1

JEFFREY KALLBERG
Department of Music Office of the Dean 730 Argyle Road
University of Pennsylvania University of Pennsylvania Wynnewood, PA 19096
201 South 34th Street 1 College Hall, Room 116 610-896-6138
Philadelphia, PA 19104-6313 Philadelphia, PA 19104-6377 610-585-0771 (cell)
215-898-7544 (office) 215-898-7320 (office) [email protected]
215-573-2106 (fax) 215-898-0821 (fax) http://www.sas.upenn.edu/~kallberg

ACADEMIC TRAINING

The University of Chicago, Ph.D., 1982

Major Field: Music History
Dissertation Title: The Chopin Sources: Variants and Versions in Later
Manuscripts and Printed Editions. Adviser: Philip Gossett
Research in Poland, France, and Western Europe, 1978-80
The University of Chicago, M.A., 1976-78
Major Field: Music History
University of California, Los Angeles, A.B., 1971-75
Major: Music

ACADEMIC DISTINCTIONS

A.B., Magna cum laude, University of California, Los Angeles, 1975

Martha Baird Rockefeller Fund for Music Fellowship, 1978-79
Social Science Research Council Fellowship, 1979-80
Mrs. Giles Whiting Foundation Fellowship, The University of Chicago, 1980-81
University of Pennsylvania Research Foundation Grant, 1983
Alfred Einstein Award, given by the American Musicological Society for the best
musicological article published by a younger scholar ("Chopin in the
Marketplace"), 1984
Richard S. Hill Award, given by the Music Library Association for best
bibliographic article ("Chopin in the Marketplace"), 1984
University of Pennsylvania Research Fund Grant, 1985
National Endowment for the Humanities Fellowship for Independent Study and
Research, 1985-86
American Council of Learned Societies Research Fellowship for Recent
Recipients of the Ph.D. (Honorary), 1985-86
University of Pennsylvania Undergraduate Education Fund Grant, to develop
Freshman Seminar, August 1986
American Council of Learned Societies Travel Grant, to "Chopin and
Romanticism" Symposium in Warsaw, Poland, October 1986
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International Programs Fund, University of Pennsylvania, Travel Grant to Chopin

Symposium, Warsaw, Poland, September 1989
Stefan and Wanda Wilk Prize for Research in Polish Music ("Hearing Poland"),
1989
Guest of Honor, Twelfth International Fryderyk Chopin Piano Competition,
Warsaw, Poland, October 1990
John Simon Guggenheim Memorial Foundation Fellowship, 1992
University of Pennsylvania Research Fund Grant, 1995
Faculty Fellow, Penn Humanities Forum, 2000-01
Guest of Honor, Fourteenth International Fryderyk Chopin Piano Competition,
Warsaw, Poland, October 2000
Stefan and Wanda Wilk Book Prize for Research in Polish Music (Chopin at the
Boundaries), 2000
Rayson Huang Fellow, University of Hong Kong, 2004 (recent Rayson Huang
Fellows include David Del Tredici, Laurie Anderson, and Anthony
Seeger)
Distinguished Alumnus, The University of Chicago, 2009 (delivered special
lecture as part of ceremonies for 500th Convocation)

EXPERIENCE

Teaching (Primary Appointments)

Professor of Music, University of Pennsylvania, 1997-present

Associate Professor of Music, University of Pennsylvania, 1988-97
M. Mark and Esther K. Watkins Assistant Professor of the Humanities and Music,
University of Pennsylvania, 1985-88
Assistant Professor of Music, University of Pennsylvania, 1982-85
Lecturer in Music, The University of Chicago, 1977

Teaching (Visiting Appointments)

Associate Professor of Music, Princeton University, Spring 1995

Associate Professor of Music, Harvard University, Spring 1994
Associate Professor of Music, State University of New York at Stony Brook,
Fall 1992

Research

Research Assistant to Professor Philip Gossett, Music, The University of Chicago,

1978; 1980-82

Administration (Major positions, appointed or elected)

Associate Dean for Arts and Letters, School of Arts and Sciences, University of
Pennsylvania, 2010-present
 3

Vice President, American Musicological Society, 2004-2006

Chair, Department of Music, University of Pennsylvania, 2003-2010

PUBLICATIONS

Books

Chopin at the Boundaries: Sex, History, and Musical Genre, in the series
Convergences, edited by Edward W. Said (Cambridge, Mass.: Harvard
University Press, 1996), xiii, 303 pp.
[Polish translation, Warsaw: Narodowy Instytut Fryderyka
Chopina, in press]

Źródła Chopinowskie: Warianty i wersje w późnych manuskryptach i

pierwodrukach (Warsaw: Narodowy Instytut Fryderyka Chopina, in
press) [Polish edition and translation of doctoral dissertation]

Chopin and the Culture of the Nocturne (manuscript of approximately 400 pages,
currently under revision for publication).

