SWOT Analysis Of: Company Background
SWOT Analysis Of: Company Background
SWOT Analysis Of: Company Background
Company Background
Key Facts
Logo
Industries
Media: Cable, Satellite TV, Internet Streaming
served
Geographic
Global: Over 190 countries
areas served
Headquarters Los Gatos, California
Main
Amazon, Hulu, Apple, Disney, WarnerMedia
Competitors
SWOT analysis
Strengths Weaknesses
• High customer service (customer • Monthly subscription price
relationship management) (Competitive Environment)
• Access on all platforms (global • Dependence on other devices
business opportunities, (Distribution)
technological environment) • High cost of content they don’t own
• Brand recognition (marketing) (Pricing)
• Maintaining consumer loyalty through
• Large movie and tv show selections
content (Customer Loyalty)
(market segmentation)
1.
Opportunities Threats
• Original content (competitive • Competitive market pool increase
environment) (Supply and Demand)
• Emergence of new markets • International government regulations
(emerging economies)
(Free Trade/International Trade)
• Partnerships (inflow of innovation)
• Reliance on credit
• Advertisements (target marketing)
(Debt Financing)
• Piracy
(Protecting Intellectual Property)
Strengths
With over 150 million subscribers, Netflix must ensure their customer service is on
standby if any streaming problems occur. Netflix maintains strong customer relationship
management. Customer relationship management is learning about the consumers in
effort to exceed their expectations; therefore, it builds long-term relationships.
Marketing is key when it comes to attracting new customers and maintaining the
relationships. Netflix’s brand recognition is very popular among millennials because it is
all about influencing others to watch the same shows. nScreenMedia explains that
Netflix’s success is all because of their increased social presence, through word of
mouth and social media sharing. Accessibility is the main goal for Netflix as it is able to
be used on any device that has internet. In effort to strengthen their presence, they
know offer the opportunity to download their content onto the devices. Their
competitors Hulu and Amazon Prime do not provide these options; therefore, this keeps
the technological environment constantly changing. Netflix has a large movie and tv
show selection along with their own original content, which is comparable to their
competitors.
Weaknesses
Netflix has raised its monthly subscription prices four times in the last 12 years. From
$8.99 in May 2014 to $12.99 in January 2019. Although these $1 to $2 prices are
justifiable to subscribers because of quality content, this trend won’t last for long as new
competitors enter the video-streaming market with competitive pricing. Netflix does have
a physical distribution network. They rely primarily on third-party providers such as Roku
to distribute their product to existing and potential new customers through pre-installed
apps already on the devices. Netflix spends approximately $8 billion on show content,
as well as $2 billion on advertising causing them to take on more debt. But they don’t
have complete ownership of their original programing. Instead, Netflix has exclusive
licensing agreements with production companies and studios. These agreements, when
ended, can negatively affect customer loyalty with programing that is endearing to fans.
Opportunities
Netflix has been focused on the capturing the attention of the emerging new markets.
These new markets are emerging economies, such as Brazil and India. Foreign
franchising has allowed to create more original content, based upon the consumers
wants, depending on the country. This creates a new profit for Netflix because new
subscribers come strictly for the original content provided. Partnerships with production
companies help provide the consumers with more option; however, creating new
companies would allow an influx of new content and new shows, that the competitors do
not have. Netflix could become like their competitors and add advertisements, in effort
to increase their revenue and capture more subscribers. Advertisements tailored to
each consumer, also known as target marketing, would influence more purchases from
those companies and encourage them to keep watching their Netflix content.
