Advanced Garments Printing
Advanced Garments Printing
Advanced Garments Printing
(Textile)
Digital Printing
Flock Printing
Flex Printing
High Density Printing
Foil Printing
Puff Printing
Cavier Bead Print
Glitter Printing
Metallic Print:
Burn Out Printing
Reflective print
Plastisol Print
Rubber Printing
Crack Printing
Spray Printing
Transfer Printing
Heat transfer printing
Heat Transfer Vinyl Printing
Dye sublimation printing
Floral Print
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Print with computer-operated digital print, ideally suited for large-scale prints.
Colors are sprayed on and made durable with a hardener. The fabrics can still be felt
when touching the design.
Results in a relaxed “vintage look”. The design looks a bit faded, don‟t expect brash
colors.
Digital direct is not available for all of our products.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Flocking is defined as the application of fine particles to adhesive coated surfaces. Nowadays,
this is usually done by the application of a high-voltage electric field. In a flocking machine the
"flock" is given a negative charge whilst the substrate is earthed. Flock material flies vertically
onto the substrate attaching to previously applied glue. A number of different substrates can be
flocked including; textiles, fabric, woven fabric, paper, PVC, sponge, toys, automotive plastic.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Electrostatic flock applicators charge the flock particles which are then attracted to the grounded
surface that is to be flocked. Unlike puffer or blown application methods which merely sprinkle a
flock layer onto the surface, electrostatic application ensures that the fibres all end up standing at
right angles to the surface resulting in a velvet finish.
Electrostatic flocking is used extensibly in the automotive industry for coating window rubbers,
glove boxes, coin boxes, door cards, consoles, and dashboards. Rally cars usually have their
dashes flocked to reduce reflections and to provide an as new finished to a modified dash.
Using suitable adhesives flock can be applied to an endless range of materials including plastic,
metal, wood, rubber and fiber glass.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
used for making the screens. This type of printing applies by screen. Rubber or plastic sold is
used as a paste. Screen applies many times on a same design. If it may be thick around 5-6mm
then apply high density sticker. High Density is a popular special effect that rises straight up off
the shirt and has a hard rubbery feel with sharp edges. A High density print has slight glossy
finish
High- Density Printing the process of printing a specially formulated ink through a very
thick stencil to achieve a raised, glossy smooth print with very sharp edges.
A high density ink allows you to achieve a three-dimensional effect with sharp, well
defined outlines.
The process is very slow but the end product is unique.
This is one of the recent developments in printing which gives thick prints on the surface
of garments.
Achieved by either giving more number of coats or by using thickener indirect films used
for making the screens.
High Density is a popular special effect that rises straight up off the shirt and has a hard
rubbery feel with sharp edges. A High density print has slight glossy finish.
Delivery
In the first method, the pattern is printed by a foil/transfer adhesive on the fabric, and then
pressed with foil paper by hot steel roller.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
The pressure is generally 5-6 bars on printed portion and at 190 degree Celcius on fusing
machine for 8-12 seconds.
In the second method, printing is done on the foil paper first, and then foil is pressed on the
fabric with hot steel roller or iron.
Q15. Show the flow-process of Foil printing with standard recipe in respect of
garment printing?
Recipe: It is a simple recipe; this recipe can be charged on the depth of the color and types of
dyes use.
Foil paste-90%
Fixer-10%
Sequence of foil printing
Fabric preparation
Delivery
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Printing process:
Like as other print we make the print screen at first.
We make rubber color as manual.
Mix an Emboss or Foaming paste with the following color.
Then print on the garments with following color mixer like as a normal rubber print.
Then we dry the print area by using heat. This the turning point of the print. Because after getting
the heat the print becomes puffed. Normally we dry the print area with dryer for small print. If
the print area is larger than we heat press the print with curing machine. I advice all to use heat
press machine instead of hand dryer. It will make the puffed evenly, before heat press please
adjusts the temperature and pressure of curing machine to get the correct output. Less heat will
give you a less puffed print.
Puff Additive
Jacquard Puff Additive is used to increase the relief of prints on paper, fabric and other surfaces.
Simply mix a little of the additive into your Jacquard Screen Ink (up to 20%), print as usual and
then apply heat to your print. The microspheres in the Puff Additive expand with heat, giving
you a raised print only after heating. Once puffed, the print is washfast and dry cleanable.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Q19. Shortly describe glitter print technique with standard recipe in respect of
garment printing?
Recipe: This is a simple printing recipe. It will be changed according to the shade of the delivery
printed goods.
Rubber paste-70%
Fixer-2%
Glitter-28%
Sequence of Glitter printing process on Textile materials: By the following way glitter
printing is done on the knitted or woven fabric
Fabric pre-treatment
Table preparation
Delivery
Q21. State the principle of burn out printing for a particular batch by which we
get a vintage look?
• Scour the fabric by machine washing in HOT 140oF (60oC) water, or by hand in a pot on
the stove with (2 gm) PRO Dye Activator and (2.5 ml) Synthrapol per pound of fabric
(454 gm, or 3 to 4 yards cotton muslin, or 8 yards 8mm China Silk, or 3 Medium T-shirts,
or 1 sweatshirt). Rinse thoroughly. This step does not add the dye fixative to the fabric; it
prepares the fabric for dyeing by removing any dirt, oil or sizing.
