En hommage au grand saxophoniste M Dagdelen

qui n'a peur de rien!

Body and Soul

Solo by Coleman Hawkins
Transcription: Ph M

 
            
Cm G7b9 Cm
       
G7b9 1 F7 Bbma7 Eb7

Alto Saxophone      
3 3 3
Fm C7b9 Fm

                
C7b9 Bb7 Ebma7 Ab7 3

           

3
Tenor Saxophone    
3

 
 
 
  
Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7
 
Acoustic Guitar     
      
pp

      C#º
       Cm
                
         AØ 
Dm Cm/Bb
 
4 D7b9 Gm Cm F7

Alto Sax. 
3 3 3

  
Gm F#º

                   
 
Fm Fm/Eb DØ G7b9 Cm Fm Bb7
     

3
Ten. Sax.   
3
 

3


      
Fm Eº Ebm Ebm/Db CØ F7b9 Bbm Ebm Ab7
    
    

    
 
  
A. Gtr.

 
   Cm
            
  Bbma7
G7b9 Cm

       
Bbma7 G7b9 F7 Eb7


8

Alto Sax.      
3 3


Ebma7 C7b9 Fm C7b9 Fm Bb7 Ebma7 Ab7


     
                
       
3
Ten. Sax.
3

    
  
Dbma7 Bb7b9 Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7

A. Gtr.    
  
 
 
 
 



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 Body and Soul
2

  Cm 
  
 
          D7b9
Dm Cm/Bb
   
12 C#º   AØ

Alto Sax.   

  
G7b9


           
Gm F#º Fm Fm/Eb DØ

       

Ten. Sax.   


    
Fm Eº Ebm Ebm/Db CØ F7b9
 
    

    
 
A. Gtr.


Cm

        F7  
C#m F#7
  C#m
        
Gm Bma7
 
15 Bb

Alto Sax.            

Fm Bb7 Eb

            
Cm F#m B7 Ema7 F#m

  
   
Ten. Sax. 
     

 
Bbm

Ebm Ab7
 
Db

Em A7
 
Dma7 Em

          



       

A. Gtr.

      Em
    Ebm Ab7 C#m F#7  
Ebm

  
  
A7
     
Bma7
18
       
Alto Sax.    


Abm Db7 F#m B7
  
        
Abm
        
Am D7 Ema7
  
    
Ten. Sax.     

      

Gbm Gm C7 Gbm B7 Em A7 Dma7

   
  

A. Gtr.
           

Copyright © 2006 Editions PhM, Magny Les Hx FR

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 Body and Soul
3

        
 
C#m
        
Cº B E7

          
21 Bm E7

Alto Sax.   

                    
Em A7 F#m Fº E A7


Ten. Sax.     
       

  

  
Dm G7 Em Ebº D G7


      
A. Gtr.
   
 

             
G7 G7#11 Cm Cm

        

F7 G7b9
 
A7 G#7
   
24

  

Alto Sax.


C7#11 Fm Fm
 
C7
   
D7 C#7 C7b9 Bb7
     
               
Ten. Sax.
     


  
    

C7 B7 Bb7 Bb7#11 Ebm Bb7b9 Ebm Ab7

       

      
A. Gtr.

                  
     Cm/Bb    
Bbma7 C#º Cm
27 Eb7 Dm

Alto Sax.   

              
Ebma7
Ab7 Gm F#º Fm Fm/Eb
       

Ten. Sax.   
  

    
Dbma7 Gb7 Fm Eº Ebm Ebm/Db
 
   

    

A. Gtr.

Copyright © 2006 Editions PhM, Magny Les Hx FR
www.4a4quartet.com / [email protected]
 Body and Soul
4

D7b9
 
 
 
AØ Cm G7b9
            
F7
      
30 Gm Bbma7

Alto Sax.  
3 3

G7b9 Fm Bb7
   
DØ Cm Ebma7 C7b9
             
 

Ten. Sax.      
3 3
 

     
CØ F7b9 Bbm Ebm Ab7 Dbma7 Bb7b9
  
       
    
 
A. Gtr.

  Eb7
 
Bbma7

         
Cm F7

   
   
G7b9 Cm
    
33

Alto Sax.     


Fm C7b9 Fm              Bb7
     Ebma7
  Ab7
        
 
Ten. Sax.      

 
 
 
  
Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7

A. Gtr.    
 

 



D7b9   
          AØ 
Cm/Bb
      
Cm
  

Dm C#º
   
36

Alto Sax.    
3

        
    
DØ


  
Gm F#º Fm Fm/Eb G7b9
  

3

Ten. Sax.         


   
Fm Eº Ebm Ebm/Db CØ F7b9
  
A. Gtr.    
     

Copyright © 2006 Editions PhM, Magny Les Hx FR
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 Body and Soul
5

Cm

 
                           Cm    
Gm F7
Bbma7 G7b9 G7b9

     
39
  
Alto Sax.   
3

                                  
Cm Fm Bb7 Ebma7 C7b9 Fm C7b9


Ten. Sax.        
3

         
Bbm Ebm Ab7 Dbma7 Bb7b9 Ebm Bb7b9

       


  
 
 

A. Gtr.

   
Dm
   
Bbma7
   
Cm C#º
  
F7 Eb7 Cm Cm/Bb
    
42

Alto Sax.                     

