LEONEXCHANGE20

Auction
Friday, Saturday, and Sunday

July 16 - 18, 2021
11:00 AM
Preview
Monday to Thursday
July 12 - 15, 2021
9:00 AM - 7:00 PM
Venue
G/F Eurovilla 1, Rufino cor Legazpi Streets,
Legazpi Village, Makati City,
Metro Manila, Philippines
Warehouse 14, La Fuerza Compound

Don Chino Roces Avenue, Makati City
Contact
www.leon-gallery.com
[email protected]
+632 856-27-81
Register and Bid at

W W W. L E O N E X C H A N G E . C O M
Marcel Antonio (b. 1965),
Summer Place
vii
Curator’s Note
10 - 149
The Collector’s Vault
Lots 1 - 703
152 - 291
The Merchant’s Treasure
Lots 704 - 1374
295 - 417
The Heiresses’ Homes and Tables
Lots 1375 - 2007
426
Terms and Conditions
422
Registration Form
Norman Dreo (b. 1970),

Community Overload
An Online Milestone
Leon Exchange 20th Edition
A
s the Philippines’ trusted gallery and auction house, every exciting
curation of historically significant and museum-quality pieces
in Leon Gallery is backed by high standards of scholarship and
authenticity. For the Leon Exchange 20th Online Auction, onboard is
medical practitioner and design consultant Dr. Joel Malixi, whose expertise
and impeccable taste are enriched by immersions and participation in
engaging discourses on anything related to art and heritage antiques.
Malixi is the co-administrator of Philippine Heritage Furniture, the widely

known Facebook page where one can find and discuss local heritage
antiques. Influenced by the revered Jose Joya, he has already immersed
himself in the art world since his medical school days. His wide knowledge
of fine objects d’ art was gained by his antique-hunting adventures in
Mabini antique shops and his collector friends who led him to become an
Joel Malixi, MD
avid collector. He shows clients how artworks and antiques add color to
everyday life.
In this catalog, his innovative approach to each mix-and-match design

selection reveals his eclectic style as a celebrated tastemaker in his field of
expertise. Highlighted on this online auction include prized artworks from
old masters, modernists, as well as contemporary stars in the Philippine art
scene. Juan Luna, BenCab prints and nude artworks, Cesar Buenaventura,
Juvenal Sanso, and Angel Cacnio’s works are featured, pieces from the
Benito Legarda Jr., Rosabella Valencia Ferro, and Justin Salvador collections,
mid-century modern pieces from Midcentury Manila and Japan, timeless
watches, and well-preserved religious art are among the coveted lots in the
not-to-be-missed lineup.
Once again, we invite you to revel in our set of lots that celebrate all kinds
of collectors and discerning tastes.
Hernando R. Ocampo (1911 - 1978),

Untitled (Abstraction Series)
DIRECTOR
Jaime L. Ponce de Leon
CURATORIAL CONSULTANT
Joel Malixi, MD
ITEM CONSULTANT
Rouel T. Sanchez
MANAGEMENT AND INVENTORY TEAM

Jane Daria
Richelle Custodio
Reneliza de Taza
Magdalina Juntilla
Reymar Jurado
Leonalyn Gallano-Lago
Geller Nabong
Nyza Mae Neri
Aleza Nevarez
Rouel T. Sanchez
Celina Sta. Ana
Louise Sarmiento
D AY 1
WRITERS
Jed Nathan Daya
THE
Ma. Dorothy Mananghaya
Adrian Maranan
LAYOUT
Aldrene Harold Carillo
COLLECTOR’S
Patricia Louisse E. Dato
GRAPHIC ARTS
Joe Mari Barbacena
Aldrene Harold Carillo
Patricia Louisse E. Dato
VAULT
Edwin Hurry Jr.
Caryl Mirzi B. Montilla
GALLERY SUPPORT TEAM

Nestorio Capino, Jr.
Robert Gotinga
Jomar Juan
Reynaldo Lisondra
Jayson Lopez Artworks, Prints, and Art Collectibles
Wilfredo Manalang
Janus Menguito
Julius Menguito
Generoso Olaco
Myla Oribiana
Manuel Sintos
Published by León Gallery

G/F Eurovilla 1, Rufino corner Legazpi Streets, Legazpi Village, Makati City
Warehouse 14B, La Fuerza Plaza

2241 Don Chino Roces Avenue, Makati City, Philippines
This catalogue is published to accompany the auction

by León Gallery entitled
LEONEXCHANGE ONLINE AUCTION EDITION 20

All rights reserved. No part of this catalogue may be reproduced or
re-printed without the express written consent of León Gallery.
While all reasonable efforts have been made to ensure accuracy of details in this publication,
Leon Gallery does not, under any circumstances, accept full responsibility for errors,
omissions and representations expressed or implied. Details of items are for reference only.
It is the due diligence of the consignor / buyer to check all details pertaining to the item.
F R I D AY , 1 6 J U LY 2 0 2 1 | 1 1 : 0 0 A M
©2021 León Gallery Fine Arts & Antiques www.leonexchange.com

León Gallery
FINE ART & ANTIQUES 20
Philippine Funnies 5
Tony Velasquez (1910 - 1997)
Tony Velasquez and Pinoy Humor a) Ponyang Halobaybay
signed (upper left) dated 1938 (lower left)
art number 35
ink and watercolor on paper
14” x 11” (36 cm x 28 cm)
b) Album ng Kabalbalan ni Kenkoy

dated 1939 (lower left)
14” x 11” (36 cm x 28 cm)
P 80,000
Each piece is accompanied by a certificate issued by the
artist’s estate confirming the authenticity of this lot
1 2 3
Tony Velasquez (1910 - 1997) Tony Velasquez (1910 - 1997) Tony Velasquez (1910 - 1997)
Album ng Kabalbalan ni Kenkoy Ponyang Halobaybay Ponyang Halobaybay
signed (upper right) signed (upper right) signed (upper left)
dated 1937 (lower left) dated 1939 (lower right) ink on paper
ink and watercolor on paper ink on paper 16 1/2” x 12” (42 cm x 31 cm) each
14” x 11” (36 cm x 28 cm) each 14” x 11 1/2” (36 cm x 29 cm)
P 80,000
P 130,000 P 80,000 Each piece is accompanied by a certificate issued by the
Each piece is accompanied by a certificate issued by the Each piece is accompanied by a certificate issued by the
artist’s estate confirming the authenticity of this lot artist’s estate confirming the authenticity of this lot
4
Tony Velasquez (1910 - 1997)
Ponyang Halobaybay
signed (upper left)
dated 1939 (lower right)
14 1/2” x 11” (37 cm x 28 cm) each
6
Jorge Pineda (1879 - 1946)
P 120,000
Various Drawings in Pen and Ink
Each piece is accompanied by a certificate issued by the 13 pcs.
mounted on board
8 1/2” x 11” (22 cm x 28 cm) each
P 30,000
A
ntonio “Tony” Velasquez, the Father of Philippine Velasquez formed Ace Publications in 1947, later expanding to 7
Comics, through his career spanned the birth, Graphic Arts Services Inc. (GASI). He went on to mentor more Larry Alcala (1926 - 2002)
development, and triumph of the comics industry in local “komikeros” such as Francisco Coching, Mars Ravelo, Slice of Life Christmas Shopping
the Philippines. Starting as a photoengraver at the age of Rico Raval, among others. Tony also served as the editor signed and dated 1980 (lower right)
16 at the Banaag Press in Manila, Tony gave life to the first in chief of an entire line of comic books - Pilipino Komiks, mixed media on paper
serialized cartoon strip entitled “Album ng mga Kabalbalan ni Tagalog Klasiks, Hiwaga, Espesyal and Kenkoy Komiks. 15” x 13” (38 cm x 33 cm)
Kenkoy,” with the first issue published on January 11, 1929 in
the Tagalog-language Liwayway Magazine. He organized the Association of Publishers and Editors of P 60,000
León Gallery wishes to thank Lauro Alcala, Jr.
Philippine Comics Magazines (APEPCOM), becoming its for confirming the authenticity of this lot.
Arguably the most influential comic strip in the Philippines, president for eight consecutive years, aiming to promote the
“Mga Kabalbalan ni Kenkoy’ opened the floodgates that moral welfare of the komiks-reading public by publishing “only 8
started the tradition of cartoon strips in the Philippines. He clean wholesome, entertaining and educational strips.” Larry Alcala (1926 - 2002)
pioneered in cartoon advertising as well, creating cartoon Untitled
characters to personify consumer products such as “Isko” for As a pioneer and innovator of the Filipino comics industry, the signed and dated 1990 (lower right)
pen and ink on paper
Esco shoes, “Tikboy” for Tiki-Tiki Manuel Zamora, “Nars Cafi” influence and contribution of Velasquez to Philippine comic
14” x 12” (36 cm x 30 cm)
for Cafiaspirina, “Captain Cortal” for Cortal, “Castor” for culture can hardly be exaggerated.
Botica Boie’s Castoria, “Aling Adina Comadrona” for United P 50,000
Drug products, Charity” for Philippine Charity Sweepstakes, 7 8
León Gallery wishes to thank Lauro Alcala, Jr.
and many others. for confirming the authenticity of this lot.
A gift from the artist to the present owner
10 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 11

León Gallery
PROPERTY FROM THE CHRIS BROOKS COLLECTION

9 15
Fernando Zóbel (1924 - 1984) a) Hidalgo
Untitled In the Courtyard
signed (lower right) signed and dated 1980 (lower right)
pen and ink on paper pen and ink on paper
7” x 7” (18 cm x 18 cm) 11 1/2” x 17” (29 cm x 43 cm)
P 50,000 b) D. Guttierez
Pahinga
signed and dated 1992 (lower right)
watercolor on paper
10
18” x 23” (46 cm x 58 cm)
Norma Belleza (b. 1939)
Untitled
P 10,000
8” x 8” (20 cm x 20 cm)
P 15,000
16
Hernando R. Ocampo (1911 - 1978)
Untitled
11 signed and dated 1955 (lower right)
Mauro Malang Santos (1928 - 2017) felt pen on paper
Four Comic Strips 10 1/2” x 12 1/2” (27 cm x 32 cm)
signed (lower right) each
pen and ink and watercolor P 40,000
5” x 11 1/2” (13 cm x 29 cm) each Accompanied by a certificate issued by Atelier Aviado
confirming the authenticity of this lot.
P 35,000 Literature:
De Jesus, Angel. H.R. Ocampo: The Artist as Filipino.
Heritage Publishing. Quezon City. 1979. p. 79.
12
Mauro Malang Santos (1928 - 2017)
Untitled
ca. 1970s
7” x 5” (18 cm x 13 cm)
P 20,000
13
Nestor Redondo (b. 1935)
Darna
pen and ink
11 1/2” x 16” (29 cm x 41 cm)
P 15,000
17 18
Jeff Dizon (b. 1954) John Marin (b. 1987)
a) Mag-Ina Untitled I and II
signed and dated 1986 (upper left) pen and ink on paper
14 acrylic on paper signed and dated 2012 (lower right) each
Alfred Galura (b. 1967) 17”x 11” (43 cm x 28 cm) a) 15” x 10” (38 cm x 25 cm)
Untitled b) 14” x 10” (36 cm x 25 cm)
signed and dated 2001 (lower right) b) Mag-Ina
pen and ink on paper signed and dated 1986 (upper left) P 25,000
14” x 19” (36 cm x 48 cm) acrylic on paper
17”x 11” (43 cm x 28 cm)
P 15,000
P 50,000
Each piece is accompanied by a certificate
signed by the artist confirming the authenticity of this lot.

León Gallery
IN FOCUS
In Praise of the Idyllic 26

Cesar Buenaventura Cesar Buenaventura (1922 - 1983)
Market Scene
A master of both landscape and portraiture, Cesar Buenaventura emerged oil on canvas
as the most well-known and celebrated of the Mabini artists. A life-long 22” x 33” (56 cm x 84 cm)
patron of the arts, he devoted his life to his practice, painting classic Philippine
iconography, from landscapes and seascapes to Filipinos either at work or play. P 30,000
Various moods and seasons are rendered through his trademark palette knife
and brushes, through his impressive shades and hues. His sceneries of clouds
and waves, of fields and vegetation, are both ravishingly elegant yet down-
to-earth. His figures include farmers planting rice, vendors in market places, 19
fishermen with their nets, and Filipinos into cockfighting. Buenaventura would Cesar Buenaventura (1922 - 1983)
also often render his figures in crouched and unobtrusive ways, effectively Farm Life
creating an aura of mysteriousness and a sufficiently disinterested sense of signed and dated 1965 (lower right)
sympathy. These pieces from the great artist are timeless testaments to his oil on canvas
20” x 35” (51 cm x 89 cm)
versatility, merging or alternating between representational, impressionistic,
and expressionistic techniques. P 30,000
27 28 29
Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983)
Landscape Market Scene Seascape
signed and dated 1972 (lower right) signed and dated 1983 (lower right) signed and dated 1983 (lower right)
oil on canvas oil on canvas oil on canvas
18” x 24” (46 cm x 61 cm) 24” x 36” (61 cm x 91 cm) 18” x 24” (46 cm x 61 cm)
20 21 22
Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983) Cesar Buenaventura (1922 - 1983) P 20,000 P 35,000 P 20,000
Untitled (Landscape) Untitled (Cityscape) Bulacan Barrio Sta. Maria, R. P.
signed and dated 1972 (lower right) signed and dated 1968 (lower right) signed and dated 1979 (lower right
oil on canvas oil on canvas and verso)
18” x 24” (46 cm x 61 cm) 12” x 16” (30 cm x 41 cm) oil on canvas
24” x 36” (61 cm x 91 cm)
P 20,000 P 15,000
P 35,000
30 31 32
Flower Vendors Market Scene Landscape
signed and dated 1981 (lower left) signed (lower left) signed and dated 1980 (lower right)
23 24 25
Untitled (Cityscape) Seaside Scene Harvest
signed and dated 1980 (lower right}) signed and dated 1973 (lower left) signed and dated 1966 (lower right)
P 35,000 P 35,000 P 35,000
P 10,000 P 35,000 P 35,000

León Gallery
42
Emmanuel Garibay (b. 1962)
Embrace
acrylic on paper
23” x 16” (58 cm x 41 cm)
P 35,000
Provenance:
The Drawing Room
43
33 34 35
Untitled
Salvador Juban (b. 1941) Adriano “Boy” Valino, Jr. Alfred Galura (b. 1967)
signed and dated 1998 (lower left)
Untitled Dragon Dance Wally’s Upstream (Quezon Province)
oil on paper
13 1/2” x 9” (34 cm x 23 cm)
oil on laminated wood watercolor on paper watercolor
17 1/2” x 16” (44 cm x 41 cm) 22” x 15” (56 cm x 38 cm) 40” x 30” (102 cm x 76 cm)
P 25,000
P 6,000 P 5,000 P 15,000
44 45 46
Jun Espiritu Ernie Sta. Ana Didi Fernandez
Fishing Rainy Adventure Untitled (Landscape)
36 38 signed and dated 1998 (lower left) signed and dated 2000 (lower right) signed and dated 1967 (lower left)
37
John Marin (b. 1987) Martin Maniro oil on canvas acrylic on canvas oil on canvas
Reb Belleza (b. 1969)
-You Know, These Trees Doesn’t Mean Untitled 12 1/2” x 31” (32 cm x 79 cm) 18” x 42” (46 cm x 107 cm) 24” x 48” (61 cm x 122 cm)
Ang Pagtitipon sa Acacia
Something, but for Me They Do signed and dated 2018 (verso) signed and dated 2000 (lower left)
-We Shouldn’t Have Been Here oil on canvas P 15,000 P 25,000 P 10,000
oil on canvas
signed and dated 2014 (bottom) 48” x 60” (122 cm x 152 cm) 30” x 40” (76 cm x 102 cm)
oil on canvas
36” x 48” (91 cm x 122 cm) P 40,000 P 10,000
Accompanied by a certificate signed by the artist
P 40,000 confirming the authenticity of this lot
39 40 41 47 48 49
Alee Garibay (b. 1989) Noel Pascual (b. 1961) Cesar Amorsolo (1903 - 1988) Soler Santos Roel Obemio (b. 1967) Raymundo Tan
Untitled Alay kay Amor Portraits of Royal Filipina and Filipino Stone Garden Series Boy with Violin Mother and Child
signed and dated 2019 (lower right) signed and dated 2000 (lower right signed and dated Manila 1966 (lower right signed and dated 2003 (lower center) signed and dated 2020 (lower right) signed and dated MMXI (lower left)
mixed media on board and verso) and lower left) pastel on paper pastel on paper pastel on paper
21” x 30” (53 cm x 76 cm) oil on canvas pastel on paper 16 1/2” x 14” (42 cm x 36 cm) 10 1/2” x 7” (27 cm x 18 cm) 19” x 12” (48 cm x 30 cm)
32” x 47” (81 cm x 119 cm) 23 1/2” x 17 1/2” (60 cm x 44 cm)
P 30,000 P 10,000 P 20,000 P 10,000
P 40,000 P 20,000 Accompanied by a certificate signed by the artist
confirming the authenticity of this lot

León Gallery
50
Carlos V. Francisco (1912 - 1969)
Untitled
signed lower right
watercolor on paper
15” x 23” (38 cm x 58 cm)
P 250,000 54 55 56
Jigger Cruz (b. 1984) and Oscar Salita (b. 1943) Unidentified Artist
Pow Martinez (b. 1983) Mother and Child Portrait of Jose Rizal
This piece by Carlos V. Francisco is the national artist’s looms in the far pavilions of the mural, with factories and
Subdivision Refinement Series 8 signed and dated 1989 (lower right) ca. 1950s
graphite on paper delineation of his majestic oil on canvas industries conjuring the future frontier, with airplanes, ships, signed and dated 2015 (lower left) oil on canvas oil on canvas
mural Pageant of Commerce displayed at the Lopez trains, and other machines that conquer space. This spectral mixed media on paper 16” x 9 1/2” (41 cm x 24 cm) 20” x 16” (51 cm x 41 cm)
Memorial Museum. It depicts the history of Philippine tableau is cut against the dominant scene, consisting of 15 1/2” x 12 1/3” (39 cm x 31 cm)
trade, from early economic relations with the Chinese a family standing its ground at the heart of the painting, P 20,000 P 20,000
and the Arabs to the Manila-Acapulco galleon trade, and dressed to appear native and set in the locus of their P 50,000
the development of modern industries in business, travel, everyday life. Their pose enacts an exemplary gesture of
57
and communication. The central figures depict that of a prudence, putting a coin into a coconut shell that is their a) Alex Navarro Uy
Filipino family dressed in native garments, with the spirit treasury. Caravan
of commerce above them, hence the title Pageant of signed and dated 2016 (lower right)
Commerce. This is the icon of an economy that controls the narrative, pen and ink on paper
sharply balanced with the native abode against which the 20” x 29” (51 cm x 74 cm)
“Frontal in conception but true to the visual spirit of the figures emerge and the stylized carabao that is their anchor.
artist, the history is made vivid by the swarm of details that Hovering above them is a muse, a phantom that must b) Jaime “Jimmy” C. Kwong
Parang, Marikina
render the chronicle and the depth of field that disrupts convene the characters of the pageants of commerce, in
the superficiality of the portrayal. The work leads the eyes Chinese, Arabian, and Spanish costume, and the saga of
oil on canvas
through the skin of the canvas and makes them discover money in Philippine history.” (Reyes, D.M. et al. The Life and 12” x 16” (30 cm x 41 cm)
the fabric of the theme, which is woven as vignettes of Art of Botong Francisco. Vibal Foundation, Inc. Quezon City.
commerce. As the picture recedes, an image of progress 2010. p. 198.) c) Abe Lucas (b. 1953)
Untitled
signed (lower right)
oil on canvas
10” x 8” (25 cm x 20 cm)
P 15,000
58
a) Mary Ann B. Reyes
Calachuchi
acrylic on canvas
48” x 36” (122 cm x 91 cm)
b) Angelito “Jo” Florendo (b. 1975)

Tag Bulak-lak
signed and dated 2014 (upper right)
acrylic on canvas
30” x 30” (76 cm x 76 cm)
P 15,000
51 52 53
Edwin Wilwayco (b. 1952) Archie Oclos Lyle Buencamino (b. 1978) 59
Abstract Landscape Pira-Pirasong Paraiso Untitled Jimmy Kwong
signed and dated 2010 (lower right) signed and dated 2011 (lower right) unsigned Bahay Kubo
oil on canvas oil on canvas acrylic on canvas signed and dated 1999 (lower right)
36” x 30” (91 cm x 76 cm) 48” x 36” (122 cm x 91 cm) 48”x 42” (122 cm x 107 cm) mixed media on paper
12” x 18” (30 cm x 46 cm)
P 140,000 P 10,000 P 10,000
P 10,000

León Gallery
IN FOCUS
65
Agnes Arellano
Nagpapasusong Ina
IN PRAISE OF FILIPINO CREATIVITY cold cast marble
30 1/2” x 23 1/2” x 9 1/2”
(77 cm x 60 cm x 24 cm)
Property from the Museo Pambata Collection
P 30,000
*Proceeds from this sale to benefit the efforts
of Pambata Museum Foundation
Museo Pambata transforms traditional learning
into exciting and educational experiences. Museo 66
Pambata was the brainchild of Nina Lim-Yuson Mario Parial (1944 - 2013)
and former Department of Social Welfare and Jeepney Coffee Shop
Development secretary Estefania Aldaba-Lim. The signed and dated 1980 (lower right)
duo proposed their idea of having an interactive and oil on canvas
20” x 16” (51 cm x 41 cm)
educational museum for children to the then Manila
Mayor Alfredo Lim who enthusiastically approved
P 60,000
it. Established in 1994, the Museo Pambata had
Provenance:
numerous founding members and supporters such Formerly in the Jeepney Coffee Shop,
Intercontinental Hotel Makati
as Elizabeth Zobel, Wilfrido Tecson, Philippine Star
founder Betty Go-Belmonte, cultural supporter and
businesswoman Doris Ho, and National Artist for
67
Architecture Leandro Locsin. The museum was created
Joey De Leon (b. 1946)
as a response to the increasing demand for enriching Fish from the Canals of Venice
and informative experiences for children, especially signed and dated 2009 (lower left)
those residing in sprawling and often cramped urban acrylic on board
centers. Unlike traditional museums, Museo Pambata 7” x 13” (18 cm x 33 cm)
encourages visitors and guests to interact with their 60 61
Jan Leeroy New (b. 1986) Unidentified Artist P 45,000
pieces and installations. The museum has a slew of
Entropy Endless Noise in the Sleeping City
exhibits covering multiple topics and areas of interest. toy parts and neon plastic signed and dated 2020 (verso)
Accompanied by a certificate issued by The Crucible Gallery
From their huge and interactive science installations tubes on narra mixed media on canvas
that cover the basics, from the human body to the 56” x 20” x 2” 18” x 12” (46 cm x 31 cm)
world around us, to historical recreations of the (142 cm x 51 cm x 5 cm)
nation’s past through the museum in their Old Manila P 10,000 68
area, Museo Pambata makes learning fun, engaging, P 70,000 *Proceeds from this sale to benefit the efforts Efren Zaragoza (1940 - 1989)
and memorable for both kids and kids at heart. *Proceeds from this sale to benefit the efforts
of Pambata Museum Foundation Forms 1
of Pambata Museum Foundation signed and dated 1979 (lower right)
tempera
12” x 21” (30 cm x 53 cm)
P 8,000
69
Impy Pilapil (b. 1949)
Untitled
acrylic on canvas
71” x 94 1/2” (180 cm x 240 cm)
P 150,000
62 63 64 70
Anne Barles (b. 1990) Sergio Bumatay Jr. (b. 1978) Liza Flores Impy Pilapil (b. 1949)
Audrey Hepburn Jak en Poy Paruparong Bukid Untitled
signed and dated 2018 (lower right) signed and dated 2018 (lower left) signed and dated 2018 (lower right) signed (lower right)
acrylic emulsion on panel acrylic iridescent paint on canvas paper cut acrylic on canvas
26” x 20 1/2” (66 cm x 52 cm) 18” x 18” (46 cm x 46 cm) 20” x 20” (51 cm x 51 cm) 48” x 72” (122 cm x 183 cm)
P 15,000 P 15,000 P 15,000 P 100,000

*Proceeds from this sale to benefit the efforts *Proceeds from this sale to benefit the efforts *Proceeds from this sale to benefit the efforts
of Pambata Museum Foundation of Pambata Museum Foundation of Pambata Museum Foundation

León Gallery
A Collection of 32 Romeo Tabuena

Ink Drawings from the 1960s
71 xii) Bridge xxiii) Fiesta

Romeo Tabuena (1921 - 2015) signed and dated 1967 (lower right) signed and dated 1967 (lower left)
i) Old Woman ink on paper pen and ink on paper
signed and dated 1961 (lower left) 5” x 7” (13 cm x 18 cm) 5” x 6 1/2” (13 cm x 15 cm)
watercolor on paper
16” x 11” (41 cm x 28 cm) xiii) Untitled xxiv Brown Twilight
signed and dated 1967 (lower right) signed and dated 1967 (lower left)
ii) Seated Girl ink and watercolor on paper ink and watercolor on paper
signed and dated 1962 (lower left) 6 1/2” x 7 1/2” (17 cm x 19 cm) 4” x 7” (10 cm x 18 cm)
acrylic on paper
14” x 7” (36 cm x 18 cm) xiv) Carabaos xxv) Sabongero
signed and dated 1967 (lower left) signed and dated 1967 (lower right)
iii) Still Life (Guitar) acrylic and ink on paper ink on paper
signed and dated 1967 (lower left) 7 1/2” x 6 1/2” (19 cm x 17 cm) 5” x 3” (13 cm x 8 cm)
watercolor on paper
6” x 5” (15 cm x 13 cm) xv) Two Figures xxvi) Fruit Vendor
signed and dated 1967 (lower left) signed and dated 1967 (lower left)
iv) Untitled ink and watercolor on paper pen and ink on paper
signed and dated 1967 (lower left) 8” x 4 1/2” (20 cm x 11 cm) 5” x 7” (13 cm x 18 cm)
watercolor on paper
3 1/2” x 7 1/2” (9 cm x 19 cm) xvi) Man and Carabao xxvii) Woman of the Village
signed and dated 1967 (lower right) signed and dated 1967 (lower left)
v) Country Peddler acrylic on paper ink on paper
signed and dated 1964 (lower right) 7” x 5 1/2” (18 cm x 14 cm) 4” x 4” (10 cm x 10 cm)
acrylic on board
12 1/2” x 7 1/2” (32 cm x 19 cm) xvii) Encounter xxviii) Village Folk
signed and dated 1967 (lower right) signed and dated 1966 (lower right)
vi) Mother and Child pen and ink on paper ink on paper
signed and dated 1967 (lower left) 5 1/2” x 7” (14 cm x 18 cm) 5” x 7” (13 cm x 18 cm)
watercolor on paper
8 1/2” x 6” (22 cm x 15 cm) xviii) Farmers xxix) Indian Dancers
vii) Huts and Moon ink on paper ink on paper
signed and dated 1967 (lower left) 5 1/2” x 4” (14 cm x 10 cm) 5” x 7” (13 cm x 18 cm)
6 1/2” x 6 1/2” (17 cm x 17 cm) xix) At The Well xxx) Couple
viii) Two Carabaos ink on paper ink on paper
signed and dated 1967 (bottom) 5 1/2” x 5 1/4” (14 cm x 13 cm) 7” x 5” (18 cm x 13 cm)
7” x 8 1/2” (18 cm x 22 cm) xx) Filipiniana xxxi) Mass
ix) Untitled ink on paper ink on paper
signed and dated 1967 (lower right) 5” x 6 1/2” (13 cm x 17 cm) 5” x 7” (13 cm x 18 cm)
6” x 7 1/2” (15 cm x 19 cm) xxi) Wash xxxii) Bottle Vendor
x) Untitled pen and ink on paper ink on paper
signed and daed 1967 (lower left) 4” x 6” (10 cm x 15 cm) 5” x 7” (13 cm x 18 cm)
acrylic on paper
5” x 7” (13 cm x 18 cm) xxii) Four Figures P 500,000
xi) Untitled ink on paper
signed and dated 1967 (lower right) 4” x 5 (10 cm x 13 cm)
6 1/2” x 6 1/2” (15 cm x 15 cm)

León Gallery
72
Jess Santos (b. 1966)
Untitled
oil on wood
43 1/2” x 8 1/2” (110 cm x 22 cm)
P 20,000
78 79 80
73 Artomes Francis Fajardo (b. 1987) Roger San Miguel (b. 1940)
Reb Belleza (b. 1969) Untitled Biyayang Ani Series Untitled (Landscape)
Untitled mixed media on canvas signed and dated 2021 (lower right) signed (lower left)
signed and dated 1994 (lower right) 32” x 23 1/2” (81 cm x 60 cm) oil on canvas oil on canvas
oil on canvas 40” x 36” (102 cm x 91 cm) 35 1/2” x 35” (90 cm x 89 cm)
95”x 28” (241 cm x 71 cm) P 10,000
P 40,000 P 20,000
P 65,000
72 73
81
Florencio B. Concepcion (1933 - 2006)
Untitled
oil on canvas
24” x 34” (61 cm x 86 cm)
P 500,000
74 75 76
Mia Herbosa (b. 1970) Oscar Zalameda (1930 - 2010) Federico Aguilar Alcuaz (1932 - 2011)
Dana Untitled Portrait of a Woman
signed and dated 1996 (lower left) signed (lower right and left) signed and dated 1981 (lower right)
oil on masonite board ca. 1960s oil on canvas
14” x 12” (36 cm x 30 cm) pen and ink on paper 17” x 12” (43 cm x 30 cm)
13” x 9” (33 cm x 23 cm)
P 17,000 P 40,000
P 15,000
77
Jan Balquin (b. 1989) 82 83 84
Tarp Hermes Alegre (b. 1968) Emilio Aguilar Cruz (1915 - 1991) Leo Meneses
dated 2017 Tagaytay Series Landscape Sa Libis ng Nayon
collage and resin on canvas signed and dated 2014 (lower left signed and dated 1965 (lower right) signed and dated 2018 (lower left
12” x 48” (30 cm x 122 cm) and verso) watercolor on paper and verso)
oil on canvas 10” x 15” (25 cm x 38 cm) oil on canvas
P 25,000 12” x 16” (30 cm x 41 cm) 11” x 21” (28 cm x 53 cm)
P 10,000
P 15,000 P 17,000

León Gallery
Graceful Feminine
88
Lydia Velasco (b. 1948)
Untitled
Lydia Velasco’s Tribute to Women signed and dated 2003 (lower right)
acrylic on canvas
36” x 36” (91 cm x 91 cm)
P 200,000
O
ne of the most prominent modernist painters, Lydia Velasco
had her formal training in the arts from the University of
Santo Tomas where she obtained a degree in Fine Arts 89
major in Advertising. She worked as an artist for Philprom, an Lydia Velasco (b. 1948)
advertising agency, for more than a decade. In 1988, she left the field Nudes
of advertising and ventured into entrepreneurship as co-owner of signed and dated 2016 (lower left)
Lightmoves Photo/Design, Inc., becoming its art consultant. When the pastel on paper
company experienced stability, she returned to painting, becoming a 19” x 14 1/2” (48 cm x 37 cm)
core member of Mauro Malang Santos’ Saturday Group. It was during
P 20,000
this time when Velasco fully devoted herself to exploring her distinct
artistry and style.
Undoubtedly her favorite subject matter, Velasco’s oeuvre revolves

around women and their intrinsic strength, liberating them from
the shackles of a male-dominated society, at least on her canvases.
Despite this, she still manages to unveil the innate femininity of
Filipino women, as showcased in this piece titled Ladies at the Flower 85
Garden II. The three women are portrayed as imbued with sultriness Lydia Velasco (b. 1942)
Ladies at the Flower Garden II
juxtaposed with the traditional attributes of Filipino women i.e. their
innocence and natural charisma. The preponderance of green gives oil on canvas
a revitalized facet for Velasco’s women – inherently powerful yet 36” x 36” (91 cm x 91 cm)
overflowing with allure and refinement. Her polished employment of
strokes and hues has made her works highly-coveted by art collectors P 200,000
and connoisseurs alike. Accompanied by a certificate issued by Galerie Artes
Provenance: Galerie Artes
90 91 92
Lydia Velasco (b. 1942) Lydia Velasco (b. 1942) Lydia Velasco (b. 1942)
Two Women Mother and Child Two Women
signed (lower left) signed and dated 2016 (lower right) signed and dated 2020 (lower left)
acrylic on canvas mixed media on paper oil on canvas
P 100,000 P 20,000 P 80,000

93
Lydia Velasco (b. 1942)
Woman
86 87 signed and dated 2004 (lower right)
Lydia Velasco (b. 1948) Lydia Velasco (b. 1948) acrylic on paper
Untitled Two Mothers with their Child 10” x 14” (36 cm x 25 cm)
signed (lower right) signed and dated 2003 (lower right)
acrylic on canvas oil on canvas P 20,000
36” x 36” (91 cm x 91 cm) 24” x 30” (61 cm x 76 cm)
P 200,000 P 140,000
Provenance:
Galerie Joaquin

León Gallery
101
Justin Nuyda (b. 1942)
Nude
pastel on paper
24 1/2” x 18 1/2” (62 cm x 47 cm)
P 40,000
102
Cesar Legaspi (1917 - 1994)
94 95 96 Nude
Cesar Amorsolo (1903 - 1988) Hermes Alegre (b. 1968) Raul Isidro (b. 1943) signed (lower right)
Untitled Untitled (Nude) Nude pastel on paper
signed (lower right) signed and dated Sept. 2011 (upper right) signed and dated 2011 (lower center) 19” x 12” (48 cm x 30 cm)
oil on canvas pastel on paper pastel on paper
23” x 17” (58 cm x 43 cm) 24” x 19” (61 cm x 48 cm) 17 1/2” x 11 1/2” (44 cm x 29 cm) P 60,000
P 25,000 P 12,000 P 4,000
103
Al Perez (b. 1968)
Laila
signed and dated 1992 Manila, Philippines
(lower right)
watercolor and pastel on paper
14” x 20” (36 cm x 51 cm)
P 20,000
97 98 99 104
Federico Aguilar Alcuaz (1932 - 2011) Federico Aguilar Alcuaz (1932 - 2011) Federico Aguilar Alcuaz (1932 - 2011) Gig de Pio (b. 1951)
Nude I Nude II Nude III Untitled (Nude)
signed and dated 1981 (lower left) signed and dated 1981 (lower left) signed and dated 1981 (lower left) signed and dated 1990 (lower right)
pastel on paper pastel on paper pastel on paper mixed media on paper
25 1/2” x 19 1/4” (65 cm x 49 cm) 25 1/2” x 19 1/4” (65 cm x 49 cm) 25 1/2” x 19 1/4” (65 cm x 49 cm) 23” x 35” (58 cm x 89 cm)
P 120,000 P 120,000 P 120,000 P 20,000
100
a) Unidentified Artist
Nude
signed and dated (lower right)
pastel on paper
24 1/2” x 19 1/2” (62 cm x 50 cm)
b) LH Wang
Nude
charcoal on paper
17 1/2” x 12” (44 cm x 30 cm)
c) Germar
Nude
graphite on paper 105 106 107
19 1/2” x 12 1/4” (50 cm x 31 cm) Carlo Saavedra (b. 1981) Eleanor Giron Ephraim Samson (b. 1947)
Untitled Untitled Nude
d) Jose Yap signed and dated 2015 (lower right) oil on canvas signed and dated 1997 (lower right)
Nude oil on canvas 48” x 36” (122 cm x 91 cm) watercolor on paper
signed and dated 1980 NY (lower left) 48” x 24” (122 cm x 61 cm) 14” x 21” (36 cm x 53 cm)
pastel on paper P 40,000
19” x 25” (48 cm x 64 cm) P 60,000 P 20,000
P 12,000

León Gallery
108 109
Benedicto Cabrera (b. 1942) Benedicto Cabrera (b. 1942) 113 114 115
Nude Nude Benedicto Cabrera (b. 1942) Hernando R. Ocampo (1911 - 1978) Ed de Guzman
signed and dated 1998 (lower right) signed and dated 1998 (lower left) Male Study Nude Woman Nude
pastel on paper pastel on paper signed and dated 2001 (lower right) signed and dated 1977 (lower right) signed and dated 2006 (lower left)
17” x 22 1/2” (43 cm x 57 cm) 16” x 22 1/2”(41 cm x 57 cm) graphite on paper pen and ink on paper charcoal on paper
10 3/4” x 15” (26 cm x 38 cm) 22” x 14” (56 cm x 36 cm) 18” x 12” (46 cm x 30 cm)
P 200,000 P 200,000
P 80,000 P 60,000 P 5,000
A
rtists have always been fascinated by the human form. Cabrera, then six sisters. And in his solo exhibit at Bluewater
BenCab is no exception. The National Artist for Visual Gallery in Cebu, he said that, “The human figure, especially
Arts puts his observation and interaction to the human that of a woman, is always an interesting form to render (into
form on paper. When doing a nude art he likes to put on the an artwork).” The artist exclaims that he just loves women,
identity of his model but most of them don’t include the face. especially strong women, formidable with strong personalities.
116
Of course, the connection between the artist and the model Vicente Manansala (1910 - 1981)
doesn’t happen by itself; it is born of a rapport and trust built He gives his nude subjects the subtle power to ignore and Nude
over time but the National Artist for Visual Arts prefers to rebuke to nullify the gaze, for instance, in the depiction of signed and dated 1972 (upper left)
work with amateur models - real women for whom to act of indulgence. The models, actually, don’t look back - lost in the Chinese ink on paper
disrobing for the artist is still a revelation invested with deep moment of undressing, rest or auto-pleasure - a theatrical 9 1/4” x 16 1/2” (23 cm x 42 cm)
and metaphoric meaning - that evidently results to a more performance in action and nude art in the making. This
faithful representation of the individual, not depersonalized or makes his interest in figures never fade since there’s always a P 90,000
abstracted. character, a different perspective for him, a new artwork to
create.
One of the six galleries in the BenCab Museum is dedicated
to erotica. In an interview with Inquirer Lifestyle, Cabrera No wonder, the nude art signed and dated in 1978 (lot 110)
recounted that he likes drawing nudes from life, and that by Benedicto Cabrera that had been created using Cretacolor
he has an endless fascination with the female body. He Cleos graphite pencils perfectly captured the image of a
told Inquirer that he grew up among women as he was the woman that is strong yet feminine on her own.
youngest with one older brother, the Mabini artist Salvador
117
Angel Cacnio (b. 1931)
Nude
acrylic on paper
22” x 14 1/2” (56 cm x 37 cm)
P 15,000
118
Onib Olmedo (1937 - 1996)
Untitled VI
ca. 1987 - 1988
oil pastel on felt paper
110 111 112 27” x 21” (69 cm x 53 cm)
Benedicto Cabrera (b. 1942) Benedicto Cabrera (b. 1942) Benedicto Cabrera (b. 1942)
Nude Nude I Nude Series P 90,000
signed and dated 1978 (lower right) signed and dated 1996 (lower right) signed and dated 2004 (lower right) Accompanied by a certificate issued by Gisella Olmedo Araneta
graphite and acrylic on paper pastel on paper pastel on paper confirming the authenticity of this lot
11” x 15 1/2” (28 cm x 39 cm) 21 1/2” x 27” (55 cm x 69 cm) 22” x 16” (56 cm x 41 cm)
P 100,000 P 240,000 P 200,000

León Gallery
Capturing the Human Physique

120
a) Sergio Rocha (b. 1972)
Nude
Wig Tysmans’ Iconic Photographs signed and dated 1984 (lower center)
pastel on paper
11 1/2” x 8 1/2” (29 cm x 22 cm)
b) Agustin Goy (b. 1935)

Nude
watercolor on paper
28 1/2” x 21” (72 cm x 53 cm)
c) Agustin Goy (b. 1935)

Nude
119 signed and dated 1985 (lower left)
Wig Tysmans (b. 1956) watercolor on paper
a) Nude 10” x 13 1/2” (25 cm x 34 cm)
photograph P 15,000
19” x 15” (48 cm x 38 cm)
b) Nude
signed and dated 1988 (lower right) 121
photograph a) Magoo Valencia
18 1/2” x 15” (47 cm x 38 cm) Nude
signed and dated 8.11.88 (lower right)
c) Nude pastel on paper
signed and dated 1988 (lower right) 13” x 20” (33 cm x 51 cm)
photograph
18 1/2” x 15” (47 cm x 38 cm) b) Ben Infante (1917 - 2006)
Nude
P 25,000 signed and dated 1988 (lower right)
pastel on paper
13” x 20” (33 cm x 51 cm)
c) Slim Torres (b. 1923)

Nude
pastel on paper
20” x 13 1/2” (51 cm x 34 cm)
d) Jes Rivera
Nude
H
watercolor on paper
erwig “Wig” Tysmans has been one of the country’s Out of his own in 1976, Wig started doing portraits of old
22 1/2” x 14” (57 cm x 36 cm)
top portrait and commercial photographers in the last people who migrated to Baguio before World War II where
40 years and so. Wig had artistry in his Belgian and he was able to convince to photograph Robert Fox, Mr. and P 20,000
Ilocano roots. His grandfather was a known painter in Belgium, Mrs. Chan of the Old Pagoda, and the Ifugao Lam-ang who
he had a writer for a father and a mother who engaged in a wore G-string to Congress. From 1977 to the early 1980s,
shell handicraft business in Zamboanga City which exported he was able to start building up a series of portraits for his
its products to some parts of the world until 1961 when they future one man show. Writer Eric Caruncho wrote in an article, 122
closed the business and moved to Manila. The young Tysmans “Wig became part of an emerging art scene that included Edsel Moscoso (1952 - 2008)
would then discover at the age of 15 his love affair with the fellow photographers Tommy Hafalla and Mannix Santos, a) Nude
camera during his final year in high school in Dumaguete way filmmakers Boy Yniguez and Kidlat Tahimik, and painters Ben signed and dated 1978
back 1971, with a borrowed Olympus PenF camera, he was Cab, Santi Bose and Roberto Villanueva. His early influences charcoal on paper
among those who took photos of his batch mates and got were painters: modernists such as Roberto Chabet and Lee 16” x 24” (41 cm x 61 cm)
featured in the annual publication. Aguinaldo whose works exhibited a zen-like simplicity and
straightforwardness that Tysmans sought to emulate in his b) Nude
Tysmans had a well-rounded background in laying the photographs.”
charcoal on paper
foundation of his artistry. Among his early jobs also included 16” x 24” (41 cm x 61 cm)
documentary work doing publications in the countryside, some
magazine assignments and a stringer for Associated Press for P 12,000
three months World Chess Championships between Korchnoi
and Karpov in Baguio.

León Gallery
123
Jerry Elizalde Navarro (1924 - 1999)
Nude
signed and dated 1950 (right)
charcoal on paper
14” x 17” (36 cm x 43 cm)
P 10,000
124
Elmer Borlongan (b. 1967)
Nude
123 124
pastel on paper
8” x 11” (20 cm x 28 cm)
P 100,000
125
Angel Cacnio (b. 1931)
Nude
watercolor on paper
12 1/2” x 17 1/2” (32 cm x 44 cm)
P 15,000
125 126
129
126
Fernando Amorsolo (1892 - 1972)
Nude
graphite on paper
9 1/2” x 14” (24 cm x 36 cm)
P 80,000
León Gallery wishes to thank Mrs. Sylvia Amorsolo-Lazo
for confirming the authenticity of this lot.
PROPERTY FROM THE LOUIE CRUZ COLLECTION
127
Vicente Manansala (1910 - 1981)
Nude
signed and dated 1975 (right)
130
charcoal on paper 129
30” x 35” (76 cm x 89 cm) Jonathan Mallari
16 Nudes
P 140,000 signed and dated 2021 (lower right) each
Provenance: graphite on paper
Acquired directly from the artist
127
25 1/2” x 19 1/2” (65 cm x 50 cm) each
P 160,000
128
a) Raul Dayao
Nude
signed and dated 1975 (lower left) 130
acrylic on canvas Unidentified Artist
23” x 23 1/2” (58 cm x 60 cm) Nude
print
b) Bryan Barotilla a) 12” x 8” (30 cm x 20 cm)
Angel Series b) 11 1/2” x 7” (29 cm x 18 cm)
signed and dated 2018 (lower left) each c) 9 1/2” x 7 1/2” (24 cm x 19 cm)
graphite and crayon on paper d) 6” x 9 1/2” (15 cm x 24 cm)
9 1/2” x 7” (24 cm x 18 cm) each
P 10,000
128 a 128 b
P 5,000

León Gallery
131
Antonio Mahilum (1948 - 2008)
Barrio Scene
oil on canvas
12” x 23” (30 cm x 58 cm)
P 40,000
132
Antonio Mahilum (1948 - 2008)
Untitled
mixed media
18” x 24” (46 cm x 61 cm)
P 65,000 139 140 141

Nunelucio Alvarado (b. 1968) Carlo Saavedra (b. 1981) Dr. Renato Cheng
Untitled Untitled For You, Happy Valentine
signed and dated 2009 (upper right) signed and dated 2008 (lower right) signed and dated 2020-2021 (verso)
pastel on paper oil on canvas oil on canvas with old frame
11” x 8 1/2” (28 cm x 22 cm) 35” x 29” (89 cm x 74 cm) 40 1/2” x 30 1/2” (103 cm x 77 cm)
P 20,000 P 50,000 P 35,000
142
Nena Saguil (1924 - 1994)
Untitled
133 134 135 signed and dated 1963 (lower right)
Dr. Renato S. Cheng Dr. Renato S. Cheng Jose Blanco (1932-2008) watercolor on paper
Mayon Volcano Marikina Bulaklak ng Kaingin 20” x 29” (51 cm x 74 cm)
signed and dated 2020-2021(verso) signed (verso) signed and dated 1975 (lower right)
oil on canvas with old frame oil on canvas with old frame 20” x 24” (51 cm x 61 cm) P 100,000
27” x 31” (69 cm x 79 cm) 24” x 27” (61 cm x 69 cm)
Accompanied by a certificate issued by Benjamin Saguil, Jr.
P 30,000 P 30,000
143
a) Lino Severino (b. 1932)
El Retiro, Madrid
watercolor on paper
20 1/2” x 24 1/2” (52 cm x 62 cm)
b) Antonio R. Amorsolo
136 137 138 Santa Cruz, Ilocos Sur
Allain Hablo (b. 1968) Vic Balanon (b. 1972) Bryan Teves (b. 1984) signed and dated 1984 (lower left)
Montoon Too Untitled Untitled oil on canvas
oil on canvas signed and dated 2017 (lower right) signed and dated 2019 (lower right) 15 1/2” x 19 1/2” (39 cm x 50 cm)
44” x 56” (112 cm x 142 cm) ink on canvas oil on canvas
48” x 64” (122 cm x 163 cm) 48” x 60” (122 cm x 152 cm) P 15,000
P 40,000
P 90,000 P 150,000

León Gallery
151
Unidentified Artist
Untitled
unsigned and undated
pastel on paper
19” x 20 1/2” (48 cm x 52 cm)
P 5,000
152
Chris S. Magbuhos
Eight Horses #1 and #2
signed (lower left)
dated 1995 (lower right) each
144 145 146 oil on canvas
Roger Santos Aris Bagtas Mia Herbosa (b. 1970) 17 1/2” x 11” (44 cm x 28 cm)
Urban Mother and Child Series Portrait of a Man
signed and dated 2011 (lower right) signed and dated 2013 (lower right) signed and dated 1995 (lower left) P 15,000
oil on canvas acrylic on canvas oil on canvas
P 15,000 P 10,000 P 25,000

Accompanied by a certificate signed by the artist Accompanied by a certificate issued by Art Association of the
confirming the authenticity of this lot. Philippines confirming the authenticity of this lot.
153
Ibarra dela Rosa (1943 - 1998)
a) Landscape with Trees
Veronica Peralejo (b. 1989) oil on canvas
Untitled 16 1/2” x 15 1/2” (42 cm x 39 cm)
signed and dated 2018 (upper center) b) Landscape Series
oil on canvas signed and dated 1996 (lower right)
D: 48” (122 cm) oil on canvas
16” x 13 1/2” (41 cm x 34 cm)
P 50,000
P 40,000
148 Ibarra Dela Rosa (1943 - 1998) is an original member of the
Veronica Peralejo (b. 1989) Dimasalang Group of Progressive Artists. His first show at La
Exoplanet 001 Solidaridad Gallery was followed by more than 60 shows in his
signed and dated 2016 (upper center) lifetime in the best Philippine galleries including Hidalgo, Quad,
oil on canvas Kamalig, Luz, Jeune, Micaller and Galerie Bleue. Prizes and
D: 48” (122 cm) awards he received included the CCP 13 Artists Award, Rotary
Club Art Tilt and the Araw ng Maynila Heritage Award.
P 50,000
Exhibit: Art Fair PH 2016
Ibarra is the foremost exponent of meticulous impressionism
in the Philippines. He is a former member of the PWU Art
149 Faculty. He was primarily influenced creatively by the 1960s
Salvador Cabrera (1929 - 1986) wherein it was an explosive decade internationally, witnessing
Woman Vendor a proliferation of modernist philosophies and trends that made
signed and dated 1969 (lower right) him the leading artist for the start of Neo-Impressionism in the
oil on canvas Philippines.
20” x 32 1/2” (51 cm x 83 cm)
Dela Rosa has given a new magical brand of art through his
P 15,000
stylized rendition of landscapes that are impressionistic in
nature, bordering on the surreal. He is renowned for his keen
attention to detail that had helped him forge a degree of 154
150 elegance into his captivation creations that indeed captures the Ibarra Dela Rosa (1943 - 1998)
Alfredo Buenaventura (1942 - 1982) pictorial technique of Neo-Impressionism where color pigments Landscape
Untitled (Fisher Folk) signed and dated 1996 (lower right)
are no longer mixed either on the palette or directly on canvas,
signed (lower right) oil on canvas
but instead placed as small dots side by side. It is characterized 14 1/2” x 15 1/2” (37 cm x 39 cm)
oil on canvas
by the use of the divisionism technique (often popularly but
25” x 37” (64 cm x 94 cm)
incorrectly called pointillism, a term Paul Signac repudiated). P 20,000
P 15,000

León Gallery
Apprehension of the Equine’s Peerage

Salvador Arellano’s Account of the Equus
S
alvador Arellano, also known as Dodong Art critic Cid Reyes hailed Arellano’s works as: “ Whereas most painters
Arellano has surveyed the nobility of equine will delight in landscape, a still life, a floral arrangement, a nude, or a
and cockerel themes in an internationally- portrait, Arellano will most prefer to seek the company of avian, equine,
celebrated practice. This very rich genre for his and canine creatures. Such specialist subjects may not be your typical visual
art would nevertheless bring him the respect and fare, perhaps beloved only of aficionados, but through the transforming
acclaim among those who prize such artworks - brush of Arellano, they will find their way into your hearts and delight your
his patrons included Hollywood celebrity Sylvester aesthetic sense. This artist is rara avis (rare bird) indeed.”
Stallone and prominent thoroughbred trainer D.
Wayne Lukas. The largest collection of Arellano As the son of foremost architect Juan Arellano, Salvador Arellano has built
PROPERTY FROM THE DON ANTONIO 156 157 painting abroad belongs to Dr. Madison Richardson, an art practice worthy of his family’s artistic heritage.
BANTUG COLLECTION
Roger San Miguel (b. 1940) Fernando Amorsolo (1892 - 1972)
155 former governor of the Pacific Coast Circuit of the
Untitled Portrait of a Gentleman
Simon Saulog (1916 - 1995) signed and dated 1965 (lower right) signed and dated 1958 (lower right) U.S. Polo Association.
Portrait of Francisco Balagtas Baltazar oil on paper oil on canvas
Manila, Philippines 22” x 13 1/2” (56 cm x 34 cm) 20” x 16” (51 cm x 40 cm) Arellano has also done polo paintings for Sultan
signed and dated 1947 (lower left) Bolkiah of Brunei, former British Prime Minister
oil on canvas P 15,000 P 200,000 Margaret Thatcher and a commission by Dr. Armand
15 1/2” x 11 1/2” (39 cm x 29 cm) León Gallery wishes to thank Mrs. Sylvia Amorsolo-Lazo Hammer was given as a gift to Britain’s Charles.
P 35,000 Arellano has also exhibited extensively in Japan,
Singapore, and Australia. He was also s three-
time Sole Judge in the Watercolor Category of the
bi-annual art competition sponsored by the city
government of Beverly Hills in California.
158 One of Arellano’s paintings even became the main
Rino Hernandez auction piece at the fundraising dinner hosted 159 160
a) Untitled before by Prince Philip, Duke of Edinburgh. Major Salvador Arellano (1941 - 2020) Salvador Arellano (1941 - 2020)
watercolor on paper Ronald Ferguson, former Polo Manager of the Prince Untitled Long Beach/Antelope Windsor Capital
21 1/2” x 28” (55 cm x 71 cm) of Wales, remarked: “ Salvador Arellano is the signed and dated 2008 (lower left) signed and dated 2008 (lower left)
appointed Official Artist of the Shakespeare Globe watercolor on paper watercolor on paper
b) Untitled 21 1/2” x 14 1/2” (55 cm x 37 cm) 11 1/2” x 17” (29 cm x 43 cm)
Cup polo event between the US and England based
watercolor on paper
16” x 29” (41 cm x 74 cm) on his remarkable skill at equine portraiture.”
P 40,000 P 40,000
c) Untitled
watercolor on paper
19” x 25 1/2” (48 cm x 65 cm)
d) Untitled
watercolor on paper
19” x 26” (48 cm x 66 cm)
e) Untitled
watercolor on paper
21 1/2” x 14 1/2” (55 cm x 37 cm)
f) Untitled 161 162 163

watercolor on paper Salvador Arellano (1941 - 2020) Salvador Arellano (1941 - 2020) Salvador Arellano (1941 - 2020)
29” x 21 1/2” (74 cm x 55 cm) Summers at Del Mar Will Rogers Polo Turf Course, Hollywood Park
P 30,000 watercolor on paper watercolor on paper watercolor on paper
15” x 19 1/2” (38 cm x 50 cm) 19 1/2” x 29” (50 cm x 74 cm) 14 1/2” x 19 1/2” (37 cm x 50 cm)
P 40,000 P 40,000 P 40,000

León Gallery
164
Oscar T. Salita (b. 1943)
Mother and Child
oil on canvas Juan Luna (1857 - 1899)
23” x 31” (58 cm x 79 cm) a) Portrait Study of a Gentleman
charcoal on paper
P 40,000 7 1/2” x 4 1/2” (19 cm x 11 cm)
b) Five Portrait Studies in Various Stages

charcoal on paper
165 7 1/2” x 4 1/2” (19 cm x 11 cm)
Marcel Antonio (b. 1965)
Two Women c) Untitled
signed and dated May 27, 1990 charcoal on paper
(lower right) 4 1/2” x 7 1/2” (11 cm x 19 cm)
graphite on paper
11” x 8 3/4” (28 cm x 22 cm) P 120,000
P 15,000
172
Juan Luna (1857 - 1899)
Study for Ilustrado
signed lower right
ca. 1800s
watercolor on paper
11” x 8 1/2” (28 cm x 22 cm)
P 200,000
Accompanied by a certificate issued by Ms. Ruth Francis
Provenance:
A gift from Ms. Ruth Francis to Mr. Alfonso A. Ompod, Jr.
It is no secret that the works and styles of the Western and allowing a more lasting acquaintance with the artist than
166 167
Doan Truong Giang Mercado Rey European masters helped shape the unparalleled artistry other mediums allow. Here, it is the seemingly unfinished
a) Untitled b) Untitled Market Place of Juan Luna. Though his larger and more well-known quality of the works that lends themselves to a certain kind
signed and dated 2020 (lower right) signed and dated 2019 (lower right) signed and dated 1980 (lower right) works, such as the Spolarium and the La Batalla de Lepanto, of unmistakable wit and charm. Though more impromptu
oil on canvas oil on canvas oil on canvas feature largely Romanticist influences from the likes of than his works, they still contain within them a sense of
31” x 39” (79 cm x 99 cm) 31” x 39” (79 cm x 99 cm) 18” x 22” (46 cm x 56 cm) Rembrandt, Daumier, and Delacroix, his smaller yet equally line, space, and form that has catapulted Luna as one of the
exemplary sketches reveal another side to Luna’s craft. greatest Filipino artists to have ever lived.
P 50,000 P 10,000 By taking cues from the spontaneity and energy of the
Impressionist style and movement, Luna’s sketches are able
to communicate a sense of engagement and personality,
173
Renato R. Habulan (b. 1953)
a) Karambola Series, Haplit # 3
oil on canvas
168 169 170 8” x 8” (20 cm x 20 cm)
Fidel Sarmiento (b. 1959) Oscar T. Navarro (1921 - 1973) R. Reyes
Untitled Tabi ng Dagat Untitled b) Self Portrait
signed and dated 1987 (lower left) signed and dated 1969 (lower right) signed and dated 1989 (lower right) dated 2005
oil on canvas oil on canvas oil on canvas oil on canvas
11” x 17 1/2” (28 cm x 44 cm) 28” x 40” (71 cm x 102 cm) 18” x 24” (46 cm x 61 cm) 5” x 5” (13 cm x 13 cm)
P 5,000 P 30,000 P 3,000 P 40,000

León Gallery
181
a) Claude Manoukian (b. 1936)
Ballade de Printemps IV
signed (lower right) and dated 1995
lithograph in color on BFK Rives paper
18 3/4” x 13 3/8” (48 cm x 34 cm)
b) Anatole Krasnyansky (b. 1930)

Musicale Gold
signed (lower right) dated 1996
232/350, serigraph in color on wove paper
14 13/16” x 14 13/16” (38 cm x 38 cm)
P 8,000
174 175 176 Each piece is accompanied by a certificate issued by
Park West Gallery Michigan confirming the authenticity of this lot.
Dino Gabito (b. 1989) Unidentified Artist Roger San Miguel (b. 1940)
Shroud 14 Untitled (Vendors) Still Life
signed (lower right) dated 2013 signed (lower left) signed (lower right)
graphite on board oil on panel oil on canvas
20” x 15” (51 cm x 38 cm) 23” x 10” (58 cm x 25 cm) 18 1/2” x 15 1/2” (47 cm x 39 cm)
182
P 100,000 P 5,000 P 20,000 Ibarra Dela Rosa (1943 - 1998)
Untitled (Landscape)
oil on canvas
30” x 31” (76 cm x 79 cm)
P 30,000
183
Roy Leo “Long” Lorono
Gratitude (Beams of Harvest Series 4)
Alfredo Buenaventura (1942 - 1982) Enrico Zablan (b. 1937) Oscar T. Navarro (1921 - 1973) oil on canvas
Fisher Folks Untitled Untitled (Landscape) 24” x 30” (61 cm x 76 cm)
signed (lower right) signed (lower right) signed and dated 1973 (lower right)
oil on canvas oil on canvas oil on canvas P 5,000
23 1/2” x 35” (60 cm x 89 cm) 23” x 35” (58 cm x 89 cm) 24” x 36” (61 cm x 91 cm) Accompanied by a certificate signed by the artist
P 20,000 P 20,000 P 20,000

PROPERTY FROM THE PATRICK ROSAS COLLECTION
184
180 Neil Pasilan (b. 1970)
a) R. Ramirez In My Garden
Untitled signed and dated 2019 (lower right)
signed and dated 2007 (lower right) mixed media on canvas
oil on canvas 30 1/2” x 23” (77 cm x 58 cm)
24” x 36” (61 cm x 91 cm)
P 80,000
b) Eddie Sarmiento (b. 1940)
Untitled
oil on canvas Ronald Ventura (b. 1973)
17 1/2” x 23” (44 cm x 58 cm) Anito Kristo
c) Eddie Sarmiento (b. 1940) print on Hahnemuhle paper, 1/13
Seascape framed in acrylic box
watercolor on paper
12” x 18” (30 cm x 46 cm) P 350,000

P20,000 confirming the authenticity of this lot

León Gallery
186
Anita Magsaysay-Ho (1914 - 2012)
a) Still Life
print
14 1/2” x 19 1/2” (37 cm x 50 cm)
b) Nude
print
19” x 14 1/2” (48 cm x 37 cm) 193 194 195
Ang Kiukok (1931 - 2005) Jose Joya (1931 - 1995) Elmer Borlongan (b. 1967)
P 20,000 Figure #6 and Figure #5 Mother and Child Baseball Player
signed and dated 1979 (lower right) each signed and dated 1994 (lower right) signed and dated 2020 (lower right)
print, 12/20 artist proof I Digital print on archival paper
8 1/2” x 7 1/2” (22 cm x 19 cm) each 9” x 6 1/2” (23 cm x 17 cm) 21” x 13” (53 cm x 33 cm)
P 15,000 P 10,000 P 10,000
196
Juvenal Sansó (b. 1929)
Baklad Series IV
serigraph, 138/290
13” x 19 1/2” (33 cm x 50 cm)
P 10,000
Accompanied by a certificate issued by
Fundacion Sansó confirming the authenticity of this lot.
187 188 189
Michael Jeffrey “MJ” Suayan (b. 1978) Jose Joya (1931 - 1995) Francis Magalona (1964 - 2009)
197
Untitled Mother and Child Untitled
signed (lower right) print signed (lower right)
a) Baklad Series
print 19” x 12” (48 cm x 30 cm) archival print
19” x 16” (48 cm x 41 cm) 13” x 8 1/2” (33 cm x 22 cm)
print, 68/290
P 10,000
11” x 17” (28 cm x 43 cm)
P 8,000 P 35,000
b) Baklad Series
print, 252/ 290
10 1/2” x 16 1/2” (27 cm x 42 cm)
P 20,000
Upon his return to the Philippines in 1957 from his then, Sansó’s penchant for poetic surrealism that was once
expatriation in Europe, Juvenal Sansó was pervaded with apparent especially in his Brittany Series was slowly bridled.
nostalgia, for various scenes from his blissful boyhood
welcomed him once again. The diverse sceneries in the In his appreciation of Sansó’s Baklad series, Parisien-Liberé’s
fishing village of San Dionisio, Parañaque, specifically the art critic Frank Elgar wrote: “Sansó loves very particularly to
baklad or fish traps used by small fishermen, fluttered evoke river banks and shores with fish traps constructed in
190 191 192 him towards romanticism in his paintings. The Baklad bamboo. These tall constructions become, under his brush,
James David Smillie Ang Kiukok (1931 - 2005) Anita Magsaysay-Ho (1914 - 2012) Series belongs to Sansó’s “nostalgic Philippine themes” fabulous and majestic architectures like cathedrals profiled in
Manila Cottage Fish Abstract Untitled (Nude) (as classified by Alfredo Roces) which overlapped with his an opalescent light of sunrise or sunset.”
19th century signed (lower right) print “grotesque period.” During his one-man exhibit at the
print engraving lithograph, 75/174 11 1/2” x 17 1/2” (29 cm x 44 cm) Luz Gallery in 1961, the barong-barong, the baklad, and The Baklad, together with the Barung-barong series, have
5” x 6 1/2” (13 cm x 16 cm) 11” x 12” (28 cm x 30 cm) the fishing boats were clearly noticeable, encapsulating become two of the most exemplary and easily discernible
P 10,000 the dominant themes of this period in Sansó’s art. Since paragons of a Filipino world.
P 5,000 P 15,000
Provenance:
Gallery of Prints

