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access to Black Music Research Journal
BOB EAGLE
The aim of this guide is to fix significant positions for musical activity
onto specific portions of the landscape, with a view to assisting future
research. It is not intended to fulfill the tourist expectation of finding, say,
that "Blind Boy Fuller slept here." Therefore, it does not record where a
particular artist appeared on one night of a whirlwind one-night tour, but
if that same artist habitually played in the location for decades, it can be
hoped that he or she will be found here.
The intention is to set down, so far as can be known at this remove, the
main places where particular Appalachian musicians (specifically
African Americans) were born, spent their lives, learned from others, per-
formed, influenced others, or died. African-American churches, so
important in black communities and frequently the location of significant
musical activity, have been included when they could be identified
definitely.
There has been an attempt to date musicians' activity and to point to
other locations within the guide that they may be found; suggestions for
enhancing the simplicity and improving the presentation of the guide are
welcomed. The usual magazines and references have been consulted,
albeit with inevitable omissions by the compiler, but the work also large-
ly draws on substantial original research in the indexed census records of
1920 and 1930.
The definition of "Appalachia" chosen is that promulgated by the
Appalachian Regional Commission, with the proviso that certain Virginia
Piedmont and Valley cities and counties that were initially included in
BOB EAGLE became interested in black music through an early love of rock and roll. He has
contributed to journals in the United States and Europe and some decades ago edited his
own magazine in Australia. Since that time, he has been compiling biographies of all par-
ticipants in blues and gospel music, and in his spare time practices as an attorney.
Alabama
Alabama has been an important state for gospel music but, in recent
decades, is less influential as a source of blues music.
The traditional song "Alabama Bound" has the sense more of ramblin
than of specifically going to Alabama. Examples include "'Bama Bou
Blues" by Ida Cox, Papa Charlie Jackson, and Charlie Patton; "Alaba
Bound" by Bowlegs (Library of Congress); "Alabama Bound" by Un
Rich Brown.
Apart from "Alabama Bound," a number of songs mention the state,
including "Alabama Mis-Treater" by Davenport and Carr (Okeh 8306,
recorded March 11, 1926), "Alabama Strut" by Cow Cow Davenport and
Ivy Smith (Vocalion 1253, recorded July 16, 1928), "Alabama Mistreater"
by Cow Cow Davenport (Vocalion 1227, recorded October 25, 1928), "The
Blues Singer from Alabam" by Bessie Brown (Brunswick 4346, recorded
ca. April 1929), "Alabammy Mistreated" by Iva [Ivy] Smith (Gennett
7231, recorded June 7, 1930), "Alabama Scratch" by the Harum Scarums
(Paramount 13054, recorded ca. January 1931), "Alabama Hustler" by
Sam Tarpley (Gennett unreleased, recorded August 30, 1930, and
Paramount 13062, recorded ca. January 1931), and "I've Got a Man in the
'Bama Mines" by Sweet Pease Spivey (Bluebird B-7224, recorded October
11, 1937), which inspired Jazz Gillum's "answer," "I'm That Man Down
in the Mine" (Bluebird B-7718, recorded June 16, 1938).
Although the ravages of the boll weevil were ultimately felt harder
through the Black Belt of central Alabama than in most other locations,
they came later than in states to the West and did not reach a peak until
around 1922. The impact of the boll weevil therefore cannot explain the
district's failure to develop as a strong blues center along the lines of the
Yazoo Delta of Mississippi.
The huge exodus of tenant farmers from the southern states also seems
to have begun at least a decade earlier in Alabama than in Mississippi.
The land value of Alabama farmland in black hands was also consider-
ably lower than its counterpart in Mississippi. Perhaps the conditions of
life were harsher in Alabama, but more likely, the exodus became an eco-
nomic necessity some years earlier than it did in Mississippi.
There is some evidence that the Black Belt had earlier been a center for
blues music. Ike Zinnerman, from southern Alabama, moved to
Mississippi and was an influence in the early 1930s upon Robert Johnson.
There is a blues piano tradition evident, perhaps especially in the
Anniston area.
At first sight, the obvious music center of the state is Jefferson County,
including the county seat of Birmingham and the mining center o
Bessemer. Perhaps because of the concentration of coal mining, by ana
gy with Wales, the music of the area emphasized singing, particularly
group singing. The populace leaned heavily toward religious music, and
Birmingham was an early center for quartet singing groups.
Performers thought or known to be from somewhere in the sta
include the Alabama Sheiks, The Amerson Children, Boss Clark, the Re
Edward Clayborn, John Daniels, Evangelist Singers of Alabam
Napoleon Fletcher, A. C. Forehand, Blind Mamie Forehand, The Gold
Voices of Alabama, Warren Grey, Eddie Harris, Jimmy Lee Harris, Wil
Henley, possibly Papa Harvey Hull, Isaiah "Little Shot" Jones, the la
Willie Lyons, Eddie "King" Milton, Mary Lou "Mae Bee May" Milton, A.
B. Stanton, John Sykes, Arthur Tucker, and Odelle Turner.
As of 2003, the following thirty-seven counties fell within the purvie
of the Appalachian Regional Commission: Bibb (1920 black population of
7,817), Blount (1,418), Calhoun (12,089), Chambers (19,724), Cheroke
(2,079), Chilton (3,963), Clay (3,179), Cleburne (735), Colbert (11,152
Coosa (5,806), Cullman (443), De Kalb (771), Elmore (11,944), Etowah
(7,528), Fayette (2,481), Franklin (1,418), Hale (17,896), Jackson (3,008),
Jefferson (130,391), Lamar (2,850), Lauderdale (8,117), Lawrence (6,739),
Limestone (9,628), Macon (19,614), Madison (17,483), Marion (621),
Marshall (1,287), Morgan (7,736), Pickens (12,324), Randolph (5,936), St.
Clair (4,449), Shelby (7,044), Talladega (17,398), Tallapoosa (10,070),
Tuscaloosa (19,780), Walker (8,190), and Winston (81).
