Spirit Drawings in Water Colours by Miss Houghton
Spirit Drawings in Water Colours by Miss Houghton
Spirit Drawings in Water Colours by Miss Houghton
EXHIBITED AT T H E
BY
I M IIS S H IO U C S -H C T O lS r,
T H R O U G H W II 0 S E M ED IU M SH IP T H E Y H A V E B E E N E X E C U T E D .
A ll Rights Reserved.
SEASON TICKETS.
Single Ticket - „ ,, - 0 10 G
^|NTF{ODUCTOF(Y J^E/VIARKg.
sk etch .
b u t th e y m u st rem em b er th a t I h a d a lr e a d y been a m ed iu m fo r u p
U B IV JT.Y
m o r ta l h a n d , it is n o t r e a lly m o re su rp risin g w h e n th e y d ra w th ro u gh
w id e ly sp re a d in g oak.
pose. In tho first place the character of the work is so totally unlike all
m ortal experience, th a t the eye, even of an artist, will better appreciate
the later ones by being led up to them by the gradual changes of style,
and secondly, because the S piritual significance deepened in proportion
w ith my own development. The early ones are but very faint shadows
of w hat they are intended to represent, because m y own Spirit was
still too m uch clogged w ith earthliness to grasp the hidden mysteries
beyond the veil, or even to have them pourtrayed through my medium-
sliip.
GEORGIANA HOUGHTON. -
W estbo u rn k S quare, W .
5. Cecil’s F ru it.
SPIRIT FLOWERS.
SPIRIT FRUITS.
15. F low er an d F r u i t of H e n ry L en n y .
21. F r u it of W a rra n d H o u g h to n .
I then learned th a t for each person th ere arose a p lan t of such flowers
expressing th e ir proportion of F aith , H ope, an d C h arity , as well as o th er
p artic u la rs; b u t, in th e few representations th e y have given me of those
plants, th ey have illustrated another phase of th e spiritual teachings, th a t of
after progression, as each coloured sphere typifies a certain state, and if we
had perfect clairvoyance we should see th a t each spirit (w h eth er in o r out of
th e flesh) is surrouuded b y an atm osphere m ore or less lum inous, and I will
give the interpretation as I th e n received it.
35. P la n t of H en ry L en n y .
39. F lo w er of S u san L en n y .
• This draw ing was th e first of th e Saercd Symbolism, which I have since
found to be the chief characteristic of my work, and I will give a few explan
12 CATALOGUE.
a t o r y w o rd s o f th e p r o m in e n t id e a s c o n v e y e d in it , b u t o f t h e o th e r s 1 can
o n ly m e n tio n th e title s , f o r t h e in t e r p r e t a tio n s b e lo n g in g t o th e m fill a
v o lu m e .
A g a in , t h e y a r e u n d e rs to o d b y th e d ir e c tio n s in w h ic h t h e lin e s p r o c e e d
u p w a r d s , G o d T h e F a t h e r : c r o s s in g o n e a n o th e r , G o d T h e S o n : ( t h e cro s se d
S y m b o l r e c u r s in m a n y o f t h e d r a w in g s , a n d r e p r e s e n ts t h e t w o - f o ld n a tu r e
o f C h r is t , a s G o d a n d M a n : ) d o w n w a r d s , G o d T h e H o ly G h o s t : o r, u p w a r d s ,
F a i t h ; a ro u n d , H o p e ; d o w n w a rd s L o v e , u n it in g in o n e p o i n t ; th e se th ree a re
on e. T h e r e a r e in n u m e ra b le re p e titio n s o f th e s e S y m b o ls , p r o v in g t h a t e v e r y
w h e r e t h e P o w e r , M e r c y , a n d K in d n e s s o f t h e L o r d , su p p o rts, s tr e n g th e n s ,
a n d c o m fo rts H is c re a tu r e s . T h e r e a re z e a lo u s e n th u s ia s ts w h o im a g in e t h a t
b y w it h d r a w in g th e m s e lv e s fr o m t h e t e m p ta tio n s o f t h e w o r ld , t h e y f it t h e m
s e lv e s fo r H e a v e n , b u t h a d t h e ir C r e a t o r so in te n d e d H e w o u ld h a v e m ad e h u t
on e m a n , b u t in I l i s L o v in g M e r c y , l i e h as fo r m e d th e m t o h e lp on e a n o th e r
b y w o r k s a n d b y s y m p a th y , a n d e a c h m u s t, in h is o r h e r o w n p a t h , d o t h e ir
u tm o s t t h u s t o fu lfil I l i s W i l l , a n d sh e d t h e r a in b o w h u e s o f F a it h , H o p e , a n d
C h a r i t y o v e r a ll w it h w h o m t h e y c o m e in c o n ta c t.