Critical Edition

Giuseppe Verdi, Luisa Miller, The Works of Giuseppe Verdi, Series I, Volume 15
(Milan: Casa Editrice Ricordi, and Chicago: The University of Chicago
Press, 1991); introduction and score: lxvi, 479 pp.; critical commentary:
viii, 135 pp.

Performances: Cincinnati May Festival; Teatro alla Scala, Milan; Rome

Opera; Teatro Verdi, Trieste; Teatro Regio, Parma; Nederlandse
Opera, Amsterdam; Teatro Communale, Bologna; Opéra de Monte
Carlo, Monaco; Opernhaus, Kiel; Köln Opera; Staatstheater
Stuttgart; Saarlandisches Staatstheater, Saarbrucken; Bayerische
Staatsoper, Munich; Ludwigshafen Oper; Titisee-Neustadt Oper;
Oper Frankfurt; Staatstheater Mainz; Zurich Oper; Teatro
Giuseppe Verdi, Bussetto; Bordeaux Opéra; Opéra de Lausanne;
Oslo Philharmonic; Teatro San Carlo, Naples; Biwako Hall,
Osaka; Orchard Hall, Tokyo; Teatro Massimo, Palermo; Teatro La
Fenice, Venice; Teatro Verdi, Sassari; Orchestra Veneto, Venice

Recording: Teatro la Fenice (live performance), Maurizio Benini, cond.

Dynamic 523/1-2 (2006)

Articles

"Marketing Rossini: Sei lettere di Troupenas ad Artaria," Bollettino del centro

rossiniano di studi, anno 1980, numero 1-3, pp. 41-63.
 4

"Chopin in the Marketplace: Aspects of the International Music Publishing

Industry in the First Half of the Nineteenth Century," Notes 39 (1983):
535-69; 795-824.
"Compatibility in Chopin's Multipartite Publications," Journal of Musicology 2
(1983): 391-417.
"Chopin's Last Style," Journal of the American Musicological Society 38 (1985):
264-315.
"O klasyfikacji rękopisów Chopina" ("On the classification of Chopin's
manuscripts"), Rocznik Chopinowski 17 (1985): 63-96.
"The Problem of Repetition and Return in Chopin's Mazurkas," Chopin Studies,
ed. Jim Samson (Cambridge: Cambridge University Press, 1988), pp.1-23.
"Ostatnia przemiana stylu Chopina" [Polish translation of "Chopin's Last Style"],
Rocznik Chopinowski 18 (1986): 17-61.
"Czy warianty są problemem? `Intencje kompozytorskie’ w edytorstwie dzieł
Chopina," Rocznik Chopinowski 19 (1987): 199-210.
"Are Variants a Problem? `Composer's Intentions’ in Editing Chopin," Chopin
Studies 3 (Warsaw, 1990), pp. 257-67.
"The Rhetoric of Genre: Chopin’s Nocturne in G Minor," 19th-Century Music 11
(1988): 238-61.
"Understanding Genre: A Reinterpretation of the Early Piano Nocturne," Atti del
XIV Congresso della Società Internazionale di Musicologia, Bologna
1987, 3 vols. (Turin, 1990), 3: 775-79.
"Hearing Poland: Chopin and Nationalism," Piano Music in the Nineteenth
Century, ed. R. Larry Todd (New York: Schirmer Books, 1990),
pp. 221-57.
"Small `Forms’: In Defence of the Prelude," Cambridge Companion to Chopin,
ed. Jim Samson (Cambridge: Cambridge University Press, 1992), pp. 124-
44; 310-14.
"The Harmony of the Tea Table: Gender and Ideology in the Piano Nocturne,"
Representations, no. 39 (Summer 1992): 102-33.
"Small Fairy Voices: Sex, History, and Meaning in Chopin," Chopin Studies 2,
ed. John Rink and Jim Samson (Cambridge: Cambridge University Press,
1994): 50-71.
"Nocturnal Thoughts on Impromptu," Musical Quarterly 81 (1997): 199-203.
“`Voice’ and the Nocturne,” Pianist, Scholar, Connoisseur: Essays for Jacob
Lateiner, ed. Bruce Brubaker and Jane Gottlieb (Stuyvesant: Pendragon
Press, 2000), pp. 1-46.
“Gender,” The New Grove Dictionary of Music and Musicians, 2d ed., (London:
Macmillan, 2001), vol. 9, pp. 645-47.
“Sex, Sexuality,” The New Grove Dictionary of Music and Musicians, 2d ed.,
(London: Macmillan, 2001), vol. 23, pp. 178-80.
“Chopin and the Aesthetic of the Sketch: A New Prelude in E flat Minor?”
Early Music 29 (2001): 408-22.
“Chopin’s March, Chopin’s Death,” 19th-Century Music 25 (2001): 3-26;
expanded French version “La Marche de Chopin,” Frédéric Chopin:
Interprétations, ed. Jean-Jacques Eigeldinger, trans. Jacqueline Waeber
 5

