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    Benzinho - Baixaria - 7: Jacob Do Bandolim A7 B /A B 7 A7 DM

    Uploaded by

    Mauricio De Carvalho Filho
    This document contains musical notation for the song "Benzinho - Baixaria" by Jacob do Bandolim. The notation spans 33 lines and indicates the chords and rhythm for the song using standard notation symbols. It includes indications for sections like "To Coda" and repeats certain chord progressions throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Benzinho - Baixaria - 7: Jacob Do Bandolim A7 B /A B 7 A7 DM

    Uploaded by

    Mauricio De Carvalho Filho
    65 views3 pages
    This document contains musical notation for the song "Benzinho - Baixaria" by Jacob do Bandolim. The notation spans 33 lines and indicates the chords and rhythm for the song using standard notation symbols. It includes indications for sections like "To Coda" and repeats certain chord progressions throughout.

    Original Title

    Benzinho+-+Baixaria+-+7

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    This document contains musical notation for the song "Benzinho - Baixaria" by Jacob do Bandolim. The notation spans 33 lines and indicates the chords and rhythm for the song using standard notation symbols. It includes indications for sections like "To Coda" and repeats certain chord progressions throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    65 views3 pages

    Benzinho - Baixaria - 7: Jacob Do Bandolim A7 B /A B 7 A7 DM

    Uploaded by

    Mauricio De Carvalho Filho
    This document contains musical notation for the song "Benzinho - Baixaria" by Jacob do Bandolim. The notation spans 33 lines and indicates the chords and rhythm for the song using standard notation symbols. It includes indications for sections like "To Coda" and repeats certain chord progressions throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3
    At a glance
    Powered by AI
    The text describes a musical passage written in musical notation featuring chord progressions and time signatures.

    The musical style appears to be samba or bossa nova based on the mention of bandolim and references to Brazilian musical terms like baixaria.

    The instruments featured seem to be bandolim, which is a Brazilian instrument similar to mandolin, and references to bass lines.

    Benzinho

    - Baixaria - 7
    Jacob do bandolim


       
    Dm A7 B♭7 B♭/A♭ A7

                  
              

     0 3 0
    0 1 0 0 1 1 3 3 1 0 0 0
    1 1 0 0 3 1 0 4 4 0
    2 2 2 1

           
                
    F7 E7 E♭7 D7 D7 Gm E7


             
    8

        

     1 0 0
    0
    0 2 1
    3 1 0 0 0 1 1 0 2
    1 0 3 2 3 3 2 3 4 4 0 4
    3 2 2

      
           
           
    A7 Dm A7

         
           
    14

       

     0 2
    2 1 0
    3 2 0 0 2 3
    0 0 4 4 1 0 0 2 4 1 0
    0 3 1 0 3 1 0
    2 2 1 1 2

         
                               
    20 B♭7 A7 D7

    
     0 3
    3 2 1
    1 0
    0 1 1 0 1 3 0 0 3 1 0 0
    4 0 1 0 3 2
    1 3 2 2
     
    To Coda 1.

          
        
    Gm Eø7 Dm B♭7 E♭ A7 Dm A7

       
           
    27



     0
    0
    3 2 0 1 0
    0 1 1 0 0 1 4 0
    3 0 0 1 3 1 0 3 3 0
    2

     
      
           


    2. C7 F♯ο

           
    F Gm D7 Gm

            
    33
    3 3 3


     0 0
    0 3 2 0
    4 1 0
    1 3 1 0 0 1 3 1 0
    0 3 3 1 0 1 2 1 2 3 3 2 3

     
          
    G♯ο F /A


    39

      
    3

     3
    2 0
    3 2 0
    0 3
    4 3 4

     
                     
          
    41 C7 F E7 E♭7 D7 G7 B♭m C7

         
     0 3
    2 0
    3 0
    3 0 3 2 2 2 1 3 1 1
    3 2 1 1 1 0 3 3 1 0
    3 2 2 0 2 0

            
                             
    48 Am A♭ο Gm C7 F F♯ο Gm D7
    3 3

     0 0 1 0
    0 0 0 1 2 3 3 1 0 0 1 3 4 3 1 0
    4 4 3 1 4 3 2 2 3 2 3

    2
    
                                  
    54 Gm A7 Dm D7 Gm A♭ο F E7 E♭7 D7

     
     0
    0 0 3 1 1 0 1 3 3 1 0 0 0 3
    3 3 4 4 4 1 0
    2 2 2 1 0 3 2 2 0

          


     
    1. 2.

        
    G7 C7 F C7 A7 D.C. al Coda DmM7

        
    62

      
     

     0 3
    2 0
    3 0 3
    0
    3 2 0 0 2 0 2
    2 2 1 0 3 3 3 1 0 4 4 1 0
    1 3 3 1 0
    0 2

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