32

Fronz Liszl, Hungorion musicion, wos considered one of the

greotest pionists of oll time. He is probobly best remembered
for his Hungorion Rhopsodies ond the fomous liebeslroum.
He composed three liebestrciume, bul No. 3 is eosily the most
populor. The excerpt below is the first theme from the third
liebesfroum which still enfoys world-wide populority.

Liebestraum No. 3 Franz Liszt

( arr. )

Andante
a I

a J t--- r
utp II
?)* ti2tQ

1 D d

a-r 7F, 14

Qp -r lt '-
--=--_---__--l-

W.
 33

9.2 , 1-=--= t I

ufr j

. - ,-Ql ) + mf 53> m.p

------=:>

d+
I

-F

I
li

7
leoco cresc.
I
)+ )?)+

a
tl

I 3
_---__----

dr +F-

4->
#tt
pp
+:+t +:=
D+ L I

_, 2 i --/-
3 a
a l4 5
,o

\\-.]I.Co.
 84

Cross Hond

Here is o cross-hond piece in which you should try to poss the figures from one hond to the other with-
ouf ony noticeoble breok.

Ploy the left hond occomponiment chords with thin sloccoto so os not to obtrude on the melody tones
in the right hond.

Allegretto
The Fountain
r.h..
b oL'e /'
3 I

^"w
a--: -+
+' -t
v.

T st

5,' ,
.\1 9

a)

A \
a___: +
+ O.

L2 a

W. M.Co. l:tz:r
 35

d
r---- a-.._-7 e -t
d.
-A\

a)
e-----'= a
J
i.a.
A \
 36
Chord Study
Preporotory Exercise

Evening Harmonies
Moderato
41
9' I I

a -t€l. t- -t^ l:
4n7e €
|
,./
i:
-b- <-?
|
I

Eg
-
,
a

a *<a a,l q
al,
,4P vQ.

5{>

a t 7e
_-l
To- ,mf
""<" I

-
[-o.

A
it D
7 l)

a e adl +'l rnf

%fu//h,//hrz cre.sc.
I
€L
F
l?
| 1- I l- -lEA
-

W.M.Co.
 37

ca t--.--- :hs ql
:----*
te b-o.
I
e
..l:

a I ql 8-=-*-
ul
,hc , 2p- b-o.

8'/il-.1
3re
r<> I {>

a 8 _-_-', p? a r'r ppp

a--e
IF /i p allarg. ??' ,
e
E /i
9 ,

poco a,nim,ato

a) a
mf-
{ 'L r_--l a'
d, e -O :=-- , .e.

7TV-----,',

J----
38

aJ.^l
e
n -:--
a+
al a,
t'& 'e

Tempo I
,|
/i
4l
a) .e
rP
'r14
fr'd
I

rall.
h^:
\J ,h F,:*- I
2(t

-te

a.tql v-t'/
J- a7e,---l a ,, A,o? t-
'E IE
' Q9-

/i
{>

F='*: I
2(r
: --fipri

8ri"l
-c>

a a
p atrlarg.
U-
? gpp
pp
I

e /a
I E
7
 39

Try io moke this piece sound os spooky os possible. Leorn it slowly ot first, then work up the speed to
o very br,isk tempo.
Allegro vivace Hobgohlins

fr* l> t> .>

S:--lr-----7
40

------_

O > r- L-J

AI

:-_---. hr+lG

W.M.Co. rrr:t
 4l
4

fitf*t t , tl g*l)*l>
l' .

----------:
-l\ \
It

a | ! lT CTESC, tr
' '-2-'- '----l-;--.t "" -1--:
t-

O 7
DW-.-
_-\\
Z
'Z
TW T{ r----:
rT. T trf
\
f *T-

---'--------\ | I
-{ l; A

r=\
'r
-a-

a H r
n
'ef ---'- tf ---
A -+4
'
-+ I
:>Tr
.2 ^
54

\\'.
42

Gypry music hos oll the obsence of restroint which chorocterizes this wondering roce of people. lt is
usuolly in the form of on lmprovisolion, which is to soy, it is mode up os they go, ond therefore follows no
sel musicol pottern. lt moy stort in one Key ond end in onother cnd it olwoys follows the vorying moods of
the performer, ronging from deepest meloncholy to fiery obondon.

Usuolly it begins with Loment, which is o slow, mournful song of depression. This breoks,
o losson or
withoui worning, info o fost ond furious donce rhythm, occomponied by the beoiing of pois ond pons by
those members of the tribe who locked musicol instruments.

See if you con discover lhe moods in fhe following piecd ond give to it os much controst os possible.

Cyp.y Life
Maestoso

-\_____-_______J

l^l

af I
Tl

* - t+ e
| ____J
 43
Vivace

o 'LL)-t , E__..-i
Lr'
-? p\
- ?-...,
-
\ +-\ - *\ i'\
.r l

t) gD: . fml '.tbe-

A^ Presto>
A |^e

) l=\
A
ffx A A tf;t
a
44

Semper Fidelis
Morch
John Philip Sousa
(atr. t

\
 >
':--
a -
I

fr:
- -
ti +'
+' 5- f' 2,
F'
2,
r-t1-

a
rt)

8i. ti fr&: gi t:
l)

3r 5

-\--- +'-- +' +'

a + a* .O a -- ) t-

#'
46

24 1\ 2

d+ +
ta *i
rl.f q
I V
l---I-:-

,,JIII\
t l---w- ,4 a I v
-.
ta, .

rl
*: ,*i .ri l- 11
-n.
vlr;L

T
 Forming Minor Scoles
The Po ro llef Minor Approoch

The Porollel Minor scole begins on the scme key os the Moior scole ond is formed by lowering the
3rd ond 6th degrees one holf-step.

C MAJOR SCALE

C MINOR SCALE
(Earmonic)

The Relotive Minor Ap p roo ch

The Relotive Minor scole begins on fhe 6th degree of the Moior scole. lt is formed by roising the 7th
degree (of the minor scole) one ho/f-sfep.

C MAJOR SCALE

A MINOR SCALE
(Earmonic)

The Porollel Minor scole hos the sorne Key note os its Moior.

The Relotive Minor scole hos the some Key signolure os its Moior.

SCALE SPELLER

The excmples shown obove ore {or Horr,ronic Minovs on)y. For proctice in Writing, Ploying ond ,Ano-
lyzing Moior ond Minor scoles in oll forms, pupils should be ossigned John Thompson's SCALE SPELLER, o
Wriiing Book for Home Work. Published by The Willis Music Compony.

'W.M.Co.zsze
 Certitirste of Qerit
This certifies that

has successfully completed

P6RT SIX
OF

John Thompson's
EASIEST PIANO COURSE
and is eligible for promotion to
P6RT SEUEN

Teacher