(Geneva: Droz, 2005), pp. 11-42.

"Chez Chopin: New Light on the Soirée of 13 December 1836," Muzyka w
kontekście kultury: Studia dedykowane Profesorowi Mieczysławowi
Tomaszewskiemu w osiemdziesięciolecie urodzin, ed. Małgorzata
Janicka-Słysz, Teresa Malecka, and Krzysztof Szwajger (Cracow:
Akademia Muzyczna, 2001), pp. 91-94.
“Chopin and the Fragment,” Chopin’s Work: His Inspirations and Creative
Process in the Light of the Sources (Warsaw: Narodowy Instytut
Fryderyka Chopina, 2002), pp. 127-141.
“Chopin, Rellstab, and the Immorality of Innovation,” Chopin 1849/1999:
Aspekte der Rezeptions- und Interpretationsgeschichte, ed. Andreas
Ballstaedt (Schliengen, Germany: Edition Argus, 2003), pp. 183-96.
"Sibelius, Skogsrået, and the History of Sexuality," Sibelius Forum II, ed. Matti
Huttunen, Kari Kilpeläinen, and Veijo Murtomäki (Helsinki: Sibelius
Academy, 2003), pp. 430-37.
"Arabian Nights: Chopin and Orientalism," Chopin and his Work in the Context
of Culture, ed. Irena Poniatowska, 2 vols. (Cracow: Musica Iagellonica,
2003), 1: 171-183.
"Finnish Modern: Love, Sex, and Style in Sibelius's Songs," Cambridge
Companion to Sibelius, ed. Daniel M. Grimley (Cambridge: Cambridge
University Press, 2004), pp. 117-136.
"Sex, Sexuality, and Schubert's Piano Music," Historical Musicology: Sources,
Methods, Interpretations, ed. Stephen A. Crist and Roberta Montemorra
Marvin (Rochester: University of Rochester Press, 2004), pp. 219-231.
“Con duolo: On Chopin’s Soul,” Chopin in Performance: History, Theory,
Practice (Warsaw: Narodowy Instytut Fryderyka Chopina, 2005),
pp. 79-96.
“Con duolo: expression gestuelle et tradition bel canto chez Chopin” [French
translation of the previous article], Interpréter Chopin: actes du colloque
des 25 et 26 mai 2005, ed. Jean-Jacques Eigeldinger (Paris: Cité de la
musique, 2006), pp. 104-109.
"Chopin's Errors," La note bleue: Mélanges offerts au Professeur Jean-Jacques
Eigeldinger, ed. Jacqueline Waeber (Bern: Peter Lang, 2006), pp. 11-34.
“On the scherzando Nocturne,” Variations on the Canon: Essays on Music from
Bach to Boulez in Honor of Charles Rosen on his Eightieth Birthday, ed.
Robert Curry, David Gable, and Robert Marshall (Rochester: University
of Rochester Press, 2008), pp. 172-184.
[Slightly different version appears in The Sources of Chopin’s Style:
Inspirations and Contexts (Warsaw: Narodowy Instytut Fryderyka
Chopina, 2010), pp. 315-324.]
“Chopin’s Music Box,” Chopin’s Musical Worlds: The 1840s (Warsaw:
Narodowy Instytut Fryderyka Chopina, 2008), pp. 189-202.
"Peeping at Pachyderms: Convergences of Sex and Music in France around
1800," Fashions and Legacies of Nineteenth-Century Italian Opera, ed.
Roberta Montemorra Marvin and Hilary Poriss (Cambridge: Cambridge
University Press, 2010), pp. 132-151.
 6

