Obolo Language
Obolo Language
Obolo
(Lower Cross, Delta Cross, Cross River)
Derek Nurse
18.1 General
Some 100,000 people speak varieties of Obolo in a group of more than twenty islands in
the extreme southeast corner of the Niger Delta in SE Nigeria, facing the Atlantic Ocean.
Obolo refers to the language, the people, and their homeland. The government name is
Andoni. Obolo is closely related to better known Lower Cross languages such as Ibibio
and Efik. Until recently many Obolo spoke Igbo and Ibibio as second languages. The
younger generation speaks Nigerian Pidgin English and/or Nigerian Standard English
beside Obolo. Our analysis relies entirely on Faraclas (1984, 122 pages).
Obolo distinguishes an extra high (circumflex accent), a high (acute accent), and a
low tone (unmarked)1. The tonal shape of some verb forms is the sum of the tones of the
SM, any AM marker, and the tone of the root, but in many forms there is a superimposed
tonal shape so that the tonal contour is not the sum of the tones of individual morphemes.
Tone is very important in verbal distinctions. Also, “Obolo utterances are divided into
stress groups and each such group receives one stress. Stress groups are usually centered
around a verb […] Stress is normally marked by an extra high or a gliding tone”.
The central role of tone in the verb system can be illustrated by considering the
structure o-tele (2s-leave). It occurs in several different surface tonal shapes, e.g. ó-télé
„you leave/left‟, íkpá -télé „letters that you left‟, o-téle íkpá „you left the letters‟. We do
not attempt below to describe tone patterns fully.
The Obolo consonant system is unexceptional for the area: it has only two
fricatives (/f, s/) and lacks any /p/. There are six vowel qualities, (/i, e, a, , o, u/). All
occur short and long, the long ones being relatively rare and tending to shorten in many
contexts. Syllables in Obolo can have these structures only: V, N. (only in prefixes), CV,
CVC, CV:C, CGV, CGVC.
1 Faraclas says each of the three has two major allotones: for the extra high, a level extra high tone or a fall
from extra high to high; for the high, a level high or a fall from high to low; and for the low, a level low or
a rise from low to high. The contexts for these allotones are not given so we simply refer to the three tones
as extra high, high, and low.
2 O has the order DO IO, where DO and IO have to be separated by a verb, often „give‟, so a construction
with V DO IO is like a serial verb construction: -ge íkpá ínyí emi iyákwut „He wrote the letter to me
yesterday.‟ lit. „He write letter give me yesterday‟.
b kké ké -gé
what that 3s-write
„What did 3s write?‟
M: m- “Weak future”. A preverbal #ke# does or may occur before subjunctive forms.
SM: 1s N-, 2s o-, 3s is i- in most contexts but o- in contexts including subjunctive and
preverbal focus. The most common SM for 1/2/3p is e- (most often H-or extra-H-toned).
Other plural SM markers are mi-, i-, and me-, each occurring in a limited range of
contexts. Since plural SMs are neutral for person, they have to be preceded by an
independent 1/2/3p pronoun.
NEG: the plural NEG /kpe/ always occurs verb-initially, preceded by an independent
pronoun, not an SM. The other negative formatives occur after the SM (see §6).
AM: FAC; -ki- IPFV (always high- or extra-high-toned); -ké-kí-4 HAB; -g(-k)- or -
m(-k)- PRG; -ke-bí- PRESSIMUL5; -ba- “strong future”, conditional; -ba-kí- “strong
future” IPFV; -ba- or -ri-, optionally followed by -bé- or -ré-, followed by infinitival í-
PFT.
As can be seen, the AM position can be filled by zero, one, two, or, exceptionally,
three 6 morphemes in a string. Most markers with two (or three) syllables are visibly
sequences of single morphemes. IPFV -kí- comes last in a sequence.
Root: verb roots have these shapes: CV, CVC, CGV, CV:C, CVCV. The commonest type
CV, and CGV are always H-toned, whereas the other types can be H or L. In CVCV
verbs, the vowel of the second syllable is that of the first. The few three syllable verbs
involve reduplication.
Productive root reduplication reduplicates the initial consonant and the initial
vowel, /i, u/ of the root lowering to /e, o/. For the function of reduplication, see §5.3,
below. With the possible exception of -na, only occurring on monosyllables, Obolo verbs
do not have suffixal extensions.
