Books: David Delucia Collection Highlights of The Chess Library
Books: David Delucia Collection Highlights of The Chess Library
Books
Lucena: Repetición de amores, y Arte de ajedrez, circa 1496-97.
Rare first edition of the earliest extant manual of modern chess, containing a discussion of eleven
openings and 150 problems. 87 leaves with 161 woodcut chess board diagrams within woodcut
borders.
In 1964, Lathrop C. Harper in New York offered a Lucena. Their catalog description is as follows:
48. LUCENA (Luis de). Repetición de amores: E arte de axedres con cl. juegos de partido. 2 parts in
1. 35 and 87 printed leaves (2 leaves in the first part in facsimile). Gothic type. 162 large woodcuts of
chess boards, showing positions of the game in the second part and one on the title. 4to, richly blind-
stamped modern calf, g.e. [Salamanca: Lope Sanz, 1494-95]. First Printed Book on Chess.
“FIRST EDITION. The second part of this volume represents the FIRST PRINTED BOOK ON
CHESS, WITH REMARKABLE WOODCUT ILLUSTRATIONS. It is preceded by an illustrated
treatise on love by the same author. In this first part, which is by no means the important feature of
the volume, leaves a3 and a6 are supplied in excellent facsimile. The important Book of Chess is
COMPLETE with all the amazing woodcuts of chessboards, showing various positions of the game.
“Interesting also, and not without decorative value, is the series of illustrations of chess in Luis
Ramirez de Lucena, Repetición de Amores …”
Apart from the woodcuts there are borders and ornamental woodcut initials throughout the book.
Contrary to Haebler, Vindel attributes the printing to the Spaniard Lope Sanz alone and sets the
date as above, Haebler suggested the company of Lope Sanz and the German wandering craftsman
Leonhard Hutz. These were the earliest printers in Salamanca whose names we know.
Two leaves of the chess book have water stains; leaves A3 and A6 are remargined and possibly
supplied from another copy; the title is somewhat stained and there are a few minor flaws. The
general condition, however, is excellent and this is a very desirable copy of this “famosisimo libro”.
Copies containing both parts as ours are of very great rarity, and of the eight copies listed in Stillwell
only four have the first part. For more than twenty years – to our knowledge – no copies at all have
been offered for sale. The only copy we know of to appear at an English auction sale, a very defective
one, fetched £550 in 1928.”
This edition, was printed by Blado, the most famous of the early sixteenth-century printers in Rome,
in his early Roman type and the first edition with the woodcut showing two players at the game.
Vida: Ad Letorum, 1525. Only three copies known to exist. Very rare.
Only three copies known to exist. Not in L/N or Cleveland. Title is supplied in facsimile. This
supposed unauthorized edition, without the author’s name, differs from the 1527 Vida poem (Vida’s
collected works) as it consists of 658 lines compared to 742 lines in the 1527 edition. All references to
Vida’s contemporaries are gone and the nomenclature adopted for the chessmen changes. As Murray
states in his History of Chess (p.790), “The text of the 1525 edition, accordingly, becomes of great
importance in connexion with the history of the poem. The older text was also printed in Paris in
1529.” A+ for rarity.
Lucena, is the author of the oldest known chess book, Repeticion de amores e arte de axedrez con cl
iuegos de partido (First item on this list), which was published, most probably, in 1497 due to
Lucena’s dedication of his book to Prince John of Spain, the son of Ferdinand and Isabella, who died
October 4, 1497. He wrote this book when he was a young student in Salamanca and being the son of
an ambassador, he had the opportunity of travelling extensively through Europe.
There are two MSS. The Göettingen Manuscript which gets its name due to it residing in the
Göettingen Library and the manuscript that I own, the Paris Manuscript.
All three works, the book of Lucena, the Göettingen Manuscript and the Paris Manuscript are
undated and there has been much debate as to which work came first, the book of Lucena or the
Göettingen Manuscript. The Paris Manuscript is believed to have come last since it has more in-
depth analysis and reveals a much deeper understanding of the game of chess and its strategy.