León Gallery
Drapery and The Oriental Influence

BenCab’s Homage to the Geisha
207
Benedicto Cabrera (b. 1942)
Looking Back
198 199 200 archival print on acid-free paper, A/P III
Jaime Zobel De Ayala (b. 1934) Santiago Bose (1949 - 2002) Dieter Korbanka (1936 - 2009) 30 1/2” x 21 1/2” (77 cm x 55 cm)
Untitled Sunday’s Best Hand from Make
embossed sealed (lower right) 1978 signed and dated 1995 (lower right) P 180,000
photograph print, 4/12 print, 16/150
7 1/2” x 7 1/2” (19 cm x 19 cm) 6” x 6 1/2” (15 cm x 16 cm) 22” x 17” (56 cm x 43 cm)
P 15,000 P 20,000 P 15,000 208

Geisha VI
archival print on acid-free paper
artist proof
28” x 11” (71 cm x 28 cm)
P 100,000
T
he Philippine art landscape has witnessed a number drapery, these two pieces by BenCab are reminiscent of the
of its artists make a name for themselves in the art artist’s Sabel series. The composition of a BenCab print is
of printmaking: From its pioneer Manuel Rodriguez, brought under a bridled approach. By coalescing geometric
Sr to Raul Isidro, Fil de la Cruz, Pandy Aviado, and even intervention and striking placement of the subjects, the
prominent artists such as Arturo Luz, Juvenal Sansó, Anita composition is compellingly disintegrated into a striking set
Magsaysay-Ho, and Mauro Malang Santos took their artistry of prints that augmented BenCab’s fine imagery.
201 202 203 to elevated heights, amplifying their versatility and style.
Juvenal Sansó (b. 1929) Abdulmari Imao (1936 - 2014) Ang Kiukok “I like to draw… And in etching, I can be very fastidious. In
Untitled Sarimanok Junkscape In the 1960s, BenCab, together with friends Virgilio print-making, you can make multiple copies,” expounding
signed (lower right) print, 12/30 24” x 16” (61 cm x 41 cm) Aviado and Justin “Tiny” Nuyda, engrossed himself in the on his experimentation with various ways to depict an image
giclee, 7/30 17” x 11” (43 cm x 28 cm) workshop of Maring Llamado Reyes and started to immerse such as employing various hues for new prints of the same
12 1/2” x 7” (32 cm x 18 cm) P 5,000 himself in printmaking. He then continued to improve his image that adds an extra layer of versatility to his artistry.
P 10,000 limited edition art poster for Galeria de las Islas
skill in the late 60s and early 70s during his expatriation BenCab is also fascinated by the unrestrained approach in
P 10,000 in London. BenCab initially used the equipment at the print-making, stating: “There’s always a surprise. You never
Chelsea School of Arts until he acquired his own etching know what you’ll see when you lift the paper.”
press in 1975. In 2005 and again in 2010, he was invited to
do a residency at the Singapore Tyler Print Institute where
greater access to print-making facilities led him to further
refinement of his art.
Looking Back and Geisha VI encapsulate BenCab’s penchant

for the art of Japanese prints – the ukiyo-e. His appreciation
for the ukiyo-e was catalyzed through his exposure to the
London antique market. This resulted in a delicacy and
stylistic development that are predisposed towards an
204 205 206 Oriental sensibility and finesse in manipulating hues and
Ephraim Samson (b. 1947) Rodolfo Ragodon (b. 1929) Joan Miro (1893 - 1983) figures. Similar to his interest in studying Filipiniana that
Untitled “Ragodon Poster” Picasso y el Reventos hand he explored in an erudite approach, BenCab augmented
signed and dated 2005 (lower right) signed and dated 1970 (lower right) signed (lower right) his grip on the ukiyo-e by obtaining and accumulating 209
signed reproduction, 12/12 serigraph, 35/131 print, 181/182 numerous pieces of this art form. Benedicto Cabrera (b. 1942)
24” x 32” (61 cm x 81 cm) 12” x 14” (30 cm x 36 cm) 21” x 27 1/2” (53 cm x 70 cm)
Untitled
Depicting figures garbed in the voluminously splendid signed and dated 1980 (lower right)
P 5,000 P 5,000 P 60,000
layers of the lavish kimono and the convoluted flow of print, 6/20
Provenance:
The Crucible Gallery
12 1/2” x 10” (32 cm x 25 cm)
P 30,000

León Gallery
210
Twins
print on Arches paper, A/P 6
15” x 11” (38 cm x 28 cm)
P 60,000
211
Homage to Sabel
print on Arches paper, A/P 6
15” x 11” (38 cm x 28 cm)
P 60,000
216
a) Mystic Seaport, Conn., USA e) Rue St. Sulpice, Montreal, Canada i) Eglise, St. Sulpice, Paris
signed and dated 1979 signed and dated 1979 signed and dated 1979
212 213 214 lithograph, 75/250 lithograph, 75/250 lithograph, 75/250
Benedicto Cabrera (b. 1942) Benedicto Cabrera (b. 1942) Benedicto Cabrera (b. 1942) 11” x 11 1/2” (28 cm x 29 cm) 11” x 11 1/2” (28 cm x 29 cm) 11” x 11 1/2” (28 cm x 29 cm)
Untitled Pamilya Untitled
signed and dated 2014 (lower right) signed and dated 1998 (lower right) signed (lower right) b) Mystic Seaport, Conn., USA f) Luxembourg Gardens, Paris j) Toronto, Ontario, Canada
digital print, 19/25 print collage/ mixed media on paper signed and dated 1979 signed and dated 1979 signed and dated 1979
28” x 18 1/2” (71 cm x 47 cm) 5 1/2” x 4 1/2” (14 cm x 11 cm) 9 1/2” x 6” (24 cm x 15 cm) lithograph, 75/250 lithograph, 75/250 lithograph, 75/250
11” x 11 1/2” (28 cm x 29 cm) 11” x 11 1/2” (28 cm x 29 cm) 11” x 11 1/2” (28 cm x 29 cm)
P 40,000 P 15,000 P 100,000 g) Hotel Nelson, Montreal, Canada
c) Eglise Notre Dame de Bon Secour, signed and dated 1979 k) Vancouver, BC, Canada
Montreal, Canada lithograph, 75/250 signed and dated 1979
signed and dated 1979 11” x 11 1/2” (28 cm x 29 cm) lithograph, 75/250
215
lithograph, 75/250 11” x 11 1/2” (28 cm x 29 cm)
Fernando Zobel (1924 - 1984)
11” x 11 1/2” (28 cm x 29 cm) h) Eglise, St. Sulpice, Paris
a) Deportiva Futbol Estado
signed and dated 1979 l) Niagara, Ontario, Canada
d) Serena Gandy Park, Toronto, Canada lithograph, 75/250 signed and dated 1979
etching, 32/35
signed and dated 1979 11” x 11 1/2” (28 cm x 29 cm) lithograph, 75/250
5” x 6 1/2” (13 cm x 17 cm)
lithograph, 75/250 11” x 11 1/2” (28 cm x 29 cm)
11” x 11 1/2” (28 cm x 29 cm)
b) Untitled
P 120,000
etching, 32/35
5” x 6 1/2” (13 cm x 17 cm)
P 25,000

León Gallery
221 222
Mauro Malang Santos (1928 - 2017) Mauro Malang Santos (1928 - 2017) b) Untitled
Untitled a) Untitled signed and dated 1982 (lower right)
signed and dated 1982 (lower right) signed and dated 1982 (lower right) A/P
A/P lithograph, 6/35 11” x 12” (28 cm x 30 cm)
217 218 219 11” x 12” (28 cm x 30 cm) 10” x 11” (25 cm x 28 cm)
Manuel Rey Isip (1904 - 1987) Ibarra dela Rosa (1943 - 1998) Jose Joya (1931 - 1995) P 20,000
The Fighting Filipinos Binondo Church Women P 10,000
print signed and dated 1978 (lower right) signed and dated 1956 (lower right)
26” x 40 1/2” (66 cm x 101 cm) print, A/P print
10 1/2” x 8 1/2” (27 cm x 22 cm) 17 1/2”x 11 1/2” (44 cm x 29 cm)
P 100,000
P 5,000 P 15,000
223 224
Mauro Malang Santos (1928 - 2017) Mauro Malang Santos (1928 - 2017)
Untitled Barrio Scene
signed (lower right) print
serigraph, 200/207 13” x 24” (33 cm x 61 cm)
10” x 22” (25 cm x 56 cm)
P 5,000
P 15,000
225
220 Flower Vendor
Manuel Rodriguez, Sr. (1912 - 2017) signed and dated 1996 (lower right)
a) Amulet serigraph, 46/50
signed and dated 1970 (lower right) d) Untitled g) Aguador 22” x 16 1/2” ( 56 cm x 42 cm)
embossed serigraph, 1/5 etching, 13/50 signed (lower right)
13” x 10” (33 cm x 25 cm) 11” x 9” (28 cm x 23 cm) etching P 35,000
6” x 5” (15 cm x 13 cm) Accompanied by a certificate issued by Artprints
Philippines, Inc.confirming the authenticity of this lot
b) Fish Vendors e) Family
signed (lower right) signed (lower right) h) Intaglio Garnet
etching etching signed (lower right)
10” x 9” (25 cm x 23 cm) 11”x 9” (28 cm x 23 cm) etching
11 1/2” x 7” (29 cm x 18 cm) 226
c) Three Prison f) Untitled Mauro Malang Santos (1928 - 2017)
signed (lower right) signed (lower right) i) Study of Warrior on Stone Barrio Scene
etching, 1/5 etching signed (lower right) signed (lower right)
13”x 10 1/2” (33 cm x 27 cm) 6” x 5 1/2” (15 cm x 14 cm) A/P, etching 2/231
9 1/2” x 14” (24 cm x 36 cm) 10” x 12” (25 cm x 30 cm)
P 40,000 P 15,000

León Gallery
235
a) Justin James Wright (b. 1966)
Aeta Lady, Sinukwan Festival
print on archival matte textured 100%
cotton paper
11” x 8 1/2” (28 cm x 22 cm)
b) Albert Corbi Llorens

Red Night
limited edition, numbered 4713
227 228 229 photo print on paper
Orlan Castillo MM Yu (b. 1978) Juvenal Sansó (b. 1929) 10” x 13” (25 cm x 33 cm)
Untitled In-Transit Untitled
serigraph 2013 - 2015 signed (lower right) P 8,000
17 1/2” x 23” (44 cm x 58 cm) print on wood print, 40/50
edition 3 of 3 9 1/2” x 10 1/2” (24 cm x 27 cm)
P 2,000 11 1/2” x 15 1/2” (29 cm x 39 cm)
236
P 15,000
a) Anita Magsaysay-Ho (1914 - 2012)
P 2,000
Nude
Accompanied by a certificate issued by 1335Mabini
print
11 1/2” x 19 1/2” (20 cm x 50 cm)
b) Carlos V. Francisco (1912 - 1969)

230 Untitled
Francois Nicolas Martinet (1731 - 1800) signed printed (lower right)
Philippine Brownrail and Robins serigraph
hand-colored engraving 10” x 10 1/2” (25 cm x 27 cm)
12 1/2” x 9” (32 cm x 23 cm) each
P 15,000
P 10,000
237
Alex Van Hagen
231 a) Untitled
Cesare A. X. Syjuco (b. 1953) signed and dated 2010 (lower right)
Literary Hybrids: FLASHES OF GENIUS photograph, 3/5
signed and dated (lower right) 17” x 24” (43 cm x 61 cm)
print
16” x 13” (41 cm x 33 cm) b) Via Appia
signed (lower left)
P 8,000 etching, 54/75
8 1/2” x 12” (22 cm x 30 cm)
P 10,000
238
a) Joel Olivares
Church
computer print on paper
10 1/2” x 14 1/2” (27 cm x 37 cm)
b) Maridi Nievera
232 233 234 Untitled (Venice)
Anita Magsaysay-Ho (1914 - 2012) Edith Morales Manuel Rodriguez, Sr. (1912 - 2017) signed (lower right)
Flowers Yosemite Valley, Yosemite California Sweet Cart oil on canvas
hand signed and dated 1990 (lower right) signed (lower right) dated 2005 (lower left) signed (lower right) 14 1/2” x 10 1/2” (37 cm x 27 cm)
Provenance:
print, 186/300 print, 1/15 serigraph
L’Arc En Ciel Art Gallery
13” x 16” (33 cm x 41 cm) 23” x 22 1/2” (58 cm x 57 cm) 25” x 20” (64 cm x 51 cm)
P 10,000
P 15,000 P 3,000 P 10,000

León Gallery
242
Felipe V. Adriano, Jr.
a) San Agustin Church and
Intramuros Houses 1900
lithograph
239 12” x 17” (30 cm x 43 cm)
Arturo Luz (b. 1926)
Leaves II b) Sunday in Quiapo 1904
10 pcs. lithograph
signed (verso) 12” x 17” (30 cm x 43 cm)
photograph, series 7/20
11 1/2” x 8 1/2” (29 cm x 22 cm) each c) San Sebastian and Tranvia 1909
lithograph
P 250,000 12” x 17” (30 cm x 43 cm)
d) The Cathedral Plaza Mayor 1852

lithograph
12” x 17” (30 cm x 43 cm)
10,000
243
Park Hang-Ryul (b. 1950)
Untitled I and II
240 digital print, edition 46/50 and 49/50
Arturo Luz (b. 1926) 14” x 11” (36 cm x 28 cm) each
Leaves III
10 pcs. P 5,000
signed (verso)
photograph, series 13/20
11 1/2” x 8 1/2” (29 cm x 22 cm) each
244
P 250,000 Fernando Zóbel (1924 - 1984)
a) Untitled
etching
21” x 14” (53 cm x 36 cm)
b) Untitled
etching, 3/20
13” x 10” (33 cm x 25 cm)
c) Untitled
etching
8” x 8” (20 cm x 20 cm)
P 40,000
241
Arturo Luz ( 1926 - 2021)
Untitled I and II 245
signed (lower left) a) Isabel Diaz (b. 1943)
lithograph, 4/150 and 24/150 Mixed Doubles
12 1/2” x 12 1/2” (32 cm x 32 cm) signed (lower right)
13 1/2” x 14 1/2” (34 cm x 37 cm) lithograph, 74/500
21 1/2” x 30” (55 cm x 76 cm)
P 10,000
b) Leo Garcia
Children Playing
oil on canvas
29” x 23” (74 cm x 58 cm)
P 12,000

León Gallery
PROPERTY FROM THE CHRIS BROOKS COLLECTION
249
246
J. Smit
Fernando Zóbel (1924 - 1984)
Limnaetus Philippensis
a) Prueba
(Philippine Hawk Eagle)
lithograph with original hand-coloring by J.
etching
Smit from the Transactions of the Zoological
2” x 2 1/2” (5 cm x 6 cm)
Society of London, volume 9, 1875.
11” x 8” (28 cm x 20 cm)
b) Pais Ajillo
P 10,000
etching, 77/100
7” x 7” (18 cm x 18 cm)
c) Eclipse
signed (lower right) 250
etching, 69/80 Dicaeum Mindanense , Nectarophila
7” x 7” (18 cm x 18 cm) Juliae or the Buzzing Flowerpecker
249 250
and Purple-throated Sunbird, both

P 30,000 Philippine birds
Provenance: Lithograph with original hand-colouring by
J. Smit from the monumental work by SIR
CHARLES WYVILLE THOMSON (1830-1882)
AND JOHN MURRAY, (EDITORS) entitled
PROPERTY FROM THE CHRIS BROOKS COLLECTION Report on the Scientific Results of the
voyage of HMS Challenger during the years
247 1873-6. London, Edinburgh etc.: H.M.S.O.
Fernando Zóbel (1924 - 1984) for Longman & Co. [and others],
a) El Jardin 1880-1895.
etching, 12/50 P 10,000
8” x 9 1/2” (20 cm x 24 cm)
b) La Ventana
251
etching, 43/50 251
14” x 11” (36 cm x 28 cm) Bernhard Otto (1745 - 1835)
Philippinische Grünspecht, Manillische
c) Prueba Specht and Philippinische Eisvogel
signed (lower right) (Philippine green woodpecker, Manila
etching woodpecker and the Philippine Kingfisher)
14” x 11” (36 cm x 28 cm) One lot consisting of 3 copper engravings
with original hand-coloring by Bernhard
P 40,000 Otto (1745-1835) from Naturgesichte der
Provenance: Vogel or The Natural History of Birds.
A gift from the artist to the present owner Berlin, 1788.
a) 6” x 4” (15 cm x 10 cm)
b) 6” x 3 1/2” (15 cm x 9 cm)
PROPERTY FROM THE CHRIS BROOKS COLLECTION c) 5 1/2” x 3 1/2” (14 cm x 9 cm)
248
Fernando Zóbel (1924 - 1984) P 15,000
a) Los Grajos
etching, 42/50
11” x 9” (28 cm x 23 cm) 252
François-Nicolas Martinet (1731 - 1800)
b) Untitled Merle solitaire des Philippines or Philippine
signed and dated 1964 (lower right) Thrush, Femelle de Calais de l’isle de
etching, 45/60 Panay or a Female Panay Hornbill, Merle
11” x 13 1/2” (28 cm x 34 cm) de Mindanao, Merle Dominiquain de
Philippines or Two types of Philippine Robin
c) Untitled and Merle de Mindanao, Merle solitaire des
signed and dated 1964 (lower right) Philippines or Philippine Thrush
etching, 44/50 One lot of 4 copper engravings of
11” x 14” (28 cm x 36 cm) Philippine birds with original hand-coloring.
Paris, ca. 1770:- 1786.
P 40,000 e - h) 10” x 8” (25 cm x 20 cm)
Provenance:
P 18,000
252

León Gallery
259
Untitled (Abstract)
acrylic on canvas
47” x 59” (119 cm x 150 cm)
b) Unidentified Artist
Untitled (Abstract)
signed (lower left)
acrylic on canvas
59” x 59” (150 cm x 150 cm)
253 254 255 c) Unidentified Artist

Louis Choris (1795 -1828) Louis Choris (1795 -1828) A View Of The Cape Of Espiritu Santo, Untitled (Abstract)
Costumes de des Malais de L’Isle de Filles Montagnes Dans L’île de Luzon On Samal, One Of The Philippine Islands signed (upper right)
Luzon (Costumes of the Malays in the (Woman from the Mountains of Luzon) London, 1748 acrylic on canvas
Island of Luzon) Lithograph with hand-colouring taken Hand-colored copper engraving 55” x 51” (140 cm x 130 cm)
Lithograph with hand-colouring taken from from the work of Louis Choris (1795 with folds as issued
the work of Louis CHORIS (1795 -1828) -1828) Picturesque journey around the 9” x 18” (23 cm x 46 cm) P 20,000
Picturesque journey around the world with world with the Russian Captain Otto
the Russian Captain Otto KOTZEBUE Kotzebue (1787 - 1846), published P 3,000
(1787 - 1846), published in Paris in 1822. in Paris in 1822
9” x 12” (23 cm x 30 cm) 12 1/2” x 9” (32 cm x 23 cm)
P 3,000 P 3,000
260
256 Ivan Acuña (b. 1968)
Habitans de Manille/Malais de lisle de a) Abstract
Luçon (Inhabitants of. Manila/Malays signed and dated 2017 (lower right)
of Luzon Island) acrylic on canvas
2 French engraved costume studies of 49” x 48” (124 cm x 122 cm)
Filipinos with original hand-coloring taken
from mid-19th century travel accounts. b) Abstract
Paris, ca. 1855. signed and dated 2017 (lower right
a) 6” x 8” (15 cm x 20 cm) acrylic on canvas
b) 9” x 6” (23 cm x 15 cm) 48” x 49” (124 cm x 122 cm)
P 5,000 P 70,000
257
Eglise de Mahaijay and Tour de
Cathedrale de Manille apres le
Tremblement de Terre (Majayjay Church
and the Tower of Manila Cathedral
after the Earthquake)
hand-colored woodblock engravings
showing 2 Philippine Churches from the
travel accounts of Alfred Marche.
Paris, 1886.
a) 7” x 10” (18 cm x 25 cm)
b) 7” x 10” (18 cm x 25 cm)
c) 6” x 7 1/2” (15 cm x 19 cm)
P 10,000
261 262 263

Ivan Acuña (b. 1968) Ivan Acuña (b. 1968) Ivan Acuña (b. 1968)
258 Metalscape Metalscape Series lll Metalscape Series
Unidentified Artist signed and dated 2005 (lower right) signed and dated 2008 (lower right) signed and dated 2021 (lower right)
3 pcs. artworks acrylic on canvas acrylic on canvas oil on canvas
pen and ink and watercolor 36” x 54” (89 cm x 137 cm) 42” x 54” (106 cm x 137 cm) 42” x 54” (107 cm x 137 cm)
a) Fernandez Coat of Arms:
13” x 10” (33 cm x 25 cm) P 35,000 P 50,000 P 50,000
b) Ifugao Dancing:
8 1/2” x 6” (22 cm x 15 cm) each confirming the authenticity of this lot
P 3,000

León Gallery
264 267
a) Buenaventura J. D. Castro (1908 - 1994)
Seashore a) Maginang Pulubi
signed (lower left) signed and dated 1974 (lower right)
oil on canvas oil on canvas
12” x 15” (30 cm x 38 cm) 22” x 16” (56 cm x 41 cm)
b) Buenaventura b) Mother and Child

Market Scene signed and dated 1974 (lower left)
signed (lower left) oil on board
oil on canvas 22” x 16” (56 cm x 41 cm)
12” x 14 1/2” (30 cm x 37 cm)
267 c) Untitled (Still Life)
c) ladin Antiqueno (b. 1971) signed and dated 1967 (lower left)
Silip oil on canvas
oil on canvas
36” x 36” (91 cm x 91 cm) P 25,000
P 35,000 268
a) Leonardo Zablan (b. 1937)
Untitled
264 signed (lower right)
oil on canvas
265 24” x 36” (61 cm x 91 cm)
a) F. Montilla
Untitled b) Eddie B. Sarmiento (b. 1940)
signed (lower right) Candle Vendor
23 1/2” x 17 1/2” (60 cm x 44 cm) oil on canvas
21” x 31” (53 cm x 79 cm)
b) Raul Patindol (b. 1963)
Still Life 268 c) Gabriel Custodio (1912 - 1993)
signed and dated 1999 (lower right) Still Life
oil on canvas signed and dated 1978 (lower left)
31 1/2” x 23 1/2” (80 cm x 60 cm) pastel on paper
31” x 25” (79 cm x 64 cm)
c) Melencio Sapnu (b. 1959)
Kulay Kapayapaan P 30,000
265 a 265 b 265 c signed and dated 1994 (lower left)
oil pastel on paper 269
30” x 24” (76 cm x 61 cm) a) Miguel Galvez (1912 - 1989)
Untitled
P 20,000 signed (lower right)
oil on canvas
23” x 17” (58 cm x 43 cm)
b) Ephraim Samson (b. 1947)

266 Luneta Chinese Garden
a) Mike Herrera signed and dated 1974 (lower right)
Seashore and Bouquet of Flower oil on canvas
signed (lower right) each 18” x 23” (46 cm x 58 cm)
oil on canvas
8 1/2” x 11 1/2” (22 cm x 29 cm) each c) Oscar T. Navarro (1921 - 1973)
266 a Untitled
b) Cesar Buenaventura (1922 - 1983) 269 signed and dated 1968 (lower left)
Landscape and Seascape oil on canvas
signed and dated 1978 (lower right) each 22” x 28” (56 cm x 71 cm)
oil on canvas
9” x 12” (23 cm x 30 cm) each P 45,000
P 30,000 270
Leonardo Zablan (b. 1934)
Abstract Composition I and II
oil on canvas
9” x 11 1/2” (23 cm x 29 cm) each
270
P 15,000
266 b

León Gallery
Dissecting the Unorthodox

An Anatomy of Lee Aguinaldo’s Avant-Garde Artistry
271
Roberto Chabet (1937 - 2013)
Untitled
signed (bottom)
mixed media on paper
13” x 7” (33 cm x 18 cm)
PROPERTY FROM THE MELBA ARRIBAS COLLECTION
P 40,000 278
Lee Aguinaldo (1933 - 2007)
The Freeze Freak
pencil, printer ink, acrylic on paper
(frottage)
12” x 27” (31 cm x 69 cm)
P 80,000
Literature:
Herrera, Ma. Victoria, et al. The Life and Art of Lee Aguinaldo.
Vibal Foundation, Inc. and Ateneo Art Gallery.
Quezon City. p. 213.
279
Lee Aguinaldo (1933 - 2007)
The Forest During a Blizzard
(Hotel Frederic, Manila, PI)
signed and dated 1979 (lower right and verso)
graphite on paper (frottage)
9” x 24 1/2” (23 cm x 62 cm)
272 273 274 P 100,000

Romeo Lee (b. 1958) Rudolf Hausner (1914 - 1995) Yasmin Sison-Ching (b. 1972)
Eyes Everywhere Gelber Narrenhat Objects in Tables, Objects on Chairs 6
signed and dated 2018 (lower right) signed (lower right) dated 2016
oil on canvas lithograph, 440/1000 mixed media
28” x 22” (71 cm x 56 cm) 25” x 21” (64 cm x 53 cm) with frame: 13 1/2” x 10 1/2”
(34 cm x 27 cm)
P 15,000 P 25,000
P 35,000
Accompanied by a certificate issued by MO_Space
T
hese works by Lee Aguinaldo from the private Art through incorporating printed images from fashion
collection of his beloved Melba Arribas encapsulate magazines such as Harper’s Bazaar into his paintings. He
the celebrated artist’s contribution to Philippine took inspiration from his latest copies of art magazines and
contemporary art. Although he never underwent any formal explored various processes. Frottage (surface rubbings),
education in the arts, Aguinaldo passionately developed pencil, image transfers, collages, and acrylic synthesis were
an experimental style, acquiring influences from the artists incorporated into his mixed-media works. In these works,
he admired such as Jackson Pollock, Rembrandt, and Mark Aguinaldo employed his sophisticated medium called
Rothko. His clear-cut artistry was shaped by techniques and frottage, a visual art form wherein a pencil, pen, or other
275 276 277
approaches that veered from traditional art standards. graphic media is stroked over an uneven surface to generate
Darwin Camero Angelito David (b. 1936) Oscar T. Navarro (1921 - 1973)
various designs. Aguinaldo applied the technique to create
Pahinga ni Juan Untitled Seascape
signed and dated 1990 (lower right) dated 1975 signed and dated 1967 (lower right) Aside from being a highly acclaimed abstractionist, Lee an assemblage of visuals which made him a pioneer in
oil on canvas watercolor on paper oil on canvas Aguinaldo also became prominent in his figurative works. exploring and understanding the sensibilities of pop art.
18” x 24” (46 cm x 61 cm) 10” x 14” (25 cm x 36 cm) 24” x 36” (61 cm x 91 cm) He was a quintessential innovator, becoming one of the
artists who spearheaded the adoption of the ideas of Pop
P 15,000 P 5,000 P 20,000

León Gallery
280 281 282

Macario Vitalis (1898 - 1990) Macario Vitalis (1898 - 1990) Macario Vitalis (1898 - 1990)
Untitled Trois Voiliers Trois Voiliers
oil on canvas signed (lower left) signed (lower left) 286 287 288
7 1/2” x 10” (19 cm x 25 cm) oil on canvas oil on canvas Ferdinand Doctolero (b. 1965) Loreto Racuya (b. 1940) Carlos Filart
18” x 24” (46 cm x 61 cm) 18” x 24” (46 cm x 61 cm) Untitled Untitled Mga Nazareno ng Quiapo:
P 70,000 signed and dated 2008 (lower right) signed and dated 1991 (lower right) Anting Anting ni Neneng
P 150,000 P 150,000 acrylic on paper oil on canvas signed and dated 2009 (lower right)
Accompanied by a certificate issued by Accompanied by a certificate issued by 15 1/2” x 11 1/2” (39 cm x 29 cm) 16” x 18” (41 cm x 46 cm) oil on canvas
The Comité Vitalis confirming the authenticity of this lot The Comité Vitalis confirming the authenticity of this lot
14” x 18” (36 cm x 46 cm)
P 5,000 P 20,000
M
P 5,000
acario Vitalis’ unique brand of art is one defined and culture scene. This disposition heavily informed his
by change and evolution. A native of Ilocos Sur, earlier works which featured palpable
Vitalis sought to fuel his passion for the arts by and dynamic colors, shapes, and forms.
broadening his horizons on the world stage. He left the
country for San Francisco in 1917 where he studied art After World War II he found himself in France’s north
while supporting himself with a number of odd jobs. In westernmost region, Brittany. Surrounded by the region’s
1926, he left the USA and set his sights on the exciting art rugged yet scenic coastline, Vitalis began experimenting
scene of Europe. He settled in France where he absorbed with a wholly novel style, one that sought to test the limits
the hustle and bustle of Puteaux, a suburb located within of French Post-Impressionism while maintaining a sense of
the heart of Paris. Vitalis was able to mingle with Pablo renewed vigor. Vitalis’ Pointillism, with its ability to denote
Picasso and a number of other revered French artists. He depth and tone through a variety of dots and circles, is now
eventually adopted the then-eclectic style of Cubism that considered a cornerstone of Filipino Modernism as a truly
portrayed the mood and ambiance of Europe’s pre-war arts ingenious form of artistic practice.
289 290
Cid Reyes (b. 1946) Cid Reyes (b. 1946)
“Alon” Wave Series Blue Lagoon
signed (lower right) and dated 2021 signed (lower right and verso) dated 2020 (verso)
(verso and lower right) acrylic on canvas
acrylic on canvas 24” x 48” (61 cm x 122 cm)
24” x 48” (61 cm x 122 cm)
P 45,000
P 45,000
As both a renowned artist and a revered art critic, Cid It is rare to find an individual who has wholeheartedly
Reyes’ relationship with his art and practice is one that embraced both sides of the aesthetic system, though such
283 284 285 is both emotionally poignant yet critically reserved. After a synthesis is not without its benefits. Thus, Reyes’ work
Macario Vitalis (1898 - 1990) Macario Vitalis (1898 - 1990) Macario Vitalis (1898 - 1990) graduating from De La Salle University Manila, Reyes manages to exude both formal and philosophical qualities.
Untitled (Landscape) Untitled (Landscape) Untitled managed to mount his first at Print Gallery in 1969. This The artist’s works are often arranged in such a way that
signed (lower left) signed (lower right) oil on canvas was then followed by two more shows, one at F. Sionil Jose’s maximizes both the physical space of the canvas and the
oil on canvas oil on canvas 13 1/2” x 9 1/2” (34 cm x 24 cm) Solidaridad Gallery in 1970 and one at Hyatt Hotel in 1972. visual harmonies of his elements. Yet, it is this mixture of
16” x 13” (41 cm x 33 cm) 18” x 15” (46 cm x 38 cm) His promising artistic genius eventually landed him a grant color, shape, and form that ultimately points towards an
P 80,000
to study at Academia Belli di Belli Arti in Rome. underlying philosophical force, one that points the viewer
P 100,000 P 100,000
towards a true and engaging experience.
Accompanied by a certificate issued by The Accompanied by a certificate issued by The
Comité Vitalis confirming the authenticity of this lot Comité Vitalis confirming the authenticity of this lot

León Gallery
Pageant of Hues
The Spirited Art of Pacita Abad
291
Roger San Miguel (b. 1940)
a) Still Life
acrylic on canvas
23 1/2” x 17 1/2” (60 cm x 44 cm)
297
b) Still Life Pacita Abad (1946 - 2004)
signed and dated 1995 (lower right) ... and Sixteen Followed
watercolor on paper signed (lower right)
13” x 17” (33 cm x 43 cm) oil, broken glass stitched on canvas
6” x 6” (15 cm x 15 cm)
P 25,000
P 30,000
292
Vicente Manansala (1910 - 1981)
Untitled (Still Life)
watercolor on paper Pacita Abad (1946 - 2004)
8” x 10” (20 cm x 25 cm) Good Time Buttons
P 80,000 oil and glitter on canvas
20” x 16” (51 cm x 41 cm)
P 50,000
293
Jose Joya (1931 - 1995)
K
Untitled nown for her vibrant colors and eclectic aesthetic, to unearth the hidden beauty of everyday life through her
signed and dated 1957 (lower left and right) Pacita Abad is often referred to as the most renowned carefully structured yet undoubtedly emancipatory process.
oil on canvas Filipina artist of her generation on the international Both pieces exquisitely communicate the aesthetics of simple
7” x 8” (18 cm x 20 cm) stage. A native of Batanes, Abad initially thought of pursuing lines, shapes, and contours by juxtaposing the rotundness of
a career in politics. This goal of her’s eventually came to a her central figures with the rigidness of her motifs, creating a
P 450,000 standstill after her family was forced to flee the country due harmonious balance between opposites.
Accompanied by a certificate issued by Josefa Joya Baldovino
to a number of reasons. It was abroad, namely in the United
confirming the authenticity of this lot States of America, that Abad found her passion for the arts.
In 1971, she studied painting at the Corocan School of Art in
Washington DC, an experience she supplemented with further
studies at New York’s Arts Students League.
Initially animated by both her personal experiences and the

shifting intellectual landscape of the 70s and 80s, Abad’s
earlier works contained imaginative pastiches of Filipino pre-
colonial and colonial aesthetics inflected with an unmistakable
postmodern flair. After her constant sojourns around the
world, Abad’s practice eventually evolved to accommodate the
vivacity of her palette. Rich swathes of colors and spirited swirls
of paint and other materials fill Abad’s bountiful and engaging
artistic cosmos. Abad’s 1990 oil on canvas piece titled Confetti
contains all the hallmarks of Abad’s abstract imagery. From 299
294 295 296
her use of a solid and earthy palette, to ethnic and indigenous Pacita Abad (1946 - 2004)
Unidentified Artist Gamaliel Subang (b. 1940) R. Faustino
inspired shapes and patterns, Confetti reimagines traditional Confetti
La Tienda de Teatro Landscape Untitled
visual cues for the modern aesthetic landscape. While ...And signed and dated 1990 (lower right)
signed and dated 1963 (lower right) signed and dated 1973 (lower right) signed (lower right)
oil on canvas
pen and ink and crayon on paper oil on canvas oil on canvas Sixteen Followed and Good Time Buttons belong to Abad’s
14 1/2” x 19” (37 cm x 48 cm)
14 1/2” x 19” (37 cm x 48 cm) 10” x 14” (25 cm x 36 cm) 18” x 23” (46 cm x 58 cm) Abstract Assemblages works. By utilizing an assortment of
both traditional and non-traditional materials, Abad is able P 50,000
P 2,000 P 10,000 P 5,000

León Gallery
300
Peter Max (b. 1937)
Liberty Head Collage, 1 Fitz Herrera, an abstract artist from Caloocan and an advertising
signed in acrylic (lower left) dated 1997
graduate from the University of the East - College of Fine Art, Herrera
copyright stamp (verso)
worked at Universal Records as a graphic artist producing event
mixed media with collage and acrylic on
wove paper posters,album covers and the likes. His earlier works won him some
8 1/2” x 7 1/2” (22 cm x 19 cm) titles including the Metrobank Art and Design Excellence (MADE)
award where he landed third place in 2004 among others. Eventually,
P 5,000 Herrera found freedom in abstraction and started gaining attention to
Accompanied by a certificate issued by Park West Gallery his illustrious career.
Michigan confirming the authenticity of this lot.
His works are the direct transmission of his overwhelming emotions.

305 Herrera’s process of creating his works is very physical, in which
Fitz Herrera (b. 1978) he energetically covers the surfaces of his canvases with bold and
301 Urban Race
Buboy Canafranca vibrant colors, lines and thick layers of paint that are worked and
signed and dated 2006 (verso)
Untitled (Meat Painting) oil on canvas reworked - making the texture becoming an object as well as a space -
oil and acrylic on vinyl record 48” x 72” (122 cm x 183 cm) overflowing with restless energy. Finding freedom in abstraction as well
D: 12” (30 cm) as expressing life’s triumphs and pains is what Herrera experienced.
P 60,000
P 18,000
Accompanied by a certificate issued by Vinyl on Vinyl
302
Nathaniel San Pedro
Wanderer Series: Mountain White-Eyed
mixed media on canvas
D: 18” (46 cm)
wood frame: 24” x 24” (61 cm x 61 cm)
P 5,000
306 307 308
Fitz Herrera (b. 1978) Fitz Herrera (b. 1978) Fitz Herrera (b. 1978)
Intense Collide You Thought It Was Figure
signed and dated 2016 (lower right) signed and dated 2006 (lower right) But It’s Not Series
acrylic on canvas acrylic on canvas signed and dated 2017 (lower right
60” x 48” (152 cm x 122 cm) 48” x 48” (122 cm x 122 cm) and verso)
303 acrylic on canvas
Ranelle Dial (b. 1977) P 50,000 P 40,000 24” x 24” (61 cm x 61 cm)
Batch 2003
signed and dated 2005 (lower right) P 20,000
oil on canvas
24” x 24” (61 cm x 61 cm)
P 10,000
309
304 Diosdado M. Lorenzo (1906 - 1984)
Geraldine Javier (b. 1970) Untitled (Landscape)
Frida Kahlo and Van Gogh, signed and dated 1976 (lower right)
Deconstructed Project oil on canvas
5” x 5” (13 cm x 13 cm)v 14 1/2” x 21 1/2” (37 cm x 55 cm)
P 3,000 P 70,000

León Gallery
Threading the Detailed Landscape

Raffy Napay’s Embroidered World
310 311
312
Carlo A. Gabuco (b. 1981) Juanito Torres (b. 1978)
Diosdado Lorenzo (1906 - 1984)
Actions/Reactions Laro
Lady with Banga
oil and collage on canvas signed and dated 2010 (lower right)
48” x 36” (122 cm x 91 cm) oil on canvas
oil on panel
35” x 24” (89 cm x 61 cm)
32” x 24” (81 cm x 61 cm)
P 15,000 314
P 35,000 Raffy T. Napay (b. 1986)
P 150,000
Good Night
thread and plastic cover on canvas
46” x 38” (117 cm x 97 cm)
P 80,000
N
Roberto “Bobby” Chabet was a renowned Filipino conceptual artist
o other Filipino artist today has transformed the art on an artwork. Seeing that his threaded works demanded
whose work played a fundamental role in the rise of contemporary art
of sewing into such a breathtaking accomplishment just as much time and attention to detail as painting,
in the Philippines. He is acknowledged as the “most influential Filipino
as Raffy T. Napay. He graduated from Eulogio he started to equip himself with a needle in place of a
artist of the postwar generation.” Chabet’s works are diverse and
Amang Rodriguez of Science and Technology (EARIST) brush, thread and fabric as for paint. Napay then looks
sought for a more inclusive method of artistic expression - escaping
in 2009 with a Fine Arts degree and whilst in school, at his canvas as he would a painting - his lines sewn by a
the inflexibility of the structures brought by 1960s Modernism, he
he started gaining recognition for his skill. His works machine and woven by hand - the result is breathtaking
undertook a passionate quest for meaning not just in abstraction but
are made up of multi-colored threads intricately sewn pieces that explore depth and complexity in a different way
also in the value of unadorned commonplace objections in day to day
(and sometimes tufted) onto canvas, may technically be than just miming light.
life. He saw himself foremost as a seeker of the sublime. He liked to
considered as tapestries and yet, by just a quick glance,
hold on to the promise of art, which is essentially an all-encompassing
one can tell that his creation evokes scene from day-to- “(His) alchemy,” writes Fr. Jason Dy, SJ in the catalog text
awareness that transcends time and space - bridging his concept of art
day life as well as symbolic journeys into the interiority of of Napay’s exhibition Sanctuary, “lies in exploring the
and life is faith - a hopeful belief that one can be something else apart
the self. It transcended the humble materials, casting off potential of craft materials and tools as a medium for
from what one is however, he was also aware and familiar with the
a splendor and expressiveness that can rival the nobility of communicating his artistic ideas. He has been successful
leveling pull of gravity as an equally liberating force.
oils and acrylic. in appropriating the tailor’s skills of stitching and tufting
313 into his own creative processes. The repetitive acts of
Roberto Chabet (1937 - 2013) Growing up with a seamstress mother, Napay being disentangling and entangling twined threads as well as
Untitled exposed to a wide variety of threads, cotton and fabrics sewing them into canvases and other scraps of fabrics have
signed and dated 1964 (lower right) gave him a strong ground to a different world of creativity become performative acts of deconstructing his experience
mixed media on paper due to the limited space and lack of ventilation of their of humanity and environment in order to build his
11” x 8” (28 cm x 20 cm) Caloocan-based home that made him developed an particular synthetic view on the complementarity of familial
adverse allergy to oil paint, his original chosen medium. and natural habitations, and the interconnectedness of
P 40,000 He was able to realize the creative process beneath the persons towards their quest for growth and wholeness.”
threads and fabrics, finding it quite similar with the use of
paint - from early conceptualization to finishing touches

León Gallery
315 316 317

Aubrey Fajardo Michelle Pauline Lim Gilberto Magpantay (b. 1951)
Gemini Hakuna Matata Profile of a Would-Be
signed and dated 2018 (lower center) signed and dated 2008 (lower right) signed and dated 1984 (lower right)
oil on canvas acrylic and oil on canvas mixed media
48” x 48” (122 cm x 122 cm) 36” x 36” (91 cm x 91 cm) 24” x 24” (61 cm x 61 cm) 323 324 325
Jonas Eslao (b. 1984) Bernardo Pacquing (b. 1967) Romeo Tabuena (1921 - 2015)
P 20,000 P 25,000 P 40,000 A Show of Pluck George Portrait on a Man
signed and dated 2014 (lower right) signed and dated 2007 (lower right) signed (lower center)
confirming the authenticity of this lot acrylic on canvas mixed media graphite on paper
22” x 18” (56 cm x 46 cm) 16 1/2” x 12 1/2” (42 cm x 32 cm) 10” x 8” (25 cm x 20 cm)
P 15,000 P 40,000 P 40,000
318 319 320

Galo B. Ocampo (1913 - 1985) Hermie Santo Antonio Dumlao (1912 - 1983)
Wedding at Canaa Palabas Ngayon: Katutubong Untitled (Portrait)
signed and dated 1958 (lower right) Macho Dancer signed (lower right) 326
graphite on paper acrylic on laminated wood charcoal on paper Marcel Antonio (b. 1965)
19” x 15” (48 cm x 38 cm) 19” x 10” (48 cm x 25 cm) 24” x 18” (61 cm x 46 cm) Summer Place
oil on canvas
P 30,000 P 5,000 P 12,000 18” x 24” (46 cm x 61 cm)
P 80,000
321
German Icarangal (1914 - 1984)
Untitled Deemed as one of the most promising young painters Antonio depicts a woman garbed in psychedelic clothing
signed and dated 1969 (lower left) during his stay at the University of the Philippines College and lying on a kaleidoscopic grass field. Set against a
oil on canvas of Fine Arts, Marcel Antonio solely focused on his passion dreamlike environment, the woman is indulging in her
31” x 39” (79 cm x 99 cm) for painting in the late 1980s when he dropped out of seemingly endless trance and traversing through the vast
college and launched his first solo exhibition thereafter. avenues of her daydreams. The lulling clouds and the
P 20,000
His distinct compositions that depict narrative and pseudo- sublime crescent-shaped moon imposes an ephemeral
narrative figures are among the most sought-after works by atmosphere to the composition, alluding to the transient
collectors in the local art market. nature of our reveries. Antonio also ventures into
322 Existentialism as manifested in the hallucinogenic panorama
Felix Gonzalez Antonio’s works are influenced by Post-Expressionism that is symbolic of our disposition in a post-modern society
Seascape and Magic Realism, employing enigmatic themes and an pervaded with adversities.
signed (lower left) amalgamation of reality and fantasy. In Summer Place,
oil on canvas
17” x 22” (43 cm x 56 cm)
P 10,000

León Gallery
IN FOCUS
An Important Collection
of Philippine Art
T
hese works from an important collection reflect
the institution’s ideals to uphold and preserve the
rich and diverse culture and history of modern and
contemporary art in the Philippines. This exquisite assemblage
includes early works from renowned and established Filipino
artists. Leading the collection is a monumental oil on canvas
work by R.M De Leon. Featuring De Leon’s distinctive style
that combines both figurative and abstract philosophies, this
sizable piece is notable for its unique treatment and aesthetic
qualities, allowing audiences to view De Leon’ artistry in a
wholly unique light.
The collection also features two abstract works from Roy

Veneracion and Felix Bacolor. Bacolor is recognized for his
unique approach to art given his multifaceted background
and experience, while Veneracion is lauded as the country’s
leading voice in Abstract Syncretism. While Juan Alcazaren’s
2001 ceramic tile sculpture manages to be both eccentric 327
and engaging at the same time This treasure trove of both Juan Alcazaren (b. 1960)
modern and contemporary are absolute must-haves for Banana
anyone looking to bolster their collection with the best dated 2001
Philippine art has to offer. colored ceramic tiles
63” x 62” x 16”
(160 cm x 157 cm x 41 cm)
P 70,000
331
R. M. De Leon (b. 1960)
Drawings - Greatest Hits
dated 2000
oil on canvas
13” x 305” (33 cm x 775 cm)
P 300,000
328 329 330

Roy Veneracion (b. 1947) R.M. De Leon (b. 1960) Felix Bacolor (b. 1967)
Just Like A Woman Untitled (Clest) Untitled
signed and dated 1995 (lower left) signed and dated 1990 (lower right) dated 2001
ink watercolor and gouache on paper acrylic on paper oil on canvas
P 7,000 P 120,000 P 40,000

Drawings - Greatest Hits

León Gallery
Resurrected and Released

Intimate Pasts in the Art of Jose “Jojo” Legaspi
332 333 334

Jose Blanco (1932 - 2008) Isabel Diaz (b. 1943) Roger San Miguel (b. 1940)
Untitled Roofs Two Young Women
signed and dated 1981 (lower right) signed (lower right) and dated 1995 (verso) signed (lower right)
oil on canvas watercolor on paper oil on canvas
24” x 12” (61 cm x 30 cm) 23 1/2” x 17” (60 cm x 43 cm) 34 1/2” x 23” (88 cm x 58 cm)
P 50,000 P 50,000 P 20,000
335 336 337

Hermes Alegre (b. 1968) Alfredo Liongoren Jaime Roque (b. 1947)
Untitled Kalmot ng Kalikasan Abstract
signed (upper left) dated 2009 signed and dated 2015 (lower right)
oil on canvas acrylic on canvas acrylic on canvas
33 1/2” x 46” (85 cm x 117 cm) 28” x 25 1/4” (71 cm x 64 cm) 35 1/2” x 28” (90 cm x 71 cm)
P 25,000 P 25,000 P 25,000

Accompanied by a certificate issued by Liongoren Gallery
338
J
Orlando Castrillo (b. 1947) ose Legaspi is a Filipino Asian Modern and Contemporary homosexuality and the body that are present in Filipino
Sapa
artist born in 1959 in Manila and resides in the same city as society, as well as the corruption and violence seen by many
watercolor on paper well. He has held shows in the Philippines, United States, Filipinos as a daily reality.
18 1/2” x 26” (47 cm x 66 cm) Australia, and Hong Kong. Legaspi is a faithful chronicler of power
operating between the “I” and the “other.” His portraits were
340
P 15,000 his studies of human interaction derived from the nucleus of his Jose “Jojo” Legaspi (b. 1959)
communal spaces. His subjects are often disturbing, explicit, and Untitled
339
nightmarish. At first glance, his work is gruesome and unsettling, quantity: 16 artworks
Gerry Gesmundo
but he is drawing on his interest in psychology and memory. charcoal on paper
Untitled
Legaspi also displays more violent themes seen in Catholicism, 12” x 9” (30 cm x 23 cm) each
oil on canvas including crucufixion and martyrdom and at the same time, he
doesn’t hesitate to graphically depict taboos around sexuality, P 700,000
4 1/2” x 6 1/2” (11 cm x 17 cm)
P 5,000
León Gallery
Defining One’s Individual Figuration

Paco Gorospe’s Creative Trove
347 348 b) Fish Vendors

Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) signed and dated 1973 (lower left)
Untitled a) Untitled oil on canvas
signed and dated 1973 (lower right) signed (lower right) 30” x 30” (76 cm x 76 cm)
oil on canvas oil on canvas
17” x 23” (43 cm x 58 cm) 18” x 24” (46 cm x 61 cm) P 45,000
P 20,000
341 342 343

Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002)
Untitled Mother and Child Untitled (Fisher Man)
signed (lower left) signed (lower right) signed (lower right)
mixed media on canvas oil on canvas oil on canvas
P 25,000 P 20,000 P 25,000
F
rancisco “Paco” Gorospe’s oeuvre is distinguished by Dubbed as the “Picasso of the Philippines,” Gorospe was a self-
varicolored, neo-Cubist depictions of Philippine everyday taught painter who perfectly encapsulated what it meant to be
scenes. The dynamic hues of indigenous southern a metamorphosing artist. His art traversed from Impressionism
Filipinos’ native arts such as the Bagobos, Yakans, and Tausugs towards Expressionism then finally, to Modernism. While
served as a primary influence in his works. In 1962, due to switching mediums from watercolor and crayon to oil, Gorospe 349 350 351
his exposure at the Philippine Art Gallery (PAG), Gorospe was studied the works of American artists Franz Kline and Andrew Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002)
chosen to be the Filipino representative to the 1962 Seattle Wyeth. However, it was the Spanish cubist painter Pablo Picasso Still Life Untitled Untitled
World State Fair. In 1964, he was given the opportunity to who catalyzed his rejection of traditional practices on lines signed (lower right) signed (lower right) signed (lower right)
showcase his paintings at the New York World’s Fair. It was also and geometry which in turn shaped his distinctive approach to
24” x 22 1/2” (61 cm x 57 cm) 30” x 30” (76 cm x 76 cm) 30”x 30” (76 cm x 76 cm)
in the 1960s when he established his gallery in A. Mabini Street, painting. In a 1974 interview with poet and novelist Gilbert Luis
Ermita, Manila where he became acquainted with progressive R. Centina III, Gorospe stated: “It is through a long transition P 20,000 P 25,000 P 25,000
artists Francisco Ello and Roger San Miguel. The three eventually period which involves experimentation and observation that an
became known as the “Mabini Triumvirate” due to their artist finally develops his own style.”
frequent collaborations in commissioned projects and nightly
sessions exploring various painting styles.
344 345 346 352 353 354

Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002) Paco Gorospe (1939 - 2002)
Untitled Abstract Composition Untitled Horse Compo in Brown Abstract
signed (lower left) signed (lower left) signed (lower left) signed (lower right) signed (lower left and verso) signed (lower left)
oil on canvas oil on canvas oil on canvas oil on canvas oil on canvas oil on canvas
24” x 36” (61 cm x 91 cm) 18” x 24” (46 cm x 61 cm) 24” x 36” (61 cm x 91 cm) 29” x 29” (74 cm x 74 cm) 29” x 29” (74 cm x 74 cm) 30” x 30” (76 cm x 76 cm)
P 25,000 P 20,000 P 25,000 P 25,000 P 25,000 P 25,000

León Gallery
357
Jonathan Olazo (b. 1969)
Recent
mixed media
355 48” x 72” (122 cm x 183 cm)
Paco Gorospe (1939 - 2002)
a) Untitled P 90,000
oil on canvas
24” x 24” (61 cm x 61 cm)
b) Untitled 358
signed (lower right) Romeo Tabuena (1921 - 2015)
oil on canvas Village by the Well
12 1/2” x 16 1/2” (32 cm x 42 cm) signed and dated 1975 (upper left)
acrylic on masonite board
P 35,000 15 1/2” x 21” (39 cm x 53 cm)
P 180,000
359
Romeo Borja Enriquez
Ifugao Village
Bernardo Pacquing’s Meditations on oil on canvas
23 1/2” x 29” (60 cm x 74 cm)
Abstraction and Non-representation P 30,000
356
Bernardo Pacquing (b. 1967) 360
a) Untitled (129) Jonathan Olazo (b. 1969)
signed and dated 2007 (verso) Dismantle
8” x 8” (20 cm x 20 cm) mixed media on paper
12 1/2” x 12 1/2” (32 cm x 32 cm)
b) Untitled (119)
signed and dated 2009 (verso) P 15,000
oil on canvas
8” x 8” (20 cm x 20 cm)
c) Untitled (204)
oil on canvas
8” x 8” (20 cm x 20 cm)
P 60,000
Bernardo Pacquing continues to approach the expressive Pacquing was born in Tarlac, Pampanga in 1967. He
potential of abstraction in painting and sculpture through graduated from the University of the Philippines College
the use of disparate found objects that confront and disrupt of Fine Arts in 1989 and was twice awarded the Grand
perceptions of aesthetic representation, form, and value. Prize for the Art Association of the Philippines Open Art
By focusing on the organic shapes of visual reality, his Competition in 1992 and 1999. Pacquing is also a recipient
work displaces notions of indisputable forms and opens of the Cultural Center of the Philippines Thirteen Artists
possibilities for coexisting affirmations and denials. He has Award in 2000, an award given to exemplary artists in the
continually worked in abstraction and non-representation, field of contemporary visual art. He also received a Freeman
exploring the physicality of surfaces and the material Fellowship Grant for a residency at the Vermont Studio 361 362 363
minutiae of urban life through painting and sculptural Center in the United States. Jaime Roque (b. 1947) Antonio “Tony” Leaño (b. 1963) Salvador Cabrera (1929 - 1986)
Abstract Ilustrados Mother and Child
forms. Pacquing’s layers of paint act as an archive for several
signed and dated 2009 (lower right) signed and dated 1999 (upper right) signed (lower right)
years of his practice, as he coats each canvas with heaps of
oil on paper oil on canvas oil on canvas
color until the work reaches its culmination. 23 1/2” x 17 1/2” (60 cm x 44 cm) 24 1/2” x 18” (62 cm x 46 cm) 35” x 24” (89 cm x 61 cm)
P 15,000 P 20,000 P 30,000

León Gallery
368
Lindsey “Lindslee” James Lee (b. 1979)
a) Untitled
oil on canvas
12” x 36” (30 cm x 91 cm)
b) Untitled
364 signed and dated 2002 (lower left)
Tam Austria (b. 1943) oil on canvas
Untitled 12” x 36” (30 cm x 91 cm)
oil on canvas c) Untitled
27” x 36” (69 cm x 91 cm) signed and dated 2002 (lower left)
oil on canvas
P 160,000 12” x 36” (30 cm x 91 cm)
P 70,000
Anastacio “Tam” Austria was mentored under the artistic His works are deeply admired for their captivating and
prowess of Botong Francisco. In 1954, he obtained his idyllic attributes. In this untitled piece, Austria portrays
Bachelor of Fine Arts degree from the University of Santo a utopian domain and a mesmerizing femininity. Set
against a backdrop of a blissful environment, the subjects 369
Tomas. He was bestowed by the Cultural Center of the
Leonardo Zablan (b. 1934)
Philippines with its highly-coveted Thirteen Artists Award are idealized depictions of Filipino women, dressed in
Untitled I and II
in 1970. In the same year, Austria held his first exhibition traditional folk wardrobe with their heads covered by signed (lower right) each
at Marcel’s Gallery of Fine Arts in Oakland, California. A native bandanas, and surrounded by an abundance of oil on canvas
high point in his artistic career was his nomination as one flora and fauna rendered in a polychromatic manner. 24” x 24” (61 cm x 61 cm) each
of the five finalists in the 1983 Mobil Art Awards.
Referring to the universality and pertinent character of P 25,000
Austria has a penchant for depicting the rich cultural his oeuvre, Austria expressed: “I think my work reflects
tradition of his countrymen – scenes of the common a number of basic truths, perhaps, too, nostalgia for the
Filipinos’ everyday life, the tranquil landscape of the good things slipping away. Then there is the earth, the
countryside and its peasant folk, and the diverse fields, the sky, the quiet corner people long for. Perhaps, 370
people are drawn to my painting by common feelings that Antonio Ramboyong
customs that define our collective identity as a nation.
a) In the Green Circle
go beyond art.”
signed (lower left)
acrylic on aluminum
16” x 16” (41 cm x 41 cm)
b) Leo
oil and varnish
16” x 16” (41 cm x 41 cm)
c) Untitled
signed (lower left)
oil on aluminum
14 1/2” x 14 1/2” (37 cm x 37 cm)
P 10,000
371
J. D. Castro (1908 - 1994)
a) Study of Alimango
b) Study of Alimango
365 366 367 signed and dated 1962 (upper left)
John Marin (b. 1987) Renato Balute Benedict Abigan (b. 1972)
Imahe 4 Untitled Man is the Center of Everything c) Study of Alimango
signed and dated 2017 (lower right) signed and dated 2016 (lower right) signed (center) dated 2018 signed and dated 1979 (lower right)
oil on canvas oil on canvas acrylic on canvas with metal ball oil on canvas
48” x 36” (122 cm x 91 cm) 48” x 36” (122 cm x 91 cm) 60” x 48” (152 cm x 122 cm) 10” x 14” (25 cm x 36 cm) each
P 90,000 P 25,000 P 15,000 P 30,000


León Gallery
In 1965, a 45-year-old Jerry Elizalde Navarro crossed paths with Emma

The Master’s Color Palette
Villanueva, then a 21-year-old recent UST Fine Arts graduate. Navarro Manuel Baldemor’s Pastoral Narratives
was dumbfounded by Emma’s presence and experienced a new genesis
as a person and as an artist that he put his own career and reputation
in jeopardy. He even left his wife, Virginia Ty, and their three children
to pursue the reason for his newfound emancipation. Eventually, the
two settled in a passionate, loving affair after an initial backlash and
resistance from their own families.
Art has long been a medium for artists to express their deep admiration
376
and passion for their lovers, and Navarro was no stranger to this Manuel Baldemor (b. 1947)
aphorism. Portrait of ‘E’ is rendered in Navarro’s distinct pointillism – Good Neighbors
one of the many styles he explored throughout his artistic career. The signed and dated 2019 (lower right)
physical and emotional connection shared by the artist and his lover acrylic on canvas
became a catalyst for the former’s virtuosic ingenuity. Being a painter 24” x 36” (61 cm x 91 cm)
herself, Emma understood what it meant for Navarro to introduce his
beloved to his audience and express his devotion and endearment for P 80,000
her through art. Accompanied by a certificate signed by the artist
372 confirming the authenticity of this lot
Jerry Elizalde Navarro (1924 - 1999)
Portrait of ‘E’
signed (upper right)
oil on panel
11 1/2” x 10” (29 cm x 25 cm)
M
anuel Baldemor is believed to be the most traveled a unique spin, a folksy and familiar energy that reminds us of
P 80,000
Filipino artist, having served as artist - in - residence our own home fronts, towns, and valleys. It paved the way to
in over five countries including Israel and Mexico, the breadth and depth of his travels featuring an extensive list
and exhibited as a soloist in over thirty cities including Paris, of countries and locales. A representation of his artistic journey:
Copenhagen and Cairo. He has become known for his works through the thoroughfares of his European expedition combined
that often depict Filipino fiestas and traditions, reproduced by with academic travels filled with colors. This is almost like a
the United Nations Children’s Fund as greeting cards for use page torn from Baldemor’s visual travel diaries - full of his lived
worldwide. experiences imbued on the canvas told through his brushes and
paint.
He views his visual diary as a way of cultivating his best self.
Baldemor’s interpretations of Western locales as seen on At the same time, his panoramic views served as a reminder of
European Wanderlust (2016, 24”x 36”, acrylic on canvas) and our inherent connectedness, and how we all live in one global
Good Neighbours (2019, 24” x 36” , acrylic on canvas) give it village - presented with orange, red and green hues - refreshing
and powerful.
373 374 375

Mike Muñoz Wilfredo Alicdan (b. 1965) Jose Tence Ruiz (b. 1956)
Ioannem Untitled Ang David na Goliath
dated 2013 acrylic on canvas signed and dated 2013 (lower center
acrylic on shaped plywood, light signed and dated 2010 (lower left) and verso)
377 378 379
48” x 40” (122 cm x 102 cm) 48” x 36” (122 cm x 91 cm) acrylic on primed linen
Manuel Baldemor (b. 1947) Manuel Baldemor (b. 1949) Manuel Baldemor (b. 1947)
60” x 48” (152 cm x 122 cm)
Panata of May Festival New Hope, New Day European Wanderlust
P 20,000 P 20,000
signed and dated 1999 (lower left) signed and dated 2019 (lower left) signed and dated 2016 (lower right)
P 25,000
oil on canvas acrylic on canvas mixed media
P 60,000 P 70,000 P 80,000

Accompanied by a certificate signed by the artist Accompanied by a certificate signed by the artist Accompanied by a certificate issued by Art Circle Gallery
confirming the authenticity of this lot confirming the authenticity of this lot confirming the authenticity of this lot

León Gallery
380
Manuel Baldemor (b. 1949)
Food and Shelter
oil on canvas Mauro “Malang” Santos is known for his cubist and abstract
24” x 18” (61 cm x 46 cm) paintings as well as cartoons and illustrations. He is historically
significant as the first Filipino cartoonist to publish his comics in
P 60,000 English, and was also the first whose work was picked up by foreign
magazines like the U.S. publication Pageant. As a painter, he is
renowned for his pieces like Three Women and Mother and Child
381
where his bright and charming depictions of Philippine culture and
Manuel Baldemor (b. 1949)
Avenida St. Vendor society in the early years of his career and further developing into
signed and dated 1995 (lower left) somber, melancholic tone make up for his distinctive abstract style.
watercolor on paper
21” x 14” (53 cm x 36 cm) Malang’s sensibility is unique in Philippine art. As Arturo Luz had
introduced Santos in the book Malang: Paintings and Drawing:
P 25,000 “The art of Malang is also a celebration of Philippine customs and
rituals, observed with sympathy and insight through the symbols,
386
rites. And fixtures of the contemporary urban environment…” It
Bird Mountain is exceptionally shown in his works how the colors glow, running
signed and dated 1988 (lower right) the spectrum from end to end - powerful impassioned strokes,
gouache on board evocative palette selection — a masterful display of the artist’s
36” x 46” (91 x 117 cm) evolved predilections. Each painting Malang creates is a visual feast,
saturating the canvas and filling the senses, as though celebrating life
P 500,000 at the very front of your eyes.
León Gallery wishes to thank West Gallery for confirming
the authenticity of this lot.
382 383 384

Manuel Baldemor (b. 1947) Manuel Baldemor (b. 1949) Aljo Pingol (b. 1974)
Untitled Kasaganaan sa Pasko Untitled
signed and dated 2011 (lower left) signed and dated 1980 (upper left) signed (lower left)
oil on canvas watercolor on paper acrylic on panel
12” x 18” (30 cm x 46 cm) 9 1/2” x 13” (24 cm x 33 cm) 18” x 24” (46 cm x 61 cm)
P 40,000 P 15,000 P 5,000
385
a) Vidal
Untitled
oil on canvas
28” x 20” (71 cm x 51 cm)
b) Vidal 387 388 399