“Sense and Meaning in Two Recently Discovered Editions Annotated by

Chopin,” Proceedings of the Sixth International Research Conference,
Narodowy Instytut Fryderyka Chopina (in press).
“Mechanical Chopin,” Common Knowledge 17 (2011): 269-282.
“Theatrical Sibelius: The Melodramatic Lizard,” Jean Sibelius and his World, ed.
Daniel M. Grimley (Princeton: Princeton University Press, 2011), pp.
74-88.
“Hiller Recomposes Chopin,” After Chopin. The Influence of Chopin’s Music
on European Composers up to the First World War (Warsaw:
Narodowy Instytut Fryderyka Chopina, 2012), pp. 355-370.
“Chopin’s Pencil,” Proceedings of the Third International Chopin Congress
(Warsaw: in press).
“Late Style, Last Style, and Chopin’s Waltz in A flat Major, op. 64 no. 3,”
Chopin et son temps. Actes des Rencontres Internationales harmoniques,
Lausanne 2010, ed. Vanja Hug et Thomas Steiner (Bern: Peter Lang,
in press).

Book Series

Founder and general editor (with Anthony Newcomb and Ruth Solie), New
Perspectives in Music History and Criticism, Cambridge University Press.
1: Leslie C. Dunn and Nancy A. Jones, eds., Embodied Voices:
Representing Female Vocality in Western Culture, 1994.
2: Downing A. Thomas, Music and the Origins of Language: Theories
from the French Enlightenment, 1995.
3: Thomas S. Grey, Wagner's Musical Prose: Texts and Contexts, 1995.
4: Daniel K. L. Chua, Absolute Music and the Construction of Meaning,
1999.
5: Adam Krims, Rap Music and the Poetics of Identity, 2000.
6: Annette Richards, The Free Fantasia and the Musical Picturesque,
2001.
7: Richard Will, The Characteristic Symphony in the Age of Haydn
and Beethoven, 2002
8: Christopher Morris, Reading Opera Between the Lines: Orchestral
Interludes and Cultural Meaning from Wagner to Berg, 2002.
9: Emma Dillon, Medieval Music-Making and the 'Roman de Fauvel',
2002.
10: David Yearsley, Bach and the Meanings of Counterpoint, 2002.
11: Alexander Rehding, Hugo Riemann and the Birth of Modern Musical
Thought, 2003.
12: David Metzer, Quotation and Cultural Meaning in Twentieth-
Century Music, 2003.
13: Dana Gooley, Virtuoso Liszt, 2004.
14: Bonnie Gordon, Monteverdi’s Unruly Women: The Power of Song
in Early Modern Italy, 2004.
15: Gary Tomlinson, The Singing of the New World: Indigenous Voice
 7

in the Era of European Contact, 2007.

16: Matthew Gelbart, The Invention of “Folk Music” and “Art Music”:
Emerging Categories from Ossian to Wagner, 2007.
17: Olivia A. Bloechl, Native American Song at the Frontiers of Early
Modern Music, 2007.
18: Giuseppe Gerbino, Music and the Myth of Arcadia in Renaissance
Italy, 2009.
19: Roger Freitas, Portrait of a Castrato: Politics, Patronage, and Music
in the Life of Atto Melani, 2009.
20: Gundula Kreutzer, Verdi and the Germans: From Unification to the
Third Reich, 2010.
21: Holly Watkins, Metaphors of Depth in German Musical Thought
from E.T.A. Hoffmann to Arnold Schoenberg, 2011.
(Three other titles presently in press or under contract).

Facsimile Editions

Dzieła Chopina. Wydanie faksymilowe/Works of Chopin. Facsimile Edition.