• Mix the thickener paste a few hours, or even the day before use it. In a large plastic or
stainless steel bowl, measure 2 cups (500 ml) of room temperature 75o to 95oF (24o to
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
35oC) water. In a separate dry container measure a 1/3 cup (50 gm) of guar gum. Using a
blender or hand mixer, starts blending just the water, then gradually add the guar gum.
Continue blending until well mixed. Allow to stand several hours or overnight for a
smooth paste.
• Make the burn-out paste just before you are ready to use it. Measure cup plus 2 Tbl (220
ml) of 100oF (38oC) water and dissolve cup (200 gm) of sodium bisulfate in the water.
Remember to always add the acid to the water, as a safety precaution. Once the sodium
bisulfate is dissolved, add a cup (80 ml) of glycerin and the thickener paste made in step
2. Mix thoroughly using your blender or hand mixer. Discard the burn out paste after
three days.
• Prepare a padded surface to print on. If we do not have a padded print table, we can
create a padded surface by laying down a terry cloth towel on your work table and taping
it in place with masking tape. Cover the terry cloth towel with plastic or a canvas drop
cloth. Then secure your fabric with masking tape on the plastic, or with T-pins on the
canvas drop cloth.
• Apply the burn-out paste to the fabric. Screen print, stencil, or apply the burn-out paste
freehand, with foam or bristle brush. Make sure the burn-out paste penetrates through to
the back of the fabric. The best paste penetration is achieved by screen printing, followed
by stenciling, and then freehand applications. When working on silk/rayon velvet, it is
best to print on the back side of the fabric rather than the pile. It is important to sample
your method of application before working on large projects, to make sure the fabric will
burn-out successfully.
• Allow the fabric to air dry thoroughly. We can also speed up the drying by using a hair
dryer.
• Carefully remove the burned out (carbonized) areas of your fabric by one of the methods
listed below. This part can be messy, so work outside if possible and always wear a
cartridge respirator to avoid inhaling the small fibers.
Gently hands wash the fabric.
Gently brush off the burned out fiber by hand.
Use a small hand held vacuum.
• Wash thoroughly with warm 110oF (44oC) water by hand or machine wash on gentle
cycle with tsp (2.5ml) Synthrapol per pound (454 gm) of fabric. Rinse thoroughly and
hang to dry.
* Curing time and temperature are needed to be pre tested (Lab Trial), some time while using
light blends, Polyester portion also get damaged. So, consequently no good print. One can
choose one of these temperatures and times
1. 160C @ 5Min
2. 180C @ 2Min
3. 200C @ 1Min
automates the marking process, streamlining the production process and eliminating marking
mistakes.
Q23. Show the flow-process of Rubber printing with standard recipe in respect of
garment printing?
Rubber printing is done of the important printing process. After apparel manufacturing printing
is done on the surface of the fabric.
Recipe:
Rubber-60%
Clear-38%
Fixer-2%
Process flow chart of rubber printing: Rubber printing is done as the flowing way in a printing
unit.
Table preparation
Delivery
Q25. Show the flow-process of Crack printing with standard recipe in respect of
garment printing?
Printing recipe:
Rubber-98%
Fixer-2%
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Add crack paste/clear (Ecocrack White & Clear. Suitable for crack effect silkscreen prints on
polyester-cotton blend and cotton fabric, these are Eco-friendly water based that are soft auto-
crack inks. Further, this white/clear provides an auto crack finish with elasticity, wash fastness,
smoothness, excellent softness and hand feel.)
Table preparation
Delivery
Crack printing can be produced on the surface on T-shirt and other finished knit fabric and
woven fabric. Water based ready paste giving effect with mud crack appearance on knitted/
stretchy fabric giving very soft hand feel & colour fastners towards world class standards &
world class eco system.
2. The production of short-run repeat orders is much easier by transfer processes than it is
by direct printing.
3. The design may be applied to the textile with relatively low skill input and low reject
rates.
4. Stock volume and storage costs are lower when designs are held on paper rather than
on printed textiles.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
5. Certain designs and effects can be produced only by the use of transfers (particularly
on garments or garment panels).
6. Many complex designs can be produced more easily and accurately on paper than on
textiles.
7. Most transfer-printing processes enable textile printing to be carried out using simple,
relatively inexpensive equipment with modest space requirements, without effluent
production or any need for washing-off.
Against these advantages may be set the relative lack of flexibility inherent in transfer
printing: no single transfer-printing method is universally applicable to a wide range of
textile fibres. While a printer with a conventional rotary-screen printing set-up can
proceed to print cotton, polyester, blends and so forth without doing a great deal beyond
changing the printing ink used, the transfer printer hoping to have the same flexibility
would need to have available a range of equipment suited to the variety of systems that
have to be used for different dyes and substrates using transfer technology.
