rising, 346 F. Supp. 1183 (E.D.N.Y. 1972) (a poster depicting the
Coke bottle infringed the trademark in the coke bottle)
19 Kawaski Motors Corp. USA v. H-D Michigan Inc., 43 USPQD2d 1521 (TTAB 1997) (Trademark
status granted for distinctive sound of Harley-Davidson exhaust note). The extension of
trademark protection into sounds was first granted in relation to NBC’s three chimes signal,
Reg.No. 523,616 (Apr.4, 1950).
20 Qualitex Co. v. Jacobsen Products Co., 115 S. Ct. 1300 (1995) (Trademark status granted for
distinctive green-gold color for dry cleaning pads).
21 Two-Pesos, Inc. v. Taco Cabana, 505 U.S.763 (1992)
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a copyright, might affect a direct competitor; but after all that’s just business. Society
at large just didn’t care much. And this aside, the intellectual property system is as
arcane as the tax code. Who, outside of specialist intellectual property lawyers, could
understand let alone follow issues like why the creation of a specialized patent court
has lead to an increase in patent validity rulings, and what this might mean to the
public good? 22
Thus the expansion of private interests didn’t awaken the public. However there has
long been the sense that the public does have some stake here. The concept of the
“public domain” was first advanced in 1896, in a Supreme Court case involving the
Singer sewing machine.23 The court noted that upon the expiration of a patent the
public gained the right to exploit the technology: in the court’s words, the invention
fell into the public domain.24 Over the following 80 or 90 years, as intellectual
property rose in importance, the concept of the public domain was either ignored, or
defined in negative terms: the public domain was what remained after all the private
interests had been allocated.25 It was the carcass that was left after the intellectual
property system had eaten its fill.
In the late nineteen-seventies David Lange, then a young Duke law professor,
attended an entertainment law symposium to present a paper on the right of publicity,
in light of two cases before the California courts asking whether the heirs of Bela
Lugosi and Rudolph Valentino could control the representation of these famous actors
after their death.26 Lange thought it a technical question that might be of narrow
interest to estate lawyers, and those lucky few who are strangely excited by the law of
succession. He was surprised at the distress of a group of screenwriters who attended
his presentation and who peppered him with fearful questions. Rather than rejoicing
in greater protection, they saw the recognition of celebrity publicity rights as taking
22 Allison and Lemley demonstrate that the patent validity rate after the introduction of the Federal
Circuit Court of Appeals during the period 1989-1996 was approximately 52%. See John R.
Allison & Mark A. Lemley, Empirical Evidence on the Validity of Litigated Patents, 26 AIPLA Q.J.
185, 241 (1998). Oddi claims that prior to the creation of the Federal Circuit in 1982, the
historical average for patent validity was approximately one-third, and that the validity rate is
now too high. See A. Samuel Oddi, The Tragicomedy of the Public Domain in Intellectual Property Law,
25 HASTINGS COMM. & ENT. L.J. 1, fn9 (2003).
23 Singer Mfg. Co. v. June Mfg. Co., 163 U.S. 169 (1896)
24 Id at 196.
25 This conception of the public domain in negative terms has been common for some time, see e.g.
Compco Corp v Day-Brite Lighting, Inc., 376 US 234, 237 (1964) (striking down state unfair
competition laws that altered copyright law, which would “interfere with the federal policy…of
allowing free access to copy whatever the federal patent and copyright laws leave in the public
domain.”)
26 David Lange, Re-Imagining the Public Domain, 66 LAW & CONTEMP. PROBS. 463, 464-5 (2003)
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something away from them. If the courts expanded publicity rights they would
reduce the ability of writers to adapt, use, or re-imagine the histories of famous people.
As Lange describes it, years later, “the law of publicity was dispossessing individual
creators in order to benefit the interests of celebrities.”27 From this epiphany, Lange
recast the public domain. Rather than the negative leftovers, he said that the public
domain was a vital, affirmative entity, the publicly-accessible collection of knowledge,
ideas, history, and expression on which creators draw in order to make new works.28
It was, in short, the repository of public culture. The concern that motivated Lange,
the issue that made his paper more than a doctrinally-interesting law article, was the
recognition that, if private interests were to continue to expand, they would eventually
overrun the public domain altogether, and thereby choke off all creativity. This would,
of course, be a mordantly amusing result, since the grant of intellectual property rights
is generally justified as an economic incentive to authors and inventors to encourage
creativity, not to stifle it.29
From this beginning the movement in defense of the public domain grew slowly. It
was another ten years before law professors began systematically to analyze the
importance of the public domain to the intellectual property system and to society. In
a series of articles beginning in the mid-eighties, Pamela Samuelson voiced concern
about the expansion of intellectual property in various components of information
technology, including user interfaces, computer algorithms, and information, and
argued that this was dispossessing others of the opportunity to innovate.30 Outside
the specific arena of computer technology, Jessica Litman explained how the public
domain permitted the copyright system to work, by leaving the raw material of
authorship available for authors to use.31 She examined the gulf between what
authors really do in creating copyright work, and the way the law perceives them. As
27 Id at 465.
28 Id at 466.
29 See e.g. Goldstein v. California, 412 U.S. 546, 555 (1973) (“to encourage people to devote
themselves to intellectual and artistic creation, Congress may guarantee to authors and inventors
a reward”); William Landes & Richard Posner, An Economic Analysis of Copyright Law, 18 J. LEG.
STUD. 325 (1989).
30 Pamela Samuelson, CONTU Revisited: the Case Against Copyright Protection for Computer Programs in
Machine-Readable Form, 1984 D UKE L.J. 663 (1984); Pamela Samuelson, Creating a New Kind of
Intellectual Property: Applying the Lessons of the Chip Law to Computer Programs, 70 MINN. L. REV. 471
(1985); Pamela Samuelson, Allocating Ownership Rights in Computer-Generated Works, 47 U. PITT. L.
REV. 1185 (1986); Pamela Samuelson, Modifying Copyrighted Software: Adjusting Copyright Doctrine to
Accommodate a Technology, 28 JURIMETRICS J. 179 (1988); Pamela Samuelson, Information as
Property: Do Ruckelhaus and Carpenter Signal a Changing Direction in Intellectual Property Law? 38
C ATH . U. L. REV . 365 (1989); Pamela Samuelson, Benson Revisited: The Case Against Patent
Protection for Algorithms and Other Computer Program-Related Inventions, 39 EMORY L.J. 1025 (1990).
31 Jessica Litman, The Public Domain, 39 EMORY L.J. 965 (1990).
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she noted, originality is a legal fiction. Authors must reshape the prior works of others,
and so a conception of authorship as original-creation-from-nothing is both flawed
and misleading. A strong positive conception of the public domain is therefore
necessary to protect creators from incurring liability through otherwise unavoidable
copying.32 Wendy Gordon expanded on this by suggesting that free speech interests
are intimately connected to the public domain and the increasing-privatization of the
public domain weakened First Amendment rights.33 And Jamie Boyle gave a series of
extraordinary accounts of private control of public domain material, including,
memorably, the cells of a patient whose doctors patented a fabulously valuable cell-
line from his spleen.34
Thus, throughout the eighties and nineties, scholars had warned of the problems of an
expansionist copyright and patent system, but their concerns were ignored. Perhaps
the public indifference can best be explained by an absence of compelling examples
where creators were obviously disenfranchised as a result of the diminution of the
public domain. It wasn’t until the introduction in 1998 of two pieces of legislation that
these examples became clear, and activists and theorists were galvanized. The Sonny
Bono Copyright Term Extension Act35 and the Digital Millennium Copyright Act36
did a number of things: extended copyright terms, renewed copyrights on some works
that had already fallen into the public domain, and made illegal the circumvention of
digital locks on copyright works (the so-called “anti-circumvention provisions”). But
more important, perhaps, these statutes motivated a number of public-interest groups
in a way that had never occurred before. Up until the passing of this legislation,
corporate interests lobbied for intellectual property expansion without much, if any,
public comment.37 These two statutes changed that. Not only were they widely
recognized as driven entirely by corporate interests—the copyright term extensions
being not-unfairly seen as motivated by Disney’s fear that Mickey Mouse’s first film
32 Id at 968-9.
33 Wendy J. Gordon, A Property Right in Self-Expression: Equality and Individualism in the Natural Law
of Intellectual Property, 102 YALE L.J. 1533 (1993).
34 James Boyle, A Theory of Information: Copyright, Spleens, Blackmail, and Insider Trading, 80 CAL. L.
REV. 1413 (1992).
35 Sonny Bono Copyright Term Extension Act of 1998, Pub. L. No. 105-298, 112 Stat. 2827,
codified at 17 USC § 302(a) (2000).
36 Digital Millenium Copyright Act of 1998, Pub. L. No. 105-304, 112 Stat. 2860, codified at 17
USC § 1201 (2000).
37 See JESSICA L ITMAN , DIGITAL C OPYRIGHT (2001) (detailing the legislative process of
copyright, and noting how it is dominated by commercial interests played off against one
another).
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would soon fall into the greasy hands of the public—but their unanticipated uses, of
the DMCA in particular, drew widespread attention.
By now the horror stories are well-known: a Princeton computer science professor
was threatened with prosecution under the anti-circumvention provisions of the
DMCA if he disclosed research that he and his lab had performed in breaking the
preferred encryption system of the Recording Industry Association of America.38
Since he had performed this study at the behest of the RIAA, this restraint on
research and speech was striking. A Russian computer science student was arrested
while presenting a paper at a conference that demonstrated how his software made it
possible to read Adobe’s digitally-encrypted electronic books.39 He was arrested by
the FBI in Las Vegas, and promptly disappeared. He turned up some time later in a
jail in San Jose, presumably so that the executives from Adobe—whose corporate
headquarters are located there—shouldn’t have too far to travel when testifying
against him.40 Some computer scientists boycotted US computer security conferences
as a result, while others were warned to stay away for fear of being jailed for
discussing computer security.41 By the time that students at Swarthmore College
were threatened with an injunction against posting details of a potential election
scandal with electronic voting machines,42 the message was clear to many civil society
groups. The restrictions on speech, the threat to research and enquiry, the quashing
of dissent, the jailing of researchers: all of Lange’s worst fears and then some were
now realized. But unlike before, the public was starting to notice, and activists began
attacking the intellectual property system.