Warsaw: Narodowy Instytut Fryderyka Chopina, 2006-present.
Introductions and commentaries for the following manuscripts:
Polonaises, opus 26; Pierpont Morgan Library, New York (2010), 12 pp.;
46 pp.
Mazurkas, opus 50; Pierpont Morgan Library, New York. 2 vols. (2010),
6 pp.; 47 pp.
Nocturne in B Major, opus 62, number 1; The Newberry Library,
Chicago (2010), 4 pp.; 46 pp.
Sonata in C Minor, opus 4; Pierpont Morgan Library, New York
(in press).
Etude in C Major, opus 10, number 7; Pierpont Morgan Library, New
York (in press).
Polonaise in Ab Major, opus 53; Pierpont Morgan Library, New York
(in press).
Mazurka, opus 59, number 3 (G-minor version); Pierpont Morgan
Library, New York (in press).

Piano Music of the Parisian Virtuosos, 1810-60, facsimile edition with

commentary, 10 vols., New York: Garland Publishing, 1993.
Vol. 1: Sigismond Thalberg (1812-1871): Selected Works, xii, 359 pp.
Vol. 2: Sigismond Thalberg (1812-1871): Selected Works, xi, 328 pp.
Vol. 3: Frédéric Kalkbrenner (1785-1849): Selected Works, xi, 335 pp.
Vol. 4: Henri Herz (1803-1888): Selected Works, xi, 353 pp.
Vol. 5: Two Bohemians in Paris: Selected Works of Ignaz Moscheles
(1794-1870) and Alexander Dreyschock (1818-1869), xii, 315 pp.
Vol. 6: Edward Wolff (1816-1880): Selected Works, xii, 341 pp.
Vol. 7: Johann Peter Pixis (1788-1874): Selected Works, xi, 239 pp.
Vol. 8: François Hünten (1793-1878): Selected Works, xi, 223 pp.
 8

Vol. 9: Henri Bertini (1798-1876) and Théodore Döhler: Selected Works,

xii, 381 pp.
Vol. 10: Native and Foreign Virtuosos: Selected Works of Zimmerman,
Alkan, Franck, and Contemporaries, xii, 274 pp.

Reviews, Program Essays, and Journalism

Krystyna Kobylańska, Rękopisy Utworów Chopina: Katalog; 19th-Century

Music 3 (1979): 163-69.
George Marek and Maria Gordon-Smith, Chopin; Ruth Jordan, Nocturne: A Life
of Chopin; Jean-Jacques Eigeldinger, Chopin vu par ses élèves; Notes 36
(1980): 645-46.
Jan Bogdan Drath, comp. and ed., Waltzes of Fryderyk Chopin: Sources.
Volume I: Waltzes Published During Chopin's Lifetime; Notes 37 (1980):
323.
Krystyna Kobylańska, Frédéric Chopin: Thematisch-bibliographisches
Werkverzeichnis; Journal of the American Musicological Society 34
(1981): 357-65.
William G. Atwood, The Lioness and the Little One: The Liaison of George Sand
and Frédéric Chopin; 19th-Century Music 5 (1982): 244-47.
Jan Ladislav Dussek, Selected Piano Works, ed. H. Allen Craw, and Johann
Nepomuk Hummel, Piano Concerto, Opus 113, ed. Joel Sachs; 19th-
Century Music 8 (1984): 71-74.
"Chopin's Concerto in F Minor, Op. 21," program essay for San Francisco
Symphony Orchestra, May 1985.
"On the New Critical Edition of Verdi's Luisa Miller," program essay for
Cincinnati May Festival, 20 May 1988.
Jean-Jacques Eigeldinger, Chopin: Pianist and Teacher as Seen by his Pupils;
Journal of the American Musicological Society 42 (1989): 189-93.
Ferdinand Gajewski, ed., The Work Sheets to Chopin's Violoncello Sonata: A
Facsimile; Notes 46 (1990): 801-803; and correspondence, Notes 47
(1990): 253-54.
"Monsieur Chopin: Da Varsavia a Parigi," Amadeus (monthly music magazine
published by De Agostini-Rizzoli, Milan), January 1992, pp. 23-26.
"Chopin's Mazurkas," program essay for complete recording by Jean-Marc
Luisada; Deutsche Grammophon GmbH 435 760-2, 1992.
Ernst Burger, Frédéric Chopin: Eine Lebenschronik in Bildern und Dokumenten;
Notes 50 (1994): 963-64.
"Chopin: Piano Concerto in F Minor; 24 Preludes," program essay for recording
by Maria João Pires, the Royal Philharmonic Orchestra, and André Previn;
Deutsche Grammophon GmbH 437 817-2, 1994.
"Envoicing Chopin's Nocturnes," program essay for complete recording by Maria
João Pires, Deutsche Grammophon GmbH 447 096-2, 1996.
Program essay for all-Chopin recital by Garrick Ohlsson, Chicago, February 1998
Elżbieta Wąsowska, ed., Mazurki kompozytorów polskich na fortepian; Frédéric
Chopin, Mazurkas, ed. Désiré N’Kaoua; Notes 55 (1998): 181-83.
 9