Untitled Julia Gabrielov (b. 1986) Rina Lee Garibay (b. 1989) Lexygius Calip (b. 1974)
signed (lower right) The Creator’s Hand Untitled Naked Fields
oil on canvas signed and dated 2016 (verso) signed and dated 2013 (lower right) signed and dated 2009 (upper right)
16” x 19 1/2” (41 cm x 50 cm) oil on canvas acrylic on canvas paper mixed media on paper
24” x 18” (61 cm x 46 cm) 23” x 17” (58 cm x 43 cm) 25” x 19 1/2” (64 cm x 50 cm)
c) Serafin Serna (1919 - 1979)
Still Life P 5,000 P 10,000 P 20,000
signed and dated 1945 (lower right) Accompanied by a certificate issued by Liongoren Gallery
oil on board confirming the authenticity of this lot
16” x 22” (41 cm x 56 cm)
P 10,000

León Gallery
400
Ferdinand Montemayor (b. 1965)
Message Sent
acrylic on canvas
78” x 78” (198 cm x 198 cm)
P 200,000 405
a) C. Rhea b) Alberta Barbey 406 407
Still Life Landscape Conte Connie Quirino
signed (lower right) signed (lower right) Ulysses Wife (Penelope) Tea Time
oil on canvas board oil on canvas signed (lower right) signed and dated 2020 (lower right)
12 1/2” x 9 1/2” 7 1/2” x 9 1/2” oil on canvas oil on canvas
(32 cm x 24 cm) (19 cm x 24 cm) 13” x 24” (33 cm x 61 cm) 15 1/2” x 11” (39 cm x 28 cm)
P 3,000 P 3,000 P 20,000
401 402 403

Hugo Yonzon Jr. (1924 - 1994) Gamaliel Subang (b. 1940) Jun Martinez (b. 1962)
Untitled (Mangcocopra) Isang Bata dala niya’y Bituin A Boy and a Girl 408 409 410
oil on canvas signed and dated 1992 (lower right) signed and dated 1999 (upper right) Jonah Salvosa Mark Justiniani (b. 1966) Jason Moss (b. 1976)
20” x 20” (51 cm x 51 cm) oil on canvas oil on canvas Untitled Untitled Untitled
26 1/2” x 19 1/2” (67 cm x 50 cm) 15” x 18” (38 cm x 46 cm) signed (lower right) signed and dated 2001 (upper right) signed (lower left)
P 40,000 mixed media on paper pen and ink on paper pastel and oil on paper
P 25,000 P 10,000 13” x 10” (33 cm x 25 cm) 12” x 9” (30 cm x 23 cm) 17” x 13” (43 cm x 33 cm)
confirming the authenticity of this lot P 5,000 P 30,000 P 20,000
404
411
a) Bryan Cachuela
a) Salvador Cabrera (1929 - 1986)
Untitled
Sabungero
signed and dated 2019 (lower center)
signed (lower left)
oil on canvas
48” x 36” (122 cm x 91 cm)
36” x 24” (91 cm x 61 cm)
b) Lester Amacio
b) Attributed to Cesar Buenaventura
Atmosphere
Tagay
signed and dated 2002-2003 (verso)
oil on canvas
oil on canvas
30” x 22” (76 cm x 56 cm)
24” x 23” (61 cm x 58 cm)
P 15,000
P 25,000

León Gallery
IN FOCUS
Traversing the Effervescent

An Appreciation of Norma Belleza’s Folk Virtuosity
Renowned Kapampangan painter Norma Belleza is famous for her
visually stimulating take on the folk genre. Vibrant and vivid hues fill 418 419
her canvas, creating a harmonious intermingling of colors comparable Norma Belleza (b. 1939) Norma Belleza (b. 1939)
with a melodic composition. Her works are highly detailed, with striking Women Vendors Untitled (Diptych)
signed and dated 1981 (lower right) each signed and dated 1990 (lower right and
colors that seemingly illuminate her canvases. Freedom from misery
oil on canvas upper right)
and delight in everyday living are reflections of Belleza’s artistry. Her 7” x 7” (18 cm x 18 cm) each oil on canvas
figurative works highlight the native appearance and physical strength 24” x 12” (61 cm x 30 cm)
P 40,000
of her subjects. Driven by her passion for the folk genre, Belleza’s most
P 50,000
iconic subjects are women vendors. She has frequently painted women
as full-bodied figures unmindful of their daily burden, showing their
412
innate strength and power. Her depictions showcase their exuberant
liveliness using her richly colored palette. Highly regarded as a master Untitled
colorist, Belleza’s works are brilliantly composed and carefully distanced signed and dated 1986 (lower right)
oil on canvas 420
so that their aura radiates a tranquilizing atmosphere rather than an
18” x 13” (46 cm x 33 cm) Norma Belleza (b. 1939)
overbearing feeling. a) Untitled (Still Life)
watercolor on paper
10 1/2” x 9” (27 cm x 23 cm)
b) Untitled (Fruit Vendor)

graphite and watercolor on paper
6 1/2” x 8 1/2” (17 cm x 22 cm)
P 25,000
413 414 415

Norma Belleza (b. 1939) Norma Belleza (b. 1939) Norma Belleza (b. 1939)
Untitled Untitled (Vendor) Mother and Child
signed and dated 1981 (upper left) signed and dated (lower right) signed and dated 1986 (lower right)
P 30,000 P 50,000 P 50,000
416
Still Life
oil on canvas
24” x 30” (61 cm x 76 cm)
P 100,000 421 422 423

417 Norma Belleza (b. 1939) Norma Belleza (b. 1939) Norma Belleza (b. 1939)
Norma Belleza (b. 1939) Untitled Untitled Fruit Vendors
Fish Vendors signed and dated 1997 (lower left) signed and dated 2011 (lower left) signed and dated 2006 (lower left)
signed and dated 2005 (lower left) acrylic on panel oil on canvas oil on canvas
oil on canvas 28 1/2” x 27” (72 cm x 69 cm) 24” x 30” (61 cm x 76 cm) 16” x 20” (41 cm x 51 cm)
15” x 10” (38 cm x 25 cm)
P 100,000 P 100,000 P 50,000
P 30,000

León Gallery
Light and Translucence

Looking Through Romulo Olazo’s Diaphanous
428
424 425 426 Romulo Olazo (1934 - 2015)
Jaypee Samson (b. 1985) Jerson Samson (b. 1976) Jaime Roque (b. 1947) Diaphanous 288
Bantay Royal Treatment: The Spirit of Untitled signed and dated 1981 (lower left)
signed and dated 2011 (lower right) Filipino Hospitality signed and dated 2004 (lower right) oil on canvas
oil on canvas signed and dated 2012 (lower right) oil on canvas 24” x 32” (61 cm x 81 cm)
36” x 24” (91 cm x 61 cm) acrylic on canvas 34” x 19” (86 cm x 48 cm)
36” x 24” (91 cm x 61 cm) P 800,000
P 10,000 P 25,000
P 25,000
R
omulo Olazo’s Diaphanous works constitute an entire life lines and colors that , when combined, become a symphony
production and, in the annals of contemporary Philippine of silhouettes and nuances, seeming to throh like musical
art, are unequalled as a sustained meditation on a resonance, and providing a feeling of therapy and calm to the
focused theme, using an unswerving, determined technique. viewer.” Thus, the series has been a big hit among collectors
and art lovers since then.
Venancio “Ven” Igarta, an Ilocano-born painter, obtained his formal training It is a series that evolved from the graphic processes of
in the arts from the National Academy of Design and the Art Students serigraphy and collage intaglio that Olazo started to develop One can say that Olazo’s Diaphanous Series is indeed a unique
League, both in New York City. Igarta was the first Filipino to participate in 1972. The Diaphanous is a monumental series of large-scale form of abstraction that draws its origins from the Filipino
in an exhibition at the Metropolitan Museum of Art with his “Northern abstract works that combined painting and print, specifically identity, an amalgamation of place, history, climate, and
Philippines.” He had also showcased his art at the Pennsylvania Academy silkscreen techniques, depicting irregular but highly geometric temper, honed by rigorous technical training in printmaking and
of the Fine Arts (PAFA), the Des Moines Art Center in Iowa, the Dayton forms of layering one another that sensitively reveal overlapping painting, even combined with local aesthetic concepts fashioned
Art Institute in Ohio, and the Artisans’ Gallery in New York. His work layers of soft light and shadow. As Lito Zulueta of Lifestyle through history.
“Freedom!” from his United Nations Series (1945) is in the private collection Inquirer puts it, “The layers were shown in very soft and sensitive
of the Smithsonian American Art Museum in Washington, D.C.
Igarta’s style evolved throughout his career: from oil paintings of Ilocos
beaches to watercolor impressions of abstract geometrical figures, from
realism to surrealism and neo-expressionism, and from seascapes to cubism.
After leaving the Art Students League, he experimented to achieve the
color mastery of old master painters, leading him to unleash his virtuosity in
pigment and hues. His stint at the Color Aid company in New York as a color
mixer resulted in what he called “the thinking eye.” At Color Aid, Igarta
427 spent three decades studying and exploring color relationships, durability,
Venancio Igarta (1913 - 2000) depth, and alteration. Celia Aborro, a Fil-Am art critic and author of a book
Untitled (Portrait) on Igarta, described the artist as a “master colorist.”
signed (lower left) 429
ca. 1980s Considering that New York is a melting pot for various cultural and artistic Romulo Olazo (1934 - 2015)
acrylic on canvas disciplines, Jose Garcia Villa noted that Igarta was “the only Filipino artist a) Untitled b) Untitled c) Untitled
34” x 24” (86 cm x 61 cm) worth meeting” in The Big Apple. signed and dated 1975 (lower left) signed and dated 1975 (lower right) signed and dated 1975 (lower right)
P 120,000 16” x 24” (41 cm x 61 cm) 16” x 24” (41 cm x 61 cm) 16” x 24” (41 cm x 61 cm)
P 600,000

León Gallery
434
Romulo Olazo (1934 - 2015)
Untitled
pastel on paper
12 1/2” x 19 1/2” (32 cm x 50 cm)
P 35,000
435
Olan Ventura (b. 1976)
430 431 432 Untitled
Romulo Olazo (1934 - 2015) Romulo Olazo (1934 - 2015) Romulo Olazo (1934 - 2015) signed and dated 2012 (verso)
Diaphanous (Green) Diaphanous Untitled (Abstract Forms) oil on canvas
signed and dated 2010 (lower right) signed and dated 1979 (upper left) signed and dated 1985 (lower right) 60” x 36” (152 cm x 91 cm)
soft pastel on Canson paper acrylic on paper tempera
20” x 25” (51 cm x 64 cm) 8 1/2” x 11 1/2” (22 cm x 29 cm) 9” x 12” (23 cm x 30 cm) P 150,000
P 50,000 P 60,000 P 60,000

Accompanied by a certificate signed by the artist 436
confirming the authenticity of this lot Dante Hipolito (b. 1959)
Mother and Child
oil on canvas
24” x 16” (61 cm x 41 cm)
P 25,000
433
Rodolfo Ragodon (b. 1929)
a) Church of Barasoain Bulacan
acrylic on canvas 437
14” x 17” (36 cm x 43 cm) Demetrio Diego (1909 - 1988)
Untitled
b) Church of Paete Laguna signed and dated 1965 (lower right)
signed and dated 1995 (lower right) oil on canvas
acrylic on canvas 36” x 24” (91 cm x 61 cm)
12” x 15 1/2” (30 cm x 39 cm)
P 12,000
P 40,000
Rodolfo Y. Ragodon was a Manila born and raised As an accomplished landscape painter, Ragodon also used
painter, whose works often revolved around the Spanish ink, tempera, and watercolor. Sometimes, he combined
colonial churches, houses and costumes. He worked Chinese calligrapher techniques with his unique personal
first as a graphic artist for different publications, and skill in capturing photographic likeness of old churches
eventually became the art director of the Sunday Times and old homes. His distinctive painting of old Spanish
Magazines Art Section. By the 1960s, Ragodon was well Churches in the Philippines during the ‘60s became
known for his church paintings; from 1967 to 1968, he the hallmark of his career. He rendered these in a flat,
was given a UNESCO grant to study colonial churches elegant, realistic style that came later to be emulated by
in Europe and Mexico. Then 1972 to 1976, he was the younger artists who are also interested in the subject of
director of the Filipinas Foundation and oversaw the nostalgia and antiquities realism of the ‘60s.
development and construction of the Ayala Museum,
of which he was also the founding director. He was 438 439 440
also commissioned in 1978 by former First Lady Imelda Romulo Olazo (1934 - 2015) Ibarra Dela Rosa (1943 - 1998) Dan Barry
Marcos to do a painting of the Mlag-ao Church in Iloilo Man and Woman Still Life I Never Knew My Father Without a Beard
as a gift to Pope Paul II. signed and dated 2008 (lower right) signed dated 1989 (upper right) dated 2017
charcoal on paper oil on canvas collage
13” x 10” (33 cm x 25 cm) 10 1/2” x 9” (27 cm x 23 cm) 3” x 3” (8 cm x 8 cm) each
P 20,000 P 10,000 P 15,000

León Gallery
441
Gene Paul Martin (b. 1989)
Psychonaut
signed and dated 2016 (verso) 448
oil on canvas Yeo Kaa (b. 1989)
48” x 48” (122 cm x 122 cm) Untitled
P 80,000 acrylic on tile
12” x 12” (30 cm x 30 cm) each
P 8,000
442
Carlo Saavedra (b. 1981)
Ophelia Dispelled
36” x 48” (91 cm x 122 cm)
449
P 140,000 Matthew Adam Ross (b. 1988)
Accompanied by a certificate signed by the artist a) Untitled
confirming the authenticity of this lot signed and dated 2018 (verso)
oil on canvas
50” x 47” (127 cm x 119 cm)
443 b) Untitled
Jigger Cruz (b. 1984) and signed and dated 2018
Pow Martinez (b. 1983) oil on canvas
Subdivision Refinement Series 6 38” x 52” (97 cm x 132 cm)
mixed media on paper P 160,000
21 1/2” x 18 1/2” (55 cm x 47 cm)
P 85,000
444
EJ Cabangon (b. 1973)
Untitled
oil on canvas
30” x 24” (76 cm x 61 cm)
P 20,000
450 451
a) Greg Bolaños (b. 1937) a) Brave Mabalo Singh (b. 1981)
Lady with Fruits Remainder
watercolor mixed media
19” x 12” (48 cm x 30 cm) 30” x 20” (76 cm x 51 cm)
445 446 447
Rene Robles (b. 1950) Jeraahmeel Alvarez Marco Bañares (b. 1985) b) Rafael Cusi (b. 1950) b) Karina Baluyot
Untitled Untitled Observer And The Observed Untitled Waterwings
signed (lower right) signed and dated 2012 (lower right) signed and dated 2017 (lower right) signed and dated 1997 (lower left) signed (lower left and verso) dated 2013
watercolor oil on canvas oil arcylic on canvas watercolor acrylic on paper
17” x 25” (43 cm x 64 cm) 30” x 40” (76 cm x 102 cm) 36” x 48” (91 cm x 122 cm) 18” x 12” (46 cm x 30 cm) 13” x 9 1/2” (33 cm x 24 cm)
P 10,000 P 15,000 P 30,000 P 20,000 P 30,000

León Gallery
459
Norman Dreo (b. 1970)
Community Overload
Attributed to Eddie B. Sarmiento Allan Balisi (b. 1982) Eghai Roxas (b. 1955) oil on canvas
Untitled (Saranggola) Appearances Woven by our Senses Alternative Illusion 42” x 51” (106 cm x 129 cm)
unsigned signed and dated 2017 (verso) signed and dated 2017 (lower right)
oil on canvas oil on canvas acrylic on canvas P 130,000
P 5,000 P 40,000 P 10,000 Norman Dreo draws inspiration from life itself. To described as “a result of a technical challenge that affects
understand his art is to have a broad perception of our talented painters like him.”
postmodern world. Dreo grew up in an impoverished
quarter inside the University of the Philippines - Diliman Dreo obtained his bachelor’s degree in Fine Arts at the
where the majority of its non-academic personnel live. The University of the Philippines - Diliman in 1993. He has
university administration employed his father as a carpenter showcased his works locally and abroad, both as a solo
and maintenance crew. Dreo lived in a densely populated artist and as part of a group. Some of his solo exhibitions
neighborhood where sustaining one’s basic needs is an include “Balatkayo” (2014) at Art Galleria in Taguig and
everyday struggle. The idea of being able to exhibit his “Kalaro” (2010) at Utterly Art Gallery, Singapore. He won
trials through art distinguishes Dreo and his art. Critics and first place in the 1995 Metrobank National Art Competition
viewers alike have remarked that stark social commentaries with his work “Taginting ng Barya: Sa Ipon Ko Kinita.” He
define his canvases. The figures in his compositions are was also a jury’s choice at the 2000 ASEAN Art Awards in
depictions of the environment where that defined his social Singapore for his “Technological Society.”
consciousness. In a Philippine Star article, Dreo’s art was
460
455 456 457 a) Mike Herrera
Roger San Miguel (b. 1940) Salvador Cabrera (1929 - 1986) Jaime Ibañez (b. 1982) Untitled
Urbanscape Untitled (Vendors) Untitled signed and dated 1980 (lower right)
signed (lower right) signed (lower right) signed (lower right) mixed media
oil on canvas oil on canvas oil on canvas 19 1/2” x 44” (50 cm x 112 cm)
b) Lauro Memije (b. 1950)
P 25,000 P 20,000 P 15,000 Untitled
oil on canvas
7” x 7 1/2” (18 cm x 19 cm)
P 12,000
458
Irna Castro
a) Cabugao Church, Ilocos Sur, Philippines
mixed media on paper 461
10” x 8” (25 cm x 20 cm) Manuel Rodriguez Jr. (b. 1942)
Flower Market
b) Agoo Church, Cebu City signed and dated 1959 (lower left)
signed and dated 2018 (lower right) oil on wood
watercolor on paper 23” x 47” (58 cm x 119 cm)
10” x 14” (25 cm x 36 cm)
P 30,000
P 2,000
León Gallery
465
462 Peaceful at Rest
Jim Orencio (b. 1969) signed (lower right)
Red Bridge ca. 1980s
signed and dated 2017 (lower right) acrylic on paper
sawdust and acrylic on canvas 11 1/2” x 15” (29 cm x 38 cm)
48” x 36” (122 cm x 91 cm)
P 120,000
P 100,000
Accompanied by a certificate issued by Fundacion Sansó
Provenance: Pfizer, Inc. Collection
466
463 Juvenal Sansó (b. 1929)
Mark Anthony Bello (b. 1982) Untitled
Here I Am signed (lower right)
signed and dated 2020 (lower left) acrylic on paper
48” x 38” (122 cm x 97 cm)
P 200,000
P 25,000 Accompanied by a certificate issued by Fundacion
Accompanied by a certificate signed by the artist Sanso confirming the authenticity of this lot
PROPERTY FROM THE

RICHARD COPELAND COLLECTION
467
Untitled
acrylic on paper
17 1/2” x 14 1/2” (44 cm x 37 cm)
464 P 150,000
Juvenal Sansó (b. 1929) Accompanied by a certificate issued by Fundacion
With Fervent Longing Sanso confirming the authenticity of this lot
signed (lower right and verso)

ca. 2000s
acrylic on paper
11 1/2 x 15 1/2” (29 cm x 39 cm)
P 120,000
Accompanied by a certificate issued by Fundacion Sanso
468
For Juvenal Sansó, the act of drawing is a fervent vow given a distinct form and character. With Fervent Longing a) First Bloom
and an avenue to showcase one’s consummate ingenuity displays his influences from Chinese art. The spontaneous
acrylic on paper
and strength of character. In Sansó: Art Quest Between brushstrokes and their associated gestures become the
10 1/2” x 8 1/2” (27 cm x 22 cm)
Two Worlds, Rod. Paras-Perez wrote: “It is a language salient features of this piece. Sansó’s dry-brush technique
to be learned, the cornerstone of poetry – visual or oral. accentuates the striking linear structure and conspicuous b) Windswept Radiance
It is also a complete expression itself, often pared down monochromatic hues. This piece is also a picture of an signed (lower left)
to the simplest of means – a line, in pencil, pen, or evocative yearning, delineated from the artist’s sentiments acrylic on paper
whatever.” To draw is to make oneself accomplished even of his childhood in the Philippines – from his boyhood in 10 1/2” x 8 1/2” (27 cm x 22 cm)
in monochromatic compositions as what Chinese aesthetics Paco to family outings in Montalban. As Sansó recounted
had executed. in Sansó: Art Quest Between Two Worlds: “My paintings P 100,000
are mostly nostalgic reminiscences. Being away from the Each piece is accompanied by a certificate issued by
Sansó’s main technique was the drybrush. Using a sable Philippines made me feel more Filipino and my painting Fundacion Sansó confirming the authenticity of this lot.
brush and Chinese ink or black acrylic, his subjects are more Filipino.”
León Gallery
ERLINDA PANLILIO: 471

Mario Parial (1944 - 2013)
Untitled (Still Life)
Intellectually & Aesthetically Engaging signed and dated 1981 (lower right)
oil on canvas
22” x 24” (56 cm x 61 cm)
P 100,000
472
Vicente Reyes (b. 1924)
Untitled
Erlinda Panlilio oil on panel
Abstract 18” x 21” (46 cm x 53 cm)
oil on canvas P 30,000
16” x 16” (40 cm x 40 cm)
P 10,000
470
Erlinda Panlilio
Light House
oil on canvas
20 x 30” (50 cm x 76 cm) 473 474 475
Elias Laxa (1904 - 1990) Alvaro Malig Jimenez (b. 1948) Albryant Subang
P 20,000 Seascape Karpintero Interior
signed and dated 1951 (lower right) signed and dated 1993 (lower left) signed (lower right)
oil on canvas watercolor on paper oil on canvas
T
he multifaceted life of Erlinda Panlilio is one marked manages to evoke a sense of mystery born out of the colloquial 9” x 12” (23 cm x 30 cm) 12” x 14” (30 cm x 36 cm) 11 1/2” x 9 1/2” (29 cm x 24 cm)
by impeccable skill, commanding prose, and, most connotations of her chosen subject-matter. Yet, the physicality
importantly, genuine artistry. A renowned author, of the canvas as a two-dimensional medium subverts her figure’s P 20,000 P 3,000 P 5,000
businesswoman, and painter, Erlinda first took on the role of criteria, effectively presenting us with a juxtaposition in which
an entrepreneur, a stint she maintained for decades. After what is often opened will forever remain closed.
retiring, she took up a Master’s Degree in Creative Writing at 476
the University of the Philippines-Diliman. She then published her On the other hand, her 2018 piece titled Lighthouse, manages Hernando R. Ocampo (1911 - 1978)
debut titled Teacher to Tycoon--the Life and Times of Trinidad to evoke the opposite effect. Opposed to the former piece’s Untitled
Diaz Enriquez to critical acclaim. As an artist, Panlilio has mystery and secrecy, this oil on canvas piece is free from any signed and dated 1971 (lower right)
managed to exhibit her works in three group shows, and four obscure or hidden implications. Panlilio’s chosen subject-matter watercolor and pen on paper
solo shows. is easily recognizable and visually direct. Her scene, consisting 16” x 11” (41 cm x 28 cm)
of a single lighthouse over a cerulean sea and blanketed by a
P 100,000
The works of Erlinda Panlilio manage to conjure up both group of dark and heavy clouds, is visually frank yet endearing
mystery and memory. Distinct in its execution albeit vaguely nonetheless. It is this charm that
familiar, Panlilio’s works tap into a number of visual cues that are manages to lift Panlilio’s piece from
inherently present within a number of our shared experiences as being a common painting of a familiar 477
human beings. In her 2010 oil on canvas work titled Abstract, setting, to a statement that promotes Demetrio Diego (1909 - 1988)
Mother and Child
Panlilio presents us with an unassuming yet alluring wooden painting what is near and dear to one’s
door amidst a sea of red, black, and beige elements. Cloaked mind and heart. oil on canvas
in a peculiar predominantly scarlet aura, Panlilio’s door, which 27 1/2” x 12 1/2” (70 cm x 32 cm)
in-itself presupposes the existence of a path or space behind it,
P 20,000
Erlinda Panlilio
León Gallery
478
Lovers
13”x 8” (33 cm x 20 cm)
b) Unidentified Artist
Two Women
print 12/88
15” x 10” (38 cm x 25 cm)
c) Unidentified Artist
Pharos
signed (lower left) dated 2013 482 483 484
print Eliezer Dimaculangan (b. 1960) Monica Castillo Mark Arcamo (b. 1983)
12” x 12” (30 cm x 30 cm) Wishing Well Untitled Salvador Dali
signed and dated 1999 (lower left) signed and dated 2014 (bottom) signed and dated 2015 (lower right)
d) Unidentified Artist oil on canvas oil on canvas watercolor
The Last Supper (And Why) 12” x 10” (30 cm x 25 cm) 23” x 17” (58 cm x 43 cm) 11 1/2” x 8 1/2” (29 cm x 22 cm)
watercolor on paper
10” x 14” (25 cm x 36 cm) P 10,000 P 40,000 P 10,000
P 4,000
479
Clown Series #3 and #4
signed and dated 1992 (lower right) each
screenprint, 1/20
11” x 9” (28 cm x 23 cm) each
P 20,000
485 486 487
H. Bautista Miguel Galvez (1912 - 1989) Armando Marino (b. 1968)
Untitled After the Catch Streetscape
signed and dated 1976 (lower left) signed and dated 1976 (lower right) signed (lower right)
480
Jessie Mondares (b. 1980)
P 4,000 P 15,000 P 5,000
Untitled (Diptych)
signed and dated 2014 (lower left
and lower right)
mixed media on canvas 488
20” x 16” (51 cm x 41 cm) Reb Belleza (b. 1969)
Teaching of Gus #1
P 13,000 signed and dated 2019 (verso)
oil on canvas / 6 panels framed in 1 frame
24 1/2” x 27 1/2” (62 cm x 70 cm)
P 35,000
481
a) Unidentified Artist confirming the authenticity of this lot
Untitled
oil on panel 489
18” x 23 1/2” (46 cm x 60 cm) Reb Belleza (b. 1969)
Teaching of Gus #2
b) Fesquet signed and dated 2019 (verso)
Untitled oil on canvas / 6 panels framed in 1 frame
signed (lower right) 23 1/2” x 27 1/2” (60 cm x 70 cm)
oil on canvas
16” x 11” (41 cm x 28 cm) P 35,000
León Gallery
495 496 497

Stella Kim Rudolf Gloor (b. 1929) Ghee
Untitled Untitled Kicking Horse Pass
490 491 492 signed and dated 2014 (lower right) signed and dated 1970 (verso) signed (lower right)
Godofredo Mendoza (b. 1948) Oscar Ramos David Medalla (1942 - 2020) oil on canvas mixed media collagraph, 5/5
a) Lotus Plant (Series) Untitled Untitled 12” x 12” (30 cm x 30 cm) 14” x 14” (36 cm x 36 cm) 16” x 16” (41 cm x 41 cm)
signed and dated 1999(lower right) signed (lower right) signed (lower right)
oil on canvas oil on canvas mixed media P 3,000 P 3,000 P 3,000
b) Lotus Series b) Untitled P 120,000 498

signed and dated 1999 (lower right) signed (lower right) Dante C. Palmes (b. 1967)
oil on canvas oil on canvas a) Untitled
24” x 36” (61 cm x 91 cm) 30”x 40” (76 cm x 102 cm) signed and dated 1990 (lower right)
oil on canvas
P 25,000 P 20,000 24 1/2” x 25” (62 cm x 64 cm)
b) Bangketa
oil on canvas
493 18” x 24” (46 cm x 61 cm)
Jose Vistan (b. 1964)
a) Tumbang Preso P 40,000
watercolor on paper
21” x 29 1/2” (53 cm x 75 cm)
b) Untitled
499
signed (lower left)
Abi Dionisio (b. 1987)
watercolor on paper
Lies Behind Those Eyes
22” x 30” (56 cm x 76 cm)
oil on canvas
P 5,000
24” x 36” (61 cm x 91 cm)
P 150,000
494 500
Norlito Meimban (b. 1966) a) Ibarra Dela Rosa (1943 - 1998)
Blurring Face I and II Untitled
signed and dated 2019 (lower left) each signed and dated 1973 (lower right)
mixed media on canvas graphite on paper
36” x 24” (91 cm x 61 cm) 9 1/2” x 12 (24 cm x 30 cm)
24” x 24” (61 cm x 61 cm)
b) Jonathan Ching (b. 1969)
P 8,000 Sa Amin
rubbertcut, 6/6
15 1/2” x 12” (39 cm x 30 cm)
P 10,000
León Gallery
501
Reb Belleza (b. 1969)
a) Ang Asul ni Fernando
acrylic on canvas
48” x 48” (122 cm x 122 cm)
b) Ulan
signed (verso)
acrylic on canvas
24” x 24” (61 cm x 61 cm)
P 60,000
Each piece is accompanied by a certificate signed by
the artist confirming the authenticity of this lot
507 508 509
Riel Hilario (b. 1976) Epjey Pacheco (b. 1986) Miguel Paulo Borja
Locating the Muse The Waiting Game Bruiser
signed and dated 2014 (upper right) signed and dated 2014 (lower right) signed and dated 2017 (lower left)
mixed media on canvas pen and ink on paper oil on canvas
502 24” x 17 1/2” (61 cm x 44 cm) 30” x 20” (76 cm x 51 cm) 20” x 18” (51 cm x 46 cm)
Untitled P 10,000 P 10,000 P 25,000
signed and dated 2003 (lower left) Accompanied by a certificate issued by The Drawing Room Accompanied by a certificate signed by the artist Accompanied by a certificate issued by Vinyl on Vinyl
conte crayon in paper Contemporary Art confirming the authenticity of this lot confirming the authenticity of this lot confirming the authenticity of this lot
16” x 11” (41 cm x 28 cm)
P 70,000
503
Federico Aguilar Alcuaz (1932 - 2011)
Untitled
oil on canvas board
13” x 10” (33 cm x 25 cm)
510 511 512
P 100,000 Popo San Pascual (b. 1964) Epjey Pacheco (b. 1986) Jonathan Olazo (b. 1969)
Untitled Most Likely to Succeed Han’s Sailboat
Accompanied by a certificate issued by Christian
Michael Aguilar confirming the authenticity of this lot signed (lower left) signed 2016 (lower right) dated 2017
P 35,000 P 70,000 P 40,000

Provenance:
Blanc Gallery
504 505 506

Virginia L. Agbayani J.D. Castro (1908 - 1994) J. D. Castro (1908 - 1994)
Untitled Pista sa Nayon Still Life
signed and dated 1978 (lower right) (by Fernando Amorsolo, 1936) signed and dated 1968 (lower left) 513 514 515
oil on canvas signed and dated 1996 (lower right) oil on canvas Oscar T. Navarro (1921 - 1973) Elmer Gernale (b. 1945) Sherwin Tan
24” x 36” (61 cm x 91 cm) oil on canvas 24” x 36” (61 cm x 91 cm) Still Life Plaza de Binondo Hidden Treasures II
24” x 36” (61 cm x 91 cm) signed and dated 1975 (lower right) signed and dated 1979 (lower right) signed (lower center) dated 2017
P 10,000 P 10,000 oil on canvas watercolor on paper acrylic on canvas
P 20,000 P 20,000 P 35,000
León Gallery
516
Ang lahat ng ito’y pasimula pa lamang ng
mga paghihirap “Matthew 24:8”
graphite on paper
22” x 15” (56 cm x 38 cm) 524
a) Oscar Navarro (1921 - 1973)
P 120,000 Sabong
Accompanied by a certificate signed by the artist signed and dated 1959 (lower left)
confirming the authenticity of this lot oil on canvas
36” x 15” (91 cm x 38 cm)
517
b) Buenaventura
Jonathan Olazo (b. 1969)
Market Vendors
Untitled
signed (lower left)
mixed media
oil on canvas
93” x 54” (236 cm x 137 cm)
24” x 36” (61 cm x 91 cm)
P 100,000
P 35,000
518 519 520

Enriquez Toym De Leon Imao (b. 1968) Hugo Yonzon Jr. (1924 - 1994)
Untitled Sarimanok Inspired Untitled
525 526 527
P 4,000 P 50,000 P 40,000 Nikki Ocean (b. 1989) Ronald Ventura (b. 1973) Angge Lorente
Midnight Special Untitled Unabating Night Lights
confirming the authenticity of this lot dated 2018 signed and dated 1995 (lower left) signed and dated 2017 (lower left)
oil on canvas rubbercut oil on canvas
P 15,000 P 20,000 P 15,000
521 522 523

Unidentified Artist Simon Saulog (1916 - 1995) Gil Francis Maningo 528 529 530
Abstract Untitled (Portrait) Red flute Nelson Bosita Elias Laxa (1904 - 1990) Elias Laxa (1904 - 1990)
signed and dated (lower right) signed and dated Manila 1954 (lower left) signed and dated 2017 (lower right) Windblown Untitled Fisherman’s Wharf
acrylic on canvas pastel on paper mixed media on canvas signed and dated 2017 (lower left signed and dated 1976 (lower right) signed (lower right)
21” x 17” (53 cm x 43 cm) 25” x 18” (64 cm x 46 cm) 39” x 28” (99 cm x 71 cm) and verso) oil on canvas oil on canvas
oil on canvas 11” x 14” (28 cm x 36 cm) 11” x 14” (28 cm x 35 cm)
P 3,000 P 18,000 P 250,000 17 1/2” x 24” (44 cm x 61 cm)
Accompanied by a certificate issued by Art Circle Gallery P 20,000 P 20,000
P 15,000
León Gallery
531 535
Philipp Badon (b. 1957) a) Unidentified Artist
a-b) Untitled Caravan
signed and dated 1998 signed (lower right)
(lower right) each etching, 22/50
pastel on felt paper 9 1/2” x 12” (24 cm x 30 cm)
27” x 21” (69 cm x 53 cm) each
b) Virgilio Pandy Aviado (b. 1944)
c) Untitled Las Virgenes
signed and dated 1992 (upper right) signed (upper right)
pastel on felt paper print, A/P
27” x 21” (69 cm x 53 cm) 6” x 14” (15 cm x 36 cm)
c) Jess Flores
Mariposa at mga Bulaklak
etching, 44/75
532 11” x 9” (28 cm x 23 cm)
Jericho “Icos” Santos
Untitled I and II d) Jess Flores
a) signed and dated 2015 (lower left) Mga Ibon at mga Bulaklak
b) signed and dated 2016 (lower right) signed and dated 1976 (lower right)
acrylic on canvas print, 28/75
15 1/2” x 11 1/2” (39 cm x 29 cm) each 10” x 8” (25 cm x 20 cm)
P 12,000 P 4,000
536
a) Salvacion
533 Untitled I and II (Seascape)
Rafael “Boy” Ramos Gozum, Jr. signed and dated 1984 (lower right) each
a) Simbahan Series pastel on paper
signed and dated 2021(lower right) 10 1/2” x 15” (27 cm x 38 cm) each
44” x 25 1/2” b) Hidalgo
Untitled
b) Homage to Salvador Dali signed and dated 1970 (lower right)
signed (lower right) watercolor on paper
mixed media on canvas 12” x 9” (30 cm x 23 cm)
24” x 24” (61 cm x 61 cm)
c) Rona Buenaseva-Chua
P 30,000 Munting Pangarap
acrylic on canvas
14 3/4” x 11 1/2” (37 cm x 29 cm)
P 10,000
534
a) Ricky Ambagan (b. 1981)
Pasalubong
oil on canvas Jonathan Mallari
18” x 24” (46 cm x 61 cm) Landscape I, II, III
Dang Van Can (b. 1957) graphite on paper
Untitled a) 13 1/2” x 17” (34 cm x 43 cm)
signed (lower right) 2) 25 1/2” x 19 1/2” (65 cm x 50 cm)
oil on canvas 3) 25 1/2” x 19 1/2” (65 cm x 50 cm)
39” x 39” (99 cm x 99 cm)
P 40,000
P 20,000
León Gallery
538 541
a) Christian Prado a) F. Gonzales
Innocence Over Power Untitled
signed and dated 2020 (lower right) signed (lower left)
acrylic on canvas oil on canvas
36” x 24” (91 cm x 61 cm) 24” x 36” (61 cm x 91 cm)
confirming the authenticity of this lot b) Unidentified Artist
Untitled
b) Art Lozano
signed and dated 2001 (upper left)
Baguio Series
watercolor on paper
14” x 10” (36 cm x 25 cm)
acrylic on canvas
21 3/4” x 17 1/2” (55 cm x 44 cm)
c) Jaime “Jimmy” Vista (b. 1965)
c) Francis Fajardo (b. 1987) Still Life
Iisang Bangka signed and dated 1985 (lower left)
signed and dated 2021 (lower right) watercolor on paper
11 3/4” x 11 3/4” (30 cm x 30 cm)
Accompanied by a certificate signed by the artist P 8,000
d) Arvin C. Cantalejo, Jr.

Untitled
oil on canvas a) Anna Varona
11 3/4” x 15 1/2” (30 cm x 39 cm) Man Sleeping
P 25,000 oil on canvas
8 1/2” x 9” (22 cm x 23 cm)
b) Pat Reyes
539 Three Musicians
a) Jay-R Delleva signed and dated 1981 (lower left)
Gaia Destroyed oil on canvas
signed and dated 2010 (lower left) 15 1/2” x 19” (39 cm x 48 cm)
oil on canvas
24” x 18” (61 cm x 46 cm) c) Laurel Nannup
Lolly Tree
b) Paulo R. Vinluan (b. 1980) signed and dated 2014 (lower right)
Phenakistoscope etching, aquatint, and hand colouring
acrylic on canvas
20” x 20” (51 cm x 51 cm) P 10,000
P 20,000
540 543
a) Ronante Maratas a) Jay Ragma (b. 1992)
Abstract Motionless in White
signed and dated 2018 (lower right) signed (lower right) dated 2017
oil on canvas acrylic on canvas
12” x 11” (30 cm x 28 cm) 24” x 24” (61 cm x 61 cm)
b) Pow Martinez (b. 1983) b) Marlon Magbanua (b. 1968)

Cave Paintings 9 Square Pegs in Roundholes 1
acrylic on paper acrylic on canvas
16 1/2” x 13 1/2” (42 cm x 34 cm) 24” x 18” (61 cm x 46 cm)
P 17,000 P 15,000
León Gallery
Social and Cultural Identities

Angel Cacnio’s Powerful Images
544 545 546

Jun Mallabo Garcia Ibarra Dela Rosa (1943 - 1998)
Untitled Untitled Rizal Park
signed and dated 2002 (lower left) signed (lower left) signed and dated 1977 (lower right)
oil on canvas oil on canvas pen and ink on board
24” x 24” (61 cm x 61 cm) 29 1/2” x 29” (75 cm x 74 cm) 6” x 6 1/2” (15 cm x 17 cm)
P 7,000 P 5,000 P 10,000
547
Norma Belleza (b. 1939) 550 551
Mag-Ina Angel Cacnio (b. 1931) Angel Cacnio (b. 1931)
signed and dated 1986 (bottom) Diwa ng EDSA Sabong
oil on old wood signed and dated 1989 (lower right) signed and dated 1976 (lower right)
H: 3” (8 cm) D: 20” (51 cm) oil on canvas oil on canvas
29” x 52” (74 cm x 132 cm) 23” x 33” (58 cm x 84 cm)
P 130,000
P 500,000 P 250,000
A
ngel Cacnio is known for his chronicles of Philippine
PROPERTY FROM THE COLLECTION OF A heritage - historical events, heroic deeds, Filipino
DISTINGUISHED COLLECTOR legends, traditions and values. He also uses as his
548 subject people and scenes from Malabon, his hometown
Vicente Manansala (1910 - 1981) that immediately evokes feelings of nostalgia in townmates.
Sabong His deft strokes are brilliant and bold - leaving no doubt in
signed and dated 1955 (upper left) the viewer’s mind the artist’s passion that is clearly visible to
oil on board his works.
27” x 20” (69 cm x 51 cm)
Art such as Cacnio’s is attuned to the folk and the social
P 2,000,000
stories of the country. He combined both folk sensitivity
and modern technique to innovate genres and create new
ones. To some extent, Cacnio was even considered as the
heir to costumbrismo of the Philippines’ Hispanic heritage.
Everyday local life is presented with special focus on social
manners and customs depicted through vivid colors where
modern Filipino artists such as Cacnio used realism and
549
Oscar T. Salita (b. 1943) romanticism germane to costumbrismo in constituting 552
Untitled an aesthetic dialectic that resulted in a new synthesis, Angel Cacnio (b. 1931)
signed and dated 1989 (lower right) providing an undercurrent to contemporary issues. Untitled
oil on canvas An example is his oil on canvas artwork entitled Diwa ng signed and dated 1975 (lower left)
25” x 33” (64 cm x 84 cm) EDSA depicting the restoration of democracy through oil on canvas
people power; the painting itself is a warm memory of a 12” x 14 1/2” (30 cm x 37 cm)
P 40,000 struggle that was overcome and won. The faces are held
forward, upfront and optimistic. It showcased his keen P 100,000
sensitivity to his surroundings. His compositions, after all,
reflect what he deems as the unchanging template of
national identity.
León Gallery
553
Demetrio Dela Cruz (b. 1971)
Juan Mapangarap
oil on canvas
28” x 24” (71 cm x 61 cm)
P 30,000
Provenance:
The Boston Gallery
561 562 563

Henry ”Bokeng” Ancanan Randy “Andoi” Solon (b. 1971) Jack Sotto (b. 1955)
Internet Chain Reaction Painting Noir 2
signed and dated 2005 (lower right) signed and dated 2009 (lower right) signed and dated 2004 (verso)
oil on canvas oil on canvas acrylic on canvas
554
Lemuel Cunanan (b. 1974)
The Legend (Whang-Od)
P 80,000 P 70,000 P 25,000
oil on canvas
24” x 18” (61 cm x 46 cm)
P 20,000
564 565
Sherwin Tan a) Ernesto Tagle (b. 1948) b) Jake Catah
555 556 557 Roadway in the Wilderness Positivism Series 4 Untitled
William Yu (b. 1954) Roger San Miguel (b. 1940) Roger San Miguel (b. 1940) signed (lower center) dated 2017 (verso) signed and dated 1989 (right) signed and dated (lower right)
Pineapple Vendor Abstract Composition II Abstract Composition I acrylic on canvas acrylic and watercolor on paper oil on canvas
signed and dated 1999 (lower right) signed (lower right) signed (lower left) 16” x 12” (41 cm x 30 cm) 7” x 5” (18 cm x 13 cm) 16” x 16” (41 cm x 41 cm)
24” x 24” (61 cm x 61 cm) 48” x 48” (122 cm x 122 cm) 48” x 48” (122 cm x 122 cm) P 25,000 P 15,000
P 20,000 P 30,000 P 30,000

566
Obi Mapua
a) The Wright “Flyer”
b) 1915 German Rumpler C.1

c) Curtiss JN-4 “Jenny” (U.S.A.) 1923

with “Wingwalkers”
d) 1917 British Bristol F2B “Fighter”

558 559 560 signed and dated January 2009 (lower left)
Elias Laxa (1904 - 1990) Crispin V. Lopez (1903 - 1985) Ernesto Tagle (b. 1948) acrylic, ink, and graphite on canvas
Batis sa Bulacan Seascape Mother and Child 12” x 12” (30 cm x 30 cm) each
oil on canvas oil on canvas acrylic on paper P 15,000
P 20,000 P 40,000 P 10,000
León Gallery
567
Pearle Saprid
HOPE
mixed media on wood (acrylic and
metal wires)
30 1/4” x 28 1/2” (77 cm x 72 cm)
P 35,000

568
Kim Hamilton Sulit (b. 1990)
Settlement I (Settlement Series) 573 574 575
signed and dated 2018 (verso) Gerry Tan (b. 1960) Fernando Modesto (b. 1953) Cid Reyes (b. 1946)
oil on shaped canvas Untitled Untitled Waves 4
21” x 24” (53 cm x 61 cm) signed and dated 1999 (lower left) signed and dated 1995 (lower left) signed (lower right) dated 2018
oil on paper charcoal on paper acrylic on canvas
P 30,000 P 10,000 P 40,000
576
Eddie Sarmiento (b. 1940)
a) Harvest
oil on canvas
23” x 23” (58 cm x 58 cm)
b) Market Scene
oil on canvas
20” x 25 1/2” (51 cm x 65 cm)
P 20,000
569 570 571
Andy Orencio Loriel Castillo (Yel Cast) Jayvee David
Untitled Sining Aking Buhay I Forgot that I Should Forget
signed and dated 1998 (lower left) signed and dated 2018 (lower left signed and dated 2019 (lower right)
oil pastel on paper and verso) oil on canvas
18” x 13” (46 cm x 33 cm) acrylic on canvas 60” x 48” (152 cm x 122 cm)
48” x 36” (122 cm x 91 cm)
P 5,000 P 60,000
P 15,000 Provenance:
Accompanied by a certificate signed by the artist Secret Fresh Gallery
confirming the authenticity of this lot 577
Prudencio Lamarroza (b. 1946)
Untitled (Collage)
mixed media
27 1/2” x 35 1/2” (69 cm x 90 cm)
572
Geraldine Javier (b. 1970) Studio P 80,000
The Great Reset
art photo with uv lamination,
limited edition 61/300
18” x 24” (45 cm x 61 cm)
P 5,000
Accompanied by a certificate issued by Giant Dwarf
Artspace confirming the authenticity of this lot
León Gallery
Within Shapes and Colors

Angelito Antonio’s Poetic Cubism
PROPERTY FROM THE PATRICK ROSAS COLLECTION
581
Angelito Antonio (b. 1939)
Untitled
oil on canvas
15 1/2” x 23” (39 cm x 58 cm)
P 150,000
578
Untitled
oil on canvas
36” x 50” (91 cm x 127 cm)
P 400,000
T
hough heavily influenced by the Transparent Cubism
of Vicente Manansala, what sets him apart from his
mentor is his sharper linear clarity and distinct washed-
out color tones, as exemplified in these works. Antonio’s colors
take on a more opaque quality, effectively emphasizing the
various shapes and forms that make up Antonio’s figures.
Antonio’s choice of color also brings out the inherent flatness
of the canvas itself, allowing viewers to appreciate an aesthetic 582 583 584
only possible through the medium of painting. The works Jason Montinola (b. 1975) Joyce Ignacio Angeles
feature a variety of local and rural scenes, from a pair of Indulgents Temporary Untitled
performers serenading a couple of passersby to a uniquely signed (lower left) dated 2011 signed and dated 2018 (lower right) signed (lower right)
Filipino portrait of a mother and her child selling their wares. oil on canvas oil on canvas oil on canvas
12” x 11 1/2” (30 cm x 29 cm) 24” x 24” (61 cm x 61 cm) 24” x 25” (61 cm x 64 cm)
With his strong cubist style—also his nationalist style of
Modernism—and use of colors’ emotional properties, everyday P 30,000 P 10,000 P 10,000
579
Provenance: Provenance:
people and scenes are poetically rendered, making him one Angelito Antonio (b. 1939) Vinyl on Vinyl Xavier Art Fair
of the finest genre artists in the country. Along with Antonio Untitled
Austria, Norma Belleza, and Mario Parial, among other second- signed and dated 1972 (lower left)
wave Filipino modernists, Antonio continues to champion oil on canvas
expressionism in the country’s art scene. 20” x 25” (51 cm x 64 cm)
P 150,000
580
a) Mother and Child
oil on canvas
8” x 8” (20 cm x 20 cm)
585 586 587
b) Balut Vendor
Crispin V. Lopez (1903 - 1985) Emil Larosa Hugo Yonzon Jr. (1924 - 1994)
Untitled Untitled Untitled (Landscape)
oil on canvas
signed and dated 1963 (lower right) signed (lower right) signed and dated 1975 (lower right)
8” x 8” (20 cm x 20 cm)
P 60,000
P 30,000 P 15,000 P 30,000
León Gallery
592
Demi Padua
Underdog
dated 2017
588 acrylic on canvas
Augusto Albor (b. 1948) 36” x 48” (91 cm x 122 cm)
Untitled
signed and dated 1984 (lower right) P 40,000
acrylic on paper
9” x 12” (23 cm x 30 cm)
P 20,000 593
Unidentified Artist
Untitled
acrylic on canvas
36” x 48” (91 cm x 122 cm)
589
Augusto Albor (b. 1948) P 20,000
Expanse
acrylic on acid-free 300gsm paper
15 1/2” x 22” (39 cm x 56 cm)
P 50,000
590
Augusto Albor (b. 1948)
Abstract
signed and dated, 1998 (lower right)
graphite and oil on paper
12” x 10” (30 cm x 25 cm)
P 20,000 594 595 596

Isidro Ancheta (1882 - 1946) Isidro Ancheta (1882 - 1946) Isidro Ancheta (1882 - 1946)
a) Untitled (Seaside) a) A Countryside Untitled (Landscape)
signed (lower left) signed (lower right) signed (lower right)
oil on board oil on board oil on canvas
12” x 7” (30 cm x 18 cm) 12” x 5 1/2” (30 cm x 14 cm) 12 1/2” x 7” (32 cm x 18 cm)
591
Augusto Albor (b. 1948) b) By the Pasig River b) Parian Gate Intramuros P 25,000
Untitled signed (lower right) signed (lower left)
signed and dated 2011 (lower right) oil on board oil on board
charcoal on paper 12” x 7” (30 cm x 18 cm) 12” x 5 1/2” (30 cm x 14 cm)
17 1/2” x 11” (44 cm x 28 cm)
P 45,000 P 45,000
P 15,000
Augusto Albor (born August 1948) is a painter and and experimentation,”- an evident outlook on his
sculptor known for his abstraction works and has been craftsmanship of turning the best out of a negative
a stalwart of the Philippine art scene since the 1970s. space featuring images of floating, nothingness and
He is among the accomplished abstractionists during view in becoming what later on shows as a positive
the eighties who was regularly invited to participate in space along the way - making the viewer be completely
various group exhibitions abroad. absorbed by the electrifying yet harmonious art starting
from Albor’s distinct partiality for minimal registers,
Through his works, Albor shows universal themes: with extreme subtlety, soft transitions and muted
time and place, emotion and memory, so is transition harmonies creating a sensual experience of what Albor 597 598 599
and permanence like what Albor told PhilStar Global regards of his paintings - emanations of his conviction Isidro Ancheta (1882 - 1946) Isidro Ancheta (1882 - 1946) Isidro Ancheta (1882 - 1946)
in a 2019 interview, “You don’t have to limit yourself and concepts - an exposition of his existence. Seascape Untitled Landscape
… It’s a never - ending journey of exploration signed (lower right) signed (lower right) signed (lower right)
oil on canvas oil on canvas oil on panel
10” x 14” (25 cm x 36 cm) 9 1/2” x 11” (24 cm x 28 cm) 9” x 13” (23 cm x 33 cm)
P 50,000 P 30,000 P 30,000
León Gallery
Irish Glori Galon, the Boholana artist who now lives in Trece Martires
in Cavite features most of her works faceless. She often uses flowers,
origami (paper cranes and boats), and other things to fill in the gap of
space in that part of the human face where the eyes, nose, and mouth
should be. Her paintings are featured this way not because she needed
to hide something. It is actually the opposite. Galon shared with a blog
writer that, “There are three main ideas or subjects that I usually paint
or create: those I love, those I hate, and things I fear.”
Her works are actually a kind of exposition of the self - those inner 604 605 606
longings: the secret dreams of a woman, a mother, a wife, and an Dr. Gregorio Lim Emmanuel Garibay (b. 1962) Marcial Pontillas (b. 1973)
artist just like how she viewed that art in itself is genderless - that it Vase and Roses Still Life Traffic in Black and White
should transcend cultural and gender biases which is based on her signed and dated Oct. 16, 1958 signed and dated 1991 (lower right) signed and dated 2006 (lower right)
experience of being known not “as an artist” but rather “an artist’s (lower right and verso) oil on panel pastel on paper
wife” since her husband, Melbourne Aquino is an accomplished visual oil on masonite panel 15 1/2” x 12” (39 cm x 31 cm) 28” x 21 1/2” (71 cm x 55 cm)
19” x 16” (48 cm x 41 cm)
600 artist. Galon’s works also show the personal realizations, the fragments
P 80,000 P 5,000
Irish Galon of personal truths that she wanted to share to the world; the secret P 8,000
Untitled pains and agonies she endured and overcame, as well as her analyses
signed and dated 2017 (lower left) of things that are happening in society.
acrylic on canvas
23 1/2” x 23 1/2” (60 cm x 60 cm) Galon and her works offer not only a visual feast, but also something
that is worth pondering on.
P 20,000
607 608 609

Ramon Doplon (b. 1953) Jay Maclean Unidentified Artist
Untitled Untitled The Battle of Manila Bay
signed and dated 1983 (lower left) signed and dated 2018 (lower right ca. late 19th century
mixed media on paper and verso) oil on mother of pearl shell
17” x 23” (43 cm x 58 cm) oil on canvas 9” x 9 1/2” (23 cm x 24 cm)
13 1/2” x 17 1/2” (34 cm x 44 cm)
P 30,000 P 30,000
P 5,000
601 602 603

ND Harn Nena Saguil Jaypee Samson (b. 1985)
Yakult No. 1 Untitled Pag-ibig sa Tinubuang Lupa
signed (lower right) signed and dated 1975 (lower right) oil on canvas 610 611 612
pen and ink on paper oil on canvas 48” x 36” (122 cm x 91 cm) Jtar Richard “Ambot” Quebral (b. 1989) Loreto Racuya (b. 1940)
39 1/2” x 28” (100 cm x 71 cm) 31” x 21” (79 cm x 53 cm) Reading Untitled Flower Gatherers
P 70,000 signed (upper left) signed and dated IV-IX 2020 (upper left) signed (verso)
P 25,000 P 200,000 watercolor on paper acrylic on wood oil on canvas
Provenance:
13 1/2” x 18” (34 cm x 46 cm) 9” x 8 1/2” (23 cm x 22 cm) 17 1/2” x 24 1/2” (44 cm x 62 cm)
Mono8 Gallery Accompanied by a certificate issued by Benjamin
Saguil, Jr. confirming the authenticity of this lot
P 4,000 P 20,000 P 15,000
León Gallery
IN FOCUS
615
A Passion for Still Lifes Rico Lascano (b. 1957)

a) Water Dance XXI
Betsy Westerndorp’s Approach to Scapes and Flora acrylic on paper
14” x 20” (36 cm x 51 cm) each
T
he Spanish-Filipina painter Isabelle Maria Westendorp, nicknamed “Betsy” after her b) Water Dance IV
signed and dated 2007 (bottom)
aunt who was a respected painter as well, known largely for her exuberant floras and acrylic on paper
landscapes, had nurtured her passion for painting still life especially flowers initially born 20” x 14” (51 cm x 36 cm)
out of her long residence along Manila Bay, which gave her an incomparable sunset view that
c) Water Dance XVI
blossomed into a full-blown immersion with nature with her atmosferografias, dramatic impressions
of the infinitely shifting play of light on earth, sea and sky. Betsy’s continued interest with the acrylic on paper
evanescent beauty of nature would eventually yield some of the artist’s best work. Her paintings 14” x 18 1/2” (36 cm x 47 cm)
such as these two namely Orchids and El Hipodromo showed a certain freshness and naturalness in
P 80,000
her approach and authenticity of her expression. No wonder her artistic efforts earned her the Lazo Provenance:
de Dama de la Orden Isabela Catolica from the former King of Spain, Juan Carlos, as well as the The Crucible Gallery
Presidential Medal of Merit for Art and Culture by former President Gloria Macapagal Arroyo.
613
Betsy Westendorp (b. 1927)
El Hipodromo
Madrid, Spain 616
oil on canvas Rico Lascano (b. 1957)
signed and dated 1988 (lower right) a) Pondering 4
12” x 11” (30 1/2 cm x 28 cm) signed and dated 2005 (lower left)
acrylic and graphite on paper
P 100,000 30” x 22” (76 cm x 56 cm)
b) Pondering 6
acrylic and graphite on paper
30” x 22” (76 cm x 56 cm)
P 60,000
Provenance:
Galerie Astra
617
Rico Lascano (b. 1957)
Pondering 5
acrylic and graphite on canvas
45” x 69” (114 cm x 175 cm)
614 P 70,000
Betsy Westendorp (b. 1927) Provenance:
Orchids Galerie Astra

oil on canvas
30” x 20” (76 cm x 50 cm)
P 250,000
León Gallery
622
Alfredo Aquilizan (b. 1962)
Aureale
6” x 6” (15 cm x 15 cm)
P 10,000
618 619 620

Fernando Antimano Christian Tamondong (b. 1976) Christian Tamondong (b. 1976)
Rebellious Streak Momma Made Pie Untitled
signed and dated 2015 (lower right) signed and dated 2016 (Lower left) signed and dated 2016 (Lower left)
P 75,000 P 80,000 P 80,000
621 623 624 625

Ronald Ventura (b. 1973) Francisco M. Verano (b. 1938) Martin Honasan (b. 1976) Manuel Baldemor (b. 1947)
Untitled Purple Dawn Heat 61st Cannes Film Festival
signed and dated 2001 (lower left) signed and dated 1995 (lower right) signed and dated 2018 (lower left) signed and dated 2008 (lower left)
oil on canvas acrylic on canvas mixed media on canvas mixed media, acrylic and watercolor
9” x 12” (22 cm x 30 cm) 23 1/2” x 15” (60 cm x 38 cm) 36” x 24” (91 cm x 61 cm) on canvas
24” x 18” (61 cm x 46 cm)
P 250,000 P 15,000 P 75,000
Accompanied by a certificate signed by the artist P 50,000
Though Ventura has experimented with a number of distinct alluring works that span across multiple media such as
visual styles, his iconic series of figurative nude paintings is painting, sculptures, and graffiti. He graduated with a fine
often considered Ventura at his most intimate and personal. arts degree in painting from the University of Santo Tomas
In fact, the human body and anatomy has fascinated him in 1993, and then went on to win Art Manila’s Artist of the
626
as a child. So much so that during his early days as an artist, Year Prize in 2001. His 2005 Ateneo Art Gallery from the a) Pilar Quiros
Ventura would often experiment with different techniques, Studio Residency Grant launched his career to new heights, Serengeti
treatments, and executions surrounding the human body. landing him shows and exhibits abroad such as his seminal signed and dated 2014 (lower right)
Now one of the country’s most revered contemporary artists, 2009 exhibit at the Tyler Rollins Fine Art Gallery entitled oil on canvas
Ventura’s nude paintings are celebrated in their unparalleled “Metaphysics of the Skin.” In 2021, Ventura’s piece titled 6 1/2” x 8 1/2” (17 cm x 22 cm)
ability to evoke both the sensuousness of the human body, Party Animals shattered records and expectations at an
as well as the burgeoning emotional heft within. international auction by managing to bag the highest selling b) Norman Mortifar
price for a work by a living Filipino artist. Untitled
Born in 1973, Ronald Ventura is a Manila-based
pastel on paper
contemporary artist known for his visually complex and 20 1/2” x 26 1/2” (52 cm x 67 cm)
P 12,000
León Gallery
Aside from being a master of landscapes, Fernando Amorsolo also lived

a prolific career as an acclaimed painter of innocent feminine charm.
Amorsolo has long been regarded as the greatest Filipino painter of
women, and the country lass is one of the national artist’s passionate
endeavors to produce a distinctive Filipino icon with which the people
could collectively identify. Employing his penchant for the Classical-
Romantic style, he strived to incorporate warm, luscious hues to the
pristine beauty of a youthful countrywoman. As a painter of peasants
and idyllic countryside living, Amorsolo remained a sharp observer in his
vivid renditions of high-spirited figures where romanticism and realism 630 631 632
come into play. It is highly discernible that his eye for detail – from the Maya Muñoz (b. 1972) Jigger Cruz (b. 1984) Martin Honasan (b. 1941)
woman’s facial expression to her clothes, comes from keen observation. Low Pressure Sunrise Untitled Caravaggio as Goliath
signed and dated 2005 (lower right) signed and dated 2013 (bottom) signed and dated 2012 (lower left)
Amorsolo perfectly encapsulates his mastery of the harmonious
acrylic on canvas mixed media on paper watercolor and acrylic on paper
intermingling of light and shadow in a rural setting, with the whole
22” x 19” (56 cm x 48 cm) 16” x 12” (41 cm x 30 cm) 9 1/2” x 6” (24 cm x 15 cm)
composition exuding euphoric radiance due to his blissful depiction of
the woman. Behind the smiles of his unnamed subjects lies the innate P 30,000 P 200,000 P 20,000
nostalgia found only in our collective subconscious. Provenance: Exhibited: “After Caravaggio” of NOW Gallery
The Drawing Room
627
Fernando Amorsolo (1892 - 1972)
Lady with Umbrella
oil on canvas
7” x 5” (18 cm x 13 cm)
P 500,000
León Gallery wishes to thank Mrs. Sylvia Amorsolo-Lazo
633 634 635

Ted Peñaflor (b. 1978) Soler Santos (b. 1960) Jay Torres
Lilim Rainforest It is Strange to be Here
signed and dated 2018 (lower left) signed and dated 1994 (bottom) signed and dated 2019 (lower left)
acrylic on canvas oil on paper oil on canvas
P 20,000 P 40,000 P 30,000

Provenance: Provenance:
Village Art Gallery Village Art Gallery
628 629
Fil dela Cruz (b. 1950) a) Luis Antonio Santos (b. 1985)
a) Nimula, Buligi Aican Diyisak Ukon Untitled (Film Stills) 2
signed and dated 1982 (lower right) dated 2017
A/P oil on canvas
24” x 15” (61 cm x 38 cm) 14” x 14” (36 cm x 36 cm)
b) Diwata “Tutubi sa Tag-Araw” b) Lyndon Maglalang 636 637 638

signed and dated 1998 (lower right) Untitled E. Villanueva Vincent Ramos (b. 1973) Enrico Zablan (b. 1937)
mixed media dated 2018 Untitled Untitled Untitled
26” x 15 1/2” (66 cm x 39 cm) mixed media signed (lower left) signed and dated 1999 (lower left) signed and dated 1963 (lower right)
36” x 24” (91 cm x 61 cm) oil on canvas oil on canvas oil on canvas
P 10,000 26 1/2” x 31 1/2” (67 cm x 80 cm) 30” x 47” (76 cm x 119 cm) 21 1/2” x 33” (55 cm x 84 cm)
P 45,000
P 10,000 P 10,000 P 20,000
León Gallery
643
Untitled (Abstraction Series)
oil on plywood
639
11” x 7” (28 cm x 17 cm)
Federico Aguilar Alcuaz (1932 - 2011)
a) Portrait of a Woman
P 500,000
signed and dated 10. VIII. 1981 (lower left)
Accompanied by a certificate issued by Galleria Duemanila, Inc.
pastel on paper confirming the authenticity of this lot
25” x 20” (64 cm x 51 cm)
b) Portrait of a Man 644

signed and dated 10. VIII. 1981 (lower right) Demetrio Diego (1909 - 1988)
pastel on paper Untitled
25” x 20” (64 cm x 51 cm) signed and dated 1948 (lower right)
oil on masonite board
P 150,000 11” x 9 1/2” (28 cm x 24 cm)
P 20,000
Though Modernism was met with open arms by a majority ravishing portraits, Alcuaz managed to maintain the allure
of Filipino artists in the 20th century, there were a handful of the traditional form without relying on mere nostalgia or
of staunch individuals that stood by and improved upon the imitation. This predisposition is evident in this set of portrait 645
Oscar Salita (b. 1943)
core tenets of Classical and Academic forms of art amidst works by the artist. Alcuaz’s forms are both dynamically fluid Untitled
a rapidly modernizing world. Among them was renowned and yet compositionally restrained. The effect is one that is signed and dated 1978 (lower right)
visual artist Federico Aguilar Alcuaz. Though he was known carefully balanced and familiar yet novel at the same time. oil on canvas
36” x 36” (91 cm x 91 cm)
for his unparalleled contributions to Filipino Modernism with Traditional painting of the human figure, with its roots in
his strikingly original experimentations in Cubism, and his the classical model, would seem, at times, to have all but P 70,000
groundbreaking Art Protis series, Alcuaz never abandoned disappeared. But there are artists like Federico Aguilar Alcuaz,
his more traditional roots. From sweeping landscapes to who see in the figure a dynamic that applies to all eras.
646
Oscar Salita (b. 1943)
Untitled
oil on canvas
24” x 24” (61 cm x 61 cm)
P 40,000
647
Ricky Ambagan (b. 1981)
Crossroads
oil on canvas
24” x 36” (61 cm x 91 cm)
P 200,000
640 641 642