In 1920, the thirteen Appalachian counties in the state with urban pop
ulations-more than 2,500 people living in an incorporated town-we
Calhoun County
Clay County
Ashland (city, 407 black residents in 2000). Possible base for Brownie
Stubblefield.
Colbert County
Cullman County
De Kalb County
Elmore County
Etowah County
Fayette County
Franklin County
Hale County
Greensboro (1,663 black residents in 2000). P. Dunn, M. A. Gooden, and
Julia Johnson were all recorded at Greensboro, which was the birthplace
of Little Sonny Willis. Location (2003) of St. Thomas AME Church.
Jackson County
Jefferson County
Jefferson County is
Inez Andrews, Jean
Prof. Alex Bradford
Jimmy Carter (1932)
Birmingham George
Rockin' Charles Edwards, Dennis Edwards, Wilbert Ellis, Bedile
Goldsmith (of the Mighty Clouds of Joy), John Grimes, Joe Guy, Wilbur
Harden, Roger Hatcher (1946), Shelton Hemphill, Minnie Hicks' hus-
band, Ace Holder, Dennis Irwin, Gus Jenkins, Eddie Kendricks, Frederick
Knight, Sam Lay, Shorty Long, M. Lillian McGriff, Bobby Nunn, Odetta,
Avery Parrish, King Porter (1916; James A. Pope), Carl Pruitt, Bobby
Scott, David Sea, the Rev. Charles Taylor, Bruce Upshaw, Billy Valentine,
Don Varner (1943), Eddie Ware, Hibert "Alabama" Watson, James "Piano
'C' Red" Wheeler, Jody Williams, Paul Williams (of the Temptations), and
Leola B. Wilson.
Jefferson County landmarks are referred to in numerous songs, includ-
ing "Jefferson County" (composed by Sid Harris), recorded by Priscilla
Stewart (1926) and Bo Weavil Jackson (1926; issued as performed by Sam
Butler); "Pratt City Blues" by Bertha "Chippie" Hill (1926 and 1929) and
the same title by "Jabo" Williams (1932); "Third Alley Blues" by Iva [Ivy]
Smith (1927); "Snatch It Back Blues" by Buddy Boy Hawkins (1927);
"Keep Your Man Out of Birmingham" by William Harris (1928); "Frisco
Leaving Birmingham" by George "Bullet" Williams (1928); "Big Rock
Jail" by Barefoot Bill (1929); "Seventh St. Alley Strut" by Marshall Owens
(1931); "45 Pistol Blues" by Walter Roland (1935); "Eighth Avenue Blues"
by Peanut the Kidnapper (1937); "Bessemer Blues" by Tampa Red (1939);
"Birmingham Bounce" (composed by "hillbilly" performer Hardrock
Gunter), performed by Amos Milburn (1950); "Washington Heights, Pratt
City Special" and "Bessemer Rag," all by Robert McCoy (1962). Erskine
Hawkins' hit song "Tuxedo Junction" (composed by Buddy Feyne,
Erskine Hawkins, William Johnson, and Julian Dash and set to the
melody of "Alabama Jubilee") refers to the Birmingham district of that
name. There is also a Birmingham district called "West End," but Louis
Armstrong's composition "West End Blues" reportedly relates to a resort
spot of that name overlooking Lake Pontchartrain, north of New Orleans,
Louisiana, active during the first two decades of the twentieth century.
Bessemer (city, 20,638 black residents in 2000). Residence (pre-World
War II) of Bessemer Harmony Four; Bessemer Sunset Four (also known
as Bessemer Quartet); Bessemer Big Four (1941); and Bessemer Melody
Boys. Birthplace of Alex Bradford and James Hill (1916). Location (2002)
of McAdory Temple COGIC.
Birmingham (178,372 black residents in 2000). Birmingham and its
neighboring cities formed a focus for blues activity and a more important
focus for gospel activity (particularly for male quartets). Birmingham is
colloquially known as "The Magic City," and its blues society is the Magic
City Blues Society. Birmingham had 126,338 black residents (over 41% of
the city's total population) in the 1970 Census; its greater metropolitan
area had a population of 767,230. The city and its suburbs previously
relied heavily upon the steel industry but has now diversified into chem-
icals and food processing. Birthplace of Erskine Hawkins (1914), Claude
Jeter (1914), Sun Ra (1914); Willie Love (1925); Dorothy Love Coates
(1928; nee McGriff); Lillian McGriff (1928); and James Taylor (1961).
Location (2002) of East Birmingham COGIC (Pastor, Bishop Peter Wren);
(2002) Emanuel Temple COGIC (Pastor, Bishop O. L. Meadows); (2002)
and Grace Covenant COGIC (Pastor, Supt. Michael L. Frazier).
Prior to World War II, the Gennett label had a link with the E. E. Forbes
Piano Company of Birmingham, and one Jimmy Allen was talent scout
for the company's 1927 Birmingham session: Wiley Barner with Will
Jennings; Jaybird Coleman; Daddy Stovepipe and Whistling Pete;
Dunham's Jubilee Singers (also known as the Bessemer Blues Singers);
Joe Evans and Arthur McClain; the Rev. J. F. Forest; William Harris with
Joe Robinson; Ollis Martin; Mount Sinai Jubilee Quartet, alias the
Bessemer Harmony Four; R. D. Norwood; and Bertha Ross backed by
Vance Patterson. Brunswick/Vocalion recorded some performers at
Birmingham in 1928: Bessemer Sunset Four (also known as Bessemer
Quartet); Golden Leaf Quartet; and the Rev. I. B. Ware; as well as some
"hillbilly" performers. The Library of Congress recorded Tom Bradford at
Birmingham in 1934 and the Bessemer Big Four in 1941. W. R. Calaway
held a session at Birmingham for ARC in 1937, using Theodore White as
a talent scout: William Blevins Quartet; Bogan's Birmingham Busters;
Charlie Campbell; Georgia Slim; Guitar Slim; Peanut the Kidnapper;
Ravizee Singers; Mack Rhinehart and Brownie Stubblefield; George
Torey; reputedly, Lucille Bogan; and Willie Hagood.