“Chopin’s Compositional Process: From Piano to Public,” essay for Polish

national web site devoted to the life and works of Chopin, maintained by
the Towarzystwo im. Fryderyka Chopina, Warsaw
(http://www.chopin.pl/biografia/prtw_en.html), February 1999.
Program essay for performance of the Chopin concertos by Krystian Zimerman,
Carnegie Hall, New York, November 1999.
“Il metodo di lavoro: La variante è la regola,” Amadeus, December 1999,
pp. 12-17.
John Field, Nocturnes and Related Pieces, ed. Robin Langley (Musica Britannica,
71); Field, Opere complete per pianoforte, ed. Pietro Spada; Notes 57
(2000): 196-200.
Program essay for piano recital by Delphine Bardin, Carnegie Hall, New York,
November 2001.
Program essay for piano recital by Murray Perahia, Carnegie Hall, New York,
April 2002.
Program essay for piano recital by Maurizio Pollini, Carnegie Hall, New York,
May 2002
"Solving the Mystery of Chopin's 'Demonic' Prelude," Piano Today, Fall 2002
pp. 10-11; 50.
Program essay for piano recital by Maurizio Pollini, Carnegie Hall, New York,
October 2004
“Con duolo: On Chopin’s Soul,” Chopin in the World 18 (2004/2005): 5-8.
“Chopin: Late Masterpieces,” booklet note for recording by Stephen Hough,
Hyperion Records 67764, 2010.
“Chopin: Nocturnes, Scherzos, Sonata in B flat minor,” booklet note for recording
by Louis Lortie, Chandos Records, 2010.
“Chopin: Waltzes,” booklet note for recording by Stephen Hough, Hyperion
Records, 2011.
“Chopin: Ballades, Nocturnes, Berceuse, Barcarolle,” booklet note for recording
by Louis Lortie, Chandos Records, 2012.

PAPERS AT SCHOLARLY MEETINGS, CONGRESSES, AND SYMPOSIA

American Musicological Society, New York, November 1979

Midwest Chapter, American Musicological Society, Chicago, October 1980
American Musicological Society, Ann Arbor, November 1982
Mid-Atlantic Chapter, American Musicological Society, West Chester, April
1983
American Musicological Society, Vancouver, November 1985
Chopin and Romanticism, Warsaw, Poland, October 1986
American Musicological Society, Cleveland, November 1986
International Musicological Society, Bologna, Italy, August 1987
A Nation Without Sovereignty: Polish Society and Culture in the Nineteenth
Century, David and Alfred Smart Gallery, University of Chicago, April
1989
Second International Chopin Symposium, Warsaw, Poland, September 1989
 10