648
Jaime Roque (b. 1947) Philipp Ines (b. 1981) Cezar Arro
William Gaudinez (b. 1960)
Geometric Abstraction Dibuho ng Nakaraan Untitled
Jeepney Kabayo
oil on canvas signed and dated 2019 (lower right) signed and dated 2018 (lower right)
35 1/2” x 23 1/2” (90 cm x 60 cm) oil on canvas oil on canvas
oil on wood/assemblage
36” x 24” (91 cm x 61 cm) 48” x 36” (122 cm x 91 cm)
24” x 37” x 13”
P 20,000
(61 cm x 94 cm x 33 cm)
P 18,000 P 30,000
confirming the authenticity of this lot. P 40,000
León Gallery
654
Anita Magsaysay Ho (1914 - 2012)
Mother and Child
signed (bottom) each
watercolor and ink on paper
12” x 10” each (30 cm x 25 cm)
649 650 651
Solomon Saprid (1917 - 2003) Jose Joya (1931 - 1995) Bernardo “Banz” Bañez
P 200,000
Dimiao Church Two Patterns Untitled (Landscape)
signed and dated December 1985 signed and dated 1968 (lower right) signed and dated 6.85 (lower left)
(lower right) pen and ink on paper watercolor on paper
pastel on paper 11” x 16” (28 cm x 41 cm) 10 1/2” x 14 1/2” (27 cm x 37 cm)
16” x 20” (41 cm x 51 cm)
P 40,000 P 5,000
P 20,000 Leon Gallery wishes to thank Alexander Richard Joya Baldovino
655
Felipe V. Adriano Jr
As described in the book Kiukok: The Artist and His Works by Esperanza Bunag a) Puente Colgante, Quiapo at Casco in
Gatbonton, the painting method of National Artist for Visual Arts Ang Kiukok Pasig 1980
can be likened to an adage from Sun Tzu’s The Art of War: “Think slowly but signed and dated 1994 (lower right)
draw quickly; conceive meticulously but sketch quickly.” In Kiukok’s works, ink and watercolor on paper
one can see the influence of Chinese aesthetics wherein the innate nature of 12” x 15” (30 cm x 38 cm)
a subject is encapsulated through a meticulous review of his composition to
capture its full expression as the unconstrained brush strokes are laid out on b) Sunday in Quiapo 1904
the canvas. signed and dated 1994 (lower right)
Kiukok has explored the mother and child theme more than any artist. In this 11” x 15 1/2” (28 cm x 39 cm)
piece, the two figures are more than merely ornamental but rather, act as
avenues for maternal solace rendered abstractly. The mother and the child P 10,000
652 are intertwined, implying that they are mutually dependent on each other.
Ang Kiukok (1931 - 2005) Seemingly tied up in a warm and tender embrace, the two figures evoke a
Mother and Child protective and nurturing character that is imparted to the audience. One can
signed and dated 1989 (upper left) also insinuate that this piece is a representation of the pains of motherhood 656
watercolor on paper as evidenced by the mother being seemingly trapped in the endless cycle of Lamberto Hechanova (b. 1933)
8 1/2” x 11 1/2” (22 cm x 29 cm) motherhood, emanating a claustrophobic ambiance. Although Kiukok’s figures Untitled
are distorted, the coolness of their hues surfaces the oblique passion that exudes dated 1968
P 300,000 from the subjects. Speaking of his manner of depicting his subjects, the artist wood and metal
Provenance:
was quoted to have said: “I paint the way I do because I’m not really happy with 25” x 37” (64 cm x 94 cm)
Finale Art File what is happening around me. Even if I cannot make a sale, I will still have to
paint my subjects the way I do, because they are part of me.” P 80,000
653
Cid Reyes (b. 1946)
a) Night Shadow
signed (lower left) dated 2019 657
enamel on canvas Galo Ocampo (1913 - 1985)
24” x 24” (61 cm x 61 cm) Untitled
b) Golden Shadow oil on paper
signed (lower center) 19” x 26 1/2” (48 cm x 67 cm)
enamel on canvas
24” x 24” (61 cm x 61 cm) P 100,000
P 50,000
León Gallery
663
a) Marciano Galang (b. 1945)
Untitled
Rodel Tapaya is one of the leading Filipino visual artists of his generation
and belongs to the most acclaimed artists in Southeast Asia today. This
is due to exposure in international exhibitions and success in important 23 1/2” x 17 1/2” (60 cm x 44 cm)
regional art contests his works have gained renown and critical acclaim.
He is known for his large-scale canvas, narrative murals and sculptural b) Jorge Pineda (1879 - 1946)
installations. Landscape
Tapaya’s work draws extensively from a rich history of Filipino literary watercolor on paper
folklore,piecing together pictorial fragments to create complex scenes 11” x 7 1/2” (28 cm x 19 cm)
that grapple with contemporary politics, and social and environmental
c) Federico Aguilar Alcuaz (1932 - 2011)
concerns. Hence, the artist is able to address the conflict between tradition
Untitled
and rapid urbanisation, global labour and rural exodus, and the nation’s signed and dated 1965 (lower center)
ongoing postcolonial traumas and enabled him to establish a unique pen and ink on paper
658 contemporary, neo-traditional artistic form of myth-making. In these 6 1/2” x 6 1/2” (17 cm x 17 cm)
Rodel Tapaya (b. 1980) works, numerous pictorial fragments within muralist compositions are
Red Trench II devoid of traditional perspective, and meticulously pieced together to P 20,000
signed and dated 2004 (lower left) form epic stories filled with allegorical references.
oil and graphite on canvas 664
17” x 17” (43 cm x 43 cm) a) Mark Andy Garcia (b. 1984)
Running Water II
oil on canvas
12” x 9” (30 cm x 23 cm)
659 b) Yasmin Sison Ching (b. 1972)

Rodel Tapaya (b. 1980) Untitled 2
Diptych (Table Series) dated 2016
signed and dated 2004 (lower right) oil on canvas
pastel on paper 12” x 9” (30 cm x 23 cm)
16” x 22” (41 cm x 56 cm) each
c) Sarah Geneblazo
P 100,000 Untitled
dated 2015
oil on canvas
12” x 9” (30 cm x 23 cm)
P 45,000
Each piece is accompanied by a certificate issued by
West Gallery confirming the authenticity of this lot
660 661 662

Rodel Tapaya (b. 1980) Rodel Tapaya (b. 1980) Rodel Tapaya (b. 1980)
Untitled (Pool) Untitled (Figure with Cane) Untitled (Cow) 665 666 667
signed and dated 2015 (lower right) signed and dated 2006 (lower right) signed and dated 2006 (upper right) Fatima Belleza Victorio Edades (1895 - 1985) Antonio Bais Calma
pastel on paper pastel on paper pastel on paper Untitled (Still Life) Untitled (Portrait) Landscape
30” x 22” (76 cm x 56 cm) 24” x 18” (61 cm x 46 cm) 24” x 18” (61 cm x 46 cm) signed and dated 2001 (lower right) signed and dated 1971 (lower right) signed (lower right)
acrylic on canvas charcoal on paper oil on canvas
P 400,000 P 50,000 P 50,000 23 1/2” x 17 1/2” (60 cm x 44 cm) 14 1/2” x 11 1/2” (37 cm x 29 cm) 12” x 9” (30 cm x 23 cm)
P 15,000 P 30,000 P 20,000
León Gallery
672
Rodel Tapaya (b. 1980)
Untitled (Orange Cat)
acrylic on paper
16” x 23” (41 cm x 58 cm)
P 50,000
673
Hermes Alegre (b. 1968)
Untitled
oil on canvas
35” x 35” (89 cm x 89 cm)
P 25,000
668 669 670
Reb Belleza (b. 1969) Reb Belleza (b. 1969) Reb Belleza (b. 1969) 674
U. F. O. Bulaklak Things Nena Saguil (1924 - 1994)
signed and dated 2020 (verso) signed and dated 2020 (verso) signed and dated 2020 (verso) Untitled
oil on canvas oil on canvas oil on canvas signed and dated 1978 (lower right)
48” x 36” (122 cm x 91 cm) 48” x 36” (122 cm x 91 cm) 48” x 36” (122 cm x 91 cm) India ink on paper
18 1/2” x 24 1/2” (47 cm x 62 cm)
P 35,000 P 35,000 P 35,000
Accompanied by a certificate signed by the artist Accompanied by a certificate signed by the artist Accompanied by a certificate signed by the artist P 80,000
confirming the authenticity of this lot confirming the authenticity of this lot confirming the authenticity of this lot
675
Abstract in Green
watercolor on paper
11” x 8” (28 cm x 20 cm)
671 P 70,000
Ivan Roxas (b. 1978)
Solace
oil on canvas
10” x 11 3/4” (25 cm x 30 cm)
P 200,000
Accompanied by a certificate issued by Altromondo Arte
Contemporanea confirming the authenticity of this lot
“The good thing about the arts is that it’s a craft where I His works are an encapsulation of immortality. Regarding
don’t need to please anyone. I don’t really need anyone else his preferred subject, he disclosed: “Ever since I was
besides my canvas, colors, and brush,” said contemporary young, I have been obsessed with immortality.” With every
artist Ivan Roxas. His motivation in continuously pursuing brushstroke, Roxas ensures that his work captures the spirit
his art lies “in everything and nothing.” The main reason of eternity. Throughout his two-decade career, his themes
Roxas paints is that he wants to share his perspective and have evolved from self-portraits to somber graveyards, and
understanding of various situations and circumstances. “I nudes, depending on his disposition. His art has become his
want to use my sensitivity as a tool because I know that personal diary – a reminder of the occasions, experiences,
not all are sensitive enough to appreciate the beauty in all and sentiments that served as catalysts for his artistic
676 677 678
things,” confessed Roxas. inspiration and passion.
Carlo Saavedra (b. 1981) Mark Lester Espina (b. 1985) Troy Ignacio (b. 1979)
The Red Antonio Luna Portrait The Thinker Untitled
unsigned and undated signed and dated 2018 (lower right) oil on paper
oil on canvas oil on canvas 29 1/2” x 22” (75 cm x 56 cm)
50” x 38” (127 cm x 97 cm) 36” x 24” (91 cm x 61 cm)
P 30,000
P 100,000 P 30,000
León Gallery
686
Ferdinand Montemayor (b. 1965)
Home Sweet Home
oil on canvas
36” x 36” (91 cm x 91 cm)
P 50,000
679 680 681

Antonio Dumlao (1912 - 1983) Kadin Tiu Ronson Culibrina ( (b. 1991)
Flower Vendor Fill Untitled
signed and dated 1961 (lower left) signed (lower left) dated 2018 signed and dated 2011 (lower right)
oil on canvas oil on canvas acrylic on canvas
P 80,000 P 100,000 P 350,000

Provenance:
Blanc Gallery
687 688 689

Erikson Arcilla (b. 1992) Kiko Escora (b. 1970) Oscar T. Salita (b. 1943)
Voyage of the Dream Catcher Untitled Untitled
signed (side) canvas signed and dated 2015 (lower right) signed and dated 1982 (lower left)
40” x 40” (102 x 102 cm) 48” x 48” (122 cm x 122 cm) 33” x 34” (84 cm x 86 cm)
682 683 684 P 50,000 P 20,000 P 60,000

Rommel Sampana (b. 1988) CIAN Wilfredo Alicdan (b. 1965) Provenance:
KEEP Untitled Family Art Underground
signed and dated 2014 (lower right) signed and dated 2000 (lower right) signed and dated 2008 (lower center)
oil on panel oil on canvas oil on canvas
48” x 60” (122 cm x 152 cm) 48” x 36 1/2” (122 cm x 93 cm) 30” x 48” (76 cm x 122 cm) 690
Paolo Martinez
P 80,000 P 100,000 P 20,000 Santa
dated 2009
oil on canvas
9 1/2” x 7 1/2” (24 cm x 19 cm)
P 25,000
Accompanied by a certificate issued by Finale Art File
685
Paul David S. Magisa (b. 1986)
Hear No Evil, See No Evil, Speak No Evil
691
graphite on paper
Mariano Ching (b. 1978)
6 1/2” x 4 1/2” (17 cm x 11 cm) each
This is Hard Core. Pulp!
P 10,000
oil on canvas
10” x 8”
P 20,000
León Gallery
A Painter’s Potent Pen

Cesar Legaspi’s Excursions on Pen and Ink 692
a) Still Life
embossed signature (lower right) g) Untitled m) Untitled
pen and ink on paper embossed signature (lower right) embossed signature (lower right)
4” x 5 1/2” (10 cm x 14 cm) pen and ink on paper pen and ink on paper
3” x 4” (8 cm x 10 cm) 3 1/2” x 4” (9 cm x 10 cm)
b) Untitled
embossed signature (lower left) h) Untitled n) Untitled I and II
pen and ink on paper embossed signature (lower right) embossed signature (lower left
3” x 4” (8 cm x 10 cm) pen and ink on paper and lower right)
3 1/2” x 4” (9 cm x 10 cm) pen and ink on paper
c) Untitled 5 1/2” x 3 each (14 cm x 8 cm)
embossed signature (lower right) i) Untitled
pen and ink on paper pen and ink on paper o) Untitled
3” x 4” (8 cm x 10 cm) 3” x 4” (8 cm x 10 cm) embossed signature (lower right)
d) Untitled j) Untitled 5” x 3 1/2” (13 cm x 9 cm)
embossed signature (lower left) embossed signature (lower right)
pen and ink on paper pen and ink on paper P 220,000
2” x 4” (5 cm x 10 cm) 3” x 4” (8 cm x 10 cm) Each piece is accompanied by individual certificates issued by
the artist’s estate confirming the authenticity of this lot.
e) Untitled k) Untitled
embossed signature (lower right) embossed signature (upper left)
4” x 6 1/2” (10 cm x 17 cm) 3” x 3 1/2” (8 cm x 9 cm)
f) Untitled l) Untitled
embossed signature embossed signature (lower right)
5 1/2” x 7” (14 cm x 18 cm) 2 1/2” x 3 1/2” (6 cm x 9 cm)
B
efore pursuing a career in painting and eventually this time that he developed his penchant for the medium,
securing a spot in the pantheon of Filipino National as evident in these 15 works from the artist’s estate. In Nick
Artists, Cesar Legaspi once worked in the advertising Joaquin’s preface in the book Legaspi Drawings, Legaspi said,
industry in 1936 as a staff artist at Elizalde and Co., one of the
largest conglomerates at that time. The young Legaspi had “I love to draw. Everywhere I went, if I
not even finished his commercial art course at the University
liked the view, I’d pull out [a] ballpen
of the Philippines yet he was approached by a UP alumnus
who was leaving the company. He asked the budding artist and sketchbook and draw, but as
if he wanted to take his place, and Legaspi readily agreed. inconspicuous as possible. Drawing
During his stint at Elizalde and Co., Legaspi primarily worked requires precision – but you shouldn’t
with pen and ink. As the sole pen-and-ink illustrator and
commercial artist of Elizalde and Co., Legaspi’s colorblindness
put down what you see only. You must
did not hinder him from producing distinct designs, as all have the ability to see something more
print ads were rendered in black and white. It was also during in what you see when you see it.”
n.1) n.2)
León Gallery
693
JD Castro (1908 - 1994)
a) Old Man
watercolor on paper
24” x 18” (61 cm x 46 cm)
b) Old Man
watercolor on paper
21” x 14” (53 cm x 36 cm)
c) Portrait of a Woman
watercolor on paper
19” x 18” (48 cm x 46 cm) 697 698 699
Carlo Saavedra (b. 1981) Nick Hidalgo Juanito Torres (b. 1978)
P 12,000 The Migration Untitled Behind the Scene
signed and dated 2017 (lower right signed and dated 2020 (lower right) signed and dated 2013 (lower right)
694 P 100,000 P 15,000 P 40,000

William Yu (b. 1954) Accompanied by a certificate issued by Nineveh Artspacex
Untitled I and II
signed and dated 1999 (upper center)
oil on canvas
49” x 50” (124 cm x 127 cm) eachh
P 70,000
695
Enrico Zablan
Untitled
signed (lower right) 700 701 702
oil on canvas Tam Austria (b. 1943) Henrielle Pagkaliwangan (b. 1994) Oscar Hidalgo
37” x 36 1/2” (94 cm x 93 cm) Mother and Child Untitled 15 Waterfalls
signed and dated 2011 (upper left) 4 pieces signed and dated 1998 (lower right)
P 25,000 oil on canvas dated 2014 oil on canvas
16 1/2” x 19 1/2” (42 cm x 50 cm) pen and ink on paper 42” x 36” (107 cm x 91 cm)
2 3/4” x 2” (7 cm x 5 cm) each
P 120,000 P 10,000
P 10,000
696
a) Alejandro Celis 703
Door a) Charlie Co (b. 1960)
oil on canvas Ambition
9 1/2” x 6” (24 cm x 15 cm) signed and dated 1993 (lower right)
b) Amado Hidalgo 9 1/2” x 12 1/2” (24 cm x 32 cm)
Pagudpud
signed and dated 2014 (lower right) b) Lamberto Hechanova (b. 1933)
watercolor on paper Abstract
15” x 18” (38 cm x 46 cm) signed and dated 1969 (lower right)
P 15,000 8” x 7” (20 cm x 18 cm)
P 35,000
D AY 2
THE
MERCHANT’S
TREASURE
Artworks, Prints, Jewelry, Watches,
Collectibles, Porcelain, and Ephemera
S A T U R D AY , 1 7 J U LY 2 0 2 1 | 1 1 : 0 0 A M
León Gallery
711
Carlos V. Francisco (1912 - 1969)
A Narra Wood Relief Designed by Carlos
“Botong” Francisco “Si Malakas at si
Maganda”
21” x 56” x 2” (53 cm x 142 cm x 5 cm)
P 400,000
704 705 706 León Gallery wishes to thank Mr. Salvador Juban
Crispin V. Lopez (1903 - 1985) Crispin V. Lopez (1903 - 1985) Crispin V. Lopez (1903 - 1985) for confirming the authenticity of this lot (written verso).
Harvest Landscape Untitled
signed and dated Manila 1960 (lower right) signed and dated Manila 1961 (lower right) signed and dated 1975 (lower right)
P 30,000 P 30,000 P 20,000
707
Fernando J. Amorsolo, Jr.
Vendors
oil on canvas
25 1/2” x 35” (65 cm x 89 cm)
P 40,000
712
Graciano T. Nepomuceno (1881 - 1974)
The Last Supper
wood carving
708 27” x 43” (69 cm x 109 cm)
Gabriel Custodio (1912 - 1993)
Barrio Scene P 300,000
oil on canvas
One of the preeminent sculptors and santeros façades, employing wood and cement as mediums.
25” x 34” (64 cm x 86 cm)
(icon-maker) of the first half of the 20th century, Graciano T. His third period was dominated by genre sculpture.
P 40,000 Nepomuceno initially studied painting at the Liceo de Manila Busts and bas-reliefs of illustrious personalities, as well as
under the guidance of Miguel Zaragoza. Nepomuceno and miniatures and carved relief reproductions of renowned
Zaragoza’s learning relationship was in no way harmonious paintings, characterized his fourth and last period, to which
709 and after an exacerbating argument, the former left the this wood carving of the Last Supper belonged.
Ayka Go academy and pursued sculpture under Ciriaco Arevalo, the
Untitled only Filipino sculptor to win a gold medal in Spain. The Contemporary and Spanish colonial era woodworks have
oil on canvas painting: 5” x 5”
celebrated sculptor’s preferred medium was the Molave a certain degree of admiration among Filipino artists and
(13 cm x 13 cm)
wood. Nepomuceno’s famous works include the statue of collectors. But according to Alfredo R. Roces, this leaves
easel: 5 1/2” x 5” (14 cm x 13 cm)
paper sculpture: 5 1/2” x 5” x 5” San Francisco in Quiapo Church and the ceiling reliefs at the a “middle ground that is forgotten or unknown”, and
(14 cm x 13 cm) Malacañang Palace. this is where Graciano Nepomuceno’s works belong. His
works are “neither modern enough nor old enough”
P 38,000 Art critic and historian Don Alfonso Ongpin distinguished for contemporary likings yet these works “speak for
four periods in Nepomuceno’s prolific career as a sculptor. themselves”. In direct carving, Nepomuceno stood
The first period spanned the latter years of the 19th out almost alone, stemming from his experience as an
century and the early 1900s. It was during this time that apprentice of Arevalo. Napoleon Veloso Abueva, the Father
710 Nepomuceno collaborated with sculptor and musician of Philippine Modern Sculpture, was once quoted to have
Jose Manuel “Manolo” Sicat
Bonifacio Arevalo. In his second period, Nepomuceno said that Nepomuceno’s “depiction of familiar themes in
Untitled
ventured solely and produced ornamental pieces for building high relief and religious pieces were exquisitely carved.”
metal
39” x 13” x 22”
(99 cm x 33 cm x 56 cm)
P 20,000
152 | DAY 2 - THE MERCHANT’S TREASURE DAY 2 - THE MERCHANT’S TREASURE | 153
León Gallery
Julie Lluch is among the renowned pioneers of terracotta sculpting in the

713 Philippine art landscape. A self-taught sculptor, she immersed herself in art in
Solomon Saprid (1917 - 2003) 1976, a decade after obtaining her bachelor’s degree in Philosophy from the
Taurus University of Santo Tomas, and held her first solo art exhibit at Sining Kamalig
signed and dated 1979 (lower left) in 1977. A feminist sculptor, she helped in instituting the feminist organization
brass Katipunan ng Kababaihan para sa Kalayaan (KALAYAAN) along with fellow
9 1/2” x 4” x 5” (24 cm x 10 x 13 cm) women writers, activists, and intellectuals in 1983. In 1990, she was bestowed
by the Cultural Center of the Philippines with its prestigious Thirteen Artists
P 80,000 Award.
Accompanied by a certificate issued by the heirs of the
artist confirming the authenticity of this lot
Lluch described her art as “highly personal.” She has a deep admiration for
Philippine indigenous clay, referring to it as a “sensuous and pleasurable”
feminine medium and one in which her art finds its optimal expression. For
Georgia encapsulates a recurring theme in Lluch’s works. The vulva-like flower is
716 her distinctive interpretation of feminist imagery and sexuality and is an homage
Julie Lluch (b. 1944) to the radical depictions of flowers by the “Mother of American modernism”
For Georgia Georgia O’Keeffe. Flowers often act as allegories for femininity, and Lluch
714 dated 2011 ingeniously captured its essence by rendering the vulva as a blossoming flower
Victor Brazil Bautista cold cast marble – symbolically underscoring the tender yet potent attributes of femininity, as
Between Heaven and Earth 21 1/2” x 16” (55 cm x 41 cm) opposed to the stereotypical and long-held beliefs regarding womanhood in a
dated 2014
male-dominated society.
terracota P 30,000
25” x 13” x 13” (64 cm x 33 cm x 33 cm)
P 15,000
717 718 719

Clinton Pepe Mendoza Michael Cacnio (b. 1969)
Untitled Rockstar Untitled (Boat)
wooden sculpture mixed media brass
715
21” x 17” x 10” (53 cm x 43 cm x 25 cm) 13” x 15” x 13” (33 cm x 38 cm x 33 cm) 8 1/2” x 10” x 6 1/2”
Napoleon V. Abueva (1930 - 2018)
Abstract (22 cm x 25 cm x 17 cm)
P 20,000 P 20,000
bronze P 90,000
11” x 15 1/2” (28 cm x 39 cm) PROPERTY FROM THE MARGARITA “TINGTING”
COJUANGCO COLLECTION
P 150,000 720
Ros Arcilla (1938 - 2006)
Untitled
Napoleon Abueva’s long and fruitful career as a sculptor As Abueva polished his stones, he also polished his own
has given him the official title of the National Artist of the vision of sculpture and fine-tuned a style that jumps from
brass
Philippines, and the recognition of being the Father of abstraction to representation. His abstract sculptures
27” x 18 1/2” x 10” (69 cm x 47 cm x 25 cm)
Modern Philippine Sculpture. Being adept in either academic demonstrate an active engagement with enigmatic
representational style or modern abstract, Abueva’s masterful representation and testimony to his talent. His morphing
P 20,000
hands has utilized almost all kinds of materials from hardwood styles and techniques which span all sorts of media retain
(molave, acacia, langka wood, ipil, kamagong, palm wood their spirit of authenticity due to the artist’s fundamental
and bamboo) to adobe, metal, stainless steel, cement, marble, belief as what he has stated in Cid Reyes’ book Abueva, 721
bronze, iron, alabaster, coral and brass - at times combining “...a good piece of art transcends any period and has Renato Rocha (1937 - 2001)
different materials in a single position. Either in relief or free perpetual value.” Cats at Play
standing, realistic or abstract, Abueva’s works often conjure signed and dated 2000 (lower right)
solid power and sensitivity in the same breath. molave
6” x 16” x 7” (15 cm x 41 cm x 18 cm)
P 20,000
León Gallery
The Aesthetics of Allegory

Eduardo Castrillo and the Poetics of Sculpting
729
Eduardo Castrillo (1942 - 2016)
Hope Within
signed and dated 2-11-2011 (bottom)
brass
37” x 17” x 17” (94 cm x 43 cm x 43 cm)
722 723 724
Virginia Ty-Navarro (1922 - 1996) Jason Tecson Napoleon V. Abueva (1930 - 2018) P 350,000
Untitled Smiley Recycling Figure confirming the authenticity of this lot
brass sculpture sculpture signed and dated 1965 (bottom)
15” x 6” x 19” (38 cm x 15 cm x 48 cm) 41 1/2” x 28” x 4” bronze on bottom
(105 cm x 71 cm x 10 cm) 4 1/2” x 6 1/2” x 3” Eduardo Castrillo was among the exemplary sculptors of the last fifty years, with
P 20,000 (11 cm x 17 cm x 8 cm) monumental works such as the People Power Monument along EDSA and the
P 25,000 Bonifacio Shrine in Manila under his name. Castrillo is a precursor of the all-
P 90,000
metal sculpture, using embossed copper and welded brass to create figurative
With certificate of authenticity from the Abueva Family
with fingerprint of the National Artist) and abstract works. It was his father, Santiago Castrillo, a jeweler and a master
craftsman, who taught him the techniques of metalworking.
725
Gabriel “Gabby” Barredo (1957 - 2020) He is known for his ability to produce sculptures that combine Modernism’s
Untitled aesthetic of the distorted figure with a classical allegorical approach to Filipino
23” x 16” x 8” (58 cm x 41 cm x 20 cm) virtues. In addition to creating arresting brass or bronze monuments, Castrillo
also produced small-scale sculptures in representational and abstract styles. He
P 30,000 simplifies reality into planes and occasionally augments them into a mass of
resonating shapes. According to him, this is his aesthetic - both a neo-realist
and a cubist propensity that “is essentially the resolution of the conflict between
representation and structure.” Castrillo received his CCP Thirteen Artists Award in
1970 and was considered as the heir to Guillermo Tolentino’s finesse in sculpting.
726
Gabriel “Gabby” Barredo (1958 - 2020)
Untitled
signed and dated 1995 (back) 730
46” x 34” x 14” (117 cm x 86 cm x 36 cm) Eduardo Castrillo (1942 - 2016)
Untitled
brass
10” x 11 1/2” x 11”
(25 cm x 29 cm x 28 cm)
727 P 140,000
Melchor Sabariza (b. 1977)
Untitled
brass
14” x 21” x 12” (36 cm x 53 cm x 30 cm)
P 35,000
731
Crucifix
728 bronze
Richard Buxani (b. 1971) 20” x 14” (51 cm x 36 cm)
Untitled
dated 2017 P 200,000
steel Accompanied by a certificate signed by the artist
20” x 14” x 17” (51 cm x 36 cm x 43 cm)
P 15,000
León Gallery
732
Untitled
signed and dated 4-25-2007 (bottom)
brass
12 1/2” x 18” x 23”
(32 cm x 46 cm x 58 cm)
P 200,000
733
The Strong Wind Beneath
gauge 16 brass sheets, polished with mild
antique finish
35” x 8” x 13” (88 cm x 20 cm x 33 cm)
P 240,000
Accompanied by a certificate signed by the artist 738 739 740

confirming the authenticity of this lot Napoleon V. Abueva (1930 - 2018) Richard Castrillo Rey Paz Contreras (1950 - 2021)
Untitled Untitled (Mangingisda) Untitled (Crucifix)
734 signed and dated 1997 (bottom) brass mounted on a marble base molave and stainless steel
Napoleon V. Abueva (1930 - 2018) brass 23” x 12” x 16” (58 cm x 30 cm x 41 cm) 38” x 21” x 8” (97 cm x 53 cm x 20 cm)
Oblation H: 12” (30 cm) D: 5 1/2” (14 cm)
fiber glass in antique bronze finish P 40,000 P 12,000
18 1/2” x 10” x 5” P 120,000
(47 cm x 25 cm x 13 cm)
P 30,000
735
Ramon Orlina (b. 1944)
Madre e Bambino XV 741
signed and dated 2004 Graciano T. Nepomuceno (1881 - 1974)
carved Asahi glass Brute Force
6 1/2” x 3” x 5 1/2” dated 1945
(17 cm x 8 cm x 14 cm) wood
10” x 5 1/2” x 12”
P 90,000 (25 cm x 14 cm x 30 cm)
confirming the authenticity of this lot P 100,000
736
Ramon Orlina (b. 1944)
Allure in Amber II
signed and dated 2011
carved amber crystal
9” x 7” x 5” (23 cm x 18 cm x 13 cm)
P 160,000
742
737 Graciano T. Nepomuceno (1881 - 1974)
Juvenal Sansó (b. 1929) Sisa and Tasio
Untitled plaster
signed (left) a) 14” cm x 1 1/2” x 9”
stainless steel (35 cm x 4 cm x 23 cm)
23 1/2” x 14” x 11”
(60 cm x 36 cm x 28 cm) b) 14” x 5” x 9”
(35 cm x 12 cm x 23 cm)
P 150,000
P 100,000
Accompanied by a certificate issued by
Fundacion Sanso confirming the authenticity of this lot
Provenance:
The Crucible Gallery
León Gallery
743
Lynyrd Paras (b. 1982)
Thank You For Keeping Me Alive
oil on skateboard deck with existing design
skateboard deck:
32” x 16” (81 cm x 41 cm) each
P 35,000
744
Lynyrd Paras (b. 1982)
Hole
signed and dated 2015 (base)
fiberglass reinforced resin, oil and acrylic
40” x 20 x 6” (102 cm x 51 cm x 15 cm)
749 750 751
P 28,000 Secret Fresh x Epjey Pacheco Yasmin Sison-Ching (b. 1972) Brian Bernardo
Mr. Slapstick Mr. A The Virtuoso
confirming the authenticity of this lot resin dated 2018 dated 2016
15” x 9” x 9 1/2” (38 cm x 23 cm 24 cm) mixed media edition of 30
with case: 22” x 12 1/2” x 12 1/2” fiberglass reinforced resin, acrylic
745 P 12,000 (56 cm x 32 cm x 32 cm) 23” x 12” x 13” (58 cm x 30 cm x 33 cm)
Demetrio Dela Cruz (b. 1971)
“Puraw to ti waken, nangisitto atay kannawyen” P 28,000 P 28,000
(Crow will turn white and heron to black) (said to Accompanied by a certificate signed by the artist
express impossibility)
oil paint and mixed media on transparent sheets
29” x 24” (74 cm x 61 cm)
P 40,000 752
Jayson Cortez x Secret Fresh
a) Red Explorer
signed and dated 2019 (bottom)
746
fiberglass reinforced resin
Daniel dela Cruz (b. 1966)
15” x 18 1/2” x 7”
Untitled
(38 cm x 47 cm x 18 cm)
21” x 12” x 8” (53 cm x 30 cm x 20 cm)
b) Sweet Dark Liberty
P 120,000
fiberglass reinforced resin, oil and acrylic
edition of 20
Size: 10 1/2” x 20” x 14 1/2”
747 (27 cm x 51 cm x 37 cm)
Arturo Luz (b. 1926)
Untitled P 100,000
signed Each piece is accompanied by a certificate signed by
the artist confirming the authenticity of this lot
metal rose gold finish
7 1/2” x 7 1/2” x 9”
(19 cm x 19 cm x 23 cm)
P 100,000
748 753
Arturo Luz (b. 1926) Marco Bañares (b. 1985)
Multiple Metal Sculpture (Homage to 18” x 15” x 40”
Gustavo Torner) (45 cm x 38 cm x 101)
black iron in thermoplast powder coating
3 1/2 x 4 1/2 x 4 1/2 P 50,000
(9 cm x 11 cm x 11 cm)
P 15,000
León Gallery
754
Lorenzo “Lor” Calma (b. 1968)
Sculpture
signed and dated 2009
steel
25 1/2”x 26”x 23”
(65 cm x 66 cm x 58 cm)
with base: 61”x 26”x 23”
(155 cm x 66 cm x 58 cm)
P 130,000
755
Alfredo Esquillo, Jr. (b. 1972)
Dove
760 761
fiberglass resin, edition
Elmer Borlongan (b. 1967) Ronson Culibrina (b. 1991)
6/12 15” x 11 1/2” x 4”
Harisonik (Copper, Green, Gold) Maid in Heaven
(38 cm x 30 cm x 11 cm)
open edition signed and dated 2018 (bottom) each
vinyl resin
P 10,000
10” x 6” x 2 1/2” a) 13” x 13 1/2” x 7 1/2”
(25 cm x 15 cm x 6 cm) each (33 cm x 34 cm x 19 cm)
b) 19 1/2” x 13 1/2” x 7 1/2”
756 P 50,000 (50 cm x 34 cm x 13 cm)
Salvador Dalí (1904 - 1989)
The Last Supper (Silver)
incised with signature lower right, P 100,000
with numbering in ink lower left
relief sculpture
limited edition, 88/175
published by Center Art Galleries
Honolulu, Hawaii
comes in original box
18” x 24” (46 cm x 61 cm)
P 80,000
757
Jared Yokte (b. 1986)
Boy Bakat 762 763 764
signed and dated 2018 (bottom) Charlie Co (b. 1960) Kobusher Lynyrd Paras (b. 1982)
oil on resin, edition 14/15 Juggler of Time Astrobomb Sharp Eyes (Gray)
18” x 14” x 8 1/2” resin signed and dated 2018 (bottom) signed and dated 2018 (base)
(46 cm x 36 cm x 22 cm) 8 1/2” x 5” x 3” (22 cm x 13 cm x 7 cm) fiberglass reinforced resin fiberglass reinforced resin
edition of 30 10 1/2” x 12 1/2” x 10”
P 30,000 P 10,000 8” x 6 1/2” x 6 1/2” (27 cm x 32 m x 25 cm)
(20 cm x 17 cm x 17 cm)
758 P 6,000
M. Esteban P 12,000 Accompanied by a certificate signed by the artist
Untitled confirming the authenticity of this lot
cast by Leonides S. Valdez
signed and dated 1968 (base)
bronze
17 1/2” x 14” x 11”
(44 cm x 36 cm x 28 cm)
765
P 15,000
Two Original Archie’s Animation Cell
hand-painted each
8” x 10 1/2” (20 cm x 27 cm) each
759
Fred Baldemor (b. 1944) P 18,000
Bayanihan
brass mounted a wooden base
11” x 11” x 3” (28 cm x 28 cm x 8 cm)
P 15,000
León Gallery
766 770
Ambie Abaño (b. 1967) Takashi Murakami (b. 1962)
Untitled Doraemon: Anywhere Door (Dokodemo
woodcut print on quilted upholstery Door) in the Field of Flowers
31 1/2” x 21” x 18” signed (lower right) dated 2019
(80 cm x 53 cm x 46 cm) silkscreen
191/1...
P 25,000 23” x 23” (58 cm x 58 cm)
767 P 40,000
Iya Consorio (b. 1986)
Evening Dress
signed and dated 2015 (back)
fiberglass
20” x 20” x 22 1/2”
771
(51 cm x 51 cm 57 cm)
Takashi Murakami (b. 1962)
A Homage to IKB, 1957 E
P 30,000
27” x 20” (68 cm x 51 cm)
P 50,000
772
Fundacion Sanso
Signed Fundacion Sanso Orchid Shirt
ca. 2015 - 2016
transfer print on combed cotton shirt (large)
768
34” x 31 1/2” (86 cm x 80 cm)
Bait x Hebru Brantley x
Billionaire Boys Club
P 15,000
Beyond the Beyond Fly Boy
a) gray/volt edition Accompanied by a certificate issued by Fundacion Sansó
b) sepia edition
c) black/multi edition
d) white/multi edition
e) black/gold edition
HT: 9” (23 cm) each
773
P 100,000 Yeo Kaa (b. 1989)
Krinini
signed and dated 2014 (back)
resin
H: 29” (74 cm) D: 14” (36 cm)
P 75,000
769
a) Daniel Arsham x Ikea
Art Event 2021
Table Clock (White)
earthenware, steel, glass 774
8.7” x 15.7” x 5.5” a) Secret Fresh x Lynyrd Paras
(22 cm x 40 cm x 14 cm) x James Yap
Air Jordan Why Nots
b) Yoshitomo Nara x Vilac mixed media
My Sweet Dog 7” x 24” (18 cm x 61 cm)
solid hand-painted wood with string
7 1/2” × 12” × 5 3/4” b) A Framed James Yap Jersey
(19 cm x 30 cm x 15 cm) 37” x 30 1/2” (94 cm x 77 cm)
P 40,000 P 50,000
León Gallery
775
Vitra.
by Charles & Ray Eames
white
white dyed-through polypropylene,
matte finish
16” x 16” x 31” (41 cm x 41 cm x 79 cm)
P 10,000
776
Futura Laboratories
FL006
abs plastic
784
with box 782 783
Sync x Brandalism x Medicom
edition of 350 Medicom x Brandalism x BAPE Sync x Brandalism x Medicom
Flower Bomber (Black Version)
35” × 19” × 11 1/2” Flower Bomber (Camo Version) Flower Bomber Red Flower (Black Version)
polystone
(89 cm × 48 cm × 29 cm) polystone, with box polystone , with box
14” x 12” x 4” (36 cm x 30 cm x 10 cm)
14” (36 cm) 15 7/10” x 15 7/10” x 3 1/10”
P 200,000 (41 cm x 41 cm x 8 cm)
P 65,000
P 65,000
P 60,000
777
Pantone Skateboard Decks 2011 - 2020
Set Collection
2020 Classic Blue PANTONE 19-4052
2019 Living Coral PANTONE 16-1546
2018 Ultra Violet PANTONE 18-3838
2017 Greenery PANTONE 15-0343
2012 Tangerine Tango PANTONE 17-1463
P 60,000
778
Pantone Skateboard Decks Set 2000 -
2010 Set Collection
2010 Turquoise PANTONE 15-5519 785 786 787
2009 Mimosa PANTONE 14-0848 Sync x Brandalism x Medicom Sync x Brandalism x Medicom Sync x Brandalism x Medicom
2006 Sand Dollar PANTONE 16-1106 Banksy Elephant with Bomb (White Version) Bomb Hugger (Red Bomb Ver.) Bomb Hugger (Red Bomb Ver.)
2002 True Red PANTONE 19-1664 polystone , with box polystone polystone
2000 Cerulean Blue PANTONE 15-4020 13 4/5” (35 cm) H: 15 1/2” H: 15 1/2”
P 60,000 P 60,000 P 35,000 P 35,000
788
Sync x Brandalism x Medicom Toy
Suicide Man (White Version), 2017
polystone, with box
14 1/5” (36 cm)
P 40,000
779 780 781

Takashi Murakami (b. 1962) Takashi Murakami (b. 1962) Vito Selma x John Paul “JP” Duray 789
Mr. DOB Kaikai Kiki Kokeshi Vinci Lamp Sync x Medicom x Brandalism
2016 2020 11 1/2” x 5” x 6” (29 cm x 13 cm x 15 cm) Flying Balloons Girl
painted cast vinyl signed box with numbered COA inside polystone, with box
with box limited edition of 1000 P 12,000 23 1/2” x 6” x 6” (60 cm x 15 cm x 15 cm)
10 4/5” x 9 3/10” (27 cm x 24 cm) serial number: 0125
P 65,000
P 110,000 P 55,000
León Gallery
790
KAWS (b. 1974)
KAWS: Holiday Space, 2020
silver, black, gold
with box each
polyurethane
12” x 4 1/2” x 4 1/2”
(30 cm x 11 cm x 11 cm) each
P 120,000
794 795 796

Daniel Dela Cruz (b. 1966) Nina Chanel Abney (b. 1982) Hajime Sorayama (b. 1947)
Hallow Block Baby Sexy Robot Floating (Gold Version)
edition 48/50 signed and dated 2013 (bottom) limited edition of 800
cement acrylic and rubber PVC silver plated abs resin, alloy, redr
791 8” x 16” x 6” (20 cm x 41 cm x 15 cm) 10” x 3” x 3” (25 cm x 8 cm x 8 cm) 22 1/2” x 13” x 13”
KAWS (b. 1974) (57 cm x 33 cm x 33 cm)
a) Kaws Companion 2020 (Open Edition) P 9,000 P 15,000
brown Accompanied by a certificate signed by the artist P 140,000
with box
17” x 9” x 3” (43 cm x 23 cm x 8 cm)
797
b) Clean Slate (Open Edition) Yoshitomo Nara
black version, 2018 123 Drumming Girls
vinyl vinyl
14” × 4” (36 cm x 10 cm) with box
7.68” x 11.81” x 3.23”
P 90,000 (20 cm x 30 cm x 8 cm)
P 50,000
798
Kokeshi Doll
Sketch.inc for Lucie Kaas Collection
Jean-Michel Basquiat and Andy
Schima superba wood
6 1/2” x 3” x 2 1/2” (17 cm x 8 cm x 6 cm)
P 10,000
799
Yayoi Kusama (b. 1929)
Pumpkin (Red and White/Black and Yellow)
resin
4” x 3 1/2” (10 cm x 9 cm) each
P 35,000
792 793
800
KAWS (b. 1974) KAWS (b. 1974)
Yayoi Kusama (b. 1929)
Kaws Companion 2020 (Open Edition) Kaws Companion (Resting Place)
Pumpkin (Black and Yellow)
black 2012
with box
with box limited edition of 500
resin
17” x 9” x 3” (43 cm x 23 cm x 8 cm) 9 3/10” × 8 3/10” × 11”
4” x 3 1/2” (10 cm x 9 cm)
(24 cm x 21 cm x 28 cm)
P 35,000
P 17,000
P 140,000
León Gallery
801
Bearbrick x Vincent Van Gogh
Bearbrick x Jackson Pollock
1000%
hard plastic, with box each
28 1/2” x 13 1/2” x 11”
P 70,000
802
Bearbrick x Jackson Pollock Studio
2018
1000% D AY 2 : T H E M E R C H A N T ’ S T R E A S U R E
hard plastic, with box each
28 1/2” x 13 1/2” x 11”
(72 cm x 34 cm x 27 cm) each Fine Jewelry
P 70,000 & Accessories
Radiantly Brilliant Pieces
803
Be@rbrick x Jean-Michel Basquiat
a) 100% and 400%
vinyl figure
with box
100%: 3” (7 cm), 400%: 11” (28 cm)
b) Jean-Michel Basquiat #7
1000%
hard plastic, with box
28 1/2” x 13 1/2” x 11”
(72 cm x 34 cm x 27 cm)
P 60,000
804 805 806

Be@rbrick x Keith Haring Be@rbrick x Andy Warhol Be@rbrick
Keith Haring #6 Muhammad Ali Aroma Ornament No. 26z Anrealage
vinyl plastic 1000% 100% and 400% 4.7” (12 cm)
28 1/2” x 13” x 10” sealed
(72 cm x 33 cm x 25 cm) 100%: 3” (7 cm), 400%: 11” (28 cm) P 6,000
P 35,000 P 12,000
León Gallery
About
Nicole
Whisenhunt
With 16 years of design experience, Paris as well as taking short online
808
Nicole Whisenhunt’s background as a courses from GIA (Gemological Institute
jewelry designer began as a hobby in of America) further developed her
college when she developed a keen knowledge in diamond studies,
interest in the history and art of jewelry jewelry history and technique.
making. It was first through a variety
of handmade techniques such as linked Now, Nicole continues to create timeless
& wired costume jewelry then unto fine jewelry pieces for her clientele
embroidered pieces, mostly statement through Whisenhunt Fine Jewelry.
bibs, where Nicole held her trademark in Inspired by the art and design of various
the industry. In a short span of time, the periods, specifically the Art Deco period 807
Whisenhunt Fine Jewelry workshop was (a personal favorite of Nicole) which
built comprised of skilled artisans. is characterized by its timelessness Nicole Whisenhunt
of geometric shapes and fine lines,
Her aspiration to create heirloom pieces Whisenhunt combines traditional skills 811 809
that her clientele can keep forever with elements of modernity.
brought her to fine jewelry. Attending
classes at L’Ecole Van Cleef and Arpels
(The School of Jewellery and Arts) in
The Whisenhunt 810
Fine Jewelry Boutique 812
Founded in 2012 by Filipina designer, Located at the R2 Level, Power Plant

Nicole Whisenhunt, Whisenhunt has Mall, Rockwell Center, Makati, we carry
always remained faithful to the principles a collection of in-house designs and a 807 808 809
Excavated Gold Chain Necklace Ruby and Diamond Toi Et Moi Long Necklace Chain, Tiffany & Co.
of artistry, high quality craftsmanship, variety of signed and unique vintage
10th century Toi Et Moi design (meaning “you Long necklace chain set in silver,
expertise and innovation. pieces. Recognized for our bespoke
22k yellow gold, and I”), composed of ruby and weighing 1.50 grams, signed Tiffany
Inspired by the rich history of periods of jewelry creations, we also produce new weighing 63 grams. diamonds of approximately 2.7 & Co. and numbered AG925.
art & design, each piece is created with a custom designs and rework preloved carats set in 18k yellow gold,
meaning in mind, a background story. jewelry pieces. P 400,000 weighing 9.40 grams. P 3,000
Literature:
With an advocacy of preserving and Offering a special experience for our Kayamanan: The Philippine Jewelry Tradition
by Ramon N. Villegas, page 65.
P 18,000
showcasing the dying art of handmade clientele, we also offer custom portrait
jewelry in the Philippines, the miniatures service (hand painted by 810 811 812
Whisenhunt Fine Jewelry workshop is an Italian artist and setting created 6 Stone Ring Turquoise Ring Blue Topaz Ring
Of eternity design, with diamonds of Composed of turquoise and Accented by approximately 1.12
comprised of second generation by Whisenhunt), and essential jewelry
approximately 0.42 carats set in 14k pointer diamonds of approximately carats diamonds, blue topaz set
goldsmiths, gem setters, polishers and service (resizing, cleaning, repair and yellow gold ring, weighing 4.72 carats set in 18k white gold in 14k yellow gold ring, weighing
wax carvers who combine traditional restoration, jewelry appraisals, 2.70 grams. ring, weighing 7.70 grams. 12.4 grams.
skills with modern innovations to create GIA iD100 ®Gem Testing Machine,
bespoke and annual collection pieces for vintage jewelry and gemstone sourcing, P 6,000 P 15,000 P 12,000
our clientele. and stone setting).
León Gallery
814
813 816
817
815 818
813 814 815 816 817 818

Leopard Snake Chain Necklace Chunky Yellow Gold Necklace Panther Woven Chain Necklace Diamond Cross Pendant With Chain Small Retro Diamond Bracelet Retro Diamond Bracelet
Metal: 18k YG Metal: 18k YG Metal: 18k YG Metal: 14k WG Metal: 14k YG/WG Metal: 14k YG
Stone: diamond Piece Weight: 134.8 g Stone: diamond and ruby Stone: diamond Stone: diamond Stone: diamond
Weight: Approx. 1.61 cts Weight: Approx. 1.98 cts Weight: Approx. 2.21 cts Weight: Approx. 3.20 cts Weight: Approx. 5.46 cts
Piece Weight: 90.9 g Styled as a series of scrolling chain Piece Weight: 66.8 g Piece Weight: 17.3 g Piece Weight: 63.1 g Piece Weight: 131.1 g
design, plated in 18 karat yellow
Delicately composed of snake skin gold fits perfectly. The links overflow Of woven chain with panther A regal-looking 17.30-gram cross Exquisitely fashioned in a sequence Designed as a series of 14-carat
design with two leopard heads elegantly into each other weighing head design composed of ruby pendant made of 14-carat white of 14-karat two-toned yellow gold yellow gold railroad links with daintily
centered on a ring accented with 134.81 grams. Chain necklaces are and diamonds of approximately gold, bedazzled with fifty-two and white gold railroad links with grouped 5.46-carat princess-cut
diamonds of approximately 1.61 trendy, but they are also timeless 1.98 carats set in 18 karat yellow 0.03-millimeter scintillating diamond sixteen 3.20-carat lustrous princess-cut and pointer diamonds adorning the
carats plated in 18 karat yellow and effortless to wear making them gold necklace weighing 66.80 stones surrounding a 4.80-millimeter diamonds serving as center highlights. center. Weighing 131.10 grams, this
gold and necklace weighing 90.9 the focal piece of jewelry. grams. The links are intricately diamond centerpiece all rendered Weighing 63.10 grams, this classic retro diamond bracelet exemplifies a
grams. The gaps are designed to woven, creating a graceful textured in 2.21-carat princess cut exuding small retro diamond bracelet embodies sophisticated and ornate display of
be minimal to give way to the P 200,000 appearance, showing off a brilliance and sophistication. an à la mode style accustomed to glamour.
luxurious shiny appearance of the statement look that is both Complementary attached to a series contemporary tastes.
piece that will definitely highlight complex and stunning. of silver, elongated links that add a P 200,000
the wearer’s glamour. harmonious display of straightforward P 140,000
P 120,000 elegance and a graceful, unbridled
P 180,000 effect.
P 60,000
León Gallery
825 826 827
821
819
828
830
829
820
831 832 833

824
822
825 826 827
Pearl Ring Starburst Ring Spinel Cabochon Ring
Accented with pointer diamonds of Of starburst design with diamonds Accented by approximately 0.6
approximately 0.5 carats, pearl set in of approximately 0.11 carats set carats diamonds, spinel cabochon
14k white gold ring, weighing 6 grams. in 14k white gold ring, weighing set in 18k yellow gold ring,
4 grams. weighing 6.2 grams.
823 P 5,000
P 4,000 P 10,000
828 829 830

Smokey Topaz Pin Blue Sapphire Cabochon Ring Marquise Solitaire Ring
819 820 821 Set in 10k yellow gold pin is a smokey Accented by diamonds of Marquise diamond of approximately
Ruby and Diamond Bangle Lapis Lazuli Teardrop Pendant Diamond Ring with topaz with size 21.26 mm x 16.38 mm, approximately 0.26 carats, blue 0.37 carats set in 14k yellow gold
Alternating rubies of approximately 0.70 Lapis Lazuli accented with diamonds GIA Diamond Dossier weighing 12.1 grams. sapphire cabochon set in 14k white solitaire ring, weighing 1.9 grams.
carats and diamonds of 0.26 carats set in of approximately 1.2 carats set in two- Exuding grace, diamond set in gold ring, weighing 5.2 grams.
18k yellow gold bangle weighing toned 14k yellow gold and white gold 18k white gold ring, with diamonds P 14,000 P 8,000
20.3 grams. pendant, weighing 57.7 grams. approximately 0.71 carats, P 5,000
weighing 9.7 grams (with GIA
P 30,000 P 50,000 Diamond Dossier).
831 832 833
P 80,000 Rosetta Earrings and Ring Pearl And Baguette Earrings Diamond Cluster Ring
Of floral motif, composed of and Golden South Sea and Beehive Ring
822 823 824 approximately 1.12 carats pointer Pearl Earrings Composed of approximately 0.24
13 Diamond Bracelet Art Deco Ribbon Brooch Diamond Cross Pendant diamonds set in 14k yellow gold, Accented by baguette diamonds of carats pointer diamonds set in 18k
Composed of diamonds of approximately Art Deco ribbon design Necklace weighing 4 grams. approximately 0.4 carats, pearls set yellow gold ring, weighing 2.10
0.96 carats set in 18k yellow gold bracelet composed of approximately Cross design composed of in 14k yellow gold pair of earrings, grams.
featuring wave design, weighing 5.92 carats diamonds set in diamonds of approximately Ring of floral motif, composed of weighing 9.90 grams.
9.3 grams. 12k white gold, weighing 5.87 carats set in 14k white diamonds of approximately 0.56 Beehive ring composed of
23.1 grams. gold, weighing 17.1 grams. carats set in 14k yellow gold ring, Golden South Sea Pearl Earrings approximately 0.24 carats pointer
P 15,000 weighing 3.9 grams. set in 14k yellow gold pair of diamonds set in beehive design on
P 300,000 P 500,000 earrings, golden south sea pearls of 14k yellow gold ring, weighing
P 10,000 size 14 mm, weighing 8.4 grams. 3.3 grams.
P 18,000 P 10,000
León Gallery
837
A set of Violet Cat’s Eye
Pendant, Ring and Pair
of Earrings
Of violet cat’s eye design
834
centered and accented with
Set of Vintage Cameo
diamonds set in 14k white
Earrings and Necklace
834 gold - a pendant weighing
53.3 g
6.10 grams with approximately
0.54 carats pointer diamonds,
P 15,000
a ring weighing 6.60 grams
with approximately 0.69 carats
pointer and baguette diamonds,
and a pair of earrings weighing
7.8 grams with approximately
1.12 carats pointer and baguette
diamonds.
P 20,000
835
A Set Of Cluster Pendant, Star
Cluster Ring, Cluster Ring 838
and Cocktail Ring A Set of Baroque Pearl
Of starburst motif, a ring set in Necklace, Ring and Pair
6k gold band and silver, weighing of Earrings
7.40 grams; a cluster pendant with Unique gems of the sea, baroque
diamonds of approximately 0.63 pearls set in a 14k white gold -
carats set in two-toned 12k yellow necklace weighing 4.3 grams,
gold and white gold, weighing ring weighing 7.6 grams, and pair
2.40 grams; a cluster ring with of earrings weighing 9.9 grams.
approximately 1.55 carats diamonds
set in 10k white gold, weighing 4 P 22,000
grams; and a cocktail ring set in 8k
yellow gold, weighing 4.9 grams.
P 20,000 835
839
A Set of Black and Blue
Sapphire Necklace, Ring and
Pair of Earrings in Floral Motif
Black and Blue Sapphire Necklace
Surrounded with diamonds of
836 approximately 0.40 carats, set in
A Set of Tambourine Bracelet, 14k yellow gold, weighing 7.20
Necklace and Pair of Earrings grams.
Set in brass - a bracelet
weighing 7.70 grams, necklace Black and Blue Sapphire Earrings
weighing 34.8 grams and pair Surrounded with diamonds of
of drop earrings weighing approximately 0.80 carats, set in
3.0 grams. 14k yellow gold, weighing
12.10 grams.
P 5,000
Black and Blue Sapphire Ring
Surrounded with diamonds of
approximately 0.40 carats, set in
14k yellow gold, weighing
8.3 grams.
P 45,000
León Gallery
840
Excavated Gold Chain Necklace
22k yellow gold, weighing 45.6
grams. 847
A Set of Chinese, Elizabeth
P 200,000 and Dragon Gold Coins
back back back
Literature: Timeless classics, gold coins presented
Kayamanan: The Philippine Jewelry Tradition
by Ramon N. Villegas, page 65.
in different motifs - Chinese weighing
33.10 grams in 24k gold, Elizabeth
841 with glass cover weighing 22.10 grams
841 Pearl Nature Brooch in 18k gold, and Dragon weighing
Of nature motif, 20.2 grams in 24k gold.
840
composed of pearls
and diamonds of P 150,000
approximately 1.92
carats set in 14k yellow
gold, weighing
26.7 grams.
P 30,000
842
Belt Ring
842 843 Belt design set in 18k
yellow gold, weighing 848
4.1 grams. A Set of Queen Elizabeth Gold Coins
10 pcs.
P 8,000 coins in fine gold, 24k
90.6 grams
843 P 140,000
Cartier (Tri-Tone)
Trinity Ring
Trinity design by Cartier
set in tri-tone 18k white
gold, yellow gold and
rose gold, weighing
6.8 grams.
P 10,000
844 845
844
Religious Pendant
Set in 10k yellow gold,
religious pendant
weighing 2.6 grams.
P 3,000
849
A Set of Queen Elizabeth Gold Coins
845 10 pcs.
Pendant Dangling coins in fine gold, 24k
Pearl 144.8 grams
Metal: 18k YG
Piece Weight: 13.83 g P 200,000
P 20,000
846
Pearl Necklace
Round pearls set in 14k
yellow gold, weighing
61.8 grams.
P 30,000
846
León Gallery
850
Gems Of The Sea - Five Varieties of
Pearl Pins and One Turquoise and
Heart Pin
853
a) Big Pearl Round Pin set in 14k
yellow gold, weighing 5.2 grams
b) Big Pearl Pin set in 14k yellow gold,

850 a 850 b 850 c weighing 4.4 grams
c) Small Pearl Round Pin set in 14k 854
yellow g old, weighing 4 grams
d) Leaf with Pearl Pin set in 14k

e) Turquoise and Heart Pin set in 14k

850 d 850 e
f) Quarter Moon Pearl Pin set in 14k
856
P 25,000
850 f
851 858 a 858 b

A Set Of Diamond Ring, Scallop 855
Ring and Pair Of Triangle
Form Earrings
Exuding grace is a diamond of
approximately 0.14 carats set in 857
18k yellow gold ring with resized
band, weighing 2.4 grams; a scallop
ring with approximately 0.1 carats
diamonds set in 18k yellow gold,
weighing 3 grams; and a pair of
triangle form earrings with diamonds
853 854 855
of approximately 0.3 carats set in
Brown Diamond Cross Tambourine Coral Bead Tambourine
14k yellow gold, weighing
Scallop Ring Necklace Necklace
3.9 grams.
Composed of diamonds of Cross design on Coral beads set in 10k yellow
approximately 4.66 carats in tambourine necklace gold, weighing 13.1 grams.
P 15,000
scallop setting on 14k yellow gold, set in 4k yellow gold,
weighing 5.7 grams. weighing 134.9 grams. P 15,000
851
P 50,000 P 135,000
856 857 858

852 Bead And Leaves Earrings An Excavated Onyx Inlay Ring and
Two South Sea Loose Pearls Of leaf motif, beads set in Gold Medallion Onyx Platinum Ring
ES 4217107 8k yellow gold weighing 4.8 g a) Composed of diamond of approximately
(13.48 / 13.61 mm) 5.2 grams. 0.10 carat inlay onyx set in 10k white gold,
P 20,000 weighing 4.9 grams.
P 50,000 P 5,000
b) Oval shaped onyx with size 19.78 mm x
12.47 mm, set in
852
18k weighing 6.5 grams.
P 20,000
León Gallery
Colonial Coinage 861

A Set of Diamond Burst
Rare Gold Coins from the 18th and 19th Centuries Bangle, Ring, Necklace
and Pair of Earrings
a) Diamond Burst Necklace

Diamonds of approximately
0.83 carats, set in 14k
yellow gold, weighing 7.1
861 b grams
b) Diamond Burst Bangle

Diamonds of approximately
861 c
yellow gold, weighing 10.9
861 a
grams
c) Diamond Burst Ring

859 a 859 b 859 c Diamonds of approximately
859 a 859 b 859 c yellow gold, weighing
A 0.875 fine 8-escudo gold coin minted A 0.875 fine gold 8-escudo coin minted A 0.875 fine gold 8-escudo coin minted 4.4 grams
at the Casa de Moneda de Colombia, at the Casa de Moneda de Colombia, at the Casa de Moneda de Colombia, 861 d
Popayán, 1799 and bearing the portrait Bogotá, 1818 and bearing the portrait Popayán,1809 and bearing the portrait d) Diamond Burst Earrings
bust of Charles IV bust of Charles IV with the name of his bust of Charles IV with the name of his Diamonds of approximately
Weight: 27 g heir Ferdinand VII heir Ferdinand VII 0.59 carats, set in 14k white
Diameter: 37 mm Weight: 27 g Weight: 27 g gold, weighing 6.3 grams
KM#62.2 (Standard Catalog of Diameter: 37 mm Diameter: 37 mm
World Coins) KM#66.1 (Standard Catalog of KM#66.2 (Standard Catalog of P 50,000
World Coins) World Coins)
P 300,000
862
860 862 Spiral Ring
A set of twenty-six 0.875 fine gold Of spiral design, composed of
4-peso coins minted at the Casa de diamonds of approximately
Moneda de Manila, 1868 and bearing 1.42 carats set in 14k white
the portrait bust of Isabella II gold, weighing 4.9 grams.
Weight: 6.8 g each
176.8 g P 10,000
Diameter: 21 mm
KM#144 (Standard Catalog
of World Coins)
P 300,000 863
Bracelet
863 14k white gold bracelet
F
weighing 3.9 grams.
rom 1732 to 1824, five Spanish monarchs spearheaded In 1857, construction of the Philippines’ first minting plant,
the minting of gold 8-escudo coins: Philip V (1732 – the Casa de Moneda de Manila, commenced through a P 5,000
1746), Ferdinand VI (1746 – 1759), Charles III (1760 royal decree issued by Queen Isabella II. It operated on
– 1788), Charles IV (1789 – 1808), and Ferdinand VII (1808 March 19, 1861, issuing gold coins of 1, 2, and 4 pesos.
– 1824). Most of these coins were minted in Mexico, Chile, Isabelinas were the first ones to be minted. The obverse
Colombia, Bolivia, Peru, and mainland Spain. The obverse bears features the portrait of the then-reigning Spanish monarch, 864
the portrait bust of the king, the year of minting, a circular the year the coin was minted, and the words “ISABEL Diamond Bangle
inscription featuring the king’s name, and the words “D.G. HIS. 2A. POR LA G. DE DIOS Y LA CONST” (Isabel II. For God Composed of diamonds of
ET IND. R.” (By the grace of God, King of Spain and the Indies). and Constitution). These coins have the word “Filipinas” approximately 13.7 carats
Encircled by the inscription “IN UTROQ FELIX AUSPICE DEO” engraved on the reverse – the first time the name of the set in 14k white gold,
(With happiness under the look of God), the crowned coat of former colony was inscribed on its currency, as well as the weighing 12.9 grams.
arms of Castille and Leon representing the House of Bourbon denomination, the Spanish coat of arms, and the words
864 P 160,000
appears on the reverse side, as well as the initials of the assayer, “REINA DE LAS ESPAÑAS.” Until 1873, the Casa continued
the mintmark, and the denomination. to mint coinage in all denominations even after the
deposition of Isabella II in 1868. These coins were all dated
1868 without any deviations from those minted at the end
of the queen’s reign.
León Gallery
871
Small Gold Mask
33.2 g
P 50,000
866
872
Vintage Ivory Pendants
14k gold
quantity: 3 pcs.
P 5,000
865
869
867
873
868
Two Neckties
a) Salvador Ferragamo
870 b) V2 by Versace
P 5,000
865 866 867

