Intro To Victorian Age
Intro To Victorian Age
Intro To Victorian Age
Queen Victoria
Queen Victoria
❑ In 1840 she married a German
prince, Albert of Saxe-Coburg.
Technological advances:
introduction of steam hammers
Workers in a Tobacco Factory and locomotives; building of a
network of railways.
• Respectability → distinguished
the middle from the lower class.
Lyell Darwin
Ms. Zenab Jehangir
The Victorian Age
Karl Marx
Ms. Zenab Jehangir
The Victorian Age
i. Friedrich Nietzsche -
nihilism
j. Sigmund Freud-
psychoanalytic theory
• Realism
• The Realist movement in fiction emerged in the
1870s, lasting through the turn of the century.
• Realism refers not only to fiction that is realistic,
but to fiction that
(1) Shows a concern with social convention, (e.g.
how to behave in various social situations),
especially the social behaviors of the middle
class
Ms. Zenab Jehangir
The Victorian Age
Realism
Shows an appreciation for industrial, commercial
and technological progress
(from which the middle and upper middle
classes, primarily, benefited).
Realism
Has a didactic purpose: writing in order to hold a
mirror up to middle class society, to show them
their flaws and “instruct” them on improvement.
Naturalism
• An offshoot movement of realism, occurring in the
late 1880s and 1890s
• It takes the realist idea of social determinism to its
furthest extreme: the individual has no free will,
and is entirely determined by external forces
beyond his or her control.
Naturalism
• This is what British naturalist Thomas Hardy called
the concept of “the imminent will.”
• Naturalism turned to lower class subject matter,
and social problems such as prostitution, alcohol
and drug abuse, domestic abuse.
Marxism
• The economic and political theories of Karl Marx and Friedrich
Engels that hold that human actions and institutions are
economically determined and that class struggle is needed to
create historical change and that capitalism will ultimately be
superseded by communism.
• Materialism
• Class struggle
• Ideology- set of ideas and beliefs
Psychoanalytic Theory
• A philosophical set of human nature
• Psychoanalysis is both an approach to therapy and a
theory of personality
• Emphasizes unconscious motivation –
• the main cause of behavior lie in unconscious mind
Psychoanalytic Theory
LEVEL OF MENTAL LIFE
1. UNCONSCIOUS
• Contains all the feeling, urges or instinct that are beyond our awareness but it
affect our expression, feeling, action
• (E.g. Slip of tongue, dreams, wishes)
2. PRECONSCIOUS
• Facts stored in a part of the brain, which are not conscious but are available for
possible use in the future
• (E.g. A person will never think of her home address at that moment but when
her friend ask for it, she can easily recall it)
• 3. CONSCIOUS
• Only level of mental life that are directly available to us
• The awareness of our own mental process (Thoughts/feeling)
Ms. Zenab Jehangir
The Victorian Age
Decadence
• The Decadent movement was a late 19th
century artistic and literary movement of Western Europe.
• Focus on ‘art for art’s sake
• Decadent writers used elaborate, stylized language to discuss taboo
and often unsavory topics, such as death, depression, and deviant
sexualities.
• The word decadence, which at first meant simply "decline" in an
abstract sense, is now most often used to refer to a perceived
decay in standards, morals, dignity, religious faith, or skill at
governing among the members of the elite of a very large social
structure, such as an empire or nation state.
Aestheticism
• Aestheticism, late 19th-century European arts
movement which centred on the doctrine that art
exists for the sake of its beauty alone, and that it
need serve no political, didactic, or other purpose.
Characteristics of Poetry
• Poetry reflected the society of Victorian era. Mostly, writers were social reformers.
• Victorian poets were heirs to the Romantics, and many of the generalizations about
• Distrust of organized religion, skepticism, interest in the occult and the mysterious
• The Victorian period heralded a new wave of poetry that was influenced by its Romantic
predecessors yet distinctly different
• Victorian poets were more likely to have a scientific conviction of God's absence
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