The debate between which work is older, the book of Lucena or the Göettingen Manuscript is stated
by the following opinions:
- Van der Linde stated that the Göettingen Manuscript was “the oldest chess game ever
written”;
- Freeborough and Ranken (1893) dated the Göettingen Manuscript around 1490;
- Von Bardeleben and Mieses (1894) said, “The Manuscript could be a little older than the
book of Lucena”;
- Kohtz said, “The oldest example of modern chess is a latin manuscript…found at the
University Library of Göettingen”;
- Murray stated, “Even though it is generally accepted that the Göettingen Manuscript is the
older work, this is definitely not an established fact, and, in fact, the Göettingen Manuscript
is in certain ways more advanced than Lucena’s book. It studies exclusively the modern
game, and makes no references to the old game; on the other hand, Lucena’s book describes
the differences between the two games, and displays an understanding of the problems of the
old game; it is obvious that it is part of a transitional period. The analysis in the Göettingen
Manuscript reveals a deeper understanding of the modern game than the analysis in
Lucena’s book. Both works have a certain amount of material that is identical, but this does
not mean that both authors had referred to each other’s works, as they could have, both, in
fact, referred to an older work. It is however odd that a later manuscript from the 16th
century (Paris, German) describes the openings of the Göettingen Manuscript, albeit in
somewhat modernized versions, as the work of Lucena. Should this attribution be correct, we
would be forced to conclude that the Göettingen Manuscript is the later work of Lucena,
being more mature in its analysis.”
-
There has also been much conjecture as to who wrote the two manuscripts. The French chess
scholar, Victor Place, in 1922, strongly argues that the Göettingen Manuscript as well as the Paris
Manuscript had a great deal in common with the book of Lucena and he thought that both
manuscripts were written by Lucena. Place states, “Even though Murray could not provide us with
further indications with regards to the name of the author of the Göettingen Manuscript, he has
allowed us, thanks to the Paris Manuscript, to affirm his conclusions. The reader, having followed
the preceding games, must be struck by the similarities in the three works. These similarities are
summarized…: We consequently notice that 9 out of the 11 games from the Lucena book are in the
Paris Manuscript, and that all the Göettingen games are in the Paris Manuscript, and even in the
same order; it is also noteworthy that the openings in the Göettingen Manuscript are attributed to
Lucena in the German manuscript from the 16th century at the National Library in Paris; the first
game in the Lucena book, the first game in the Göettingen Manuscript and the first game in the
Paris Manuscript are all presented in descriptive fashion; the Lucena book, the Göettingen
Manuscript and the Paris Manuscript are all presented in the same format, the first part dedicated
to openings, the second to problems; the games are called “rules” in all three works; the names used
for the pieces in the Göettingen Manuscript and the Paris Manuscript have French origins; In all
three documents, the first part is dedicated to attacking chess, the second to defense
considerations…The problems discussed in the Paris Manuscript are an exact copy - with the
exception of two - of the problems discussed in the Göettingen Manuscript…The many other
similarities that we have discussed cannot be simply attributed to chance...From what we have
discussed, we can conclude that Lucena, the first theoretician of the modern game, was the author of
a manuscript in Spanish written in 1497 at the latest. Lucena was a student at the time, which
explains the relatively simple nature of the book. At a later but unknown date, he wrote a new work,
in Latin. This manuscript is the Göettingen Manuscript, and was probably written in France.
Moreover, this new manuscript is almost exclusively dedicated to the modern game, with all vestiges
of the ancient game disappearing under the modern analysis. Finally, after writing the Göettingen
Manuscript, Lucena wrote, in France once again, the Paris Manuscript. This manuscript completely
ignores the ancient game, and is written in a new and brilliant style that would reach its apogee
with the writings of Labourdonnais, McDonnell and Morphy.”
Of course, as Murray pointed out, it is conceivable that the author or authors of these works had an
even earlier book to read. The Paris Manuscript is the only work of the three that has the name
Lucena written in it which of course does not mean that it is his signature (but in all likelihood it is
his signature), however, nine of the eleven games that appear in the book of Lucena, as well as all of
the games that appear in the Göettingen Manuscript (12), appear in the Paris Manuscript, and in
the same order, with an additional eight games appearing in the Paris Manuscript. This leads one to
conclude, even though circumstantial evidence, that the author of the Paris Manuscript had access to
the book of Lucena and the Göettingen Manuscript.
In 1997, the Italian scholar, Alessandro Sanvito, wrote an article in Italian entitled, “A French
Lucena”. Here are his conclusions. “The close resemblance of the three works is undoubted: they are
conceived with the same plan, with the first part dedicated to the openings and the second to the
“partiti.” The openings are called regles in all three works, the first openings are dedicated to the
attack, the last to the defenses; in Lucena’s book, castling is in two moves and the King’s jump is
possible, just as in the two MSS; the “partiti” of the Paris MS are exactly the same as those of the
Göettingen MS with the exception of two that are missing, and in turn the “partiti” of the Göettingen
MS seem to be a selection of those of the Lucena’s book...it is evident that among the three works
there is an extraordinary relation, independently of their chronological order, but the purpose of my
article was to remember that for a study about Lucena we cannot ignore the sometimes overlooked
existence of the Paris MS.”
Vida: Marci Hieronymi Vidae Cremonensis Albae Episcopi opera. Antverpiae, 1558.
