The document summarizes different approaches to analyzing films through a semiotic lens: realist, formalist, and rhetorical. It then discusses structuralist approaches like mythic, political, feminist, psychoanalytic, sociological, and phenomenological. Finally, it outlines contextual approaches such as auteur theory, genre studies, and historical studies. The overview provides brief descriptions and examples of how each approach examines meaning, representation, and viewer perception in cinema.
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Semiotic Approaches: Blair Witch Project
The document summarizes different approaches to analyzing films through a semiotic lens: realist, formalist, and rhetorical. It then discusses structuralist approaches like mythic, political, feminist, psychoanalytic, sociological, and phenomenological. Finally, it outlines contextual approaches such as auteur theory, genre studies, and historical studies. The overview provides brief descriptions and examples of how each approach examines meaning, representation, and viewer perception in cinema.
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From Schafermeyer’s “Film Criticism”
Semiotic Approaches
Approach quick description Schaefermeyer example
Realist True to life “…focuses on the use of Blair Witch Project – film to represent reality shaky camera, long based on the power of photography’s ability to shots, “homemade,” render the real world supposes the characters objectively” (507). are “real” people, not actors. Formalist Form, montage, “Meaning in film, then, Think of reality TV, the construction, evolves from the juxtaposition of shots juxtaposition of film shots combining that manifest conflict… [it creates a different event, is] how the shots of a film feeling, mood, or tone are combined to ‘mean’” (508). Rhetorical Persuasive, “…examines the film as a Platoon - overtly lets ya message rhetorical artifact that know that war is bad exhibits intentional meaning and news… structure…deals with the communicative potential of film” (509). Mise-en-scene Environment “…the environment of the Blade Runner – Ridley film, which is created by its Scott’s depiction of a lighting, sets, costumes, movement, and any other futuristic urban features that comprise the environment constructed scene as photographed by of a variety of filmic the camera” (509). devices.
Structuralist Approaches
Approach Quick description Schaefermeyer Example
Mythic Thematic, myth- “…asserts the presence of Oh Brother Where Art based, archetypal one or more specific myths Thou - follows the mythic that, by virtue of their preeminence, are found in story of Homer’s a society’s aesthetic Odyssey. artifacts” (510). Political Interest-based, “…focuses on films and One might use Marxian relies of theorist their relationship to the economic theory to areas of history, ideology, in their respective economics, and social discuss Erin Brokovich. fields criticism” (510). Feminist Concerned with “…analyze the treatment of One might look power, pursues women as they support or Sigourney Weaver’s negate the role of women in the breakdown of contemporary society” character in Aliens and oppressive (511). [What an awful discuss the way it reifies description! – bk] woman as the hierarchical stereotypical sacred social structures mother, although it overtly depicts her as warrior. Psychoanalytic Application of No sufficient quote One might use Freud psychoanalytic available. and his theory of the theory to film “Oedipus complex” to discuss the relationships between characters. Sociological The intersection “…uses sociological One might look at of art and society, concepts, such as class, American History X to status, interaction, how they impact organization and culture” examine the roles of each other. (511). [This one’s bad, too!] socialization and deviancy in American culture. Phenomenological Viewer (audience) “…is concerned with the One might examine the perception of film manner in which viewers spectators’ perception of perceive the film and/or its or the journey images (always, however, in Being John Malkovich. into the interior relation to the whole)” of the mind (511)/
Contextual Approaches
Approach Quick description Schaefermeyer Example
Auteur (author) Directorial style “…assumes a certain Hitchcock, Lynch, Potter, amount of directorial etc…and so on… autonomy in film production…focuses on film directors and the style manifested in tow or more of their films” (512). Genre Common “…focuses on the narrative Western, war, and horror narrative structures common to film: films. They are easily westerns, war films, structure, musicals, gangster films, categorized by conventions and so on…categorizes recognizable features. films according to specific characteristics” (512). Historical studies Production issues “…analyzes the entire One might study the scope of the film’s corporate structure of development…In addition, studies of particular huge $$ Hollywood studios analyze the film blockbusters… industry from economic, political, or corporate perspectives” (513).