A: D T C: (Rheinische-Friedrich-Wilhelms-Universität Bonn)
A: D T C: (Rheinische-Friedrich-Wilhelms-Universität Bonn)
A: D T C: (Rheinische-Friedrich-Wilhelms-Universität Bonn)
Diana Khamis1
(Rheinische-Friedrich-Wilhelms-Universität Bonn)
1
[email protected]
2
Immanuel Kant, Critique of Pure Reason, trans. Paul Guyer and Allen W. Wood,
Cambridge: Cambridge University Press, 1998, p. 236.
ly investigate is how things appear, or even more precisely – how they are
“taken” by a subject. Even if nature, instead of being conceived as the sum
of appearances, is taken as a limited domain of objects, this is still fairly
damning: it permits to draw a line at a certain point of the investigation
and claim that nature goes no further, and that whatever phenomena are
investigated within this “further” can be investigated without recourse to
nature. Either way, on this view of nature, there is clearly not much room
for Naturphilosophie or even for nature being given a significant role in
philosophy. If a Naturphilosophie is to be attempted at all, a different view
of nature is needed.
In what follows, I will present such a view developed partly in re-
sponse to Kantian philosophy, one which takes nature to be a lot more than
just a sum of things – a productive force. This view of nature has been
put forward by F.W.J. Schelling. I would like to argue that Schelling’s
philosophy – not only what has been considered his “Naturphilosophie
phase”, but also certain works from the later stages of his oeuvre – gives
us a conception of nature such that Naturphilosophie remains viable and
nature remains relevant, indeed, inevitably so. In a Schellingian scheme
of presenting nature, however, one threat to Nature remains – namely, ab-
straction. This can be potentially problematic for philosophical thinking,
therefore, in the last part of my paper, I will look at how one is to approach
abstraction as a useful tool, and not as an instrument of destruction.
1. Naturphilosophie
3
F.W.J. Schelling, Ideas for a Philosophy of Nature, trans. Peter Heath and Errol E. Harris,
Cambridge: Cambridge University Press, 1995, p. 30: “The dogmatist, who assumes
everything to be originally present outside us (not as coming to be and springing forth
from us) must surely commit himself at least to this: that what is external to us is also to
be explained by external causes. He succeeds in doing this, as long as he remains within
the nexus of cause and effect, despite the fact that he can never make it intelligible how
this nexus of causes and effects has itself arisen. As soon as he raises himself above the
individual phenomenon, his whole philosophy is at an end; the limits of mechanism are
also the limits of his system.” [Id., Sämmtliche Werke, Bd. II, Stuttgart: J.G. Cotta’scher
Verlag, 1857, p. 40: „Der Dogmatiker, der alles als ursprünglich außer uns vorhanden
(nicht als aus uns werdend und entspringend) voraussetzt, muß sich doch wenigstens
dazu anheischig machen, das was außer uns ist auch aus äußern Ursachen zu erklären.
Dieß gelingt ihm, so lange er sich innerhalb des Zusammenhangs von Ursache und
Wirkung befindet, unerachtet er nie begreiflich machen kann, wie dieser Zusammenhang
von Ursachen und Wirkungen selbst entstanden ist. Sobald er sich über die einzelne
Erscheinung erhebt, ist seine ganze Philosophie zu Ende; die Grenzen des Mechanismus
sind auch die Grenzen seines Systems.“]
4
Iain Hamilton Grant, “Does Nature stay what it is?” in The Speculative Turn: Continental
Materialism and Realism, eds. Levi Bryant, Graham Harman, Nick Srnicek, Melbourne:
re.press, 2010, p. 67.
46 Diana Khamis
The approach Schelling takes towards nature obviously varies from his
earliest to his latest texts in its specifics; however, consequent on the broad-
er view of nature as productivity, certain features remain. Two of the most
prominent ones are the primacy of power over body, and the non-existence
of any fundamental level or unit in nature. These two features are tightly
related. They stem from Schelling’s desire to explain how nature – which
5
F.W.J. Schelling, First Outline for a System of the Philosophy of Nature, trans. Keith R.
Peterson, New York: SUNY Press, 2004, p. 14. [Id., Sämmtliche Werke, Bd. III, Stuttgart:
J.G. Cotta’scher Verlag, 1858, p. 13: „Nun ist aber nach allgemeiner Uebereinstimmung
die Natur selbst nichts anderes als der Inbegriff alles Seyns; es wäre daher unmöglich,
die Natur als ein Unbedingtes anzusehen […]“].