38 See e.g. Yochai Benkler, Through the Looking Glass: Alice and the Constitutional Foundations of the
Public, 66 L. & CONTEMP. PROBS. 173, 174 (2003); Felten v. RIAA, No. CV-01-2660 (GEB)
(D.N.J. June 26, 2001) available at http://www.eff.org/IP/DMCA/Felten_v_RIAA/
39 Id at 173-4.
40 See http://www.eff.org/IP/DMCA/US_v_Elcomsoft/
41 Will Knight, “Computer Scientists boycott US over digital copyright law,” NEW SCIENTIST,
July 23, 2001, available at http://www.newscientist.com/news/news.jsp?id=ns00001063; Alan
Cox of Red Hat UK Ltd, declaration in Felten v. RIAA, Aug. 13, 2001, available at
http://www.eff.org/IP/DMCA/Felten_v_RIAA/20010813_cox_decl.html; Jennifer 8 Lee,
“Travel Advisory for Russian Programmers,” N.Y. Times at C4, Sept.10, 2001.
42 See http://www.eff.org/legal/ISP_liability/OPG_v_Diebold/
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public domain and the commons environments that allow for creative activity.
Though he is widely considered the leader of the copyright reform movement, many
others have joined the battle on the side of the reformers. Yochai Benkler,43 Siva
Vaidyanathan,44 and others make the case for a significantly more circumscribed
copyright system than we currently enjoy.
Outside of copyright, intellectual property reform is less well known, but no less
important for its obscurity. Patent in particular has been the subject of ever-
increasing scrutiny. Domestically, there has emerged a concern with overbroad
patent grants, as a result of new patent categories and a perception that patents were
not being appropriately scrutinized.45 This is most evident in the flurry of
commentary over the grant of business method patents that seemed self-evident. How
could it be that Amazon could obtain a patent for “inventing” one-click shopping?46
The vast increase in the number of filings of patent applications, and the sense that the
system has failed to weed out unmeritorious claims has lead to civil society responses.
The Public Patent Foundation was created to “represent the public’s interests in the
patent system,” specifically to challenge wrongly issued patents against public policy.47
More recently the Electronic Frontier Foundation announced a process to nominate
the most noxiously-overbroad patents,48 and is now challenging the ten patents which
it identifies as particularly offensive. These include a patent for the transmission and
receipt of digital content via the internet, a patent for telephone calls over the internet,
43 See e.g. Yochai Benkler, Constitutional Bounds of Database Protection, 15 BERKLEY TECH. L.J. 535
(2000); Yochai Benkler, Siren Songs and Amish Children: Autonomy, Information, and Law, 76 N.Y.U.
L. REV. 23, 109-113 (2001); Yochai Benkler, Intellectual Property and the Organization of Information
Production, 22 INT' L REV. L & EC . 81 (2002); Yochai Benkler, Coase's Penguin, or Linux and the
Nature of the Firm, 102 YALE L.J. 369 (2002).
44 SIVA V AIDYANATHAN, COPYRIGHTS AND C OPYWRONGS : THE R ISE OF I NTELLECTUAL
PROPERTY AND H OW IT THREATENS CREATIVITY (New York University Press, 2001); SIVA
VAIDYANATHAN, THE ANARCHIST IN THE LIBRARY (Basic Books, 2004).
45 See, e.g., Rebecca S. Eisenberg, Analyze This: A Law and Economics Agenda for the Patent System, 53
VAND. L. REV. 2081, 2083, 2096-98 (2000) (suggesting a better patent system would be created
by better understanding of economic effects); Mark D. Janis, Patent Abolitionism, 17 BERKELEY
TECH. L.J. 899, 900-904, 930-31, 948-52 (2002) (encouraging different form of patent reform);
Arti Rai, Addressing the Patent Gold Rush: The Role of Deference to PTO Patent Denials, 2 W ASH. U.
J.L. & POL'Y 199, 202, 216, 218 (2000) (arguing for the application of the nonobviousness
requirement and greater deference within the courts to USPTO denials of patents); Kurt M.
Saunders, Patent Nonuse and the Role of Public Interest as a Deterrent to Technology Suppression, 15
H ARV . J.L. & TECH. 389, 397, 451 (2002) (proposing changes in the patent system); John R.
Thomas, The Responsibility of the Rulemaker: Comparative Approaches to Patent Administration Reform,
17 BERKELEY TECH. L.J. 727, 730, 744 (2002) (suggesting better use of the resources to patent
agents to create a better domestic patent system).
46 U.S. Patent No. D431,695 (issued Oct. 3, 2000)
47 Public Patent Foundation website, http://www.pubpat.org/ Greg Ahronian’s “Internet Patent
News” group has been undertaking the same process for some time, though it has a private
orientation and typically acts for affected competitors, see http://www.bustpatents.com/
48 See http://www.eff.org/patent/contest/
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Internationally there has been mounting concern over the damage that the patent
system is doing in developing countries. During the 1990s, the United States
engineered a coup in international intellectual property policy-making. Out went the
specialized-but-impotent World Intellectual Property Organization, and in came the
World Trade Organization, the 800-pound gorilla that oversees free trade policy.50
With this brilliant administrative move the US Trade Representative gained the ability
to strong-arm countries whose intellectual property systems were not aligned with US
interests. If China wanted access to the insatiable US market for plastic toys and
consumer electronics, then it was going to have to enforce US intellectual property
interests in Shenzhen and Guangdong. But while this move lead to a huge uptake in
intellectual property legislation and enforcement around the world, it also
demonstrated the clear injustices in forcing the poor to dance to the rich’s intellectual
property tune. American pharmaceutical manufacturers were widely vilified—they
were even caricatured on “The West Wing”—because they refused to provide drug
therapies for HIV/AIDS in Africa for anything less than their patent-monopoly
controlled price. When Indian companies volunteered to break this monopoly and
manufacture generic knockoffs—thereby saving lives but thumbing their noses at US
patent laws and the US pharmaceutical industry—the USTR threatened India with
trade sanctions at the behest of Big Pharma. All the claims that this made economic
sense, and that drug manufacturers need the monopoly so that they might have
incentives to produce other important drugs—Viagra, for example—rang somewhat
hollow in the ears of the untold millions of people in the developing world who were
dying from AIDS. At the recent international HIV/AIDS conference, French
President Jacques Chirac launched a swingeing attack against US intellectual
property policy, and criticized the US for “blackmailing” developing countries into
giving up their right to produce anti-AIDS drugs.51 And US agricultural chemical
manufacturers are widely reviled for their patents over feed and plant-stock in the
49 Ian Austen, Claiming a Threat to Innovation, Group Seeks to Overturn 10 Patents, N.Y.TIMES, July 5,
2004.
50 General Agreement on Tariffs and Trade (GATT), (also known as "World Trade Organization
Agreement"), Trade Related Aspects of Intellectual Property Rights (TRIPS) agreement,
implemented on Dec. 8, 1994. Uruguay Round Trade Agreements, Pub. L. No. 103-465, 108
Stat. 4814 (approved and entered into force at 19 U.S.C. § 3511 [1994]).
51 Sarah Boseley, Chirac Attacks US drug ‘blackmail’, THE GUARDIAN, July 15, 2004.
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developing world.52
The rise of activism against intellectual property has taken many forms. Various
centers have been established, with names like the “Center for the Creative
Commons,”53 “Center for the Public Domain,”54 and the “Open Knowledge
Network.”55 Political action groups like the Electronic Frontier Foundation and the
ACLU, which previously had been concerned only with online privacy or censorship,
have begun to take an active interest in intellectual property policy.56 And recently
we’ve seen the emergence of student activist groups, like the “Swarthmore Coalition
for the Digital Commons.” Agents-provocateurs like Larry Lessig, Yochai Benkler,
and Eben Moglen pen books and articles equating freedom and autonomy of
individuals with a reform of the intellectual property system. And shot through all of
this is the sense that private property interests here are out of control, and the shared-
commons of our culture is under attack.
This is the nature of the culture war which is currently being waged. Unlike the
conflict between the left and right in US politics which is often called the “culture
war,”57 this isn’t a war between cultures, but a war over our culture. Who owns it, who
controls it, who can use it in future, and how much it will cost? For the first time
since intellectual property began its inexorable expansion there are signs of popular
discontent at just what the private interests had taken from the public.
Looking back at the movement now, this culture war is strongly reminiscent of an
older struggle. A struggle that pits individual and social interests against the
corporate owners of capital, where the issues cohere around who owns the means of
production, and where communal ownership is preferred over private ownership. A
struggle between the haves and the have-nots. This new version of the struggle even
has student activists with slogans on their shirts. The culture war of intellectual
property reform looks a lot like a Marxist class struggle, moved a hundred years
forward, and translating the word “property” into “intellectual property”.
52 See generally Keith Aoki, Neocolonialsim, Anticommons Property, and Bio-Piracy in the (Not-So-Brave)
New World Order of International Intellectual Property Protection, 6 IND. J. GLOBAL LEGAL STUD. 11
(1998).
53 http://creativecommons.org/
54 http://www.centerforthepublicdomain.org/
55 http://www.openknowledge.net/
56 See e.g. http://www.eff.org/issues/copyright/; http://www.eff.org/issues/drm/;
http://www.eff.org/issues/dmca/; http://www.aclu.org/Privacy/Privacy.cfm?ID=12325&c=252
57 See e.g. MORRIS P. FIORINA, CULTURE WAR? THE MYTH OF A POLARIZED AMERICA (2004).
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It’s hard to tell exactly how serious these commentators are when they pull out the
58 LESSIG, FUTURE OF IDEAS, supra note ___, at 6 (“To question assumptions about the scope of
“property” is not to question property. I am fanatically pro-market, in the market’s proper
sphere. I don’t doubt the important and valuable role played by property in most, maybe just
about all, contexts.”); LESSIG, FREE CULTURE, supra note ___, at xv-xvi.