Advantages
1. Operation is simple and no expensive m/c is required.
2. No after treatment of fabric required
3. Print on fabric is of excellent quality
Disadvantages
1. Process applicable to synthetic fabric like polyester.
2. Color range is limited.
3. Cost of printed paper high.
4. Not economical for small orders.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
layer which is transferred completely to the textile from a release paper using heat and
pressure. Adhesion forces are developed between the film and the textile which are
stronger than those between the film and the paper. The method has been developed for
the printing of both continuous web and garment panel units, but is used almost
exclusively for the latter purpose. In commercial importance it is comparable with
sublimation transfer printing. [12]
Three key components to consider when decorating with a heat press are: time, temperature, and
pressure. Every heat transfer material has its own heat printing instructions.
Time: The amount of time, in seconds, that heat must be applied to the design/garment.
Temperature: The optimal degree at which the design will adhere to the garment.
Q30. Shortly discuss heat transfer printing Process for garments printing?
The process of heat transfer printing begins with the printing of a design which can be as simple
as a single color print or as complex as a full color image. The image is printed using a modified
Oki color laser printer and the print medium used is a special range of transfer papers that are
specifically designed for use with the Oki laser printer.
Once the design has been printed, it is applied to the garment using one of our swing away heat
transfer presses.
The first step of the process is to get the picture that you would like. We will put it in our
computers and touch-up the image.
We then print this from our high quality printers on commercial heat transfer paper.
Although this is similar to iron-on paper that you can get at a retail store, it is NOT. The
commercial paper we use will last much longer, and will not peel, fade, or bleed.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Each image is hand cut. We commonly add a small border around an image to aid in
durability.
The image is accurately positioned on the product using lasers to ensure straightness.
Then it goes to the Heat Press. A Heat Press is like a really big iron that can evenly put
down hundreds of pounds of pressure, while accurately controlling temperatures.
The commercial paper that the image is printed on melts into the fibers of the clothing,
making it a part of the item without disturbing the image.
Using the Heat Transfer method we are able to print in as many colors as you would like
and on any color fabric. The colors come out bright and bold.
The process of sublimation involves taking matter directly from the solid state to the
gaseous state, without becoming a liquid in the process.
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
With a dye sublimation printer, this process allows for ink to be dyed into fabric via heat,
which makes the dye permanent and allows for photo-realistic images of fabrics.
•That image is then placed on top of a fabric and subjected to high heat and pressure to
form a heat press.
•The dye sublimation toners or inks sublimate–the inks go from a solid state to a gaseous
state without becoming liquid in between and flow into the fabric, dyeing the threads.
•This creates a gentle gradation of color and does not distort or fade overtime.
By using the dye sublimation process, you save money as well as the environment
because the images last just as long as the T-shirts, hats, and other materials the images
are printed on.
The result of heat transfer printing and digital printing using low sublimation disperse
dyes would be the same.
Colors can be extraordinarily brilliant due to the bonding of the dye to the transparent
fibers of the synthetic fabric.
Truly continuous tones can be achieved that are equivalent to photographs, without the
use special techniques such as half-screen printing.
• If we stretch the fabric 20% or more then you lose a whole stack of color depth when the
white shows through the fabric/knit ribs (dark blue suddenly becomes light blue, black
becomes grey).
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
Adding reflective ink to your design is a relatively inexpensive way to make sure that your shirts
will stand out from the crowd.
Composition
TiO2-BaO-SiO2
Refractive Index
1.93+-0.01nd
Size range
20-105um(can be provided by request)
Color
siliver
Q35. Write the difference between Rubber print and crack print?
In both print Rubbers is used as the printing paste. Crack printing is near similar as rubber
printing process but additional crack paste is used before applying rubber printing paste by the
screen printer on the fabric. In crack print when pull the print, it seem like crack, but rubber print
only rubber and fixer are commonly used no use crack inks to produce crack effect. So when pull
the rubber print, it seem like solid, smooth, plain and no crack effect.
Q36. Write the difference between High density print and puff print?
High density screen printing at first glance seems to be some sort of high-quality puff print.
Actually, the high density inks are not puff inks at all. In high density print Rubber or plastic
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Advanced Garment Printing Azmir Latif, MSc.Engr.(Textile)
sold is used as a paste. Screen applies many times on a same design. If it may be thick around 5-
6mm then apply high density sticker. High Density is a popular special effect that rises straight
up off the shirt and has a hard rubbery feel with sharp edges. A High density print has slight
glossy finish. On the other side puff print rubber and puff chemical used combined. The puff ink
expands when exposed to high temperature heat as the garment is cured. When the puff inks
which raises the print off the garment, creating a 3D feel. In this method when the paste is
printed and dries it look like normal printing garments but once it is cured the prints gets raised
from the surface of fabric. Sometimes it called emboss print or foam print also.
Q37. Write the difference between Glitter print and Metallic Print?
• Gives metallic look.
• Similar to glitter, but smaller particles suspended in the ink.
• Smooth in texture when compared to glitter
• Glitter reflects light at different angles, causing the surface to sparkle or shimmer but in
metallic print overall print gives sparkle, shiny or shimmer look.
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