Chapter 7 - Elements of Arts
Chapter 7 - Elements of Arts
• B.) Intensity
• C.) Value
Color wheels
Red
• Color of fire and blood
• Warmest, most vigorous, and most exciting of the colors
• It stands for passion and energy
Orange
• Suggest deliciousness and warmth
Yellow
• Color of light
• Most brilliant, cheerful, and exultant of
the colors
• It suggest cheerfulness, magnificence,
life and splendor
• It serves to balance the warm colors
like red and orange
Green
• They are called advancing colors because they have an effect of an advancing or
coming towards you
Warm Hues
• Red, orange and yellow
• They are associated with objects like sun, fire and other sources of heat
Warm Hues in Arts
Cool Hues
• Are those blue predominates like green, blue-green, blue, and blue-violet
• They cause surfaces covered with them to appear to recede
• They suggest distance
• They calm, sober, restful, and inconspicuous
The Primary, Secondary, and Tertiary Hues
B.) Value
• Sometimes called Chiaroscuro
• Refers to the lightness or darkness of a color
• It is a quality which depends on the amount of light and dark in color
• They give the expression of depth and solidity and lend form to paintings
Value
• The value of a hue can be change
• We raise hue by adding more light so that it reflects more light and lower it
by reducing the light it can reflect
Value
• TINTS – are values above the normal
• SHADES – are values below the normal
• The more black or white is added, the weaker the intensity becomes.
Color Harmonies
• Two kinds:
• Related Color Harmonies
• Contrasted Color Harmonies
1. Related Color Harmonies
• May either be monochromatic or adjacent
• A. monochromatic harmony
• Is made up of several tones of one hue, like for orange, tan, brown, and other tones
from the orange family.
• Simplest and easiest to use
Related Color Harmonies
• B. Adjacent or Neighboring Harmony
• Two or three neighboring hues on the color circle are used together
• Example: tones of green, yellow, and orange can produce a delightful harmony
• They have something in common because there is yellow in green and in orange
• Good adjacent harmonies can be produced by using other groups of neighboring colors
like yellow, orange, and red or orange, red, and violet
Related Color Harmonies
2. Contrasted Color Harmonies
• Colors which lie directly opposite each other in the color circle are called
complementary colors
• Red and green, orange and blue, violet and yellow are complementary colors
• They contrast with each other strongly, therefore they are more difficult to
use harmoniously than the related color combinations
3. Texture
• Is an element that deals more directly with the sense of touch. Also, it is best
appreciated when an object is touched with our hands
• It is perceived surface quality of a work of art
• It is an element of two-dimensional and three-dimensional designs and is
distinguished by its perceived visual and physical properties
• Use of texture, along with other elements of design, can convey a variety of
messages and emotions
2 Varieties of Texture
• Physical Texture • Visual Texture
Examples of Texture
• Smooth Texture • Rough Texture
Texture in Paintings
Texture in Architecture
• Smooth texture • Rough Texture
Texture in Sculpture
• Smooth Texture • Rough Texture
4. Perspective
• From the Latin “Perspicere” means to see through, deals with the effect of
distance upon the appearance of objects, by which the eye judges spatial
relationships. It is important in painting because volume is to be presented
on two-dimensional surface
2 kinds of perspectives
1. Linear Perspective
• Is the representation of an appearance of distance by means of converging lines
2. Aerial Perspective
• Is the representation of relative distances of objects by gradations of tone and color
5. Space
• Refers to distances or areas around, between or within components of a
piece
• Space can be positive (White or light) or negative (Black or dark), open or
closed, shallow or deep and two-dimensional or three-dimensional
• Sometimes space isn’t actually within the piece, but the illusion of it is
Space in Painting
Space in Architecture
Space in Sculpture
6. Form
• Applies to the overall design of a work of art. It describes the texture or
shape of an object
• Directs the movement of the eye
• Since form consist of size and volume, it signifies visual weight
• Includes height, width, and depth