Spa Dance Grade9 Module1

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Special Program in the Arts

DANCE 9
Quarter 1
Self- Learning Module 1
Dances from the Different Parts
of the World
(Irish Lilt)
Dance Specialization – Grade 9
Quarter 1 – Module 1: Dances from the Different Parts of the World (Irish Lilt)
First Edition, 2020

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Published by the Department of Education - Schools Division of Pasig City

Development Team of the Self-Learning Module


Writer: Roi M. Watanabe
Editor: Demosthenes B. Soriano
Reviewers: Melanie G. Logdat, Karen Q. Andaman, Kathylene C. Lucasia
Illustrator: Edison P. Clet
Layout Artist: Elinette B. Dela Cruz
Management Team: Ma. Evalou Concepcion A. Agustin
OIC-Schools Division Superintendent
Aurelio G. Alfonso EdD
OIC-Assistant Schools Division Superintendent
Victor M. Javeña EdD
Chief, School Governance and Operations Division and
OIC-Chief, Curriculum Implementation Division

Education Program Supervisors

Librada L. Agon EdD (EPP/TLE/TVL/TVE)


Liza A. Alvarez (Science/STEM/SSP)
Bernard R. Balitao (AP/HUMSS)
Joselito E. Calios (English/SPFL/GAS)
Norlyn D. Conde EdD (MAPEH/SPA/SPS/HOPE/A&D/Sports)
Wilma Q. Del Rosario (LRMS/ADM)
Ma. Teresita E. Herrera EdD (Filipino/GAS/Piling Larang)
Perlita M. Ignacio PhD (EsP)
Dulce O. Santos PhD (Kindergarten/MTB-MLE)
Teresita P. Tagulao EdD (Mathematics/ABM)

Printed in the Philippines by Department of Education – Schools Division of


Pasig City
Special Program in the Arts

DANCE 9
Quarter 1
Self-Learning Module 1
Dances from the Different
Parts of the World
(Irish Lilt)
Introductory Message

For the Facilitator:

Welcome to the Grade 9 Dance Specialization Self-Learning Module 1 on


Dances from the Different Parts of the World (Irish Lilt)!

This Self-Learning Module was collaboratively designed, developed and


reviewed by educators from the Schools Division Office of Pasig City headed by its
Officer-in-Charge Schools Division Superintendent, Ma. Evalou Concepcion A.
Agustin, in partnership with the City Government of Pasig through its mayor,
Honorable Victor Ma. Regis N. Sotto. The writers utilized the standards set by the K
to 12 Curriculum using the Most Essential Learning Competencies (MELC) in
developing this instructional resource.

This learning material hopes to engage the learners in guided and


independent learning activities at their own pace and time. Further, this also aims
to help learners acquire the needed 21st century skills especially the 5 Cs, namely:
Communication, Collaboration, Creativity, Critical Thinking, and Character while
taking into consideration their needs and circumstances.

In addition to the material in the main text, you will also see this box in the
body of the module:

Notes to the Teacher


This contains helpful tips or strategies
that will help you in guiding the learners.

As a facilitator you are expected to orient the learners on how to use this
module. You also need to keep track of the learners' progress while allowing them
to manage their own learning. Moreover, you are expected to encourage and assist
the learners as they do the tasks included in the module.
For the Learner:

Welcome to the Dance Specialization 9 Self-Learning Module 1 on Dances


from the Different Parts of the World (Irish Lilt)!

This module was designed to provide you with fun and meaningful
opportunities for guided and independent learning at your own pace and time. You
will be enabled to process the contents of the learning material while being an
active learner.

This module has the following parts and corresponding icons:

Expectations - This points to the set of knowledge and skills


that you will learn after completing the module.

Pretest - This measures your prior knowledge about the lesson


at hand.

Recap - This part of the module provides a review of concepts


and skills that you already know about a previous lesson.

Lesson - This section discusses the topic in the module.

Activities - This is a set of activities that you need to perform.

Wrap-Up - This section summarizes the concepts and


application of the lesson.

Valuing - This part integrates a desirable moral value in the


lesson.

Posttest - This measures how much you have learned from the
entire module.
EXPECTATIONS

At the end of this module, you are expected to:

 recognize the nature, characteristics and historical background of the dance


Irish Lilt from Ireland;
 execute the dance sequence of the dance Irish Lilt from Ireland; and
 shows appreciation of dance by actively doing the activities.