Lapis Lazuli Necklace Excavated Carnelian and Sapphire Necklace
Fringe details composed of Excavated Pottery Bead 874
lapis lazuli set in 12k yellow Necklace P 20,000 Lingling-O Silver Bulul
gold, weighing 49.6 grams. 20 g
P 10,000
P 35,000 P 3,000
868 869 870

Solitaire Ring Lady Cameo Earrings Gucci Ring
Composed of diamond of Lady Cameo set in 14k yellow Composed of diamonds of
approximately 0.25 carat gold, weighing 5.5 grams. approximately 0.04 carats 875
set in solitaire setting on set in 18k white gold, Loose Stones
14k white gold, weighing P 7,000 weighing 10.8 grams.
4 grams. P 8,000
P 20,000
P 7,000
León Gallery
IN FOCUS
878
Rosabella Valencia Ferro

Collection
LOTS 876 - 954
Born at the cusp of World War II, the late nation. Rosabella, also called “Bella”, at beautifully designed furniture and objet
Rosabella Valencia Ferro is the youngest first had determined to follow her father’s d’art creating vibrant and extraordinary 877
daughter of the acclaimed journalist, footsteps, as she successfully completed living spaces for her family and visitors
commentator, and philanthropist Teodoro her undergraduate degree in Journalism alike. Rosabella was also an avid amateur
F. Valencia. As vice chairman of the at St. Theresa’s College. She had already gemologist and was fascinated with
National Parks Development Committee, completed her first year as a law student gems until the end of her life. This was
Mr. Valencia once rebuilt the Luneta at the University of the Philippines College a wonderful avocation for someone
Park to be the most beautiful in Asia of Law when marriage beckoned at the who collected jewelry from all around
and founded such organizations as the tender age of 21. Rosabella brought her the world. The collection in this catalog
Kapisanan ng mga Brodkaster ng Pilipinas innate curiosity, a flair for design, and features but a few of Bella’s carefully
and the Zarzuela Foundation. Rosabella sense of the unexpected throughout her curated selections.
was the curious wide-eyed daughter who lifetime as a gifted curator and collector
witnessed the struggle of her parents from of antiques and other valuable items from 879
having lost everything after World War II sources around the world. She graced her
to her father’s rise to prominence as the palatial home in Ayala Alabang and small
most read columnist and most awarded hot springs resort in Pansol, Laguna with
television and radio broadcaster in the an eclectic mix of traditional and modern
882
880
Rosabella Valencia Ferro
881
877 878 879

Pearl and Coral Grape Choker Necklace Diamond Curb Link Bracelet
Woven Necklace Of grape design, accented Curb link chain bracelet
876 Woven, composed of pearls, with approximately 0.28 carats accented with diamonds of
A Set of Ruby Cabochon Brooch corals and diamonds of diamonds set in 18k yellow approximately 0.72 carats set
And Pair of Earrings approximately 0.56 carats set gold, weighing 84.1 grams. in 18k yellow gold, weighing
Accented by approximately 1.56 in 12k yellow gold pendant 28.5 grams.
carats diamonds, pink cat’s eye with 18k yellow gold lock, P 20,000
mother of pearls set in 18k yellow weighing 57.8 grams. P 45,000
gold brooch, weighing 23.1 grams.
Sharing a similar design is a pair P 50,000
of earrings with approximately 1.4
carats diamonds set in 18k yellow
gold, weighing 18.1 grams. 880 882
881
Double Rose Cut Earrings Carved Red Agate Earrings Blue Topaz Earrings
P 60,000 Composed of rose cut Of floral motif, pair of blue
Carved red agate, accented
diamonds of approximately 3 with approximately 0.9 carats topaz set in 14k yellow gold,
carats, set in 14k yellow gold, diamonds set in 14k yellow weighing 10 grams.
weighing 4.2 grams. gold, weighing 10.3 grams.
P 10,000
P 80,000 P 10,000
León Gallery
883
Curb Chain Necklace
Curb chain link necklace
set in 10k yellow gold,
weighing 8.3 grams.
P 8,000
884
2 Wedding Bands 888 a 888 b 888 c 888 d
Wedding bands set in 12k

4.7 grams.
883
P 5,000
884
885
A Set of Coral, Blue Sapphire and
Diamond Ring and Pair of Earrings
Accented by alternating blue 888 e 888 f
sapphire and approximately 1.62

carats diamonds is a coral set in 14k
10.8 grams. Sharing a similar design
888
is a pair of earrings with diamonds of
A Set of Floral Motif Brooches
approximately 0.72 carats set in 14k
886 a 886 c 886 e
885 yellow gold, weighing 11.6 grams.
Diamond Feather Brooch with Emerald and Diamond Brooch Pearl Flower Brooch with pearl size
diamonds of approximately 2.67 composed of emeralds and of 9.16 mm set in 18k yellow gold
P 20,000
carats set in two-toned 18k yellow diamonds of approximately 0.68 brooch, weighing 11 grams.
gold and 14k white gold brooch, carats set in 14k yellow gold
weighing 29.4 grams. brooch, 886 f
weighing 7.3 grams. Rose Tambourine Filigree Pendant
886 886 b set in 12k yellow gold brooch,
Garnet Earrings and Ring Baroque South Sea Pearl Brooch 886 d weighing 25.1 grams.
Accented by diamonds of approximately composed of approximately 2.15 Smokey Topaz Leaf Brooch with
0.96 carats, garnets set in 10k yellow gold, carats diamonds set in 14k yellow stone size of 26.16 mm x 20.64 P 145,000
weighing 7.6 grams; a ring surrounded gold brooch, weighing 35.4 grams. mm, set in 10k yellow gold brooch,
by approximately 0.48 carats diamonds, weighing 29.4 grams.
886 a 886 b
garnet set in 12k yellow gold ring,
weighing 6.4 grams.
P 12,000
887
A Set Of Turquoise Choker
Pendant Transformer, Ring 889
and Pair of Earrings A Set Of Emerald Cabochon and
All fashioned in 18-carat yellow Diamond Ring and Pair of Earrings
gold – a choker pendant transformer Of ribbon motif, composed
ornately jeweled with 4.17-carat of emeralds and accented by
diamonds and weighing 84.79 approximately 0.62 carats
grams; an opulent ring with diamonds set in 14k yellow gold
diamonds of 0.54 carats, weighing pair of earrings, weighing 4.6 grams.
25.50 grams; and a pair of well- Complementing is a ring with
crafted drop earrings graced by approximately 0.4 carats diamonds
4.17-carat diamonds, weighing set in 14k yellow gold, weighing 889
84.79 grams. The turquoise 4.5 grams.
gemstones radiate an aura of
wisdom, tranquility, and regality, P 60,000
making this set of jewelry appeal to
887 a cultivated taste.
P 100,000
León Gallery
897
890 891 892 896
898
900
893 894 895
899
901
890 891 892 896 897 898

Baguette Chunky Ring Marquise Baguette Emerald Solitaire Ring Chunky Necklace Tambourine Dangling Diamond Tennis Necklace
Baguette diamonds set in Chunky Ring Accented with diamond of Of chunky chain link design, Earrings Exuding classic elegance,
14k yellow gold ring, Marquise diamond of approximately 1.45 carats, set in 14k yellow gold Composed of diamonds of set in 14k white gold
weighing 17.4 grams. approximately 0.32 carats with emerald set in 14k white gold necklace, weighing 83.9 grams. approximately 0.8 carats set necklace weighing
baguettes set in 14k yellow gold ring, weighing 4.8 ring. in 10k yellow gold dangling 27.9 grams featuring
P 18,000 ring, weighing 13.7 grams. P 85,000 earrings, weighing 10.6 grams. diamonds of approximately
P 8,000 5.52 carats.
P 14,000 P 10,000
P 120,000
893 894 895
Bezel Eternity Ring Two Toned Triangle Chunky Gold DNA 899 900 901
Of eternity design, with Diamond Cluster Ring Diamond Ring Flower Dangling Earrings Diamond and Ribbon Earring Stud Diamond
approximately 1.12 Clustered diamonds of Pointer diamonds of with Fringe Linked Bracelet Two Toned
carats diamonds in bezel approximately 0.8 carats on approximately 0.56 carats set in Of floral motif with fringe Alternating ribbon linked and Diamond studs of
setting on 12k white gold, triangle shape ring set in two- 14k yellow gold ring, weighing and dangling details featuring diamonds of approximately approximately 1 carat
weighing 3.4 grams. toned 18k white gold and 14k 12.6 grams. diamonds of approximately 1.76 0.72 carats set in 14k yellow set in 14k white gold,
yellow gold, weighing 5.2 grams. carats set in 10k yellow gold, gold, weighing 14.9 grams. weighing 4.3 grams.
P 4,000 P 15,000 weighing 18 grams.
P 7,000 P 15,000 P 8,000
P 18,000
León Gallery
902 i) Rose Cameo

A Set Of Silver Pendants, Pins, Piece Weight: 16 g 902 j
Necklaces, Rings and Earrings
a) Purple Beaded Necklace j) Lady Cameo 902 i
Piece Weight: 291.9 grams Piece Weight: 8.2 grams
b) Flower Pearl Choker Necklace k) Lady Cameo Mother of Pearl

902 b Diamonds of approximately 0.93 carats Piece Weight: 13.9 g 902 k
Piece Weight: 56.3 grams

902 a l) Moonstone Cabochon Ring
c) Multi Pearl Necklace Piece Weight: 10.3 grams
Metal: silver
m) Pink Ring
d) Pearl Bunch Necklace (1 Loose Pearl) Piece Weight: 5.1 grams
5.3 carats
Piece Weight: 174.3 grams n) Scallop Ring
Piece Weight: 10.3 grams 902 m
e) Coral Tambourine Earrings 902 l 902 n
Piece Weight: 23.8 grams o) Black and White Ring
Diamonds of approximately 1.14 carats
f) Coral Earrings Piece Weight: 10 grams
p) Ring Band
g) Clip On Earrings Diamonds of approximately
Piece Weight: 15.7 grams 6.02 carats
h) Filigree Hair Pin 902 p
Piece Weight: 7.7 g q) Crystal Cocktail (Crystal Band)
Piece Weight: 16.3 grams 902 o
r) Mother of Pearl Ring

902 d Piece Weight: 5.8 grams
902 c
s) Tubogas Ring
Diamonds of approximately 2 carats
t) Heart Ring
902 r
P 12,000
902 q
902 f
902 e
902 s
902 t
902 g
902 h
León Gallery
907 a 907 b 907 c 907 d
904
903
903 904
907 e 907 f 907 g 907 h
Omega Gold Necklace Omega Gold Necklace
Resembling chain link necklace, Resembling chain link necklaces,
Omega in 14k yellow gold, weighing Omega in 14k white gold, weighing
43.9 grams 42.9 grams.
907
P 45,000 P 45,000 A Set of Gold Pendants d) g)
with Various Motifs Green Cabochon Pendant Heart Pendant
Set in 12k yellow gold, Set in 14k yellow gold with
a) weighing 3.3 grams diamonds of approximately
Star Seed Pearl Pendant 0.69 carats, weighing
Set in 14k yellow gold, e) 8.1 grams
weighing 3.6 grams Green And Purple
Leaf Pendant h)
b) Set in 14k yellow gold with Multi Stone Pendant
905
Citrine Tower Pendant approximately 0.24 carats Set in 18k yellow gold,
A Set of Emerald and Diamond
Set in 14k white gold, diamonds, weighing weighing 34.2 grams
Pendant and Pair of Earrings
weighing 13.3 grams 7.7 grams
Accented by diamonds of
approximately 3.82 carats, emerald P 60,000
c) f)
with size of 12.25 mm x 12.84 mm
Carved Cameo Pendant Rainbow
sits center of 14k white gold pendant,
Set in 14k yellow gold with Tourmaline Pendant
weighing 24.7 grams. Complementing
approximately 1.6 carats Set in 14k yellow gold,
is a pair of drop earrings with
diamonds, weighing weighing 7.7 grams
diamonds of approximately 2.9 carats
9.3 grams
set in 14k white gold,
weighing 12 grams.
P 80,000 908
a) Blue Sapphire Diamond Ring
Surrounded by approximately 0.2
carats diamonds, blue sapphire set
in 18k yellow gold ring, weighing
5.7 grams.
b) Violet Cocktail Ring

906
Surrounded with approximately
A Set Of Red Coral Ring
0.6 carats diamonds, violet stone
and Pair Of Earrings
set in 14k yellow gold ring,
Set in 14k yellow gold, a red coral
weighing 13.8 grams.
ring weighing 12.3 grams, and 908 a 908 b
sharing a similar design is a pair of
P 20,000
earrings weighing 14.7 grams.
P 25,000
León Gallery
915
2 Bangles with
Blue Stones
Designed with blue stones
and pointer diamonds of
approximately 4.86 carats
set in 12k white gold,
909 weighing 20 grams.
P 30,000
910 916
Rose Stone Bangle
Of rose design, diamonds
of approximately 1.08
carats set in 12k yellow
gold bangle, weighing
26.4 grams.
912
P 30,00
911
917
3 Bangles with Stones
Composed of diamonds of
approximately 6.99 carats set
914 in 14k white gold bangles,
P 60,000
913
918
Two Tone Bangle
Two tone alternating 18k
909 910 911 yellow gold and white
Retro Earrings Coin and Chain Necklace Emerald, Ruby, and gold, weighing 61.8 grams.
Circles looped together Set in 14k yellow gold, Seed Pearl Pin
in retro earrings with coin design linked on chain Set in 14k yellow gold, a P 90,000
approximately 0.8 cts necklace weighing 9.7 grams. variety of emeralds, rubies
diamonds set in 14k yellow and seed pearls design a pin
gold, weighing 5.2 grams. P 10,000 weighing 4.6 grams.
P 5,000 P 5,000
919
912 913 914 Red Coral Filigree Bangle
Green Ring Snake Chain Bracelet Twisted Bracelet Two Tone undred seventeen pieces of
Surrounded with Of snake chain link design, set Rose cut diamonds of red corals in filigree design
approximately 1.44 carats in 18k yellow gold, weighing approximately 5.5 carats set set in 14k yellow gold,
diamonds, center tsavorite 44.5 grams. in 14k yellow gold bracelet, weighing 40.4 grams.
set in 18k white gold, weighing 23.1 grams.
weighing 5.9 grams. P 70,000 P 40,000
P 35,000
P 10,000
León Gallery
925
924
920 921
A Set of Blue Topaz Necklace A Set Of Baroque Tahitian Pearl Necklace
and Pair of Earrings and Pair of Earrings
Set in 18k yellow gold, a link necklace weighing Metal: 18k WG
69.6 grams and pair of drop earrings weighing Set in 18k white gold, a necklace weighing 10.1
15.3 grams. grams and, sharing a similar design, a pair of 927
earrings weighing 10.1 grams.
P 120,000
P 30,000 926
922
a) Red Agate Cameo Ring
Surrounded with approximately 0.45 carats
diamonds, red agate set in 14k yellow gold, 929
weighing 6.6 grams. 928
b) Chunky Bracelet
Chain link design set in 14k yellow gold
bracelet, weighing 53.8 grams.
P 60,000 924 925 926

922 a 922 b
Two Tone Rope Necklace Dangling Diamond Emerald Ruby Diamond
Of rope design, set in 18k yellow Earrings Tower Ring
gold, weighing 28.2 grams. Dangling diamonds of Composed of emeralds,
approximately 1.62 carats rubies and pear shape
P 40,000 set in 14k white gold, diamonds set in 4k yellow
weighing 12.5 grams. gold ring, weighing
3.7 grams.
P 15,000
P 3,000
923
Coral Hoop Earrings
Hoop design of coral beads set in 4k yellow gold, 927 928 929
weighing 9.7 grams. Moonstone and Linked Chunky Bracelet Trillion Cut Studs
Diamond Ring Of chain link design set in Trillion cut diamonds of
P 5,000 Surrounded by diamonds of 18k yellow gold bracelet, approximately 2.42 carats
approximately 3.04 carats, weighing 32 grams. set in 18k white gold,
center moonstone set in silver ring, weighing 2.6 grams.
weighing 12.9 grams. P 50,000
P 100,000
P 5,000
León Gallery
936
931 937
930
938
932
941
939
933 940
934
935
930 931 932 936 937 938

Pearl Tambourine Pearl Strand Bangle Ribbon Earrings (No Lock) Diamond Pave Pearl Filipiniana Necklace Emerald Cut
Necklace Woven Five strand pearl bangle set Of ribbon design, Scallop Ring Center mabe pearl set in Solitaire Ring
Woven pearls with center in 18k yellow gold, weighing composed of diamonds Of scallop design, pave 14k yellow gold necklace, Emerald cut diamond of
tambourine set in 6k yellow 69.4 grams. of approximately 0.28 diamonds of approximately weighing 80 grams. approximately 1 to 1.25
gold, weighing 68.4 grams. carats set in 14k yellow 2.16 carats set in 14k carats set in 18k white
P 50,000 gold earrings without lock, yellow gold ring, P 80,000 gold, weighing 4.5 grams.
P 30,000 weighing 5.3 grams. weighing 8.8 grams.
P 90,000
P 5,000 P 12,000
933 934
Pearl Strand Bracelet Opal Ring
935 939 940 941
Two-strand pearl bracelet set Surrounded with pointer
Carved Charm Tricolor Curb Link Bracelet Marquise Ring Mother of Pearl Earrings
in 14k yellow gold, weighing diamonds of approximately
Carved charm set in 14k Of curb link chain design, set Marquise diamond of Pair of Mother of Pearls,
29.8 grams. 0.96 carats, opal set in 14k
yellow gold, weighing in tri-tone 18k white gold, approximately 5.5 carats accented with diamonds of
6.8 grams. yellow gold and rose gold, set in 14k yellow gold, approximately 0.82 carats set
P 30,000 13.3 grams.
weighing 46.5 grams. weighing 6.9 grams. in 14k yellow gold, weighing
P 7,000 6.5 grams.
P 13,000
P 70,000 P 500,000
P 6,000
León Gallery
942
A Set of Tambourine Beaded
Necklaces and a Pair of
Filigree Rose Earrings
f) k)
a) Filigree Rose Earrings Thick Tambourine Necklace
Red Coral Small Bead Necklace Set in silver, weighing Set in 12k yellow gold, weighing
Set in 12k yellow gold, 17.1 grams 46.8 grams
g) l)
b) Palmeta Tambourine Necklace Broken Tambourine Necklace
Red Coral Bigger Bead Set in 4k yellow gold, Set in brass, weighing
Necklace weighing 46.9 grams 27.4 grams
Set in 12k yellow gold,
weighing 64.2 grams h) m)
Tambourine Necklace Long Green Bead Tambourine Necklace
c) weighing 66.6 grams Weighing 34 grams
Small Coral Beaded
942 a 942 b 942 c 942 d Tambourine Necklace i) P 120,000
Set in 6k yellow gold, Small Tambourine Necklace
weighing 20.5 grams Set in 12k yellow gold,
weighing 17 grams
d)
Tambourine Necklace j)
Set in 6k yellow gold, Pink Coral Tassel
weighing 23.8 grams Tambourine Necklace
Set in 8k yellow gold, weighing
e) 157.28 grams
Filigree Tambourine Necklace
with Red Beads
943
weighing 37.3 grams
Coral and Seed
Pearl Earrings
Surrounded by seed
pearls and diamonds of
approximately 0.2 carats,
corals set in 12k yellow gold,
weighing 14 grams.
P 12,000
942 e 942 f 942 g 942 h 942 i
944
4 Thin Bangles
Four thin bangles set in
6k yellow gold,
P 8,000
945
4 Bangles with
Line Design
Of line design, four bangles
set in 14k yellow gold,
942 j 942 k 942 l 942 m
P 25,000
León Gallery
946
a) Pearl Chain Necklace f) Sculptured Ring l) Stretchable Bracelet
Weighing 33.1 grams Weighing 11.6 grams Weighing 22.8 grams
b) Flower Moonstone Citrine Brooch g) Blue Topaz Ring m) Black And White Bracelet
Cabuchon moonstone and citrine Weighing 10.4 grams Weighing 24.3 grams
topaz, weighing 20 grams.
946 d
h) Butterfly Ring n) Crystal Pendant
946 b c) Bezel Necklace Weighing 4.8 grams Weighing 9.0 grams
Oval and round beads,
weighing 61.8 grams. i) Red Puffy Ring o) Black Onyx Filigree Earrings
Weighing 6.9 grams Weighing 11.0 grams
d) Smokey Topaz Ring
Accented with diamonds of j) Blue Flower Ring P 10,000
approximately 2.48 carats, smokey Weighing 3.7 grams
topaz sits center on ring, weighing
946 c
22.3 grams. k) Brown Agate Pendant
946 a
Weighing 13.3 grams
e) Crystal and Marquise Ring
weighing 15.4 grams
946 e
947
a) Mother of Pearl Ring
Mother of Pearl set in 14k
946 g yellow gold ring, weighing
5.7 grams.
946 i
946 h b) Blue Signet Ring
Signet ring with center blue
946 f
stone set in 10k yellow
gold, weighing 8.7 grams.
c) Red Cat’s Eye Ring

947 a 947 b 947 c Red Cat’s Eye set in 8k
7.2 grams.
946 l P 15,000
946 k
946 j
948
A Set of Payneta
with Gold Handle
946 n
Payneta with three pieces
rose gold handles and one
piece yellow gold handle,
946 m weighing 31.7 grams.
P 25,000
946 o
León Gallery
949
950
955 956
Bvlgari Diagono Chronograph Seiko Laurel Alpinist
Dial: Silver Dial: Silver
Caliber: 080 Size: 37mm diameter
Serial: D4952 Accessories: None
Case: Stainless Steel
951
Size: 40mm diameter Condition Report:
Accessories: Box and booklets
Case: Case is in great condition with wear consistent to age
Condition Report: Dial: Dial is in vintage condition with aging on the surface
Case: Case is in good condition with light signs of wear consistent to age.
Dial: Dial is in excellent condition. Movement: The movement is running at time of cataloguing
Movement: The automatic movement is running at time of and all functions work as they should. However, it was not
cataloguing and all functions work as they should. However, tested for the accuracy of time or duration of the reserve and
it was not tested for the accuracy of time or duration of the may need servicing at the buyer’s discretion.
reserve and may need servicing at the buyer’s discretion.
P 25,000
P 20,000
953
952
954
949 950 951 957 958

Blue Crystal Necklace Bean Diamond Earrings Chunky Tambourine Piaget Vintage Ladies Watch Panerai
Composed of pointer Of bean design, with diamonds Choker Dial: Emerald green Subzilla Luminor Submersible 2500 Tritium Titanium
diamonds of approximately of approximately 0.6 carats set Composed of diamonds of Caliber: 697767 Dial: Black
0.24 carats and baguettes, in 18k yellow gold, weighing approximately 1.33 carats Serial: 168038 Caliber: Panerai OP III 21 jewels
center blue crystal set in 19.7 grams. set in 14k yellow gold, Case: White Gold Case: Titanium
18k white gold necklace, weighing 94.5 grams. Size: 24mm diameter Size: 47 mm diameter
weighing 46.8 grams. P 30,000 Accessories: None Accessories: Inner and Outer Box and certificate of
P 100,000 authenticity
P 70,000 Condition Report:
Case: Case is in excellent condition with light signs of wear Condition Report:
Dial: Dial is in good condition with slight signs of aging. Case: Case is in Excellent overall condition with almost no
Movement: The manual wind movement is running at time of surface wear. No signs of previous polish.
952 953 954
cataloguing and all functions work as they should. However, Dial: Excellent condition dial.
Link Bracelet with Coin Coin Earrings Baguette Ring
it was not tested for the accuracy of time or duration of the Movement: The automatic movement is running at time of
Interlooping circles linked Set in 18k yellow gold, coin Composed of baguette
reserve and may need servicing at the buyer’s discretion. cataloguing and all functions work as they should. However,
together with center coin earrings weighing 21.2 grams. diamonds of approximately
it was not tested for the accuracy of time or duration of
set in 8k yellow gold, 1.5 carats set in 18k white
P 240,000 the power reserve and may need servicing at the buyer’s
weighing 5.6 grams. P 30,000 gold, weighing 4.2 grams.
discretion.
P 4,000 P 200,000
P 240,000
León Gallery
963
Rolex 4048 Chronograph “Barilotto”
Dial: Black Gilt
Caliber: ValjouxVZH 13
Serial: 206386
Size: 35mm diameter
Accessories: None
Condition Report:
Case: Case is in excellent condition with slight signs of wear.
Original lume and hands
959 960
Royce Dual Time Technomarine Night Vision
Dial: Dial is in good condition with slight signs of aging
Dial: Silver Dial: Black
Caliber: 6-21 Size: 45mm diameter
Movement: The manual wind movement is running at time of cataloguing
Case: Stainless Steel Accessories: Box and extra strap
and all functions work as they should. However, it was not tested for the
Size: 36mmx 29mm diameter
accuracy of time or duration of the reserve and may need servicing at the
Accessories: None Condition Report:
buyer’s discretion.
Case: Case is in excellent condition with light signs of wear
Condition Report: Dial: Dial is in good condition with slight signs of aging.
Auctioneers Notes: We are proud to offer this Rolex’ first chronograph
Case: Case is in excellent condition with light signs of wear Movement: The quartz movement is running at time of
with three subsidiary dials. The reference 4048 is one of the rarest
Dial: Dial is in good condition with slight signs of aging. cataloguing and all functions work as they should.
chronographs produced and only a handful have survived
Movement: The manual wind movement is running at time of
through the years
cataloguing and all functions work as they should. However, P 4,000
it was not tested for the accuracy of time or duration of the
P 5,800,000
P 15,000
964
Rolex 6610 Explorer Gilt Chapter Ring
Dial: Black Gilt
Caliber: 1030
Serial: Faded due to age
Size: 36mm diameter
Accessories: None
Condition Report:
Case: Case is in excellent condition with light wear from use. Reference
961 962 number is clear and intact. Serial number has faded due to age.
Technomarine Chronograph Tissot 1853
Dial: Silver Dial: White Dial: Gilt dial is in good condition with slight signs of aging. Lume has
Size: 45mm diameter Size: 42mm diameter aged to a yellow hue. Gilt hands are original to the watch
Accessories: Box Accessories: Box and manuals
Movement: The automatic movement is running at time of cataloguing
Condition Report: Condition Report: and all functions work as they should. However, it was not tested for the
Case: Case is in excellent condition with light signs of wear Case: Case is in excellent condition with light signs of wear accuracy of time or duration of the reserve and may need servicing at the
Dial: Dial is in good condition with slight signs of aging. Dial: Dial is in excellent condition buyer’s discretion.
Movement: The quartz movement is running at time of Movement: The quartz movement is running at time of
cataloguing and all functions work as they should. cataloguing and all functions work as they should. Auctioneers Notes: We are proud to offer this Rolex’ first chronograph
with three subsidiary dials. The reference 4048
P 3,000 is one of the rarest chronographs produced and only a handful have
P 5,000 survived through the years
P 1,200,000
León Gallery
965
Pair of Technomarine Watches
Dial: Yellow and Blue
Size: 45mm diameter
Accessories: Box and extra strap
Condition Report:
Case: Case is in excellent condition with light
signs of wear
Dial: Dial is in good condition with slight signs of aging.
Movement: The quartz movements are running at time of
cataloguing and all functions work as they should.
968 969
Piaget Vintage Ladies Watch Daniel Roth Chronograph
P 6,000
Dial: Tiffany Blue Dial: Silver
Caliber: 697767 Caliber: PR500
Serial: 183597 Case: Stainless Steel
Case: Yellow Gold Size: 40mm diameter
Size: 24mm diameter Accessories: None
Accessories: None
966 Condition Report:
Pair of Seiko Dive watches Condition Report:
Dial: Black Case: Case is in good condition with light signs of wear.
Case: Stainless Steel Case: Case is in excellent condition with light signs of wear
Size: 40mm diameter Dial: Dial is in good condition with slight signs of aging.
Accessories: None Dial: Dial is in good condition with slight signs of aging.
Movement: The automatic movement is running at time of
Condition Report: Movement: The manual wind movement is running at time of cataloguing and all functions work as they should. However,
cataloguing and all functions work as they should. However, it was not tested for the accuracy of time or duration of the
Case: Case is in good condition with light signs of wear it was not tested for the accuracy of time or duration of the reserve and may need servicing at the buyer’s discretion.
Dial: Dial is in good condition with signs of wear. reserve and may need servicing at the buyer’s discretion.
Movement: The automatic movements are running at P 30,000
time of cataloguing and all functions work as they should. P 270,000
However, it was not tested for the accuracy of time or
duration of the reserve and may need servicing at the
970
P 8,000
Omega Speedmaster 145.012-67
Dial: Black
Caliber: 321
Serial: 24954307
Case: Stainless steel
PROPERTY FROM THE CARLOS P. ROMULO COLLECTION
Size: 42mm diameter
967 Accessories: NASA prints of the moon landing, 1969 Life Magazine
The Watch of Carlos P. Romulo highlighting the moon landing
Patek Philippe Calatrava 352010
Dial: Silver Condition Report:
Caliber: 175 Case: Case is in great condition with wear consistent to age
Case: 18k White Gold
Size: 33mm diameter Dial: Dial is in excellent condition with light signs of wear. Lume has
Accessories: Box turned to bright orange hue with original hands.
Condition Report: Movement: The manual wind movement is running at time of cataloguing
Case: Case is in excellent condition with light signs of wear and all functions work as they should. However, it was not tested for the
Dial: Dial is in excellent condition. accuracy of time or duration of the reserve and may need servicing at the
Movement: The manual wound movement is running at time of buyer’s discretion.
cataloguing and all functions work as they should. However, it was
not tested for the accuracy of time or duration of the reserve and Auctioneers notes: From a known Moonwatch collector, we are pleased
may need servicing at the buyer’s discretion. to offer this one owner Omega Speedmaster cal. 321 from 1967 on its
original bracelet. Included with the watch are official NASA prints of the
P 400,000 moon landing as well as a copy of the
Life Magazine, Aug. 8, 1969 and other ephemera.
P 400,000
León Gallery
975 976
971 972 Jules Jurgensen Omega Ladies Dress Watch
Cartier Must De Vendome IWC Schaffhausen Dress Watch Dial: White Dial: Silver
Dial: White Dial: Silver Size: 32mm diameter Caliber: 484
Size: 23mm diameter Size: 35mm diameter Accessories: Box Serial: 194194
Accessories: Box and warranty paper Accessories: None Case: 14k White Gold
Condition Report: Size: 20mm diameter
Condition Report: Condition Report: Case: Case is in excellent condition with signs of wear Accessories: None
Case: Case is in good condition with light signs of wear Case: Case is in excellent condition with light signs of wear consistent to age.
Dial: Dial is in excellent condition with little to no signs of Dial: Dial is in excellent condition with slight signs of aging. Dial: Dial is in good condition with signs of aging. Condition Report:
agine Movement: The manual wound movement is running at Movement: The manual wound movement is running at Case: Case is in good condition with light signs of wear
Movement: The quartz movement is running at time of time of cataloguing and all functions work as they should. time of cataloguing and all functions work as they should. Dial: Dial is in good condition with signs of aging.
cataloguing and all functions work as they should. However, it was not tested for the accuracy of time or However, it was not tested for the accuracy of time or Movement: The manual wind movement is running at time of
duration of the reserve and may need servicing at the duration of the reserve and may need servicing at the cataloguing and all functions work as they should. However,
P 80,000 buyer’s discretion. buyer’s discretion. it was not tested for the accuracy of time or duration of the
P 60,000 P 10,000
P 15,000
973 974
977 978
Technomarine Chronograph Blancpain Léman Fly-Back Chronograph
Gruen Curvex Precision Rolex Daytona 116520 “Thin Hands”
Dial: Black Dial: Silver
Dial: Silver Dial: Black
Size: 45mm diameter Caliber: F185
Caliber: 6623 Caliber: 4130
Accessories: Box Case: Stainless Steel
Serial: k26326 Serial: Y serial
Size: 38.5mm diameter
Case: 14k Gold Case: Stainless Steel
Condition Report: Accessories: None
Size: 33mm diameter Size: 40mm diameter
Case: Case is in excellent condition with light signs of wear
Accessories: None Accessories: Inner and outer box, warranty paper,
Dial: Dial is in good condition with slight signs of aging. Condition Report:
Movement: The quartz movement is running at time of Case: Case is in excellent condition with light signs of wear manuals and tags
Condition Report:
cataloguing and all functions work as they should. Dial: Dial is in excellent condition with no signs of wear
Case: Case is in good condition with light signs of wear Condition Report:
Movement: The automatic movement is running at time of
Dial: Dial is in good condition with signs of aging. Case: Case is in excellent condition with slight to
P 5,000 cataloguing and all functions work as they should. However,
Movement: The manual wind movement is running at time of almost no signs of wear
cataloguing and all functions work as they should. However, Dial: Dial is in excellent condition
it was not tested for the accuracy of time or duration of the Movement: The automatic movement is running at time of
reserve and may need servicing at the buyer’s discretion. cataloguing and all functions work as they should. However,
P 180,000
P 30,000 reserve and may need servicing at the buyer’s discretion.
P 1,150,000
León Gallery
979 980 983 984

Breguet 2903 Vintage Patek Philippe Dress Watch Rolex Precision Ladies with Diamonds Jaeger LeCoultre Reverso
Dial: Silver Dial: Champagne Dial: Silver Dial: Black
Caliber: 889/1 Case: Yellow Gold Case: Stainless Steel Serial: 2910537
Case: White Gold Size: 32mm diameter Size: 22.5mm diameter Caliber: 822
Size: 36mm diameter Accessories: None Accessories: None Case: White Gold 18k
Accessories: None Size: 40mm diameter
Condition Report: Condition Report: Accessories: None
Condition Report:
Case: Case is in excellent condition with Case: Case is in excellent condition with light signs of wear Condition Report:
Case: Case is in excellent condition with slight signs of wear. slight signs of wear. Dial: Dial is in good condition with light signs of aging Case: Case is in good condition with wear from use.
Dial: Textured dial is in excellent condition Dial: Dial is in excellent condition with light signs of wear Movement: The manual wound movement is running at Dial: Black Dial is in excellent condition
Movement: The movement is running at time of cataloguing Movement: The manual would movement is running at time of cataloguing and all functions work as they should. Movement: The automatic movement is running at time of
and all functions work as they should. However, it was not time of cataloguing and all functions work as they should. However, it was not tested for the accuracy of time or cataloguing and all functions work as they should. However,
tested for the accuracy of time or duration of the reserve and However, it was not tested for the accuracy of time or duration of the reserve and may need servicing at the it was not tested for the accuracy of time or duration of the
may need servicing at the buyer’s discretion. duration of the reserve and may need servicing at the buyer’s discretion. reserve and may need servicing at the buyer’s discretion.
P 500,000 P 40,000 P 250,000
P 150,000
985 986
981 982 Tissot 1853 Girard Perregaux 5750
Omega Speedmaster 378.0801 Jovial Dual Time 599167 Dial: White Dial: Silver
Dial: Black Dial: White Size: 42mm diameter Serial: 5619323
Caliber: 1041 Caliber: 2650 Accessories: None Case: Yellow Gold
Serial: 38294860 Case: Stainless Steel Size: 30mm diameter
Case: Stainless steel Size: 36mm diameter Condition Report: Accessories: None
Size: 42mm diameter Accessories: None Case: Case is in excellent condition with light signs of wear
Accessories: None Dial: Dial is in excellent condition Condition Report:
Condition Report: Condition Report: Movement: The quartz movement is running at time of
Case: Case is in good condition with light signs of wear cataloguing and all functions work as they should. Case: Case is in good condition with light signs of wear
Case: Case is in great condition with wear consistent to age Dial: Dial is in good condition with signs of aging. Dial: Dial is in good condition with signs of aging.
Dial: Dial is in excellent condition with light signs aging. Movement: The movement is running at time of cataloguing P 5,000 Movement: The manual wound movement is running at
Movement: The automatic movement is running at time of and all functions work as they should. However, it was not time of cataloguing and all functions work as they should.
cataloguing and all functions work as they should. However, tested for the accuracy of time or duration of the reserve and However, it was not tested for the accuracy of time or
it was not tested for the accuracy of time or duration of the may need servicing at the buyer’s discretion. duration of the reserve and may need servicing at the
reserve and may need servicing at the buyer’s discretion. buyer’s discretion.
P 3,000
P 275,000 P 25,000
León Gallery
991
Takashi Murakami (b. 1962) x
Virgil Abloh (b. 1980)
987 988 Takashi Murakami x Off-White Canvas Tote
Rado Musketeer IX Daydate Seiko 6217-8801 (62MAS) Bag
Dial: Bronze Dial: Dark Grey ca. 2018
Caliber: 2783 Caliber: 6217A-8001 canvas and leather
Case: Two tone Serial: 7026349 24” x 16” x 5 1/2” (61 cm x 41 cm x 14 cm
Size: 36mm diameter Case: Stainless steel
Accessories: None Size: 38mm diameter P 200,000
Accessories: None
back
Condition Report:
Condition Report:
Case: Case is in good condition with light signs of wear Takashi Murakami is a Japanese artist known for blurring aesthetic on diagonal lines and the iconography of American
Dial: Dial is in good condition with signs of aging. Case: Case is in excellent condition with light wear the boundaries between fine and commercial art. Murakami cities - white arrows, plain labels, industrial packaging with
Movement: The manual wind movement is running at time of Dial: Dial is in excellent condition with very light signs of aging.
is known for his “Superflat” aesthetic - combining classical a signature zip tie, high-end fabrics and familiar streetwear
cataloguing and all functions work as they should. However, Movement: The automatic movement is running at time of
it was not tested for the accuracy of time or duration of the cataloguing and all functions work as they should. However, Japanese art with contemporary Japanese pop culture, shapes - from there, it was off the charts.
reserve and may need servicing at the buyer’s discretion. it was not tested for the accuracy of time or duration of the drawing from traditional Japanese painting, sci-fi, anime,
reserve and may need servicing at the buyer’s discretion. and the global art market - populated by repeated motifs By 2018, Takashi Murakami and Virgil Abloh have
P 7,000 Auctioneer’s notes: This is Seiko’s first dive watch in and mutating characters of his own creation - has led many collaborated on a collection of handbags featuring the
exceptionally museum-quality condition. As most tool watches to consider him one of the most innovative artists working signature arrows of Abloh’s label Off-White and an
were used and abused, thus specimen has been preserved in today. image of Mr. DOB, the whimsical character that became
remarkable condition making it extremely hard to find. Murakami’s first signature creation inspired by anime and
On the other hand, Virgil Abloh is an artist, architect , manga characters. The two artists, both kindred spirits, each
P 15,000
engineer, designer, musician and DJ, chief creative director, traversing various sectors of a broad cultural zone, push
and artistic director. Throughout his career, he has focused against the parameters of fashion, art, and popular culture,
on inclusivity and philanthropy across these disciplines. He provocatively blurring the lines between them.
founded his label Off-White by 2011. He centered the design
992
Louis Vuitton Leather Bag
Turenne PM Epi Leather Noir
989 990 7 1/2” x 13” (19 cm x 33 cm)
Bucherer Q Ladies watch Swatch Limited Edition by Benedicto Cabrera
Dial: Silver Dial: Custom P 20,000
Case: Plated Case: Plastic
Size: 33mm diameter Size: 41mm diameter
Accessories: None Accessories: Complete set
993
Condition Report: Condition Report: Burberry Leather Bag
Case: Case is in mint condition. 8” x 18” (20 cm x 46 cm)
Case: Case is in good condition with light signs of wear Dial: Dial is in excellent condition.
Dial: Dial is in excellent condition. Movement: The quartz movement is running at time of P 5,000
Movement: The movement is running at time of cataloguing cataloguing and all functions work as they should.
and all functions work as they should. However, it was not
tested for the accuracy of time or duration of the reserve P 20,000
and may need servicing at the buyer’s discretion.
P 50,000
León Gallery
999
Ipanema Clutch Bag (Black)
8” x 9” (20 cm x 23 cm)
G. Bravo Handbag (Red)

6 1/2” x 6” (17 cm x 15 cm)
Cole Haan Bag

7” x 12” (18 cm x 30 cm)
994 995 996 P 3,000

Hermes Bag San Agostino Leather Bag Yves Saint Laurent Bag
with lock and key 11” x 13” (28 cm x 33 cm) 11” x 14 1/2” (28 cm x 37 cm)
13 1/2” x 18 (34 cm x 46 cm)
P 5,000 P 10,000
P 10,000
1000
Paul Smith Duffle Bag with Original Paul
997 Smith Outfit Overnight Dust Bag
a) Samantha King Men’s Bag 11 1/2” x 21” (29 cm x 53 cm)
11 1/2” x 14 1/2” (29 cm x 37 cm)
P 8,000
b) Versace Leather Bag
8 1/2” x 13” (22 cm x 33 cm)
c) Armani Collezioni Men’s Bag

13 1/2” x 16” (34 cm x 41 cm)
d) COACH Canvas Bag

8” x 13” (20 cm x 33 cm) 1001
Calvin Klein Men’s Clutch
P 8,000 6” x 7” (15 cm x 18 cm)
P 1,000
1002
Philippe Charriol Leather Bag
7 1/2” x 11” (19 cm x 28 cm)
P 5,000
998
a) Salvatore Ferragamo Clutchbag (Red)
7 1/2” x 10 1/2” (19 cm x 27 cm)
b) Salvatore Ferragamo Bag (Brown) 1003

8” x 9” (20 cm x 23 cm) Marc Jacobs Handbag
8” x 12” (20 cm x 30 cm)
P 4,000
P 5,000
León Gallery
1008
1004
a) Pedder Clutch Bag (Red)
Valentino Weave Clutch Bag
6 1/2” x 9 1/2” (17 cm x 24 cm)
7” x 7 1/2” (18 cm x 19 cm)
b) Pedder Clutch Bag (Creta)
Courreges Clutch Bag
6 1/2” x 10” (17 cm x 25 cm)
5” x 7” (13 cm x 18 cm)
P 3,000
Courreges Clutch Bag
6” x 9” (15 cm x 23 cm)
P 5,000
1009
Prada Leather Bag
7” x 10 1/2” (18 cm x 27 cm)
P 5,000
1005
Two Handbags
a) 7” x 11” (18 cm x 28 cm)
b) 5 1/2” x 8” (14 cm x 20 cm)
P 3,000
1010
Prada Handbag
7 1/2” x 7” (19 cm x 18 cm)
P 5,000
1006
Two Handbags
a) 7 1/2” x 10 (19 cm x 25 cm)
b) 7 1/2” x 8” (19 cm x 20 cm)
P 3,000
1007
Philippe Charriol Leather Bag
10 1/2” x 9 1/2” (27 cm x 24 cm)
P 5,000
1011 1012 1013
Bally Handbag Bea Valdes Beaded Clutch Bag Gucci Blue Bag with Original Gucci Dust
7 1/2” x 10 1/2” (19 cm x 27 cm) with box Messenger Cloth Bag
H: 7” (18 cm) 13 1/2” x 18 1/2” (34 cm x 47 cm)
P 3,000 D: 6” (15 cm)
P 8,000
P 25,000
León Gallery
1014 1017
Three Furla Handbags a) Leather Bag (Blue)
a) red 11” x 13 1/2” (28 cm x 34 cm)
6”x 13” (15 cm x 33 cm)
b) Leather Bag (Red)
b) pink 11” x 13 1/2” (28 cm x 34 cm)
7” x 13” (18 cm x 33 cm)
c) Selliers du Marais Leather Bag
c) weave black 8 1/2” x 13 1/2” (22 cm x 34 cm)
8” x 11” (20 cm x 28 cm)
P 8,000
P 3,000
1018
1015 a) Staccato Bag (Green)
a) Magli Sling Bag (brown) 7” x 10” (18 cm x 25 cm)
7 1/2” x 10 1/2” (19 cm x 27 cm)
b) Staccato Bag
b) Magli Bag (Olive) 8 1/2” x 11 1/2” (22 cm x 29 cm)
8 1/2” x 11 1/2” (22 cm x 29 cm)
P 3,000
c) Bruno Magli Clutch Bag (Blue)
7” x 10” (18 cm x 25 cm)
P 5,000
1019
FENDI Leather Bag
with Dust Bag
9” x 13 1/2” (23 cm x 34 cm)
P 8,000
1016
a) La Bagagerie (Red)
8” x 11” (20 cm x 28 cm)
1020
b) La Bagagerie (Gold) Salvatore Ferragamo Bag (Camel)
8” x 11” (20 cm x 28 cm) 8” x 10 1/2” (20 cm x 27 cm)
P 3,000 P 8,000
León Gallery
1021
Five Assorted Wooden Bowls
size variable
P 100,000
1022
A Philippine Metal-Age
Pottery
H: 10” (25 cm)
D: 9” (23 cm)
P 10,000 1030
1028 1029
A Narra Cutlery Box with Bone Inlay
A Pair of Narra Art Nouveau Table A Pair of Narra Frames
Provenance: From the 9 1 /2” x 15” x 23 1/2”
Frames 27” x 23” (69 cm x 58 cm)
Collection of Ramon Zaragoza (24 cm x 38 cm x 60 cm)
narra
14 1/2” x 12” (37 cm x 30 cm) P 9,000
P 5,000
1023
An Early 20th Century P 8,000
Crisostomo Ibarra Figurine
attributed to Guillermo Tolentino
3 1/2” x 5 1/2” x 6”
(9 cm x 14 cm x 15 cm)
1031
P 12,000 Kamagong Cane with Mother-of-Pearl
Inlay
1024 H: 36” (91 cm) D: 1” (3 cm)
A 19th Century Giltwood Frame
13” x 14 1/2” (33 cm x 37 cm) P 7,000
P 13,000
1033
1032 An Old hardwood baston, possibly
Isaac Kagandahan Bilibid made
Fragmentary Callados 37” x 4 1/2” x 1 1/2”
a) 30 1/2” x 9 1/2” x 1” (94 cm x 11 cm x 4 cm)
(77 cm x 24 cm x 3 cm)
b) 57 1/2” x 9 1/2” x 1” P 5,000
(146 cm x 24 cm x 3 cm)
1035
P 10,000
An Unusual Salakot With
Bulol Finial
H: 9” D: 16”
(23 cm x 41 cm)
1025 1026 P 5,000

Two Framed Piña Cloth A Framed Manton de Manila
a) 46 1/2” x 24 1/2” (118 cm x 62 cm) 71 1/2” x 71 1/2” 1036
b) 24 1/2” x 34” (62 cm x 86 cm) (182 cm x 182 cm) A Lot of Three Antique Style
Salakots with Plated Metal
P 50,000 P 20,000 Mounts
a) D: 21” (53 cm)
b) D: 15” (41 cm)
c) D: 18” (46 cm)
P 12,000
1034 1037
1027
An Antique Door Knocker A Lot of Three Antique Style
A Filipiñana Themed
hardwood and metal Salakots with Plated Metal
Bas Relief
7” x 9 1/2” x 7” Mounts
41” x 108”
(18 cm x 24 cm x 18 cm) a) D: 14” (36 cm)
(104 cm x 274 cm)
b) D: 12” (30 cm)
P 15,000 c) D: 13” (33 cm)
P 60,000
P 12,000
León Gallery
1038 1039 1040

A pair of Pangalapan Sippatal mother-of-pearl A Pair of Akosan Necklaces 1047
a) 7 1/2” x 10” (19 cm x 25 cm) and glass bead butterfly form length: 26” (66 cm) each Cordillera Wooden Artifacts
b) 12 1/2” x 11 1/2” (32 cm x 29 cm) Ifugao Necklace size variable
length: 17” (43 cm) P 50,000
P 10,000 P 20,000 1048
P 15,000 A Carved Molave Figure
17” x 12” x 31” (43 cm x 30 cm x 79 cm)
P 5,000
1042
1041 Two Lime Containers
A Pair of Fikums a) H: 5 1/2 D: 1”
D: 7” (18 cm) each b) H: 5 1/2” D: 2”
P 25,000 P 5,000 1049
Mid 20th-Century Punamhan
7 1/2” x 22” x 8” (19 cm x 56 cm x 20 cm)
P 40,000
1050
1043
A Pair of Carabao Horn
Five Duyo Bowls
Vessels with Woven Outer
large:
Sheath
H: 3” - 4” (8 cm - 10 cm)
H: 7” D: 3” (18 cm x 8 cm)
D: 12 1/2” (32 cm)
small: 1044 1051
A Molave Bañera de Bebe P 5,000
H: 2 - 3 1/2” (5 cm - 9 cm) Two Bululs
D: 9 1/2 (24 cm) 11” x 29” x 15” a) 26” x 5 1/2” x 6”
(28 cm x 74 cm x 38 cm) (66 cm x 14 cm x 15 cm)
P 20,000 b) 24” x 7 1/2” x 6”
P 10,000 (61 cm x 19 cm x 15 cm)
P 10,000
1055
A Kalinga Primitive Art
Converted to a Bench
1045 molave
Two Baskets 78 1/2” x 15” x 7”
a) 16 1/2” x 13” x 6 1/2” (42 cm x 33 cm x 17 cm)
(199 cm x 38 cm x 18 cm)
b) 17” x 12” (43 cm x 30 cm)
P 15,000
P 6,000
1046
A Group of Ethnic Items
salakot A: D: 15 1/2” (39 cm) 1052 1053 1054
salakot B: 6” x 9” x 11” (15 cm x 23 cm x 28 cm) A Twentieth Century Bulul Two Ifugao Markers Mounted on Metal
horn decor:21 1/2” x 4 1/2” x 4” (55 cm x 11 cm x 10 cm) Hengyon Seated Bulul 16.5” x 4.5” x 5” Stands
6 oars: 22” x 8” x 7” (42 cm x 11 cm x 12 cm) a) 45” x 8” x 8” (114 cm x 20 cm x 20 cm)
largest: 51” x 10” (130 cm x 25 cm)
(56 cm x 20 cm x 18 cm) b) 53” x 10” x 10” (135 cm x 25 cm x 25 cm)
smallest: 46” x 5” (117 cm x 13 cm
spoon: 27 1/2” x 5 1/2” (70 cm x 14 cm) P 5,000
P 20,000 P 10,000
P 15,000
León Gallery
1056
A Pair of Brass sarimanok Statues 1061
70” x 48” x 48” A Muslim Armor Set
(178 cm x 122 cm x 122 cm) each shield: 23 1/2” x 9” (60 cm x 23 cm)
breastplate armor: 21” x 18 1/2” x 3”
P 25,000 (53 cm x 47 cm x 8 cm)
8 1/2” x 9” x 5 1/2”
(22 cm x 23 cm x 13 cm)
head armor: H: 3 1/2”
(9 cm) D: 9” (23 cm)
knee armor: H: 4 1/2” (11 cm)
D: 4 1/2” (11 cm) each
P 60,000
1062
A Brass Salakot
1057 H: 5” (13 cm)
A Polychromed Hardwood Sarimanok D: 18” (46 cm)
66 1/2” x 76” x 54 1/2”
(169 cm x 193 cm x 138 cm) P 19,000
P 25,000
1063
A Collection of Kris
1058 a) A Muslim Kris Blade
A Maranao Dabakan 24” x 3” (61 cm x 8 cm)
H: 30” (76 cm) b) A Kris Blade with Silver Scabbard
D: 15” (38 cm) 17” x 3” (43 cm x 3 cm)
P 10,000 P 10,000
1059
1064
Maranao Gadur and 8 Brass Ornaments
A Collection of Kris
Gadur: 27 1/2” D: 11” (70 cm x 28 cm)
a) Kris
container 1: H: 8 1/2” D: 9” (22 cm x 23 cm)
31 1/2”x 3 1/2” (80 cm x 9 cm)
container 2: H 5” D: 8 1/2” (13 cm x 22 cm)
b) Brass Dagger
container 3: H: 8” D: 8” (20 cm x 20 cm)
10” x 3” (25 cm x 8 cm)
container 4: H: 8 1/2” D: 10” (23 cm x 25 cm)
container 5: H: 9” D: 9 1/2” (23 cm x 24 cm)
P 12,000
gong: 15” x 4” (38 cm x 10 cm) 1065
2 kulintang: 5” x 7” (13 cm x 18 cm) each A Collection of Kris
Two Kris Blades
P 30,000 17 1/2” x 6” (44 cm x 15 cm)
P 12,000
1060
A Silver Inlaid Betel Nut Box and three
T’boli Lime Mortars
box: 3” x 5” x 2 1/2” 1066
(8 cm x 13 cm x 6 cm) A Collection of Kris
mortars: H: 3” (8 cm) D: 3 1/2” (9 cm) Two Kris Blades with Scabbards
35” x 8” (89 cm x 20 cm) each
P 5,000
P 12,000
León Gallery
1067 1068 1069

1074 1075 1076
A Pair of Maranao Gadurs A Maranao Gadur A Gadur
A Maranao Chest A Maranao Baul A Maranao Baul
brass brass H: 30” (76 cm)
18 1/2” x 31” x 17” 14 1/2” x 14” x 27” 15” x 31” x 15”
H: 16” (41 cm) each H: 31” (79 cm) D: 14” (36 cm)
47 cm x 79 cm x 43 cm) (37 cm x 36 cm x 69 cm) (38 cm x 79 cm x 38 cm)
D: 8” (20 cm) each D: 14” (36 cm)
P 5,000
P 6,000 P 6,000 P 6,000
P 20,000 P 10,000
1071
1070 3 Betelnut Boxes
A set of Kulintang
smallest: H: 3” (8 cm) D: 7 1/2” (19 cm) P 10,000
biggest: H: 3” (8 cm) D: 9 1/2” (24 cm)
1077 1078 1079
A Molave Baul A Narra Baul A Narra Baul with Drawers and
P 12,000
molave 19 1/2” x 37” x 17” Lanite Inlay
15 1/2” x 37 1/2” x 14 1/2” (50 cm x 94 cm x 43 cm) 15” x 25” x 12”
1072 P 6,000
Three Brass Gongs P 6,000 P 6,000
a) 11” x 22 1/2” (28 cm x 57 cm)
b) 9” x 16” (23 cm x 41 cm)
c) 7” x 12 1/2” (18 cm x 32 cm)
P 30,000
1080 1081 1082

1073 An Antique Caja de Hierro A Brass Chest A Wooden Chest with
A Set of Kulintangs 15” x 26” x 15” 16” x 30” x 16” Metal Appliqués
brass (38 cm x 66 cm x 38 cm) (41 cm x 76 cm x 41 cm) 17 1/2” x 25” x 15”
10” x 62” x 10” (25 cm x 157 cm x 25 cm) (44 cm x 64 cm x 38 cm)
P 10,000 P 6,000
P 20,000 P 5,000
León Gallery
PROPERTY FROM ERLINDA ENRIQUEZ

PANLILIO COLLECTION
1092
A Ming Dynasty
Blue and White Plate
Ca. 1368 - 1644
H: 2 3/4” D: 12 1/2”
(H: 7 cm D: 32 cm)
A fine white and cobalt blue dish
P 25,000 decorated with flower and heron
designs in the center surrounded by
a lotus scroll on the inner wall and a
band of vines on the outer wall.
1083 1084 1085

A Narra Baliuag Baul with Bone Inlay A Muslim Baul A Camphor Chest
20” x 35” x 19 1/2” 11 1/2” x 23 1/2 x 12 1/2” 19 1/2” x 34 1/2” x 16 1/2”
(51 cm x 89 cm x 50 cm) (29 cm x 60 cm x 32 cm) (50 cm x 88 cm x 42 cm) PROPERTY FROM ERLINDA ENRIQUEZ
PANLILIO COLLECTION
P 6,000 P 6,000 P 6,000
1093
A Ming Dynasty
Blue and White Plate
Ca. 1368 - 1644 An intricately designed white and
H: 2 1/2” D: 12 1/2” cobalt blue dish embellished with four
(H: 6 cm D: 32 cm) Chinese goldfishes pressed on lotus
flowers in the center and set against a
P 25,000 backdrop of a pond. A band of herons
and a billow of clouds, as well as
vegetation, adorn the outer wall, with a
floral scroll encircled on the inner wall.
1094
A Charger Plate and
1086 1087 1088 Pukaw Pillow
A Baul with Soapstone Appliques A Camphor Chest A Baul a) 4 1/2” x 5 1/2” x 4”
20” x 38” x 20 20” x 37 1/2” x 19 1/2” 24” x 20” x 40” (11 cm x 14 cm x 10 cm)
(51 cm x 97 cm x 51 cm) (51 cm x 95 cm x 50 cm) (61 cm x 51 cm x 102 cm) b) 16” (41 cm)
P 6,000 P 6,000 P 6,000 P 7,000
1095
An Imari Charger Plate
D: 16” (41 cm)
P 20,000
1096
A Ming Dynasty Plate
H: 2 1/2” (6 cm)
D: 11” (28 cm)
P 5,000
1089 1090 1091

Three Imari Shallow Bowls A Large Blue and White Scalloped Delftware Blue and White Plate
1097
Depth: 1/2” (3 cm) Edge Charger Plate with a Central D: 11” (28 cm)
23 pcs. Oriental
D: 7 1/2” (19 cm) Motif and Cartouches of Peonies
Dinnerware Set
on a Landscape P 5,000
size variable
P 10,000 H: 3” (8cm)
D: 18 1/2” (47 cm)
P 15,000
P 5,000
León Gallery
1098
A Group of Jars
An Oversized Porcelain Baluster Jar
H: 24” (61 cm) D: 16” (41 cm)
A Famille Rose Jar and Arita Ware 1102

a) H: 14” (36 cm) D: 13 1/2” (34 cm) Three Blue and White Jars
b) H: 9 1/2” (24 cm) D: 4 1/2” (11 cm a) H: 18” (45 cm) D: 9 1/2” (24 cm)
b) H: 19 1/2” (49 cm) D: 10 1/2 (26 cm)
Two Hand Painted Celadon Vases c) H: 17” (43 cm) D: 11” (28 cm)
H: 7 1/2” ( 19 cm) D: 3 1/2” (9 cm) each
P 25,000
P 50,000
1099
Two Long-Necked Vases
vase: H: 16” (41 cm)
D: 9” (23 cm) each
Two Famille Rose Temple Jars with Foo

Dog Finials
a) H: 22” (56 cm) D: 11” (28 cm)
b) H: 20” (51 cm) D: 10 1/2” (27 cm)
Four Blue and White Jars

a) H: 8” (20 cm) D: 7” (18 cm)
b) H: 10 1/2” (27 cm) D: 8” (20 cm)
c) H: 12” (30 cm) D: 9” (23 cm)
d) H: 13”(33 cm) D: 8” (20 cm)
P 10,000
1103 1104 1105

A Blue and White Temple Jar A Famille Verte Temple Jar A Qing Dynasty Jar
H: 16 1/2” (42 cm) H: 26” Blue and white, village scene (with
D: 10” (26 cm) D: 16” (H: 66 cm D: 40 cm) National Museum Sticker)
H: 22 1/2” (57 cm)
P 14,00 P 8,000 D: 10” (25 cm)
1100
A Set of Blue and White
P 10,000
a) H: 12” (30 cm) D: 6” (15 cm)
b) H: 11 1/2” (29 cm) D: 4” (10 cm
c) H: 8” (20 cm) D: 7” (18 cm)
d) H: 7” (18 cm) D: 2 1/2” (6 cm)
P 47,000
1106
1101 Three Oriental Jars
A Group of Five Blue and White Jars a) 17” x 9 1/2 (43 cm x 24 cm)
a) H: 22 1/2” D: 10” (57 cm x 25 cm) b) 12 “ x 14” (30 cm x 36 cm)
b) H: 22 D: 16” (56 cm x 41 cm) c) 17 1/4” x 10 1/4” (44 cm x 26 cm
c) H: 21” (53 cm) D: 14” (36 cm)
e) H: 19” D: 9 1/2” (48 cm x 24 cm) P 3,000
f) H: 15” D: 8” (38 cm x 20 cm)
P 15,000
León Gallery
1118
1117
A Japanese Pot and a Delftware Pitcher
A Pair of Blue and White Pots
a) H: 3 1/2” (9 cm) D: 12 1/2” (32 cm)
H: 5” (13 cm)
b) H: 10” (25 cm) D: 8” (20 cm)
D: 8” (20 cm) each
1107 1108 1109
An Amphora Shaped Ceramic Vase A Blue and white vase P 5,000
A Pukaw Jar P 5,000
H: 19” (48 cm) H: 17” (43 cm) H: 8” (20 cm)
D: 14” (36 cm D: 15” (38 cm) D: 9 1/2” (24 cm)
P 10,000 P 5,000 P 7,000
1110 1111 1112 1113

An Antique Blue and White A Celadonized Planter A Celadonized Planter A Celadonized Planter
Ginger Jar H: 9” (23 cm) 9 1/2” x 13 3/4” x 11 1/2” 5” x 13” x 10 3/4”
H: 9” (23 cm) D: 12” (30 cm) (24 cm x 35 cm x 29 cm) (13 cm x 33 cm x 27 cm) 1121
D: 10” (25 cm) 1119 1120 A Blue Jar
P 10,000 P 40,000 P 18,000 Porcelain Fishbowl with Wooden Stand Two Oriental Jars H: 35” (89 cm)
P 10,000 a) H: 25” (64 cm) D: 16 1/2” (42 cm) a) H: 36” (91 cm) D: 12” (30 cm) D: 10” (25 cm)
b) H: 29” (74 cm) D: 19” (48 cm) b) H: 24” (61 cm) D: 8” (20 cm)
P 5,000
P 12,500 P 5,000
1114 1115
1116
A Big Hand Painted Goldfish Bowl With A Large Famille Rose Bowl
A Footed Blue and White Censer
Swan porcelain 1122 1123 1124
H: 5” (13 cm)
H: 6 1/2” (17 cm) D: 14” (36 cm) H: 5 1/2” (14 cm) D: 12” (30 m) Two Oriental Planters on Pedestals Two Octagonal Pedestals or Planters Two Oriental Drum Stools
D: 10 1/2” (27 cm)
a) H: 20” (51 cm) D: 16” (41 cm) H: 30 1/2” (78 cm) H: 18” (46 cm) D: 12” (30 cm)
P 15,000 P 8,000 b) H: 19 1/2” (50 cm) D: 15” (38 cm) D: 18” (46 cm) each
P 5,000
P 8,000
P 15,000 P 25,000
León Gallery
1134
An Oversized Jardiniere
H: 30” (76 cm )
D: 38” (97 cm)
P 20,000
1135
A Jardiniere
1125 1126 1127 H: 29” (74 cm)
A Martaban Jar Martaban Jar Martaban Jar D: 26” (66 cm)
H: 14 1/2” (37 cm) H: 15”(38 cm) H: 30 1/2” (77 cm)
D: 12” (30 cm) D: 14” (36 cm) D: 17” (43 cm) P 10,000
P 7,000 P 7,000 P 14,000
1136
A Pair of Alabaster
Columnar Pedestals in
Rare Low Size
H: 26” (66 cm
D: 10 1/2” (27 cm) each
1128 1129 1130
Two Martaban Jars Two Martaban Jars Two Vases P 10,000
a) H: 31 1/2” (80 cm) D: 27 1/2” (70 cm) a) H: 14 1/2” (36 cm) D: 9 1/2” (24 cm) a) H: 7” D: 8”
b) H: 32” (81 cm) D: 27” (69 cm) b) H: 14 1/2” (36 cm) D: 13” (33 cm) b) H: 6 1/2” D: 8”
P 15,000 P 15,000 P 3,000 1137