  F#º
             
Gm
Fm
 
               
Bb7 Ebma7 Ab7 Fm Fm/Eb


Ten. Sax.   

 
Ebm

Ab7

Dbma7

Gb7

Fm

Eº

Ebm Ebm/Db

    
 

    

A. Gtr.


     Gm
                     
  D7b9 Cm
F7 C#m


46 AØ Bb F#7

Alto Sax.      
3


Cm Fm F#m


  
DØ
  
G7b9
   
B7

Bb7 Eb


Ten. Sax.                    
    
3

     
CØ F7b9 Bbm Ebm Ab7 Db Em A7
   
         
   
  
A. Gtr.

Copyright © 2006 Editions PhM, Magny Les Hx FR
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 Body and Soul
6

 C#m

C#m     Ebm
  Em   A7
     
F#7
     
  
Bma7 Ebm
   
49

Alto Sax.      

 F#m
Abm B7

              
Am
Ema7 F#m D7 Abm
 

Ten. Sax.               

    

Dma7 Em Gbm Gm C7 Gbm Em A7
   
 
       
  
A. Gtr.
    

         
 
Bma7 Bm C#m

                    

52 E7 Cº

Alto Sax.  
Ema7 Em

 

  
A7 F#m Fº
  

Ten. Sax.                            

     
Dma7 Dm G7 Em Ebº

 





   

A. Gtr.

G#7 
G7b9

         G7 G7#11
A7
  
   
               
55 B E7 Cm

Alto Sax.    
3

C7#11
  
Fm C7b9
           
E A7 D7 C#7

  

C7
 

Ten. Sax.     
        

3

 
 
     
D G7 C7 B7 Bb7 Bb7#11 Ebm Bb7b9

         

A. Gtr.
        

Copyright © 2006 Editions PhM, Magny Les Hx FR

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 Body and Soul
7

    
Cm F7

 
   
          
Eb7

Bbma7 Dm C#º Cm/Bb

 

Cm
       
   
58

Alto Sax. 

       F#º 
Ab7

Fm

Bb7

 

Ebma7

Gm
 
Fm
  
    
Fm/Eb
          
Ten. Sax.
 
    

      
Ebm Ab7 Dbma7 Gb7 Fm Eº Ebm Ebm/Db
 
A. Gtr.    
  

 
 

 


      D7b9
 
rit.
  
      
Cm
   
62 AØ Gm F7

Alto Sax.   

         
DØ Cm Fm Bb7
 
G7b9


Ten. Sax.               

rit.

   
CØ F7b9 Bbm Ebm Ab7
   
        
 
 
A. Gtr.

                    
64

Alto Sax.  


            


Ten. Sax.        

 
A. Gtr.      


2'43"

Copyright © 2006 Editions PhM, Magny Les Hx FR

www.4a4quartet.com / [email protected]
 En hommage au grand saxophoniste M Dagdelen
qui n'a peur de rien!
Alto Saxophone
Body and Soul
Solo by Coleman Hawkins
Transcription: Ph M

          
Cm G7b9 Cm
  
       
 
G7b9 F7 Bbma7 Eb7

1

 

     C#º
3 3 3

                
     Cm        
Dm

Cm/Bb AØ D7b9 Gm Cm F7

4

 
3 3 3

   Cm
                
  Bbma7
Bbma7 G7b9 Cm G7b9 F7 Eb7
 
8

          

   Cm
3 3


         AØ   
Dm Cm/Bb
     D7b9
 
C#º
     
12

  
Cm
       F7    
Gm C#m F#7

      
15 Bb

       

    Em A7
        Ebm F#7  
Ebm
 
       
Ab7 C#m
   

Bma7 C#m

17

  

                             

Bma7 C#m Cº
20 Bm E7

      

   
B E7 G7 G7#11

         
    
A7 G#7
 
23
   



Cm
    
G7b9 F7

Cm
      
Eb7
      
25 Bbma7

          
 D7b9
     
AØ
   
C#º
   
Cm
      
Dm Cm/Bb
      
28


3 3

    Cm G7b9

      

F7
31

Gm
     
Bbma7
 
      
V.S.

Copyright © 2006 Editions PhM, Magny Les Hx FR

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 Body and Soul
2 Alto Saxophone


Cm


Eb7 Bbma7

 
F7


33

G7b9
    
Cm
    
       

     AØ D7b9   
   
Cm/Bb
     
Cm
  
Dm C#º
  
36
     
      
3
Cm
                            Cm    
Gm Bbma7 F7 G7b9 G7b9

   
39

     
3


             
Dm
    
Bbma7
  
42 Cm F7 Eb7 C#º Cm Cm/Bb

          

     Gm

  D7b9 F7 C#m
 
     
Cm
      
AØ Bb F#7
   
46

          

3

 C#m
     
    Ebm
   A7 F#7

              
49 Bma7 C#m Em Ebm

     

        
 
