DLP No.: 1 Learning Area: ENGLISH Grade Level: 7` Quarter: 4 Duration: 60 mins.

1. Determine the intentions of speakers by focusing on their unique

verbal and non-verbal cues Code:
Learning 2. Discover through the Philippine literature the need to work * EN7LC-IV-a-8.1
Competency/ies: cooperatively and responsibly in today’s global village * ENLT-IV-a-6
3. Identify the distinguishing features and selected literary genres * ENLT-IV-a-6.1
during Contemporary Period
Key Understandings to Local color or regional literature is fiction that focuses on the characters, dialect, customs,
be developed topography, and other features particular to a specific region.

1.Objectives:
Knowledge identify the distinguishing features of a selected genre during the Contemporary Period
distinguish the characteristics of a local fiction during the Contemporary Period through a
Skills
graphic organizer
Attitudes appreciate the value of hospitality among Filipinos.
Values discuss desirable Filipino traits and values
2.Content/Topic WE FILIPINOS ARE MILD DRINKERS
K to 12 English Grade 7 Curriculum Guide (CG) Quarter 4, pictures, copy of the story, DLP
3.Learning projector
Resources/Materials/Eq Narrative: We Filipinos Are Mild Drinkers by: Alejandro R. Roces
uipment iPlan 5 for English 7, 2015 (for reference)

4.Procedures
4.1 ACTIVITY Introductory Activity
Task 1
The students view pictures of people having a party/celebration.
(Let the students describe the activities of the people in the picture.)
Ask:
How often do you hold parties at home? Aside from the food, what else is served during the
party?

Task 2
Group Activity:
Group the students into four.
Assign each group to demonstrate one of following phrases:
1. an alarming look
2. an expression of contentment
3. panting hard
4. a drunken person
Ask the students some situations where the phrases above can be demonstrated.

Activity:
 Divide the story into 4 parts
 Call for volunteer students to read each part aloud while the rest of the class will follow
reading with their eyes.
4.2 ANALYSIS Questions:
 What are the three reasons why Filipinos drink?
 What story was being circulated about the American soldier and his whisky?
 What name did the Americans give to the Lambanog?
 How can the coconut tree be said to represent the Philippines?
 How did the farmer prepare the chaser?
 What happened to the American soldier after drinking the Lambanog?
4.3 ABSTRACTION Ask:
 Do you think Filipinos are mild drinkers? Justify your answer.
 Is drinking good for the health? Justify your answer.
4.4 APPLICATION Teacher’s Input:
Local color or regional literature is fiction that focuses on the characters, dialect,
customs, topography, and other features particular to a specific region.
Technique: Use of dialect to establish credibility and authenticity of regional characters.
Use of detailed description, especially of small, seemingly insignificant
 details central to an understanding of the region.
Frequent use of a frame story in which the narrator hears some tale of the
region.

Group Activity: Role playing

• Divide the class into four groups.
• Assign each group a part of the story.
Guide Questions:
1.What words/phrases give you the clue of where the story took place?
2.How did you identify the distinct characteristics of each character?
• Let the students complete the table given. ( please see attachment number 2)

5. Assessment (Indicate whether it is thru Observation and/or Talking/conferencing to learners

and/or Analysis of Learner’s Products and/or Tests) _________minutes

Tests Distinguish the different characteristics of a local fiction through completing a table. One point
(10 minutes) for every correct answer on the table completed. (Let the students complete the table given.
please see attachment number 2)
6. Assignment (Indicate whether it is for Reinforcement and/or Enrichment of today’s lesson
and/or Preparation for a new lesson) _________minutes
Enrichment of today’s Read the story “My Brother’s Peculiar Chicken”. Find out what are the distinguishing
lesson characteristics of the story.
7. Wrap-up/Concluding To foretell the destiny of a nation, it is necessary to open the book that tells of her past.
Activity -Dr. Jose Rizal-

Prepared/Compiled by:

Name: Leslie F. Peritos School: Dapdap National High School

Position/Designation: Teacher I Division: Cebu Province

Contact Number: 09173779496 Email Address: [email protected]

Attachment 1
WE FILIPINOS ARE MILD DRINKERS
 by Alejandro R. Roces

WE Filipinos are mild drinkers. We drink for only three good reasons. We drink when we are very happy. We drink when
we are very sad. And we drink for any other reason.