After the war, John Daniels' Quartet (possibly white) recorded for the
Lamar County
Lauderdale County
Rogersville (town,
Woodrich Publishing
it was based in Lexin
Sensational Harmone
Lawrence County
Courtland (town, 31
Tabernacle COGIC.
Town Creek (town, 416 black residents in 2000). Birthplace of Andrew
"Moohah" Williams.
Limestone County
Macon County
Madison County
Marion County
Morgan County
Pickens County
Shelby County
Talladega County
The county was the birthplace of Bishop Joe Perry Tillis and Bill
Johnson.
Lincoln (city, 1,238 black residents in 2000). Location (2002) of St. Mark
COGIC (Pastor, T. Huffman).
Talladega (city, 6,402 black residents in 2000). Site of Talladega College,
previously the Talladega Institute for the Deaf and Blind. The institute
was the impetus for the creation in 1939 of the Five Blind Boys of
Alabama, initially led by Velma Traylor. The Five Blind Boys of Alabama
included, in its early days, the Rev. Paul Exkano, Johnny Fields, Clarence
Fountain, George Scott, and Olice Thomas.
Tuscaloosa County
Fosters. Residence o
Holt Census Design
of Johnny Shines (
active there.
Ralph. Birthplace of Walter Roland (1902); and Little Whitt.
Tuscaloosa (city, 33,287 black residents in 2000). Residence of Blind
Buddy Bailey; Franklin Bell (drums-later to Los Angeles); Willie King;
Mike McCracken (2000); Big Bo McGee (2000); Candy Martin Shines
(1960s-at least 2000); Johnny Shines (with Candy Martin Shines, to his
death in 1992); Vera Hall Ward; and "Little Whit" (Jolly Wells). Location
of Stillman College.
Walker County
Georgia
Georgia was a strong blues area pre-World War II and has had an
important place in gospel music. Its major urban center, Atlanta, just out-
side the Appalachian region, was the main pre-World War II recording
center for the southeastern states, only being replaced by Nashville,
Tennessee, from about 1947 onward.
King George II chartered Georgia to James Edward Oglethorpe as a
colony for persecuted Protestants in 1732, with the aim of protecting the
Carolinas against incursion by the Spaniards in Florida and the French in
Louisiana. Initially, the colony prohibited slavery, but this was changed
after it became a royal province in 1753. By 1860, the population was
1,057,286, of which 44 percent were black slaves. As late as 1900, when the
population was 2,216,331, 46.7% were black, but the proportion of blacks
at each U.S. Census has fallen steadily since.
Cotton was the major crop until the boll weevil devastation of about
1923, which brought about some diversification. The peak cotton crop
was in 1911, when 2,768,000 bales were grown on 5 million acres.
Almost 60 percent of the state lies within the Atlantic coastal plain,
below a fall line stretching from Augusta through Milledgeville and
Macon to Columbus. Up country from the fall line lies the Piedmont
plateau, which includes Atlanta. The more mountainous regions above
the Piedmont include the Blue Ridge, the Cumberland Plateau, and the
Great Valley, extending north from Cedartown.
Barrow County
Probable county of residence of Henry Dink at his death (1987, age 58).
Carroll County
Cherokee County
Elbert County
Floyd County
Franklin County
Gordon County
Gwinnett County
Habersham County
Hall County
Hart County
Heard County
Lumpkin County
Paulding County
Polk County
Rabun County
Residence of Barbara Fruster (2003).
Stephens County
Walker County
Kentucky
Kentucky is not a state well known for blues or gospel music, although
it was a slave state. It was originally part of the territory claimed by
Virginia, and its initial settlement was influenced by conditions in
Virginia. Kentucky is mentioned in the title of Smokey Smothers' song
"Way Up in the Mountains of Kentucky."
Counties falling within the purview of the Appalachian Regional
Commission as of 2003 were Adair, Bath, Bell, Boyd, Breathitt, Carter,
Casey, Clark, Clay, Clinton, Cumberland, Edmonson, Elliott, Estill,
Fleming, Floyd, Garrard, Green, Greenup, Harlan, Hart, Jackson,
Johnson, Knott, Knox, Laurel, Lawrence, Lee, Leslie, Letcher, Lewis,
Lincoln, McCreary, Madison, Magoffin, Martin, Menifee, Monroe,
Montgomery, Morgan, Owsley, Perry, Pike, Powell, Pulaski, Rockcastle,
Rowan, Russell, Wayne, Whitley, and Wolfe.
Historically, there were greater numbers of blacks in some parts of the
Appalachian region than at present. Overall for the entire state, there
were twenty-one slaves for each free colored person in 1850. The slave
populations in 1850 of counties falling in the Appalachian Regional
Commission's area were Adair (1,707), Bath (2,535), Bell (did not yet
exist), Boyd (did not yet exist), Breathitt (170), Carter (257), Casey (634),
Clark (4,840), Clay (515), Clinton (262), Cumberland (1,485), Edmonson
(325), Elliott (did not yet exist), Estill (411), Fleming (2,139), Floyd (149),
Garrard (3,176), Greene (now known as Green, 2,608), Greenup (606),
Harlan (123), Hart (1,301), Jackson (did not yet exist), Johnson (30), Knott
(did not yet exist), Knox (612), Laurel (192), Lawrence (137), Lee (did not
yet exist), Leslie (did not yet exist), Letcher (62), Lewis (322), Lincoln
(3,355), McCreary (did not yet exist), Madison (5,393), Magoffin (did not
yet exist), Martin (did not yet exist), Menifee (did not yet exist), Monroe
(831), Montgomery (3,073), Morgan (187), Owsley (136), Perry (117), Pike
(98), Powell (did not yet exist), Pulaski (1,307), Rockcastle (also spelled
Rock Castle, 375), Rowan (did not yet exist), Russell (435), Wayne (830),
Whitley (201), and Wolfe (did not yet exist).