PRETEST

FILL IN THE BLANK

Instructions. Write the appropriate word or phrase on the space provided to


complete the sentence. Choose your answer on the box provided below.

solo girls eight one shoes


group boys sixteen two slippers

1. Irish Lilt formation: It is a __________ dance but any number of participants may
take part.

2. Irish lilt is a very lively dance especially suitable for __________.

3. The music of Irish Lilt is composed of one part of __________ measures.

4. Irish Lilt count: one, two, or one, two, and to a measure or one, two, three, four
to __________ measure.

5. Costume of Irish Lilt for girls are emerald green blouse, short dark skirt, white
kerchief around neck, green kerchief on the head tied under chin, green
stocking, flat black __________.
RECAP

CROSSWORD PUZZLE
Instructions. Fill in the crossword puzzle with the word that describes the step
pattern below. Match the number of the sentence to the boxes placed
across or down the grid. If filled out correctly, the word will fit neatly
into the puzzle.

HORIZONTAL:
1. Step, Close-raise heels, Heels down
2. Slide, Cut, Cut

VERTICAL:
3. Cross-step, Close, Step
4. Slide, Cut, Hop
5. Step, Close, Step

LESSON

The Root of Irish Dance History


Irish dance history starts in the Celtic heritage. While any ancient records
may be inaccurate, it is generally believed that as early as 1600 BC the dances
were accompanied by the music of the Tuatha de Danaan, or "skilled workers."
These tribal dances would have been performed as part of ritual surrounding
cultural events, such as:

 Druidic worship - is a modern spiritual or religious movement that


generally promotes harmony, connection, and reverence for the natural
world.
 Animal worship
 Work
 War
 Courtship
 Social recreation

Irish Lilt (Ireland)


This is a very lively dance especially suitable for girls.

COSTUME: Girls – Emerald green blouse, short dark


skirt, white kerchief around neck, green kerchief on the head
tied under chin, green stockings, flat black shoes.
MUSIC is composed of one part of sixteen measures.
COUNT one, two, or one, two, and to a measure or one,
two, three, four to two measures.
FORMATION: This is a solo dance but any number of
participants may take part. They may be arranged in any
desired formation.

NOTE: The changes of weight to another foot is done with a spring so it is


like a small leap.

-I-
Rocking
(a) Take twelve rocking steps forward and backward alternately, starting with the L
foot falling forward (12 cts.). Hands holding shirt. …………………………..…… 6 M
(b) Break: Jump to feet apart sideward (ct. 1), jump to close feet together (ct. 2),
hop on L and raise the R foot in rear with knee bent (ct. 3), hop on L foot again,
and kick R foot forward (ct. 4). Hands on waist. …..…………………………..…. 2 M
(c) Repeat all (a and b), starting with the other foot forward……………………….. 8 M
-II-
Kick
(a) Hop on R foot and raise L foot in rear (ct. 1), hop on R and kick L foot forward
(ct. 2), hop on L and raise foot in rear (ct. 3), hop on L and kick R foot forward
(ct. 4). Hands on waist. ………………………………………….……………………… 2 M
(b) Repeat (a) two more times. …………………………….………………………………. 4 M
(c) Break – Repeat fig. I (b). ……………………………………….……………………….. 2 M
(d) Repeat all (a-c). ………………………………………………………..………………….. 8 M

-III-
Toe and Heel
(a) Spring and face to right, L toe touching backward (to left of starting position) (ct.
1), spring and face left about, rotating the leg and placing L heel where the toe
was (ct. 2), hop on R to face front and L toe touching near the R foot in 1st
position (ct. 3), hop on R and kick the L foot obliquely forward left (ct. 4). Arms
folded in front. …………………………………………………………………………….. 2 M
(b) Repeat (a), starting with the other foot and facing the opposite direction…... 2 M
(c) Repeat (a). ……………………………………..………………………………………….. 2 M
(d) Break – Repeat fig I (b). …………………………………….…………………………… 2 M
(e) Repeat all (a-d), starting with the other foot. …………….………………………… 8 M

-IV-
Leg Twist and Kick
(a) Repeat fig. III, except that the toe and heel of the extended leg are not placed on
the floor on (cts. 1, 2). ……………………………………………………….………… 16 M

-V-
Side Steps
(a) Placing the L foot across the R in front, take six small steps sideward right (cts.
1, and, 2, ad, 1, and), step L (ct. 2), hop on L and swing the R leg forward (ct.
and). Hold skirt. …………………………………………..……………………………… 2 M
(b) Repeat (a) with the R across the L in front, moving sideward left. .…………… 2 M
(c) Repeat (a). …………………………………………………………………………….……. 2 M
(d) Break as in fig. I (b). ………………………………………………………...…………… 2 M
(e) Repeat all (a-d), starting with the other foot. ………………………………………. 8 M

