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    Transcription - Havana Banana: by Too Many Zooz

    Uploaded by

    Carlos Henrique
    The document is a musical transcription for multiple instruments including bass, drums, clarinet, trumpet, and trombone. It contains musical notation including notes, rhythms, and instrumentation for what appears to be a jazz or Latin-inspired song called "Havana Banana". The transcription spans multiple pages and sections of the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Transcription - Havana Banana: by Too Many Zooz

    Uploaded by

    Carlos Henrique
    103 views7 pages
    The document is a musical transcription for multiple instruments including bass, drums, clarinet, trumpet, and trombone. It contains musical notation including notes, rhythms, and instrumentation for what appears to be a jazz or Latin-inspired song called "Havana Banana". The transcription spans multiple pages and sections of the song.

    Original Title

    Havana Banana

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is a musical transcription for multiple instruments including bass, drums, clarinet, trumpet, and trombone. It contains musical notation including notes, rhythms, and instrumentation for what appears to be a jazz or Latin-inspired song called "Havana Banana". The transcription spans multiple pages and sections of the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    103 views7 pages

    Transcription - Havana Banana: by Too Many Zooz

    Uploaded by

    Carlos Henrique
    The document is a musical transcription for multiple instruments including bass, drums, clarinet, trumpet, and trombone. It contains musical notation including notes, rhythms, and instrumentation for what appears to be a jazz or Latin-inspired song called "Havana Banana". The transcription spans multiple pages and sections of the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 7
    At a glance
    Powered by AI
    The transcription provides musical notation for a jazz performance featuring drums, bass, brass instruments, woodwinds, and synths.

    Instruments featured include drums, bass, trombone, trumpet, clarinet, and synthesizer.

    The time signature used throughout is 4/4.

    TRANSCRIPTION - HAVANA BANANA

        
    By Too Many ZooZ Transcribed By Xtela.10

                            
            
     = 102
    Synth

       
                  
    Bass
                       

                              
    Drums 

                                               
         
    7

    Synth.

                 


    Bass
                        

    Drums                                                  

                                       
               
        
    13

    Clar.

                    
    3 3 3 3

                 
                                   
    Bass

                           
       
    Drums
    jam block

      
                    
                      
      
                    
    
    17

    Clar.

                     
    3

           
    3

         
    3

    Bass

                                   
      
                           
       
    Drums

                             


       

    21
    gliss.

        
    Tpt. B♭

                             

    3 3 3

     
    3



    gliss.
    Tbn.

             
               
           
    3 3 3

            
    3

                                           
    Bass

                                  
        
    Drums
                   
                
      
    26
    gliss.

       
         
    Tpt. B♭

                 

    3 3



    gliss.
    Tbn.

                 
           
    3

       
    3


                           
    Bass

               
                     
    sub bass

      
    Drums

                                                   

    30

                   
    Tpt. B♭

          
    3 3 3 3

    Tbn.

     

    3 3 3

     
    3

    Bass

    Drums                                 

                                     

    34

          
    Tpt. B♭

           
    3 3 3 3


         
    Tbn.

      
                    
    3 3

    Synth.

            
    Bass
      
    Drums                           

         
             
                     
          
    37

                                       
    Clar.


           
    Tpt. B♭


                                         
    3 3

    Synth.

          
            
       
                           
    Bass

            
            
            

         
    Drums

    2
            
                     
           
          
    40

                                      
    Clar.


          
    Tpt. B♭

     
                                       
    3 3 3 3

    Synth.

         
               
     
                           
    Bass

          
                        
         
    Drums

             
             
               
        
    43

                           
    Clar.



      
    Tpt. B♭

     
                         
    3 3

    Synth.
      
        
              
        
                           
    Bass

        
                       
        
    Drums

                                  
                 
    46

    Clar.

            
                
      
                           
    Bass

                  
       
      
    Drums

                  
       
                   
       
      
    49
    3 3
    Clar.

                   
    3 3 3

           
    3 3 3

          
                                    
    Bass

           
                   
       
    Drums

    3
                                     
                    

    53

      
    Clar.

                     


       
    gliss.
    Tpt. B♭

                             
    3


    3


    3



    gliss.
    Tbn.

     
         
          
     
        
    3

         
    3

     
    3

                                   
    Bass

                            
       
    Drums

                                      
                   

    57

      
    Clar.

                     


       
    gliss.

        
    Tpt. B♭

                        

    3 3


    3



    gliss.
    Tbn.

             
               
    3 3

         
    3


                                   
    Bass

       
                           
       
    Drums

                                                  

    61

                       
    Tpt. B♭

      
    3 3 3 3

    Tbn.

     

    3 3 3

     
    3

    Bass

                                    
    sub bass

    Drums

                                        

    65

       
    Tpt. B♭

                
    3 3


    Tbn.

     
    3


    3

    Bass
     

    Drums                         

    4
         
              
                      
      
    68

                                      
    Clar.

    Tpt. B♭ 

        
    3 3 3 3

              
    Tbn.


    Synth.                 
              

       
              
      
                   
    Bass

                  
                 
       
    Drums

            
                              
                 
       
    71

                                       
    Clar.


           
    Tpt. B♭


                                         
    3 3

    Synth.

          
            
       
                           
    Bass

          
                        
         
    Drums

            
                               
                     
       
    74

                                      
    Clar.


        
    Tpt. B♭

     
                                   
    3 3 3 3

    Synth.
      
         
               
     
                           
    Bass

          
                        
         
    Drums

    5
                                    
           
         
    77

                       
    Tpt. B♭

         


       
               
    Tbn.

         
       
           
                                  
    Bass

           
    Drums
           

      
    cowbell

        
                 
     
    81

                      
                      
    Clar.

      
            


                      
    Tpt. B♭

            
          
      
    Tbn.

        
                
         
              
    Synth.

     
              

     

     
      
                      
    Bass

                         
           
     
    Drums

            
    timbale

                               
                     
       
    86

                                      
    Clar.


          
    Tpt. B♭

     
                                       
    3 3 3 3

    Synth.

         
               
     
                           
    Bass

          
                        
         
    Drums

    6
            
                 
                                
       
    89

                                       
    Clar.


           
    Tpt. B♭


                                         
    3 3

    Synth.

          
            
       
                           
    Bass

          
                        
         
    Drums

      
        
                 
     
    92

              
    Clar.

       
    Tpt. B♭ 
         
           
    3 3

    Synth.
     
      
     
           
        
         
       
       
                                   
    Bass

              
                                
             
    Drums

        
        
       
    97

    Synth.

      
        
                       
            
       
                           
    Bass

              
                             
           
    Drums

        
                
             
    103

    Synth.

                  
             
    Bass
                      

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