American Musicological Society, Oakland, November 1990

Sixth International Conference of the Society for Textual Scholarship, New York,
April 1991
International Conference on Nineteenth-Century Music, University of Surrey,
England, July 1994
American Musicological Society, Minneapolis, October 1994
North American Society for the Study of Romanticism, Duke University,
November 1994
Westfield International Schubert Conference, Washington, DC, April 1995
Representations of Gender and Sexuality in Opera, State University of New York
at Stony Brook, September 1995
American Musicological Society, Baltimore, November 1996
New England Chapter, American Musicological Society, February 1997
College Art Association, New York, February 1997
Frédéric Chopin: Symposium international, Université de Genève, February
1999
Focus on Piano Literature, University of North Carolina, Greensboro, June 1999
Chopin Festival, Smithsonian Institution, Washington, DC, October 1999
Second International Chopin Congress, Warsaw, Poland, October 1999
The Chopin Forum, South Bank Centre, London, October 1999
L’œuvre de Chopin: Aspects historiques, analytiques et esthetiques, Université
de Paris-Sorbonne, December 1999
Chopin 1849/1999, Robert-Schumann-Hochschule, Düsseldorf, Germany,
December 1999
Frederic Chopin: A Symposium, Mannes College, New York, December 1999
American Musicological Society, Toronto, November 2000
Third International Jean Sibelius Conference, Helsinki, Finland, December 2000
Legacies: 500 Years of Printed Music, University of North Texas, October 2001
Chopin's Lost "Devil's Trill", Smithsonian Institution, Washington, DC,
November 2002
Second International Research Conference, Narodowy Instytut Fryderyka
Chopina, Warsaw, Poland, December 2002
Fourth International Research Conference, Narodowy Instytut Fryderyka
Chopina, Warsaw, Poland, December 2004
Intérpreter Chopin, Cité de la Musique, Paris, France, May 2005
Fifth International Research Conference, Narodowy Instytut Fryderyka
Chopina, Warsaw, Poland, December 2005
Sixth International Research Conference, Narodowy Instytut Fryderyka
Chopina, Warsaw, Poland, December 2006
Seventh International Research Conference, Narodowy Instytut Fryderyka
Chopina, Warsaw, Poland, December 2007
American Musicological Society, Nashville, November 2008
Eighth International Research Conference, Narodowy Instytut Fryderyka
Chopina, Warsaw, Poland, December 2008
The Chopin Symposium, Rivers School Conservatory, Weston, Massachusetts,
June 2009
 11

Third International Chopin Congress, Warsaw, Poland, February 2010

Cinquièmes Rencontres Internationales Harmoniques, Lausanne, Switzerland,
September 2010
Association for Documentary Editing, Philadelphia, October 2010
European Music in late 18th to early 19th century – Diversity and Evolution
(keynote lecture), National Sun-yat Sen University, Kaohsiung, Taiwan,
December 2010

COLLOQUIA

The University of Chicago, May 1985

The Juilliard School, New York, September 1986, October 1986, January
1988, February 1988, April 1992, March 1994
Center for Soviet and Eastern European Studies, University of Pennsylvania,
November 1986
West Chester University, West Chester (Lecture-Recital with Richard Veleta),
April 1987
Princeton University, November 1987
State University of New York at Stony Brook, November 1987
University of North Carolina, Chapel Hill, January 1988
Cornell University, December 1988
University of California, Berkeley, February 1989
University of Pennsylvania, April 1989
Graduate Center, City University of New York, April 1989
Stanford University, February 1990
Department of Classical Studies, University of Pennsylvania, December 1990
Curtis Institute of Music, March 1991
Haverford College, January 1992
Peabody Conservatory, October 1993
Faculty Seminar in The History of the Book, University of Pennsylvania, October
1995
University of Wisconsin, Madison (University Lecture), November 1995
University of Chicago Library Society, February 1998
Rutgers University, March 1998
Juilliard Conservatory Doctoral Forum, October 1998
Wesleyan University, November 1999
Haverford College, March 2000
University of Utah, April 2000
University of California, Los Angeles, April 2000
University of North Carolina, Chapel Hill, November 2000
Rutgers University, Camden, February 2001
Department of German, University of Pennsylvania, February 2001
Yale University, April 2001
Princeton University, November 2001
Smith College, September 2002
Economic History Forum, University of Pennsylvania, November 2003
 12

Hong Kong University, March 2004

Hong Kong University (Rayson Huang Lecture), March 2004
University of California, Los Angeles, March 2005
University of Michigan, April 2007
Humanities Center, Stanford University, May 2007
Swarthmore College, March 2009
University of Chicago, October 2009
Cornell University (Donald Jay Grout Lecture), April 2010
Ohio State University (keynote lecture, Graduate Music Student Association
Research Conference), May 2010
University of Virginia (keynote lecture), September 2010
National Sun-yat Sen University, December 2010
National Taiwan University, December 2010
University of North Carolina, Chapel Hill, April 2013

OTHER SPEAKING ENGAGEMENTS

Session co-chair for "Genre: Implications for History and Criticism," Annual
Meeting of the American Musicological Society, Cleveland, November
1986
Session chair, Feminist Theory and Music: Toward a Common Language,
Minneapolis, June 1991
Post-concert discussion with Garrick Ohlsson, Philadelphia Orchestra, November
1993
Post-concert discussion with Garrick Ohlsson, University of Chicago, February
1998
Session chair, American Musicological Society, Boston, November 1998
Session chair, American Musicological Society, Kansas City, November 1999
The Tanner Panel, Tanner Lectures on Human Values (Charles Rosen, Tanner
Lecturer), University of Utah, April 2000
Pre-concert lectures (three to five series of concerts per season), Philadelphia
Orchestra, October 2000 - present
Session Chair, American Musicological Society, Seattle, November 2004
Pre-concert lecture, Carnegie Hall, October 2005
Pre-concert lectures, Bard Music Festival, August 2006, August 2011
Pre-concert lecture, Philadelphia Chamber Music Society, November 2010,
March 2011, March 2012, May 2012, November 2012