3 In all examples we follow Faraclas in using four verbs, shown with their basic/lexical tone: -gé „write‟
and -télé „leave‟, -fuk „read/count‟ and -bk „receive!‟.
4Faraclas regards ké-kí as reduplication of -kí-, with accompanying lowering of [i].
5 Abbreviation PRESSIMUL is used in this chapter for Faraclas‟ “present simultaneous”, an apparently
subordinate form, explained and exemplified below (§18.4).
6The one three-morpheme combination is an alternative Progressive form, omitted here.
b n-kí-ge íkpá
1s-IPFV-write letter
„I am/was writing a letter‟ (IPFV)
7We follow Faraclas‟ glosses. It should be noted that he varies between singular and plural glosses for
nouns, and between English present and past glosses for verbs.
e ke má-gég íkpá
ke 1s.M-write letter
„I should (could, will) have written a letter.‟
(4) owu o-ga-ki-télé íkpá „You are leaving a letter‟, or „You were leaving ...when..‟
The “present (simultaneous)” can likewise refer to past or present situations but
has an additional component which, judging from Faraclas‟ few examples, appears to be
a dependent status: it appears only in subordinate clauses, and indicates an action ongoing
at the same time as the main verb. (These are the only examples):
There also appears to be what is best described an habitual, illustrated but not
formally recognized by Faraclas:
(6) n-k-kí-gé íkpá „I am/was always writing letters, used to write letters.‟
Finally, although Faraclas has a tense called “past anterior”, the four examples
given are translated by the English perfect, which inclines us to regard this as perfect
(aspect):
It is possible that eastern varieties of Obolo have a real past tense. Faraclas gives a
number of eastern examples that involve ka (variants ko, ke) and are translated by
English pasts, not perfects (p.78):
b ogwú o-k-ge íkpá „Person who wrote books…‟ (cf (16), below)
In summary, we see Obolo as a language with aspects and moods, but no tense
contrasts. Thus it has a basic FAC : IPFV distinction, plus two modal “futures”, two
progressives (one used in main clause, one in subordinate), an habitual, and a perfect.
There is (possibly), a conditional (see §18.5.5).
18.5.2 Subjunctive
Subjunctives, focus forms, and relativized verbs mainly differ tonally from corresponding
indicative, neutral focus, and absolutive forms, respectively9. The tone differences affect
SMs and/or stems, the latter having a consistent high-low surface pattern in the
subjunctive. The “relative conjunction” ke may also occur before a “subjunctive”, in
which case the tones are sometimes not those typical of the subjunctive. Examples:
SBJ + verb focus m-r om í-fófk íkpá „He will make him read a letter.‟
but -gé íkpá „I write/wrote a letter‟, and ke -gé íkpá „I should have written a letter‟10
18.5.3 Focus
Verbs may be focus neutral, that is, no particular part of the utterance is emphasized, as
in the pair in (2), repeated here as (11):
Verbs may also have “prefocus, postfocus, verb focus, or auxiliary = aspect
focus”. The differences are mainly tonal: a few cases may involve the use of pronouns:
verb focus also involves reduplicating the initial consonant and vowel of the root: and
aspect focus may also reduplicate what Faraclas calls the auxiliary, which we label AM
8Faraclas translates this and its negative equivalent with “letters”, not “a letter”.
9The 3s has i-, for indicative o-.
10Faraclas labels this as “subjunctive”, but his reason is not clear.
Postfocus puts emphasis on elements following the verb in the same sentence.
Faraclas‟ examples put emphasis on the object or the complement in relative clauses
whose nominal subject precedes the verb. The tonal patterns of postfocus forms differ
from those in focus neutral forms but the details are not clear to us. Examples:
Verb focus is marked in all cases by reduplicating the verb stem. Whether verb focus
forms share tonal properties is unclear to us. Examples:
c b
i-b k íkpá „Receive the letter!‟
(15) a. n-k-kí-gé íkpá „I am/was always writing letters‟ (HAB, reduplicated kí)
18.5.4 Relatives
Relative clauses are have three formal characteristics: 1. they differ tonally from
absolutives, 2. they have different SMs in some cases from those in absolutives, and 3.
they optionally involve the use of “relative conjunctions” (such as ké, bé) or
demonstratives pronouns (such as eyí). We ignore 3. in the display in (16). (16) presents
examples of absolutives (2nd column), object relatives (where the head noun and the
object of the relative clause have the same referent: 3rd column), and subject relatives
(where head noun and subject of the relative clause have the same referent: 4th column).