Threats
Netflix, albeit a pioneer in the video streaming service world, faces many threats from
outside sources that could cripple the company. The competitive market base that
Netflix was once used to is steadily increasing; companies such as Disney, NBC, Apple,
WarnerMedia, and Discovery/BBC are starting their own video streaming services. With
this increase in competition, not only is Netflix at risk but the video streaming service
market at large could be facing a bubble very soon. The supply will increase but the
demand by the consumers is likely to stay the same which could lead to a list of
problems for Netflix. One major problem could be the loss of subscribers, being that
there is a high possibility these companies will pull their content from Netflix for their
own services. The need for original content from Netflix will be an even greater
necessity than ever before. To offset their spending on creating original content there is
a high possibility of price increasing out of necessity which could be an incentive for
some of its 150 million subscribers to unsubscribe. In the United states alone, Netflix
has reported difficulty adding subscribers based on the most recent quarter reports of
2019 and they faced a drop with their last price increase.
Currently in the United States, Netflix owns roughly 67% of the market share but
internationally that number is far smaller sitting at 8%. Domestically they may face a
drop in their market share once their competitors begin to release their services, but
they have a huge opportunity for growth in the international market; if they can break
into it. In the US, Netflix has the benefit of running as completely self-regulating with its
content, being that it does not fall under the scope of the Federal Communication
Commission agency because they are considered an edge provider which is a company
that utilizes an internet service provider to deliver content to consumers. With this in
hand, they can operate and provide content as they see fit so long as they do not violate
any policies set in place by the Federal Trade Commission. Internationally they do not
have the same freedoms as they do domestically, in part due to the fact that the
countries they provide their services to are not as liberal with the use of internet and its
content as the US is. For example, in India Netflix was asked to sign a “code of best
practices” which allows Netflix to still self-regulate if they do not stream any content that
disrespects the national emblem or flag of India. The consequences could be either the
content will be blocked, or India can stop Netflix from doing business all together in the
country. India is a huge market for Netflix to grow in being that mobile phones
subscribers are on the rise, so the loss of that could negatively impact the company’s
profit margin growth. Furthermore, China is a major market in Asia they are facing
resistance from breaking in to, being that China’s government has heavy control over
what is distributed through the internet. With that said, Netflix may never be able to
break into the Chinese market, unlike their soon to be competitor Disney which already
has relationships with China and its government which in turn can lead to a large drop in
market share for Netflix on the international stage.
Just any business, Netflix has acquired debt in order to operate. In this case the
company accrued a large amount in order to create its content both original and not. It is
projected that by the year’s end Netflix will $12.3 billion in long term debt with an
interest of $135.5 million debt. It has been reported that the company has not paid down
any significant amount of their debt. As long as Netflix continues to grow its subscriber
base, they should not face any immediate problems; that is if they can continue that
growth. If they are unable to maintain that subscriber growth, they could be facing
bankruptcy. Although their debt is an immediate threat, it is still looming over the
company.
Long before video streaming services even existed the movie and television business
faced this same threat; piracy. The act of illegally copying, reproducing, and
redistributing copyrighted content without any payment to the original content creator is
against the law and harms not only the company which created the content but
everyone that is involved. With the world moving online piracy has become easier than
ever; there are now websites which allow peer2peer sharing of torrent files from one
person to another or allow webhosts to stream movies or tv shows freely. Ultimately,
this threat could effect Netflix’ subscriber base by potential consumers not needing a
Netflix subscription to view their content. This could also lead to a drop in the amount
subscribers because these consumers may not want to pay the fee if they can find the
content for free online.
The Future
One Netflix’ biggest strength is its brand recognition; it has become a part of pop
culture’s lexicon through the innuendo “Netlfix & Chill” made popular by the internet
about 4 years ago. Aside from being ingrained in our pop culture, its brand recognition
has mass appeal both domestically and internationally in the business world. Which is
why they have had some much success with its licensing agreements to stream some
the most popular television shows and films today, both current and classic. The bottom
line of the company’s threats and opportunities is based on subscribers and the
potential loss of them. Their brand recognition can play a huge part in combatting the
potential loss and actually help them gain and/or retain the subscriber base they
currently have. Their clout carries a lot of weight in the video streaming world and some
business moves they have made and will continue to make, internationally and
domestically to help with their growth, are as followed:
Co-Production: Netflix has made a lot of “original” content but some of that content is
not necessarily original to Netflix. The company has reached out to non-US based
production companies that have made successful tv shows and given them the option to
break into the US market through the video streaming service. It is essentially a win-win
for both Netflix and the foreign production company by giving exposure in both of their
respective markets. That is not to say they have not done the same domestically by
bringing back tv shows that have been cancelled by their original parent company such
as NBC Universal or Fox and brought it to Netflix as a “Netflix Original” giving incentive
for new subscribers and/or maintaining their current base.