Greenup County
212 black residents in 2000.
Greenup. Place of residence and death (1973, age 75) of William "Bill"
Williams, from Richmond, Virginia.
Harlan County
869 black residents in 2000.
Lynch Mines. Possible location of Sam Collins (1930).
Letcher County
129 black residents in 2000.
Whitesburg. Location of June Appal label (Box 743, Whitesburg,
Kentucky 41858).
Perry County
482 black residents in 2000.
Hazard (city, 316 black residents in 2000). Residence of Bayless Rose
(1930).
Pike County
Maryland
Maryland has probably been more important for its gospel music per-
formers than for blues. Maryland became, in 1663, the second colony,
after Virginia, to legislate the legalization of slavery.
Norman Brown, guitarist of Mills Brothers fame, may have hailed from
Maryland.
Gospel singer Alma Parks Brown was born in Maryland in 1907; and
gospel singer Clifton Stanton Jr. was born in Maryland in 1960.
Allegany, Garrett, and Washington counties fall within the area for
which the Appalachian Regional Commission is responsible.
Allegany County
Washington County
Six black tenant farmers in 1920 and a total 1920 black population of
2,242.
Hagerstown. Poss
Hagerstown, India
Mississippi
born there. From other states, blacks from Alabama were the largest
group (almost 3%), followed by Louisiana (almost 2%), and then (in
descending order) Tennessee, Georgia, Arkansas, North Carolina,
Virginia, and South Carolina (all less than 1% each, although over a thou-
sand in number).
The traditional (pre-1950) definition of "urban" population in the
United States was a population residing within incorporated places hav-
ing 2,500 or more inhabitants. As of the 1920 census, only 240,121 people
lived in urban areas in the state (just over 13% of the total), but even that
figure was almost twice the number of urban dwellers in 1900, and seven
times that of 1880. Although the definition of "urban" was extended by
1950 to include unincorporated places of 2,500 or more, even in 1970, the
state's urban population was only 987,000, compared with a rural popu-
lation of 1,230,000. The rural population had peaked in 1940 at 1,751,000.
The black population was initially even more rural-oriented than the
white population, but that altered with the influx of blacks to the cities
and towns from the plantations.
Counties falling within the ambit of the Appalachian Regional
Commission as of 2003 included Alcorn, Benton, Calhoun, Chickasaw,
Choctaw, Clay, Itawamba, Kemper, Lee, Lowndes, Marshall, Monroe,
Montgomery, Noxubee, Oktibbeha, Panola, Pontotoc, Prentiss, Tippah,
Tishomingo, Union, Webster, Winston, and Yalobusha.
The 1850 slave population of the Appalachian counties was Chickasaw
(6,480 slaves), Choctaw (2,978), Itawamba (2,127), Kemper (5,378),
Lowndes (12,993), Marshall (15,417), Monroe (11,717), Noxubee (11,323),
Oktibbeha (4,844), Panola (6,420), Pontotoc (4,968), Tippah (4,928),
Tishomingo (1,961), Winston (2,768), and Yalobusha (8,597). As of 1850,
Alcorn, Benton, Calhoun, Clay, Lee, Montgomery, Prentiss, Union, and
Webster counties did not yet exist.
The harshest racial conditions as of 1850 in the Appalachian counties
(using the Mance Index) appear to have been (in descending order of
harshness) in Marshall, Lowndes, Monroe, Noxubee, Yalobusha,
Chickasaw, Panola, Kemper, Pontotoc, Tippah, Oktibbeha, Choctaw,
Itawamba, and Tishomingo.
Among those performers known or thought to come from the state are
Madlyn Davis; Tom Dumas; Washington Herron; Earnest Johnson;
Tommy Lee Luster; Alenda Moore; and Wiley Pittman.
Alcorn County
The county had 414 black farmers as of 1920, including 272 black ten-
ant farmers.
Benton County
Calhoun County
The county had 563 black farmers as of 1920, including 461 black ten-
ant farmers.
Joe Dan Boyd was the contact for Sacred Harp Singers from Calhoun
County.
Bruce (town, 930 black residents in 2000). Location (2003) of New Hope
COGIC (Pastor, Sinatra Williams).
Calhoun City (town, 599 black residents in 2000). Location (2003) of
Porter Chapel AME Church.
Chickasaw County
The county had 1,616 black farmers as of 1920, including 1,306 black
tenant farmers.
Houston (city, 1,492 black residents in 2000). Birthplace of Willie Buck;
and the late Bukka White (1904). Location (2003) of Christian Fellowship
(Full Gospel Baptist) Church (Senior Pastor, Jimmy Jones).
Choctaw County
The county had 515 black farmers as of 1920, including 301 black ten-
ant farmers.
Residence of Doc Hemphill (fiddle; great-grandfather of Jessie Mae
Hemphill).
Ackerman (town, 591 black residents in 2000). Birthplace of Therley
"Speedy" Ashford (1910); Velmer Ashford. Location (2003) of Gospel
Temple COGIC.
Beat 1. Residence of Velmer Ashford (1930, age 26).
Eupora. See Webster County.
Weir (town, 297 black residents in 2000). Birthplace of the late Levester
(Big Lucky) Carter (1920).
Clay County
The county had 1,924 black farmers as of 1920, including 1,555 black
tenant farmers.
Pheba. Location (2003) of Hogan Chapel AME Church.
West Point (city, 6,823 black residents in 2000). Birthplace of the late
Chester Arthur Burnett (Howlin' Wolf) (1911); Johnny Moore (1940); and
Zora Young (ca. 1948). Residence of Booker T. "Bukka" White. Location
(2003) of London Chapel AME Church; St. John AME Church; Friendship
(Full Gospel) Baptist Church (Senior Pastor, Willie B. Lairy); and Union
Star (Full Gospel) Baptist Church (Senior Pastor, Robert Branson).
