Faustus Seminar Questions
Faustus Seminar Questions
Faustus Seminar Questions
1. Marlowe explores the concept of appearance versus reality throughout Dr. Faustus.
Trace this theme throughout the play. What seems real at first, but ends up being only
illusion? Consider the illusions Faustus conjures, such as the horns on Benvolio’s head
and the Carter’s hay, but also consider the illusions performed for Faustus himself. Was
the reward Mephostophilis promised in exchange for Faustus’ soul “real?” Was it worth
the price?
2.. What is the role of the clown in Dr. Faustus? Discuss the purpose of the comic relief
scenes. Is it more than comic relief? Name all the characters that play the role of fool.
Consider all the references to horned heads. Is Faustus himself a fool? Why or why not?
Cite specific scenes and quotations that support your view.
3. In Act II Faustus asserts, “the god thou serv’st is thine own appetite.” Examine
Marlowe’s use of hunger and cravings. Consider the scene with the Seven Deadly Sins as
well as the scene with the pregnant Duchess of Vanholt. What exactly does Faustus crave
at the start of the play? Do his appetites change or grow as the play progresses? Is his
hunger ever satiated? What comment might Marlowe be making about the nature of
desire?
4. Why are there so many references to dismemberment in Dr. Faustus? Who constantly
threatens to tear Faustus limb from limb? Why? Does Faustus commit a type of self
mutilation when he sells his soul? Why does he lose a limb and his head to the Horse-
courser and the courtiers? Discuss the irony when his body is dismembered in the last
scene.
5. Discuss the play’s conflict between fate and free will. Does Faustus freely choose to
sell his soul, or is he the victim of fate? Defend your answer. Consider Mephostophilis’
reply when Faustus asks if his conjuring raised the devil:
“That was the cause but yet per accidens:
For when we hear one rack the name of God,
Abjure the Scriptures and his savior Christ,
We fly in hope to get his glorious soul.
Nor will we come unless he use such means
Whereby he is in danger to be damned” (I, iii, 45-50).
Why do Faustus’ many considerations of repentance always end in stronger resolve
towards Lucifer?
6. In The Poetics Aristotle defines a tragic hero as a character who occupies a high status
or position and embodies nobility and virtue as part of his innate character. While great,
the tragic hero is not perfect and is therefore able to appear sympathetic to mortal
audiences. Due to this imperfection or flaw (hamartia), which is often pride or arrogance
(hubris), the hero’s downfall is somewhat his own fault, the result of free will rather than
fate. However, the hero’s fall is not completely fair because the punishment exceeds the
crime. Prior to his end, the tragic hero experiences a sense of self discovery and sorrow
for his flaw and for the outcomes it has produced. Is Dr. Faustus a tragic hero? If not,
which parts of the definition fit him and which do not? If he is not a tragic hero, how can
Dr. Faustus- seminar questions
he be classified? A heroic humanist? Can a man who sells his soul be considered a hero
of any sort? Is he a villain? Explain your answer.
8. Some critics believe the ending of the play is ambiguous and that Faustus’ final
revelations lead him to heaven rather than accompany him to hell. Re-read Act V, scenes
ii and iii. What evidence is provided to support each view? What is your interpretation?