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    ReliquiasPorte As Violin

    Uploaded by

    Douglas Schmidt
    The document contains musical notation for a violin piece titled "Reliquias Porteñas" or "Porteño Relics". It is composed of repeating musical phrases written using symbolic musical notation. The piece is in the style of a milonga, which is a genre of Argentine tango music and dance.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    ReliquiasPorte As Violin

    Uploaded by

    Douglas Schmidt
    56 views2 pages
    The document contains musical notation for a violin piece titled "Reliquias Porteñas" or "Porteño Relics". It is composed of repeating musical phrases written using symbolic musical notation. The piece is in the style of a milonga, which is a genre of Argentine tango music and dance.

    Original Description:

    reliquias porteñas violin part

    Original Title

    ReliquiasPorte¤as_violin

    Copyright

    © © All Rights Reserved

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    The document contains musical notation for a violin piece titled "Reliquias Porteñas" or "Porteño Relics". It is composed of repeating musical phrases written using symbolic musical notation. The piece is in the style of a milonga, which is a genre of Argentine tango music and dance.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    56 views2 pages

    ReliquiasPorte As Violin

    Uploaded by

    Douglas Schmidt
    The document contains musical notation for a violin piece titled "Reliquias Porteñas" or "Porteño Relics". It is composed of repeating musical phrases written using symbolic musical notation. The piece is in the style of a milonga, which is a genre of Argentine tango music and dance.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    Reliquias Porteñas

    MILONGA Música: Graciano de Leone


    transcripción y adaptación: Julián Hasse
    Violin

                                
           
     
    5
                           

                       
     

       
             
        
    11

                      
     

                          
    16

                     

    22
              
                           

               
    29
           
                 
     
      

            
    35

                                  

                                  
    40

             
     
    2 Reliquias Porteñas / Violin

                               
    47

        

            
           
    55

     
            

                 
     
    61

      

      
       
     
                 
    70

       
                
     

                                
    80

                  

                                   
    
    87

       Al  poi
    del  al 


                                    
    92

        

        
    
    97
     
                     
       
               

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