Whites (also known as White Station). Residence of Howlin' Wolf
(1920).
Itawamba County
The county had 178 black farmers as of 1920, including 122 black ten-
ant farmers.
Beat 2. Residence of Archie Brownlee (1930).
Kemper County
The county had 1,877 black farmers as of 1920, including 1,334 black
tenant farmers.
De Kalb (town, 489 black residents in 2000). Location (2003) of
Deliverance Temple COGIC (Pastor, Gregory Brown).
Lee County
Lowndes County
The county had 2,141 black farmers as of 1920, including 1,766 black
tenant farmers.
Artesia (town, 395 black residents in 2000). Residence of Willie Lee
Harris (harmonica).
Beat 5. Residence of Bert Logan (1930, age 58).
Columbus (city, 14,117 black residents in 2000). Birthplace of Bogus Ben
Covington; Huey Davis (of the Contours) (1938). Residence of Otto
Virgial; and Tom Turner (122 11th Avenue South-rear) (1967). Location
(2003) of Charity Missionary Full Gospel Baptist Church (Senior Pastor,
Charles Fisher); Deliverance Evangelistic Outreach (Senior Pastor,
George Ampiah); Full Gospel Ministry (Senior Pastor, Maxine Hall); New
Beginnings Full Gospel Ministry (District Overseer, Glen Jefferson); and
Victory Full Gospel Baptist Church (Senior Pastor, Burt Richardson).
Crawford (town, 610 black residents in 2000). Birthplace of Tom Turner
(1901); Joe Lee Williams (Big Joe Williams) (1906); and John Wesley
Macon (Mr. Shortstuff) (1933). Residence of Bert and Russ Logan (previ-
ously Beat 5, Oktibbeha County); and Ben Walker (guitar). Location
(2003) of Charity Mission (Full Gospel) Baptist Church (State Bishop,
Bobby L. McCarter).
South Columbus. Location (2003) of Turner Chapel AME Church.
Marshall County
The county had 3,558 black farmers as of 1920, including 3,070 black
tenant farmers.
Barton. Residence of L. C. McKinley (ca. 1938).
Byhalia (town, 252 black residents in 2000). Birthplace of P. T. Hayes;
Will Roy "Slim" Sanders (1924) (to Orange Mound, Memphis); Bob
Myers (Robert L. Myers) (1925); David Myers (1927); the late Louis Myers
(1929); and Jan Bradley (1944). Residence of Johnny Booster (to Chicago
by 1972); Jan Bradley (birthplace, 1944-to Chicago by 1959); Ed Hill; Tim
Hill; Joseph Jenny (1930s); Amos Myers (to Chicago-deceased); Bob
Myers (birthplace, 1925-to Chicago); Curtis Myers (birthplace-to
Chicago); David Myers (birthplace, 1927-to Chicago); Louis Myers
(birthplace, 1929-to Chicago); Mary Myers (to Chicago); Mary Louise
Myers (birthplace-to Chicago); Will Roy "Slim" Sanders (birthplace,
1924-to Memphis by 1950s); Alison Shipp (1939); Christeen Shipp
(1939); Shipp family (1939); "Souphouse" (1930s-recalled by Will Roy
Sanders); Ernest "Boose" Taylor; Sam Taylor; Richard Taylor; and
Raymond Payne. Location (2003) of Mt. Pisgah CME Church.
Cayce. Birthplace of Rufus Thomas (1917).
Chulahoma. Residence of Wilbert Lee Reliford.
Holly Springs (city, 6,062 black residents in 2000). Birthplace of Arthur
Brooks (ca. 1890) (to Winchester, Kentucky, by 1975). Birthplace of Elec
Greer (1912) (to Memphis, then Missouri); Mose Vinson (1917); Roosevelt
Harris (1908); John Lewis Sea (1910); the Rev. George Shields (1915); Lee
Roi Nabors (1916); Frank Howard (1925); Velba "Little" Applewhite
(1933); Sylvester Thompson (Syl Johnson) (1936); Dan Greer (1942) (to
Memphis); David Malone (D. K. Jr.); and Jimmy Johnson. Residence of
Hermon Applewhite (to Chicago); Melvin Applewhite (to Chicago);
Nathan Applewhite (to Chicago); Velba "Little" Applewhite (to
Memphis); Robert Belfour (1989); R. L. Burnside; Jimmy De Berry
(1912-1920). Residence of Golden Stars (radio WKRA, 1972); Roosevelt
Harris (radio WKRA, 1972); Frank Howard (to Memphis); George
Howard (to Memphis); Martha Howard (to Memphis); Leandrew
"Cotton" Howell (died 1991, in Memphis); Invincible Quartette of Rust
College (1928); Monroe "Guy" Jackson; Clyde Jamison; Eugene Jamison;
James Jefferson (to St. Louis); Ellen Jeffries; Jimmie Johnson (see
Thompson); Mac Johnson (see Thompson); Syl Johnson (see Thompson);
David Jr. Kimble/Kimbrough; Floyd Murphy; Matt Murphy (born
Sunflower, 1929); Lee Roi Nabors (to Chicago); Lewis Nunnaley;
"Roosevelt" (deceased by 1972); Rust College Quartet (1939); John Lewis
Sea (to Memphis); the Rev. George Shields (to Memphis); Willie "Coot"
Monroe County
The county had 2,539 black farmers as of 1920, including 2,110 black
tenant farmers.
Aberdeen (city, 3,862 black residents in 2000). Birthplace of Howlin'
Wolf's grandfather and of his father, Dock Burnett (1896). Residence of
Booker T. Washington "Bukka" White (born Houston, Mississippi); J. D.
Burnett (1910s); C. D. Dobbs (1910s); Howlin' Wolf (1910s); George
Robinson; and Jesse Robinson (1910s). Location (2003) of Payne Chapel
AME Church; and First Assembly of God.
