Geographic, Linguistic and Ethnic Dimensions of Philippine Literary History From Pre-Colonial To The Contemporary
Geographic, Linguistic and Ethnic Dimensions of Philippine Literary History From Pre-Colonial To The Contemporary
Geographic, Linguistic and Ethnic Dimensions of Philippine Literary History From Pre-Colonial To The Contemporary
GEOGRAPHIC,
LINGUISTIC AND
ETHNIC
DIMENSIONS OF
PHILIPPINE
LESSON 1.2 Identifying Representative Texts from the Regions
LITERARY
WEEK: MODULE 2 (Good for 1 week) HISTORY FROM
GRADE: 11- ICT, GAS, HUMSS A & B, STEM A & B
LEARNING COMPETENCIES:
PRE-COLONIAL
TO to
After going through this module, you are expected THE
accomplish the following Most Essential Learning
Competencies: CONTEMPORARY
Writing a close analysis and critical interpretation of literary texts and doing an adaptation of these require
from the learner the ability to identify:
a.) the geographic, linguistic, and ethnic dimensions of Philippine literary history from pre-colonial to the
contemporary
b.) Representative texts and authors from each region (e.g., engage in oral history research with focus on
key personalities for the students’ region/province/town)
Welcome to the 21st Century Literature 11 module on Geographic, Linguistic and Ethnic Dimensions of
Philippine Literary History from Pre-Colonial to the Contemporary.
The hands are one of the most symbolized parts of the human body. They are often used to depict skill,
action, and purpose. Through your hands, you may learn, create, and accomplish. Hence, the hands in this
learning resource signify that you, as a learner, are capable and empowered to successfully achieve the
relevant competencies and skills at your own pace and time. Your academic success lies in your own hands!
This module was designed to provide you with fun and meaningful opportunities for guided and independent
learning. You will be enabled to process the contents of the learning resource while being an active learner.
1. Use the module with care. Do not put unnecessary mark/s on any part of the module. Use a
separate sheet of paper in answering the exercises.
2. Read the instruction carefully before doing each task.
3. Observe honesty and integrity in doing the tasks and checking your answers.
4. Finish the task at hand before proceeding to the next.
5. Return this module to your teacher/facilitator once you are through with it.
If you encounter any difficulty in answering the tasks in this module, do not hesitate to consult
your teacher or facilitator. Always bear in mind that you are not alone. 😊
We hope that through this material, you will experience meaningful learning and gain deep
understanding of the relevant competencies. You can do it!
I. CONCEPT
The country’s rich repertoire of literary masterpieces may be rooted in the diverse cultural heritage of the
Filipino people. They have produced varied texts because of differences. The mighty roar of the North and the
fiery temperament of the South blended well. The Filipinos speak of the collective experiences from the people
who have gone through difficulties, triumphs, struggles, successes, armed conflicts, bloodless revolutions, and
others. It is the reason why these masterpieces resonated loud and clear in the Philippine archipelago.
II. ACTIVITY/EXERCISE
IMAGERY is a poetic element that tries to create a picture in the mind of the reader or a mental
image through the use of figural language. It represents objects, places, ideas, or even actions that
appeal to the senses of the readers.
The region, then, takes pride in long stretches of white sand and clear waters alongside its rich cultural
heritage. What you are about to read is a poem written by a Carlos Palanca Memorial Awardee in
Poetry in 1964, Carlos A. Angeles. His collection of poems entitled, Stun of Jewels, also bagged him the
Republic Cultural Heritage Award in Literature in the same year.
A MOMENT OF SILENCE
Gabu depicts a coastline in Ilocos that is constantly experiencing the battering restlessness of the sea.
The water that comes back to the shore seems furious and ruthless with its daylong bashing, which
havocs the wasteland. Being an archipelagic country, the Philippines knows the importance of water
and the sea.
More popularly known now as the CALABARZON referring to the provinces of Cavite, Laguna,
Batangas, Rizal, and Quezon, Region IV-A is home to Tagalog speaking people in the Philippines.
Recognized all over the country for their bravery and fearlessness in battles, CALABARZON has
participated actively in the country’s fight for freedom and democracy. It is home to many Philippine
heroes foremost, and among them are Rizal of Laguna, Mabini of Batangas, and Aguinaldo of Cavite.
A TASTE OF CREATIVE NONFICTION
The island of Visayas is one of the major geographical divisions in the Philippines, the other two being
Luzon and Mindanao. It is divided into Western, Central, and Eastern Visayas. The Visayas region is
comprised of several islands circling the Visayan Sea. Its people, therefore, share a sea-based culture
and tradition that may be rooted in a strong religious foundation.
The dwelling place of many festivals such as the Ati-Atihan, Di-nagyang, Sinulog, Pintados, and
Maskara, the Visayas may indeed be considered as one of the cradles of Philippine civilization.
The image of the poem Gabu try to create is that when typhoon occurs, large tidal waves
rampant and devastate the life forms and the structures in that place. The image of people
suffering and the status of people living in that place.
2. Which word or group of words from the poem help you form this image? Draw this on a separate
sheet of paper. The restlessness of the sea"
SET #2
Graphic Organizer
Directions: Delve deeper into the poem Gabu by Carlos A. Angeles using the graphic organizer. You may re-
read the poem to get the details that would complete the organizer.
Author:
QUESTIONS RESPONSE
TOPIC The poem is all about the lives and status of
the residents of Gabu, a barangay in Ilocos
What is the text all about? Norte near the sea. It is being described as a
chaotic beach where people experience
sadness and, sorrow due to loss and
suffering brought by natural calamities.
SITUATION a coastline in ilocos that is
constantly experiencing the battering
What is the setting referred to or described
in the text?
restlessness of the sea.
remember that
our lives are
fleeting
The only
constant thing
in life is
change
Life can be
rough, like the
sea
But we can
believe that if
the sea can
find
that our lives are fleeting, The only constant
thing in life is change. Life can be rough, like
the sea, But we can believe that if the sea
can find
stability once it meets the shore, we can find
it too.
IV. EVALUATION
Short Reflection
1. In what ways can you as a Filipino reader be affected by such works (short stories in Tagalog) that
endeavor to open the minds of people on socio-political and moral issues confronting the country.
It has an effect on the reader's perspective and comprehension of how democracy may affect our
country's growth. Filipinos are hospitable and friendly people. Short stories should be encouraged in
the Philippines because they are easily accessible to the general public. As a reader, I believe that if
they educate Filipinos about the country's sociopolitical and moral dilemmas, this literary genre should
receive widespread attention. Additionally, reading and thinking these short stories in Filipino is more
trustworthy because they reflect Filipino cultural standards. By reading this kind of literary works would
make people realize how important nature is, and make them open minded about going green.
People must rise up against chaotic administration of duterte and choose more capable
Leaders. I hope that filipino must open their eyes and minds in this coming election to
choose a leader that will guide us to the better country
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issues.
V. REFERENCES
Zaide, Gregorio F. (1970). Jose Rizal: Life, Works and Writings. Manila: Villanueva Book Store. Retrieved from
https://www.scribd.com/doc/26364271/Philippine-Literature-Pre-Spanish-Period.