Problematic Production Exploring The Issues Within Rupaul'S Drag Race

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Michael Whitty

Professor Sara Martucci


Race, Class, & Gender in Media
26 April 2021

Problematic Production; Exploring the issues within RuPaul’s Drag Race

I. I am choosing to analyze RuPaul’s Drag Race and its production/portrayal of the


LGBTQIA+ community. I chose this medium because I regularly watch the show and
think I have a lot of ‘tea’ to spill on the problems the show has encountered over the
years. Also identifying as a gay demifluid person, I think my own epxeriences can relate
to a lot of the topics I want to cover. This excluding much about race because I am born
and raised American and I am white. However this will and NEEDS to be addressed
about this show.
II. A. Transphobia in RuPaul’s Drag Race: Transphobia is quite prevalent in Drag Race due
to the nature of the show and how RuPaul trains and ‘prefers’ his own queens to look.
Exploring the art of gender expression through drag specifically through the lens of
RuPaul.
B. Exploring RuPaul’s essentialism for Drag: RuPaul made plenty of clear remarks for
how Drag queens present themselves. They must have a certain figure, boobs, wigs, and a
full face of makeup. This ultimately sets a false expectation for what Drag truly is.
C. Blackophilia/Blackophobia in Drag Race: The show has had a long standing history
with only crowning queens of similar characteristics being: skinny & white. There have
been queens of color who have won the show, but there has been a lot of backlash from
producers and mass media about these queens and their ‘drag.’ This is also where I can
explore black vernacular being taken on by white drag queens.
III. “If you can’t love yourself, then how the hell can you love anybody else, can I get an
amen?,” are the infamous words spoken by RuPaul on every episode of RuPaul’s Drag
Race. These words, along the phrases of many others, have held a lot of weight and
power for the infamous drag competition show on VH1. Questions about transphobia,
racism, and drag essentialism have been long questioned and analyzed about the show,
but only recently have they come into light and have been acknowledged. Knowing the
show is hosted by RuPaul, a BIPOC drag queen, there have still been issues with the
queens and how the show is presented to the general public. Don't get me wrong--the
show has forever changed the way the drag community is represented--but in the process
of learning and growing, the show has had issues over the years in keeping their claim to
fame of uplifting oppressed communities. With various queens coming out as
transgender, the very few BIPOC winners, and RuPaul’s eye for what drag needs to look
like for themselves, there is plenty to be analyzed and uncovered so that the show can
keep their well standing title.
IV.

Edgar, Eir-Anne. “‘Xtravaganza!": Drag Representation and Articulation in


‘RuPaul's Drag Race.’” Studies in Popular Culture, vol. 34, no. 1, 2011, pp. 133–146.
JSTOR, www.jstor.org/stable/23416354.

Gudelunas, David. “Culture Jamming (and Tucking): RuPaul’s Drag Race and
Unconventional Reality.” Queer Studies in Media & Popular Culture, vol. 1, no. 2, 2016,
pp. 231–249., doi:10.1386/qsmpc.1.2.231_1.

Henry, Phillip. “RuPaul Needs to Take Responsibility for the Racism on 'Drag
Race'.” Them., www.them.us/story/racism-rupauls-drag-race.

Strings, Sabrina, and Long T. Bui. “‘She Is Not Acting, She Is.’” Feminist Media
Studies, vol. 14, no. 5, 2013, pp. 822–836., doi:10.1080/14680777.2013.829861.

Simmons, Nathaniel. “Speaking Like a Queen in RuPaul’s Drag Race: Towards


a Speech Code of American Drag Queens.” Sexuality & Culture, vol. 18, no. 3, 2013, pp.
630–648., doi:10.1007/s12119-013-9213-2.

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