Formalism
Formalism
Started in Russia
Emerged in the early 20th century
Two groups:
OPOYAZ
Moscow Linguistic Circle
Originally focused in poetry.
The Russians who developed it are called formalists.
The formalist perspective was developed by the French before it made
an impact on the English and American theories.
Formalism
It is basically a close reading of the text.
The meaning is inherently conveyed in the text’s unique form or
structure.
The Formalist approach reduces the importance of a text’s historical,
biographical and cultural context.
Reaction against romanticism.
DEFAMILIARIZATION
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FABULA AND SYUZHET
Fabula (like a short summary)
What is text about?
What happens?
Syuzhet (the story as it is actually told)
How is the story told?
How is the text arranged?
One Fabula can produce many Syuzhet.
Brooks, Peter. “Narrative desire.” Narrative Dynamics: Essays on Time, Plot,
Closure, and Frames (2002): 130-37
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Folktales
Propp was not a formalist, nor interested in literariness and hardly differentiated
between Fabula and Syuzhet.
Fairy tales might tell one and the same underlying story.
Telling these tales from the same basic story is possible by thinking in terms of
actors and functions.
Example: helper
Propp distinguishes a limited number of actors and 31 functions.
Conclusion
Emphasis is on form and structure not content.
They viewed literature as a collection of devices interacting in the text.
Literariness to be a product of employed devices and it is crafted by
defamiliarizing devices.
Formalist looked into the ways in which the language of literature differs from
ordinary language.
Bertens, Hans. Literary theory: the basics. London: Routledge, 2014. Print.