(16) Relatives
It is not easy to generalize about the tonal patterns in (16), partly because in any row or
column several factors are at play (focus, aspect, person, etc), partly because the tones
shown above, taken from Faraclas‟ paradigms, sometimes differ from the same or similar
forms shown elsewhere in his text in a sentence context, partly because the tonal
generalizations he himself makes, while mostly accurate, do not always seem to
correspond to the forms he shows.
Nevertheless, starting from the assumption that the absolutive column represents a
relatively unmarked set of forms, it seems to be true that: what characterizes the object
18.5.5 Conditionals/Subjunctive?
b ke -gég íkpá
(as preceding but verb (written) focus)
c ke om ó-fofk íkpá „3s could (should, will) have written a letter.’
(verb focus)
18.6 Negation
Faraclas shows twenty-two contrastive verbal negatives, roughly half the number of
positives, which means that some positive forms are neutralized in the negative. There
are three morphological patterns in verbal negation12. 1. The commonest involves -ka-,
which occurs in the singulars of all non-“futures” and also in the plurals of the
subjunctive, imperative, perfect, and “present simultaneous”. 2. With the exceptions just
listed, all plural persons, including those in the “future”, are marked by kpe-, and
preceded not by a SM but by the independent pronoun. 3. In both “futures”, singulars are
marked by one of /-kaba-, -kpa, -kpaba-/. The result is an interlocking pattern illustrated
in (18), with the negative morphemes underlined:
12 All three patterns have [a] in 1s, [o] in 2s and 3s, and [e] in plural forms. It is tempting to posit that [kpa]
is related to or derived from [ka] but it is not clear how. The “future” formatives [kaba] and [kpaba] seem
to consist of [ka, kpa] plus [ba], which latter also occurs in some positive “future” forms. There does not
appear to be a single tone associated with /ka/ or /kpa/.
-gé íkpá n-k-gé íkpá eji m-fuk íkpá eji kp-fuk íkpá
„I wrote a letter.‟ „We read a letter.‟
o-ggé íkpá o-ká-gég íkpá eji é-bbk íkpá eji kpé-bb
k íkpá
„You wrote a letter.‟ „We received a letter.‟
gé íkpá ka-gé íkpá i-fuk íkpá í-ka-fúk íkpá
„Write a letter!‟ „Read a letter!‟
n-gég íkpá -ka-gég íkpá k íkpá
eji é-b eji é-ka-bk íkpá
„Let me write (SBJ).‟ „Let us receive a letter.‟
m-gé íkpá n-ká-ba-ge íkpá, eji m-bk íkpá eji kp-bk íkpá
„I‟ll write a letter.‟ or kp-g íkpá „We will receive a letter.‟
The differences in these patterns do not seem really significant to us because they
do not correspond to differences in aspect or mood, as they do in other languages
examined. They either reflect singular versus plural (1. versus 2., above) or, in the case of
[k] versus [kp] or [ka-ba] versus [kpa], possibly result from vowel loss and consonant
assimilation. The vowel alternations seen in singular [ka] versus plural [kpe], and 1s
[kaba] versus 2/3s [kobo] also occur in other morphemes at AM, e.g. in both modal
“futures”, so again do not seem significant.
13 They are Factative simply because none contains the Imperfective marker /kí/. We note in passing that
„be‟ in other Niger-Congo languages examined does not always behave as other verbs in terms of FAC
versus IPFV.
Neither auxiliary nor modal verbs seem to play any central role in Obolo. Obolo
has many serial verb constructions, in which the first verb inflects and all others are
infinitives, as in:
„Go, come, do first, do repeatedly, do again, bring together, begin‟ often occur as the first
verb in such constructions ((21a-d)), and „finish, do more than, do most, do a lot, do fully,
be many‟ often follow other verbs ((21e-g)). Verbs corresponding in meaning to English
modal meanings often occur followed by one infinitive: „know, be able, want, must,
begin‟ ((21h-j)).
b -ní14-gé íkpá
1s-come.INF-write letter
„I came (and) write a letter.‟ (it came to pass that…)
References
Faraclas, N.G. 1984. Obolo Grammar. Bloomington: Indiana University Linguistics
Club.