59 Stephen Manes, The Trouble with Larry, F ORBES M AGAZINE , 03/29/04, available at
http://www.forbes.com/columnists/business/global/2004/0329/056.html; Stephen Manes, Let’s
Have Less of L e s s i g , F O R B E S M A G A Z I N E , 04/02/04, available at
http://www.forbes.com/columnists/columnists/2004/04/02/cz_sm_0402manes.html;
60 Stephen Manes, The Trouble with Larry, F ORBES M AGAZINE , 03/29/04, available at
http://www.forbes.com/columnists/business/global/2004/0329/056.html
61 K ARL M ARX & FRIEDRICH E NGELS, THE C OMMUNIST M ANIFESTO (Samuel H. Beer ed.,
Appleton-Century-Crofts, Inc. 1955) (1848).
62 Manes, The Trouble with Larry, supra note ___.
63 Amy Peikoff, Would-Be Intellectual Vandals Get Their Day in the Supreme Court, Ayn Rand Institute,
Oct 8, 2002, available at http://www.aynrand.org/medialink/copyrightlaw.shtml
64 Scott M. Martin, The Mythology of the Public Domain: Exploring the Myths Behind Attacks on the
Duration of Copyright Protection, 36 LOY. L.A. L. REV. 253, 316 (2002).
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“Marxist” libel. They know very well that this sort of accusation is a simple rhetorical
cherry-bomb that makes plenty of noise and smoke, but illuminates little. The
commentators aim is, of course, to paint the intellectual property reformers as both
dangerous and willfully ignorant; the unstated implication is that the reformers desire
a Bolshevik revolution, and probably a Stalinist purge, and moreover they are so out
of touch with reality that they don’t even realize that communism lost the Cold War.
But this use of the “Marxist” tag doesn’t assist our understanding of the intellectual
property reform movement. When organizations like the Ayn Rand Institute indict
the intellectual property reformers as Marxists they implicate only two features of
Marxist-Leninism: the rejection of private property-ownership, and the civil uprising
that Bakunin and Lenin said was necessary to move from capitalism to communism.
But the kind of social reform of intellectual property discussed here—let me call it
“Marxist-Lessigism”—doesn’t involve either of these elements. Lessig, Benkler, and
the many other reformers aren’t modern-day Pierre-Joseph Proudhons: they don’t
claim that “Intellectual Property is Theft,”65 nor do they suggest that revolution is
necessary to undertake the suggested reforms.
The intellectual property lobby has never understood this. For the better part of three
hundred years they expanded their empires, only to find that their encroachment on
the public domain generated the kind of proletarian backlash from the have-notes that
threatens to undermine all that they’ve worked for. Intellectual property industries,
especially those dependent on copyright, continue to push a property-maximizing
agenda. This is most obvious in the response of the movie and music industries to file-
65 Proudhon was a well-known anarchist and communist, and these days is most-known for his
epigram “Property is theft.” See HENRI D E LUBAC, THE UN-MARXIAN SOCIALIST: A STUDY
OF PROUDHON, 174-5 (trans. R. E. Scantlebury; Sheed & Ward, 1948)
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sharing, where they have commenced litigation against their own users,66 introduced
profoundly troubling digital rights management systems,67 and lobbied for ever more
draconic laws against copyright infringers.68 But it is in the rhetoric of the lobbyists
that one can most easily see the modern day reflection of the robber-barons of the
gilded age. Jack Valenti, ur-lobbyist for copyright for innumerable years, personifies
the intellectual property industries’ equivalent to the “running dog of capitalism.” He
has consistently maintained that socially-responsive and constitutionally-mandated
limitations on intellectual property are wrong. “Creative property owners must be
accorded the same rights and protection resident in all other property owners in the
nation…”69 he once told Congress, ignoring not only the concept of fair use and the
role of public domain, but papering over the Constitutional requirement of limited
terms for intellectual property.70 Sonny Bono’s widow, Congresswoman Mary Bono
is well-known for endorsing Valenti’s proposal for an end-run around the
Constitution:
66 See e.g. Peter K. Yu, Music Industry Hits Wrong Note Against Piracy, , Sept. 14, 2003, at 13A
(discussing the RIAA's litigation strategy)
67 See e.g. http://www.eff.org/IP/DRM/
68 Bills currently before the 108th Congress include: Enhancing Federal Obscenity Reporting and
Copyright Enforcement Act, 108 S. 1933 (2003) (proposing DOJ anti-hacking units to
investigate criminal copyright infringement); Piracy Deterrence and Education Act, 108 H.R.
4077 (2004) (proposing fifteen million dollars for information sharing between the FBI and the
Registrar of Copyrights for copyright infringement enforcement, the training and equipping of
DOJ and AG units for copyright enforcement, an education program directed at stamping out
file-sharing, and the provision of congressional condmenation of file-sharing); Protecting
Intellectual Rights Against Theft and Expropriation (PIRATE) Act, 108 S. 2237 (2004)
(providing that the Department of Justice and the US Attorneys Office be charged with the
investigation and prosecution of civil actions against copyright infringers); Inducing
Infringement of Copyright (INDUCE) Act, 108 S. 2560 (making it a crime to aid, abet, or
induce copyright infringement).
69 Home Recording of Copyrighted Works: Hearings on H.R. 4783, H.R. 4794, H.R.4808,
H.R.5250, H.R.5488,and H.R.5705 Before the Subcommittee on Courts ,Civil Liberties, and the
Administration of Justice of the Committee on the Judiciary of the House of Representatives,
97th Cong.,2nd sess.(1982):65 (testimony of Jack Valenti).
70 “The Congress shall have Power…To promote the Progress of Science and useful Arts, by
securing for limited Times to Authors and Inventors the exclusive Right to their respective
Writings and Discoveries”, U.S. Constitution Art 1, §8.
71 Hearings on Sonny Bono Copyright Term Extension Act, House of Representatives, October 07,
1998, Congressional Record, Vol. 144, page H9951. A reading of her other remarks gives no
indication that she is joking.
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The Marxist-Lessigist movement has provided the signal benefit of identifying the
problems that occur with the relentless expansion of intellectual property interests.
Without muscular social welfarist protection of the public domain intellectual
property industries will never voluntarily reduce their expansionary claims. As we’ve
witnessed time and time again, intellectual property rights-holders have always sought
wider property grants, longer terms, and stronger enforcement mechanisms. And
these additional private interests are almost always extracted from the public.72 We
simply cannot expect those who are granted property interests to reduce their
entitlements to accord with social policy. Yet without such limitations the expansion
of intellectual property must eventually lead to a kind of intellectual and cultural
paralysis. There was once a libertarian political theorist called Andrew Galambos,
whose philosophy revolved around property, especially intellectual property.73 He
represents the logical endpoint of intellectual property expansion. Galambos thought
it wrong to use anyone’s ideas without permission and compensation: he believed, for
example, that the inventor of the wheel was due a royalty on every automobile sold.74
He presented lectures advocating this (and other libertarian ideas) and demanded that
his listeners promise that they would never use “his” ideas without his permission. As
one commentator mused, this may be why you’ve never heard of him.75 Galambos
failed to accept that, in order to express his ideas, he must necessarily be
“impermissibly” appropriating the ideas of others. Presumably there is some
uncredited “creator” of the concepts of “property,” “equality” or “liberty;”76
presumably someone should be credited with the observation that sky is blue, or that
the weather is pleasant today; and so on. Galambos spent the latter part of his life
persecuting those whom he thought had appropriated his ideas without
72 See e.g. Mark A. Lemley, Ex Ante Versus Ex Post Justifications for Intellectual Property, 71 U. CHI. L.
REV. 129, 145 (2004) (noting that supra-competitive monopoly rents are not “found money”,
they come from consumer surplus).
73 ANDREW J. GALAMBOS, THE THEORY OF V OLITION, (Ed. Peter N. Sisco, 1999); See Harry
Browne, Andrew Galambos—The Unknown Libertarian, LI B E R T Y , Nov 1997, available at
http://www.harrybrowne.org/articles/Galambos.htm;
74 Harry Browne, Andrew Galambos—The Unknown Libertarian, L IBERTY , Nov 1997, available at
http://www.harrybrowne.org/articles/Galambos.htm.
75 David Friedman, In Defense of Private Orderings: Comments on Julie Cohen’s ‘Copyright and the
Jurisprudence of Self-Help’, 13 BERK. TECH. L. J. 1151, n52 (1998).
76 Galambos apparently believed that Thomas Paine invented the concept of liberty, and dropped a
nickel into a box every time he used the word. See N. Stephan Kinsella, Against Intellectual
Property, 15 J. LIBERTARIAN S TUD . 1, 9 (Spring 2001). History is silent as to whether he
remitted the moneys to Paine’s heirs and assigns.
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However recognizing the reform movement as Marxist does expose some important
features of the intellectual property system, that otherwise go unrecognized. First, it
is clear that intellectual property reform is a conflict with significant class-struggle
components. The Marxist “class warfare” can be recast as Marxist-Lessigist “culture
warfare,” since it axiomatic that there are intellectual property-haves and intellectual
property-have-nots. In a world where the means of production is increasingly
controlled by intellectual property, the same dynamic that lead to the Winter
Revolution of 1917 could happen again. However the majority of the intellectual
property have-nots are in the developing world, which is why the globalization debate
so foten implicates intellectual property. Any Marxist-Lessigist revolution therefore is
likely to be mediated through the cordon sanitaire of international trade, and the World
Trade Organization. The prospect of intellectual property-induced violence, at least
in the US, is unlikely. But it has happened elsewhere. In 1993, five hundred-
thousand Indian farmers protested outside the offices of a private firm which had been
granted a patent over derivatives of the neem seed, a staple of Indian farming.79 The
protest took place on Gandhi’s birthday, and so, perhaps, it is unsurprising that the
protest was peaceful. But in an era when anti-globalization demonstrations are often
violent, it is unclear whether Marxist-Lessigist protests against intellectual property
expansion will always pass without bloodshed.
