Q.2 Write Short Notes On Rock-Cut Sculptures of A Cave Temples?
Q.2 Write Short Notes On Rock-Cut Sculptures of A Cave Temples?
Q.2 Write Short Notes On Rock-Cut Sculptures of A Cave Temples?
Indian rock-cut architecture has more examples than any other form of rock-cut
architecture in the world. Rock-cut architecture defines the practice of creating a
structure by carving it out of solid natural rock. The craftsman removes rock not part
of the structure until the architectural elements of the excavated interior constitute
the only rock left. Indian rock-cut architecture, for the most part, is religious in nature.
In India, caves have long been regarded as places of sanctity. Enlarged or entirely
man-made caves hold the same sanctity as natural caves. The sanctuary in all Indian
religious structures, even free standing ones, retain the same cave-like feeling of
sacredness, being small and dark without natural light. When Buddhist missionaries
arrived, they naturally gravitated to caves for use as cave temples and abodes, in accord with
their religious ideas of asceticism and the monastic life. The Western Ghats topography with
its flat-topped hills, deep ravines, and sharp cliffs, suited well to their natural inclinations.
Ajanta constitutes the earliest of the Kanheri Caves, excavated in the first and second
centuries B.C.E. Buddhist monks continuously occupied them from 200 B.C.E. to
650 C.E. Buddhist practices encouraged compatibility with trade, monasteries becoming
stopovers for inland traders. They provided lodging houses usually located near trade routes.
As their mercantile and royal endowments grew, cave interiors became more elaborate with
interior walls decorated with paintings and reliefs and intricate carvings. Craftsmen added
facades to the exteriors as the interiors became designated for specific uses as monasteries
and worship halls. Over the centuries, simple caves began to resemble three-dimensional
buildings, needing formal design and requiring highly skilled artisans and craftsmen to
complete. Those artisans had not forgotten their timber roots and imitated the nuances of a
wooden structure and the wood grain in working with stone. Early examples of rock cut
architecture include the Buddhist and Jain cave basadi temple many with chandrashalas. The
aesthetic nature of those religions inclined their followers to live in natural caves and grottoes
in the hillsides, away from the cities, and those became enhanced and embellished over time.
Although many temples, monasteries and stupas had been destroyed, by contrast cave
temples have been extremely well preserved. Situated in out-of-the-way places, hidden from
view, the caves have been less visible and therefore less vulnerable to vandalism. The durably
of rock, over wood and masonry structures, has contributed to their preservation.
Approximately 1200 cave temples still exist, most of them Buddhist. Monks called their
residences Viharas and the cave shrines Chaityas. Buddhists used both Viharas and Caityas for
congregational worship. The earliest rock-cut , similar to free-standing ones later, had an
inner circular chamber with pillars to create a circumambulatory path around the stupa and
an outer rectangular hall for the congregation.
Fig: Ajanta Caves Fig: Kanheri Beds