A Pair of Antique Jardinières
10 1/2” x 13 1/2” x 14”
1131 (27 cm x 34 cm x 36 cm) each
Four Green Glazed Planters
a) H: 11 1/2” (29 cm) D: 13” (33 cm) P 12,000
b) H: 11 1/2” (29 cm) D: 14” (36 cm)
c) H: 11 1/2” (29 cm) D: 13” (33 cm)
d) H: 13” (33 cm) D: 14” (36 cm)
P 40,000
1132
A Four Seasons Jardiniere
23” x 46” x 32 1/2”
(58 cm x 117 cm x 83 cm)
P 15,000
1133 1140
1138 1139
Two Dragon Jars A Lacquered Oriental Stool
A Pair of Oriental Pedestals A Pair of Oriental Pedestals
H: 20” (51 cm) H: 19” (48 cm)
22 1/2” x 9” x 19” each 22” x 9” x 20 1/2” each
D: 20” (51 cm) D: 16” (41 cm)
P 5,000 P 5,000
P 10,000 P 3,000
León Gallery
1148
A Framed Liuqin or Oriental Mandolin and A
Framed Decorative Calligraphy Brush
Mandolin: 26” x 49” (66 cm x 124 cm)
Calligraphy Brush: 30 1/2” x 12 1/2” (77 cm x 32 cm)
frame: 12 1/2” x 30 1/2” (32 cm x 77 cm)
P 15,000
1141 1142 1143 1149

An Oriental Fragmentary Chinese Panel An Oriental Ruyi Sceptre Two Table Top Screens A Mid 20th Century Four-piece Burmese
hardwood sceptre: 22” x 6” (56 cm x 15 cm) a) 14 1/2” x 22” (37 cm x 56 cm) Red Lacquered Bamboo Basket 1150
22” x 24” (56 cm x 61 cm) b) 13 1/2” x 18” (34 cm x 46 cm H: 11” (28 cm) Four Japanese Samurai Katana
P 4,000 D: 14” (36 cm) 41” x 3 1/2” (104 cm x 9 cm) each
P 5,000 P 1,000
P 2,000 P 200,000
1144
An Assortment of Asiatic Decorative Items
a) Green and Gold Asian Wall Decorative with Wrapping
of Angkor Wat
b) Chinese Landscape Painting
c) Thai Beaded Wall Hanging-Blue With Thai Wooden Hanger
d) Two Balinese Decorative Batik
e) Two African Ladies Decorative Frames
a) 21” x 58” (53 cm x147 cm)
b) 12” x 84 1/2” (30 cm x 215 cm)
c) 61” x 34” (155 cm x 6 cm)
d) 22” x 16” (56 cm x 41 cm) each
e) 32 1/2”x 17” (83 cm x 43 cm) each
P 1,000
1151 1152 1153 1154

A Statuette Depicting a A Blue and White Statuette An Oriental Statuette A Ceramic Statuette
Seated Guan Yin depicting Guan Yin depicting a Scholar Depicting Guan Yin
21” x 8 1/2” x 11” 30” x 9 1/2” x 10 1/2” 36” x 12” x 11” ceramic
(53 cm x 22 cm x 28 cm) (76 cm x 24 cm x 27 cm) (91 cm x 30 cm x 28 cm) H: 26” (66 cm)
D: 7” (18 cm)
1145 P 10,000 P 10,000 P 50,000
A Framed P 7,000
Vietnamese Panel
25 1/2” x 37”
(65 cm x 94 cm)
1155
P 2,000 A Group of Brass
Buddha Images
smallest: 4” x 3” x 2”
(10 cm x 8 cm x 5 cm)
biggest 22” x 13” x 8”
(56 cm x 33 cm x 20 cm)
1146 1147
Two Oriental Vases A Group of Asiatic Architectural Details P 25,000
17” x 12” x 5” a) 35 1/2” x 9” x 1” 1156
(43 cm x 30 cm x 13 cm) each (90 cm x 23 cm x 3 cm) A Ceramic Buddha
b) 38” x 9 1/2” x 1” 14 1/2” x 7” x 4”
P 5,000 (98 cm x 24 cm x 3 cm) (37 cm x 18 cm x 10 cm)
c) 35 1/2” x 9” x 1”
(90 cm x 23 cm x 3 cm)” P 1,000
P 6,000
León Gallery
1157
Two Oriental Vessels and a Reclining Buddha
a) vessel
H: 7” (18 cm) D: 7 1/2” (19 cm)
b) vessel with base:
H: 6” (15 cm) D: 7 1/2” (19 cm)
c) buddha: 1162
11 1/2” x 10 1/2” x 43 1/2” A Set of Silver Tea Set with Tray
(29 cm x 27 cm x 110 cm) Silver 925
8.1 kg.
P 5,000 smallest: H: 5” (13 cm) D: 4” (10 cm)
biggest : H: 15 1/2” (39 cm) D: 10” (25 cm)
P 300,000
1158
Two Brass Mounted Walrus Teeth
tooth: 7” x 12” x 2 1/2”
(18 cm x 30 cm x 6 cm)
with holder: 20” x 14 1/2” x 7”
(51 cm x 37 cm x 18 cm)
P 50,000
1159
An Ivory Image of a Chinese Scholar
on a Wooden Base
ivory: H: 11” (28 cm) D: 3” (8 cm)
P 20,000 1163
Tiffany & Co. Sterling Silver Tureen
1 kg
11” x 12” x 8 1/2”
1160 (28 cm x 30 cm x 22 cm)
An Antique Carved Ivory Vessel
11 1/2” x 6” x 4” (29 cm x 15 cm) P 200,000
P 100,000
Provenance:
Joseph Lu, The Antique Collector
1161
An Antique Carved Ivory Panel on a
Carved Wooden Stand
ivory: 4” x 17” (10 cm x 18 cm)
wood base: 5 1/2” x 17” (14 cm x 43 cm) 1164 1165
Tiffany & Co. Sterling Acorn Place Card Holder Tiffany & Co. Sterling Gilded Place Card Holder
P 100,000 quantity: 12 pcs. quantity: 10 pcs.
255.7 grams 193.2 grams
Provenance:
Joseph Lu, The Antique Collector
P 60,000 P 50,000
León Gallery
1171
A Pair Of W. Rogers
Silver-Plated Table
Planters
1166 H: 3 1/2” (9 cm)
A Silver Plated Copper Tea Set D: 7 1/2” (19 cm)
smallest: H: 5” (13 cm) D: 8” (20 cm)
biggest: H: 15” (38 cm) D: 9” (23 cm P 8,000
P 7,000
1172
7 pcs. Tiffany and Co. Sterling Silver
Mini Containers
300 grams
1 1/2” x 4” x 3” each
(4 cm x 13 cm x 8 cm)
1167 P 48,000
A Set of Six English Sterling Silver
Tea Set
Sterling Silver
4.65 kg
smallest: H: 5” (13 cm) D: 6” (15 cm)
biggest : H: 9” (23 cm) D: 10” (25 cm)
P 100,000
1168
A Reed and Barton Regent
Hand Chased Silverplated Tea
Service Pattern 5600C
smallest to largest: 7” x 8 1/2”
(18 cm x 22 cm) 1173
An Assortment of
P 5,000 17 pcs. Silverware
size variable
P 10,000
1169
An F.B. Rogers
Silverplated Samovar Tea Urn
H: 17 1/2” (44 cm) D: 12” (30 cm)
P 5,000
1174
A Four-Piece Set of Early 20th Century Silver Plated
English Victorian Candle Holder Set Complete with
Snuffer, Wax Catcher, and Wick Cutter
1170
H: 4” (10 cm)
A Royal Selangor
D: 7” (18 cm)
Pewter Set
6 pieces
P 7,000
size variable
P 4,000
León Gallery
1178
A Second Quarter of the
19th-Century Pair of Ramilletes
silver and kamagong
24” x 7 1/2” x 5” (61 cm x 19 cm x 13 cm)
P 400,000
During the Spanish Colonial Era, fresh flowers

were hard to find when colorful decorations were
needed during festivals, they went with paper
flowers instead and had to be made by hand
using papel de hapon which were imported from
Japan. Hence, ramilletes were created to serve
as an alternative as well as an exquisite type of
1176 ornamentation in old Catholic altars flanking sacred
1175 A Large Lot of Vintage Spanish images or ecclesiastical objects. These ornaments
A Box Of 14-Pc Silver And Silver-Plated Glasses Marked Visuic replicate flowers and are sometimes topped with
Gold-Plated Cutlery a) 11 pcs: H: 7” D: 3 1/2” (18 cm x 9 cm) candlestick holders. Regalado Trota Jose, the
Set of 6 Persons 720 grams Sterling Silver b) 12 pcs: H: 5” D: 3 1/2” (13 cm x 19 cm) author of Simbahan (National Book Award 1992),
Fish/Dessert Flatware c) 9 pcs: H: 5 1/2” D: 3” (14 cm x 8 cm) even described these altar ramilletes as “stylized
size variable d) 17 pcs: H: 5” D: 2” (13 cm x 5 cm) bouquets in relief”. Ramilletes are usually made of
wood, painted or with repoussé metalwork where a
P 30,000 P 7,000 sheet of metal is hammered into relief.
1179
Two Early 20th Century
Sterling Silver Lamp Bodies
750 grams
a) H: 9 1/2” (24 cm) D: 4 1/4” (10 cm)
b) H: 14” (36 cm) D: 5” (13 cm)
P 25,000
1177
77-Piece Silver Cutlery 1180
A Pair of Early 20th-Century
P 5,000 Sterling Silver Candleholders
400 grams
H: 11” (28 cm)
D: 5” (13 cm) each
P 25,000
León Gallery
1184
A Wedgewood and Barlaston
Set of Crockery
chinaware
74 pcs.
1181
A 30-Piece Vintage Cut Glassware Group P 10,000
size variable
P 5,000
1185
A 41-Piece Royal Albert Set
P 25,000
1182
A 22-Piece Group of Glass Goblets
size variable
P 1,000
1186
A 40 Piece Noritake Breakfast Set
size variable
1183
An Assortment of Tablewares P 5,000
18 pcs, size variable
P 1,000
León Gallery
1195
TRAVERSING THE IMMEMORIAL: INDIA ORIENTALES (East
Indies)
Detailed hand-coloured copper
A VOYAGE ACROSS THE OLD WORLD THROUGH HISTORICAL MAPS line engraved
5 1/2” x 7” (14 cm x 18 cm)
P 12,000
1196
Robert de Vaugondy (1688 - 1766)
Archipel des Indes Orientales
original hand colored copperplate
engraving
20” x 23” (51 cm x 58 cm)
P 5,000
1197
Karte von den Philippinischen Celebes
and Molukkischen Eyladen Map
1187 1188 1189 hand-colored engraving
Robert De Vaugondy Map of Asia from Colton’s General Atlas A Plan of the Bay of Manila [and] A Plan 8 1/2” x 6” (22 cm x 15 cm)
Les isles de la Sonde Moluques NEW YORK, 1859 of the Harbour of Acapulco
Philippines, Carolines, et Mariannes Hand-colored steel engraving London, 1748 P 5,000
Paris, c. 1765 11” x 14” (28 cm x 36 cm) Copper emgraving with hand-colouring 1198
Copper engraving with original outline 11” x 15 1/2” (28 cm x 39 cm) Carte des Isles Philippines (1e feuille)
hand-colouring P 5,000 (Map of the Philippine Islands Based
10” x 11” (25 cm x 28 cm) P 10,000 on the Spanish Map by Father Murillo
Velarde
P 5,000 8 1/2” x 6” (23 cm x 15 cm)
P 5,000
1190 1191 1192

Justus Perthes, 1870 Justus Perthes, 1870 Die Ostindischen Isles de l’Inde Orientale
Ost Indien (East Indies) Inseln (The East India Islands) (East India Islands)
Steel engraving with original outline hand- Steel engraving with original outline hand- 7 1/2” x 10” (19 cm x 25 cm)
colouring colouring
13” x 17” (33 cm x 43 cm) 14” x 17” (36 cm x 43 cm) P 14,000
1199 1200 1201
P 5,000 P 5,000 Carte des Indes, 295de la Chine & des Carte des Indes, de la Chine & des Îles Isole Dell India cioe le Molucche e della
Îles de Sumatra, Java, & c: dressée sur de Sumatra, Java, & c: dressée sur les Sonda
les mémoires les plus nouveaux et sur mémoires les plus nouveaux et sur 18” x 23” (46 cm x 58 cm)
1193 les meilleurs observations, tirées des les meilleurs observations, tirées des
Jacques Nicolas Bellin (1703 - 1772) relations les plus fidèles relations les plus fidèles P 5,000
Carte Des Isles Philippine (Map of the copper engraving, printed on chain-lined copper engraving, printed on chain-lined
Philippine Islands) paper paper
2 hand-coloured copper engravings 20 1/2” x 19 1/2” (52 cm x 50 cm 20 1/2” x 19 1/2” (52 cm x 50 cm
a) 9” x 6 1/2” (23 cm x 17 cm)
b) 8 1/2” x 12 1/2” (22 cm x 32 cm) P 5,000 P 5,000
1194
P 10,000 Karte von dem CANAL in den 1202
PHILIPPINISCHEN INSELN Three Philippine Maps
(Chart of the Channel in the print
Philippine Islands) a) 14” x 19” (36 cm x 48 cm)
Copper engraving with hand- b) 14 1/2” x 18” (37 cm x 46 cm)
colouring from the rare German c) 15 1/4” x 15” (39 cm x 38 cm)
edition of Anson’s Voyages
21” x 16 1/2” (53 cm x 42 cm) P 5,000
P 20,000
León Gallery
A TALE OF RIVALRY AND CAMARADERIE 1205

Four Broadsheets on
Aguinaldo and Jacinto
Ca. 1930
23” x 17” each
(58 cm x 43 cm)
P 1,000
reached Rizal. Ever the gentleman as he is, Rizal

demanded an apology from Luna, who was so
drunk that he not only refused to take back what
he said but also challenged Rizal to a duel. Cooler
heads, of course, intervened, and Luna was taken
home and made sober. He was later scolded by
Juan Luna who also went ahead and apologized to
Rizal on behalf of his brother’s behavior. Antonio
Luna himself subsequently apologized to Rizal and
told his friends that the next time he got drunk, he
was to be restrained, tied to a chair, even gagged
if necessary.
1203 When Rizal went to France for a vacation and

An Antique Photograph of Antonio Luna and Jose Rizal stayed at the residence of the Boustead where the 1207
photograph affection between him and Nelly grew stronger, A Cedula Personal
7 1/2” x 9” (19 cm x 23 cm) 1206 Las Piñas, Manila dated 1873
Antonio Luna, after finding out, finally conceded General Emilio Aguinaldo Calling Card 6 1/2” x 6 1/2” (17 cm x 17 cm)
P 60,000 and wrote Rizal another letter, this time without 2 1/2” x 3 1/2” (6 cm x 9 cm)
any sign of bitterness. However, Rizal and Boustead P 5,000
A
P 50,000
ntonio Luna had a reputation as one of the didn’t end up together at the end.
best Filipino swordsmen of his day, and was
often called in as a “second” in duels fought This only shows the close relationship between the
1208
to restore honor. Jose Rizal on the other hand, two Ilustrados that even if there was a moment Two Philippine Historical Ephemeras
was known to be a cool-head but is also skillful in that their friendship almost got tainted, at the end, a) 10 1/2” x 8 1/4”
fencing where he spent afternoons fencing with they didn’t let it get to their heads and acted like (27 cm x 21 cm)
b) 13” x 8 1/4”
the Luna brothers and even Valentin Ventura. proper gentlemen. (33 cm x 21 cm)
Hence when Luna challenged Rizal to a duel on the
summer evening of 1890 while heavily drunk, those P 5,000
with cooler heads, intervened immediately.
The would-be duel between him and Jose Rizal

was actually over a woman they both loved - Nellie
Boustead. Rizal and Luna had been going on double
dates with the Boustead sisters, with Luna paired
with Nellie and Rizal with the younger Adelina.
Luna, already asked Rizal before if he was interested
in any of the sisters, and when Rizal gave an answer
in the negative, Luna continued his courtship of
Nellie - only to be surprised to find out that Rizal 1209
and Nellie were seeing each other. Two Framed Le Petit Journal Prints
prints: 17” x 12”
(43 cm x 30 cm) each
Jealous and dejected, Antonio Luna got drunk on a
reunion of Filipino exiles in Madrid in the summer of 1204
P 20,000
An Antique Photograph Of Dr Jose P. Rizal
1890, he made a snide remark about Nellie, which 7” x 5” (18 cm x 13 cm)
P 60,000
León Gallery
1214
8 pcs. various Fil-American Post-war
Photographs
5R size 5” x 7” (13 cm x 18 cm)
P 5,000
1210 1211
Two Late 19th/Early 20th-Century Hand Colored Prints Two Antique Framed Alessandro Ricci Prints
a) Cockfighting at Manila 21” x 15 1/2” (53 cm x 39 cm) each
b) A Macadamised Road in Manila
ink on copperplate P 8,000
6” x 9 1/2” (15 cm x 24 cm) each
P 20,000
1215
National Geographic Magazine
and 13 Philippine Stereograph Photograph Cards
a) magazine: 10” x 7” (25 cm x 18 cm)
b) cards: 3 1/2” x 7” each (9 cm x 18 cm)
1212
A Group of Nine Framed Photographs P 2,000
a-d) 12” x 14” (30 cm x 36 cm)
e) 14” x 11 1/2” (36 cm x 29 cm)
f) 14” x 12” (36 cm x 30 cm)
g) 16” x 9” (41 cm x 23 cm)
h) 10” x 6” (25 cm x 15 cm)
i) 22” x 15” (56 cm x 38 cm)
1216
P 1,000 8 pcs. Assorted Vintage Strohmeyer
Viewfinder Cards
silver gelatin photos
3 1/2” x 7” (9 cm x 18 cm) each
P 50,000
1213
Three Framed Prints of View of Samboangan
a) 20 1/2” x 24 1/2” (52 cm x 62 cm)
b) 18 1/2” x 19 1/2” (47 cm x 50 cm)
c) 19 1/2” x 22 1/2” (50 cm x 57 cm)
P 3,000
León Gallery
1217
Fifteen Framed Decorative Prints
a) 16 1/2” x 20 1/2” (42 cm x 52 cm)
b) 16” x 20 1/2” (41 cm x 52 cm)
c) 16” x 21” (41 cm x 53 cm)
d) 16” x 21” (41 cm x 53 cm)
e) 15” x 21” (38 cm x 53 cm)
f) 14 1/2” x 20 1/2” (37 cm x 52 cm)
g) 20” x 16” (51 cm x 41 cm)
h) 20” x 16” (51 cm x 41 cm) 1221
i) 20” x 16” (51 cm x 41 cm) A Collection of Hardbound
j) 20” x 16” (51 cm x 41 cm) Newsweek Magazines
k) 20” x 16” (51 cm x 41 cm) from 1956 to 1977
l) 20” x 16” (51 cm x 41 cm) quantity: 49
m) 20” x 16” (51 cm x 41 cm)
n) 16” x 20” (41 cm x 51 cm) P 1,000
o) 19” x 20” (48 cm x 51 cm)
P 1,000
1218
A Collection of Hardbound National
Geographic Magazines
from 1917 to 1979 1222
quantity: 16 A Collection of Hardbound Time Magazines
from 1945 to 1977
P 1,000 quantity: 57
P 1,000
1219
A Collection of Hardbound Encyclopedia
of the Philippine literature, Biography,
Commerce and Industry, Art, Science,
Education, Religion, Government and
Politics, History
by: Exequiel Floro
quantity: 20
P 1,000
1223
A Collection of Hardbound Reader’s Digest Magazines
from 1951 to 1977
1220 quantity: 34
A Collection of Hardbound Law Books
i) The Law of Taxation (Revised Edition 1966) by Alejandro P 1,000
ii) Synopsis of Philippine Remedial Law (1967 Edition)
by Paras
iii) Civil Law, Civil Code Volume 1 (7th Edition, 1975)
by Ambrosio Padilla
iv) Civil Law, Civil Code Volume 1-A (7th Edition, 1975)
by Ambrosio Padilla
v) Civil Law, Civil Code Volume 2 (6th Edition, 1972)
by Ambrosio Padilla
vi) Civil Law, Civil Code Volume 4 (6th Edition, 1974)
by Ambrosio Padilla
vii) The Revised Rules of Court in the Philippines: Evidence
by Francisco
viii) The Revised Rules of Court in the Philippines:
1224
Civil Procedure by Francisco
A Collection of Hardbound
ix) The Revised Rules of Court in the Philippines:
U.S. News and World Report 1225
Special Proceedings by Francisco
from 1962 to 1968 Bibliografía de la Historia
x) The Revised Rules of Court in the Philippines:
quantity: 26 General de Filipinas
Provisional Remedies by Francisco
xi) The Revised Rules of Court in the Philippines: 3 volume book
P 1,000 11 1/2” x 8” x 2”
Criminal Procedures Rules by Francisco
P 1,000
P 8,000
León Gallery
1226
A Collection of Books
i) Adolf Hitler by John Toland
ii) Reader’s Digest Condensed Books: Cold Harbour/ Circle of Pearls/
The Bear/ Finders Keepers
iii) The Life of Lenin by Louis Fischer
iv) The Red Line by James Jones
v) Feminine Psychology by Karen Horney
vi) Jose Rizal: Life, Works and Writings by Gregorio F. Zaide
vii) Formula For Death by Fernand Gigon
viii) A Question of Identity by Carmen Guerrero Nakpil
ix) The Hidden Teaching Beyond Yoga by Paul Brunton, PHD
x) Plane Geometry by Welchons, Krickenberger, Pearson
xi) The Theory of Public Finance by Richard Musgrave
xii) Public Administration (Fourth Edition) by Ronald
xiiii) La France: Ses Grandes Heures Littéraires by Maman,
Helstrom, Abel, Bourque, Hull, Politzer
xiv) History of the World by Hamlyn
xv) Facing Life’s Problems by Lavone A. Hanna
1230 1231
xvi) Psychology Today (1971)
A Variety of Books 15 Archipelago Magazines
P 1,000 12 pcs.
size variable P 1,000
P 10,000
1232
A 175-Piece Collection of
Reader’s Digest Magazines
P 1,000
1233
Four Art Books
a) Sinaunang HABI
b) Contemporary Philippine Art
c) Sanso by Rod paras Perez
1227 d) Cesar Buenaventura by Jane Alvero
An Assortment of 26 Books
Titles P 5,000
P 3,000
1228
A Set of Kayamanan
Books
P 20,000
1234
Two Art Books
a) Revisiting ‘Mabini Art’
b) Fernando Amorsolo
P 5,000
1229
Two Books on Anita Magsaysay-Ho
a) Anita Magsaysay-Ho: An Artist’s Memoirs
b) Anita Magsaysay-Ho: In Praise of Women
P 4,000
León Gallery
1235
A Group of Collectible Ephemera
a) British Empire Stamp Album
b) The Illustrated London News 1937
c) The Coronation of Their Majesties Official Programme
Historical Stamp Album for the 1937 Coronation of King George

VI including the complete set of 204 stamps issued by Great Britain
and the Commonwealth. 1937 Illustrated London News Coronation
Record Number including 24 colored plates Official Souvenir Program
of the 1937 Coronation.
P 28,000 1241 1242 1243

Tibet 2006 by Paul Allen Book The Filipinos BLANCO
9” x 11” (23 cm x 28 cm) Portrait of a People by Manuel Duldulao hardbound
hardbound 11 1/2” x 11” (29 cm x 28 cm)
P 1,000 11 1/2” x 10 1/2” (29 cm x 27 cm)
P 3,500
P 1,000
1237
1236 Five hardbound books on Religion
Two Books size variable
a) Rizalpabeto
b) Without Walls P 5,000
P 1,000
1246
1244 1245 Streets of Manila by Ira and Medina
The Modern World of GOYA Carpaccio by Peter Humfrey (hardbound book)
hardbound hardbound Photographs by Nik Ricio
12” x 10” (30 cm x 25 cm) 11 1/2” x 9 1/2” (29 cm x 24 cm) 14” x 10” (36 cm x 25 cm)
P 1,000 P 1,000 P 10,000
1238 1239 1240

Kartell: The Culture of Plastics Carlos Francisco: The Man and Genius Maps and Views of Old Maynila 1249
1247 1248
of Philippine Art Discovering Philippine Art in Spain
Amorsolo by Alfredo Roces The Coronation of Their Majesties
P 2,000 P 1,000 11” x 9” (28 cm x 23 cm)
P 3,000 P 8,000
P 1,000
P 6,000
León Gallery
1250
Three Books
a) 1030 R. Hidalgo
b) Herencia
1255
c) Ayala: The Philippines’ Oldest
Business House
Complete Box Set of 16 prints
signed copy, 1998
print
P 1,000
7” x 5” (18 cm x 13 cm) each
P 3,000
1251
Three Books on Fernando Zobel
size variable
P 1,000
1252
Fiestas en Manila Book
1256
P 1,000 Lee Aguinaldo: Rembrandt’s Light Series
special limited edition hardcover folio
24 drawings
P 3,000
1253
10 Volumes of Kasaysayan
P 5,000
1257
Box Set of Art in the Park 10-Year
Aniversary Prints
1254 of Phil. Contemporary Artists
Philippine Religious Imagery digital print, edition 26/75
by Fernando Zobel 12 1/2” x 11”
(32 cm x 28 cm) each
P 10,000
P 68,000
León Gallery
IN FOCUS
THE MANAHAN LIBRARY OF CURIOSITIES
T his collection of books belongs to the Manahan family,

composed of husband and wife Johnny and Tats, and
their two daughters, Juana and Lilianna. Most of these
books are on art since the Manahans are a family of artists and
art connoisseurs. Johnny finished art history and architecture at
the University of California, Berkeley, and is popularly known
as the prolific star builder “Mr. M.” Tats is the immediate past
chairperson of the Heritage Conservation Society and is a surface
decorator and restorer for wall paintings. Her undergraduate ix) In the Gardens of the Philippines by Lily Gamboa O’Boyle/ by Jaime C. Laya (Editor)
degree is in Film and Television. She completed her studies Photography by Patrick De Koenigswarter xxvi) Curated By
in revival decorative paint finishes under Joanne Day in San x) The Filipinas Journal of Science and Culture xxvii) Ronald Ventura: Converging Nature
Francisco and New York; her courses for traditional decorative xi) I Build My Philippines xxviii) Endangered: Fil-Hispanic Architecture
xii) Filipino Expressions by Ramon Ma. Zaragoza by Instituto Cervantes
arts at Centro Europeo per la Formazione degli Artigiani nel
xiii) Nick Joaquin’s Almanac for Manilenos xxix) Federico Aguilar Alcuaz by Jack Teotico
Mestiere del Patrimonio Architettonico in Venice; and her xiv) Imelda: Steel Butterfly of the Philippines by Katherine Ellison xxx) Unfolding Half A Century by Purissima Benitez-Johannot
masteral certification for the Restoration of frescoes and wall 1258
xv) Tropical Fruit of the Philippines by Desmond Tate xxxi) Parallel Texts by Federico Aguilar Alcuaz
33 Filipiniana Books
paintings at Centro Europeo in Vicenza. Lilianna is an industrial xvi) Malacanan Palace: The Official Illustrated History by Manuel with Rod. Paras-Perez
i) Doña Sisang Filipino Movies by Monina A. Mercado (Editor)
and product designer and a holder of a degree in Foundation L. Quezon III, Paulo Alcazaren, Jeremy Barns xxxii) Diosdado Magno Lorenzo: Art Rebel to Legend
ii) Treasures of the Philippine National Museum by Maria Elena
xvii) Wrap Them, Store Them, Peddle Them The Filipino Way by Alice Guillermo
Studies in Art and Design from the Central Saint Martin School Paterno
by Marilen Nolasco-Espiritu xxxiii) Filipino Nude: A Study of the Human Figure in the
of Art and Design, as well as a BFA Industrial Design diploma iii) Armida
xviii) The Architectural Legacy of Pablo S. Antonio (1901-1975) Philippine Art from Prehistory to the
from the University of the Philippines. Her sister, Juana, followed iv) Women Imaging Women Home Body Memory
Present and a Portfolio of Nude by Aldredo Roces
v) Perro Berde: Revista Cultural Hispano-Filipina
in the footsteps of her father and obtained an art history degree xxi) Gonzalo Martin-Calero Verdad (Work on Paper Collages) xxxiv) Wood & Stone for God’s Greater Glory: Jesuit Art
vi) Subli: Isang Sayaw sa Apat na Tinig (One Dance in Four
with materials studies from the University College London. She xxii) Gonzalo Martin-Calero Verdad (Text) and Architecture in the Philippines
Voices)
xxiii) Gonzalo Martin-Calero Verdad (Drawing Collages) xxxv) Fabian de la Rose and His Time
is the founder of Mesa ni Misis, an NGO that promotes the vii) 150: The Ateneo Way by Jose S. Arcilla, S. J.
xxiv) Gonzalo Martin-Calero Verdad (Work on Canvas) by Ana Maria Theresa P. Labrador (Editor)
benefits of local vegetables by providing delicious yet affordable viii) The Philippines: A Journey Through the Archipelago by
xxv) Consuming Passions: Philippine Collectibles
recipes. Jonathan Best
P 5,000
“All the books are of our own, personal interests,” said

Tats. There are books on antiquities as she and her husband
are antique collectors. Books on the performing arts and
films are present since Johnny and Tats have both worked
in the television industry. Also included are monographs on
architecture, biographies of artists, histories of places known
for art, and art commentaries, among others. According to
Tats, some of these books belonged to her husband’s parents,
especially the older ones. She disclosed: “We all had such a
hard time parting with them because all of us are bookworms.”
Luckily enough, the family entrusted a bountiful of their books
to León Gallery. The books are well-preserved since the family
library, which has floor-to-ceiling, wall-to-wall shelves, has a
dehumidifier on almost every corner and the shelves are filled
with silica gel packets to avoid mold and foxing on their most-
prized possessions.
León Gallery
1259
38 Books on Interior Design and Architecture
P 3,000
1263
25 Books on Performing Arts and Films
i) The World’s Great Ballets by John Gruen
ii) Ballet Studio: An Inside View by Anne Wooliams/Photographs by Andreas Heumann
iii) In Performance: Cultural Center of the Philippines Dance Company by Doreen Fernandez,
Jaime Zobel de Ayala (Introduction), Photography by Rudy Vidad
iv) Ballet and Dance: The World’s Major Companies by Linda Doeser
v) Swan Lake: The Making of a Ballet featuring The Australian Ballet by Michael Cook
vi) Four Centuries of Ballet: Fifty Masterworks by Lincoln Kirstein
vii) Private View: Inside Baryshnikov’s American Ballet Theatre by John Fraser, Photography by Eve Arnold
1260 1261 viii) Laban’s Principles of Dance and Movement Notation (Second Edition) by Rudolf von Laban
9 Books on Antiquities 25 Coffee Table Books ix) Nureyev: An Autobiography with Pictures by Alexander Bland, Photography by Richard Avedon and others
x) Nureyev: Aspects of the Dancer by John Percival
P 3,000 P 3,000 xi) Special Effects Cinematography (Fourth Edition) Raymond Fielding
xii) Film Art: An Introduction (Second Edition) by David Bordwell and Kristin Thompson
xiii) Balletomania: A quizzical potpourri of ballet facts, stars, trivia, and lore by Andrew Mark Wentink
xiv) The Dance Encyclopedia by Anatole Chujoy, and P. W. Manchester
xv) A Hard Act to Follow: A Music Hall Review by Peter Leslie
xvi) Performance: Live Art 1909 to the Present by Roselee Goldberg
xvii) Raoul Gelabert’s Anatomy for the Dancer with Exercises to Improve Technique and Prevent Injuries: Volume 2
xviii) Dance and Television: A Transcript-Handbook from the National Conference on Dance and Television
xix) The Knowing Body: Elements of Contemporary Performance & Dance by Louise Steinman
xx) Baryshnikov at Work: Mikhail Baryshnikov Discusses His Roles by Mikhail Baryshnikov
xxi) Grand Illusions by Richard Lawton
xxii) Some Enchanted Evenings: The Story of Rodgers and Hammerstein by Deems Taylor
xxiii) Performance Art: From Futurism to the Present by Roselee Goldberg
xxiv) Techniques of Acting by Ronald Hayman
xxv) Film Noir: Films of Trust and Betrayal by Paul Duncan
P 5,000
1262
52 Art-Related Books
P 5,000
León Gallery
1265
30 Books on Travel
P 3,000
1266 1267
31 Books on Food and Cooking 8 Books on Self-Help
P 1,000 P 1,000
1264
A 407-Piece Collection of Fiction and Non-Fiction
Books
P 5,000
1269
1268 12 Science Books
11 Catalogs
P 1,000
P 1,000
León Gallery
1270
14 Books on Nature
i) Birds of the Philippines by Pedro C. Gonzales and Colin P. Rees 1272
ii) Growing Roses by Janet Cheriton 62 Books on Language and Vocabulary
iii) Rose Basics by Hamlyn and Amanda Beales
iv) An Illustrated Handbook of Bulbs and Perennials P 1,000
v) Beautiful Botanicals: Painting and Drawing Flowers and Plants
by Bente Starcke King
vi) Invitation to Kyoto Gardens by Kenzo Yamamoto
vii) Zen Gardens by Tom Wright and Mizuno Katsuhiko
viii) The Birds, Published by Life Nature Library
ix) The Colour Dictionary of Garden Plants by Roy Hay
and Patrick M. Synge
x) Botanica’s Pocket: Roses by Susan Page
xi) Gardening in the Tropics by R. E. Holttum and Ivan Enoch
xii) The Garden Book: The Complete Guide to Creating Your Ideal
Garden by John Brookes
xiii) Enchanting Flowers of the World: A Guide to Tropical/
Subtropical Flora
xiv) Birds (Pockets) by Barbara Taylor Bradford
P 3,000
1271
Two Rare Books
i) Orchidia Philippiniana: Volume 1
by Helen I. Valmayor, PH. D./Photography by Dick 1273
Baldovino Four Books
ii) Orchidiana Philippiniana: Volume 2 i) Religions of the World: From Primitive Beliefs to Modern Faiths
by Helen I. Valmayor, PH. D./Photography by Dick ii) Life’s Picture History of Western Man
Baldovino iii) The Philippine Atlas: Volume 1
iv) Fortune Magazine Hardbound
P 10,000
P 1,000
León Gallery
1274 1281
Three Glass Decors Three Pairs of Candelabra Silver Barley
Swarovski (Pineapple) Twist, and Nine Bohemian Cut Crystal
H: 4” (10 cm) candelabras:
D: 2 1/4” (6 cm) made in england, brass victorian
candlesticks made in birmingham, brass
Lalique Round Box swirl made in india
glass a) H: 9” (23 cm) D: 3” (8 cm)
H: 3 1/2” (9 cm) b) H: 10 1/2” (27 cm) D: 4” (10 cm)
D: 5” (13 cm) c) H: 13 1/2” (34 cm) D: 5” (13 cm)
Baccarat Clock cup:

3” x 2 3/4” x 1” (8 cm x 7 cm x 3 cm) H: 5” (13 cm) D: 3” (8 cm) each
P 5,000 P 10,000
1275
Baccarat
3 Votive Tea Light Holders 1282
H: 2 1/2” (6 cm) D: 2 1/2” (6 cm) each Lladro
Geisha Figurines
P 15,000 7” x 5” x 4” (18 cm x 13 cm x 10 cm)
Capo di Monte
1276 The Cheaters
Lalique and Rosenthal 7” x 11” x 5” (18 cm x 28 cm x 13 cm)
a) 10” x 5 1/2” x 4 1/2”
(25 cm x 14 cm x 11 cm) P 13,000
b) 8” x 6” x 3 1/2” (20 cm x 15 cm x 9 cm)
P 20,000
1283
1277 A group of Four Filipiniana themed dolls
Murano (with glass enclosure) and decorative
Two Cenedese Vases by Fabio Tosi vessels
a) 6 1/2” x 11” x 3” (17 cm x 28 cm x 8 cm) H: 10” (25 cm) D: 3” (8 cm) each
b) 13” x 6 1/2” x 2 1/2” (33 cm x 17 cm x 6 cm) vessels:
a) H: 9 1/2” (24 cm) D: 6” (15 cm)
P 3,000 b) H: 7” (18 cm) D: 5” (13 cm)
c) H: 2” (5 cm) D: 5” (13 cm)w
P 1,000
1278 1279 1280

A Carved Glass Decanter Baccarat A Crystal Candy Dish 1284 1285 1286
H: 21” (53 cm) Vase circa 1950s A Madonna and Child Statuette A Nude Statuette Mounted on a A Table-Top Sculpture
D: 6” (15 cm) 9 1/2” x 5” x 5” made in Spain plaster Marble Base 12 1/2” x 17” x 8”
(24 cm x 13 cm x 13 cm) H: 9” (23 cm) 26 1/2” x 8” x 8” (67 cm x 20 cm x 20 cm) 14” x 16” x 11 1/2” (32 cm x 43 cm x 20 cm)
P 1,000 D: 6” (15 cm) (36 cm x 41 cm x 29 cm)
P 20,000 P 5,000 P 10,000
P 10,000 P 5,000
León Gallery
1287
Marble and Steelwork Decor 1293
10” x 22” x 6” Pair of Mosaic Bird Panels
(25 cm x 56 cm x 15 cm) Hand Made in South Africa
30” x 36” (76 cm x 91 cm)
P 1,000
P 10,000
1288 1294
A Pair of Versace Wine Stoppers Glass A Decorative Paintings
5” x 2” (13 cm x 5 cm) each a) 24” x 37” (61 cm x 94 cm)
b) 20 1/2” x 17 1/2” (52 cm x 44 cm)
P 6,000
P 2,000
1295 1296
1297
Four Chinese Hand Painted Scrolls A Decorative Item
A Framed Museum Poster
watercolor on paper acrylic on panel
1291 32” x 20” (81 cm x 51 cm)
1289 a) 44” x 28 1/2” (112 cm x 72 cm) D: 18” (46 cm)
1290 An Antique Metal Weighing Scale
A Cast Metal Urn with Lid b) 71”x 17 1/2” (180 cm x 44 cm)
A Tibetan Cast Bronze Figure 8” x 14” x 7” P 5,000
H: 8” (20 cm) c) 125 1/2” x 23 1/2” (319 cm x 60 cm) P 1,000
13” x 7 1/2” x 3 1/2” (20 cm x 36 cm x 18 cm)
D: 8 1/2” (22 cm) d) 139” x 35” (353 cm x 89 cm)
(33 cm x 19 cm x 9 cm)
P 3,000 P 3,000 P 25,000
P 3,000
1298
A Pair of Oriental Panels Adorned with
Gold-leaf, Bone, and Softstone
40” x 26” (101 cm x 66 cm)
P 5,000
1292
Five Antique Cast Iron Urn Vases
H: 14” (36 cm)
D: 10 1/2” (27 cm) each
P 20,000
León Gallery
1299
A 13-Piece Assortment of Decorative
Items 1302
size variable A Group of Oriental Decorative Items
size variable
P 1,000
P 1,000
1304
1303
1300 An 8-Piece Assortment of Santos, Jarlets,
Three Decorative Items
An Assortment of Items and a Glass Bead Necklace
size variabl
size variable size variable
P 1,000
P 1,000 P 1,000
1305
Suntory Yamazaki Single
Malt Whisky
18 Years
P 47,000
1301
A 63-Piece Assortment of Decorative
Items
size variable
1306
P 1,000
Johnnie Walker Blue
Label Whisky with Box,
Year of the Rat
750 ml
P 8,000
León Gallery
1307
A Group of Decorative Items
Two Framed Oriental Horses in Silk
Brocade
20” x 20” (51 cm x 51 cm) each A
Decorative Item
wood
19 1/2” x 19 1/2” x 2 1/2”
(50 cm x 50 cm x 6 cm)
Three Pieces Handpainted Japanese Dolls

with Wooden Base
a) 8 1/2” x 5 1/2” x 3 1/2”
1311
(22 cm x 14 cm x 9 cm) 1312
The Meissen Pattern Sheets of Höroldt Chinoiserie by
b) 8 1/2” x 5” x 4 1/2” A Mother-of-Pearl Adorned Jewelry Box
Guinti Martello
(22 cm x 13 cm x 11 cm) 4 1/2” x 8 1/2” x 4 1/2”
Printed in Italy, 1981
c) 7” x 6” x 3” (11 cm x 22 cm x 11 cm)
Three volumes bound in raw silk; two of the volumes
(18 cm x 15 cm x 7 cm)
containing 180 high-quality reproductions; the third
volume is a multi-lingual commentary in German, French, P 1,000
Four Pieces Sandra Kucks Limited
Spanish, and English
Heartstrings Handmade Dolls and Two
20” x 14 1/2” (51 cm x 37 cm) each
Framed Oriental Horses in Silk Brocade
size variable
P 2,000
- Accompanied by a certificate confirming the
authenticity of this lot
P 5,000
1313
A Framed Assortment of Cultured Pearls
12 1/2” x 16” (32 cm x 41 cm)
P 1,000
1308
A Group Comprised of Oriental Jars,
Figurines, and Two Marble Dragon Vases
size variable
P 5,000
1309
A Lladro Set and A Mallard
Duck Wood Figurine
a) 4 1/2” x 6” x 2 1/2”
(11 cm x 15 cm x 6 cm)
b) H: 3 1/2” (9 cm)
D: 3” (8 cm)
c) 7” x 5 1/2” x 13”
(18 cm x 14 cm x 33 cm)
P 5,000
1314 1315 1316

A Brass Image An Early 20th Century Desktop French A Pair of Mid-20th Century Vietnamese
1310
13 1/2”x 9 1/2” x 6” Brass Mirror with Cherubs Wooden Figures, Hand Painted with
A 35-Piece Assortment of
(34 cm x 24 cm x 15 cm) 10” x 8” (25 cm x 20 cm) Gold Leaf
Glassware
Marble and Bornze Lamp Stand
size variable
P 5,000 P 7,000 H: 34” (86 cm) D: 20” (51 cm)
P 5,000
P 2,000
León Gallery
1324
A 12-Piece Set of Dinnerware
Plates
D: 10” (25 cm) each
P 12,000
1317 1318 1319

Four Vohenstrauss Johann Seltmann Art Plate Ang Kiukok Plate
Decorative Plates Fernando Amorsolo Harvest (2002)
D: 10” (25 cm) each Jesus with Children (1931) edition: 1543/2000
10 1/2” x 10 1/2” (27 cm x 27 cm) 8 1/2” (22 cm)
P 9,000
P 3,000 P 3,000
This piece is accompaned with a certicate confirming

authenticity of this lot
1325
A Collection of
Wooden Figurines
Tallest: 32”(81 cm)
P 5,000
1320 1321 1322

Art Plate Art Plate Tessellated and Footed Tray by Anita
Lulu Coching Rodriguez Romulo Olazo Magsaysay-Ho
Mother and Child (1994) Mother and Child (1992) 3 1/2” x 16” x 10 1/2”
1326
edition: 764/1000 edition: 463/1000 (9 cm x 41 cm x 27 cm)
A Collection of Wooden Utensils
D: 11” (28 cm) D: 8 1/2” (22 cm)
size variable
P 10,000
P 3,000 P 3,000
P 5,000
1327
Three Carved Kalantas Basins
1323
a) 11 1/2” x 30” (29 cm x 76 cm)
Benedicto Cabrera x Rustan’s
b) 12” x 29 1/2” (30 cm x 75 cm)
Two 50th Anniversary Fans
c) 12” x 29” (30 cm x 74 cm)
edition 23/120 and 31/120
13 1/2” x 24” (34 cm x 61 cm) each
P 20,000
P 5,000
León Gallery
1328
A Group of Decorative Glasswares, Royal
Doulton and Co. Figurines, and Three Busts
a) fruit bowl: H: 5 1/2” (14 cm) D: 13” (33 cm)
flower pots: H: 6” (15 cm) D: 7” (18 cm) each
large plate: H: 1 1/2” (4 cm) D: 17 1/2” (44 cm)
glass flowers: 20” (51 cm) each
b) Royal Doulton and Co. Figurines

quantity: 6
H: approx. 8” (20 cm)
c) A Group of Decorative Items

H: approx. 6” (15 cm)
d) A Group of Three Busts

- 7” x 6” (18 cm x 15 cm) 1333 1334 1335
- 8” x 6” (20 cm x 15 cm) A Framed Tapestry or Tangka A Villeroy & Boch x Paloma Picasso A Decorative Tapestry
- 10” x 5 1/2” (25 cm x 14 cm) 32” x 42” (81 cm x 107 cm) Ashtray 33” x 20 1/2” (84 cm x 52 cm)
ceramic
P 8,000 P 1,000 1 1/2” x 5” x 5” (4 cm x 13 cm x 13 cm) P 1,000
P 6,000
1329
A Set of Crystal Figurines and Assorted
Potteries
quantity: 13 pcs crystals
potteries: tallest: 5” (13 cm)
P 10,000
1336
Two Scale Models
a) “Sea Witch” b) A Sailing Ship Model
22” x 34” x 10” (56 cm x 86 cm x 25 cm) 17” x 20” x 3” (43 cm x 51 cm x 8 cm)
P 5,000
1337 PROPERTY FROM ERLINDA ENRIQUEZ PANLILIO

COLLECTION 1339
An Inkwell An Anatomical Figurine
1330 1331 1332 10 1/2” x 16” x 9 1/2” 1338 24” x 12” x 7”
(Possibly a Citrine Quartz) (Possibly a Amethyst Quartz) (Possibly a Milky Quartz Cluster) (27 cm x 41 cm x 24 cm) An Inkwell (61 cm x 30 cm x 18 cm)
33 1/2” x 10” x 7 1/2” 19” x 12” x 7” 8” x 17” x 14” 5” x 12” x 9 1/2”
(85 cm x 25 cm x 19 cm) (48 cm x 31 cm x 18 cm) (20 cm x 43 cm x 36 cm) P 70,000 (13 cm x 30 cm x 24 cm) P 3,000
P 3,000 P 3,000 P 3,000 Provenance: P 5,000

Narcisa-Rizal Family
León Gallery
1340 1341 1342

A Wall Clock SEIKO An Antique La Estrella Del Norte
34” x 15” x 5 1/2” Table Clock Desk Clock 1349
(86 cm x 38 cm x 14 cm) 10” x 7 1/2” x 4 1/2” 10” x 9” x 3 1/2” 1348
An Acrylic Tripod Easel
(25 cm x 19 x 11 cm) (25 cm x 23 cm x 9 cm) Sofa Set Frame
Five adjustable settings
P 2,000 three-seater: 20” x 71 1/2” x 27” (51 cm x 182 cm x 69 cm)
Folds flat
P 2,000 P 50,000 one-seater: 34” x 29” x 33” (86 cm x 74 cm x 84 cm)
53” x 36” x 30” (135 cm x 91 cm x 76 cm)
P 1,000
P 12,000
1350
Four Narra and Hardwood Frames
for a Sala Set
three-seater: 44” x 60” x 30”
(112 cm x 152 cm x 76 cm)
one-seater: 35” x 18 1/2” x 18”
P 1,000
1343 1344
Two Wooden Encased Clocks A Mantle Clock
a) 21” x 11” x 5” (53 cm x 28 cm x 13 cm) 11 1/2” D: 8” (29 cm x 20 cm)
b) 15” x 12” x 6” (38 cm x 30 cm x 15 cm)
P 1,000
P 2,000
1347
1345 1346 An American Period Cannon 1351 1352 1353 1354
A Grandfather’s Clock with A Wooden Diorama of Rizal’s Execution Cast Iron A Hardwood Easel with A Hat and Cane Rack A Kamagong Hat Rack An Easel
Softstone and Ivory Appliqués 22” x 31 1/2” (56 cm x 80 cm) 15” x 34” x 12” Parcel Gilt Details hardwood 88” x 26” x 13” 82” x 25” x 33”
76” x 20” x 14” (38 cm x 86 cm x 30 cm) 75” x 24” x 24” 80” x 26” x 14” (224 cm x 66 cm x 33 cm) (208 cm x 64 cm x 84 cm)
(193 cm x 51 cm x 36 cm) P 10,000 (191 cm x 61 cm x 61 cm) (203 cm x 66 cm x 36 cm)
P 30,000 P 25,000 P 10,000
P 10,000 P 12,000 P 25,000
León Gallery
1364
Ripple 5 Art Wall
79” x 39” x 117”
(200 cm x 99 cm x 297 cm)
1355 1356 1357
P 20,000
A Pair of Large Wall Brackets A Pair of Small Wall Brackets Two Pairs Decorative Ivory Wall
16 1/2” x 15” x 8” 9 1/2” x 8” x 4 1/2” each Brackets
(42 cm x 38 cm x 20 cm) each a) 12” x 8” x 4 1/2” each
P 5,000 b) 10” x 10” x 5 1/2” each
P 5,000
P 5,000
1360 1365
1359
1358 Two Wooden Sculptures Two Metal Vaults
A Pair of Dama Juana Bottles
An Old Frame a) dog: 16” x 10 1/2” x 23” 68” x 41” x 28”
glass
hardwood (41 cm x 27 cm x 58 cm) (173 cm x 104 cm x 71 cm) each
H: 16” (41 cm)
36 1/2” x 36 1/2” (93 cm x 93 cm) b) tiger: 6 1/2” x 4” x 17 1/2”
D: 12” (30 cm) each
(17 cm x 10 cm x 44 cm) P 5,000
P 1,000
P 4,000
P 2,000
1361
A Brass Middle Eastern Vase
H: 31” (79 cm)
D: 8” (20 cm)
P 12,000
1362
1363
An Antique Brass Pedestal
2 sets of 8 pcs. Cloth Placemats
H: 43” (109 cm)
a) 11 1/2” x 18” (28 cm x 46 cm) each
D: 12” (30 cm)
b) 13” x 18 1/2” (33 cm x 47 cm) each
1366 1367
P 5,000
Woven Tray Six Filing Cabinets Five Filing Cabinets
Large Rattan tray aprox: 52” x 18 1/2” x 28 1/2” aprox: 52” x 18 1/2” x 28 1/2”
4” x 24” x 16” (10 cm x 61 cm x 41 cm) (132 cm x 44 cm x 72 cm) each (132 cm x 44 cm x 72 cm) each
P 2,500 P 5,000 P 5,000
León Gallery
1371
An Assortment of Items
size variable
P 1,000
1368
A 12-Piece Assortment of Brass
Ornaments
size variable
P 1,000
1372
A 9-Piece Assortment of Home Decors
size variable
P 1,000
1369
Nine Decorative Items
size variable
P 1,000
1373
An Assortment of Decors
size variable
P 5,000
1370
An Assortment of Items
27 pcs, size variable
P 1,000
1374
Fourteen Old Picture Frames
smallest: 4 1/2” x 4” (11 cm x 10 cm)
biggest: 19” x 13 1/2” (48 cm x 34 cm)
P 1,000
D AY 3
HEIRESSES’
HOMES
AND TABLES
L’Art de Vivre
Furniture, Silver, Glass, Religous Art
S U N D AY , 1 8 J U LY 2 0 2 1 | 1 1 : 0 0 A M
León Gallery
IN FOCUS
THE LEGARDA ESTATE

Don Benito Legarda y Roces’ Edifice of Generosity
PROPERTY FROM THE DON BENITO LEGARDA SR. COLLECTION
A
1375
t the back of the Most Holy Trinity Church of A Pre-War Nuguid Bedroom Suite
Balic-Balic, Sampaloc stands the vast Legarda bed: 52” x 48” x 78” (132 cm x 122 cm x 198 cm) each
estate which served as the residence of Don side table: 26” x 19” x 17” (66 cm x 48 cm x 43 cm) each
Benito F. Legarda y Roces and Dona Trinidad Fernandez tocador: 75” x 61” x 16” (191 cm x 155 cm x 41 cm)
Legarda since 1925.
P 25,000
Don Benito Legarda y Roces was born October 26, 1898.
He graduated with a Bachelor of Arts degree from the
University of the Philippines in 1919 and Bachelor of
Science in Chemistry from the same university in 1921.
He married Trinidad Fernandez in 1925.
Together with his wife, parishioners of Santisima Trinidad

Parish most remember the couple as instrumental
in getting the permission for the funerary chapel of Don Benito F. Legarda y Roces
Balic-Balic Cemetery to be reopened for masses to be
1376
conducted. They also played a major role in renovating
A Pair of Art Deco Bed Frames
the church during the first renovation (1932) and in the
56” x 46” x 81 1/2”
inauguration and blessing of the new church structure
(142 cm x 117 cm x 207 cm) each
on October 26, 1969. The cutting of the ceremonial
ribbons was done by Mrs. Trinidad Legarda, who was the
P 15,000
first woman ambassador from the Philippines (appointed
in 1958) and assisted by Mrs. Encarnacion Manalo and
Mrs. Elvira Fabric.
Thus, the featured collection of paintings, trinkets, and

especially their furnitures of high antiquity like a pre-war
Nuguid bedroom suite, a mid-20th century slatted top
coffee table and a Nuguid tocador is a living proof of his
great contributions to the community their family shared
their lives with, and the pieces is where the memory of
Don Benito and his wife lies on how they helped and
Do�a Trinidad Legarda
showed their generosity to the parishioners of Santisima
1377
Trinidad Parish is anchored in.
A Mid-20th Century Dining Table
narra and narra frente
30” x 46” x 121”
(76 cm x 117 cm x 307 cm)
P 10,000
294 | DAY 3 - HEIRESSES’ HOMES AND TABLES DAY 3 -HEIRESSES’ HOMES AND TABLES | 295
León Gallery
PROPERTY FROM THE DON BENITO LEGARDA SR. PROPERTY FROM THE DON BENITO LEGARDA SR. PROPERTY FROM THE DON BENITO LEGARDA SR. PROPERTY FROM THE DON BENITO LEGARDA SR. COLLECTION
COLLECTION COLLECTION COLLECTION
1383
1378 1379 1380 Six Cantilevered Armchairs
A Narra Display Cabinet A Mid-Twentieth Century Slatted-Top A Narra Side Table 33 1/2” x 24” x 20”
40” x 54” x 20” Coffee Table 17” x 28” x 17” (85 cm x 61 cm x 51 cm) each
(102 cm x 137 cm x 51 cm) 20” x 25 1/2” x 21 1/2” (43 cm x 71 cm x 43 cm)
(51 cm x 65 cm x 55 cm) P 6,000
P 5,000 P 2,000
P 5,000
1381
A Pair of His and Hers Narra Aparador
84” x 54” x 26”
P 20,000
1384
Three Lamps
a) H: 21 1/2” (55 cm) D: 14” (36 cm)
b) 24” x 16”x 16” (61 cm x 41 cm x 41 cm)
c) H: 25 1/2” (65 cm) D: 13” (33 cm)
P 3,000
1382
A Steinway and Sons Upright Piano
piano: 49” x 60” x 27”
(124 cm x 152 cm x 69 cm)
chair: 19” x 25” x 14”
(48 cm x 64 cm x 36 cm)
P 100,000
PROPERTY FROM THE DON BENITO LEGARDA SR. PROPERTY FROM THE DON BENITO LEGARDA COLLECTION PROPERTY FROM THE DON BENITO LEGARDA SR.
COLLECTION COLLECTION
1386
1385 Two Narra Side Tables 1387
A Floor Lamp Stand a) 28” x 15” x 22” (71 cm x 38 cm x 56 cm) A Narra Bar Cabinet
H: 74” (188 cm) b) 29” x 22” x 15” (74 cm x 56 cm x 38 cm) 34” x 21” x 17 1/2”
D: 16 1/2” (42 cm) (86 cm x 53 cm x 44 cm)
P 6,000
P 1,000 P 5,000
León Gallery
1388
An Edgar Ramirez Armchair
36” x 25” x 24” PROPERTY FROM THE DON BENITO LEGARDA SR. COLLECTION
(91 cm x 64 cm x 61 cm)
1394
A Pair of Side Tables and a Coffee Table
P 5,000
hardwood
coffee table: 18” x 24” x 42 1/2” (46 cm x 61 cm x 107 cm)
side tables: 18” x 14” x 23 1/2” (46 cm x 36 cm x 60 cm) each
P 5,000
PROPERTY FROM THE DON BENITO LEGARDA SR. COLLECTION PROPERTY FROM THE DON BENITO LEGARDA SR. COLLECTION
1395 1396
PROPERTY FROM THE DON BENITO LEGARDA SR. PROPERTY FROM THE DON BENITO LEGARDA SR. PROPERTY FROM THE DON BENITO LEGARDA SR. A Mid-Century Narra Coffee Table A Hardwood Table
COLLECTION COLLECTION COLLECTION 15” x 41” x 22” 29” x 47” x 29 1/2”
1389 1390 1391
A Minimalist Stool A Kitchen Step Stool A Hardwood Stool P 3,000
H: 16” (41 cm) P 3,000
24” x 18” x 14 1/2” D31 1/2” x 16” x 18”
(61 cm x 46 cm x 37 cm) (80 cm x 41 cm x 46 cm) D: 13” (33 cm)
P 2,000 P 1,000 P 1,000
1397
PROPERTY FROM THE DON BENITO LEGARDA
A narra and narra frente table
SR.COLLECTION
29” x 41 1/2” x 48”
1392 (74 cm x 105 cm x 122 cm)
A Narra Lansena
80” x 57” x 21” P 5,000
(203 cm x 145 cm x 53 cm)
P 10,000
PROPERTY FROM THE DON BENITO LEGARDA PROPERTY FROM THE DON BENITO LEGARDA SR. COLLECTION
SR.COLLECTION
1398
1393 Four Clam Shell Halves and Four Conches
A Narra Open Shelf Cabinet a) 12” x 34” x 21” (30 cm x 86 cm x 53 cm)
53 1/2” x 36” x 12 1/2” b) 8” x 19” x 15” (20 cm x 48 cm x 38 cm)
(136 cm x 91 cm x 32 cm) c) 9” x 19” x 13” (23 cm x 48 cm x 33 cm)
d) 11” x 21” x 14” (28 cm x 53 cm x 36 cm)
P 5,000 e) 9” x 7” x 9” (23 cm x 18 cm x 23 cm) each
P 5,000
León Gallery
1399 1400 1401

A Laguna Balayong Armchair A Narra Art Deco Armchair A Narra Armchair 1407 1408 1409
34” x 22 1/2” x 23” 40” x 21 1/2” x 20” 44” x 23” x 29” A Pair of Narra Chairs with Solohiya An Antique Cherrywood Chair An Oriental Horseshoe Back Chair
(86 cm x 57 cm x 58 cm) (102 cm x 55 cm x 51 cm) (112 cm x 58 cm x 74 cm) 51 1/2” x 22” x23” 37” x 17” x 19” rosewood
(131 cm x 56 cm x 58 cm) each (94 cm x 43 cm x 48 cm) 29” x 26 1/2” x 24”
P 5,000 P 5,000 P 5,000 (74 cm x 67 cm x 61 cm)
P 10,000 P 2,000
P 5,000
1402 1403 1404

A Narra Armchair A Pair of Narra Baliuag Armchairs A Pair of Narra Chairs 1410 1411 1412
33” x 21” x 19” with Bone Inlay 39” x 17” x 16 1/2” An Oriental Hexagonal Armchair A Chinese Temple Chair An Oriental Rosewood Chair with
(84 cm x 53 cm x 48 cm) 34” x 23” x 21 1/2” (99 cm x 43 cm x 42 cm) each hardwood narra Marble Insert
(86 cm x 58 cm x 55 cm) each 36 1/2” x 28” x 18 1/2 58 1/2” x 25 1/2” x 24 1/2” rosewood
P 5,000 P 8,000 (93 cm x 71 cm x 47 cm) 149 cm x 65 cm x 62 cm) 37” x 16 1/2” x 15 1/2”
P 15,000 (94 cm x 42 cm x 39 cm)
P 15,000 P 10,000
P 8,000
1413 1414 1415

Two Oriental Chairs with Mother of A Pair of Antique Indonesian A Pair of Oriental Chairs
1405 1406 Pearl Inlay Armchairs with Marble Panels hardwood
A Pair of Ah-Tay Inspired Narra Armchairs A Pair of Narra Armchairs 38 1/2” x 17 1/2” x 15 1/2” possibly elm wood 37” x 19” x 14 1/2”
37” x 24” x 19 1/2” (94 cm x 61 cm x 50 cm) each 42” x 22” x 26” (107 cm x 56 cm x 66 cm) each (98 cm x 44 cm x 14 cm) 40” x 20” x 18” (94 cm x 48 cm x 37 cm)
(102 cm x 51 cm x 46 cm)
P 17,000 P 15,000 P 10,000 P 9,000
P 10,000
León Gallery
1423
A 19th-Century Narra Sillon
49” x 27 1/2” x 35”
(124 cm x 70 cm x 89 cm)
P 50,000
1424
1416 1417 1418 A Narra Butaca with Bone Inlay
A Pair of Bentwood Chairs A Pair of Armchairs A Pair of Narra Armchairs 43” x 31 1/2” x 45
35 1/2” x 17 1/2” x 16” hardwood 47” x 17” x 18 1/2” (109 cm x 80 cm x 114 cm)
(90 cm x 44 cm x 41 cm) 35 1/2” x 23” x 18” (119 cm x 43 cm x 47 cm) each
(90 cm x 58 cm x 46 cm) P 10,000
P 10,000 P 4,000
P 9,000
1419
Six Mid-20th Century Chairs
hardwood and laminated wood
a) 34” x 18” x 18”
b) 33” x 19” x 19”

c) 31” x 18 1/2” x 19”

P 3,000
1425 1426
A Pair of Early 20th Century Narra Sillones A Narra Rocking Chair
49 1/2” x 25” x 33” (126 cm x 64 cm x 84 cm) 46” x 31” x 62” (117 cm x 79 cm x 157 cm
P 40,000 P 10,000
1420 1421 1422