Damiano: Le Plaisant Jeu des Eschecz Renouuellé, 1560. First French edition.
Translated from Italian by Claude Gruget, Paris, par Guillaume le Noir, 1560. I would place this
work in the category of scarcer Damiano editions. I purchased this copy at the Blass sale at
Christie’s London, 1992. My objection with the book was that it had an ugly blue Blass stamp on the
title page. Any collector who defaces a book with his own stamp, especially the title page, only
highlights his ignorance about collecting.
At the time, I knew the conservator of the Morgan Library. I gave her the book and with her
expertise she removed the blue stamp. She rebound the book with a limp soft unblemished vellum
binding which is wonderful to the touch. The book’s condition is one of the finest in the library.
In the November, 1906, issue of BCM, J.G. White wrote an article, “The Various Editions of
Damiano”. For this book, he writes, “This, apparently, exists in three states. First, with the Sertenas
title-page given by v.d. Linde; second, with the Le Noir title page given by Mr. Pinsent, and with two
paragraphs of “printer’s pi” at the top of the verso of the last leaf, of which the first two lines is a
repetition of the last two lines of text on f. 39a, and the second paragraph of six lines is a repetition
of the six lines at the top of f. 34b; third, with the Le Noir title-page and no “printer’s pie”.
Ruy Lopez: Libro de la Invencion Liberal Y Arte del juego del Axedrez, 1561. First edition.
One of the most desirable chess books of the sixteenth century. In 2007, a well-known antiquarian
French book dealer sold a copy for $25,000. This book is a must for the serious chess collector. Its
perceived rarity is derived more from a few collectors owning multiple copies rather than only a few
copies existing in the public domain.
Damiano: Rowbothum’s The Pleasaunt and Wittie Playe of the Cheasts, 1562.
One of the rarest of all chess books. After Caxton’s, The Game and Playe of the Chesse, 1474,
Rowbothum’s, The Pleasaunt and Wittie Playe of the Cheasts, 1562, is the second chess book printed
in England and the first chess book in English that has to do with the modern game of chess. A+ for
rarity and historical significance. Not in L/N.
I have seen three complete copies. The first appeared at the Ford auction in London in 1985 which is
this copy. I did not see another copy until 2006. It was at the New York Antiquarian Book Fair.
Maggs, an English book dealer, sold it at the fair, for $28,000. The third copy was in the Lothar
Schmid Collection.
This is one of those chess books that is highly sought after by collectors of early English books.
Ruy Lopez: Il Giuoco de gli Scacchi di Rui Lopez, Spagnuolo, 1584. First state.
Ruy Lopez: Il Giuoco de gli Scacchi di Rui Lopez, Spagnuolo, 1584. Second state.
One variant, presumably the “first state” with gomito, Gobito and Gombito on lines 1, 3 and 6 of
p.133. The other variant, presumably the "second state" with the consistent spelling of the word
"gomito" on lines 1, 3 and 6 of p.133.
Gianutio: Libro nel Quale si Tratta della Maniera di Giuocar' à Scacchi, 1597.
Another high spot for the serious collector, more for scarcity than for content – mostly remembered
for the author’s comments regarding castling. Often touted as rare (Murray even mentions its
“rarity”).
Ruy Lopez: Le Royal Jeu des Eschecs, 1615. Second French edition.
Although the second French edition, one can wait decades before seeing this book.
Selenus: Das Schach- oder König-Spiel, 1616. Original vellum binding.
The first German work on chess openings with excellent historical material.
Two points come to mind: There is a misnumbering of the pages such that there is a gap between
pages 352 and 357 and; on every copy that I’ve seen, there is some blurring of print on various pages.
I believe this had to do with the original way the book was printed with somewhat thin paper and too
much ink on both sides of a leaf thereby causing a duplication and blurring of sorts on the pages. On
one copy, I counted 36 different pages with some degree of blurring.
A well-known Stuart play that uses chess as a metaphor for the political world - a political drama
whereby Middleton represents the political situation of the day by disguising the leading politicians
of Spain and England in his play, under the names of chess pieces.
R.C. Bald in his book, A Game at Chesse, published in 1929, states there are several ways to
differentiate the first edition from the second: in the first line of the Epilogue (last page) the first
edition has White Queene whereas the second edition has Whit Queene; at the very end of the book
the first edition ends with FINIS where the second I appears like a J with a line intersecting the J in
the middle whereas the second edition has FINIS with the first I appearing like a J with a line
intersecting the J in the middle; on page F2 (III, I, 192) How dares you pawne unpennanc’t - the first
edition has “dares you” while the second edition has “dare you”; on page F4v (III, I, 364) My pitty
flam’d - the first edition has “My pitty stand” while the second edition has “My pitty stands”.