Amory (city, 2,030 black residents in 2000). Reported birthplace of
Lucille Anderson (later Lucille Bogan, known as Bessie Jackson-possi-
bly born in Alabama) (1897). Residence of Amory Male Quartet (1928);
Frank Swan; possibly Tom Dickson (1928). Location (2003) of Rose of
Sharon COGIC (Pastor, J. L. Hutton).
Beat 4. Residence of guitarist Octave Moore (1930).
Muldon. Probable location of Gertrude Burnett (1920), evangelist and
mother of Howlin' Wolf.
Prairie. Residence of Booker T. Washington "Bukka" White circa 1930.
Riggins. Compare Richard Riggins.
Montgomery County
The county had 827 black farmers as of 1920, including 612 black ten-
ant farmers.
Duck Hill (town, 472 black residents in 2000). Residence of Willie B.
James (previously). Birthplace of Wheeler Ford (1892) (moved to Tunica
County). Location (2003) of Binford Chapel United Methodist Church
(411 Martin Luther King Jr.); and Mt. Pleasant Missionary Baptist Church
(Highway 404 East).
Kilmichael (town, 443 black residents in 2000). Residence of B. B. King
(previously). Location (2003) of St. Paul Church of God in Christ (Old
Winona Road); and Mount Olive Missionary Baptist Church (1406 B. B.
King Drive).
Winona (city, 2,781 black residents in 2000). Birthplace of Lafayette
Leake; Roebuck "Pops" Staples; and L. C. McKinley (1924) (later to
Barton, Marshall County). Residence of The Forrest Family (1990s)
(gospel).
Noxubee County
The county had 3,560 black farmers as of 1920, including 3,139 black
tenant farmers.
Gholson. Possibly associated with Clara Gholson Brock.
Macon (city, 1,657 black residents in 2000). Birthplace of Carey Bell
(1936) (Harrington); Jesse Fortune; Eddie Harrington (Eddy Clearwater),
and the Rev. Houston H. Harrington (1924). Residence of Elijah Brown
(previously, born 1896); Jess Ingram (previously); Charlie West (born
1914); and Houston Harrington (born 1924). Location (2003) of Harrison
Grove (Full Gospel) Baptist Church (Senior Pastor, James D. Lockett).
Oktibbeha County
The county had 1,811 black farmers as of 1920, including 1,357 black
tenant farmers.
Starkville (city, 6,565 black residents in 2000). Birthplace of Tony Hollins
(ca. 1900). Residence of J. H. Miller; J. L. Miller; and Piano Red. Location
(2003) of Porter's House Ministry (Senior Pastor, Eloise Thompson); and
Peter's Rock Temple COGIC (Pastor, Supt. Joseph Hawkins).
Sturgis (town, 12 black residents in 2000). Birthplace of Louis Thomas
Watts (Kid Thomas) (1934).
Panola County
Pontotoc County
The county had 850 black farmers as of 1920, including 807 black ten-
ant farmers.
Algoma (town, 110 black residents in 2000). Birthplace (1923) of Leroy
Foster (Baby Face Leroy).
Pontotoc (city, 1,003 black residents in 2000). Location (2003) of Good
Shepherd COGIC (Pastor, Robert D. Fleming Sr.).
Toccopola (town, 1 black resident in 2000). Birthplace of white blues-
man Frank Floyd (Harmonica Frank, or Shankie) (1908).
Prentiss County
The county had 379 black farmers as of 1920, including 332 black ten-
ant farmers.
Booneville (city, 1,595 black residents in 2000). Reported birthplace of
Ruby McCoy (1917); Willie George McCoy (1921); and Ethel McCoy
Wooten (1923) (all at East St. Louis by 1930).
Tippah County
The county had 380 black farmers as of 1920, including 295 black ten-
ant farmers.
Tiplersville. Location (2003) of Greater Mount Olive COGIC (Pastor,
Rayfield Cameron).
Walnut (town, 109 black residents in 2000). Birthplace of Travis Haddix.
Tishomingo County
The county had 119 black farmers as of 1920, including 50 black tenant
farmers.
Tishomingo. Compare Peg Leg Howell's song "Tishamingo [sic] Blues."
Union County
The county had 645 black farmers as of 1920, including 539 black ten-
ant farmers.
New Albany (city, 2,509 black residents in 2000). Residence of Tarry
Williams (1950s); and Reverend Leon Pinson (1990s). Location (2003) of
Golden Gate COGIC (Pastor, Robert L. Hamilton Sr.).
Webster County
The county had 398 black farmers as of 1920, including 303 black ten-
ant farmers.
Cumberland. Possible birthplace of John Hollins (1891?).
Eupora (city, 884 black residents in 2000). Residence of Therley Ashford
(born 1910); and Velma Ashford.
Maben (town). See Oktibbeha County.
Winston County
The county had 970 black farmers as of 1920, including 617 black ten-
ant farmers.
Louisville (city, 3,675 black residents in 2000). Birthplace of Tommy "T.
C." Carter.
Yalobusha County
The county had 1,317 black farmers as of 1920, including 1,069 tenant
farmers. Residence o
1908).
Oakland (town, 445 black residents in 2000). Location (2003) of
Robinson Chapel AME Church; and The Word of Life Community (Full
Gospel) Baptist Church (Senior Pastor, Samuel Jones).
Torrance. Birthplace of Morris Holt ("Magic Slim") (1937).
Water Valley (town, 1,498 black residents in 2000). Location (2003) of
New Jerusalem COGIC (Pastor, Loyd Walton Jr.).
New York
New York is a state with much blues and gospel recording activity but
relatively fewer performers than, say, Illinois, Pennsylvania, or Texas. It
is more renowned for jazz than for blues and gospel.