Bma7 Bm C#m

                    

52 E7 Cº

 

      G7 
A7 G#7
      
G7#11

              
55 B E7


3


G7b9 Cm F7

   
      
Eb7
  
Bbma7

Dm C#º


   
    
 
57

Cm

             

      D7b9
rit.
   Gm  Cm
    F7
Cm/Bb
 
Cm

     
AØ
   
    
61

                   
64


  
2'43"
Copyright © 2006 Editions PhM, Magny Les Hx FR
www.4a4quartet.com / [email protected]
 En hommage au grand saxophoniste M Dagdelen
qui n'a peur de rien!
Tenor Saxophone
Body and Soul
Solo by Coleman Hawkins
Transcription: Ph M
Fm C7b9 Fm

                            
C7b9 Bb7 Ebma7 Ab7 3

1

  
3

          
Gm F#º

                       
4 Fm Fm/Eb DØ G7b9 Cm Fm Bb7
3

3
   
3

 
Ebma7 C7b9 Fm C7b9 Fm Bb7 Ebma7 Ab7

     
8
             
3

             
3

                     
G7b9

          
12 Gm F#º Fm Fm/Eb DØ

  

Fm Bb7 Eb
     
Cm F#m B7
               
15

  


Abm Db7 F#m B7
    Am D7
        
Abm
  
Ema7 F#m

17

   
   

                
20 Ema7 Em A7 F#m Fº

              
   
A7 C7 C7#11
    
E D7 C#7
 
23

             
   
Ebma7

            
Fm Fm
 
C7b9 Ab7 Bb7
   
25

            

G7b9
                   
Gm F#º Fm Fm/Eb DØ

28

    
  
3 3
Fm Bb7
   
Cm Ebma7 C7b9
                
31

      
V.S.
Copyright © 2006 Editions PhM, Magny Les Hx FR
www.4a4quartet.com / [email protected]
 Body and Soul
2 Tenor Saxophone

     
    
   Bb7   Ab7
  
Fm Ebma7

C7b9 Fm
 
33

         

            
    
DØ
36

Gm F#º Fm
   
Fm/Eb G7b9
 

3

         

    
           
Fm
      
Cm Bb7 Ebma7 C7b9 Fm C7b9
       
39

     
    
3

  F#º
           
Gm


Fm

                  
Bb7 Ebma7 Ab7 Fm Fm/Eb

42

  
Cm Fm F#m

                    

  
DØ G7b9 B7
Bb7 Eb

46

      
3

  F#m
Abm B7
   
Am

Ema7 F#m D7 Abm
             
49
   
  
Ema7 Em

  
                           
 
52 A7 F#m Fº

         C7 
 C#7
E A7 D7

     
55 C7#11

           

           
3 Ab7

Fm Bb7


Fm
  
C7b9
  
Ebma7
Gm

F#º

        
57
         
    
rit.

      
Fm
        
Fm/Eb

DØ Cm Fm Bb7
 
61 G7b9

             

     
64

 
              
2'43"
Copyright © 2006 Editions PhM, Magny Les Hx FR
www.4a4quartet.com / [email protected]
 En hommage au grand saxophoniste M Dagdelen
qui n'a peur de rien!
Acoustic Guitar
Body and Soul
Solo by Coleman Hawkins

 
Transcription: Ph M

         

1Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7 Fm Eº Ebm Ebm/Db CØ F7b9
   
     
 
  

 

   
pp 
             
Bbm Ebm Ab7 Dbma7 Bb7b9 Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7 Fm Eº Ebm Ebm/Db
 
7

       
  
 
 
   

   
 

            
CØ F7b9 Bbm Ebm Ab7 Db Em A7 Dma7 Em Gbm Gm C7 Gbm B7 Em A7
              
14

       


 
                   
     
   

         
Dma7 Dm G7 Em Ebº D G7 C7 B7 Bb7 Bb7#11

      

20






           

              
Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7 Fm Eº Ebm Ebm/Db CØ F7b9 Bbm Ebm Ab7
     
25

    
 

    

    
  

               
Dbma7 Bb7b9 Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7 Fm Eº Ebm Ebm/Db CØ F7b9

  
32


                
    
39
 
Bbm
 
Ebm Ab7 Dbma7 Bb7b9
    
Ebm Bb7b9

Ebm Ab7
  
Dbma7 Gb7
 
Fm Eº

Ebm Ebm/Db

    


      
  



     
 
 

                   

CØ F7b9 Bbm EbmAb7 Db Em A7 Dma7 Em Gbm Gm C7 Gbm Em A7 Dma7

46

 
                    
                  
  
          
  
Dm G7 Em Ebº D G7 C7 B7 Bb7 Bb7#11
  
53

      
 
       
    
     

 
 
   
   
Ebm Bb7b9 Ebm Ab7 Dbma7 Gb7 Fm Eº Ebm Ebm/Db
 
57

     



    

 


rit.

   
CØ F7b9 Bbm Ebm Ab7
 
62

       







 
2'43"
Copyright © 2006 Editions PhM, Magny Les Hx FR
www.4a4quartet.com / [email protected]