This book is highly desired by collectors of early English dramas. In fact, the value for this book is
driven more by those collectors than chess collectors.
A number of copies lack the prologue and/or title page. Two of the three CPL’s copies lack the
prologue and title page as does Princeton’s copy. My copy has the title in facsimile. The only copy I’ve
seen in private hands over a 35 year period. A+ for rarity.
Marino: L’Adone, poema del Cavallier Marino. Amsterdam, 1651. Two volumes.
Greco: The Royall Game of Chesse-Play, 1656. First English edition.
Murray describes Greco’s work as “One of the most important productions in the history of chess.”
Francis Beale included almost one hundred “Gambetts” from a Greco manuscript in this work.
Another high spot for the collector due to its historical significance but not a rare book. Finding a
copy without a trimmed frontispiece, or title page with date cropped, remains the challenge.
Another point, among the dedicatory poems is one by Richard Lovelace which is signed in some cases
and unsigned in others.
There are two variants of this book. The first variant, and I think the scarcer one, contains: the
epistle dedicatory to the Earl of Lindsey; To the industrious chesse-player; To his honoured friend on
his game of chesse-play, with printed signature of R. Lovelace; On the incomparable game of chesse-
play, with printed signature of E. Revet and; Upon chesse-play. To Dr. Budden.
The second variant has all the above preliminary matter except, To his honoured friend on his game
of chesse-play, with printed signature of R. Lovelace.
English Manuscript: 100 Chess Problems - Stamma. Paris, 1737. Rimington-Wilson Library.
Academie Universelle des Jeux, 1739.
Stamma: Essai sur le Jeu des Echecs, 1741. Second French edition.
Stamma: The Noble Game of Chess, 1745. First English edition.
Philidor: L'Analyze des Echecs, 1749. First French edition – fruit bowl.
First French edition with fruit bowl on title page. There are large paper and regular octavo copies.
A classic and a must for the serious collector, not because of its rarity but due to its historical
significance regarding the importance of pawns (“Pawns are the soul of chess”) and positional play.
Murray writes in History of Chess, “The secret of this remarkable success is the lucidity, the
assurance, and the brevity of the book. No previous writer had attempted to explain the reasons for
particular moves with the detail and directness which Philidor had adopted.”
Philidor: L'Analyze des Echecs, 1749. First edition, second/third printing – birds.
Philidor: L'Analyze des Echecs, 1749. First edition, second/third printing – cornucopia.
Both variants are as scarce as the first edition but their value is lower as the first edition trumps the
scarcity issue due to its historical significance.
Murray, in History of Chess, calls Lolli’s work, “a great encyclopedic work on the game.” BCM, in
1896, states, “Lolli’s work, which reflects the greatest credit on the indefatigable industry of its
author, is remarkable for its elaborate notes and great accuracy.”
Philidor: Analysis of the Game of Chess. London, 1777, with Bartolozzi frontispiece.
Fred Wilson writes in his 1979 chess catalog, “V.d. Linde (I p.398) calls for a frontispiece in this
edition but I have been unable to locate a copy in private hands with this plate, nor have I ever seen
it listed by other dealers. More confusing is the fact that the White catalogue also lists a portrait in
this edition but not in French edition of 1777, which, it is well known, should contain the portrait! I
believe that either V.d. Linde erred…or only a very small number of copies of this edition (as in the
1790 edition) were issued with the frontispiece.”
Ben Franklin’s Morals of Chess: The American Museum, or Universal Magazine, 1792.
First printed in Genoa, 1793, reissued in Torino, 1794, and first published in France in 1801.
Chess Made Easy, 1802. Carey frontispiece. First chess book printed in America.
This is the first chess book printed in America and therefore an extremely valuable item for chess
book and early Americana collectors. It is a reprint of a primer published in London by Symonds in
1796.
There are two variants of the frontispiece: “Engraved for Matthew Carey” and “Engraved for James
Humphreys”. There are two variants of the text as well which can be differentiated by the footnote
on p.83. Some copies have a garbled text while others have a correct text. The variant with the
garbled footnote is the “first state” of the first edition while the corrected footnote is the “second
state” of the first edition.
Some dealers claim that this is the first appearance of Ben Franklin’s, Morals of Chess, in book form
but this is wrong. It appears in some of Franklin’s collected works in the 1790s.
Dr. Buschke, as early as 1940, stated that many copies of this book were published without the
frontispiece. Of the copies that I have seen, about half lack the frontis. I agree with Dr. Buschke that
many of these books were originally published without it.
Second chess book printed in Russia. In America, this book is rare but I must say that all early
Russian chess books fall into this category as one sees them more often in Europe.