Global Reach and Acquisitions: Netflix is currently the only video streaming service that
has a truly global reach outside of the United States. They have extensively researched
their global markets to see what works and what does not. They have found that in
certain areas such India, which is an emerging market for them, that Hollywood
productions do not do as well and domestic Bollywood productions are what the
majority of what the market craves. That is why they have gone on to acquire Indian
made tv shows and films that translate well both for the Indian and non-Indian markets
they distribute to. This type strategy through market research could help them gain
more traction in growing their international subscriber base giving them the opportunity
to increase their market share on the global stage.
High Profile Directors and Producers: The company’s namesake, and of course its
money, has allowed it to attract Oscar-winning directors and producers to create original
content. With names like Damian Chezelle(Director of “La La Land”), Joel and Ethan
Cohen(Directors and adapted screenplay writers of “No Country For Old Men”), and
Guillermo Del Toro(Director of “The Shape of Water”) on their pay role, Netflix has the
potential to only add to it’s own profile. The company’s biggest win and show for
potential growth outside of being just another video streaming service, was hiring
Alfonso Curon(Director of “Gravity”) to create the film Roma which Curon wrote,
directed, co-produced, and co-edited for Netflix. It was the company’s first theatrical
release, aside from being available for streaming, and its first Oscar winning non-
documentary film. This was an upset to the film world which gave an enormous amount
of publicity for Netflix. It could potentially move more film makers off the big screen and
on to streaming services, of which Netflix could be the pioneer henceforth giving
incentive to potential subscribers to pay that fee to view these films.
Sources
Castillo, Michelle. “Reed Hastings’ Story About the Founding of Netflix Has Changed
Several Times.” CNBC, CNBC.com, 23 May 2017,
https://www.cnbc.com/2017/05/23/netflix-ceo-reed-hastings-on-how-the-company-was-
born.html
Lee, Edmund. “As Netflix Contents with More Rivals, Hulu Stands Out.” Media, The
New York Times.com, 16 April 2019,
https://www.nytimes.com/2019/04/16/business/media/netflixs-main-rival-is-hulu.html
Munarriz, Rick. “3 Companies Paying The Price For Raising Prices In 2019.” Consumer
Goods, The Motley Fool.com, 12 September 2019,
https://www.fool.com/investing/2019/09/12/3 -companies-paying-the-price-for-raising-
prices-in.aspx
Handled, Lucy. “Netflix Just Increased Its Marketing Budget To $2 Billion. Here’s Why
Its CEO Would Rather Not Spend Anything.” Marketing Media Money, CNBC.com, 8
February 2018.
https://www.cnbc.com/2018/01/23/netflix-2018-marketing-budget-to-hit-2-billion.html
Walters, Natalie. “Netflix Drops Biggest Price Hike In Its 12-Year History.” Netflix Will
Get Over $1 Billion In Incremental Revenue Following the Price Hike. The Motley
Fool.com, 20 April 2019.
https://www.fool.com/investing/2019/01/18/netflix-drops-biggest-price-hike-in-its-12-
year-hi.aspx
Alexander, Julia. “Netflix Is Losing Beloved Shows, Subscribers, and Confidence.” The
Verge, The Verge, 18 July 2019, https://www.theverge.com/2019/7/18/20699037/netflix-
earnings-report-q2-streaming-wars-disney-apple-warnermedia-international.
