Sonata Prima Libro Secondo Fer Bearb 03 A

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Soprano/Viola

Dario Castello
S o n a t a P r i m a

    
Arr. del Basso para Viola

    
Fernando Montes de Oca


á soprano solo Dario Castello


Allegro

                   
Viola  

                 
 
         
6

 
              
S.

Vla.  

       
    
                 
10

      
S.

Vla. 

                      
      
13

  
S.

Vla.   


             
          

15 Allegro

  
     
S.

Vla.

                    
      
19


   
S.

Vla.

           
         
23

    
S.

Vla.
             
       

2 27

 
  
S.

Vla.  

       


        
31 Adagio


   
S.

Vla.  

      
34

  
 
S.

          
Vla.
  
                      
S.                  
39

         
Vla.  

                                      
 
43 Allegro

    
S.

Vla.  

                            
   
46

    
S.

  

Vla.

                   
              
48

    
S.

Vla.   3

                
                 
Adagio 3

 
50

S.

Vla.      

               
                
53

S.

            

Vla.

         


         
Allegro


58

            
  
S.

Vla.
  

              

63

       
S.

Vla.     

             
                
67

   
S.

      

Vla.

            
             
70

    
S.

Vla.         

                
                   
74

         
S.

Vla.  
    
   
                        
4 77

        
S.

Vla.        

             
 
       
81

   
S.

      

Vla.

         
           
  
84 Allegro

             
S.

Vla.   

                              
   
89

  
S.

 
Vla.       

                             
   
95


 
        
S.

Vla. 

                   
           
 
101

 
S.

Vla.      

                              
       
106

 
S.

      

Vla.

   
               
5


Adagio

  
111

S.

       
   
Vla.


           
             
 
116

S.

Vla.    

 
 
             
118 3

S.

Vla.     

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