When the Americans recaptured the Philippines, they built an air base a few miles from our barrio. Yankee soldiers
became a very common sight. I met a lot of GIs and made many friends. I could not pronounce their names. I could not
tell them apart. All Americans looked alike to me. They all looked white.

One afternoon I was plowing our rice field with our carabao named Datu. I was barefooted and stripped to the waist. My
pants that were made from abaca fibers and woven on homemade looms were rolled up to my knees. My bolo was at
my side.

An American soldier was walking on the highway. When he saw me, he headed toward me. I stopped plowing and
waited for him. I noticed he was carrying a half-pint bottle of whiskey. Whiskey bottles seemed part of the American
uniform.

“Hello, my little brown brother,” he said, patting me on the head.

“Hello, Joe,” I answered.

All Americans are called Joe in the Philippines.

“I am sorry, Jose,” I replied. “There are no bars in this barrio.”

“Oh, hell! You know where I could buy more whiskey?”

“Here, have a swig. You have been working hard,” he said, offering me his half-filled bottle.

“No, thank you, Joe,” I said. “We Filipinos are mild drinkers.”

“Well, don’t you drink at all?”

“Yes, Joe, I drink, but not whiskey.”

“What the hell do you drink?”

“I drink lambanog.”

“Jungle juice, eh?”

“I guess that is what the GIs call it.”

“You know where I could buy some?”

“I have some you can have, but I do not think you will like it.”

“I’ll like it all right. Don’t worry about that. I have drunk everything—whiskey, rum, brandy, tequila, gin, champagne,
sake, vodka. . . .” He mentioned many more that I cannot spell.

“I not only drink a lot, but I drink anything. I drank Chanel Number 5 when I was in France. In New Guinea I got soused
on Williams’ Shaving Lotion. When I was laid up in a hospital I pie-eyed with medical alcohol. On my way here on a
transport I got stoned on torpedo juice. You ain’t kidding when you say I drink a lot. So let’s have some of that jungle
juice, eh?”

“All right, “I said. “I will just take this carabao to the mud hole then we can go home and drink.”

“You sure love that animal, don’t you?”

“I should,” I replied. “It does half of my work.”
“Why don’t you get two of them?”

I didn’t answer.

I unhitched Datu from the plow and led him to the mud hole. Joe was following me. Datu lay in the mud and was going:
Whooooosh! Whooooosh!

Flies and other insects flew from his back and hovered in the air. A strange warm odor rose out of the muddle. A
carabao does not have any sweat glands except on the nose. It has to wallow in the mud or bathe in a river every three
hours. Otherwise it runs amok.

Datu shook his head and his widespread horns scooped the muddy water on his back. He rolled over and was soon
covered with slimy mud. An expression of perfect contentment came into his eyes. Then he swished his tail and Joe
and I had to move back from the mud hole to keep from getting splashed. I left Datu in the mud hole. Then turning to
Joe, I said.

“Let us go.”

And we proceeded toward my house. Jose was cautiously looking around.

“This place is full of coconut trees,” he said.

“Don’t you have any coconut trees in America?” I asked.

“No,” he replied. “Back home we have the pine tree.”

“What is it like?”

“Oh, it is tall and stately. It goes straight up to the sky like a skyscraper. It symbolizes America.”

“Well,” I said, “the coconut tree symbolizes the Philippines. It starts up to the sky, but then its leaves sway down the
earth, as if remembering the land that gave it birth. It does not forget the soil that gave it life.”

In a short while, we arrived in my nipa house. I took the bamboo ladder and leaned it against a tree. Then I climbed the
ladder and picked some calamansi.

“What’s that?” Joe asked.

“Philippine lemon,” I answered. “We will need this for our drinks.”

“Oh, chasers.”

“That is right, Joe. That is what the soldiers call it.”

I filled my pockets and then went down. I went to the garden well and washed the mud from my legs. Then we went up
a bamboo ladder to my hut. It was getting dark, so I filled a coconut shell, dipped a wick in the oil and lighted the wick. It
produced a flickering light. I unstrapped my bolo and hung it on the wall.

“Please sit down, Joe,” I said.

“Where?” he asked, looking around.