Beyond the class struggle elements, Marxist ideology does explain some features of
77 Harry Browne, Andrew Galambos—The Unknown Libertarian, L IBERTY , Nov 1997, available at
http://www.harrybrowne.org/articles/Galambos.htm;
78 See e.g. N. Stephan Kinsella, Against Intellectual Property, 15 J. LIBERTARIAN S TUD . 1, 9 fn31
(Spring 2001) (“It is difficult to find published discussions of Galambos’s idea, apparently
because his own theories bizarrely restrict the ability of his supporters to disseminate them”);
JEROME TUCCILLE, IT USUALLY BEGINS WITH AYN RAND, 69–71 (1971).
79 See Keith Aoki, Neocolonialsim, Anticommons Property, and Bio-Piracy in the (Not-So-Brave) New World
Order of International Intellectual Property Protection, 6 IND. J. GLOBAL LEGAL STUD. 11, 53 (1998).
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our unthinking acceptance of intellectual property interests. Perhaps even more than
physical property, copyrights and patents demonstrate all the characteristics of
Marxian “commodity fetishism.”80 Marx borrowed the concept of “fetishism” from
anthropology, where it refers to beliefs that spiritual powers inhere in inanimate
things. Marx suggested that a commodity remains simple provided it is tied to its
“use-value” that is, the value we place in its use. When wood is turned into a table
through labor, we can readily discern its use-value since its value in use is evident.
But once the table “emerges as a commodity, it changes into a thing which transcends
sensuousness.”81 Within a capitalist society we treat commodities as if value inhered
in the objects themselves, rather than in the amount of real labor expended to produce
the object. We thus imbue the commodity with the same sort of power as animistic
religions imbue totems; hence the term “commodity fetishism.” And since we live
within a system that is based on free-market exchange of the commodity, the value
that we place on the commodity is not its use-value but its “exchange-value.” Marx
objected to the privileging of the exchange-value of the object over its use-value for a
number of reasons, but most importantly here, because it deleted the social-
relationship that determined the creation of the object, and in doing so deleted the
worker’s contribution.
Commodity fetishism in copyrights and patents explains at least one feature of the
intellectual property system. There is the curious way that rights-holders claim moral
entitlement to the entire value of “their property.” This has been derided by scholars
as “if value, then right”: they object to the argument that the mere presence of some
excess surplus value in an intellectual property commodity is enough to provide
adequate justification for extending the grant of right.82 Of course, in the minds of
those who “own” the intellectual property commodity, the fact that it eventually falls
into the public domain, or the property grant might come with fair use limitations
appears completely unfair.83 It fails to accord with the expectations about property
that commodity fetishism induces. The property is mine and it’s mine forever.
80 K ARL M ARX , C APITAL : A CRITIQUE OF P OLITICAL E CONOMY . Vol. 1., 163, (Trans. Ben
Fowkes, 1990).
81 Id.
82 See e.g. Felix Cohen, Transcendental Nonsense and the Functional Approach, 35 COLUM. L. REV. 809,
815 (1935) (“The vicious circle inherent in this reasoning is plain. It purports to base legal
protection upon economic value, when, as a matter of actual fact, the economic value of a sales
device depends upon the extent to which it will be legally protected.”); Mark A. Lemley, Ex Ante
Versus Ex Post Justifications for Intellectual Property, 71 U. CHI . L. RE V. 129 (2004) (providing
economic arguments for rejecting such claims).
83 See Valenti, supra note ___.
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The conclusion to all of this is simple: that while Marx provides some of the impetus
for the intellectual property reform movement, and certainly can be used to explain
features of intellectual property reform, the movement itself is not revolutionary, and
is not poised to introduce intellectual property communism anytime soon. Capitalism
is safe, at least as far as the basic intellectual property reform movement is concerned.
Beyond this, the expansion of intellectual property and the emergence of Marxist-
Lessigism is fascinating in two ways. Not only does it guarantee that the public will
have a voice in future intellectual property policy-making, but it has created a new
kind of student movement that is one of the more active political movements on
campuses these days. Of course this is not to say that they are particularly violent.
The resistance they plan involves little bloodshed. Online sit-ins against intellectual
property expansion; protests against prosecution of file-sharers. Maybe the most
militant will undertake denial of service attacks on the MPAA website. It’s not
exactly the riots of the soixante-huitards or the bombing campaign of the Weathermen.
But this movement promises a more socially-conscious intellectual property system,
and is one that can be achieved without revolution or bloodshed.
However focusing just on Marxist-Lessigism misses the most interesting battles of the
culture war. The greatest irony in this war is that the attention on the limited
criticisms of the intellectual property reformers and public domain theorists masks the
genuine Marxian revolution that is occurring. Marx couldn’t have foreseen the
internet, but, at least so far as creative endeavor is concerned, the net may yet deliver
something like the workers’ paradise that he envisioned.
-III-
The exploitation of the author is coded deep within the copyright system.84 Indeed it’s
accurate to suggest that the creator of imaginative cultural artifacts has been
dependent on the largesse of Capital for much of recorded history. Prior to the
development of the printing press and the industrialization of content, this exploitation
took pre-modern, typically feudal forms.85 So it was that from Roman times through
84 And the patent system. For the sake of simplicity, the account here will focus on copyright, but
patent law is no different. Individual inventors typically don’t have the capital to exploit their
invention or idea, and so sell or license their patent to the capitalist.
85 Note, Exploitative Publishers, Untrustworthy Systems, and the Dream of a Digital Revolution for Artists,
114 HARV. L. REV. 2438, 2439-2442 (2001).
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until early in the Eighteenth Century the artist or author relied on a wealthy patron of
the arts for material support. The concept of patronage was well-established in
Ancient Rome,86 migrated virtually intact into medieval and Renaissance Europe,87
and was familiar until the commercialization of content in the Victorian era.88 The
power balance in this relationship was, of course, strongly in favor of the patron. 89 As
book and movie representations are fond of reminding us, visual artists like
Michaelangelo,90 Orazio Gentileschi,91 and Johannes Vermeer92 all had fractious
relationships with their wealthy patrons, who were wealthy private individuals or
representatives of the church. And literary figures such as Samuel Johnson
documented the indignities and abuses inherent in the power imbalance.93
The introduction in 1710 of the Statute of Anne changed the relationship, but hardly
affected the relative power of the artist/author. Instead—as is true in the intellectual
property system today—control was passed from the patron to the publisher or
printer or bookseller. The fact that the Statute of Anne effectively granted economic
control to a publishing intermediary is remarkable, for the act predates (by nearly 100
years) the development of the modern Western state and the installation of capitalism
as the dominant political and economic philosophy. Yet in this first copyright act we
can see the basic capitalist form of the artist-publisher relationship established: rights
are nominally granted to the author but are automatically assumed by publishers
through the “neutral” operation of the market. Nearly 150 years before Marx and
Engels wrote The Communist Manifesto, the fundamental pattern was set. Authors,
artists and creators were granted control over the product of their endeavors; but the
86 T.P. Wiseman, Pete Nobiles Amicos: Poets and Patrons in Late Republican Rome, in LITERARY AND
ARTISTIC PATRONAGE IN ANCIENT ROME 28, 28-31 (Barbara K. Gold ed., 1982) (detailing the
patronage system in Ancient Rome)
87 Paul Edward Geller, Copyright's History and the Future: What's Culture Got To Do with It?, 47 J.
COPYRIGHT SOC'Y U.S.A. 209, 223 (2000)
88 DUSTIN GRIFFIN, LITERARY PATRONAGE IN ENGLAND 1650-1800 (1996)
89 The power balance also ensured that the cultural expectations of the aristocracy were
maintained, and thereby provided an effective censorship mechanism against sedition or other
transgressive publications. See Griffin, supra note ___ at 23.
90 See e.g. The Agony and the Ecstacy, (Dir: Carol Reed, 1965).
91 See e.g. Artemesia, (Dir: Agnès Merlet, 1997).
92 See e.g. TRACY CHEVALIER, GIRL WITH THE PEARL EARRING (2001); Girl with the Pearl Earring
(Dir: Peter Webber, 2003).
93 The Earl of Chesterfield sought the dedication of Johnson’s dictionary as it was about to be
published. Johnson replied that the function of a patron is not to watch unconcerned at the
drowning man, only to “encumber him with help” once he reached land. See Letter from Samuel
Johnson to the Earl of Chesterfield (Feb. 1755), in JAMES BOSWELL, L IFE OF J OHNSON 184,
185 (R.W. Chapman ed., rev. ed., 1970) (1791).
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reality of the capitalist marketplace and the expense of producing and disseminating
these endeavors meant that effective control was almost always in the hands of the
capitalist.94 The structural contours of intellectual property conform neatly to the
Marxian archetype of worker alienation from his or her work product at the hands of
Capital.
This account is, of course, another way of stating the conclusion of the previous part:
for all that Marxist-Lessigism appears to be challenge intellectual property interests, it
does so in a remarkably circumscribed manner, that leaves the capitalist core of
copyright and patent unaffected. If authors, creators and inventors operate within the
copyright and patent systems—even one altered by Marxist-Lessigism—then they
must accept the capitalist basis of the relationship. However there is now a social
movement that bypasses the typical intellectual property system, and which rejects the
philosophical basis of copyright and patent. This is the open source movement.95
Unlike the Marxist-Lessigist copyright reform movement, the open source movement
genuinely involves the transfer of the means of cultural and creative production from
capital to the worker. “Open source” involves the free distribution of creative content,
where others are free to use, copy, and alter the content.96 It is commonly thought to
be limited to computer software: the Linux operating system that was created by
untold thousands of programmers, and which is freely distributed on the
understanding that others might amend, fix, improve and extend it.97 But while
software might be the paradigmatic example of open source, the revolution it promises
reaches far beyond software. The most important newspaper in South Korea is
Ohmynews, whose motto is “Every Citizen is a Reporter.”98 Ohmynews hires no
reporters and it relies wholly on individual contributions of news stories by its readers.