6
Ibid. [Id., Sämmtliche Werke, Bd. III, p. 13: „Wir kennen die Natur nur als thätig,
- denn philosophieren läßt sich über keinen Gegenstand, der nicht in Thätigkeit zu
versetzen ist.“]
7
Id., Sämmtliche Werke, Bd. X, Stuttgart: J.G. Cotta’scher Verlag, 1861, p. 307: „Im
Anfang dieser ganzen Entwicklung, liessen wir die Idee auseinander treten in ihre
Momente, damit sie Wiederkehr in die Einheit sich verwirkliche. Das Auseinandergehen
und successiv Wiedereinswerden dieser Momente ist die Natur. Die Wiederherstellung
der Einheit ist ihre Ende und Zweck der Natur.“
Abstraction: Death by a Thousand Cuts 47
2. The Culprit
8
See F.W.J. Schelling, Ages of the World, trans. Jason M. Wirth, New York: SUNY Press,
2000, pp. 38-39.
48 Diana Khamis
9
Id., Philosophical Inquiries into the Essence of Human Freedom, trans. James Gutmann,
Chicago: Open Court, 2003, p. 25. [Id., Sämmtliche Werke, Bd. VII, Stuttgart: J.G.
Cotta’scher Verlag, 1860, p. 356: „Die ganze neu-europäische Philosophie seit ihrem
Beginn (durch Descartes) hat diesen gemeinschaftlichen Mangel, daß die Natur für sie
nicht vorhanden ist, und daß es ihr am lebendigen Grunde fehlt.“]
10
And it is abstraction in particular that is the murder weapon here. The diagnosis passage
from the Freiheitsschrift accuses realisms and idealisms that operate according to the
assumption that the real and the ideal principles are separate, of precisely being too
lifelessly abstract as long as the real (i.e. Nature) is not taken as the foundation of the ideal.
Abstraction: Death by a Thousand Cuts 49
stages of the process of temporal production, and are thus abstractions that
move natural process forward. As a result of this discussion, it should then
become clear that thinking about abstraction is not itself necessarily an
abstraction. That abstraction can be thought of as processual, dynamic and
positive; that it – short of being a hindrance or disease which leads to the
denial of our natural material ground, the death of nature and the patholog-
ical entrapment of the mind within the sterile limited sphere of a certain
kind of philosophy – is nothing but itself part of nature. Abstraction will
be demonstrated to be tied inextricably with reality.
The idea of nature as composed of “bits” of power in Schelling goes
all the way to the aforementioned First Outline, where to think the uncondi-
tioned that is nature, Schelling introduces abstract atoms – “simple actants:”
What IS in space is in space by means of a continually active filling-up
of space; therefore, in every part of space there is moving force, so also
mobility, and thus infinite divisibility of each part of matter, no matter
how small, from all the remaining ones. The original actants, however,
ARE not themselves in space; they cannot be viewed as parts of matter.
Accordingly, our claim can be called the principle of dynamic atomism.
For us, every original actant is just like the atom for the corpuscular
philosopher; truly singular, each is in itself whole and sealed-off, and
represents, as it were, a natural monad.14
14
Id., First Outline for a System of the Philosophy of Nature, pp. 20-21. [Id., Sämmtliche
Werke, Bd. III, Stuttgart: J.G. Cotta’scher Verlag, 1858, pp. 22-23: „[W]as im Raum ist,
ist im Raum nur vermittelst einer continuirlich-thätigen Raumerfüllung; in jedem Theil
des Raums ist also bewegende Kraft, sonach auch Beweglichkeit, daher Trennbarkeit
jedes noch so kleinen Theils der Materie von allen übrigen ins Unendliche. Die
ursprünglichen Aktionen aber sind nicht selbst im Raum, sie können nicht als Theil der
Materie angesehen werden 1 . Unsere Behauptung kann sonach Princip der dynamischen
Atomistik heißen. Denn jede ursprüngliche Aktion ist für uns ebenso, wie der Atom
für den Corpuscularphilosophen, wahrhaft individuell, jede ist in sich selbst ganz und
beschlossen, und stellt gleichsam eine Naturmonade vor.“]
Abstraction: Death by a Thousand Cuts 51
Nature here is taken as consisting of ideal originary actants that are the-
oretical entities. Already here, Schelling is skeptical that static material
mechanical atoms can explain the qualities in nature, and sees the need to
resort to these dynamic atoms, each of them nothing but “a bit of force”,
“a unit of productivity.” This later develops into what he will call his Po-
tenzenlehre. Before I move on there, however, the key term of this paper
– abstract, as it appears locally in the above passage – should be explained
and qualified.