New York abolished slavery in 1827, although a few slaves were count-
ed in the state as late as the 1840 Census. Nevertheless, the state has a
long history of substantial black settlement. In 1850, the free colored pop-
ulation (being the whole black population, because the state had no
slaves by 1850) was 49,069, of whom 37,575 (77%) had been born in the
state, 10,366 (21%) in other states, and 705 (1%) in foreign countries; 423
(1%) gave no place of origin. In 1910, there were 116,516 blacks (87.5%) in
the state's urban areas, and only 16,705 (12.5%) in its rural areas.
Of the 166,512 black residents of the state in 1920 who gave their state
of origin, 62,369 (37%) had been born in New York, 31,425 (18%) in
Virginia, 13,326 (8%) in North Carolina, 13,102 (8%) in South Carolina,
and 8,850 (5%) in Georgia. Those from other states contributing more
than 1 percent included 4,272 (2%) from Maryland, 3,657 (2%) from
Florida, 3,537 (2%) from New Jersey, 3,511 (2%) from Pennsylvania, and
2,506 (1%) from the District of Columbia. Alabama, Tennessee,
Massachusetts, Kentucky, and Connecticut all contributed less than 1 per-
cent. Therefore, of the southern-born black residents, the greater numbers
were from states (Virginia and the Carolinas) having strong associations
with tobacco growing.
The following counties fell within the purview of the Appalachian
Regional Commission: Allegany, Broome, Cattaraugus, Chautauqua,
Chemung, Chenango, Cortland, Delaware, Otsego, Schoharie, Schuyler,
Steuben, Tioga, and Tompkins. In 1850, Appalachian counties had the fol-
lowing black populations: Allegany (128), Broome (431), Cattaraugus
(102), Chautauqua (140), Chemung (286), Chenango (264), Cortland (49),
Delaware (201), Otsego (175), Schoharie (478), Schuyler (did not yet
exist), Steuben (371), Tioga (197), and Tompkins (325). Only in Broome
and Schoharie counties did blacks exceed 1 percent of the total popula-
Broome County
Cattaraugus County
Chautauqua County
Fredonia (109 blacks in 2000). Location of Coyle's Pub (2003); and New
York, New York nightclub.
Chemung County
Elmira. Location (2001) of All Saints Home COGIC (Pastor, Dr. Cephus
McGhee Jr.); and Faith Temple Community COGIC (Pastor, Leo
Hughey).
Schoharie County
Steuben County
Tompkins County
North Carolina
North Carolina is often associated primarily with Blind Boy Fuller, but
despite his enormous popularity and influence, he was a relative late-
comer.
from Virginia, and 2,471 (0.3%) from Georgia, with no other state exceed-
ing 0.1 percent.
In the 1920 census, the state had 763,407 black residents, with Forsyth
(26,121) the only Appalachian county of note. By 1990, there were 66,102
black residents in Forsyth County.
Counties falling within the operations of the Appalachian Regional
Commission as of 2003 were Alexander, Alleghany, Ashe, Avery,
Buncombe, Burke, Caldwell, Cherokee, Clay, Davie, Forsyth, Graham,
Haywood, Henderson, Jackson, McDowell, Macon, Madison, Mitchell,
Polk, Rutherford, Stokes, Surry, Swain, Transylvania, Watauga, Wilkes,
Yadkin, and Yancey.
From somewhere in the state came, or reportedly (or possibly) came,
Margaret W. Allison; The Angelic Gospel Singers; the Rev. F. C. Barnes
(1980s); The Bell Tones; Ted Bogan (1929-to Chicago); Charles Boyer;
Irving "Skinny" Brown (1986); the Rev. Janice Brown (1980s); The
Carolina Blazers; The Carolina Carolers; The Carolina Cotton Pickers;
Carolina Slim (also as North Carolina Slim); Carolina Washboard Trio (a
Walter Taylor group); Alonzo Eubanks; Case Earl Gilmore (to Virginia);
Ella Mae Norris; Steele Smith; Tampa Kid; and "Tiny" (alto sax-to
Arkansas).
Alleghany County
Buncombe County
Burke County
Caldwell County
Collettsville. Birth
Elizabeth "Babe"
Morganton in 194
Phillips (also know
Gamewell. Reside
Phillips.
Johns River (township). Residence of Boone Reid (1930); Cora Reid; and
Etta Reid.
Lenoir (city, 2,470 black residents in 2000). Residence of Quincy A.
Phillips (age 20) and Theophalus Phillips (age 30) (also known as
Theopolis Phillips) (1930).
Forsyth County
Salem Chapel (south of, and adjacent to, Walnut Cove, Stokes County).
Residence of Preston Sylvester Fulp (1930).
Winston-Salem (city, 68,924 black residents in 2000). Birthplace of Curtis
Hairston. Place of death of Willa Mae Buckner (2000); Prophet (1992); and
Preston Fulp (1993). Residence of Big Del (1972); Horace "The Carolina
Kid" Bridges; The Gospel Swans; Guitar Gabriel; Otis King (gospel);
Clarence Matthews; Luther "Captain Luke" Mayer (from 1940); Jahue
Rorie; James "Guitar Slim" Stephens (deceased); The Vibrations; Sherman
Williamson and The Rhapsolians; Dennis Williams (moved by 2003 to
Oklahoma); and Mighty Wonders of Winston-Salem. Location (2001) of
Greater Faith Chapel COGIC (Pastor, Supt. John C. McClurkin Sr.).
Henderson County
Polk County
Stokes County
Surry County
Transylvania County
Watauga County
Yancey County
Ohio
Ohio has mainly been the scene of urban blues and gospel activity; it
has had a strong ragtime and jazz scene and relatively little blues and
gospel activity.
Cincinnati was the early nucleus of black life, even when most of the
population was rural. Hamilton County (around Cincinnati) had 3,600
free colored residents in 1850, followed by Ross County (Chillicothe) with
1,906, Franklin County (Columbus) with 1,607, and Gallia County
(Gallipolis) with 1,198. In 1850, there were 25,279 free colored residents in
the state, or just over 1 percent of the total population of 1,980,329. Only
in Gallia, Pike, and Ross counties did blacks comprise more than 5 per-
cent of the population. The counties of Belmont, Brown, Champaign,
Clinton, Fayette, Franklin, Greene, Hamilton, Highland, Jackson,
Jefferson, Lawrenc
2 percent or more b
Of the state's 185,2
been born in the s
Alabama (17,588 or
7%), Tennessee (12
Carolina (5,051 or
(3,246 or over 1%),
sources.