94 See e.g Note, Exploitative Publishers, Untrustworthy Systems, and the Dream of a Digital Revolution for
Artists, 114 H ARV. L. REV. 2438, 2442 (2001) (noting how under the Statute of Anne authors
routinely traded away their rights for a pittance). Over time this dynamic hasn’t changed. See
e.g. Zechariah Chafee Jr, Reflections on the Law of Copyright, 45 COLUM. L. REV . 505 (1945)
(“Often neither the author nor his family own the copyright. It belongs to the publisher… Then
is not the talk of helping authors just a pretense?”)
95 In referring to “open source” I will conflate a number of movements that claim to be distinct from
each other, most notably “open source,” “free software,” and “copyleft.” While each of these have
differences in minutiae, these are largely irrelevant, at least for the purposes of the discussion
here. For an account of the distinctions see Jonathan Zittrain, Normative Principles for Evaluating
Free and Proprietary Software, 71 U. CHI. L. REV. 265, 268-74 (2004).
96 See e.g. GNU project, Free Software Definition, http://www.gnu.org/philosophy/free-sw.html;
Debian Project, Debian Free Software Guidelines,
http://www.debian.org/social_contract.html#guidelines; Open Source Initiative, Open Source
Definition, http://www.opensource.org/docs/definition.php
97 See Linux Online, http://www.linux.org/
98 See http://www.ohmynews.com;
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99 Leander Kahney, Citizen Reporters Make the News, W I R E D , May 17, 2003,
http://www.wired.com/news/culture/0,1284,58856,00.html; Collision Detection blog entry,
http://www.collisiondetection.net/mt/archives/000365.html#000365; Daniel Cooney, Influential
South Korean Internet site uses ``citizen reporters'' to cover news, SFGATE .C O M, May 13, 2003,
http://www.sfgate.com/cgi-
bin/article.cgi?f=/news/archive/2003/05/13/international0144EDT0417.DTL
100 Wikipedia, http://en.wikipedia.org
101 Wikipedia, “Distributed Proofreaders”, http://en.wikipedia.org/wiki/Distributed_Proofreaders
102 http://www.gutenberg.net/
103 According to the Pew Research Center, 21% of Internet users have posted photographs to Web
sites, 17% have posted written material on Web sites, and 2% maintain weblogs. If one estimates
the total number of North American Internet users in 2004 at 200 million, this means
approximately 40 million North Americans have posted writing and images on the Internet, and
approximately 4 million are maintaining weblogs, see Pew Internet Project, CO N T E N T
C REATION O N L I N E , available at
http://www.pewinternet.org/reports/pdfs/PIP_Content_Creation_Report.pdf
104 Dan Hunter and F. Gregory Lastowka, Amateur-to-Amateur ___ W M & MARY L. REV . ___
(forthcoming 2005).
105 Dan Hunter and F. Gregory Lastowka, Amateur-to-Amateur ___ W M & MARY L. REV . ___
(forthcoming 2005).
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longer dependent on the highly-capitalized publisher, record label, or movie studio for
selection and promotion of content. As a consequence we can predict a flowering of
“open source” content directly from the creators to the users of the content. The
highly-capitalized intermediaries are no longer necessary for the creation, production,
dissemination, and use of culturally-significant content.
This represents a paradigm shift in the nature of content, and the rôle copyright plays
in the production of content. Though Microsoft recognizes Linux as a threat to
Windows,106 it is easy to miss the truly revolutionary nature of this type of cultural
production. But as Eben Moglen has noted, it is revolutionary because it
demonstrates that if you give people the opportunity to create then they will do so,
even without economic incentives.107 The standard justification of intellectual
property, the reason that it’s supposed to exist at all, is that without intellectual
property interests no-one would have any reason to produce cultural, creative
content.108 Any creator would undertake a rational calculus, recognize they will get
nothing without property rights in their intellectual activities, and go off to become a
tax attorney. But the open source movement shows that this fundamental justification
simply doesn’t hold: many people will produce creative content even outside what we
can think of as the capitalist underpinnings of intellectual property. It’s a small step to
go from this to a Marxian revolution: the open source movement promises to put the
means of creative production back in the hands of the people, not in the hands of those
with capital. No longer will the creative worker be alienated from her work product
by the control that capital exerts.
Moglen sees this clearly: he recently wrote up an open source encomium called the
dotCommunist Manifesto, where he recast the fundamentals of the communist creed into
this new, peer-to-peer era.109 But in fact Marx needs little translation, since many of
his thoughts about problems with capitalism speak to us directly today. As regards
the open source movement, consider Marx’s Critique of Political Economy:
106 The so-called “Halloween Memo” within Microsoft is an internal strategy memorandum on
Microsoft's possible responses to the Linux/Open Source phenomenon, and discloses the degree
of concern Microsoft has with the open source movement. See
http://www.opensource.org/halloween/halloween1.php
107 Eben Moglen, Anarchism Triumphant: Free Software and the Death of Copyright, in Niva Elkin-Koren
and Neil Weinstock Netanel (eds), THE COMMODIFICATION OF INFORMATION (2002), 107,
112 (arguing that it’s an emergent property of connected people that they will create content
without economic incentives).
108 The incentive story is the fundamental justification of the copyright system. See e.g. Mazer v
Stein, 347 US 201, 219 (1954) (“The economic philosophy behind the clause empowering
Congress to grant patents and copyrights is the conviction that encouragement of individual
effort by personal gain is the best way to advance public welfare.”)
109 Available at http://emoglen.law.columbia.edu/publications/dcm.html
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The development of the general purpose computer, the internet, and software-based
means of communicating individual preferences means that the content industries of
copyright in particular are facing a genuine Marxian revolution. Their assumptions
about the role of intellectual property have turned into their fetters.
It is not an accident that the open source movement and Marxist-Lessigist IP reform
have occurred at the same time; nor is it a coincidence that Lessig is one of the most
prominent advocates of open source mechanisms through the Center for the Creative
Commons.111 Open source software demonstrated—for the first time on a large
scale—that the incentive justification for intellectual property just wasn’t true once
you put the means of creative endeavor and the means of dissemination in the hands of
individuals. So, when the corporate-controlled intellectual expansions came about,
programmers weaned on open source code no longer bought the arguments of the
corporations that these new interests were necessary for innovation and progress to
continue.
This lesson has been extraordinarily profound. In fact it signaled, I think, a change in
the thinking about how various resources should be allocated.112 Within the capitalist
system, property has almost always been seen to be the best way to allocate resources.
Long before the efficiency justifications of economists like Coase113 and Demsetz,114
private property has been the default position for resource allocation. But at the same
time as the open source movement provided a Marxian challenge for copyright, a
number of cyberlaw domains were succumbing to arguments that private property
wasn’t necessarily the best way of structuring entitlements, or dealing with the
regulatory challenges that follow from these entitlements. The two most obvious
examples are in spectrum allocation and in regulating internet communications, both
110 KARL MARX, A CONTRIBUTION TO THE CRITIQUE OF POLITICAL ECONOMY 12-13 (N.I. Stone
trans., Charles H. Kerr & Co. 1904) (1859).
111 http://www.creativecommons.org. See e.g. Robert P. Merges, A New Dynamism in the Public
Domain, 71 U. CHI. L. REV. ___, 14-17 (2004) (detailing the mechanism by which the Creative
Commons licenses operate and the overall significance of the Creative Commons project).
112 I don’t mean to suggest that the open source movement necessarily lead to, or even pre-dated, the
movement to commons in telecommunication spectrum allocation or the end-to-end principle.
They all developed at roughly the same time and it would be a futile exercise to try to parse out
the various influences of each on the other.
113 R.H. Coase, The Nature of the Firm , 4 ECONOMICA 386 (1937).
114 Harold Demsetz, Toward a Theory of Property Rights, 57 Am. Econ. Rev. 347 (1967)
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115 See Kevin Werbach, Supercommons: Towards a Unified Theory of Wireless Communications, 82 TEX. L.
REV. 863, 867-8 (2004).
116 Id at 868-71.
117 See e.g Arthur S. De Vany, A Property System for Market Allocation of the Electromagnetic Spectrum: A
Legal-Economic-Engineering Study, 21 STAN. L. REV. 1499, 1512 (1969) (first advocating the
management of the spectrum by private property entitlements); HARVEY J. LEVIN , TH E
I NVISIBLE R ESOURCE U SE AND R EGULATION OF THE R ADIO S PECTRUM 26–39 (1971)
(examining the economic characteristics of spectrum); Jora R. Minasian, Property Rights in
Radiation: An Alternative Approach to Radio Frequency Allocation, 18 J.L. & ECON. 221, 232 (1975)
(detailing the necessary property rights in spectrum); Thomas W. Hazlett, The Wireless Craze, the
Unlimited Bandwidth Myth, the Spectrum Auction Faux Pas, and the Punchline to Ronald Coase’s “Big
Joke”: An Essay on Airwave Allocation Policy, 14 HARV. J.L. & TECH. 335, 405 (2001) (attacking
spectrum commons theories and advocating private property interests); Lawrence J. White,
“Propertyzing” the Electromagnetic Spectrum: Why It’s Important, and How to Begin, MEDIA L. &
POL’Y, Fall 2000, at 19, 20 (advocating that the current system of licenses to use the spectrum
be converted into a property rights system of ownership); Pablo T. Spiller & Carlo Cardilli,
Towards a Property Rights Approach to Communications Spectrum, 16 YALE J. ON REG. 53, 82
(1999) (asserting that the government should designate spectrum as property); Thomas Hazlett,
Spectrum Flash Dance: Eli Noam's Proposal for "Open Access" to Radio Waves, 41 J.L. & ECON. 805
(1998) (criticizing Eli Noam’s approach to spectrum commons); Gerald R. Faulhaber & David
Farber, Spectrum Management: Property Rights, Markets, and the Commons, in RETHINKING
RIGHTS AND REGULATIONS: INSTITUTIONAL RESPONSES TO NEW
COMMUNICATION TECHNOLOGIES 193, 194 (2003) (arguing that “a legal regime rooted
in property rights…can simultaneously support both private markets and a commons”).