J o b x x x i., 4. D o t h n o t l i e se e m y w a y s , a n d c o u n t a ll m y s te p s ?
CATALOGUE. 13
S. M atthew xiii., 45, 40. The Kingdom of H eaven is like unto a m er
chantm an, seeking goodly pearls, who, w hen he had found one pearl
of g reat price, w ent and sold all th a t lie had and b ought it.
Psalm lxvi., 9. W hich holdeth our soul in life, and sufferetli n o t our
feet to be moved.
6 8 . Glory be to God.
7 0 . The Gems.
iBaiah xxviii., 16. Behold, I lay in Zion for a foundation a stone, ft tried
stone, a precious corncr stone, a sure foundation.
CATALOGUE. 15
7 2 . Tho Apostles.
S. Jo h n xvi., 33. In the w orld ye shall have trib u la tio n : b u t be of good
cheer; I have overcome th e world.
7 5 . Ministering Spirits.
8 3 . The Word.
S. Jo h n i., 14. A nd th e W ord was made flesh, and dw elt am ong us, and
we beheld llis glory.
8 4 . The Shield.
Joel ii., 28, 29. A nd it shall come to pass afterw ard, th a t I w ill po u r
out m y S pirit upon all flesh; and your sons and you r daughters
shall prophesy, your old m en shall dream dreams, yo u r young men
shall see visions: and also upon th e servants and upon th e h a n d
maids in those days will I pour out M y Spirit.
9 1 . Religions.
A cts xiv., 16, 17. W ho in tim es p ast suffered all nations to w alk in th eir
own w a y s: nevertheless H e le ft n o t Him self w ithout witness.
1 0 6 . Rock of Ages.
D euteronom y x x x ii., 4. l i e is th e I took, llis w ork is perfect.
1 0 8 . Heavenly Hopes.
S- J o h n xiv., 1, 2. L e t n o t your h e a rt be tro u b le d : yo believe in God,
believe also in M o : In m y F a th e r’s house aro m any mansions : I go
to prepare a place for you.
1 2 0 . Flower of Catherine.
1 2 4 . M6 tee’s Flower.
CATALOGUE. 21
evil habits are overcome. Think of it, ye who give w ay to evil passions or
violent tem pers 3 every unkind w ord undoes a portion of th e w ork of those
loving ones, who would strive to aid you in overcoming th e tem ptations of
your own nature and of evil influences. E very unholy th o u g h t tarnishes th e
fabric, and they are thus often compelled to repeat th e ir labours, perhaps
again to be demolished, llem em ber also, th a t th e virtues m ust no t lie d o r
m ant, like b rig h tly coloured stars, reposing in th e h eart, th ey m ust come forth
an d w ork, or th e b rig h t th re a d does n o t issue fo rth . A s th e rad ian t m aterial
accum ulates, th e y gradually form it in to a gossam er-like tex tu re, brocaded
as it were w ith lovely p atte rn s, which th ey shape in to a kind of turban, and
th e num erous transparent folds shew th ro u g h one an o th er w ith marvellous
b rillia n c y ; or sometimes th e y condense th e threads, and form of them gems of
v aried hues.
W e have striven in th is draw ing to p o u rtray tire real course of form ing
th e crown, show ing how it has been w orked all thro u g h , and th e result has
been a heaviness of colouring, v ery unlike th e crown itself; b u t another
a tte m p t w ill be m ade a t a fu tu re tim e, b u t, strive as we may, th e resu lt will
fall far sh o rt of th e brillian t original, in w hich th ere are besides m any tin ts
th a t we are unable to m atch in colours of earth.
1 3 4 . Four Crowns.
1 3 5 . Spiritual Crown of tho Rev. Richard Chcrnisiile.
1 4 0 . A. S. Monogram.
I n order th a t tho principle m ay be understood upon w hich these M ono
grams are designed, we m ust in th e first instance give some explanation of
Spiritual Crowns, as the tones of colouring aro similar to w hat would be
required in delineating them ; b u t we prefer a t present w orking them up in th e
form of Initials, as having an appearance recognisable b y those who have n o t
y et accepted Spiritualistic teachings. W e m ust also apologise for repeating
some portion of w hat wo have already said, b u t we do so to make th is explan
ation complete in itself. ’ ' .
E very thought, w ord and deed of good, is accom panied b y tho spiritual
em anation of a slender thread of coloured lig h t, th e hue thereof being d ete r
mined by tho characteristic, each shade of colour having a different significa
tion, and w ith all of evil issues fo rth a d a rk or b lack thread.
W hen wc th u s speak of dark threads, we do not b y any means allude to
depth o f colour, b u t to th e contrast betw een good and evil, lig h t and darkness.