PROFESSIONAL SOCIETIES

American Musicological Society

International Musicological Society

ACADEMIC SERVICE

National—American Musicological Society

 13

Vice President, 2004-6

Program Committee, 2001-3 (Chair, 2002)
Director-at-Large, 1997-99
Review Editor, Journal of the American Musicological Society, 1992-95
National Council, 1984-86
Local Arrangements Committee, Annual Meeting, 1984

National and International—Editorial and Advisory Boards

Journal of Musicological Research, 2009-present

Svensk tidskrift för musikforskning online [STM-Online], 2008-present
19th-Century Music, 2005-present
The Pendragon Review: A Journal of Musical Romanticism, 1998-present
Journal of Musicology, 1996-2012
Women and Music: A Journal of Gender and Culture, 1995-2000
Journal of the American Musicological Society, 1992-98

National—General

Panelist, Kluge Center Fellowships, Library of Congress, 2007

Manuscript Authentication (Beethoven), Sotheby’s, London, August 2005
Reader, Radcliffe Fellowships, 2005-2010
Reader, John Simon Guggenheim Memorial Foundation Fellowships,
2004-present
Production and Historical Consultant to Hershey Felder, playwright, for plays
Romantique, 2003; Monsieur Chopin, 2005; Beethoven as I Knew
Him, 2008; and Maestro, 2010
Advisory Board, North American Society for the Study of Romanticism,
1993-99
Program Committee, Feminist Theory and Music II, Eastman School of Music,
June 1993
Panelist, Editions Program, National Endowment for the Humanities
Honors Examiner, Swarthmore College, May 1987
Manuscript Authentication (Chopin), Sotheby's, New York, December 1986;
August 1987
Consultant, Educational Testing Service, 1985, 1989
Advisory Editor, Garland Library of the History of Western Music, 1984

University of Pennsylvania: School of Arts and Sciences

Associate Dean for Arts & Letters, 2010-

Music Building Renovation, 2004-10
SAS Dean Search Committee, 2004
Fisher-Bennett Hall Renovation, 2003-5
Faculty Fellowship Committee, 2002
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Personnel Committee, 2001-2

General Requirement Committee, 2000-2
Planning and Priorities Committee, 1999-2002
Graduate Group, Department of Germanic Languages, 1999-present
Dean's Special Committee to appoint DiVito Chair in Italian Studies, 1996-97
Internal Review Committee, Linguistics, 1996
Graduate Education Committee, 1994-97; Chair, 1996-97
Freshman Advisor, 1990-93; 1995-98; 2001-present
Council for the Humanities, 1988-91: Chair, Lecture Committee, 1989-91;
Agenda Committee, 1989-91
Humanities Coordinating Council, 1988-90, 1994-1996
Committee on Undergraduate Academic Standing, 1986-88

University of Pennsylvania: Department of Music

Chair, 2003-2010
Director of Graduate Studies, 1989-92; 1999-2000
Undergraduate Chair, 1986-89

University of Pennsylvania: General

Museum Director Search Committee, 2012

Arthur Ross Gallery Curator Search Committee, 2007
Academic Planning and Budget Committee, 2006-2009
Arts Day Planning, 2004
Graduate Council, 1995-98

FOREIGN LANGUAGES

French, German, Italian, Polish, Swedish

PUBLICATIONS IN PROGRESS

Convergences of Sex and Music in the Early Nineteenth Century (book

manuscript in progress; preliminary versions of three chapters completed:
"Peeping at Pachyderms: Convergences of Sex and Music in France
around 1800"
"Sex, Sexuality and Schubert's Piano Music"
"Sibelius, Skogsrået, and the History of Sexuality").
Critical Edition (co-edited by Maurizio Pollini) of Fryderyk Chopin, Sonata in Bb
Minor, op. 35 (Milan: Casa Editrice Ricordi).