A Giltwood Exhibition Chair A Peacock Chair An Accent Chair 1427 1428 1429
58” x 22” x 19 1/2” rattan metal A Narra Rocking Chair A Molave Recliner with Retractable A Bohol Birthing Chair
(147 cm x 56 cm x 50 cm) 93” x 67” x 20” 61” x 35” x 20” 38” x 32” x 57” Footrest 38 1/2” x 24 1/2” x 65”
(236 cm x 170 cm x 51 cm) (155 cm x 89 cm x 51 cm) (97 cm x 81 cm x 145 cm) 40” x 26 1/2” x 58” (98 cm x 62 cm x 165 cm)
P 30,000 (102 cm x 67 cm x 147 cm)
P 2,000 P 10,000 P 10,000 P 10,000
P 15,000
León Gallery
1430
Ten Pre-war Narra Chairs
a) 32 1/2” x 15” x 15 1/2 (83 cm x 38 cm x 39 cm) each
b) 34” x 17” x 15 1/2” (86 cm x 43 cm x 39 cm) each 1435
A Lincoln Gerard Six-Seater Dining Set
P 10,000 hardwood
table: 31” x 42” x 70 1/2” (79 cm x 107 cm x 179 cm)
chairs: 40” x 20” x 19” (102 cm x 51 cm x 48 cm) each
P 30,000
1436
A Polychromed Teakwood Sofa Set
settee: 45 1/2” x 64” x 19”
(116 cm x 163 cm x 48 cm)
1431 armchairs: 39 1/2” x 29 1/2” x 19”
Eight Narra Chairs with Solihiya (100 cm x 75 cm x 48 cm) each
armchairs: 41” x 22 1/2” x 17 (104 cm x 57 cm x 43 cm) each P 20,000
P 50,000
1437
A Pair of Art Deco Corner Chairs
and an Occasional Table
narra
chair: 32” x 19” x 19”
1432 table:
Ten Dining Chairs 31” (79 cm) D: 23” (58 cm)
hardwood
40 1/2” x 19” x 19 (103 cm x 48 cm x 48 cm) each P 18,000
P 8,000
1438
A Turn-of-the-Century Three-Seater
Narra Settee and Armchair
seatee:
43” x 52” x 19 1/2”
(109 cm x 132 cm x 50 cm)
armchair:
44” x 20” x 19”
1433 (112 cm x 51 cm x 48 cm)
1434
Eight Faux-Bamboo Dining Chairs
Four Hardwood Armchairs
hardwood P 25,000
33” x 21” x 22” (84 cm x 53 cm x 56 cm) each
36” x 21 1/2” x 21” (91 cm x 55 cm x 53 cm) each
P 15,000
P 30,000
León Gallery
1446 1447
1439 1440 1441 A Pre-War Bent Bamboo Settee A Narra and Ipil Kapiya
A Narra Art Nouveau Settee An Early 20th-Century A Narra and Ipil Art Nouveau Settee 37 1/2” x 67” x 29 1/2” 41 1/2” x 82” x 31”
40 1/2” x 53 1/2” x 18 1/2” Narra Settee 42” x 47” x 19” (95 cm x 170 cm x 75 cm) (105 cm x 208 cm x 79 cm)
(103 cm x 136 cm x 47 cm 41” x 52” x 20” (107 cm x 119 cm x 48 cm)
(104 cm x 132 cm x 51 cm) P 15,000 P 40,000
P 12,000 P 15,000
P 15,000 Provenance:
From the collection of Terry Baylosis
1442 1443
An Antique Narra Settee A Hardwood Divan with Bone Inlay
42” x 78” x 24” 30” x 72” x 22” 1448
(107 cm x 198 cm x 61 cm) (76 cm x 183 cm x 56 cm) A Pair of Kamagong Daybeds
40” x 77” x 37”
P 15,000 P 20,000 (102 cm x 196 cm x 94 cm) each
P 35,000
1444 1445
An Art Nouveau Settee An Oriental Settee 1450
44” x 60” x 20” 29 1/2” x 60 1/2” x 21” 1449
A Balayong Settee
(112 cm x 152 cm x 51 cm) (75 cm x 154 cm x 53 cm) A Four-Seater Narra and Hardwood Settee
41” x 49” x 26”
46 1/2” x 86” x 27”
(104 cm x 124 cm x 66 cm)
P 12,000 P 8,000 (118 cm x 218 cm x 69 cm)
P 15,000
P 20,000
León Gallery
1455
A Narra Dining Set
table: 31” x 36” x 78” (79 cm x 91 cm x 198 cm)
armchair: 47” x 17” x 18 1/2” (119 cm x 43 cm x 47 cm) each
chairs: 45” x 19 1/2” x 15 1/2” (114 cm x 50 cm x 39 cm) each
1451 1452
A Narra Kapiya A Narra and Molave Kapiya
P 20,000
32” x 72 1/2” x 25 1/2” 39” x 78” x 25”
P 20,000 P 20,000
1457
A Pair of Molave Benches
1456 18” x 12 1/2” x 107”
A Molave Dressing Chair (46 cm x 32 cm x 272 cm) each
62” x 15” x 23”
(157 cm x 38 cm x 58 cm) P 15,000
P 5,000
1453
A Narra and Ipil Kapiya
42” x 107” x 27”
(107 cm x 272 cm x 69 cm)
1458
P 40,000 Two Narra Benches with
Bamboo Slats
13” x 85 1/2” x 24”
P 35,000
1459
A Molave Bench
13 1/2” x 101 1/2” x 17”
(34 cm x 258 cm x 43 cm)
P 15,000
1454
A 19th-Century Binondo Narra Sala Set
center table: 17 1/2” x 25” x 43 1/2” (44 cm x 64 cm x 110 cm)
three-seater: 43” x 68” x 20 1/2” (109 cm x 173 cm x 53 cm)
armchairs : 43” x 23” x 20” (109 cm x 58 cm x 51 cm) each 1460 1461
side tables: 20 1/2” x 23” x 23” (52 cm x 58 cm x 58 cm) each A Tindalo and Kamagong Daybed A Narra Daybed
23 1/2” x 80” x 44” 26” x 61” x 27”
P 35,000 (60 cm x 203 cm x 112 cm) (66 cm x 155 cm x 69 cm)
P 40,000 P 10,000
León Gallery
1469 1470
1462 1463 1464 A Mid-20th-Century Pair of Narra A Pair of Donghia Chairs
A Theodore Alexander Chair A Vintage French Provincial A Leather Armchair Armchairs hardwood
hardwood Armchair 31” x 28” x 32” 29” x 25” x 28” 35” x 20 1/2” x 25” (89 cm x 52 cm x 64 cm) each
38 1/2” x 21 1/2” x 17” 36” x 27” x 25” (78 cm x 71 cm x 81 cm) (74 cm x 64 cm x 71 cm) each
(98 cm x 55 cm x 43 cm) (91 cm x 69 cm x 64 cm) P 10,000
P 30,000 P 2,000
P 5,000 P 5,000
1471
A Pair of Mitchell Gold and Bob
Williams Leather Chairs
34 1/2” x 26” x 34”
P 30,000
1465 1466
Three Scandinavian-Inspired Chairs Two Armchairs
30” x 20” x 18” hardwood
(76 cm x 51 cm x 46 cm) each 37” x 24” x 21” 1472
(94 cm x 61 cm x 53 cm) each Six Dining Chairs
P 12,000 hardwood
P 8,000 34” x 21” x 19” each
P 6,000
1473
Four Modernist Chairs
26” x 18 1/2” x 17”
1467 1468 P 10,000

A Pair of Ah-Tay Inspired Armchairs A Pair Of Oriental Armchairs
36” x 21” x 18” hardwood
(91 cm x 53 cm x 46 cm) each 30 1/2” x 27 1/2” x 21”
P 18,000
P 8,000
León Gallery
The Timeless Beauty of

Philippine Mid-Century Modern Furniture 1480
A Mid-Century Modern Narra
Sala Set
chairs: 30” x 28 1/2” x 27”
side table: 22” x 15 1/2” x 30”
(56 cm x 39 cm x 76 cm)
P 25,000
1474 1475 1476 1481

A Pair of Mid Century Modern A Mid Century Modern Narra Armchair A Pair of Mid Century Modern A Mid-Century Modern Group
Narra Armchairs with Leather Seat Narra Armchairs comprised of a Filing Cabinet and
29 1/2” x 20” x 21 1/2” narra and leather 38 1/2” x 22 1/2” x 24” Two Narra Accent Chairs
(75 cm x 51 cm x 55 cm) each 28” x 21” x 15” (98 cm x 57 cm x 61 cm) each drawer: 48” x 22” x 17”
P 10,000 P 10,000 armchair: 29” x 22” x 16”
P 5,000 (74 cm x 56 cm x 41 cm)
armchair: 33” x 22” x 20”
(84 cm x 56 cm x 51 cm)
P 16,000
1477
Four Mid Century Modern
Narra Armchairs
27 1/2” x 23” x 20”
(70 cm x 58 cm x 51 cm) 1482
A Mid-Century Modern Narra Side
P 16,000 Table with Brass End Caps
24” x 26” x 13”
(61 cm x 66 cm x 33 cm)
P 10,000
1478
A Mid Century Modern Narra Sofa 1483
34” x 71 1/2” x 34” A Mid-Century Modern
(86 cm x 182 cm x 86 cm) Narra Slatted Coffee Table
14 1/2” x 37” x 17”
P 18,000 (37 cm x 94 cm x 43 cm)
P 6,000
1479
A Mid Century Modern Narra 1484
Sofa Set A Pair of Mid-Century Modern Narra
four-seater: 32” x 95 1/2” x 30” Side Tables with Brass Details
(81 cm x 243 cm x 76 cm) 22 1/2” x 28” x 23 1/4”
one-seater: 32” x 28” x 30” (57 cm x 71 cm x 59 cm) each
(81 cm x 71 cm x 76 cm)
P 15,000
P 35,000
León Gallery
Japan Mid-Century Modern
1485 1486
A Narra Mid-Century Modern Headboard A Mid Century Modern Narra Dresser
44” x 59” x 12” 32” x 15” x 44”
(112 cm x 150 cm x 30 cm) (81 cm x 38 cm x 112 cm) 1491
A Sori Yanagi Vintage Butterfly Stool
P 18,000 P 15,000 for Tendo Mokko
14” x 17” x 12”
(34 cm x 43 cm x 30 cm)
P 20,000
This is considered to be the magnum opus of

world renowned Japanese designer Sori Yanagi.
Manufactured by Tendo Mokko, the Japanese
furniture maker known for their excellent quality,
this iconic stool combines Japanese aesthetics with
modern Western materials.
1487 1488
A Mid-Century Modern Narra Table A Mid-Century Modern Narra Table
30 1/2” x 34” x 60” (77 cm x 86 cm x 152 cm) 30 1/2” x 36” x 60” (77 cm x 91 cm x 152 cm)
P 15,000 P 15,000
1492
A Karimoku 3 Piece Sofa Set (Light Grey) 1982 Danish style sofa made of solid
settee: 25 1/2” x 76” x 28” teakwood and retailed for around JP
(65 cm x 193 cm x 71 cm) Yen 300,000 during the 80’s.
armchairs: 27” x 30 1/2” x 28”
1489 1490
A Pair of Mid Century Modern Narra Bedside Tables A Mid-Century Modern Narra Chest Of Drawers P 15,000
28” x 16” x 16 1/2 43 1/2” x 35” x 28”
(71 cm x 41 cm x 42 cm) each (110 cm x 89 cm x 71 cm)
P 4,000 P 35,000
León Gallery
Japan Mid-Century Modern Japan Mid-Century Modern
1496
1493 A Vintage Cantilevered Fuji
A Tendo Mokko Antler Dining Table Furniture Lounge Chair (Green)
Designed by Junko Sakakura 29” x 24 1/2” x 25”
(Vintage ,1960’S) (74 cm x 62 cm x 64 cm)
28” x 31 1/2” x 59”
(71 cm x 80 cm x 149 cm) P 8,000
P 12,000
Vintage cantilevered bentwood chair from Fuji
“A teak antler table designed by Junzo Sakakura furniture , a Japanese company known for its high
Architectural Institute from Tendo Mokko, a long- quality and uniquely designed products.
established furniture manufacturer in Japan.
Sakakura is one of the first designers to combine

2oth century European architecture with traditional
Japanase style, an iconic piece sought after for its
rarity and its remarkabl Japanese craftsmanship .
Its legs are made from molded plywood, crimped
to the top board with Tendo technology free from
nails or bolts
1497
A Set of Four Tendo Brasileira
1494 Dining Chairs
A Tendo Mokko set of 2 designed by Kenken with armrests:
Design Institute (model T5344NA-ST 36” x 21” x 18 1/2”
oak, condition: 8.5 / 10 (91 cm x 53 cm x 47 cm)
33” x 22” x 24 1/2” without armrest:
(84 cm x 56 cm x 62 cm) each 36” x 20 1/2” x 18”
(91 cm x 52 cm x 46 cm)
P 6,000
P 12,000
These chairs were designed by the Kenken Design Institute,
Made from Brazilian rosewood , an extremely rare
whose founder was Isamu Kenmochi, known for his support
material whose usage was prohibited in 1992. These
for the Japanese Modern design. He is famous for designing
chairs were made in Brazil during the 1960’s before
many public buildings and products. the closure of Tendo Brasileirwa factory, a subsidiary of
Tendo Mokko Japan.
These dining chairs have a wide seating area with a large
volume of tension. These chairs were made using the “frame
insert” molding, a unique technology, that Tendo Woodwork
is very good at, not only showing the connection of parts
clearly, but also strengthening it.
1498
A Fuji Furniture Reclining
Leather Chair
34 1/2” x 28 1/2” x 26”
1495 (88 cm x 72 cm x 66 cm)
Akita Mokko Stacking Stools Designed
by Isamu Kenmochi (Vintage) P 12,000
18” x 15 3/4” x 14 1/2”
(46 cm x 40 cm x 37 cm)
Established in Tokushima in 1959, Fuji Furniture is a high-end
P 15,000 Japanese brand specializing in unique furniture that combines
versatility and artistry. This is a very comfortable chair to relax
and lounge in.
Handy little vintage stacking stool designed by Isamu Kenmochi for Akita
Mokko. It is in very good original condition with wear consistent with age
and use. . Bentwood frame is tight and sturdy with no damage, some
scratches and dings but no chips. Akita Mokko label below the seat.
Measures approx. 15 3/4" w x 14 1/2" d x 17 5/8" h, seat height is 17".
León Gallery
1502
1499 Pair of Norman Cherner Bar Stools for
2nd Edition Zenith Plastics Eames The Cherner Chair Company
Fiberglass Armchair, for Material: molded plywood
Herman Miller, 1952-55 Measurements: H - 110, L - 49, D - 44,
Material: fiberglass, steel Seat Height - 72cm
Measurements: H - 73, W - 63.5, D - 63.5,
Seat Height - 43cm P 10,000
P 10,000 The Cherner Bar Stool is an elegant Its slender legs an metal footrest complete the
evolution of the iconic Cherner Chair. elegant design. Reissued in exacting detail
The molded plywood stools by Norman from Norman Cherner’s original drawings and
Fiberglass had been used during the war its visible fibers. Exactly this tactile and visual Cherner are still regarded as one of the most molds, the Cherner Bar Stool is both strong
by Zenith Plastics to reinforce plastic on experience makes the Fiberglass Chairs popular dramatic designs utilizing the technology of and lightweight.
airplane radar domes. Working together, with collectors. The original production process
Zenith and the Eames re-conceptualized was discontinued as it was technically obsolete molding plywood. A slim base and stylish
the use of the material, characterized and no longer economical -- but the fascination seat gives this counter bar stool a light, airy Harnessing the power of minimalist design
by the large disk like shock mounts and remained up to this day, making the original feel, making it a crowd favorite. and organic materials, this timeless bar stool
the heavy X base, featured only in earlier production chairs highly coveted. remains sleek, chic, and unique. The chairs are
editions of the Fiberglass Armchair. The seat and back are made of laminated in very good used condition, complete with
The 70-year-old piece has developed beautiful
Fiberglass fascinates above all through its patina over the years and is still in excellent plywood in white lacquer finish, a single markings from the Cherner Chair Company.
irregular surface, a surface which looks vintage condition. This is the 2nd iteration of shell connected by a slim, yet sturdy waist.
almost like a natural material thanks to one of the most iconic chairs ever produced.
Impressive in size and detail, this 1960s Extra Large

Danish High board with Mini Bar in Teak is a monumental
testament of unique Danish craftsmanship; an elegant and
timeless piece with a commanding presence.
This sizeable high board is crafted with exquisite grain

1500 patterns, which adds texture to its robust cubist shape.
Vintage 1950s Bedside Table Lamp, Eastern Europe A practical solution of sliding doors makes it possible to
A charming pair of European bedside table lamps with bubble leave a large free space in front of the furniture without
glass shade. They are original vintage pieces from the 1960s. The
restricting access to its interior. In addition, the sliding door
lamps can sit on either side of the bed and will add a nice touch of
serves as ideal solution for contemporary use such as audio
nostalgia to your room. The lamps are in excellent
vintage condition. Specs: Height 7 inches, Shade Diameter 3 inches equipment storage. The built-in mini bar with motion-
activated lighting adds to the dynamism of the piece.
P 1,000 1503
1960s Vintage Large Danish High Board The high board is imported from Denmark, and in
with Mini Bar in Teak, 1960 excellent vintage condition.
Material: teak
Measurements: L 98.4 in, D 16.5 in, H 48 in
P 20,000
1504 while maintaining a sophisticated edge.

Pair of Model 4551 Armchairs by Rud The legs support its curved seat with an
1501 Thygesen and Johnny Sørensen for
effortless appeal.
Rosewood Small Side Table by Severin Magnus Olesen, Denmark
Hansen for Haslev Møbelsnedkeri, Material: beech wood, leather
Denmark 1960s Measurements: H - 71, L - 84, D - 47, Rud Thygesen & Johnny Sørensen are
Material: rosewood Seat Height - 47 cm both Danish designers who contributed
Measurement: H - 44.5, L - 47, W - 37cm to the Golden Age of Danish Design,
P 5,000 from the ‘50s to the ‘60s. They created
P 3,000 functional and aesthetically pleasing
furniture, using laminated wood as their
Designed in 1974 by Thygesen & main material. The duo’s creations are
Danish furniture designer Severin Hansen Jr. is best remembered for his table and
Sørensen and manufactured by Magnus shown at the Danish Design Museum
desk designs in the classic, Danish midcentury modern style. In the 1950s and
Olesen, this pair of Model 4551 Dining in Copenhagen, The Design Museum
early ‘60s, his work was produced by Haslev Møbelsnedkeri. The table possesses
Chairs features a combination of in Oslo, Victoria and Albert Museum in
an impressively clean shape, emphasizing the excellent wood grain pattern of the
laminated and ebonized beech wood London, and in the Museum of Modern
rosewood. Combined with the unique angular joint work a trademark of
frame with curved backrests, and black Art in New York.
Hansen, it is an understated masterpiece.
vinyl upholstery. The chairs are sleek and
understated-- anchored by a single back The chairs are imported from Denmark,
leg, uniquely ensuring practical stability both in good vintage condition.
León Gallery
1505
Danish Smile Dining Chair Model 210 by
Farstrup Mobler in Teak and Beech, 1960 Set of 6 1508
Material: teak, beach, vinyl leather Rosewood Large Side Table by Severin
Measurements: H - 78, L - 53, D - 45 Hansen for Haslev Møbelsnedkeri,
Denmark 1960s
P 5,000 Material: rosewood
Measurement: H - 50.5, L - 70.5, W - 47 cm
Farstrup Møbler has its roots in the village of Farstrup – and in time-honored P 4,000
traditional Danish craftsmanship. Since 1960, furniture production has taken on
a considerable industrial aspect, yet wood still played an important role. Little is known about Severin Hansen’s life, yet his designs are
increasingly popular among vintage lovers, who hold him in high
The Model 210 Teak & Vinyl Leather Dining Chair was manufactured in the esteem for his high-quality joinery and materials. Minimalist in detail,
1960s and was nicknamed “the smile” due to the shape of the backrest. The Hansen’s tables are characterized by angular silhouettes and tapered
chairs are constructed with solid beech frames combined and curved teak legs—exemplars of 1960s Scandinavian idiom.
plywood backrests, with black vinyl leather for seat pads.
The Model 210 is an amalgamation of classic style, nostalgic charm,

and technical finesse.
The set is imported from Denmark and in good vintage condition. 1509
Pair of Vintage Thonet Chairs
Measurement: H - 86, W - 53, L - 85,
Seat Height - 45 cm
1506
P 5,000
Vintage Dining Chairs Sorø Stolefabrik
in Teak & Black Upholstery, Denmark, Classic Thonet Chairs in Black. These timeless pair of Thonet Chairs
1960, Set of 6 feature black bent beech wood frames with white upholstered seats.
Material: teak, vinyl leather
Created using the traditional steam-bending method, these chairs are
Measurements: H - 77.5, W - 48, D - 50.5,
Seat Height - 44 cm strong and durable. These chairs can fit in any modern styled home or
office. The chairs are in excellent vintage condition consistent with age
P 5,000 and use.
The sophisticated Danish dining chairs are a rarely found set of 6 by Sorø
Stolefabrik. Made in Denmark in the 1960’s from solid teak, the pieces are
sculptural in shape and connote a quiet yet compelling elegance.
1510
The organic shaped wooden frames are made from teak wood, solidly Danish Dining Chairs Farstrup Møbler in
Teak, 1960s (Set of 4)
constructed on stretcher joined tapered legs, with black vinyl leather seat pad. The
Measurement: L - 18.2”, W - 19.2”,
flat backrests exhibit a gorgeous teak grain pattern.
H - 30.1”, Seat Height - 18”
The set is good vintage condition with minimal signs of wear and use consistent P 5,000
with age.
Vintage Danish dining chairs in teak and black vinyl leather
from the 60s (set of 4). Manufactured by Farstrup in Denmark.
1507 In good vintage condition.
1960s Danish Wingback Chairs in Teak &
Beech, 1960, Set of 5
Material: teak, beech, vinyl leather
Measurements: H - 84.5, L - 53, W - 72,
Seat Height - 46 cm 1511
1950s Rosewood Side Tables from Aksel
P 5,000 Kjersgaard, Denmark
P 5,000
This set of 4 dining chairs is made in Denmark in the 1960s, with the pieces
showing good quality design and manufacturing. Beautiful Rosewood Coffee/Side Table by Aksel Kjersgaard. The table
has an impressive clean shape emphasizing the excellent wood grain
The chairs consist of peculiar and rare wing-like backrests, with seat pads pattern of the rosewood & unique angular joint work—such a simple
newly upholstered in brown vinyl leather. The sculptural frame provides visual yet gorgeous piece. The table is in excellent vintage condition with
appeal, a cordial balance with the rounded profile of its distinctive backrest. minor signs of wear consistent with age & use.
The chairs are in good vintage condition with minimal signs of wear consistent
with age and use.
León Gallery
1512
2nd Edition Zenith Plastics Eames 1514
Fiberglass Armchair, for Herman Miller, 1970s Modernist Table Lamp
1952 - 55 by Vitrika Denmark
Material: fiberglass, steel
Measurements: H - 73, W - 63.5, D - 63.5, P 3,000
Seat Height - 43 cm
The light has a curved arm with a coolie type shade. The shade
P 10,000 is on a pivoted arm and can be moved up and down. The pivot
mechanism is very firm so the shade stays in place where ever
Fiberglass had been used during the war by Zenith Plastics to reinforce it is positioned.
plastic on airplane radar domes. Working together, Zenith and the
Eames re-conceptualized the use of the material, characterized by the
large disk like shock mounts and the heavy X base, featured only in
earlier editions of the Fiberglass Armchair. W 25 in, H 31.5 in, D 23.25
in, Seat Height 18 in.
1515
Fiberglass fascinates above all through its irregular surface, a surface Vintage 1960s Opaline and Murano Glass Table Lamp,
which looks almost like a natural material thanks to its visible Italy
fibers. Exactly this tactile and visual experience makes the Fiberglass
Chairs popular with collectors. The original production process was P 2,000
discontinued as it was technically obsolete and no longer economical
Rare two-tone glass table lamp in Murano Glass. This
-- but the fascination remained up to this day, making the original
rare, elegant piece features a white spherical shade
production chairs highly coveted.
mounted on top of an orange Murano Glass. The
white diffuser illuminates a yellow-glaring light that
The 70-year-old piece has developed beautiful patina over the years
efficiently illuminates documents and any project. The
and is still in excellent vintage condition. This is the 2nd iteration of one
lamp is in excellent original vintage condition. A well-
of the most iconic chairs ever produced.
preserved piece from the space-age era with minimal
signs of wear consistent with age and use. Sold on an
as-is-where-is basis.
1513 1516
Rud Thygesen & Johnny Sorensen Dining Vintage Table Lamp in Chrome
Arm Chairs for Botium, Denmark Set of 4 1960s, Italy
Material: oak, leather
Measurements: H - 43, L - 61, D - 61, P 1,000
Seat Height - 41 cm
Vintage 1970s Chrome Space Age Style Table Lamp. This
P 9,000 stunning space-age lamp features a chrome ball-shaped lamp
that best depicts the style of its period. Evocative of futuristic
In 1969, Rud Thygesen & Johnny Sorensen won first prize design, this lamp is a great conversation piece in a home or
at the Copenhagen Furniture-makers Guild competition. work space. The lamp is in excellent vintage condition consistent
In 1971, the first copy of the chair was presented to King with age and use. Sold on an as-is-where-is basis.
Frederik IX of Denmark for his 70th birthday. This chair
would be the first in a series of furniture that would be
known as the King’s Collection.
Designed as part of the Kongeserie (King’s Collection) by

Thygesen & Sorensen for Botium, the chairs are beautifully
1517
constructed from solid oak with fine joinery, tan Aniline
A Herman Miller Aluminum Soft Pad
leather cushions, and wicker backing for lightness and designed by Charles & Ray Eames, 1969
comfort. Eames Aluminum High Back Soft Pad Group Lounger,
good condition, plum hopsak.
With clean lines and sustainably sourced, eco-friendly Dimension :H 38.75”
wicker, this exquisite chair is a distinguished and Seat Height 17” W 26” D 31”
sophisticated embodiment of royalty.
P 30,000
The chairs are imported from Denmark, all in good vintage
condition.
León Gallery
1518 1524 1525

1519
An Eames Lounge Chair Ottoman Replica A Vintage Mid-Century Modern Table Two Fora Form Chairs
Four Mid-Century Modern Side Chairs
chair: 33 1/2” x 32 1/2” x 32” metal and laminated wood 31” x 18” x 16”
19” x 16” x 16” (48 cm x 41 cm x 41 cm)
(85 cm x 83 cm x 81 cm) 29” x 76” x 36” (79 cm x 46 cm x 41 cm) each
ottoman: 16” x 24” x 21” (74 cm x 193 cm x 91 cm)
P 6,000
(41 cm x 61 cm x 53 cm) P 6,000
P 13,000
P 70,000
Charles (1907 - 1978) and Ray Eames (1912 - 1988)

believed in the extraordinary power and beauty of the
1520
A Vitra. Eames Walnut Stool Type A
everyday object - taking inspiration from the natural world,
H: 14 1/2” (37 cm) and materials from the modern: an amalgamation of
D: 13” (33 cm) ordinary beauty and extraordinary technology.
P 70,000
The Eames Shell Chair was designed primarily for the
principle of adaptability, offering innumerable configurations
to serve a wide variety of applications and environments.
It is what makes the chair a classic worthy of museum
1521 collections - and living rooms, laundromats, lobbies, and
A Circa 70s Brune Stool
18 1/2” x 15” cafes. Adhering to their vision that the classic and marked
(22 cm x 38 cm) Eames’ design and furniture is about the natural world,
expressed with less than natural materials. It is a paradox,
P 5,000
but a lovely and simple one with a ring of truth and beauty.
1526 Charles Eames famously said, “The role of the designer is
A Rare Charles Eames Chair with Armrest that of a very good, thoughtful host anticipating the needs
31” x 24” x 16”
(79 cm x 61 cm x 41 cm) of his guests.” And indeed, the Eameses created a universal
response to what everyone wants from their furniture:
P 60,000 simple, decorous form that fits any body and every place.
1527
A Vintage Italian Vertebra Desk
Chair by Giancarlo Piretti, 1970s
29” x 19 1/2” x 14”
(74 cm x 50 cm x 36 cm)
P 7,000
1522 1523 1528

Gaetano Pesce (Italian, born 1939) Three Vermeer Panton-Inspired Chairs A Danish Inspired Chair
Lady chair and ottoman 32” x 19 x 18” wood upholstered in red and blue
Polyurethane foam covered in stretch fabric (81 cm x 48 cm x 46 cm) each 30” x 18” x 17”
chair: 41” x 42” x 49” (104 cm x 107 cm x 124 cm) (76 cm x 46 cm x 43 cm)
stool: D: 25” (64 cm) P 10,000
P 1,000
P 10,000
León Gallery
1530
Vintage Saburo Inui Cofee Table
A Vintage Rosewood Coffee table
designed by Saburo Inui in the late 1950s,
for Tendo Mokko Japan. Dimensions H 13.5
W 30 L 42 inches
P 17,000
M
idcentury Manila is established out of the
advocacy of showcasing what midcentury
modern furniture is. The couple behind
this passion project-turned-business, Ken and Isa
Mishuku, buys, restores, and sells midcentury modern
furniture and shares their acquisitions and collections
to a broader audience in their current Instagram
1531
page: @midcenturymanila. These furniture pieces in Vintage Harry Bertioa Bar Stool
this auction attest to the philosophy behind great An Uncommon early Vintage Fiberglass
midcentury modern design. The selections exhibit the High Stool by Harry Bertoia for Knoll
International, Dimensions H 42 Seat 20 W
features that mark the midcentury modern movement, 21 D 21 inches
from bright colors and unconventional, dynamic
shapes and curves to organic materials, sleekness, and P 12,000
fine woodwork. Also emphasized is the importance of
simplicity and minimalism.
1532
Eames Tandem Bench
Vintage 3 Seater Tandem designed by
Charles & Ray Eames, made by Herman
Miller. Original blue upholstered seats on
white fiberglass shell, Dimensions H 32 L
72 D 15 Seat 17 inches
P 49,000
1529
Vintage Eames RAR Rocker
Vintage Rocking Chair designed by Charles
& Ray Eames, Herman Miller. Vintage
Parchment colored Fiberglass armchair on
RAR Base, good vintage condition.
Dimensions H 27 W 25 D 19 Seat 17 inches 1533
Mid Century Modern Floor Lamp
P 17,000 with a built in Side table
Vintage 60s floor lamp with a built-in glass
side table and a brutalist wooden base
accent. 220V
P 21,000
León Gallery
1534
Paul McCobb 4 Drawer Dresser 1539
Vintage Maple Wood 4 Drawer Dresser Vintage Lotus High Stool
designed by Iconic American Mid Century Designed by Yasu Sasamoto in the 80s for
Modern Designer Paul McCobb in the Dulton Co Ltd., the Lotus stool is a solid
1950s as part of his very popular Planner metal sculptural piece. Dimensions H 28.5
Group Collection for Winchendon W 14.5 D 13.5 inches
Furniture. Original Brass Pulls in good
vintage condition. Dimensions H 42 W 36 D P 9,000
18.5inches
P 21,000
1540
Vintage Spindle Wood Book/
1535
Magazine Rack
Vintage Olivetti Letera DL Typewriter
Vintage bentwood book/magazine
Designed by Ettore Sottsass -- a prominent
rack in
member of the Italian Post Modern Group
the style of Arthur Umanoff.
Memphis Milano. This vintage Olivetti
Dimensions H
Letera Typewriter is in working condition,
12 W 21 D 9 inches
comes with original Carrying case.
Dimensions W 32 cm D 34 cm H 9.5cm
P 4,000
P 9,000
1541
1536 Planner Group Coffee Table
Vintage Eero Saarinen Executive PAUL McCOBB
Armchair Vintage Solid Maple Wood Long Coffee
A vintage Knoll International Eero Saarinen Table Designed in the 1950s by American
Executive Armchair on an early 4-Star Mid Century Modern Super Icon Paul
base. Original upholstery still in great McCobb as part of the highly collectible
condition, unit tilts, swivels & rolls. Planner Group for Winchendon Furniture.
Dimensions Dimensions H 15 L 60 D 18.5 inches
H 32 Seat 18 W 27 D 19.5 inches
P 14,000
P 14,000
1537
Vatne Mobler Model 990 3 Seat Sofa
Vintage Leather Sofa designed by Olav 1542
Eldoy for Vatne Mobler, Norway. Danish Teak Side Table
Dimensions H 32 L 68 D 26 Seat 16 inches Poul Jensen for Selig
Vintage Teak Wood Square Table Designed
P 29,000 by Poul Jensen for Selig, Denmark. Wicker
2nd tier in good condition. Dimensions H
20.5 W 24 inches
P 12,000
1538
Teak & Steel Credenza
Vintage Teak Credenza with solid steel
1543
frame & inner shelving. Top in easy to
Danish Teak Coffee Table
clean, stain repellant high grade laminate,
Poul Jensen for Selig
Dimensions H 29 L 67 D 21.5 inches
Vintage Teak Wood Long Coffee Table
Designed by Poul Jensen for Selig,
P 24,000
Denmark. Wicker 2nd tier in good
condition. Dimensions H 15.5 L 58.5 D 22
inches
P 17,000
León Gallery
1551
1544
Brass Magazine Rack
Jens Risom Lounge Chair
Vintage Brass Magazine Rack with a
Designed in 1943 by Danish Designer
wooden handle, excellent condition.
Jens Risom for Knoll International.
Dimensions H 11 W 17.5 D 16 inches
Weaved Straps are in genuine leather.
Dimensions
P 6,000
H 30 W 20 D 23 Seat 16 inches
P 21,000
1545
Milo Baughman Lounge Chairs 1552
Pair, Lounge Chairs, Circa 1970s by MCM Sori Yanagi Butterfly Stool
American Designer Milo Baughman in Iconic Moulded plywood Butterfly Stool
velvety blue upholstery & steel frame. designed by Japanese Modernist Sori
Dimensions H 32 W 30 D 33 Seat 16 inches Yanagi in 1954. This version is in rosewood
1546 with elaborate grains, made by Tendo
Post Modern Lollipop Lamp P 35,000 Mokko Japan. Dimensions H 40 cm
Post Modern Lollipop Floor Lamp in the W 43 cm D 31 cm
style of Robert Sonneman with a glass
table & spiral metal base. Good Vintage P 12,000
Condition, 220V Dimensions H 55 Table
Diameter 17 inches
1553
P 19,000 Pair Bentwood Chairs
A Pair of Vintage Mid Century Modern
Bentwood Chairs in the style of Thonet,
1547 Dimensions H 32 W 15 D 18.5 Seat 18
Knoll Orsay Chairs inches
A Pair of vintage Postmodern
Orsay Chairs designed by P 12,000
Italian Architect Gae Aulenti
for Knoll International.
Dimensions H 32 W
P 16,000 1554
Pair of Leos Nikel Space
Age Lamps
Vintage 1950s Space Age Rocket table
1548
lamps designed by Leos Nikel for Zukov,
Danish Teak Bar trolley
220V. Dimensions
Vintage danish rolling teak wood
H 12.75” D 2.75” inches
Bar trolley with an expandable drop
leaf table top.
P 9,000
Dimensions (extended) H 26 D 27
L 34.5 in
P 12,000
1555
Vintage Charles Pollock
657 Leather Armchair
Vintage 60s-70s Steel & Leather sling
1549 armchair designed by Charles Pollock for
Robert Sonneman Waterfall Knoll International. Dimensions H 28.5
Table Lamp W23.5 Seat 16 inches
Vintage 1970s Robert Sonneman Iconic
Waterfall Table Lamp, with 3-way switch P 27,000
options. 220V, Dimensions H 40 W 17
1550 inches
Model B3 (Wassily) P 21,000
A Bauhaus Icon, Marcel Breuer’s B3 Armchair 1556
more famously known as the Wassily Chair, Yrjö Kukkapuro Space Age
originally designed in the 1920s. This is an Swivel Chair
early model produced by Gavina. In vintage Space Age Swivel Chair designed by iconic
condition, some ageing on the leather arm Finnish Mid century Modern Space Age
slings. Dimensions H 28 D 26 W 29 seat 16 designer Yrjö Kukkapuro for Haimi Finland.
inches (1 of 2) Dimensions H 32 W 20.5 D 15 Seat 17
inches
P 55,000
P 12,000
León Gallery
1557
Set of 4, David Rowland 1563
40/4 Chairs Model 577 Tounge Chair
Vintage iconic & award winning 40/4 Vintage floor hugging Tounge Chair
Stacking Side Chairs designed in 1964 by designed in 1967 by Pierre Paulin for
David Rowland for Howe Denmark, in Artifort. This chair was conceived in the 60s
natural wood finish. Dimensions H 29 W during the sexual revolution, when
17.5 D 18 Seat 17 inches conversation
pits & low-slung furniture encouraged
P 17,000 poeple to find new ways to use floor
spaces. Dimensions H 25 W 35 D 39 inches
P 27,000
1558
Vintage New York “T” Chair
Designed in the 1950s by New York Pratt
Institute graduates William Katavolos, 1564
Douglas Kelley & Ross Littell for Laverne. 3 Mid Century Modern Bent
legged steel & leather sling chair in good Wood Coffee Table
vintage condition, Dimensions H 32 W 22 D Vintage Mid Century Modern low-lying
18 Seat 19 inches bent wood Coffee Table, Dimensions H 15
D 27.5 L 46 inches
P 21,000
P 17,000
1565
1559
Eero Aarnio Pastil Chair
Pair Robert Sonneman
Vintage Space Age Pastil Rocking Lounge
Saturn Saucer Lamps
Chair by Eero Aarnio for Asko, 1968.
Pair of Postmodern Robert Sonneman
Designed by Aarnio to fit into the empty
Atomic Saturn Saucer Desk Lamps, 220V,
cushioned space of his iconic ball chair.
dimmable. Dimensions H 16 Diameter 16
Dimensions H 53 D 92 L 92 cm
inches
P 29,000
P 14,000
1560
Danish Teak Ice Bucket
1960s Teak Ice Bucket designed by Jens
1566
Quistgaard for Dansk Denmark.
Pair, Alky Lounge Chairs
Dimensions
Pair of Vintage low-lying Alky lounge chairs
H 15.5 W 7 D 8 inches
designed by Giancarlo Piretti in the 70s for
Castelli Italy. Dimensions H 28 W 24 D 25
P 12,000
Seat 16 inches
P 45,000
1561
Arthur Umanoff Walnut Book Stand
1960s Magazine/Book Stand by Arthur
Umanoff, USA. Mid Century Modern
sculpted walnut stand that can be used as
a record, magazine or book rack.
Dimensions
H 22 W 18.5 D 15.5 inches
P 12,000
1562
Isamu Noguchi
Akari 32N 1567
Swedese Lamino Easy Chair 1568
Designed by Japanese-American Modernist B&B Italia Happy Hour Sofa
Isamu Noguchi beginning in 1951 and & Ottoman
Vintage sheepskin Lamino Armchair & Vintage Post Modern 3 Seater Happy Hour Sofa
handmade by the original paper latern designed by Adreas Storiko for B&B Italia, 1990s.
manufacturer in Gifu, Japan, the Akari Light Ottoman designed by Ingve Ekstrom in the
50s for Swedese Mobler. This unit is Genuine Leather, aluminum base with individually
Sculptures are a beautiful example of reclining sections, no longer in production. Dimensions
Japanese handcraft and modernist form. marked August 1967. Slight thinning of
sheepskin fibers on one area. Dimensions H 34 L 101 D 30 Seat 16 inches
Dimensions L 22.8 H 63 inches (5.25 feet)
H 101cm W 70cm D 78cm Seat 41cm
P 45,000
P 17,000
P 35,000
León Gallery
1569
1575
Dansk Teak Ice Bucket
Saburo Inui Coffee Table
Vintage staved Teak Ice Bucket with interior insulation
Vintage bentwood coffee table by Saburo
designed by Jens Quistgaard for Dask Denmark, 1960s.
Inui for Tendo Mokko Japan, Dimensions H
Dimensions H
13.5 L 42 D 30 inches
5.25 Diameter 9 inches
P 12,000
P 9,000
1576
Thomas Stender Side Table
Vintage 1980s Bent wood Side Table by
1570
Thomas Stender for Sigma Modulus
Sori Yanagi Oval Mirror
Collection. Dimensions H 20 Diameter 16
Vintage iconic & award winning 40/4
inches
Stacking Side Chairs designed in 1964 by David Rowland for
P 9,000
Howe Denmark, in natural wood finish. Dimensions H 29 W
17.5 D 18 Seat 17 inches
P 9,000 1577
Pair Kroehler Armchairs
Pair of Vintage 1960s Galaxy High Back
Armchairs by American Mid Century
1571 Modern Kroehler Furniture, Dimensions
Vintage Rosewood Isamu 30 W 34 D 45 H Seat 16 inches
Kenmochi Coffee Table
Vintage Bent Brazilian Rosewood Coffee P 37,000
Table by japanese Modernist Isamu
Kenmochi for Tendo Mokko, Dimensions H
13.5 L 52 D 36 inches
1578
Poul Henningsen PH80 Floor Lamp
P 45,000
Louis Poulsen Denmark PH80 Floor Lamp,
an innovative 3 shaded system originally
designed by Poul Henningsen in the 1920s.
Acrylic Opal white shades & metal base.
Dimensions H 131.5 cm Shade Diameter 55
1572 cm
MCM Era Brass Rack
Vintage Midcentury Modern 2 Tier Brass P 21,000
Magazine Rack in excellent condition.
Dimensions H 17 W 20 inches
1579
P 7,000 Pair, Beep Table Lamps
Terence Conran
A Pair of discontinued Fully Articulating
Beep Table Lamps designed by English
designer Terence Conran. Dimensions H 40
1573 D 18 inches
Tabouret Solvay Stool
Jean Prouve P 27,000
Originally designed by Jean Prouve in
1942, this sturdy, versatile, solid oak stool
is a re-edition by Vitra. Dimensions H 18 1580
Diameter 14 inches Teak Swedish Nightstands
A Pair of Vintage Solid Teak Wood Night
P 12,000 stands, marked Made in Sweden.
Dimensions
H 20 W 13 D 12.5 inches
1574 P 24,000
Poul Kjærholm PK22
Lounge Chair
1581
Designed in 1956, the PK22 epitomizes
Arne Vodder Teak Chest
Poul Kjaerholm’s discrete and elegant
on Casters
approach to design; his pieces are
1960s Teak Chest with 4 Drawers on a
characterized by a simple aesthetic, stripped
Rolling Teak Frame. A very versatile piece
down, and focused on clean lines and
by Arne Vodder, Denmark. Dimensions H
natural materials, H 28 W25 seat 14 inches
23.5 D 16.5 W 28 inches
P 75,000
P 29,000
León Gallery
1582 1588
Giant Lava Lamp Model B3 Wassily Chair
Over 2 feet tall psychedelic hand blown (2 of 2) Early B3 Gavina Wassily Chair,
lava lamp made by the original Lava designed by Marcel Breuer in the 1920s. .
Lamp Company In vintage condition, ageing on the leather
Dimensions H 27 inches, 220V slings. Dimensions H 28 D 26 W 29 seat 16
inches
P 7,000
P 55,000
1583
Hans Wegner CH07 1589
Originally designed in 1963 by Danish Pagholz Rosewood Tandem
Modernist Icon Hans J. Wegner, made by Vintage 3 Seat Tandem Bench in Bent
Carl Hansen & Son, Dimensions H 29 W 36 Rosewood by Pagholz West Germany.
D 32.6 Seat 14 inches Dimensions H 17 L 62 D 14.5 inches
P 49,000 P 19,000
1584
Niels Møller Expanding
Dining Table 1590
1950s Danish Teak Dining Table George Nelson Pedestal Coffee Table
designed by Niels Moller for JL Vintage Herman Miller Pedestal Coffee
Møllers, featuring a hidden Table in an uncommon black finish 4 Star
extending leaf that doubles as Base and a matching grey laminate top,
added dining space or as a serving designed by George Nelson in 1954.
area. Dimensions (not Dimensions H 22 Diameter 28.5 inches
extended) H 28.5 L 67 D 35
inches P 17,000
P 45,000
1591
1585
Pair, Vintage Eames DCM-U
Pair Les Arcs Bar Stool
Vintage Herman Miller Eames Upholstered
Pair of Vintage Cognac Leather & Tubular
version of the Award Winning
steel bar stools selected by Charlotte
Dining Height Chair on Metal Rod Base,
Perriand for resort Les Arcs in the 1960s.
in Grey Upholstery (DCMU), first introduced
Dimensions H 37 W 16 D 13.5 Seat 29
in the 1970s. Dimensions H 29.5
inches
W 19.5 D 18 Seat 16 inches
P 45,000
P 27,000
1586 1592
Model 82 Niels Møller Chairs 3 Head Eyeball Triennale Lamp
Set of 4 Vintage Danish Model 82 Vintage Eyeball Triennale Floor Lamp, with
Rosewood 3 articulating heads. 220V, takes standard
dining chairs, these are the taller E27 bulbs, Dimensions H 65 W 17 inches]
five-rung ladder-back version designed by
Niels O. Møller for J.L. Møllers Møbelfabrik. P 14,000
Original Leather seat upholstery with some
wear, consistent with age. Dimensions H
37 W 19 D 17 Seat 17 inches
P 42,000 1593
Pair, Clam Shell Kodawood
Bar Stools
1587
1960s Kodawood Clam Shell Bar Stools
Lou Hodges Console Table
designed by Seymour James Wiener.
Vintage Oak Wood Console Table by
Vintage walnut bent wood & black vinyl
American Mid Century Modern designer
seats. Dimensions H 45.5 W 20 D 20
Lou Hodges, Dimensions H 24 L 65.5 D
Seat 31 inches
16 inches
P 35,000
P 24,000
León Gallery
1594
1600
Mario Botta Seconda Chair
Platner Coffee Table
The Model 602 or Seconda Chair is
Vintage Warren Platner Coffee Table,
a beautiful example of Memphis-Era
designed in 1966 for Knoll International,
Postmodern design, created by Swiss
original glass top with beveled edge. This is
Architect Mario Botta in 1982 with
the version in bronze finish. H 15 Diameter
Alias s.p.a. for International Contract
42 inches
Furnishings, Inc. Dimensions
H 28.5 W 19 D 19.5 Seat 18 inches
P 32,000
P 12,000
1601
Early Metal Base Cherner Chair
Early Version of the Cherner Chair on Metal
1595
Base, designed by Norman Cherner for
Pair, Mid Century Modern
Plycraft 1960s. Dimensions H 32 W 17 D
Swiveling Club Chairs
17.5 Seat 17 inches
A Pair of Mid Century Modern Swiveling
Club Chairs in retro vinyl leather and brass
P 12,000
4 star base on casters. Dimensions H 36 W
24D 17 Seat 21 Inches
P 17,000
1596
GPlan Fresco Teak Desk
Vintage British GPlan Fresco desk
designed by Victor Wilkins in the 1960s,
teak wood desk with a floating top, very
iconic mid century modern shape and pull
handles. Dimensions H 28 W 66 D 18
inches
P 27,000
1602 1603
Dyrlund 3 Seater Sofa Ib Kofod Larsen Reclining Lounger
1597 Vintage Dyrlund 3 Seater Sofa, made in Denmark. Deep green Vintage Teak Wood Reclining Lounge Chair by Ib Kofod
Milo Baughman 3 Tier Table leather seats & a hefty wood frame. Dimensions H 33 L 72 D 28 Larsen for Selig Denmark, 1950s. Dimensions H 29.5 W
Vintage Milo Baughman 3 Tier Coffee Seat 17 inches 26.5 D 26 Seat 16.5 inches
Table, each tier expands and swings to
variable positions, a very versatile piece. P 32,000 P 37,000
Dimensions Height 17, base Diameter 29.5,
Width when fully extended 75 inches
P 21,000
1598
Milo Baughman Rocking Lounge Chair
Holywood Regency Style, large vintage
rocking lounge chair by iconic Amerian Mid
Century Modern designer Milo Baughman.
Dimensions H
33 W 28 D 37 Seat 16 inches
P 29,000
1599
Round Eames Dining Table
A Four Seater Dining Table, first designed 1604 1605
by The Eameses in 1957, made by Herman Ekornes Leather Lounger & Ottoman Pair, Cube Side Tables
Miller. This Version is on a black 4 star Vintage Norweigian Made Ekornes Stressless lounger & A Pair of vintage art deco style side tables with mirrored
contract base with a grey speckled laminate Ottoman in Oxblood Leather. Dimensions (Chair) H 35 W 33 D glass tops. Dimensions H 16.5 W 19.5 D 19.5 inches
top. Dimensions H 28.5 Top Diameter 35.5 25 Seat 19 inches
inches P 12,000
P 32,000
P 17,000
León Gallery
1606 1607 1612 1613

Sculpta “Star Trek” Chairs Ib Kofod Larsen Settee Mid Century Modern Headboard & Nightstand Set Arthur Umanoff Wine Rack
Set of 4 Vintage Sculpta chairs, better known as the “Star Trek” Vintage 2 Seater Sofa designed by Ib Kofod Larsen for Selig, Vintage Narra Wood Headboard & 2 nightstands with distinct Vintage wrought iron wine rack designed by iconic Mid
Chairs designed by Vladimir Kagan in the 1960s for Chromcraft. Denmark, circa 1960s. This iconic sofa features sculptural mid century modern wood patterns. Dimensions (Headboard) H Century Modern designer Arthur Umanoff for Shaver Howard.
Black Vinyl & Aluminum, this design made an appearance in the armrests and a beautiful slatted backrest. Dimensions H 28.5 L 46 W 90 (Nightstand) H 25.5 W 18 D 16 inches Accommodates up to 17 bottles of wine. Dimensions H 27 W
original Star Trek series episodes “Spock’s Brain” and “The Trouble 52 D 28.5 Seat 15 inches 13 D 8 inches
with Tribbles” Dimensions H 38 W 21.5 D 18 Seat 19 inches P 27,000
P 75,000 P 12,000
P 60,000
1614 1615
1608 1609
Percival Lafer Marble Coffee Table Pair, Teak Wood Plinth
Oxblood Chesterfield Sofa Rio Palisander Rosewood Credenza
Vintage Coffee Table with brualist Marble Top on brazilian A Pair of Vintage Wooden Plinths in Teak wood, functions as an
Vintage 4 Seater Chesterfield Sofa in Oxblood Leather, handmade A massive 3 meter long vintage german made sideboard/
Jacaranda wood frame by Brazilian Modernist Designer Percival art pedestal. Dimensions H 34 W 11 D 11 inches
in England. Some age appropriate wrinkling and patina on the credenza in beautiful fiery grained brazilian rio palisander
Lafer. Dimensions H 13 L 47 D 23.5 inches
leather. Dimensions H 28 L 94 D 33 Seat 17.5 inches rosewood and metal base. Dimensions H 30.5 L 118.5 D 18
P 12,000
inches
P 24,000
P 65,000
P 75,000
1616
PH43 Guldhøj Foot Stool
Guldhøj or Gold Hill stool design was remade
by Danish designer Poul Hundevad in the late
50s after a similar, well preserved bronze age
archeological find that was excavated from a
burial site near Vamdrup, Denmark in 1891.
Poul Hundevad’s stool features a beautifully
scuplted wooden folding frame and a leather
sling. Dimensions H 15 W 18.5 D 13 inches
P 27,000
1610 1611
GPlan Nesting Tables Broyhill Brasilia Credenz 1617
3 Piece Vintage Nesting tables by GPlan, made in England. Teak Super Iconic Mid century modern sideboard by Broyhill Brasilia CH24 Wishbone Chairs
wood with a distinctive curved middle brace. Dimensions W 21 with the very characteristic swooping curvilinear wood pattern A Pair of Vintage CH24 Chairs better
8/8D 15 7/8H 20.25 ; W 18 D 15 H 19 3/8; W 14.75 D 13 7/8 H inspired by latin-american architecture. No other American mid- known as the Wishbone Chairs, designed
18.5 inches century furniture line has become as synonymous with this look by Hans J Wegner in 1949, made by Carl
as Broyhill’s Brasilia group by brothers Thomas H. and James MHansen & Son, Denmark. This pair is in
P 21,000 Edgar “Ed” Broyhill. Dimensions H 31 L 58 D 19 natural white finish. Dimensions H 30 W 19
D 15.5 Seat 18 inches
P 24,000
P 35,000
León Gallery
1624
Set of 4, Niels Moller Model79
Set of 4 Model 79 Vintage Teak wood
dining chairs by Niels Moller for J L
Møllers møbelfabrik, 1960s. Dimensions
H 31.5 W 19 D 16.5 Seat 17 inches
P 37,000
1618 1619
1625
Saburo Inui Coffee Table Ploum Sofa & Ottoman
Adrian Pearsall 3 Seater Sofa
Vintage Bentwood coffee table by Saburo Inui for Tendo Ploum Sofa, designed in 2011 by brothers Ronan & Erwan
3 Seater Sofa by iconic american mid
Mokko Japan. Dimensions W650 D650 H400mm Bouroullec for french company Ligne Roset, already an iconic
century modern Ardian Pearsall for Craft
piece. It is known to be an incredibly comfortable nest-like
Associates, 1960s. Dimensions H 30 L
P 14,000 sofa, has a slightly closed angle perfect for encouraging sitters
to move nearer eachother, helping cultivate close conversation
between the occupants. Dimensions (Sofa) H 28 L 80 D 42
P 55,000
Seat 16 inches (Ottoman) H15 L 30 D 19 inches
P 125,000
1620
Platex, Foldable Bar Trolley 1626
1960s french made Folding Bar Trolley Knoll Handkerchief Chairs
for Textable. Folds flat for easy storage Postmodernist design by Massimo & Lella Vignelli for
Dimensions H 80 cm L 69 cm D 44 cm Knoll International, 1985. The Handkerchief chair
features an ergonomically sculptured shell that resembles
P 12,000 the windblown movement of a handkerchief.
P 125,000
1621
GPlan Credenza
Iconic Mid Century Modern
britishmade Credenza by
GPlan, featuring rounded
drawer pulls that have
become a recognizable
feature. Dimensions H 33 L 1627
60 D 18 inches Large Space Age UFO Floor Lam
Large Floor Lamp with an extendable frame, flying saucer
P 37,000 shaped head and and a weighted marble base, circa 1970s.
Dimensions H 63 W 65 inches
P 35,000
1628
Tecno Italy, Nomos Dining Table
Vintage 8 Seater Nomos Table by Norman Foster for Tecno
Italy, circa 1980s. The frame of the Nomos is designed to be
1622 1623 like a zoomorphic skeleton. Glass Top, metal base in great
Casalino Side Chair Early Arne Jacobsen Model 3316 condition. Dimensions H 28.5 L 79 D 31.5 inches
Vintage Space Age Fiberglass Casalino Chair designed Early Edition Fritz Hansen Egg Chair in a beautifully aged
by Alexander Begge in the 70s for Casala, Germany. Cognac Leather, originally designed by Arne Jacobsen in 1958 P 55,000
Dimensions W 48cm D 50cm H 78cm Seat 44cm for the SAS Royal Hotel in Copenhagen. Dimensions H 39 W
P 12,000
P 125,000
León Gallery
1629
Clifford Espinosa A Chair
44” x 31” x 25”
(112 cm x 79 cm x 64 cm)
P 80,000
1630
Clifford Espinosa A Chair 1635 1636 1637
signed A Pair of Oriental Side Cabinets A Pair of Art Nouveau Pedestals Osmundo “Omeng” Esguerra (1940 - 2017)
31” x 15 1/2” x 21” 29” x 16” x 12” Guijo wood A Pair of Omeng Esguerra Night Tables
(79 cm x 39 cm x 53 cm) (74 cm x 41 cm x 30 cm) each 33 1/2” x 18” x 12 1/2” amboyna burl and kamagong
(85 cm x 46 cm x 32 cm) each 31” x 15” x 14”
P 80,000 P 15,000 (79 cm x 38 cm x 36 cm) each
P 10,000
P 20,000
1631
An Art Deco Narra Console Table
34” x 46” x 17” (86 cm x 117 cm x 43 cm)
P 15,000
1638 1639 1640

An Arts and Crafts Period Narra Pedestal A Pair of Rosewood Pedestals A Pair of Rosewood Pedestals
H: 38 1/2” (98 cm) H: 36” (91 cm) H: 30” (76 cm)
D: 12” 30 cm) D: 13” (33 cm) each D: 12” (30 cm) each
P 5,000 P 15,000 P 15,000
1641 1642 1643

1632 1633 1634 A Pair of Side Tables
A Pair of Ormolu Mounted Alabaster- A Pair of Side Tables
A Modernist Console Table A Narra Side Table A Side Table 22” x 20” x 20”
Top Pedestals 26” x 18” x 17”
31 1/2” x 15 1/2” x 52” 25” x 27” x 17” hardwood and laminated wood (56 cm x 51 cm x 51 cm)
30” x 16” x 16” (66 cm x 46 cm x 43 cm) each
(80 cm x 39 cm x 132 cm) (64 cm x 69 cm x 43 cm) 21” x 27” x 23”
(76 cm x 41 cm x 41 cm)
(53 cm x 69 cm x 58 cm) P 1,000
P 2,000
P 1,000 P 3,000
P 25,000
P 10,000
León Gallery
1650
A Kindel Server / Buffet Table with lock and key
32 1/2” x 19” x 72 1/2” (80 cm x 48 cm x 184 cm)
1644 P 40,000
A Maitland-Smith Side Table
28” x 26” x 26”
(71 cm x 66 cm x 66 cm)
P 12,000
1645
An English Mahogany Folding
Game Table with Inlay
opened: 30” x 40” x 50”
1651
closed: 30” x 20” x 50”
A Colombo Mobili Flamed Mahogany Sideboard/
Entertainment Console with Glass Top
P 50,000
36” x 24” x 88” (91 cm x 61 cm x 224 cm)
P 50,000
1652
A Theodore Alexander Sunderland Adaptation
Sideboard Mahogany Flame Veneered Sideboard
1646 1647 Side Cabinet With Lock and Key
A Jacobean Console Table with Glass Top A Pair Of Henredon Folio 16 Asian Chinoiserie Floral Carved 38 1/2” x 18” x 92” (98 cm x 46 cm x 234 cm)
possibly oak and antique Oriental Server Cabinets
28” x 19” x 46” 32” x 18” x 36” P 50,000
(71 cm x 48 cm x 117 cm) (81 cm x 46 cm x 91 cm) each
P 20,000 P 40,000
1653 1654
1648 1649
A Maitland Smith Chinoiserie Chest of Drawers A Thomasville Black Granite Top Bedside Table
A Vintage Desk Carlton House Desk
34 1/2” x 45” x 23” 30” x 21” x 35”
32” x 21” x 46” satinwood
(81 cm x 53 cm x 117 cm) 38 1/2” x 26 1/2” x 54” (97 cm x 67 cm x 137 cm)
P 40,000 P 10,000
P 17,000 P 60,000
León Gallery
1655
A Rattan Cabinet with
Glass Doors
66” x 30” x 16”
(167 cm x 76 cm x 41 cm)
P 10,000
1662 1663
A Sideboard A Sideboard
narra and laminated wood hardwood and laminated wood
28 1/2” x 71 1/2” x 18” 32” x 19” x 96” (81 cm x 48 cm x 244 cm)
(72 cm x 182 cm x 46 cm
P 1,000
1656 P 3,000
A Set of Nesting Tables
a) 25” x 26” x 20”
b) 24” x 19” x 11” each
P 15,000
1664 1665
A Tansu Drawer Cabinet An Oriental Cabinet
20” x 41” x 24” 26 1/2” x 40” x 20”
P 2,000 P 5,000
1657 1658 1659

An Oriental Side Cabinet A Marble Top Bedside Table A Cabinet
teakwood hardwood and laminated wood hardwood and veneered wood
26” x 14” x 32 1/2” 22” x 20” x 26” 29 1/2” x 18” x 48”
(66 cm x 36 cm x 83 cm) (56 cm x 51 cm x 66 cm) (75 cm x 46 cm x 122 cm)
P 5,000 P 3,000 P 3,000
1666 1667 1668

An Oriental Side Table A Teakwood Opium Coffeetable Two Footed Presentation Trays
hardwood 16” x 42 1/2” x 42 1/2” hardwood
20” x 22” x 24” (41 cm x 108 cm x 108 cm) a) 6 3/4” x 12” x 12”
P 6,000 b) 6” x 16” x 16”
P 3,000 (15 cm x 41 cm x 41 cm)
P 6,000
1660 1661
Three Side Cabinets A Pair of Modernist Side Tables 1669 1670 1671
hardwood 24” x 20” x 28” A Hardwood Table A Dulang or Low Table A Dulang with Kamagong and Bone
36” x 25” x 17 1/2” (61 cm x 51 cm x 71 cm) each 11” x 23” x 36 1/2” 10 1/2” x 25” x 45” Inlay
(91 cm x 64 cm x 44 cm) each (28 cm x 58 cm x 93 cm) (27 cm x 64 cm x 114 cm) 11” x 23 1/2” x 50 1/2”
P 4,000 (28 cm x 60 cm x 128 cm)
P 10,000 P 5,000 P 5,000
P 5,000
León Gallery
PROPERTY FROM THE OSMUNDO 1673 1674

ESGUERRA COLLECTION
1681 1682 1683
A Two-Drawer Kamagong and Narra A Chinese Altar Table
1672 A Two-Tier Narra Table An Art Deco Tea Table in Narra With A Vintage Edgar Ramirez Tray Table
Mesa Altar hardwood
A Narra Table 26” x 21” x 26” Display Shelf on Stretcher. With Gilt Hand Painted Chinoiserie Style
kamagong and narra 37” x 16” x 45”
29 1/2” x 68” x 24” (66 cm x 53 cm x 66 cm) 29 1/2” x 18” x 30” Motifs on Matching Detachable Base.
34” x 15” x 72” (94 cm x 41 cm x 114 cm)
(75 cm x 173 cm x 61 cm) (75 cm x 46 cm x 76 cm 18” x 24” x 32” (46 cm x 61 cm x 81 cm)
(86 cm x 38 cm x 183 cm)
P 13,000 P 5,000
P 12,000 P 7,000 P 15,000
P 15,000
1675 1676 1677

1684 1685
A Molave and Narra Bohol A Molave Trestle Table A Marble Top Table
Two Hardwood Lamesitas A Teakwood Writing Desk with
Lamesita 27” x 60” x 30” Hardwood
21” x 24” x 12” Matching Chair
29” x 19” x 39” (69 cm x 152 cm x 76 cm) 30 1/2” x 49” x 27 1/2”
(53 cm x 61 cm x 30 cm) each a) 20 1/2” x 22” x 18”
(52 cm x 56 cm x 46 cm)
P 18,000
P 5,000 b) 30” x 30 1/2” x 18”
P 10,000 P 3,000
(76 cm x 77 cm x 46 cm)
P 10,000
1678 1679 1680 1686 1687

A Trestle Table A Narra Console Table A Narra and Balayong Lamesita A Pair of Narra Jewelry Display Tables A Pair of Hardwood Side Tables
30” x 28” x 76” 32” x 57 1/2” x 12” 30” x 24” x 36” 32 1/2” x 22” x 41” 26” x 27 1/2” x 18”
(76 cm x 71 cm x 193 cm) (81 cm x 146 cm x 30 cm) (70 cm x 61 cm x 91 cm) (83 cm x 56 cm x 104 cm) (66 cm x 70 cm x 46 cm) each
P 10,000 P 8,000 P 10,000 P 10,000 P 4,000
León Gallery
PROPERTY FROM AN OLD MANSION IN LILIW, LAGUNA 1692