It is easy to read this above passage as demonstrating that Schelling,
at least at some point in his long philosophical life, was a scientific an-
ti-realist. He seems to be saying: “we philosophers need to explain quali-
ty, therefore we pragmatically postulate non-existent entities that help us
understand and manipulate nature.” In light of such a beginning to his
naturphilosophische project, one can rightfully ask whether it makes any
sense to talk about forces that stand behind the process of nature as op-
posed to thinking nature in terms of useful fictions. This is why we have
to think about what makes primary actants in the above passage abstract,
for despite appearances, Schelling is doing ontology in the First Outline.
If we look closely at the passage concerning simple actants, it is
clear that they are that level of matter whereby it becomes indivisible. The
lowest, the basic, the simple, the originary, the maximally decomposed.
Their abstraction stems precisely from here: it is not that we don’t know
15
Ibid., p. 21f. [Id., Sämmtliche Werke, Bd. III, Stuttgart: J.G. Cotta’scher Verlag, 1858,
p. 23f: „Wäre die Evolution der Natur je vollendet (was unmöglich ist), so würde nach
diesem allgemeinen Zertrennen jedes Produkts in seine Faktoren nichts übrig bleiben als
einfache Faktoren, d.h. Faktoren, die nicht selbst mehr Produkte sind. Diese einfachen
Faktoren können daher nur als ursprüngliche Aktionen, oder – wenn es erlaubt ist so sich
auszudrücken – als ursprüngliche Produktivitäten gedacht werden.
Unsere Behauptung ist also nicht: es gebe in der Natur solche einfache Aktionen,
sondern nur, sie seyen die ideellen Erklärungsgründe der Qualität. Diese einfachen
Aktionen lassen sich nicht wirklich aufzeigen – sie existiren nicht, sie sind das, was
man in der Natur setzen, in der Natur denken muß, um die ursprünglichen Qualitäten zu
erklären. Wir brauchen also auch nur so viel zu beweisen, als wir behaupten, nämlich,
daß solche einfache Aktionen gedacht werden müssen als ideelle Erklärungsgründe aller
Qualität, und diesen Beweis haben wir gegeben.“]
52 Diana Khamis
whether these actants exist or not; this is not a Kantian access problem
and Schelling is not digging here at the unfathomable depths of nature,
forced to postulate something just to explain anything. The abstraction
stems from the abstract stoppage of natural production at the level of
these actants; what is abstract is that the Naturphilosoph drew a line after
these actants and said that this was it. I have already mentioned in my
introduction, that Schelling is a philosopher who avoided – and at times
this has made him look quite slippery – drawing final lines and setting
ultimate foundations, as he cannot conceive of a situation where such lines
and foundations would not need lines and foundations in turn. Moreover,
a somewhat similar reason is at stake for Schelling’s refusal to draw the
line at some level and declare that level to be the “fundamental” level
of power, basic, simplest, below which there is no power. We could go
“down” or “back” in thinking to ground the subjects of our investigation
until we seem to have hit a level that seems to us to be basic, but it would
be absolutely unclear how to proceed with the reverse direction; i.e., if
below that line of ground there is no activity, how on earth did activity
ever start at the line of ground? Schelling has no answer for something
coming out of nothing, unsurprisingly.
As Iain Grant points out, we cannot think the inception of the uni-
verse. If we were to, then the universe-creation we would be thinking
about would be different from the one that brought us here, the former (i.e.
the one we are thinking about) being clearly consequent on the latter and
on our existence.16 Any time a Naturphilosoph wants to think potencies,
any beginning he would take would be, then, not a beginning in some ab-
solute sense. Any attempt to turn those powers, those primary productivi-
ties, into units, and give them – as if it were in a physics lesson in middle
school – points of application whereby they begin, would be as giving
them merely local beginning, almost entirely arbitrary, like a line drawn
by abstraction just to give the current investigation a starting point. Once
again, the problem here, for Schelling, is not infinite regress – it would be
that the stopping of the regress at any level would have no better justifica-
tion than its stopping at any other level: i.e. convenience and the purposes
of a specific investigation at hand. Schelling’s “simple actants” from the
First Outline are abstractions not because we are not able to tell whether
they exist or not, not because we postulate them as thought-entities, but
16
See Iain Hamilton Grant, “Inflationary hypotheses: The construction of matter and the
deep field problem”, ed. S. Pfeffer, in Speculations on Anonymous Materials, Berlin:
Merve, 2015.
