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Chapter 7 Test

This document contains a 50 question music theory test assessing identification of chord qualities, roman numerals, and inversions. It covers identifying triad qualities, highlighting chords, roman numeral analysis, figuring bass, and listening identification. The test contains multiple choice questions requiring recognition of fundamental music theory concepts.

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Brian Williams
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294 views2 pages

Chapter 7 Test

This document contains a 50 question music theory test assessing identification of chord qualities, roman numerals, and inversions. It covers identifying triad qualities, highlighting chords, roman numeral analysis, figuring bass, and listening identification. The test contains multiple choice questions requiring recognition of fundamental music theory concepts.

Uploaded by

Brian Williams
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Name: ___________________________________________ Chapter 7 Test

Section 1: Identify the quality of the following triads.

KEY - (A) Augmented, (B) Major, (C) minor, (D) diminished

(1) (2) (3) (4) (5) (6) (7) (8) (9)

Section 2 : Identify the highlighted chord.

(10) (11) (12) (13)


10. 11. 12. 13.
(A) C Major (A) A Major (A) f# minor (A) A Major
(B) c minor (B) d minor (B) E Major (B) e minor
(C) A Major (C) D Major (C) d minor (C) c minor
(D) a minor (D) a minor (D) f minor (D) C Major
(E) e minor (E) F Major (E) D Major (E) a minor

Section 3 : Identify the following chords and inversions using roman numerals.

(14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27)

KEY
(A) I (AE) VI (ABD) ii64
(B) i (BC) vi (ABE) IV6
(C) II (BD) VII (ACE) IV64
(D) ii (BE) vii (ADE) V6
(E) IV (CD) vii* (BCD) V64
(AB) iv (CE) I6 (BCE) vi6
(AC) V (DE) I64 (BDE) vi64
(AD) v (ABC) ii6 (CDE) SEND HELP
Section 3 : Based on the note and figured bass provided, identify the Chord and Quality in the first
question, the roman numeral in the second question, and the inversion in the final question.

(28, 29, 30) (31, 32, 33) (34, 35, 36) (37, 38, 39) (40, 41, 42) (43, 44, 45)
28. 34. 40.
(A) G Major (A) f# minor (A) C Major
(B) g minor (B) g minor (B) c minor
(C) e minor (C) f# diminished (C) a minor
(D) C Major (D) a diminished (D) a diminished
(E) c minor (E) D Major (E) f# diminished
29. 35. 41.
(A) I (A) II (A) I
(B) i (B) ii* (B) ii
(C) IV (C) ii (C) ii*
(D) III (D) V (D) V
(E) vi (E) vii* (E) IV
30. 36. 42.
(A) Root Position (A) Root Position (A) Root Position
(B) First Inversion (B) First Inversion (B) First Inversion
(C) Second Inversion (C) Second Inversion (C) Second Inversion
31. 37. 43.
(A) C Major (A) D Major (A) G Major
(B) e minor (B) g minor (B) d minor
(C) G Major (C) F# Major (C) D Major
(D) g minor (D) b minor (D) g minor
(E) c minor (E) d minor (E) f minor
32. 38. 44.
(A) I (A) vi (A) vi
(B) i (B) V (B) V
(C) IV (C) I (C) I
(D) III (D) IV (D) IV
(E) vi (E) ii (E) ii
33. 39. 45.
(A) Root Position (A) Root Position (A) Root Position
(B) First Inversion (B) First Inversion (B) First Inversion
(C) Second Inversion (C) Second Inversion (C) Second Inversion

Section 4 : For questions 46 - 50, you will hear a chord played three times. Identify the
quality of the chord using the following key...
(A) Augmented (B) Major (C) minor (D) diminished

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