118 See Yochai Benkler, Overcoming Agoraphobia: Building the Commons of the Digitally Networked
Environment, 11 HARV. J. L. & TECH. 287 (1998); Eli Noam, Spectrum Auctions Yesterday's Heresy,
Today's Orthodoxy, Tomorrow's Anachronism: Taking the Next Step to Open Spectrum Access, 41 J.L. &
ECON. 765 (1998); LESSIG, FUTURE OF I DEAS, supra note ___; NOBUO IKEDA & LIXIN
YE, SPECTRUM BUYOUTS: A MECHANISM TO OPEN SPECTRUM (RIETI Discussion
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source movement. They suggested that spectrum needn’t be treated like physical
property. The introduction of technologies like “spread spectrum” transceivers and
smart radio means that individuals can use multiple parts of the spectrum without
interfering with others’ use of the same parts of the spectrum.119 This means that
there is no spectrum shortage that we would normally assume needed to be allocated
through private property entitlements. Indeed, say these scholars, we have the
opportunity to build a spectrum commons, freely available to all and unencumbered
by the transactions costs, hold-outs, and challenges to democracy that ownership of
the means of communication necessarily entails.
Like the Marxist-Lessigists of intellectual property reform, these theorists are quick to
distance themselves from charges that they are communists.120 They suggest, for
example, that property rights do exist here, it’s just that these property rights inhere in
the wireless devices that transmit and receive. But these suggestions are, with all due
respect, largely illusory, and seem to be advanced so as not to spook the horses of
capitalism. A commons of any sort is inherently Marxian, even if other types of
private property rights still operate within the commons. If I graze my sheep on a
public commons, my private property rights in the sheep are not implicated in the
public property rights in the commons. So while the spectrum commons scholars are
not advocating a Marxian position in respect of all property, they certainly are
adopting a Marxian position in respect of spectrum.
Moreover, it clear that those who criticize their positions do so in large part because of
the commodity fetishism that property creates. The arguments against spectrum
commons are largely based on the idea that tragedies of the spectrum commons will
inevitably occur, and the only way to avoid this is to use the orthodox approach of
private ownership. But the specter of the tragedy of the spectrum commons is amply
refuted by the spectrum commons theorists.121 And one of the reasons that the private
spectrum scholars seem unwilling to accept this is because the prospect of property in
spectrum induces commodity fetishism, and an incorrect privileging of the exchange-
value that spectrum owners would possess over the use-value of having free access to
the spectrum for all. Thus, the debate over spectrum allocation can, in some part at
least, be framed in Marxian terms.
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Finally, aside from the issues discussed above—intellectual property reform, open
source opportunities, and spectrum commons—the regulation of internet
communications also appears as a debate between Marx and markets. Though each of
the servers, cables, wires, and other individual components of the internet are
privately owned, the internet as a whole demonstrates strong commons
characteristics.122 Thus, challenges to the operation of the entire network by
individual owners of the components affect the communal activity of all net users.
Thus, the creation of a “cybertrespass” tort or the civil use of criminal hacking
legislation—which has the potential to rope off parts of the public network and turn
them private—spurs an argument about the implications of this to the commons.123
The core of this debate is whether we need to have a conception of online public
spaces, and what this might mean for our society as a whole. While this is by no means
a “movement,” since there are relatively few scholars involved in the argument,124 it
ties in with a broader challenge to the architecture of the internet, identified by Mark
Lemley and Larry Lessig (again).125 The net is based around a principle called “end-
to-end,” that is, the principle that all network traffic is handled the same, and no-one
regulates the nature of the applications which can be connected to the network. End-
to-end means that new programs and protocols can be invented for the network
without having to go through centralized validation processes. Moreover the packets
transmitted by these applications won’t be discriminated against as having less value
than, say, deep-pocketed television transmissions. Various interests have sought to
overturn the end-to-end principle, for various reasons. But as Lessig and Lemley
demonstrate, the commons that is created when one has the neutral network
mechanism of end-to-end leads to extraordinary innovations like email, the worldwide
web, and more.126
-28-
CULTURE WAR
The arguments in cybertrespass and the end-to-end principle are much like the
arguments presented by those working in the movements identified above: that it is
the absence of proprietary rights that produces the flourishing of creativity we have
seen on the net. And that, if we adopt a Marxian position, one day we might see the
same sort of flourishing of creativity more broadly in intellectual property, or in
wireless communication, or in society in general.
-IV-
Not every feature of intellectual property or cyberlaw becomes clear when viewed
through the Marxian lens. One might think, for example, that trademark and
associated rights would be the subject of Marxist critique, since it is so central to the
protection and perpetuation of corporate imagery. However little sustained attack has
been made on trademark, or upon rights of publicity. A few commentators take aim at
them from time, but one can’t say that there is any kind of movement in this area.127
So it’s not intellectual property as such that generates the Marxist backlash, but rather
the particular convergence of corporate interests against public interests. This is most
obvious in the battles fought over copyright and patent, in what I’ve characterized
above as the Marxist-Lessigist challenge to intellectual property expansion. And as
indicated, this is not really a Marxist argument, though it is one that motivates student
activists and energizes a large number of intellectual property reformers. But away
from the zeal of the student activists a real Marxian revolution is taking place, in areas
like open source content creation, spectrum allocation, and internet regulation.
Oddly, the revolutionaries generally don’t recognize themselves as such: they’re just
open source programmers, “citizen journalists,” bloggers, scholars. But these
revolutionaries promise to upend the intellectual property system because they are
creating things for the sake of curiosity, or for the approbation of their peers, or
because it’s fun. The open source challenge to intellectual property began with
software, but is moving outwards into all types of cultural material: newspapers,
magazines, commentary, music, even movies. Yochai Benkler calls this the peer
127 See e.g. Rosemary Coombe & Andrew Herman, Trademarks, Property, and Propriety: The Moral
Economy of Consumer Politics and Corporate Accountability on the World Wide Web, 50 DEPAUL L. REV.
597 (2000); Anaupam Chander, The New, New Property, 81 TEX. L.REV 715 (2002).
-29-
[PUBLIC BETA V.1.2 | NON-CANONICAL AUGUST 10, 2004]
We should all care about the outcome of the battle between SCO and IBM, just as we
should care about the outcome of all of the battles described above. The culture war
may be Marxist in some senses, but only because it is ultimately about the degree of
autonomy we accord to individuals to create.130 Though Lessig calls his latest book
Free Culture, the culture he seeks to defend is made up of individual creators. It is not
a monolithic state at the heart of the culture wars, but rather the individual creators
who built the web, made Linux, seek to re-use copyright content, and so on.
Marxism isn’t about society against the individual, but seeks to put the individual first,
allowing him or her access to the aspects of life that make them complete. The
Marxist critique of capitalism is that capital alienates the person from those things that
matter. So the Marxist interpretation of the culture war is this: to what extent are we
happy with corporate intellectual property owners gaining control over the
mechanisms of creative activities. To what extent do we want individuals to take
128 Yochai Benkler, Coase's Penguin, or Linux and the Nature of the Firm, 102 YALE L.J. 369, 375
(2002).
129 Jim Kerstetter, SCO's Suit: A Match Made in Redmond? BUSINESSWEEK ONLINE, March 11, 2004,
available at
http://www.businessweek.com/technology/content/mar2004/tc20040311_8915_tc119.htm
130 See Benkler, Through the Looking Glass, supra note ___ at 187-95.
-30-
CULTURE WAR
In the end this is why the culture war is a Marxist war. And this is why it matters that
we understand the stakes in the struggle between IBM and SCO, the struggle over
the wireless and internet commons, the struggle between Mickey Mouse and the
Marxist-Lessigists. The culture war isn’t a battle between state-sponsored
communism and individuals. It’s about what level of autonomy do we allow
individuals to express themselves. With so much at stake, we shouldn’t be surprised if
each side sees this as a war to the death.
-31-
Culture war
A culture war is a cultural conflict between social groups and the
struggle for dominance of their values, beliefs, and practices.[1] It
commonly refers to topics on which there is general societal
disagreement and polarization in societal values.
Contents
History
Etymology
United States
1920s–1980s: Origins
1991–2001: Rise in prominence
2001–2014: Post-9/11 era
2014–present: Broadening of the culture war
Criticism and evaluation
Validity
Artificiality or asymmetry
Canada
Australia
Africa
China
United Kingdom
Europe
See also
Drugs
Education and parenting
Environment and energy
Gender and sexuality
Law and government
Life issues
Society and culture
References
Further reading
External links
History
Etymology
The term culture war is a loan translation (calque) of the German Kulturkampf ('culture struggle'). In
German, Kulturkampf, a term coined by Rudolf Virchow, refers to the clash between cultural and religious
groups in the campaign from 1871 to 1878 under Chancellor Otto von Bismarck of the German Empire
against the influence of the Roman Catholic Church.[3] The translation was printed in some American
newspapers at the time.[4]
United States
1920s–1980s: Origins
In American usage, "culture war" may imply a conflict between those values considered traditionalist or
conservative and those considered progressive or liberal. This usage originated in the 1920s when urban
and rural American values came into closer conflict.[5] This followed several decades of immigration to the
States by people who earlier European immigrants considered 'alien'. It was also a result of the cultural
shifts and modernizing trends of the Roaring '20s, culminating in the presidential campaign of Al Smith in
1928.[6] In subsequent decades during the 20th century, the term was published occasionally in American
newspapers.[7][8]
James Davison Hunter, a sociologist at the University of Virginia, introduced the expression again in his
1991 publication, Culture Wars: The Struggle to Define America. Hunter described what he saw as a
dramatic realignment and polarization that had transformed American politics and culture.