A Mid-Century Modern
Narra Side Table
21” x 28” x 17”
(53 cm x 71 cm x 43 cm)
P 5,000
1688
An Art Deco Narra Sala Set
armchairs: 34” x 25 1/2”x 24”
settee: 37 1/2” x 60” x 23 1/2”
(95 cm x 152 cm x 60 cm)
P 15,000
1694
1689 An Art Deco Tocador
A Pair of Narra Sillones tocador: 57 1/2” x 39 1/2” x 17”
48 1/2” x 28” x 27” (146 cm x 100 cm x 43 cm)
(123 cm x 71 cm x 69 cm) each chair: 17” x 15” x 12”
(43 cm x 38 cm x 30 cm)
P 20,000
1693
P 5,000
A Pair of 19th-Century Oriental Pedestals
H: 29” D: 15” each
(H: 73 cm D: 38 cm)
1690 P 20,000
A Hardwood Armchair
40” x 22 1/2” x20”
(102 cm x 57 cm x 51 cm)
P 5,000
1695
A Narra Oval-Top Table
31 1/2” x 33” x 22”
(80 cm x 84 cm x 56 cm)
1691
Four Hardwood Pedestals or Plantstands P 5,000
41” x 11” x 11”
(104 cm x 28 cm x 28 cm)
P 10,000
1696
A Venetian Mirror
66” x 25”
(168 cm x 64 cm)
P 5,000
León Gallery
1697 1701
A Breakfast Nook Set An Antique One-Piece Top Narra Table
round table: with Tripod Legs Terminated by Ball
H: 30” (76 cm) and Claw Feet
D: 48”(122 cm) H: 31 1/2” (80 cm)
4 chairs: D: 53” (135 cm)
35 1/2” x 22” x 18 1/2”
(90 cm x 56 cm x 47 cm) each P 80,000
P 30,000 Provenance: from the collection of
Ramon Villegas
1702
A Narra Round-Top Table
H: 28” (71 cm)
D: 78” (198 cm)
P 18,000
1698 1699
Jerusalino “Jerry” V. Araos (b. 1944) A Glass Top Round Table
A Glass Top Sculptural Table H: 30”
signed and dated 1996 (glass top) D: 60”
H: 29” (74 cm)
D: 36” (91 cm) P 6,000
P 50,000
1700 1703
A Narra Dining Set A 19th-Century Binondo One-Piece
round table: Top Narra Table
H: 30” (76 cm) H: 32 (81 cm)
D: 54 1/2 (138 cm) D: 55” (140 cm)
dining chairs:
33 1/2” x 16 1/2” x 16” P 100,000
(85 cm x 42 cm x 41 cm) each Provenance:
Binondo, Manila
P 25,000
León Gallery
1704 1705
Two Rattan Glasstop Round Tables An Antique Round Marble Topped Table
a) H: 23” (58 cm) D: 20” (51 cm) H: 28” (71 cm)
b) H: 21” (53 cm) D: 30” (76 cm) D: 27” (69 cm)
P 15,000 P 15,000
1710
An Edgar Ramirez set Comprised of a 12 Seater
Narra Table and Twelve Narra Chairs
table: 30 1/2” x 185 1/2” x 48”
(77 cm x 471 cm x 122 cm)
chairs: 44” x 19” x 24”
(112 cm x 48 cm x 61 cm) each)
P 20,000
1706 1707 1708

A Narra Round-Top Table An Oriental Coffee Table A Korean Tea Table
H: 23” (58 cm) hardwood H: 9” (23 cm)
D: 16 1/2” (42 cm) H: 17 1/2” (44 cm) D: 23 1/2” (60 cm
D: 26” (66 cm)
P 3,000 P 1,000
P 5,000
1709
A Narra Biedermeier Table
30” x 84” x 42”
(76 cm x 213 cm x 107 cm)
1711
P 20,000 A Pre-war Bilibid Twenty-Seater Dining Table
Narra
30” x 45 1/2” x 156”
(76 cm x 116 cm x 396 cm)
P 100,000
León Gallery
1718 1719
A Garden Set A Garden Set (Arte Espanol)
chairs: 38” x 22 1/2” x 17 1/2” table:
1712 1713 (97 cm x 57 cm x 44 cm) each H: 20” (51 cm)
A Slab-top Freeform Coffee Table An Acacia Wood Freeform Coffee Table table: 25” x 30 1/2” x 30” D: 30” (76 cm)
hardwood 15” x 53” x 29” (38 cm x 135 cm x 74 cm) (64 cm x 77 cm x 76 cm) one-seater: 31” x 22” x 29” (79 cm x 56 cm x 74 cm) each
18 1/2” x 61” x 33” two-seater: 34 1/2” x 62 1/2” x 28” (88 cm x 159 cm x 71 cm)
(47 cm x 155 cm x 84 cm) P 35,000 P 9,000
P 9,000
P 30,000
1720
1714 1715 1721
A Garden Set
A Slab-top Writing Desk A Slab-Top Writing Desk A Five Seater Garden Set
round table: H: 19” (48 cm) D: 30” (76 cm)
hardwood 18” x 57” x 33” table: 29” x 55” x 28” (74 cm x 140 cm x 71 cm)
29” x 70 1/2” x 23” (46 cm x 145 cm x 84 cm) chairs: 37” x 18 1/2” x 18 1/2” (94 cm x 47 cm x 47 cm) each
(74 cm x 179 cm x 58 cm)
P 9,000
P 25,000 P 9,000
P 40,000
1717
1716 A Freeform Narra Wood Low Table
A Live-Edge Dining Table 17 1/2” x 128” x 44”
34” x 126” x 37” (44 cm x 325 cm x 112 cm)
1722 1723
(86 cm x 320 cm x 94 cm)
P 100,000 A Garden Set A Garden Set
table: H: 28 1/2” (72 cm) D: 43 1/2” (110 cm) round table: H: 18” (46 cm) D: 30” (76 cm)
P 20,000
chair: 34 1/2” x 24” x 22” (88 cm x 61 cm x 56 cm) chairs: 30” x 25 1/2” x 25” (76 cm x 65 cm x 64 cm) each
P 9,000 P 9,000
León Gallery
1724
A Ceramic Garden Set
table: H: 20 1/2” D: 19 1/2”
stools: H: 15 1/2” D: 12” each
P 15,000
1725
A Molave Free-Form Table and Stools Set
table: 27” x 45” x 30 1/2” (69 cm x 114 cm x 77 cm)
chairs: 16” x 15” x 10 1/2” (41 cm x 38 cm x 27 cm) each
P 18,000
1726
A Nine-Piece Garden Set
wrought iron
table: 30” x 80” x 40”
(76 cm x 203 cm x 102 cm)
2 armchairs: 34” x 21” x 18”
6 chairs: 34” x 21” x 18” each
(86 cm x 53 cm x 46 cm)
P 20,000
León Gallery
1728
IN FOCUS Benji Reyes (b. 1958)
Tumba-Tumba (Rocking Chair)
ca. 1997
PURSUIT OF FREE SPIRITS

ipil, yakal, and kamagong
46 1/2” x 28” x 38”
(118 cm x 71 cm x 97 cm)
Unveiling Benji Reyes’ Unbridled Craftsmanship P 30,000
B enji’s free-spirited approach to the craft had set

him apart very early in his career. He challenged
the traditional approaches to material axiomatics in
carpentry as he deliberately avoided the use of nails to fasten
pieces of wood together. On the website Upper Room Gallery,
the Philippines plays host to over three thousand species of
trees, most are endangered so playing a minor role in the use of
wood Benji and his team will be able to try to play a major role
in the conservation of the last remaining rainforests through the
introduction and education of the potential and value of the use
1729
Benji Reyes (b. 1958)
Alalay (Pair of Side Tables)
signed
Reyes stated that old wood is more durable than new wood. of recycled wood. He further shares that he and his team, Benji 29” x 22” x 18”
Besides from being seasoned dried, sawyers used to select Reyes Design and Woodworks adheres to their principle of “Build
mature trees to fell. He explained further that we can never it once - build it right,” thus engineering functional structures P 15,000
compare the denseness, grain quality and strength of old wood that will not only work well but will reacquaint its owners and
to a new one hence what else to corroborate these facts but to guests to the miracle and beauty of wood.
see this kind of wood on century-old wooden houses that is still
settled in and used by fourth and fifth generation owners. With Overall,Benji Reyes is a silent, but pivotal figure in the Philippine 1730
this resource, Reyes have started its application in designing and woodworking industry, his functional sculptures inspired the
Sekretarya (Three-Drawer Desk)
building residential houses and resorts since as Benji elaborated sculptural style of the Philippine contemporary furniture. ca. 1997
ipil, yakal, and kamagong
31” x 25 1/2” x 60”
(79 cm x 65 cm x 152 cm)
P 30,000
1731
1727 Hapag Larawan (Console Table with Shelves)
Benji Reyes (b. 1958) ipil
Panaginip (Four-Poster Bed) 38” x 14” x 74”
signed (97 cm x 36 cm x 188 cm)
kamagong, narra, and hardwood
97” x 86” x 90” P 30,000
(246 cm x 218 cm x 229 cm)
P 200,000
1732
Kapehan (Coffee Table)
17” x 74 1/2” x 30”
(43 cm x 189 cm x 76 cm)
P 30,000
León Gallery
1733 1734 1735

A Narra Display Cabinet A Mid-20th Century Narra Aparador A Teakwood Art Deco Aparador 1738 1739 1740
86” x 64” x 24” 74” x 26” x 22” 74 1/2” x 38” x 17 1/2” A Narra Art Deco Aparador An Art-Deco Narra and Lawanit An Art Deco Narra Aparador
(218 cm x 163 cm x 61 cm) (188 cm x 66 cm x 56 cm) each (189 cm x 97 cm x 44 cm) 75 1/2” x 32” x 17 1/2” Aparador with Kamagong Inlay 78” x 33 1/2” x 18 1/2”
(192 cm x 81 cm x 44 cm) narra and masonite board (198 cm x 85 cm x 47 cm)
P 10,000 P 8,000 P 15,000 81” x 60” x 22”
P 10,000 (206 cm x 152 cm x 56 cm) P 10,000
P 20,000
1736
A Teakwood Vitrine
88” x 41” x 21”
(224 cm x 104 cm x 53 cm)
P 30,000
1737
A Hardwood Vitrine
possibly oak
87” x 53” x 17”
(221 cm x 135 cm x 43 cm)
P 30,000 1741 1742 1743

A Wood Inlaid Oriental Cabinet A Low Rise Tambol Aparador A Georgian Lane Armoire
teakwood 68” x 45” x 18” veneered hardwood
72” x 45” x 15 1/2” (173 cm x 109 cm x 46 cm) 88” x 48 1/2” x 31”
(183 cm x 114 cm x 39 cm) (224 cm x 123 cm x 79 cm
P 25,000
P 8,000 P 25,000
León Gallery
Old World Opulence

The Refined Elegance of the Manila Aparador
S
ought after for their exquisite craftsmanship
and attention to detail, Manila Aparadors
are revered by collectors, aficionados, and
home-makers alike for their timeless aesthetic and
unmistakably Filipino sensibilities. Manila Aparador PROPERTY FROM A VERY DISTINGUISHED GENTLEMAN
is the name given to the aparadors of this type
that were constructed in Binondo, Manila during 1746
A Circa 1930’s Kamagong Aparador
the area’s artisanal furniture heyday. Compared to 77” x 48” x 21”
other aparadors, they were relatively more boxy and (196 cm x 122 cm x 21 cm)
prominently featured posts on their sides. Yet, what
P 150,000
truly sets them apart from the rest was the amount
of care and attention artisans and craftsmen placed
into each piece. Every piece was painstakingly and
meticulously crafted by hand. Though tools were used
in the shaping and carving process, no machinery or
special equipment was ever used, thus a single piece
would only take around months to even a few years
to complete. Manila Aparadors were also often only
produced by the most skilled craftsmen, given that
only true masters of the craft knew how to properly 1744
work with exquisite hardwoods. A 19th-Century Manila Aparador
kamagong and narra with lanite Inlay
80” x 52” x 21”
(203 cm x 132 cm x 53 cm)
P 400,000
Yet, the history behind these Manila Aparadors are

not the only things worth mentioning. Both pieces
are fashioned out of Narra and Kamagong, two
of the most sought after materials in locally-made
Filipino furniture. Known for its interlocking and
wavy grain structure, and its superb natural luster,
Narra has become synonymous with fine Filipino
craftsmanship. Narra also boasts an incredible
lifespan due to its weather and rot resistances which
are often considered equal to none. Kamagong on
the other hand is revered as the crème de la crème
of hardwoods. Famous for its unparalleled durability
and rich dark color, Kamagong is often only available
to the rich and powerful, given that not only is
1745 it extremely difficult to source, but the wood’s
1747 1748 1749
A 19th-Century Manila Aparador sturdiness poses a considerable challenge to even the A Circa 1930’s Narra Aparador A Circa 1930’s Narra Aparador An Early 20th Century Narra Aparador
narra and kamagong
most skilled craftsmen, thus fetching a hefty price 93” x 45” x 22” 88” x 43” x 23” 95” x 44 1/2” x 24”
78” x 54” x 25” (236 cm x 114 cm x 56 cm) (224 cm x 109 cm x 58 cm) (241 cm x 112 cm x 61 cm)
(198 cm x 137 cm x 64 cm) tag. These rare and exquisite Manila Aparadors are
must-haves for any true collector and connoisseur of P 20,000 P 20,000 P 30,000
P 150,000
Filipino classics.
León Gallery
1757
1756 A Narra Art Deco Tres Lunas Tocador
1750 1751 1752 A Mid-Twentieth Century Narra 76 1/2” x 45” x 17”
A Narra Paminggalan A Paminggalan A Lansena Tocador (194 cm x 114 cm x 43 cm)
80” x 43” x 18 1/2” narra and hardwood hardwood 60 1/2” x 36” x 15”
(203 cm x 109 cm x 47 cm) 58 1/2” x 21” x 13 1/2” 75” x 44 1/2” x 18” (154 cm x 91 cm x 38 cm) P 15,000
P 18,000 P 15,000
P 18,000 P 18,000
1758
A Bentwood Lavador with
Pitcher and Basin
56” x 24” x 18”
(142 cm x 61 cm x 46 cm)
P 5,000
1753 1754 1755 1759 1760

An Ipil Almario An Almario An Early 20th-Century Cabinet A Narra Art Deco Dresser A Circa 1920s Marble-Top Lavador
73” x 24” x 18” 90” x 25” x 15” 58” x 22” x 17” 65” x 58” x 16” 58” x 44” x 20”
(185 cm x 61 cm x 46 cm) (229 cm x 64 cm x 38 cm) (147 cm x 56 cm x 43 cm) (165 cm x 147 cm x 41 cm) (147 cm x 112 cm x 51 cm)
P 10,000 P 10,000 P 20,000 P 10,000 P 20,000
León Gallery
1761
An Antique Narra Comoda
de Poste
49” x 24” x 47”
(124 cm x 61 cm x 119 cm)
P 30,000
1762
An Antique Narra Comoda
43” x 45” x 21”
(109 cm x 114 cm x 53 cm)
1768 1769 1770
P 18,000 A Dinemonyo Mesa Altar An Ipil Mesa Altar A Molave Altar Table with Kamagong
40” x 27” x 72” 40” x 50” x 29” and Bone Inlay
(102 cm x 69 cm x 183 cm) (102 cm x 127 cm x 74 cm) 32” x 48” x 24”
(81 cm x 122 cm x 61 cm)
P 50,000 P 50,000
P 25,000
1763
A Narra and Kamagong
Comoda de Poste with
Concealable Writing Desk
45 1/2” x 22” x 42”
(116 cm x 56 cm x 107 cm)
P 20,000
1771
1764 A “Sakang” Mesa Altar
A Narra Comoda 18th Century
53 1/2” x 52” x 23 1/2” narra
(136 cm x 132 cm x 60 cm) 35 1/2” x 24” x 42 1/2”
90 cm x 61 cm x 108 cm)
P 20,000
P 200,000
1772
An Ipil and Narra Mesa Altar
37 1/2” x 26” x 72”
(95 cm x 66 cm x 183 cm)
P 50,000
1767
1765 1766
A Narra Comoda
A Narra Comoda de Poste A Narra Laguna Comoda
46” x 36” x 20”
48” x 51” x 25 1/2” 42” x 40 1/2” x 18”
(117 cm x 91 cm x 51 cm)
(122 cm x 130 cm x 65 cm (107 cm x 103 cm x 46 cm)
P 12,000
P 25,000 P 15,000
Provenance: from the collection of
Osmundo Esguerra
León Gallery
1773 1774 1775 1779 1780

A Narra Four Drawer Mesa An Antique Narra Mesa Altar A Narra Office Desk An Art Deco Narra Bed A Molave Papag
Altar with Bone Inlay 40” x 47” x 21” 32” x 53” x 32” 40” x 42” x 80” 26” x 36” x 72”
37” x 48” x 22” (102 cm x 119 cm x 53 cm) (81 cm x 135 cm x 81 cm) (102 cm x 107 cm x 203 cm) (66 cm x 91 cm x 183 cm)
(94 cm x 122 cm x 56 cm)
P 18,000 P 10,000 P 8,000 P 8,000
P 25,000
1776
A 19th-Century Bohol Comoda
Molave, Narra, and Guijo
47” x 60” x 27”
(119 cm x 152 cm x 69 cm)
P 50,000
1781 1782
A Queen-Sized Teak Daybed A Queen-Sized Teak Sleigh Bed Frame
33 1/2” x 84” x 68” 37 1/2” x 66” x 94”
P 12,000 P 12,000
1783
An Antique Four-Poster Bed
82” x 51 1/2” x 79”
(208 cm x 131 cm x 200 cm)
P 30,000
1777 1778
A Sheraton Side Board with Bone Inlay A Baliuag Sheraton Table with Bone Inlay
30” x 16” x 16” (76 cm x 41 cm x 41 cm) 37” x 17” x 53” (94 cm x 43 cm x 135 cm)
P 50,000 P 30,000
León Gallery
1784
A Modernist Narra Headboard
40” x 103” x 24”
(102 cm x 162 cm x 61 cm)
P 10,000
1791 1792
An Oriental Bar Cabinet A Japanese Altar or Butsudan
closed: 37 1/2” x 31” x 17” 63” x 29” x 24”
P 38,000 P 50,000
1793
A Late Qing Dynasty Oriental Armoire
hardwood
76 1/2” x 48” x 21 1/2”
1785 1786 1787 (194 cm x 122 cm x 55 cm)
A Four-Drawer Tansu Chest An Oriental Armoire A Korean Apothecary Cabinet
35 1/2” x 18” x 15” hardwood with metal applique 43 1/2” x 23 1/2” x 13” P 150,000
(90 cm x 46 cm x 38 cm) 67” x 41” x 23 1/2” (110 cm x 60 cm x 33 cm)
170 cm x 104 cm x 60 cm) Chinese large cabinets, also known as armoires or wardrobes showed
P 15,000 P 3,000 more versatility than mere closet replacements. They were used to store
P 9,000 bedding and clothing and anything a household wanted to keep secure
and out of sight and is generally made without any glue or nails - rather,
the pieces are held together by a complicated network of joints.
Qing style furniture integrated many elements influenced by Western

culture and arts, such as Renaissance, Baroque, and Rococo. The Qing
Dynasty furniture emerged in the early Qing Dynasty (1644 - 1912) during
the reign of Emperor Kangxi, and developed in the reign of Emperor
Yongzheng and the subsequent two hundred years. By the late Qing
Dynasty, the Opium War changed the destiny of ancient China, and
deeply influenced the development of Qing style furniture. It blended
the characteristics of Western architecture and Western style furniture - a
perfect evidence of a special historical period.
Nowadays, Qing Dynasty furniture has spread its unique characters and
possess high collecting value since the materials used are carefully selected
and preferred deep colors hardwoods such as rosewood, sandalwood,
ebony and beech, so as to guarantee that the color and luster lamination
1788 1789 1790 of appearance are unanimous and showcases a very firm structure.
An Oriental Storage Box A Korean Cabinet An Oriental Drop Front Secretaire Craftsmens also created elaborate decoration using common methods
34 1/2” x 34” x 22” hardwood 42” x 36” x 18” such as carving and inlaying wherein the decorations are well-considered
(88 cm x 86 cm x 56 cm) 31” x 36” x 17” (107 cm x 91 cm x 46 cm) and various.
(79 cm x 91 cm x 43 cm)
P 15,000 P 25,000
P 5,000
León Gallery
PROPERTY OF A DISTINGUISHED LADY
1794
Two Oriental Accent Pieces
brass and soft stone
orb:
H: 12 1/2” D: 10” (32 cm x 25 cm)
censer:
6” x 6” x 6” (15 cm x 15 cm x 15
1800
A 19th-Century Balayong and Narra Kapiya
P 5,000
38” x 19” x 106”
(97 cm x 48 cm x 269 cm)
P 20,000
PROPERTY OF A DISTINGUISHED LADY PROPERTY OF A DISTINGUISHED LADY
1795 1796
A Famille Verte Jar A Cobalt Blue Jar
H: 33” (84 cm) D:16” (41 cm) H: 34” (86 cm) D: 20” (51 cm)
P 10,000 P 12,000
1801
An Eight Panel Narra Screen or Room
Divider
74” x 172” x 1 1/2”
(188 cm x 437 cm x 4 cm)
P 30,000
1802
A Group of Industrial Motif Accent Pieces
PROPERTY OF A DISTINGUISHED LADY PROPERTY OF A DISTINGUISHED LADY PROPERTY OF A DISTINGUISHED LADY sphere: H: 18” (46 cm) D: 8” (20 cm)
sextant: 3” x 5” x 5 1/2” (8 cm x 13 cm x 14 cm)
1797 1798 1799 locks: size variable
A Mauthe Grandfather Clock A Pair of Maranao Gadurs Three Hardwood Slabs
85” x 20” x 14” brass 30 1/2” x 26” x 14 1/2” P 5,000
(216 cm x 51 cm x 36 cm) H: 47” (119 cm) (77 cm x 66 cm x 37 cm)
D: 12” (30 cm)
P 20,000
P 3,000
P 10,000
León Gallery
1803
Two Obelisks
a) 15” x 4” x 4”
(38 cm x 10 cm x 10 cm)
b) 15 1/2” x 5” x 5”
(39 cm x 13 cm x 13 cm)
P 5,000
1804
A Pair of Deer-shaped Lidded Repousse
Silver Boxes
silver
1.25 kgms
6 1/2” x 7 1/2” x 4”
P 4,000
1809
A Pabitera 1810
hardwood A Narra Lamesita
29” x 19” x 35” 28 1/2” x 20” x 33 1/2”
P 8,000 P 10,000

1805
1806
Three Oriental Accent Pieces
Two Accent Pieces
a) 15” x 10” x 7” (38 cm x 25 cm x 18 cm)
a) 15” x 11 1/2” x 6” (38 cm x 29 cm x 15 cm)
b) 15” x 10” x 7” (38 cm x 25 cm x 18 cm)
b) 11” x 10” x 6” (28 cm x 25 cm x 15 cm) each
c) 10” x 6” x 6” (25 cm x 15 cm x 15 cm)
P 3,000
P 5,000

1812
PROPERTY OF A DISTINGUISHED LADY 1811 An Oval Top Molave Table
1807
A Two Drawer Molave Mesa Altar 30” x 21” x 46”
Two Brass Figurines 1808 33” x 25” x 54” (76 cm x 53 cm x 117 cm)
a) H: 16” (41 cm) An Assortment of 18 Betel Nut Boxes (84 cm x 64 cm x 137 cm)
b) D: 6” (15 cm) size variable
15” x 5 1/2” x 10” P 12,000
P 15,000
(38 cm x 14 cm x 25 cm) P 30,000
P 3,000
León Gallery
1819
An Art Nouveau Mirror
47” x 31” (119 cm x 79 cm)
P 2,000
1820
A Giltwood Mirror
63” x 51” x 3”
(160 cm x 130 cm x 8 cm)
P 30,000
1813 1814 1815

A Narra Art Nouveau Mirror A Hat/Coat and Umbrella Wall Stand An Art Deco Mirror
52” x 31” (132 cm x 79 cm) brass, possibly narra 62” x 19 1/2” (157 cm x 50 cm)
74” x 23 1/2” x 7”
P 15,000 (188 cm x 60 cm x 18 cm) P 10,000
P 3,000
1821 1822 1823

A Full Body Mirror A Teak Framed Wall Mirror A Balinese Teakwood Walll Mirror
65” x 49”(165 cm x 124 cm) 44 1/2” x 39” 44 1/2” x 39” (113 cm x 99 cm)
(113 cm x 99 cm)
P 5,000 P 1,000
P 3,000
1816 1817 1818

An Indonesian Repousse Brass Mirror A Gilt Frame Mirror An Early 20th-Century Manilena Narra
60” x 28” 33 1/2” x 17” Mirror
(152 cm x 71 cm) (85 cm x 43 cm) 67” x 27 1/2” x 3” 1824 1825
(170 cm x 70 cm x 8 cm) A Venetian Mirror Two Repousse Metal Mirrors
P 5,000 P 5,000 46” x 56” (117 cm x 142 cm) a) 53 1/2” x 34” (136 cm x 86 cm)
P 20,000 b) 59” x 34 1/2” (150 cm x 88 cm)
P 5,000
P 10,000
León Gallery
IN FOCUS
TREASURES FROM A STA MESA MANSION

A True Gentleman’s Collection
T
his collection of items hails from the adopted by almost the entire archipelago, save
property of an esteemed and noteworthy for the territories of Mindanao. Certain regions
gentleman. Featuring all the hallmarks of eventually adopted their own aesthetic vernacular
a cultured and learned individual, these items when constructing mesa altars, with two of the
are absolute must-haves for anyone looking to most prominent examples being Batangas and
bolster their collection with only the finest objects, Baliuag styles. This particular piece is constructed
antiques, and ephemera. out of Narra, one of the most sought after
materials in Filipino furniture, and features a set of
Often considered as one of the oldest examples splayed or sakang legs.
of Filipino woodwork and carpentry, the history
of the mesa altar can be traced back to China’s Another notable piece from this esteemed
Shang Dynasty, where it was considered an collection is an exquisite mirror frame. Featuring
indispensable household item as well as an a distinct art nouveau style, this particular piece
important temple fixture. From China, these tables is a product of noteworthy craftsmanship. The
eventually made their way to multiple civilizations frame’s design features all the hallmarks of an
and cultures due to trade and industry. Mesa excellent art nouveau piece, such as an intricate
Altar Tables first appeared in Philippine shores curvilinear design that accentuates the overall flow
during the Ming Dynasty, given that the earliest of the piece, and several sinuous nature-inspired
known Philippine made examples were modeled asymmetrical lines. This excellent mirror frame
after Ming designs. The mesa altar was eventually would be an excellent addition to any stately home.
1826
A 19th-Century Ah-Tay
Round Table
H: 28” (71 cm)
D: 40” (102 cm)
P 50,000
León Gallery
1827
An Early 20th-Century Narra 1831
Mirror A Narra Four Poster Bed Frame (lacking posts)
46” x 79” (117 cm x 201 cm) bed: 39” x 220” x 66” (99 cm x 559 cm x 168 cm)
crown: 17” x 90” x 69” (43 cm x 229 cm x 175 cm)
P 15,000
P 8,000
1828
An Early 20th-Century Narra Tocador
possibly from the Bilibid Workshop
74 1/2” x 65” x 18”
(189 cm x 165 cm x 46 cm)
P 10,000
1829
A Turn-of-the-Century
Marble-Top Console Table 1832
with Mirror An Early 20th-Century Narra Sala Set
possibly fromt the Bilibid possibly from the Bilibid Workshop
Workshop settee: 54 1/2” x 70 1/2” x 22”
72” x 44 1/2” x 20 1/2” (138 cm x 179 cm x 56 cm)
(183 cm x 113 cm x 52 cm) 4 armchairs: 54” x 27 1/2” x 22”
P 30,000
P 20,000
1833
A Narra Bed Frame
1830 53” x 49” x 81”
An Early 20th Century Narra Bed (135 cm x 124 cm x 206 cm)
possibly from the Bilibid Workshop
52 1/2” x 61 1/2” x 89” P 5,000
(133 cm x 156 cm x 226 cm)
P 10,000
León Gallery
1834
A Camphor Chest
camphor wood
23 1/2” x 41” x 20”
(60 cm x 104 cm x 51 cm)
P 12,000
1835
A Camphor Chest
camphor wood
23” x 41” x 20”
(58 cm x 104 cm x 51 cm)
P 12,000
1836
A Pair of Narra Lounge Chairs and a Foot Stool 1837
chairs: 34” x 37 1/2” x 30” A Pair of Ottomans 1841 1842 1843
(86 cm x 95 cm x 76 cm) each 16” x 26” x 25 1/2” A Narra Aparador A Narra and Narra Frente Platera A Narra Two-Door Aparador
foot stool: 12 1/2” x 27 1/2” x 17 1/2” (41 cm x 66 cm x 65 cm) each 88 1/2” x 44 1/2” x 24” 87” x 59” x 20” 78” x 49 1/2” x 19”
(32 cm x 70 cm x 44 cm) (225 cm x 113 cm x 61 cm (221 cm x 150 cm x 51 cm) (198 cm x 126 cm x 48 cm)
P 1,000
P 1,000 P 8,000 P 2,000 P 10,000
1838
6 chairs
chair: 45” x 18” x 16”
(114 cm x 46 cm x 41 cm)
with armrest: 48” x 20” x 23”
(122 cm x 51 cm x 58 cm)
P 12,000
1839
A Narra Two-Seater Galinera
40” x 35” x 23”
(102 cm x 89 cm x 58 cm)
P 10,000
1840
A Windsor Swivel Chair 1844 1845 1846
hardwood A Display Cabinet A Narra Vitrine A Narra Art Deco Lansena
44” x 25” x 21” narra and narra frente 66” x 58” x 20” 64 1/2” x 46” x 20”
(112 cm x 64 cm x 53 cm) 62” x 42” x 15” (168 cm x 147 cm x 51 cm) (164 cm x 117 cm x 51 cm)
(157 cm x 107 cm x 38 cm)
P 5,000 P 10,000 P 5,000
P 2,000
León Gallery
1848
A Capiz Drop Light
H: 28” (71 cm)
D: 19” (48 cm)
P 1,000
1849
A Table Lamp
H: 28” (71 cm) 1854 1855 1856
D: 14” (36 cm) A Narra Lamesita with Bone Inlay A Modern Narra Index Card Cabinet31 A Narra Drop-Leaf Table/Bar Cart
29” x 18” x 28 1/2” 1/2” x 31 1/2” x 22 1/2” 30” x 45” x 30”
P 1,000 (74 cm x 46 cm x 72 cm) (80 cm x 80 cm x 57 cm) (76 cm x 114 cm x 76 cm)
P 10,000 P 5,000 P 2,000
1850
Two Decorative Items
a) 16 1/2” x 7” x 13”
1847 (42 cm x 18 cm x 33 cm)
A Mid-Century Floor Lamp b) 19” x 9” x 14”
H: 78” (198 cm) (48 cm x 23 cm x 36 cm)
(shade) D: 8” (20 cm)
P 1,000
P 1,000
1857
A Narra Executive Desk 1858
31” x 45” x 70” A Narra Roll Top Escritorio
(79 cm x 114 cm 178 cm) 50” x 58” x 35”
(127 cm x 147 cm x 89 cm)
P 12,000
P 10,000
1859 1860
A Bilibid Marble Top Narra Table A Trestle Table
1851 1852 1853 31” x 44” x 72” hardwood
A Floor Lamp Stand A Narra Vitrine with Ball and Claw Feet A Narra Aparador (79 cm x 112 cm x 183 cm) 23” x 35 1/2” x 62 1/2”
H: 55” (138 cm) 68” x 34” x 18 1/2” 79” x 58” x 19” (58 cm x 90 cm x 159 cm)
D: 15” (38 cm) (173 cm x 86 cm x 47 cm) (201 cm x 147 cm x 48 cm) P 25,000
P 2,000
P 1,000 P 10,000 P 5,000
León Gallery
1861
A Group of Six Religious Images
hardwood
a) 19” x 18” x 6” (48 cm x 46 cm x 15 cm)
b) 40” x 13” x 11” (102 cm x 33 cm x 28 cm)
c) 44” x 12” x 11” (12 cm x 30 cm x 28 cm)
d) 35 1/2” x 10” x 10” (90 cm x 25 cm x 25 cm)
e) 17” x 15 1/2” x 8” (43 cm x 39 cm x 20 cm)
f) 31” x 12” x 15” (79 cm x 30 cm x 38 cm)
P 5,000
1862
Three Prie-Dieux or Prayer Desks
narra and hardwood
a) 31” x 24” x 22 1/2” (79 cm x 61 cm x 57 cm)
b) 33” x 21” x 14 1/2” (84 cm x 53 cm x 37 cm)
c) 32” x 24” x 20” (81 cm x 61 cm x 51 cm)
P 3,000
1863
A Filipiniana themed Bas Relief
Room Divider
narra and unidentified hardwood
90” x 71” x 24”
(229 cm x 180 cm x 61 cm)
P 10,000
1864
A Narra Urna
58” x 21” x 21”
(147 cm x 53 cm x 53 cm)
P 5,000
León Gallery
THE SPECULA OF A TAMPINCO FRAME

Discovering the Estilo Tampinco Bequest
1865
An Isabelo Tampinco Narra Frame
57 1/2” x 82” (146 cm x 208 cm)
P 80,000
I
sabelo Tampinco, one of the most celebrated and acclaimed the entrance of the Marble Hall of the Ayuntamiento in
Filipino wood sculptors, received his formal artistic training Intramuros.
at the Academia de Dibujo y Pintura under the guidance of
Agustin Sáez in 1862 and later, at the Escuela de Artes y Oficios Art nouveau, an ornamental style of art that was inspired
in 1869. He served as an apprentice at Cándido Alfonso’s by natural and organic forms, became widely popular in
workshop in exchange for artistic training in 1865. With his the Philippines at the culmination of the 19th century.
stellar virtuosity, Tampinco was chosen to be one of the Filipino Employing asymmetrical yet refined figures, Tampinco
representatives to the Universal Exposition of Philadelphia in feverishly intertwined his artistry towards this style from
1876, with his sculpture busto de madera. It was also in the 1895 to 1933. Tampinco’s frames are intricately carved with
same year that he was commissioned to embellish the façade of floral and leaf motifs rendered in a noteworthy manner
the Manila Cathedral with Corinthian capitals. – one that would eventually become known as estilo
Tampinco. In this style, he drew on native flora such as the
In 1880, Tampinco was bestowed by Governor-General anahaw, bamboo, sala, and the areca nut, bringing to light
Domingo Moriones with the mérito civil for his loyalty to the his purpose of emphasizing a
Spanish monarchy and the colonial government in the field of Filipinized style in his works.
sculpture. As a testament to his exceptional artistry, he received
numerous local and international honors including a gold In The Life and Art of Isabelo
medal from the Universal Exposition of Barcelona in 1888 and Tampinco, Santiago Albano Pilar
another from the Philippine Regional Exposition in Manila in wrote: “All in all, because of the
1895, as well as the St. Louis World’s Fair of 1904. Among his primordial nationalistic intentions
most prominent works are the high relief on the molave door of its local primogenitors, Juan
of the Santo Domingo Church, the wood carvings of the San Luna and Isabelo Tampinco,
Agustin Church, the interiors of the Old Senate Session Hall of art nouveau was successfully
the National Museum, and ten hardwood panels mounted over appropriated and recast with a
Filipino sensibility.”
Isabelo Tampinco
León Gallery
1866 1867
A Set of Four Vintage Chinese Hand Painted Blue and A Four Panel Room Divider
White Panels in Original Carved Wood Frames teakwood 76” x 77” (193 cm x 196 cm)
48” x 59” (122 cm x 150 cm)
P 15,000
P 30,000
1872 1873
An Antique Pair of Narra Doors A Balinese Archway
83” x 26” x 2” teakwood
(211 cm x 66 cm x 5 cm) each 97 1/2” x 82” x 2 1/2”
(248 cm x 208 cm x 6 cm)
P 15,000
P 15,000
1868 1869
A Six-Panel Coromandel Screen with Mother of Pearl Inlay A Six-Panel Room Divider
63” x 94” (160 cm x 239 cm) hardwood
87” x 105” x 1 1/2” (221 cm x 267 cm x 4 cm)
P 15,000
P 5,000
1874
A Pair of 1920s Chinese Doors
98” x 33 1/2” (249 cm x 85 cm) each
P 100,000
1870 1871
A Three-Panel Room Divider A Three Panel Wood and Glass Room Divider
capiz, sampaguita glass, and hardwood 79” x 58 1/2” x 1” (201 cm x 149 cm x 3 cm)
72 1/2” x 65” x 15” (184 cm x 165 cm x 38 cm)
P 5,000
P 10,000
León Gallery
1876
The Tecson Art Nouveau Narra Frame
34” x 25” (86 cm x 63 cm)
P 60,000
Made of yellow narra, this frame

falls under the art nouveau style. Art
nouveau became a popular practice in
the Philippines during the latter part of
the 19th century. It is an ornamental
art form that is inspired by biological
elements, i.e. flora and fauna.
1877
An Ysabelo Tampinco Frame
17 1/2” x 13” (44 cm x 33 cm)
P 30,000
Isabelo Tampinco was the foremost

Filipino sculptor of the 19th and early
20th centuries. Alongside Juan Luna,
he was the forerunner of the art
nouveau style who gave the art form a
distinct Filipino identity.
1878
1875
A Corpus on a Kamagong Crucifix, Encased in a
A 17th-Century Bicol Corpus of Christ Crucified
Kamagong Urna By Damaso Rotor
hardwood
Early 20th-Century
17 3/4” x 15” x 5”
H: 40” W: 18” L: 12 1/2”
(50 cm x 11 cm x 12 cm)
(H: 101 cm W: 45 cm x L: 31 cm)
P 20,000
P 50,000
Accompanied by a certificate issued by Gallery Deus confirming the authenticity
of this lot
A noteworthy feature of this hardwood image of the Crafted by Ilocano sculptor Damaso Rotor, this was the
corpus (body) of Christ is the meticulous depiction winning piece in the Vigan Fair of 1938. This piece is
of its physique. Carved by an unnamed Bicolano composed of an ebony church with flames and stars
craftsman, its elongated body resembles that of the and Greek columns on four sides, and a figure of the
slanted renditions of popular ivory carvings of the crucified Christ fixed to an ebony cross.
crucified Christ during the Spanish colonial period
León Gallery
1883
A Molave and Narra Settee
possibly by Jerusalino “Jerry” V. Araos
24” x 90” x 26 1/2”
(60 cm x 228 cm x 67 cm)
PROPERTY FROM A DISTINGUISHED LADY PROPERTY FROM A DISTINGUISHED LA
P 25,000
1879 1880
A Pair of Lamps with Chinese Wine Jar Bodies Three Table Lamps with Damajuana Bodies
H: 35” (H: 88 cm) a.) H: 33” D: 21” (H: 84 cm D: 53 cm)
D: 25” (63 cm) each b.) H: 31 1/2” D: 22” (H: 80 cm D: 56 cm)
c.) H: 31 1/2” D: 22” (H: 80 cm D: 56 cm)
P 5,000
P 10,000
1884
A Narra and Kamagong Table
30 1/2” x 102” x 33”
(77 cm x 259 cm x 83 cm)
P 15,000
1881
A Molave Gallinera with Bone Inlay
20th Century
36 1/2” x 104” x 21 1/2”
(93 cm x 264 cm x 54 cm)
P 70,000
The word “galinera” came from the Spanish word

“gallo” meaning chicken. This type of bench was placed
outside the hacienda owner’s office and was used by
tenant farmers to place their live poultry on the occasion
that they needed to come to the haciendero’s office to
settle their dues.
PROPERTY FROM A DISTINGUISHED LADY
1885
1882 Two Narra Obelisks
Two Qing Dynasty Tables with 21 1/2” x 5 1/2” x 5 1/2”
Mother-of-Pearl Inlay (54 cm x 14 cm x 14 cm)
possibly blackwood
Small: 32” x 19” x 19” P 8,000
(81 cm x 48 cm x 48 cm)
Big: 34 1/2” x 37” x 19”
(88 cm x 94 cm x 48 cm)
P 150,000
Molave, Narra, and Kamagong are the most sought-after
Accompanied by a certificate issued by The National Muse- hardwoods in the Philippines due to their durability. Molave has
um confirming the authenticity of this lot
a fine texture that makes it smooth to the touch; narra boasts 1886
of an incredible lifespan due to its weather and rot resistance; A Narra and Kamagong Armchair
Qing Dynasty furniture are described as and kamagong is a popular native hardwood that is revered for 40” x 19” x 20”
sumptuous and elaborate in design, with its exceptional ability to withstand wear, pressure, or damage. It (101 cm x 48 cm x 20 cm)
embellishments in every form. Furniture from is often only available for the affluent class due to its difficulty in
this period were usually made for export, sourcing and laborious crafting. P 8,000
mostly to Europe, and had a distinct style,
usually crafted in various shapes and forms to
suit the international market.
León Gallery
1892 1893
1887 1888
A Narra Baul with Drawers Three Oriental Jars
Two Maps The Midway Islands Book
16” x 15” x 27 1/2” Green: H: 9” D: 8” (H: 23 cm D: 20 cm)
a.) Guillaume Delisle, Carte D’ Asie, dated 1723 8” x 6” (20 cm x 15 cm)
(40 cm x 38 cm x 68 cm) Brown: H: 11” D: 8” (H: 28 cm D: 20 cm)
19” x 25” (48 cm x 63 cm)
Blue: H: 10 1/2” D: 9” (H: 25 cm D: 23 cm)
b.) Guillaume Delisle, Carte Des Indeset de La Chine P 5,000
P 10,000
25” x 26” (63 cm x 66 cm)
P 12,000
P 20,000
1889
3 Framed 19th-Century 1894
Stereoscopic Images Two Silver Inlaid Betelnut Boxes
Views from the Province of Big: 6 1/2” x 5” x 12” (16 cm x 12 cm x 30 cm)
Albay and Manila Small: 4 1/2” x 3 1/2” x 9 1/2” (11 cm x 9 cm x 23 cm)
4” x 7 1/2”
(10 cm x 17 cm) each P 8,000
P 1,000
1890
19th-Century Islas Filipinas
Prints
14” X 10” (35 cm x 25 cm)
P 10,000
1895
Two Pendant lights
a.) H: 32 1/2” (82 cm)
1891 D:12” (30 cm)
A Collection of 19th-Century Prints b.) H: 30” (76 cm)
a) 7” x 10” (17 cm x 25 cm) D: 13” (33 cm)
b) 7” x 10” (17 cm x 25 cm)
c) 10” x 14” (25 cmx 35 cm) P 20,000
d) 9” x 13” (23 cm x 33 cm)
e) 5” x 7” (12 cm x 17 cm)
f) 5” x 7” (12 cm x 17 cm)
g) 6” x 7” (15 cm x 17 cm)
h) 14” x 10” (35 cm x 25 cm) PROPERTY FROM A DISTINGUISHED LADY PROPERTY FROM A DISTINGUISHED LADY
i) 7” x 4 1/2” (17 cm x 11 cm) 1896
j) 7” x 5” (17 cm x 12 cm) A Pulley Lamp 1897 1898
H: 46” D: 15” A Kamagong Pedestal An Alabaster Urn
P 5,000 (H: 117 cm D: 38 cm) H: 40” D: 14” (101 cm x 35 cm) H: 46” (117 cm)
D: 12” (30 cm)
P 15,000 P 8,000
P 5,000
León Gallery
1899
An Arte Español
Chandelier
H: 39” (99 cm)
D: 38” (97 cm)
P 24,000
1900
An Arte Espanol Chandelier
H: 28” (71 cm)
D: 36” (91 cm)
P 15,000 1906 1907 1908

A Droplight A Wrought Iron and Ceramic A Pair of Wall Sconces
H: 9” (23 cm) Hanging Lamp H: 30 1/2” (77 cm)
D: 19” (48 cm) 21” x 22” x10” (53 cm x 56 cm x 25 cm) D: 11” (28 cm) each virina
P 2,000 P 5,000 P 5,000
1909
A Chandelier
H: 36” (91 cm)
D: 40 1/2” (103 cm)
P 10,000
1901 1902 1903
An Arte Espanol Hanging Lamp An Arte Español Chandelier An Arte Espanol Chandelier
H: 27 1/2” (69 cm) H: 28 1/2” (72 cm) H: 17” (43 cm)
D: 38” (97 cm) D: 31” (79 cm) D: 22” (56 cm)
P 10,000 P 10,000 P 10,000
1904 1905 1910 1911 1912

An Arte Espanol Chandelier An Arte Espanol Chandelier A Pair of Tall Brass Buffet Lamps A Pair of Brass Table Lamps Two Wall Sconces and Two Brass Lamp Bodies
21” x 46” x 16” H: 26” (66 cm) D: 27” (69 cm) H: 21” (53 cm) each 36” x 12” a) 10” x 9 1/2” x 4” (25 cm x 24 cm x 10 cm) each
(53 cm x 117 cm x 41 cm) D: 12” (30 cm) each (91 cm x 30 cm) each b) H: 11 1/2” (29 cm) D: 7 1/2” (19 cm)
P 10,000 c) H: 11” (28 cm) D: 5 1/2” (13 cm)
P 20,000 P 10,000 P 8,000
P 4,000
León Gallery
1913 1914
Pair of Brass Pagoda Hurricanes/Lanterns and a A Pair Red Floral Porcelain Asian Jar Lamps and Small
Pair of Table Lamps Porcelain Asian Jar Lamp with hand painted Foo Dogs
a) 27” x 16” (69 cm x 41 cm) a) 23 1/2” x 14” x 10”
b) 37” x 16” x 16” (94 cm x 41 cm x 41 cm) (60 cm x 36 cm x 25 cm) 1919 1920 1921
b) 20” x 11” x 9” A Pair of Alabaster table lamps A Pair of Oil Lamps (Blue Glass) A Pair of Oil Lamps
P 17,000 (51 cm x 28 cm x 23 cm) 31” x 15” x 15” (79 cm x 38 cm x 38 cm) H: 21 1/2” (55 cm) H: 18” (46 cm)
D: 8” (20 cm) each D: 6 1/2” (17 cm)
P 10,000 P 12,000
P 14,000 P 5,000
1922 1923
Three Table Lamps A Pair of Table Lamps
1915 1916 a) 33 1/2” x 18” x 18” (85 cm x 46 cm x 46 cm) 25” x 15 1/2” x 15 1/2”
A Pair of Candle Stick Lamps and A Pair of Table Lamps A Pair Oriental Buffet Lamps b) H: 24” (61 cm) D: 18” (46 cm) (64 cm x 39 cm x 39 cm)
a) 31” x 10 1/2” x 6 1/2” (79 cm x 27 cm x 17 cm) 30 1/2” x 11” x 11” c) H: 34 1/2” (88 cm) D: 6” (15 cm)
b) 35 1/2” x 10” x 10” (90 cm x 25 cm x 25 cm) (77 cm x 28 cm x 28 cm) P 10,000
P 10,000
P 10,000 P 10,000
1917 1918 1924 1925 1926

Three Brass Table Lamp A Pair of Waterford Crystal Lamps A Table Lamp and a Brass Koi Fish Lamp A Table Lamp An Oriental Table Lamp
a) H: 35 1/2” (90 cm) D: 18” (46 cm) 31” x 16” x 16 1/2” a) H: 12 1/2” (32 cm) D: 7 1/2” (19 cm) H: 24” (61 cm) H: 33” (84 cm)
b) H: 37” (94 cm) D: 16” (41 cm) (79 cm x 41 cm x 42 cm) each b) H: 22” (56 cm) D: 16” (41 cm) D: 17” (43 cm) D: 24” (61 cm)
P 10,000 P 12,000 P 10,000 P 15,000 P 1,000
León Gallery
1935
Two Wall Sconces
11 1/2” x 14” x 7”
(29 cm x 36 cm x 18 cm)
P 1,000
1936
A Table Lamp
H: 14” (36 cm)
D: 9” (23 cm)
1927 1928 1929
A Table Lamp Brass Gadur with Capiz Lamp Shade Mid 20th Century Italian Marble Lamp P 2,000
H: 25 1/2” (65 cm) H: 47” (119 cm) with Lampshade
D: 16” (41 cm) D: 17” (43 cm) Marble and Bornze Lamp Stand
H: 34” (86 cm) D: 20” (51 cm)
P 3,000 P 3,000
P 3,000
1937
Two Lamp Bodies
a) 34 1/2” x 11 1/2” x 12”
(88 cm x 29 cm x 30 cm)
b) 36 1/2” x 11 1/2” x 11 1/2”
(93 cm x 29 cm x 29 cm)
P 1,000
1938
A Pair of Mid-Century
Bedside Lamps
1930 1931 1932 brass and blown glass
A Table Lamp A Pair of Morrocan Horn A Lamp Body 8” x 5” x 5”
H: 32” (81 cm) Candelabras H: 18” (46 cm) (20 cm x 13 cm x 13 cm) each
D: 15” (38 cm) H: 39” (99 cm) D: 12 1/2” (32 cm)
D: 5 1/2” (14 cm) each P 12,000
P 1,000 P 1,000
P 5,000
1933
Four Oriental Lamps
hardwood
a) H: 72” (183 cm) D: 17” (43 cm)
b) H: 79” (201 cm) D: 19” (48 cm)
c) 42” x 28” x 6 1/2”
P 15,000
1939
A Pair of Arte Espanol Wall Sconces and Two 1940
Hanging Lamps A Wooden Japanese Lantern
1934
a) 18” x 12” x 5 1/2” H: 35” (89 cm)
A Pair of Lamps by Mid-Century Lamp
(46 cm x 30 cm x 14 cm) each D: 19” (48 cm)
Fashion Mfg.Co., New York
b) 12” x 8” x 8” (30 cm x 20 cm x 20 cm)
H: 35” (89 cm)
c) 14” x 8” x 8” (36 cm x 20 cm x 20 cm) P 4,000
D: 15” (38 cm)
P 3,000
P 30,000
León Gallery
1941
A Handwoven Heriz
Persian Carpet
wool
100” x 108”
(254 cm x 274 cm)
P 45,000
1944 1945 1946

A Persian Carpet A Carpet A Handmade Persian Carpet
P 40,000 P 18,000 P 10,000
1942 1943 1947 1948 1949

A Handwoven Koliai Persian Carpet A Handwoven Perepedil Turkish Carpet A carpet A Bokhara Carpet A Carpet
wool wool 77” x 51” (196 cm x 130 cm) 76” x 49” (193 cm x 124 cm) 44” x 31” (112 cm x 79 cm)
77” x 46 1/2” 65” x 39 1/2”
(196 cm x 118 cm) (165 cm x 100 cm) P 18,000 P 11,000 P 15,000
P 25,000 P 20,000
León Gallery
1955
A Carpet
114” x 77” (290 cm x 196 cm)
P 10,000
1950
Three Carpets
a) 18” x 29” (46 cm x 74 cm)
b) 24“ x 34”(61 cm x 86 cm)
c) 24 1/2” x 36” (62 cm x 91 cm) 1956
A Carpet
P 15,000 67 1/2” x 38 1/2” (171 cm x 98 cm)
P 11,000
1957
Two Fur Rugs
a) 71” x 33”(180 cm x 84 cm)
b) 65 1/2” x 32” (166 cm x 81 cm)
1951 P 20,000
Three Carpets
a) 24” x 15” (61 cm x 38 cm)
b) 37” x 25” (94 cm x 64 cm)
c) 40” x 24” (102 cm x 61 cm)
P 15,000
1958
A Cowhide Rug
79” x 78” (51 cm x 198 cm)
P 20,000
1959
A Bas Relief Image of the Pieta
D: 31 1/2” (80 cm)
P 3,000
1952
A Runner Rug
3 ply worsted yard woven by Wilton
System New Zealand wool pile 1953 1954
194” x 38” (493 cm x 97 cm) An Antique Persian Rug A Vintage Chinese Hand Tufted Wool Rug
85” x 53” (216 cm x 135 cm) 70”x 35” (178 cm x 89 cm)
P 12,000
P 50,000 P 15,000
León Gallery
1970
An Ivory Image of Nuestra
Senora Del Pilar
H: 11” (28 cm) W: 3” (8 cm) D: 3” (8 cm)
base: H: 5 1/2” (14 cm) D: 6” (15 cm)
P 180,000
1960 1961 1962 1971

A Carved Ivory Crucifix Mounted on A Spanish Crucifix with an A Bone Corpus Mounted on a An Early 20th Century
Red Fabric Backed Frame with Metal Ivory Corpus Wooden Crucifix Wooden Statuette of
Details crucifix: 15” x 7 1/2” (38 cm x 19 cm) dated 1904 (verso) San Antonio de Padua
corpus: 12” x 8” (30 cm x 20 cm) frame: 21” x 13” (53 cm x 33 cm) ivory: 8” x 5” (20 cm x 13 cm) hardwood
frame: 25” x 15 1/2” (64 cm x 39 cm) crucifix: 13 1/2” x 6 1/2” (34 cm x 17 cm) 17 3/4 x 6” x 6 1/2”
P 35,000 whole: 16” x 9” (41 cm x 23 cm) (45 cm x 15 cm x 17 cm)
P 60,000
P 25,000 P 20,000
1972
An Image of St. Therese
37” x 11” x 11”
(94 cm x 28 cm x 28 cm)
P 25,000
1969
1965 A Life-Size Gothic Revival Church
1963 1964 Panel/Icon in a Giltwood Frame
An Ivory Corpus on a Kamagong Crucifix, an
An Ivory Corpus Mounted on a Crucifix A Silver Tapis Adorned Corpus, 94” x 45 1/2” (239 cm x 116 cm)
Angel with a Bone mask,and a bust with an
with Brass Details Mounted on a Kamagong Crucifix
Ivory Mask
crucifix with base: 23” x 11” x 6” with Ivory Details P 50,000
a) 9” x 5” x 3” (23 cm x 12 cm x 7 cm)
cristo: 11” x 7 1/2” x 2” crucifix: 21” x 11” (53 cm x 28 cm)
b) 18” x 8 1/2” x 4” (45 cm x 21 cm x 10 cm)
(28 cm x 19 cm x 5 cm) kristo: 13 1/2” x 9” (34 cm x 23 cm)
c) 5 1/2” x 2 1/2” x 2 1/2” (14 cm x 6 cm x 6 cm)
P 150,000 P 60,000
P 50,000
1968
1966 An Antique Ivory Corpus On Wooden
1967
An antique ivory corpus on carved Crucifix With Metal Mounts On Carved
A Bone Corpus on an Ebonized Crucifix
wood rock form base, possibly Indo Wood Base 1973 1974 1975
16 1/2” x 4” x 4” (42 cm x 10 cm x 10 cm)
Portuguese 25” x 13” x 5 1/2”(64 cm x 33 cm x 14 cm) A Wooden Statuette Depicting an Angel A Wooden Statue of St. Francis A Life-size Image of San Jose
ivory: 5” x 3 1/2” (13 cm x 9 cm)
25” x 11” x 6” (64 cm x 28 cm x 15 cm) corpus: 9 1/2” x 9” (24 cm x 23 cm) 61” x 36” x 20” 67” x 18” x 10” 78” x 23 1/2” x 39”
ivory: 10 1/2” x 7 1/2” (27 cm x 19 cm) (155 cm x 91 cm x 51 cm) (170 cm x 46 cm x 25 cm) (198 cm x 60 cm x 99 cm)
P 35,000
P 100,000
P 100,000 P 85,000 P 10,000 P 70,000
León Gallery
1983
An Antique Molave Bas Relief
29” x 21 1/2” x 3”
(74 cm x 55 cm x 8 cm)
P 20,000
An untitled antique bas-relief

made of a solid, massive
piece of molave wood shows
the intricate artistry done in
1976 1977
completion of a picturesque
Two European Religious Triptychs A Sancta Teresia A Jesu Infante Plaque 1984
representation of the Divina
a) 9 1/2” x 9 1/2” (24 cm x 24 cm) brass and wood A Bas Relief Depiction of the
Pastora (Divine Shepherdess)
b) 8 1/2” x 14” (22 cm x 36 cm) 16” x 13 1/2” (41 cm x 34 cm) Virgin Mary and Baby Jesus
that shows the Virgin
Mary and the Infant Jesus hardwood
P 3,000 P 1,000 25 1/2” x 18” (65 cm x 46 cm)
surrounded by a flock of lambs
P 10,000
1985
A Bas Relief
hardwood
1979
36” x 35” (91 cm x 89 cm)
Portapaz
silver, gold and wood,
P 10,000
18th-century, Rococo, Batangas
5 1/2” x 5” (14 cm x 13 cm)
P 120,000
1986
A Bicol Relleve Depicting The
Tres Personas
23 1/2” x 18 1/2”
(60 cm x 47 cm)
1978
A Religious Icon Depicting The P 20,000
Madonna and Child
wood
12 1/2” x 9 1/4” (32 cm x 23 cm)
P 3,000 1987
A Molave Bas Relief
Depicting The Holy Family
60” x 27” x 10”
(152 cm x 69 cm x 25 cm)
P 25,000
1988
A Fragmentary Panel
with Bas Relief
1989
hardwood
An Antique Fragmentary Church
41” x 16”
1980 1981 1982 Panel Mounted on a Metal Base
(104 cm x 41 cm)
Mother Mary and Child Jesus A Framed Image of Our Lady of A Framed Image of San Vicente 22” x 21 1/2” x 6”
framed print Perpetual Help 11” x 4” x 2” (28 cm x 10 cm x 5 cm) (56 cm x 55 cm x 15 cm)
P 5,000
17” x 12” (43 cm x 30 cm) 38” x 30” (97 cm x 76 cm)
P 5,000 P 10,000
P 3,000 P 5,000
León Gallery
1990 1991 1992 2000 2001

A Small Antique Polychromed Bohol A Bohol Urna A Polychromed Bohol Urna with an Six Religious Items A Group of Wooden Santos
Urna without Crown 28” x 26 1/2” x 8” Image of the Virgin Mary size variable a) bust: 10” x 4” x 5” (25 cm x 10 cm x 13 cm)
hardwood 25” x 21” x 10” b) crucifix: 16” x 6 1/2” x 4” (41 cm 17 cm x 10 cm)
24” x 23” x 13” (61 cm x 58 cm x 33 cm) P 9,000 (64 cm x 53 cm x 25 cm) P 15,000 c) immaculada: 10” x 4” x 3” (25 cm x 10 cm x 8 cm)
P 2,000 P 9,000 P 15,000
1993 1994 1995 1996 2002 2003 2004

A Virinas with a Wooden A Virina A Virina A Virina A Pair of Santo Busts Mounted on An Image of the Two Molave Bas Reliefs
Base H: 31” (79 cm) 18” x 8” x 15” H: 29” D: 11” Hardwood Bases Holy Virgin and Child Jesus Depicting Saints
20” x 13” x 8” D: 11 1/2” (29 cm) (46 cm x 20 cm x 38 cm) (74 cm x 28 cm) 8 1/2” x 2 1/2” (22 cm x 6 cm) 23” x 8” x 6” 19” x 8” x 3”
(51 cm x 33 cm x 20 cm) (58 cm x 20 cm x 15 cm) (48 cm x 20 cm x 8 cm)each
P 10,000 P 15,000 P 5,000 P 5,000
P 20,000 P 1,000 P 5,000
1997 1998 1999 2005 2006 2007

A Pair of Cardinal Sin A Bronze Bell A Brass Bell A Narra Bas Relief Depicting The Last A Repoussé Brass Depiction of The Last A Repoussé Aluminum Depiction of the
Commemorative Bells H: 9” (23 cm) H: 11” (28 cm) Supper Supper Ultima Cena De Jesus
a) 8” x 6” x 4” (20 cm x 15 cm x 10 cm) D: 7” (18 cm) D: 9” (23 cm) 48” x 79” x 7” (122 cm x 201 cm x 18 cm) 29” x 40” (74 cm x 102 cm) 18” x 24” (46 cm x 61 cm)
b) 7 1/2” x 6” x 5 “ (19 cm x 15 cm x 13 cm)
P 8,000 P 8,000 P 35,000 P 5,000 P 3,000
P 5,000
León Gallery

Untitled
León Gallery
Takashi Murakami (b. 1962)

Doraemon: Anywhere Door (Dokodemo Door)
León Gallery
León Gallery

Diaphanous 288
León Gallery
FINE ART & ANTIQUES

Hope Within
426 | DAY 3 - HEIRESSES’ HOMES AND TABLES

LEONEXCHANGE20

Uploaded by

Copyright:

Available Formats

LEONEXCHANGE20

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

LEONEXCHANGE20

Uploaded by

Copyright:

Available Formats

Auction

Friday, Saturday, and Sunday

Warehouse 14, La Fuerza Compound

Register and Bid at

Norman Dreo (b. 1970),

Malixi is the co-administrator of Philippine Heritage Furniture, the widely

In this catalog, his innovative approach to each mix-and-match design

Hernando R. Ocampo (1911 - 1978),

MANAGEMENT AND INVENTORY TEAM

GALLERY SUPPORT TEAM

Published by León Gallery

Warehouse 14B, La Fuerza Plaza

This catalogue is published to accompany the auction

LEONEXCHANGE ONLINE AUCTION EDITION 20

©2021 León Gallery Fine Arts & Antiques www.leonexchange.com

b) Album ng Kabalbalan ni Kenkoy

10 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 11

PROPERTY FROM THE CHRIS BROOKS COLLECTION

12 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 13

In Praise of the Idyllic 26

P 10,000 P 35,000 P 35,000

14 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 15

16 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 17

b) Angelito “Jo” Florendo (b. 1975)

18 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 19

P 15,000 P 15,000 P 15,000 P 100,000

20 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 21

A Collection of 32 Romeo Tabuena

71 xii) Bridge xxiii) Fiesta

22 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 23

24 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 25

Undoubtedly her favorite subject matter, Velasco’s oeuvre revolves

P 100,000 P 20,000 P 80,000

26 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 27

P 25,000 P 12,000 P 4,000

P 120,000 P 120,000 P 120,000 P 20,000

28 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 29

P 100,000 P 240,000 P 200,000

30 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 31

Capturing the Human Physique

b) Agustin Goy (b. 1935)

c) Agustin Goy (b. 1935)

c) Slim Torres (b. 1923)

32 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 33

PROPERTY FROM THE LOUIE CRUZ COLLECTION

34 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 35

P 65,000 139 140 141

P 20,000 P 50,000 P 35,000

36 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 37

P 15,000 P 10,000 P 25,000

38 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 39

Apprehension of the Equine’s Peerage

f) Untitled 161 162 163

P 40,000 P 40,000 P 40,000

40 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 41

b) Five Portrait Studies in Various Stages

P 5,000 P 30,000 P 3,000 P 40,000

42 | DAY 1 - THE COLLECTOR’S VAULT DAY 1 - THE COLLECTOR’S VAULT | 43

b) Anatole Krasnyansky (b. 1930)

P 20,000 P 20,000 P 20,000