Abstraction: Death by a Thousand Cuts 53
because we cut them off from their grounds and designate them as basic
without any weightier ontological reason than provisional simplicity.17
True to Schelling’s antipathy to atomism I have mentioned before, they
are also “atoms” only in the sense that we treat them as such. Hence, when
Schelling says that simple actants don’t exist and are abstractions, then
that means that they don’t exist in nature as simple actants, not that there
are no actants in nature tout court.
If we take the case of the simple actants as exemplary, we can say
that abstraction consists in two moments. The first – very obvious – is
localization and limitation: in order to draw something away from some-
thing else (an element from its context, a productivity from the chains of
natural process/production), this context must first be at least minimally
delimited. Abstraction, then, always begins with some kind of localiza-
tion, with zooming into a node before its extraction. The simple actants are
thoroughly localized at the deepest level of material nature possible. This
moment of localization taken alone, however, is not yet abstraction, as
locality – boundedness by antecedents and consequents18 – is the feature
of anything and everything finite. True abstraction is when the localized
node of the natural process is then taken to be somehow independent –
simple, basic or having undergone such a qualitative transformation while
arising from whatever came before it, that it can shed the after-influence
of its antecedent. Schelling invites us to temporarily consider the simple
actants separately from any grounding principle, but rather the basis for
explaining everything in nature. Such an element cannot but be abstract.
3. Natur-Mord
17
Saying here that nevertheless these primary actants are merely ideal, fictional
explanatory entities just because Schelling decides to adopt them as units of productivity
would be similar to claiming that gravity is merely ideal just because we think of it as
a force of mutual attraction, while it is far from that scientifically simple and can be
explained further.
18
On this, see Iain Hamilton Grant, “How Nature Came to Be Thought”, Journal of the
British Society for Phenomenology 44, 1 (2013), pp. 24-43.
54 Diana Khamis
potencies using the notation –A, +A, ±A, where –A is pure Can, mere
ability or subject of existence, +A is pure existence or object, and ±A is
the subject-object. While presenting this model, Schelling first gives its
form, a bare-bones schematic of the three elements. The potencies operate
as follows: -A is the material principle:19 unlimited, undefined, nothing
in particular, the dark principle at the ground of creation, untouched by
the light of reason. If we look back to ancient philosophy we find that
a similar role is played by the Platonic unlimited, the apeiron. And just
as the ancients’ apeiron is offset by the peras, the limit introduced into
it – which is how “real being” is generated20 – the pure Can, -A, is offset
by +A, “d[a]s rein seyende.”21 –A strives towards +A, which serves as an
attractor, and thus as a determining force. If +A is to be described in any
way – and a potency is probably best described functionally in terms of
what its role in the cycle of natural processes is – then +A is most akin
to Plato’s Idea. It is something which sheerly exists, by virtue of which
individual things individuate. The -A determined by the +A therefore
produces ±A as a result – a real individual being, which is simultaneously
that which is, and that which has the capacity to be.
19
F.W.J. Schelling, , Sämmtliche Werke, Bd. XI, Stuttgart: J.G. Cotta’scher Verlag, 1856,
p. 388: “[D]as Können als Schranke des Seyns gesetzt war, als das aus aller Schranke
Getretene, an sich Grenz- und Bestimmungslose, also ganz gleich dem pythagorischen
und platonischen Unendlichen (ἄπειρον), das freilich in der Erscheinung nicht
anzutreffen; denn alles Seyn, das in dieser sich findet, ist schon wieder ein in Schranken
gefaßtes und begreifliches; indeß enthält die Erscheinung selbst Anzeichen, daß allem
Seyn ein an sich schrankenloses, der Form und Regel widerstrebendes zu Grunde
liegt. Dieses seiner selbst ohnmächtige, also für sich eigentlich nicht seyn könnende
Seyn wird dennoch der Grund und Anfang seyn alles Werdens, und in aristotelischer
Ausdrucksweise die erste, nämlich materiale Ursache alles Entstehenden. [[T]he
Can was posited for it as a barrier to Being, as what finds egress from all barriers,
the limitless and indeterminate in itself, entirely akin to the Pythagorean and Platonic
infinite (ἄπειρον), that, of course, is not to be found in appearance. For every Being
situated in the infinite, is already in turn held behind barriers and is [thus] susceptible
to being conceived. Meanwhile the appearance itself contains the mark that all Being
is grounded in something in itself barrier free, striving against all form and rule. Itself
impotent, so for itself properly not able to be being, it will nevertheless be the ground
and beginning of all becoming, and in Aristotelian terms, the first, namely the material
cause of all emergence.”]