AH the lines, therefore, in these M onograms, how ever deep in tone, are e x
pressive of g o o d ; for characteristics representing force, m ust n aturally contain
CATALOGUE. 25
only be form ed during th e m ortal life, and can afterw ards have no additional
developm ent, b u t tho spirit homes m ay ever bo increasing in b e a u ty ; for
those who have passed away from earth are still 1oy th e side of th e dwellers
thereon, influencing them for good or for ill, and th u s exciting th e emotions
which may add to th e glory of th eir own dw elling-place. I t will, therefore,
bo evident th a t loving th o u g h ts of those who are “ gone before,” and, when
th ey have been good and noble, a desire to em ulate th e ir actions, and make
th e loftiness of th e ir dealings an incentive to a higher stan d ard of life, will
ten d to enhance tho charms of th e ir new abode. I t is difficult to express this
idea in its fulness, so as to enable th e m ind to grasp th e conception of tho
wondrous loveliness am idst which those dw ell who, in p ast ages, have left
rem em brances of holiness and purity , and whose w ritten w ords, as well as
spiritual presence, are ever loading th e souls of m ortals to bask in th e lig h t of
th e L ord G od—to seek H im only.
So, too, those who have b u t lately p u t on im m ortality would fain beautify
th eir houses, hoping to be th ere joined by those whom th e y have left to
grieve for th e ir loss, whose help th ey will need ; and if the th o u g h t of them
a t any m om ent cheeks an ignoble action, or a hasty word, th e y w ill a t once
carry off the little fragm ent to blend w ith w hat th ey have already obtained.
Surely th is is a happy knowledge for th e m ourners, and th e flower of conso
lation may well b ear th a t name, n o t only to its possessor, but to all who may
learn w hat it comes to teaoh.
W e will now slightly explain th e flower itself, w hich was Called, and
afterw ards replaced by N ordrel, th e Com fort-bestow er, and shewn to Mrs.
Tebb, previously to im pressing h er w ith th e vision w hich was to prepare
Georgiana’s mind for th e g re a t loss she was to sustain in th e departure of her
beloved b rother from a life w here he had undergone more physical suffering
th an was know n to those around him.
W e do not say to m ortals, “ you m ust no t grieve when those you love are
taken aw ay to the higher life,” because we know th a t natu rally th e y m ust
grieve, b u t not as those w ith o u t hope. They cannot b u t feel th e loss, hour
by hour, of the cherished com panion; and th e ir daily life is rendered incom
plete ; so for themselves th e y m ust m ourn, such sorrow is a portion of m an’s
destiny, b u t out of th a t sorrow, th e y will arise stren gth en ed and purified if
th ey p u t th eir tru s t entirely in th e L ord, know ing th a t w ith o u t Ilis W ill n o t
even a sparrow falleth to the ground, and th a t therefore some beneficent
purpose is in every blow th a t falls, however severe it m ay seem a t th e time.
The first colour employed was gamboge, expressing faith ; w hich sentim ent
is evoked in others by G eorgiana’s life of perfect tr u s t in th e guiding H and
of her H eavenly F ath er. I t will thus be seen, and easily understood, th a t
qualities call forth th e same, or answ ering ones from others, therefore the name
CATALOGUE. 29
151. T he E y e of th e L ord.
S. Jo h n xiv., 2G. B u t th e C om forter, which is th e H oly G host, whom
th e F a th e r will send in My Name, H e shall teach you all things.
30 CA TA L OGU E .
153. T h e E y e of tlie L o rd .
Psalm x x x ii., 8. I will in stru ct th ee and teach thee in th e w ay in which
th o u shalt g o : I will guide thee w ith mine eye.
SY M B O LISM O F CO L O U R S.
Y e l l o w ...........................................G od th e F a th e r.
B lue . . . . . . God th e S on.
R e d ..................................................... G od th e H o ly G host.
O r a n g e ..................................................... P ow er.
V i o l e t .................................................... H eav en ly happiness.
G r e e n ..................................................... E a r th ly hopes.
CATALOGUE.
IN T E R P R E T A T IO N O F CO LO U RS,
AS R E P R E S E N T E D IN S P IR IT F L O W E R S , S P IR IT U A L CROW NS, M 0 N 0 3 R A M S , E T C .
* G am boge F a ith .
* In d ia n Y ellow . P robity.
Yellow O chre Delicacy of m ind.
L ig h t A m ber E arn estn ess.
* G allstone L ib e ra lity of h a n d an d soul.
A urcolin O rderliness.
B row n P in k . E conom y.
* K in g ’s Yellow E n erg y .
Ita lia n P in k . P erseverance.
Chrom e No. 2 T hankfulness, G ra titu d e.
punyt ysrv-f.YQr Victoria,
L em on Yellow Cheerfulness.
C adm ium . Courage.
R aw S ien n a . C onsiderateness.
W . Co rby , P r in t e r , 4a , W a lb r o o k , L o n d o n .