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REGINA PACIS - Pianoforte

The document appears to be a program for a Christmas concert featuring piano performances. It includes the titles and sheet music for several songs that will be played, including "Adagio" by David Garrett, "Ave Maria" and "I Will Follow Him". The concert is taking place on December 21st at Regina Pacis.

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francesco
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0% found this document useful (0 votes)
125 views28 pages

REGINA PACIS - Pianoforte

The document appears to be a program for a Christmas concert featuring piano performances. It includes the titles and sheet music for several songs that will be played, including "Adagio" by David Garrett, "Ave Maria" and "I Will Follow Him". The concert is taking place on December 21st at Regina Pacis.

Uploaded by

francesco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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REGINA PACIS

Concerto di Natale
Sabato 21 dicembre

Pianoforte
 
Tastiera (strings)
Io ti penso amore


Music by David Garret

 
Adagio

       

        
   
       
 


 
6 3

   


          
        
 
 

 
           
3

 
    


3

  
12

               



 


     
           
rit.

   
3 3

      
3 3 3
Piano Ave Maria


[meglio nota come "Ave Maria di Caccini"]
Musica: Vladimir Vavilov


Elaborazione: Cesare Buccitti
     
           
Moderato

  


mf legato

  


   
        
    
5

  
    


                                 
9

 
mp

  


                         
13

  
   


        
17

  
 


                               
21

 
  
V.S.

2 Piano


         
25

  
 


  
     
  
29

 

     
 


   
            
33

  
 


      
           
37 1.

 
  



 
          
41

  
 


  

          
   
45

        
     


 
  
48
      
2.
  

rall.


 
  
 
Piano


I WILL FOLLOW HIM
J. W. Stole

   
Slowly

            
 
  


mp 
 
      
 
   
   


   
          
5

3 3
          
  
               
      
 



   
10

3
   
3 3

            
     
 

   
   


   

15

3 3
  
          
        
  
                
     
 



      3
     
20
 
3

    
3 3
            
     


       
 
     
  






Fast Rock

25

  



 
  
   
            
 


2 Piano

                
30


                      
     
                   
               
 



                
34

                         



                            
    


  3   3           3       3 
38

      

   

      
 
            
    


           
                       
42

       

           
                           


           
46

          


        
3

                
3

   
3     


 3   
   
50

3 3

            


3

   
  
          
3

               

Piano 3

   

55

                          


    
    
                              


   
59

                                


                               


   
63

                                


                               


   
67

                                


                               


   

71 3 3 3 3 3
3

                 
  

        
3 3
        
         


75 3 3
              

   
3 3

           
 
 




rit.
         
 
3
 



Piano Ninna nanna de Natale
   
Largo

       
                    
        
mf legato

     
 


 

7

                        
           
 
mp
 
     



13

                    
         

 
 





19

        
        


  

 



25

    
  

  

   
           
 
mp cresc.




  
 Meno 
30 mosso Tempo I
  
   



   
               
 
 
     
   



 
34

       
           
  mf 
  
  V.S.
Piano


2

 rit.
40 Meno mosso rit.
            
        
          
         


 
49
   
Meno mosso 1.
 Largo 2.

    
    
    
    
    
    
mf

   

Piano


Roma forestiera

                 
                   
Saltarello


         
      
        
mf

              
    


                               
6


             
               
           


                                 
12


             
mp
  
                       


                              
18


           
                 
     


 
                                
23 rit.



            

 
  
                 


  
29
 
Recitativo Meno mosso
    
 
 
 
 
 


  
   
     
mf

    
 
   V.S.

2 Piano


35 Saltarello vivace
 
                                    
            

              
  
mf

   



  
41

           
                            
 
  
        
                 


 

47

                                    
           

               
 
p cresc. poco a poco

 



  
       
53

                    
 








   
mf 
   
          




58

        
     
 
     
 
     
 
      

p          

     
    



63
 
          
molto rall. Moderato
       

 
     
    mp          

   
  
     
 
  
     




           
71

  
Saltarello vivace

1. 2.