20
Plato, Philebus, tr. Benjamin Jowett, available from http://www.ellopos.net/elpenor/
greek-texts/ancient-greece/plato/plato-philebus.asp
21
F.W.J. Schelling, , Sämmtliche Werke, Bd. XI, p. 389. [“not yet a matter of actuality, but
only of existing in the idea”.]
Abstraction: Death by a Thousand Cuts 55
[I]f a world outside the idea is thought, then it can only be thought in
this manner, and moreover can only be thought as such a world-outside-
the-idea. So in order to attain the world outside the idea we must first
22
Id., Sämmtliche Werke, Bd. X, Stuttgart: J.G. Cotta’scher Verlag, 1861, p. 305: „noch
von keiner Wirklichkeit die Rede ist, nur vom Existirenden in der Idee.“
23
Ibid., p. 306.
24
Ibid., p. 303: „Was denke ich, wenn ich das Existirende denke?”
56 Diana Khamis
posit the first element of it as existing in itself, and the question is how
this can be. Now we have, however, acknowledged from the outset that
according to the idea, this subject is only directed to the higher object
(+A), not the subject or potency of itself, but precisely rather the exis-
tent, but according to its nature therefore it can equally only be this latter
(potency of itself) directed away from infinite Being, in order to be the
existent itself; in which respect this ability presents itself according to
its nature as ambivalent nature, as Δυας. But in that we think a going-
out-of-itself of the idea, we must of course at the same time view this in
the sense that, so that unity is indeed suspended, raised into making the
transition to thought, but only from the perspective that it reconstitutes
itself and precisely thereby makes itself actual and proves itself to be
ineliminable.25
we see that in order to exit the negativity of the mere idea, Schelling sug-
gests we treat the potencies not as a threefold unity, but also not as a dis-
jointed threefold, but rather as an operative unity, dividing and reconsti-
tuting itself. This, combined with Schelling’s persistent view that there is
no basic level to nature, gives us the key as to what to do with abstraction
to bring it back to life – ground it in its past and its future, ultimately un-
grounding it in both directions. These operations of both past and futural
grounding/ungrounding are inevitable, because whatever element we are
examining cannot but have a causal history. Even abstract elements, even
abstraction itself, they all have a ground.
The presentation of the potencies at the beginning of Darstellung des
Naturprozesses is thus abstract only insofar as it is Schelling setting up
a philosophical toolbox. Whenever the philosopher is to think abstractly
and give abstraction justice, it is only possible through recognizing that, if
abstraction means unconditional declaration of independence and auton-
25
Id., Sämmtliche Werke, Bd. X, p. 307: [W]enn eine Welt außer der Idee gedacht wird,
so kann sie nur auf diese Weise, und kann dann ferner nur als eine solche gedacht
werden. Um also zur Welt außer der Idee zu gelangen, müssen wir erst das erste Element
derselben als für sich Seyendes setzen, und die Frage ist, wie dieß seyn könne. Nun
haben wir aber gleich anfangs erkannt, daß jenes Subjekt zwar der Idee nach nur dem
höheren Objekt (+ A) zugewendet, nicht Subjekt oder Potenz seiner selbst, sondern eben
des Existirenden sey, aber seiner Natur nach doch ebensowohl dieses (Potenz seiner
selbst) seyn, vom unendlichen Seyn sich abwenden kann, um für sich selbst Seyendes
zu seyn; in welchem Betracht dieses Können als die ihrer Natur nach zweideutige Natur,
als Δυας, sich darstellt. Indem wir aber ein Auseinandergehen der Idee denken, müssen
wir doch sie zugleich als unaufheblich in dem Sinne ansehen, daß die Einheit zwar
suspendirt - vorübergehend im Gedanken aufgehoben werden kann, aber nur in der
Absicht, daß sie sich wiederherstelle, aber eben damit verwirkliche, sich als die nicht
aufzuhebende auch erweise.
Abstraction: Death by a Thousand Cuts 57
***
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Abstraction: Death by a Thousand Cuts 59
ABSTRACT
ZUSAMMENFASSUNG