Colombo: Il Giuoco degli Scacchi, 1824. Two printings, one on large paper.
Philidor: An Easy Introduction to the Game of Chess. Philadelphia, 1824.
Philidor: Analysis of the Game of Chess, 1824.
Villot: Origine Astronomique du Jeu des Échecs, 1825.
Dibdin: Comic Tales and Lyrical Fancies, 1825.
London-Edinburgh Chess Match: The first and second games. London, 1825.
One of the rare “large” or royal paper copies. With a tipped-in note in George Allen’s handwriting:
“Presented by G.A./The covers should be bound in with the rest as there is no title (page) – Large
Paper.” In reality, the wrapper is the title page. Will Lyons states, “Rare”.
This is the second chess book to appear in Mexico. It is preceded by a 28-page book of rules by
Philidor: Explicacion de los leyes y reglas (Mexico, 1836). I have found that condition is always an
issue with this book as the paper is acidic and of poor quality.
London 1883 chess tournament: Original red, blue, green and brown bindings.
London 1883 chess tournament: Grondis, 1/40 copies.
Gold: 200 Schachaufgaben. Wien, 1883.
Thursby: Seventy-Five Chess Problems, 1883.
Pearson: One Hundred Chess Problems, 1883.
MacDonnell: Chess Life-Pictures, 1883.
Bilow: Der Schach-Struwwelpeter. Leipzig, 1883.
Zimmermann: Das Schachgedicht Heinrichs von Berngen. Tubingen, 1883.
Stephan: Meister Stephans Schachbuch. Dorpat, 1883.
Preti: Paul Morphy, 1884. [Russian].
Neumann/Linde: Chess. St. Petersburg, 1884. [Russian].
Fourth Italian national chess tournament: Venice, 1884. Salvioli, 1884.
Zukertort and Dufresne: Guidance in Chess Play, 1884. Second Russian edition.
Rowland: Chess Fruits. Dublin, 1884.
English Manuscript – 1884: Hazeltine, Dubuque Chess Journal. Vol. IV, July, 1872.
Vazquez: Analisis del juego de Ajedrez. Mexico, 1885. Second edition. Not in L/N.
Franz: Katalog der Schach, 1885.
Bruederschaft 1885: Heyde. Typescript, published around 1930. Rare.
Hamburg 1885 chess tournament: Minckwitz, 1886.
Miles: Chess Problems, composed 1882 to 1885. Norwich, 1885.
White: Chess Problems, 1885.
Minckwitz: Humor im Schachspiel. Leipzig, 1885.
Verney: Chess Eccentricities, 1885.
Morphy. Nederlandsche Schaak-Courant: Issues Nos. 4, 6, 8, 10, 11, 14, 15 and 18.
Salvioli: Teoria e Pratica del Giuoco degli Scacchi. Venezia, 1885. Four volumes.
Steinitz: The International Chess Magazine, 1885-91. No more published.
Fifth Italian national chess tournament: Rome, 1886. Salvioli, 1887.
Carpenter: Chess Problems. O.A. Brownson, 1886.
Hofmann: 101 Ausgewählte Schachaufgaben. München, 1886.
Lyons: Chess-Nut Burrs, Newport, 1886. Original green and brown bindings.
New York 1889 chess tournament: Sixth American Chess Congress. Steinitz, 1891.
New York 1889 chess tournament: Morgan, 1889.
New York 1889: A Second Selection of Games. Morgan, 1889. Not in L/N.
Amsterdam 1889 chess tournament: Van Forest/Tresling, Utrecht, 1891.
Breslau 1889 chess tournament: Gottschall/Metger/Seger. Leipzig, 1890.
Breslau and Amsterdam 1889 chess tournaments: Morgan, 1891.
La Revista de Ajedrez: Vol. 1, Nos. 1-9. Habana, Cuba, 1889.
Vazquez: Analisis del Juego de Ajedrez. Habana, 1889. Two volumes.
Brownson: A Selection of Popular Three Move Chess Problems. Dubuque, 1889.
Brown: Book of Chess Problems. Part IV. Dubuque, 1889.
Bauer: Schach Lexikon. Wien, 1889.
Baltische Schachblätter: 1889–1910. No more published.
Deutsches Wochenschach: 1889–1922; 1924-25.
Taylor: Chess Skirmishes, 1889.
Minckwitz: Der kleine Schachkönig, Leipzig, 1889. Attractive cover.
Stubbs: Canadian Chess Problems. St. John, 1890.
Vazquez: Enigmas Problemas y Posiciones Curiosas de Ajedrez. Habana, 1890.
Wadsworth: Unique Chess Problems. Auburn, 1890.