 
 
   
         
  
      
          
f ff
              
    
      
Piano
Mater Jubilei
Musica: M. Frisina
Elaborazione corale e strumentale: C. Buccitti

mf

mp legato

14

mf

20

p subito

26

32

mf
2
38

mf

44

50

56

p mf

62

69

mp legato

75

mf
3
81

p subito

87

93

mf

99

quasi f

105

111

117
4
123

129

cresc.

135

mf

139
Piano
Happy Xmas Yoko Ono & John Lennon
elab.C. Buccitti - G.Pignatelli

10

12

15

18

V.S.
2 Piano

21

23

25

28

31
Piano e Strings
La Vergine degli Angeli


Versi Francesco Maria Piave
Musica Giuseppe Verdi
Adagio
 
   
 

pp
      
   


3 3 3 3 3 3 3 3
3 3 3 3


4

 
 
 
  
                               
     


3 3 3 3 3 3
3 3 3 3
3 3

     

 
7

3

 
  
3
      
 pp
                          
morendo

     



3 3 3
3 3 3 3 3 3 3

10 3 3 3 3
3 3

    
3 3 3 3 3 3

         
     

              
         
 


3

13 3 3 3
 
3 3

3 3 3

 
3 3 3
          
        
         
           
   
  


16 3
 
3

   
3 3


3 3 3 3

   
     
 
   
p
     
              
   
3 3 3 3

2 Piano e Strings
19
3 3

            
3 3
 
 
   
                    
      
  


 

3 3 3

   
3 3

3

 
22

3 3
 
 

     
  
                                
pp morendo


    
3 3 3
3 3 3 3 3 3 3 3
25 3

          
3 3

   
3 3
            
    
3
       
3 3 3 3 3
        
pp 3 3


    
28
                  
 

               
 
3 3 3 3
f 3 3 3 3 3 3
     
pp 3 3
   


   


31

                 
   
 
 
3 3 3 3
     
3 3


3
  
3
      
  3 3 3 3

  
34 3

       
3 3 3
    
   
p
ff
     
3 3

3
    


      
  
3


37
 

3 3 3 3
    
 

    
   

morendo 
  
     
   
Organo Siyahamba


[ Tradizionale zulú ]

 
    
Allegretto

   
3
           
3

                  
  
 3      
    

f
  
mf

3
   



    
 
5
3

   
        
3

              


  
            
       
 


3 3

 
     
 
9

     
3

     
             
3 3

              
    
               
pp p

3
   


           
         
15
3 3 3

           
                       
 
  

3
 molto mf  
 cresc. 

         
  3


        
    
20

3 3

                   


                  
    
    
           
3


  

   
   3
25

             


3


       
     
                   
pp

   



          
   3  
30

       
3

3

           


               
cresc. molto mf  
  
         
         


  
    3      3 
35

    
3
                         
                  
  
 
3
     
   

 
   
3
 


2 Organo

         


  
  

41
    
         
 

      

                        
mf


   
                

49
   
3
        
3 3


            
 
   
pp
       


        
 


                     
     
55

3 3 3

      
                 
              

  
cresc. molto mf

  


                
    
60 Meno mosso

3 3
  
   
        
             
  

            


     
 
 

A tempo

         


65


   
3


         
         
 
pp
       
cresc. molto mf
 


 
    
73

3 3
                    
              


    
         


   
     
77

3
         

        
       
f 
    
         

 
Piano
O Sole mio


Musica e versi: G. Capurro - E. Di Capua
Adagio
  
          

 

  
f
           
   
             
  



 
9

                 
       
    


    
mf legato
 
  
    
    


  
18

                                 
   
         più f
       
    


  
 
26

       
        
         
             
      


         
     
32

                
    

pp
                   
   



38

        
rit. A tempo

       
1.
        
     
      
  
mf legato
    
          
     
    V.S.

2 Piano

 
46

      

                      
       
      
  
    
    


          
55
  
2.
  
rit. 
             
       
   
    
più f
  
ff

     

     
Piano O Holy Night! Musica: Adolphe Adam
Elabrazione coeale: G. Pignatelli
Elaborazione strumentale: C. Buccitti
Andante

mf legato

10

13

mp

16

cresc. molto

V.S.
2 Piano
19

22

25

27 1.

30 2.

mf

33

rit. mf
 

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