“Can Disney Launch in China?” What's On Disney Plus, 30 Apr. 2019,
https://whatsondisneyplus.com/can-disney-launch-in-china/.
Greenberg, Julia. “Breaking into the World's Biggest Country Will Be Netflix's Biggest
Challenge.” Wired, Conde Nast, 3 June 2017, https://www.wired.com/2016/01/netflix-
may-never-break-into-china/.
“Netflix Is Struggling to Add US Subscribers - but a New Analysis Shows Why Its
International Growth Is Primed to Explode Higher | Markets Insider.” Business Insider,
Business Insider, https://markets.businessinsider.com/news/stocks/netflix-subscriber-
growth-international-versus-us-analysis-michael-olson-2019-6-1028315037.
Perez, Sarah. “Netflix Offers $2 Billion More in Debt to Fund Its Content
Spending.” TechCrunch, TechCrunch, 23 Apr. 2019,
https://techcrunch.com/2019/04/23/netflix-offers-2-billion-more-in-debt-to-fund-its-
content-spending/.
sherman4949. “Netflix Just Missed Hard on the Only Number That Matters -
International Subscriber Growth.” CNBC, CNBC, 17 July 2019,
https://www.cnbc.com/2019/07/17/netflixs-big-problem-worse-than-expected-
international-growth.html.
Team, Trefis. “Is Piracy A Serious Threat To Netflix?” Forbes, Forbes Magazine, 17
Mar. 2015, https://www.forbes.com/sites/greatspeculations/2015/03/17/is-piracy-a-
serious-threat-to-netflix/#332fc6207856.
Trainer, David. “All The Reasons Why Netflix Is Doomed.” Forbes, Forbes Magazine, 20
Aug. 2019, https://www.forbes.com/sites/greatspeculations/2019/08/20/all-the-reasons-
why-netflix-is-doomed/#2fecf2e4465e.
Firuta, Jacob. “How Apple, Netflix and Uber Handle Customer Service.” LiveChat, 5
Dec. 2016, www.livechatinc.com/blog/apple-uber-netflix-customer-service/.
Callaham, John. “Amazon Prime Video vs Netflix: Which Is the Better Streaming
Platform for You?” Android Authority, 22 July 2019,
www.androidauthority.com/amazon-prime-vs-netflix-1005748/.
Smith, Craig. “135 Amazing Netflix Statistics and Facts.” DMR, 23 Sept. 2019,
expandedramblings.com/index.php/netflix_statistics-facts/.
Sankalp Phartiyal & Aditya Kalra, and Reuters. “Netflix, Hotstar Said to Start Censori ng
Content in India.” Https://Www.livemint.com, Livemint, 16 Jan. 2019,
www.livemint.com/Consumer/8Y5oMwEe1sRiLvIwBZcF1K/Netflix-Hotstar-to-
censor-content-in-India-sources.html.
Bloom, David. “How Netflix Is Building Its Global Reach One Acquisition At A
Time.” Tubefilter, 5 Aug. 2019, https://www.tubefilter.com/2019/08/02/insights -
netflix-international-acquisitions-streaming-video-wars-opportunities/.
Clark, Travis. “7 Oscar-Winning Directors Who Are Working with Netflix, Including
Martin Scorsese and Guillermo Del Toro.” Business Insider, Business Insider, 26
Oct. 2018, https://www.businessinsider.com/oscar-winning-directors-working-with-
netflix-del-toro-scorsese-2018-10#alfonso-cuarn-3.
Editor. “Co-Productions Rise as Amazon & Netflix Get Collaborative.” Digital Media
Delivery, https://advanced-television.com/2018/06/21/co-productions-rise-as-
amazon-netflix-get-collaborative/.
sherman4949. “Netflix's 'Roma' Could Be the Turning Point for the Movie Industry to
Shift Away from Theaters.” CNBC, CNBC, 24 Feb. 2019,
https://www.cnbc.com/2019/02/24/netflix-roma-oscar-win-could-shift-movie-
industry-away-from-theaters.html.