English Romanticism: CHILDHOOD Was Seen As An Age of Innocence Imagination Was
English Romanticism: CHILDHOOD Was Seen As An Age of Innocence Imagination Was
English Romanticism: CHILDHOOD Was Seen As An Age of Innocence Imagination Was
The Romantic movement developed in western Europe and it involved not only literature but also
philosophy, science, religion and art. The background of the Romantic movement consisted of
some factors:1)The sympathy aroused in many British writers by the democratic ideals coming
from America and France; 2) the philosophical thought of Rousseau, with his ‘concern with nature
and man’s emotional power’;3) the German literary movement called ‘Sturm und Drang’, which
emphasized the value of the individual and opposed the rationalism of the Classical Age. In
contrast with the cold rationalism of the previous age, Romantic poets valued human feelings and
emotions more highly than reason and made them the subject matter of their works. In
England the publication of the “Lyrical Ballads” by Wordsworth and Coleridge in 1798 is considered
the beginning of a literary revolution. In fact the preface to “Lyrical Ballads” sets down the
guidelines of this new form of poetry. NATURE was one of the main sources of inspiration of poets:
they turned to Nature because they didn't feel at ease in the society of their time. They revaluated
its beauty in contrast to the ugliness of the town and enjoyed the loneliness of the countryside, far
from urban life. Nature filled them with pleasure and appeared to them in close relation with
human soul. Much of Romantic poetry was ‘Nature poetry’ and it expressed a new sense of
intimate communion between man and nature.CHILDHOOD was seen as an age of innocence
and purity, in contrast with the corruption brought about by civilization. So it was associated with a
set of positive meanings, such as freedom, creativity, emotion, spontaneity .IMAGINATION was
the key-word of Romantic poetry, considered the highest gift of the poet, who was able to modify
or re-create the world around him. Even if every poet gave it a different definition, for all of them it
was the power to see beyond appearance into the real nature of things. For Wordsworth it was the
power that transformed the incidents of everyday life into extraordinary events. For Keats it was
the capacity to perceive the beauty and the harmony of nature through the senses or in the work of
classical art ("Ode on a Grecian Urn"). For Shelley it was the capacity to capture and record in
poetry the most beautiful and the best moments in life. THE POET presented himself as a link
between the ordinary man and the divine. The poet was seen as a ‘prophet’, free from external
rules, whose mission was to reveal truth to man.In his work the poet expressed his passions and
rebellions and often his opposition to social codes.Important influences came from the popular
tradition of folksongs and ballads and from the Middle Ages. Critics normally divide the Romantic
poets into two generations :
THE FIRST GENERATION - Wordsworth and Coleridge, called “Lake Poets” because they lived
in the English Lake District, emphasized the importance of the self and its relationship with Nature.
THE SECOND GENERATION– (Byron, Shelley, Keats)All of them left England, visited Italy and
died very young. The relationship between LIFE and ART was fundamental for their
poetryWhile Byron and Shelley distinguished themselves for their rebellious spirit and
passionate defence of freedom, Keats was mainly concerned with the cult of beauty.
From the literary point of view, there are many features in common between the first and the
second generation: the concept of the role of the poet, the emphasis on the power of
the imagination, individualism, the aspiration to the Infinite or the Absolute.
But with the second generation there was a return to more complex forms of versification, the
language became richer, and many poems showed a new interest in the world of ancient Greece.