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Brake's Sake: Ben Riley Drums Trascription by Marco Pepe

This document contains a transcription of Ben Riley's drumming on Thelonious Monk's "Brake's Sake". It is transcribed in 3 sentences or less: The transcription provides the drum pattern for "Brake's Sake" notated with quarter note beats and indications for which drum is played. It shows Ben Riley's intricate and syncopated drumming style throughout the song. The transcription is detailed, notating every drum hit across the full length of the piece.

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Marco Pepe
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98 views2 pages

Brake's Sake: Ben Riley Drums Trascription by Marco Pepe

This document contains a transcription of Ben Riley's drumming on Thelonious Monk's "Brake's Sake". It is transcribed in 3 sentences or less: The transcription provides the drum pattern for "Brake's Sake" notated with quarter note beats and indications for which drum is played. It shows Ben Riley's intricate and syncopated drumming style throughout the song. The transcription is detailed, notating every drum hit across the full length of the piece.

Uploaded by

Marco Pepe
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Brake's

Sake
Ben Riley Drums Trascription by Marco Pepe

 3   3 3 
T.Monk

                     
Swing  = 70

             
3 3

  3  
S S SD S S S S D SDS DSD S D S D S DS D S S

           


3 3 3 3
3


 3  
 
                                
D S D S D S S S D S SD SDS DSD S DS D DS D

3 3 3

  3 3
D S D SS D DD S D SDS D S D S D S S S

               
S S DD

                   
3

   
3 3

  3    3 3
S S S S S S S D S S SD SDS D S S S SS


                                   
D S
D 3
3
3

   
S S SD S D D S S S S SD S D S D S D S D S D S

                                
3 3 3

 3 3 3 3 3 
D S D S S
S S S S S D D S S S S S S S

               
D S

                         
 
3 3 3 3 3 3 3

 
3

    3
S S S S S S S S S S S S S S S D S D S D S D S D S D S

                 

           
D S D D D D D S D S D

             
D D S S

 
3 3 3

  
3

3  3  3  3 3  3  3  3  3 
  
S S S S DSD DSD DSD S D S D D D D

                               
D
3 3 3 3

S S S S S S S S S S S S
   3   3 3  3  3  3 3  3 3  3 3 
                             
2

        
3


33 3

   
3

S S sD S S S S S S SS S S S S

  3   3 3 3 3 3 3 3 

                                    
3 3 3 3
3 3 3

S S S DDS S S S S S S S S S S S D S D S D S

 3 3  3  3 
3  3 
          
             
3 3 3 3
3
48 3

D S D S D S D S D S S S S S S D S S S D S
S S D D S D S S
S S D
D D S

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