He argued that on an increasing number of "hot-button" defining issues—abortion, gun politics, separation
of church and state, privacy, recreational drug use, homosexuality, censorship—there existed two definable
polarities. Furthermore, not only were there a number of divisive issues, but society had divided along
essentially the same lines on these issues, so as to constitute two warring groups, defined primarily not by
nominal religion, ethnicity, social class, or even political affiliation, but rather by ideological world-views.
Hunter characterized this polarity as stemming from opposite impulses, toward what he referred to as
Progressivism and as Orthodoxy. Others have adopted the dichotomy with varying labels. For example,
Bill O'Reilly, a conservative political commentator and former host of the Fox News Channel talk show
The O'Reilly Factor, emphasizes differences between "Secular-Progressives" and "Traditionalists" in his
2006 book Culture Warrior.[9][10]
Historian Kristin Kobes Du Mez attributes the 1990s emergence of culture wars to the end of the Cold War
in 1991. She writes that Evangelical Christians viewed a particular Christian masculine gender role as the
only defense of America against the threat of communism. When this threat ended upon the close of the
Cold War, Evangelical leaders transferred the perceived source of threat from foreign communism to
domestic changes in gender roles and sexuality.[11]
A month later, Buchanan characterized the conflict as about power over society's definition of right and
wrong. He named abortion, sexual orientation and popular culture as major fronts—and mentioned other
controversies, including clashes over the Confederate flag, Christmas, and taxpayer-funded art. He also said
that the negative attention his "culture war" speech received was itself evidence of America's
polarization.[14]
The culture war had significant impact on national politics in the 1990s.[15] The rhetoric of the Christian
Coalition of America may have weakened president George H. W. Bush's chances for re-election in 1992
and helped his successor, Bill Clinton, win reelection in 1996.[16] On the other hand, the rhetoric of
conservative cultural warriors helped Republicans gain control of Congress in 1994.[17]
The culture wars influenced the debate over state-school history curricula in the United States in the 1990s.
In particular, debates over the development of national educational standards in 1994 revolved around
whether the study of American history should be a "celebratory" or "critical" undertaking and involved
such prominent public figures as Lynne Cheney, the late Rush Limbaugh, and historian Gary Nash.[18][19]
A political view called neoconservatism shifted the terms of the debate in the early 2000s.
Neoconservatives differed from their opponents in that they interpreted problems facing the nation as moral
issues rather than economic or political issues. For example, neoconservatives saw the decline of the
traditional family structure as a spiritual crisis that required a spiritual response. Critics accused
neoconservatives of confusing cause and effect.[20]
During the 2000s, voting for Republicans began to correlate heavily with traditionalist or orthodox religious
belief across diverse religious sects. Voting for Democrats became more correlated to liberal or modernist
religious belief, and to being nonreligious.[21] Belief in scientific conclusions, such as climate change, also
became tightly coupled to political party affiliation in this era,
causing climate scholar Andrew Hoffman to observe that climate
change had "become enmeshed in the so-called culture wars."[22]
Topics traditionally
associated with culture war
were not prominent in
media coverage of the 2008
election season, with the
exception of coverage of
vice-presidential candidate 43rd President George W. Bush,
Sarah Palin,[23] who drew Donald Rumsfeld, and Paul
attention to her Wolfowitz were prominent
Rally for Proposition 8, an item on conservative religion and neoconservatives of the 2000s.
the 2008 California ballot to ban created a performative
same-sex marriage climate change denialism
brand for herself.[24] Palin's defeat in the election and subsequent
resignation as governor of Alaska caused the Center for American
Progress to predict "the coming end of the culture wars," which they attributed to demographic change,
particularly high rates of acceptance of same-sex marriage among millennials.[25]
While traditional culture war issues, notably abortion, continue to be a focal point,[26] the issues identified
with culture war broadened and intensified in the mid-late 2010s. Journalist Michael Grunwald says that
"President Donald Trump has pioneered a new politics of perpetual culture war" and lists the Black Lives
Matter movement, U.S. national anthem protests, climate change, education policy, healthcare policy
including Obamacare, and infrastructure policy as culture war issues in 2018.[27] The rights of transgender
people and the role of religion in lawmaking were identified as "new fronts in the culture war" by political
scientist Jeremiah Castle, as the polarization of public opinion on these two topics resemble that of previous
culture war issues.[28] In 2020, during the COVID-19 pandemic, North Dakota governor Doug Burgum
described opposition to wearing face masks as a "senseless" culture war issue that jeopardizes human
safety.[29]
This broader understanding of culture war issues in the mid-late 2010s and 2020s is associated with a
political strategy called "owning the libs." Conservative media figures employing this strategy, prominently
Ben Shapiro, emphasize and expand upon culture war issues with the goal of upsetting liberal people.
According to Nicole Hemmer of Columbia University, this strategy is a substitute for the cohesive
conservative ideology that existed during the Cold War. It holds a conservative voting bloc together in the
absence of shared policy preferences among the bloc's members.[30]
A number of conflicts about diversity in popular culture occurring in the 2010s, such as the Gamergate
controversy, Comicsgate and the Sad Puppies science fiction voting campaign, were identified in the media
as being examples of the culture war.[32] Journalist Caitlin Dewey described Gamergate as a "proxy war"
for a larger culture war between those who want greater inclusion of women and minorities in cultural
institutions versus anti-feminists and traditionalists who do not.[33] The perception that culture war conflict
had been demoted from electoral politics to popular culture led writer Jack Meserve to call popular movies,
games, and writing the "last front in the culture war" in 2015.[34]
These conflicts about representation in popular culture re-
emerged into electoral politics via the alt-right and alt-lite
movements.[35] According to media scholar Whitney
Phillips, Gamergate "prototyped" strategies of harassment
and controversy-stoking that proved useful in political
strategy. For example, Republican political strategist
Steve Bannon publicized pop-culture conflicts during the
2016 presidential campaign of Donald Trump,
encouraging a young audience to "come in through
Gamergate or whatever and then get turned onto politics
The Unite the Right rally in Charlottesville,
and Trump."[36]
Virginia in August 2017, an alt-right event
regarded as a battle of the culture wars.[31]
Criticism and evaluation
Since the time that James Davison Hunter first applied the concept of culture wars to American life, the
idea has been subject to questions about whether "culture wars" names a real phenomenon, and if so,
whether the phenomenon it describes is a cause of, or merely a result of, membership in groups like
political parties and religions. Culture wars have also been subject to the criticism of being artificial,
imposed, or asymmetric conflicts, rather than a result of authentic differences between cultures.
Validity
Researchers have differed about the scientific validity of the notion of culture war. Some claim it does not
describe real behavior, or that it describes only the behavior of a small political elite. Others claim culture
war is real and widespread, and even that it is fundamental to explaining Americans' political behavior and
beliefs.
Political scientist Alan Wolfe participated in a series of scholarly debates in the 1990s and 2000s against
Hunter, claiming that Hunter's concept of culture wars did not accurately describe the opinions or behavior
of Americans, which Wolfe claimed were more united than polarized.[37]
A meta-analysis of opinion data from 1992 to 2012 published in the American Political Science Review
concluded that, in contrast to a common belief that political party and religious membership shape opinion
on culture war topics, instead opinions on culture war topics lead people to revise their political party and
religious orientations. The researchers view culture war attitudes as "foundational elements in the political
and religious belief systems of ordinary citizens."[38]
Artificiality or asymmetry
Some writers and scholars have said that culture wars are created or perpetuated by political special interest
groups, by reactionary social movements, by dynamics within the Republican party, or by electoral politics
as a whole. These authors view culture war not as an unavoidable result of widespread cultural differences,
but as a technique used to create in-groups and out-groups for a political purpose.
Political commentator E. J. Dionne has written that culture war is an electoral technique to exploit
differences and grievances, remarking that the real cultural division is "between those who want to have a
culture war and those who don't."[21]
Sociologist Scott Melzer says that culture wars are created by conservative, reactive organizations and
movements. Members of these movements possess a "sense of victimization at the hands of a liberal culture
run amok. In their eyes, immigrants, gays, women, the poor, and other groups are (undeservedly) granted
special rights and privileges." Melzer writes about the example of the National Rifle Association, which he
says intentionally created a culture war in order to unite conservative groups, particularly groups of white
men, against a common perceived threat.[39]
Similarly, religion scholar Susan B. Ridgely has written that culture wars were made possible by Focus on
the Family. This organization produced conservative Christian "alternative news" that began to bifurcate
American media consumption, promoting a particular "traditional family" archetype to one part of the
population, particularly conservative religious women. Ridgely says that this tradition was depicted as
under liberal attack, seeming to necessitate a culture war to defend the tradition.[40]
Political scientists Matt Grossmann and David A. Hopkins have written about an asymmetry between the
US's two major political parties, saying the Republican party should be understood as an ideological
movement built to wage political conflict, and the Democratic party as a coalition of social groups with less
ability to impose ideological discipline on members.[41] This encourages Republicans to perpetuate and to
draw new issues into culture wars, because Republicans are well equipped to fight such wars.[42]
Canada
Some observers in Canada have used the term "culture war" to refer to differing values between Western
versus Eastern Canada, urban versus rural Canada, as well as conservatism versus liberalism and
progressivism.[43]
Nevertheless, Canadian society is generally not dramatically polarized over immigration, gun control, drug
legality, sexual morality, or government involvement in healthcare: the main issues at play in the United
States. In all of those cases, the majority of Canadians, including Conservatives would support the
"progressive" position in the United States. In Canada a different set of issues create a clash of values.
Chief among these are language policy in Canada, minority religious rights, pipeline politics, indigenous
land rights, climate policy, and federal-provincial disputes.
