The Six Notions of Art Are The Following
The Six Notions of Art Are The Following
The Six Notions of Art Are The Following
2. Satire (Caricature): This function aims to bring awareness among individuals and
the community. An example of this is the editorial cartoons in a newspaper.
4. Advertising art: The main aim of advertising art is to attract more buyers. This
can be seen and heard anywhere: television, newspapers, magazines, radio
networks, billboards, and many others.
The philosophy of art is the study of the nature of art, including concepts such as
interpretation, representation and expression, and form. It is closely related to
aesthetics, the philosophical study of beauty and taste.
Philosophy of Art vs. Art Criticism. The philosophy of art is distinguished from art
criticism, which is concerned with the analysis and evaluation of particular works of
art. Critical activity may be primarily historical, analytical, or evaluative. Sometimes
it is not a single work of art but an entire class of works in a certain style or genre
(such as pastoral poems or Baroque music) that is being elucidated, and sometimes it
is the art of an entire period (such as Romantic). But in every case, the aim of art
criticism is to achieve an increased understanding or enjoyment of the work (or classes
of works) of art, and its statements are designed to achieve this end. The task of the
philosopher of art is not to heighten understanding and appreciation of works of art
but to provide conceptual foundations for the critic by (1) examining the basic concepts
that underlie the activities of critics and enable them to speak and write more
intelligibly about the arts and by (2) arriving at true conclusions about art, aesthetic
value, expression, and the other concepts that critics employ.
Art As Imitation (Representation). The view that “art is imitation” is at least as old
as the Greek philosopher Plato, and, although not widely held today, its long and
distinguished history is evidence of its continuing hold on human beings as an
account of the distinctive function of art. A terminological point, however, is in order
here: in the interests of clarity, artists should be spoken of as representing in their
work the persons and things and scenes of the world but as imitating the work of
other artists. Thus, “In this painting the artist represents a barn and some wheat
fields, and the artist’s style is imitative of Vincent van Gogh.” This distinction will be
employed here, with the result that these traditional theories of art will be spoken of
as theories of representation rather than of imitation.
Art As Expression. The view that “art is imitation (representation)” has not only been
challenged, it has been moribund in at least some of the arts since the 19 century. It
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was subsequently replaced by the theory that art is expression. Instead of reflecting
states of the external world, art is held to reflect the inner state of the artist . This, at
least, seems to be implicit in the core meaning of expression: the outer manifestation
of an inner state. Art as a representation of outer existence (admittedly “seen through
a temperament”) has been replaced by art as an expression of humans’ inner life.
But the terms express and expression are ambiguous and do not always denote the
same thing. Like so many other terms, express is subject to the process-product
ambiguity: the same word is used for a process and for the product that results from
that process. “The music expresses feeling” may mean that the composer expressed
human feeling in writing the music or that the music when heard is expressive (in
some way yet to be defined) of human feeling. Based on the first sense are theories
about the creation of art. Founded on the second are theories about the content of art
and the completion of its creation.
The first is clearly a judgment of taste (subjective), while the second is an aesthetic
judgment (objective). Making an aesthetic judgment requires us to be disinterested. In
other words, we should try to go beyond our individual tastes and preferences so that
we can appreciate art from a universal standpoint.
Art as a communication of Emotion. According to Leo Tolstoy, art plays a huge role
in communication to its audience’s emotions that the artist previously experienced. In
the same that language communicates information to other people, art communicates
emotions. As a purveyor of man’s innermost feelings and thoughts, art is given a
unique opportunity to serve as a mechanism for social unity. It is central to man’s
existence because it makes accessible feelings and emotions of people from the past
and present.
Subject and Content of Art
Subject Matter. Anything could ignite an artist’s imagination, prompting him to
create. The artist’s subject matter is an object, a person, a scene, or an event that
the work or art depicts. An art that has subject matter is called representational,
figurative or objective art. An art which has no subject matter is called non-
representational or non-objective art.
Form. The specific quality or shape of an artistic expression is its form. It includes
all the visual aspects of the work that can be isolated and described. It is also the
shape by which the artist projects his subject matter.
Content. What the artist is trying to express or communicate is the concept of his
work. It tells what the work of art is all about, the artist’s subject matter. It is the
meaning or the theme expressed by the artist. Through the content, the artist’s
attitude toward his subject is revealed. The artistic value of the substance or the
content of an art work can be measured by its originality, its imaginative quality,
its sincerity, and its truth.
Sources of Subject. The following are the source of subject: nature,
history, mythology, religious tradition or event, sacred texts, other works of
art.
Kinds of Sources. The following are the kinds of sources of subject: history, still
life, animals, figures, nature, landscape, seascape, cityscape, mythology, myth,
dreams, fantasies
A subject that is presented and referred to its literal statement or narrative content is
called factual meaning. So much so that a flower is a flower when it is viewed as a
flower and not in any other form However, an artist who provided its personal
meaning to its work is called subjective meaning.
Subjective meaning is also used to mean and symbolised religion, like when one sees
a Holy Cross refers to the catholic fate, and a quarter moon In the Islamic religion,
Buddhism is symbolised or represented by the wheel of figure of buddha Subjective
meaning is also used to represent or symbolised an animal, like the dove represents
peace, unity and the trinity for the catholic religion In marriage, it also represents
the couple and their unification, while the color red is used to mean war, love,
passion and anger
Conventional meaning refers to the special meaning that a certain object has for a
particular culture, society or group of people. The country is symbolised by its flag
and its national costumes. In the case of the Philippines, we have our barong tagalog
for men and the Filipina dress for women. Vakul, the headress, is made of straws
used by the people of Batanes to protect them from the sun and the rain The vakul
symbolises and represents Batanes and paper picado for Bulacan. Paper Picado is an
intricately well crafted papel de japon It is a special way of wrapping pastillas, a
delicacy and a candy made from cows’ milk It is a special way of preparing and
presenting desserts during the Spanish period, while Pampanga is known for its
parol or lantern making.