“Right there,” I said, pointing to the floor.

Joe sat down on the floor. I sliced the calamansi in halves, took some rough salt and laid it on the foot high table. I went
to the kitchen and took the bamboo tube where I kept my lambanog.
Lambanog is a drink extracted from the coconut tree with pulverized mangrove bark thrown in to prevent spontaneous
combustion. It has many uses. We use it as a remedy for snake bites, as counteractive for malaria chills, as an
insecticide and for tanning carabao hide.
I poured some lambanog on two polished coconut shells and gave one of the shells to Joe. I diluted my drink with some
of Joe’s whiskey. It became milky. We were both seated on the floor. I poured some of my drink on the bamboo floor; it
went through the slits to the ground below.

“Hey, what are you doing,” said Joe, “throwing good liquor away?”

“No, Joe,” I said. “It is the custom here always to give back to the earth a little of what we have taken from the earth.”
“Well,” he said, raising his shell. “Here’s to the end of the war!”

“Here is to the end of the war!” I said, also lifting my shell. I gulped my drink down. I followed it with a slice of calamansi
dipped in rough salt. Joe took his drink but reacted in a peculiar way.

His eyes popped out like a frog’s and his hand clutched his throat. He looked as if he had swallowed a centipede.
“Quick, a chaser!” he said.

I gave him a slice of calamansi dipped in unrefined salt. He squirted it in his mouth. But it was too late. Nothing could
chase her. The calamansi did not help him. I don’t think even a coconut would have helped him.

“What is wrong, Joe?” I asked.

“Nothing,” he said. “The first drink always affects me this way.”

He was panting hard and tears were rolling down his cheeks.

“Well, the first drink always acts like a minesweeper,” I said, “but this second one will be smooth.”

I filled his shell for the second time. Again I diluted my drink with Joe’s whiskey. I gave his shell. I noticed that he was
beaded with perspiration. He had unbuttoned his collar and loosened his tie. Joe took his shell but he did not seem very
anxious. I lifted my shell and said: “Here is to America!”

I was trying to be a good host.

“Here’s to America!” Joe said.

We both killed our drinks. Joe again reacted in a funny way. His neck stretched out like a turtle’s. And now he was
panting like a carabao gone berserk. He was panting like a carabao gone amok. He was grasping his tie with one hand.
Then he looked down on his tie, threw it to one side, and said: “Oh, Christ, for a while I thought it was my tongue.”

After this he started to tinker with his teeth.

“What is wrong, Joe?” I asked, still trying to be a perfect host.

“Plenty, this damned drink has loosened my bridgework.”

As Joe exhaled, a moth flying around the flickering flame fell dead. He stared at the dead moth and said: “And they talk
of DDT.”

“Well, how about another drink?” I asked. “It is what we came here for.”

“No, thanks,” he said. “I’m through.”

“OK. Just one more.”

I poured the juice in the shells and again diluted mine with whiskey. I handed Joe his drink.

Here’s to the Philippines,” he said.

“Here’s to the Philippines,” I said.

Joe took some of his drink. I could not see very clearly in the flickering light, but I could have sworn I saw smoke coming
out of his ears.
“This stuff must be radioactive,” he said.

He threw the remains of his drink on the nipa wall and yelled: “Blaze, goddam you, blaze!”

Just as I was getting in the mood to drink, Joe passed out. He lay on the floor flat as a starfish. He was in a class all by
himself.

I knew that the soldiers had to be back in their barracks at a certain time. So I decided to take Joe back. I tried to lift
him. It was like lifting a carabao. I had to call four of my neighbors to help me carry Joe. We slung him on top of my
carabao. I took my bolo from the house and strapped it on my waist. Then I proceeded to take him back. The whole
barrio was wondering what had happened to the big Amerikano.

After two hours I arrived at the airfield. I found out which barracks he belonged to and took him there. His friends helped
me to take him to his cot. They were glad to see him back. Everybody thanked me for taking him home. As I was
leaving the barracks to go home, one of his buddies called me and said:

“Hey, you! How about a can of beer before you go?”

“No, thanks, “I said. “We Filipinos are mild drinkers.”

Attachment 2

Local Color
Parts of the Story
Setting Characters Beliefs Dialect
Part 1
Part 2
Part 3
Part 4