How To Draw A Portrait in Three Quarter View
How To Draw A Portrait in Three Quarter View
How To Draw A Portrait in Three Quarter View
Quarter View
Drawing Tips
When drawing from life, I often see art students do their best to
depict the eyes, nose and mouth as they see them on a model. . .
forgetting, however, to first draw the overall construction of the head.
This is like decorating walls before ever building the house—and just
like building a house, “building” the head in a portrait drawing
requires some crucial knowledge of proportions and measurements.
NOTE: This quick drawing was done in red pastel pencil, but feel free
to use any drawing medium of your choice. Today we’re focusing on
constructive drawing principles, rules of perspective, head
proportions and anatomy, which won’t change whether you draw in
graphite pencil, charcoal or with your finger on sand.
Analyze the head and choose a viewing angle. (For the purposes of
this series, find a three quarter view similar to the one in the sketch
above.) Fix your paper to a drawing board and get your pencil
sharpened—you’re now ready to begin.
These four strokes will indicate the top, bottom, left, and right edges
of the head. Make sure there is enough space in front of the head—
what we call “nose room”—and that the head is not too close to the
top edge of paper. It is also good to have more space below the head
than above.
:
You can train your eyes to judge proportions by first marking those
edges freehand and then, if necessary, double-check the proportion
using your pencil as explained in my article above.
Observe on the model (or your own face in the mirror) where the hair
line is and mark this line on the drawing. Divide the distance from
that line to the bottom of the head into three equal parts by eye or
using a pencil as a measuring stick.
To keep things simple for this exercise, try to draw your portrait at
eye-level so the lines are all exactly horizontal.
:
3. Placing the eye line
This line, of course, will be located below the eyebrow line that we
marked in the previous step.
:
I should make a disclaimer that the eye-line can be tilted or curved,
again depending on your viewing angle. This can foreshorten the
distance between the eyeline and the top or bottom of the head,
which in some cases will make the eye line appear lower than the
actual mid-point of the head.
Locating the skull base will help us to connect the head, neck, and
shoulders correctly. Even if you can’t see the back of the head, the
base of the skull should be on the same level as the base of the
nose, which is one of the original 3 lines we drew to divide the face
into 3 even sections.
:
I’ve emphasized that line in red, above. As you draw this line from the
base of the nose to the back of the head, you’ll be drawing right
along the bottom edge of the cheekbone.
In this step we’re simply marking the location and curve of the lower
part of the cranium. Although it might be hidden by long hair or a tall
collar, we draw it anyway, to help us build the shape of the head
:
before drawing the features on top.
Later on, we will connect the neck muscles to this part of the skull,
so knowing where it is will be very helpful.
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