Manchester 1890 chess tournament: Morgan, 1891.
Vazquez: Mr. Blackburne en la Habana, y el cable-match Steinitz-Tchigorin. Habana, 1891.
Kentucky 1891 chess tournament: 1893.
Sussex Chess Journal: Vol. 2, No. 25 (Jan. 1, 1891) – Vol. 4, No. 57 (Sept., 1893).
Schach-Jahrbuch, Erster Jahrgang. Bachmann, 1891.
Vazquez: Mr. Blackburne en La Habana y el Cable-Match Steinitz-Tchigorin, 1891.
Rogers: 1878-1891 New York State Association. History and Report, 1891.
Watcher: Chess and Checkers. [Russian]. Volume 1, Nos.1-6 (July-Dec.), 1891.
Chess: M.I. Chigorin. Periodical [Russian]. Nos.1-32. 1891. St. Petersburg, 1892.
Tonetti: Corso Teorico-Pratico sul Giuoco degli Scacchi. Roma, 1891 and 1908.
Chess Journal 1892 and 1893. [Russian].
Vetter: Das Schachzabelbuch. Frauenfeld, 1892.
Carreras: Traité Analytique du Problème d'Échecs. Paris, 1892.
Dresden 1892 chess tournament: Schellenberg/Metger/Lipke/Mieses. Leipzig, 1894.
Steinitz-Tchigorin: Two matches at Havana, cable match, London and Vienna, 1892.
Vazquez: El Pablo Morphy. Vol. 1, nos. 1-9. Oct. 1891-June 1892. No more published.
American Chess Monthly: March 1892–Sept./Oct. 1893. No more published.
This periodical was published from March, 1892 - December, 1892 (Nos. 1-10) and then Sept./Oct.,
1893 (Nos. 11 & 12). Scarce. The reason for the hiatus was the death of George H. Walcott, Jr.’s father.
In an ALS to J.D. Seguin, G.H. Walcott, Jr. writes, “Owing to the death of my father in April last, I
was obliged to suspend the Monthly (#10, Dec. 92) to assume charge and settle his estate.”
The Chess Review: Miniati. Vol. 1, nos. 1-5, Sept. 1892-Apr. 1893. No more published.
Chess Review: Russian chess periodical. Volume 2, Nos. 7-18. 1892.
Lasker: London Fortnightly, 1892/93. No more published.
Lasker’s first chess magazine. Volume 1, Nos. 1-19 is the complete run. Surprisingly, a complete run
of this magazine is hard to find and seldom seen at auction. Of all the collections that I’ve purchased,
spanning over 30 years, only Reg Hennessey and Jeff Kramer had complete runs.
Sterling: Emanuel Lasker. Una Partida con A.B. Hodges. Mexico, 1897.
Craigside 1897 chess tournament: Skipworth, 1897.
The Australian Chess Annual. Bignold, Sidney, 1897.
Tidsskrift for Skak: Kjobenhavn. 1897, 1898, 1901.
American Chess Magazine: Borsodi, 1897-99. No more published.
Craigside 1898 chess tournament: Edited by G.E.H. Bellingham. Stourbridge, (1898).
Internationales Kaiser-Jubiläums-Schachturnier: Wien, 1898. Paper and hardback editions.
Reichhelm: Chess in Philadelphia, 1898.
Der Schachfreund: S. Alapin. Berlin, 1898-1899. Volume one.
Napoleao: Caissana Brasileira. Rio de Janeiro, 1898.
Wiener Schachzeitung: 1898-1915, 1916 (Jan.-April); 1923-38 (March), 1948.
London 1899 International Chess Congress, 1900.
Amsterdam 1899 chess tournament: Nederlandschen Schaakbond.
Biblioteca “Andrés C. Vázquez,” Habana, 1899.
Albin’s Schach-Aphorismen und Reminiscenzen, 1899.
Timbs: Clubs and Club Life in London, 1899.
Pin Y Soler: Problemes d'Escachs. Barcelona, 1899.
Rowland: Pollock Memories. Dublin, 1899.
Cessolis: De les costumes…Joch dels Escachs. First edition in Catalan, 1900.
Paris 1900 chess tournament: Rosenthal, Paris, 1901.
London 1900 chess tournament: London, 1900.
Munich 1900 chess tournament: Gebhardt/Schlechter/Marco. Leipzig, 1901.
Rivista Scacchistica Italiana: 1900-1909.
Schweizerische Schachzeitung: 1900-1956, various years.
Vazquez: El Ajedrez Magistral. Habana, 1900.
Greco: The Games of Greco. Hoffman, London, 1900.
Chess Evenings: Russian chess magazine. Moscow, 1901.