-VI-
Kick and Change
(a) Hop on R and L toe touching in rear of R heel (ct. 1), hop on R and kick L foot
diagonally forward left (ct.2), hop on L and raise R foot in rear (ct. 3), hop on L
foot and R foot still raised up in rear (ct. 4). Hop on L and R toe touch in rear of
L heel (ct. 5), hop on L and kick R foot diagonally forward right (ct. 6), hop on R
and raise L foot in rear (ct. 7), hop on R and holding the L foot still up in rear
(ct. 8). Hands on waist. ………………………………………………………………… 4 M
(b) Repeat (a) (cts. 1-4). ……………………………………………………………………... 2 M
(c) Break as in fig. I (b). ……………………………………………………………..………. 2 M
(d) Repeat all (a-c), starting with the other foot. Finish the break with a stamp on
the L foot on the fourth count instead of swinging it forward. ………………… 8 M
ACTIVITIES

ACTIVITY # 1 – MATCHING TYPE

Directions: Match the figure number in Column A to its corresponding


name/movement in Column B. Write only the letter of your answer to
the blank provided before the number.

Column A Column B
A. Kick
________ 1. Figure I
B. Kick and Change
________ 2. Figure II
C. Toe and Heel
________ 3. Figure III
D. Side Steps
________ 4. Figure IV
E. Leg Twist and Kick
_________5. Figure V
F. Rocking
_________6. Figure VI

ACTIVITY # 2 – GOT TO DANCE


Directions:

Day 1 – Interpret the Irish Lilt dance notation.


Day 2 – Practice and memorize the Irish Lilt from Ireland with the music.
Day 3 – Perform the Irish Lilt

WRAP-UP

ONE WORD SUMMARY!


Instructions. Think of one word that helps you remember the lesson and explain
why you pick that word. Write your word in the box and your
explanation to the space provided below.

__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
VALUING

CRITICAL THINKING
Question to ponder:

 What will be the benefits of learning and understanding other countries


traditional dances?
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________
__________________________________________________________________________________

POSTTEST

MULTIPLE CHOICE
Instructions. Read the question carefully. Choose the letter that corresponds to the
correct position that is being described and write your answer before
the number.

_________1. Which among the following foreign folk dances is most suitable for girls
to perform?
A. Irish Lilt C. Tarantella
B. La Cucaracha D. Waltz

_________ 2. What is the place of origin of the dance Irish Lilt?


A. Canada C. Italy
B. Ireland D. Mexico

_________ 3. Which among the following dance step is performed in figure IV?
A. Kick C. Side Steps
B. Leg Twist and Kick D. Toe and Heel

_________ 4. What dance step is performed in figure II?


A. Kick C. Rocking
B. Kick and Change D. Toe and Heel

_________ 5. Which dance step is performed in figure I?


A. Kick and Change C. Rocking
B. Leg Twist and Kick D. Side Steps
 Pre-Test
1. solo
2. girls
3. sixteen
4. two
5. shoes
 Recap
 Wrap up
Irish
Irish dance history starts in the Celtic heritage. While any ancient
records may be inaccurate, it is generally believed that as early as 1600
BC the dances were accompanied by the music of the Tuatha de Danaan,
or "skilled workers."
 Activity # 1 – Matching Type
1. F
2. A
3. C
4. E
5. D
6. B
 Post-Test
1. A
2. B
3. B
4. A
5. C
KEY TO CORRECTION
References
 BOOKS

Government of the Philippines, National Commission for Culture and the Arts.
SANAYGURO
Dance Module
2014

 ONLINE AND ELECTRONIC SOURCES

The Roots of Irish Dance History, https://dance.lovetoknow.com/Irish_Dance_History


Druidry, https://en.wikipedia.org/wiki/Druidry_(modern)

 IMAGES

Costume of Irish Lilt, https://www.pinterest.ph/pin/521362094353892963/


ACKNOWLEDGEMENT

EDISON P. CLET
Illustration

ELINETTE B. DELA CRUZ


Project Development Officer II(LRMS)
Lay-out Artist

ROI M. WATANABE
Video/PowerPoint Presenter

MELANIE G. LOGDAT
Validator

DEMOSTHENES B. SORIANO
Validator

MARIVIC D. LISING
MAPEH Department Head

GILBERT O. INOCENCIO
Rizal High School
School Head

NORILYN D. CONDE
MAPEH Department Head

RODOLFO B. MANUEL / ROLANDO C. JULIAN


Public Schools District Supervisor
For inquiries or feedback, please write or call:

Department of Education – School Division Office of Pasig City

Caruncho Avenue, San Nicolas, Pasig City

Contact No.: (632) 8641-8885


EDISON P. CLET
Illustration
E-mail Address: [email protected]

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