It is a relatively new phrase in Canadian political commentary. It can still be used to describe historical
events in Canada, such as the Rebellions of 1837, Western Alienation, the Quebec sovereignty movement,
and any Aboriginal conflicts in Canada; but is more relevant to current events such as the Grand River land
dispute and the increasing hostility between conservative and liberal Canadians. The phrase has also been
used to describe the Harper government's attitude towards the arts community. Andrew Coyne termed this
negative policy towards the arts community as "class warfare."[44]
Australia
During the tenure of the Liberal–National Coalition government of 1996 to 2007, interpretations of
Aboriginal history became a part of a wider political debate regarding Australian national pride and
symbolism occasionally called the "culture wars", more often the "history wars".[45] This debate extended
into a controversy over the presentation of history in the National Museum of Australia and in high-school
history curricula.[46][47] It also migrated into the general Australian media, with major broadsheets such as
The Australian, The Sydney Morning Herald and The Age regularly publishing opinion pieces on the topic.
Marcia Langton has referred to much of this wider debate as "war porn"[48] and as an "intellectual dead
end".[49]
Two Australian Prime Ministers, Paul Keating (in office 1991–1996) and John Howard (in office 1996–
2007), became major participants in the "wars". According to Mark McKenna's analysis for the Australian
Parliamentary Library,[50] John Howard believed that Paul Keating portrayed Australia pre-Whitlam (Prime
Minister from 1972 to 1975) in an unduly negative light; while Keating sought to distance the modern
Labor movement from its historical support for the monarchy and for the White Australia policy by arguing
that it was the conservative Australian parties which had been barriers to national progress. He accused
Britain of having abandoned Australia during the Second World War. Keating staunchly supported a
symbolic apology to Australian Aboriginals for their mistreatment at the hands of previous administrations,
and outlined his view of the origins and potential solutions to contemporary Aboriginal disadvantage in his
Redfern Park Speech of 10 December 1992 (drafted with the assistance of historian Don Watson). In 1999,
following the release of the 1998 Bringing Them Home Report, Howard passed a Parliamentary Motion of
Reconciliation describing treatment of Aborigines as the "most blemished chapter" in Australian history,
but he refused to issue an official apology.[51] Howard saw an apology as inappropriate as it would imply
"intergeneration guilt"; he said that "practical" measures were a better response to contemporary Aboriginal
disadvantage. Keating has argued for the eradication of remaining symbols linked to colonial origins:
including deference for ANZAC Day,[52] for the Australian flag and for the monarchy in Australia, while
Howard supported these institutions. Unlike fellow Labor leaders and contemporaries, Bob Hawke (Prime
Minister 1983–1991) and Kim Beazley (Labor Party leader 2005–2006), Keating never traveled to
Gallipoli for ANZAC Day ceremonies. In 2008 he described those who gathered there as "misguided".[53]
In 2006 John Howard said in a speech to mark the 50th anniversary of Quadrant that "Political
Correctness" was dead in Australia but: "we should not underestimate the degree to which the soft-left still
holds sway, even dominance, especially in Australia's universities". Also in 2006, Sydney Morning Herald
political editor Peter Hartcher reported that Opposition foreign-affairs spokesman Kevin Rudd was entering
the philosophical debate by arguing in response that "John Howard, is guilty of perpetrating 'a fraud' in his
so-called culture wars ... designed not to make real change but to mask the damage inflicted by the
Government's economic policies".[54]
The defeat of the Howard government in the Australian Federal election of 2007 and its replacement by the
Rudd Labor government altered the dynamic of the debate. Rudd made an official apology to the
Aboriginal Stolen Generation[55] with bi-partisan support.[56] Like Keating, Rudd supported an Australian
republic, but in contrast to Keating, Rudd declared support for the Australian flag and supported the
commemoration of ANZAC Day; he also expressed admiration for Liberal Party founder Robert
Menzies.[57][58]
Subsequent to the 2007 change of government, and prior to the passage, with support from all parties, of
the Parliamentary apology to indigenous Australians, Professor of Australian Studies Richard Nile argued:
"the culture and history wars are over and with them should also go the adversarial nature of intellectual
debate",[59] a view contested by others, including conservative commentator Janet Albrechtsen.[60]
Africa
According to political scientist Constance G. Anthony, American culture war perspectives on human
sexuality were exported to Africa as a form of neocolonialism. In his view, this began during the AIDS
epidemic in Africa, with the United States government first tying HIV/AIDS assistance money to
evangelical leadership and the Christian right during the Bush administration, then to LGBTQ tolerance
during the administration of Barack Obama. This stoked a culture war that resulted in (among others) the
Uganda Anti-Homosexuality Act of 2014.[61]
Zambian scholar Kapya Kaoma notes that because "the demographic center of Christianity is shifting from
the global North to the global South" Africa's influence on Christianity worldwide is increasing. American
conservatives export their culture wars to Africa, Kaoma says, particularly when they realize they may be
losing the battle back home. US Christians have framed their anti-LGBT initiatives in Africa as standing in
opposition to a "Western gay agenda", a framing which Kaoma finds ironic.[62]
North American and European conspiracy theories have become widespread in West Africa via social
media, according to 2021 survey by First Draft News. COVID-19 misinformation, New World Order
conspiracy thinking, Qanon and other conspiracy theories associated with culture war topics are spread by
American, Pro-Russian, French-language, and local disinformation websites and social media accounts,
including prominent politicians in Nigeria. This has contributed to vaccine hesitancy in West Africa, with
60 percent of survey respondents saying they were unlikely to try to get vaccinated, and an erosion of trust
in institutions in the region.[63]
China
The aim of the Cultural Revolution was to attack the Four Olds-- Old Ideas, Old Culture, Old Habits, and
Old Customs. The movement led to the removal of capitalist and traditional Chinese symbolism following
the Chinese Communist Revolution.[64][65]
United Kingdom
A 2021 report by the policy institute of King’s College London argued that many people’s views on
cultural issues in Britain have become tied up with the side of the Brexit debate with which they identify,
while the public party-political identities, although not as strong, show similar alignments and that around
half the country held relatively strong views on “culture war” issues such as debates on Britain’s colonial
history or Black Lives Matter. However, the report concluded Britain's cultural and political divide was not
as stark as the Republican-Democratic divide in the US and that a sizeable section of the public can be
categorised as having either moderate views or as being disengaged from social debates. The Conservative
Party have been described as attempting to ignite culture wars in regard to "conservative values" under the
tenure of Prime Minister Boris Johnson.[66][67][68][69] Other observers, such as Johns Hopkins University
professor and political scientist Yascha Mounk and journalist Louise Perry have argued that a collapse in
support for the Labour Party during the 2019 United Kingdom general election came as a result of both a
public perception and a deliberate strategy of Labour of pursuing messages and policy ideas based on
cultural issues that resonated with grassroots activists on the left of the party but alienated Labour's
traditional working class voters.[70][71]
Europe
Several media outlets have described the Law and Justice party in
Poland,[73] Viktor Orbán in Hungary, Aleksandar Vučić in Serbia,
and Janez Janša in Slovenia as igniting culture wars in their
respective countries by encouraging fights over LGBT rights, legal
abortion, and other topics.[74] According to The National Interest,
there is a cultural war in Ukraine.[75]
In June 2020, the Polish President Andrzej Duda said that he would not allow gay couples to marry or
adopt children, while describing the LGBT movement as "a foreign ideology" and comparing it to the
communist indoctrination in Polish schools during the PRL period.[85][86]
See also
Further reading
Chapman, Roger, and James Ciment. Culture Wars: An Encyclopedia of Issues, Viewpoints
and Voices (https://books.google.com/books?id=XO9nBwAAQBAJ&printsec=frontcover#v=o
nepage&q&f=false) (2nd ed. Routledge, 2015)
D'Antonio, William V., Steven A. Tuch and Josiah R. Baker, Religion, Politics, and
Polarization: How Religiopolitical Conflict Is Changing Congress and American Democracy
(Rowman & Littlefield, 2013) ISBN 1442223979 ISBN 978-1442223974
Fiorina, Morris P., with Samuel J. Abrams and Jeremy C. Pope, Culture War?: The Myth of a
Polarized America (Longman, 2004) ISBN 0-321-27640-X
Graff, Gerald. Beyond the Culture Wars: How Teaching the Conflicts Can Revitalize
American Education (https://books.google.com/books?id=GzYG0HytHoAC&printsec=frontco
ver#v=onepage&q&f=false) (1992)
Hartman, Andrew. A war for the soul of America: a history of the culture wars (https://books.g
oogle.com/books?id=fW__BgAAQBAJ&printsec=frontcover#v=onepage&q&f=false)
(University of Chicago Press, 2015)
Hunter, James Davison, Culture Wars: The Struggle to Define America (New York: Basic
Books, 1992) ISBN 0-465-01534-4
Jay, Gregory S., American Literature and the Culture Wars, (Cornell University Press, 1997)
ISBN 0-8014-3393-2 ISBN 978-0801433931
Jensen, Richard. "The Culture Wars, 1965-1995: A Historian's Map" Journal of Social
History 29 (Oct 1995) 17–37. in JSTOR (https://www.jstor.org/stable/3789064)
Jones, E. Michael, Degenerate Moderns: Modernity As Rationalized Sexual Misbehavior, Ft.
Collins, CO: Ignatius Press, 1993 ISBN 0-89870-447-2
Prothero, Stephen (2017). Why Liberals Win the Culture Wars (Even When They Lose
Elections): A History of the Religious Battles That Define America from Jefferson's Heresies
to Gay Marriage Today. HarperOne. ISBN 978-0061571312.
Strauss, William & Howe, Neil, The Fourth Turning, An American Prophecy: What the
Cycles of History Tell Us About America's Next Rendezvous With Destiny, 1998, Broadway
Books, New York
Thomson, Irene Tavis., Culture Wars and Enduring American Dilemmas (http://www.press.u
mich.edu/1571954), (University of Michigan Press, 2010) ISBN 978-0-472-07088-6
Walsh, Andrew D., Religion, Economics, and Public Policy: Ironies, Tragedies, and
Absurdities of the Contemporary Culture Wars, (Praeger, 2000) ISBN 0-275-96611-9
Webb, Adam K., Beyond the Global Culture War, (Routledge, 2006) ISBN 0-415-95313-8
Zimmerman, Jonathan, Whose America? Culture Wars in the Public Schools (Harvard
University Press, 2002) ISBN 0-674-01860-5
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