Ros: 370 Utvalda Svenska Schackproblem, 1901. Inscribed by Tinsley to O. Wurzburg.
I uppnami: Vols. 1-2; 1901-1902. No more published.
Linström: Ett Urval Studier. Swedish daily endgame tournament, 1911. Malmo, 1912. 2 copies.
Griffith/White: Modern Chess Openings. London, 1911. First edition.
L’Italia Scacchistica: 1911-1976.
Long unbroken runs are scarce.
St. Petersburg Chess Society: Rules of the game of the German Chess Union, 1911.
Die Schachwelt: Mieses, 1911-1913. No more published.
1911 Budapest/ 1912 Temesvar. Vecsey, Ozseb. Jaszovar, Remeny, 1913.
Napier 1911/12: the rarest of the New Zealand tournament series.
Welles: A Brief Review of the Chess Record of Jose Raul Capablanca, 1911-1912.
Shiffers: Manual for Self-Teaching the Game of Chess. St. Petersburg, 191_. [Russian].
Nelson 1912 chess tournament: Wellington, New Zealand, 1913.
Breslau 1912 chess tournament: Coburg, 1913.
Paluzíe y Lucena: Bibliografía Española de Ajedrez. Barcelona, 1912.
Holland – Engeland. Schaakmatch April 1912. H.D.B. Meijer. Amsterdam.
Fiske: Chess Tales and Chess Miscellanies, 1912.
Capablanca-Magazine: Revista Quincenal de Ajedrez, 1912-14. No more published.
Szachista Polski: 1912-14. Second Polish chess magazine. No more published.
Murray: A History of Chess, 1913.
Shakhmatny Vestnik, 1913-16. No more published.
Chess Herald, 1913. [Russian].
Der Schachwart: Em. Lasker, 1913-14. No more published.
Havana 1913 chess tournament: Capablanca, 1913.
Scheveningen 1913 chess tournament: Nederlandschen Schaakbond, 1913.
Alapin: Der Schachfreund. Heidelberg, 1913.
Auckland 1913 chess tournament: Wellington, New Zealand, 1914.
Alfonso X: Das Spanische Schachzabelbuch…1283. Leipzig, 1913. Two volumes.
Large folio. A complete reproduction of the famous Spanish treatise on chess play by order of King
Alfonso in 1283 with 194 phototypic plates.
The Good Companion Chess Problem Club, 1913-24. No more published.
Magyar Sakkvilag, 1913-1914.
White: Memorials of Willard Fiske. Horatio S. White. Boston, 1922. Two volumes.
Shakhmatny Listok, 1922-31. No more published.
Rungiah Naidu: Feats in Chess, 1922.zach
Osterreichische Schachrundschau 1922-25. No more published.
Baca-Arus/Lopez: Los Maestros del Ajedrez Rubinstein. Havana, 1922. Attractive original wraps.
Teplitz-Schönau 1922 chess tournament: Schoor, Leipzig, 1923.
Beuthen 1923 chess tournament: Kramer, Breslau, (1923).
Pardubice 1923 chess tournament: Pokorný, 1923.
Gelabert: Glorias del Tablero “Capablanca.” Both editions.
The Chess Budget: Watts. Vols. 1-2, Nos. 1-56 (Sept., 1924 – July-Aug., 1926).
Tartakower: Ultramodern Chess Games: 1924-26. Four parts, original wrappers. [Russian].
64: 1924-41.
Brandenburgische Schachzeitung: 1924-1926.
Györ 1924 chess tournament: Maroczy/Chalupetzky, Gyor, 1925.
Braunau 1925 chess tournament: Dorfler/Schindler, Leipzig, 1926.
Berlin und Rathenow 1925: Edited by Zander/Westphal. Berlin, 1925.
Moscow 1925 chess tournament: Bogoljubow, Moscow, 1925. [Russian].
Nimzowitsch: Mein System, five parts in fine original wrappers.
Riemann: Schach-Erinnerungen des Jüngsten Anderssen-Schũlers, 1925.
L’Echiquier: 1925-37.
Cercle Philidor: Paris, 1925.
Les Cahiers de l’Échiquier Français: 1925-37. No more published.
Jena 1926 chess tournament: Vierter Bundestag des Deutschen Arbeiterschachbundes (1927).
Morphy-Voitier: Life of Paul Morphy. New Orleans, 1926.
Bad Altheide 1926 chess tournament: Breslau, 1927.
Longhurst: English Ivories. London, 1926.
Dalton: Early Chessmen of Whale's Bone Excavated in Dorset, 1926.
Mundial: Revista de Ajedrez. May-Dec. (8 issues), 1927. No more published.
Keidanz: The Chess Compositions of E.B. Cook. New York, 1927.
Schach-Herold: May, 1934 – Aug./Sept., 1937. Vols. 1-4 (8/9). No more published.
Washington State: Games of the Washington State Championship, 1934.
Mid-West Chess News: Dec. 1934–Aug. 1935. 30 issues. No more published.
Moscow 1935 chess tournament. Moscow, 1936. [Russian].
Lockett: Chess Players of New Orleans. Enlarged edition, 1935.
Konstantinsbad 1935 chess tournament: R. Laseker, 1935.
Casañas: Libro del Ajedrez. Madrid, 1935. Two volumes.
Chess: Sutton Coldfield, 1935/36-1999. Volumes 1-63.
Western Chess Chronicle: Nov. 1935–July 1936. 9 issues. No more published.
Moscow 1936 chess tournament: Levenfish, 1937. [Russian].
Chess: The Game of Life, 1936. 1/64 copies.
Miniature, 2 1/8” x 2 7/8” (5 1/2cm x 7 1/4cm), with original envelope and fine holder to encase book.
De Schaakwereld, 1936-42. No more published.
Eesti Male: 1936–1940 (1-5/6). No more published?
Castles: Febrero 1936–Julio 1938. No more published.
Poděbradech 1936 chess tournament. Prague, 1936.
Pernau 1937. Privately printed.
Revista Portuguesa de Xadrez. Nos. 1-82/3. Jan., 1937 – July/Oct., 1945.
Kubbel: 250 Selected Studies. Moscow, 1938. [Russian].
New Zealand Chess Gazette: Vol. 1, March 1938–Feb. 1939. Not in L/N or Cleveland.
Buschke: Catalogue of books and ms in the chess collection of Dr. A. Buschke, 1938.
Morra: 34 games played between Vera Menchik and Thomas Emery, 1938-1939.
34 games played between Vera Menchik and Thomas Emery with comments and annotations by
Pierre Morra during the years 1938 - 1939. 124pp. Inscribed to Frank Marshall from Thomas Emery.
What makes this publication odd is that all the games end in a draw.
Evans: Edgar Allan Poe and Baron von Kempelen’s Chess-Playing Automaton, 1939.
Wimsatt: Poe and the Chess Automaton. Reprinted from American Literature, 1939.
Buenos Aires 1939: Lachaga.
Buenos Aires 1939: Original bulletins.
Daily Bulletins are much harder to find than the Lachaga publication.
1000 Schaakpartijen: Gespeeld in 35 wedstrijden omstreeks 1939.
Niemeijer: Catalogus van de Schaakboekerij van Dr. M. Niemeijer, 1939.
John Rather writes, “Limited edition of 500 copies of which 300 were destroyed by enemy action in
1940.”
Cooke: Forty Two-Movers 1919-1939. Maine, Bradford Press, 1939. 1/100 copies.
The West London Chess Club War Time Gazette, 1941.
Prokes: Ladislav Prokes: Sachove Studie. 150 miniatur. Praze, 1941.
Fine: Galley proofs to Basic Chess Endings, 1941. Scarce.
Gamage: an Artist in Chess Problems, 1941, variant.
Graf: Asi juega una mujer. Buenos Aires. (1941).
White: A Sketchbook of American Chess Problematists. Overbrook Press, 1942.
Dobbs: A Chess Silhouette. Overbrook Press, 1942.
Dobbs: A Chess Silhouette, Armed Forces edition. Overbrook Press, 1942.
The scarcest of the Overbrook Press chess books.
Havel: České Granáty. Praze, 1943.
Prokop: 212 Sachovych Studii. F.J. Prokop. Praha, (1943).
Zlin 1943 chess tournament: Ludek Pachman. Praha, 1944.
White/Jacobs: Variation Play. Overbrook Press, 1943.
Skaki: Aug. 1943-July, 1946. First Hellenic chess magazine.
Zweig: Schachnovelle. Stockholm, 1943.
Eliskases: Jôgo de Posição. Rio de Janeiro, 1943. Not in L/N.
Buschke/Cheney/White: The Two-Move Chess Problem in the Soviet Union 1923-1943.
Capablanca: Libro Homenaje a Jose Raul Capablanca, 1943.
Dobbs: Six notebooks written in his hand.
Revista de la asociacion metropolitan de ajedrez: Buenos Aires. Vols. 1-4, Nos. 1-31/32. 1944-1947.
Pachman: OSM Partií velmistra Bohatyrčuka, 1944.
Allen/Hassberg: To Alain C. White. A Tribute from his Friends. Overbrook Press, 1945.
Pomar: “Mis cincuenta partidas con maestros,” Madrid, 1945.
Buschke: Chess News from Russia. Nov. 1945–June 1947. No more published.