Jefferson County
Lawrence County
Ross County
Scioto County
Pennsylvania
Allegheny County
Braddock (borough
Calvary AME Churc
Clairton (city). Loc
Duquesne (city). Bir
Elizabeth (township
Fifth Ave.).
Homestead (boro
COGIC (Pastor, Bern
Tenth Ave.).
McKeesport (city).
St.; Pastor, Bishop
Rose St.); and Saint
North Braddock (
(609-611 Jones Ave.
Beaver County
Aliquippa (city). Lo
Kiehl St.; Pastor, M
Holy Temple COGIC;
Armstead); Open Doo
Church (1210 Sheffi
Emmanuel AME Zion
Beaver. Location (200
Beaver Falls (city).
Angeles-deceased)
Ninth Ave.; Pastor,
Leetsdale. Location (
New Brighton (bor
Church (1120 Sixth A
Rochester (boroug
Midland, Washington
Blair County
Centre County
Crawford County
Erie County
Fayette County
Huntingdon County
Indiana County
Homer City. Location (2001) of Victory Baptist Church (139 East Wiley
St.).
Indiana (borough). Location (2001) of Faith Temple COGIC (625 Knox
St.; Pastor, Stanford A. Webb Jr.).
Lackawanna County
Lawrence County
New Castle (city). Location (2001) of Bible Way COGIC (125 North
Crawford St.; Pastor, John Young III); Prayer Chapel COGIC (210 Pearson
St.); Bethel AME Church (312 Green St.); and Saint Luke AME Zion
Church (603 Harbor St.).
Luzerne County
Lycoming County
Mercer County
Mifflin County
Monroe County
Pike County
Snyder County
Venango County
Washington County
Westmoreland County
South Carolina
South Carolina has been a most important state for both blues an
gospel music. The first English settlement was in 1670 at Albemarle Poin
which by 1680 had transferred to nearby Charleston. In contrast to the
mainly English settlement of the low country, people of Scottish and Iris
descent were the major white settlers in the upcountry areas.
As of 1850, the state had 668,507 people, of whom 384,984 (57.56%
were slaves and 8,960 (1.34%) were free colored. Charleston's population
was 42,985 in 1850, of whom 19,532 were slaves and 3,441 free colored.
The next largest town was Columbia, with 6,060 people, of whom 2,680
were slaves and 196 free colored. Greenville had 1,305, just under half o
whom were black, and Spartanburg had 1,176, with a black majority.
As of 1920, black populations in upcountry and fall line countie
included 27,392 in Spartanburg County, 26,312 in Anderson County, and
23,461 in Greenville County. By 2000, there were 1,200,901 black (or part
ly black) residents in the state, including 70,906 in Greenville County, an
53,651 in Spartanburg County.
Counties falling within the ambit of the Appalachian Regiona
Commission as of 2003 were Anderson, Cherokee, Greenville, Oconee,
Pickens, and Spartanburg. Oconee County was formed from Picken
County in 1868. Cherokee County was formed in 1897 from parts o
Spartanburg, Union, and York counties.
From somewhere in the state came, or reportedly (or possibly) came,
the following: Wilson Baker (Dixie Hummingbirds); Banks Bentley Blake
and Vosburg; Brooks Berry; Black Billy Sunday (Calvin P. Dixon-New
Orleans?); Bright Moon Quartet; Brown Brothers Jubilee Quartet; Jimm
Bryant (Dixie Hummingbirds); The Carolina Blazers; The Carolin
Cotton Pickers; Carolina Washboard Trio (a Walter Taylor group); Mary
Dixon; Uncle Joe Dobson; Eagle Jubilee Four; Eugene Foster (Detro
Piano Fats-born 1928); William Francis; Lacey Gibson (born 1936
Gospel Light Jubilee Singers; Griff; Robert Higgins; the Rev. A. G. Holly
James Jamerson (Funk Brothers); Hezekiah Jenkins (born ca. 1889); Bobby
King (born 1943) (with Terry Evans); Shelly Magee and Blues DeVille
Frank Martin (born ca. 1854); Earl McDonald (to Louisville, Kentucky, at
age 2); Warren Milton (promoter-born 1926); Sam Montgomery; Moor
Spiritual Singers; Palmetto Jazz Quartette (recorded 1921); Seven Star
Quartette; Brad Lee Sexton (born 1947; died New Paltz, New York, 1995)
Silvertone Jubilee Quartette; Tommy "Dr. Jive" Smalls (?); Albert Smith
(age 84 in 1997); Sonny Boy and Lonnie; The South Carolina Quartett
(1928); Richard Sowell (Kentucky?); Spark Plug Smith; Sweet Betty
Sweet Georgia Brown (born ca. 1948-to New York); Blind Joe Taggar
Anderson County
Anderson (city, 8
Anderson (but see S
of Bethel AME Chu
Denver Communi
Church.
Pendleton (town, 981 black residents in 2000). Location of Mt. Sinai
Baptist Church.
Starr. Birthplace of Kip Anderson (1945).
Williamston (town, 670 black residents in 2000). Birthplace of Blue
Scotty (Milford Scott) (1937).
Cherokee County
Greenville County
(ca. 1926); Gary Davis (1920) (207 Oscar St.); Roosevelt Brooks (1930) (109
Cagle St.); Samuel Brooks (103A Glover St.); Willie Walker (121 Glover
St.); Al Freeman and The Upsetters (1965); Tex-Town Display (1970s);
Cornell Blakely; Sister O. M. Terrell; Annie Griggs (1997); and Cootie
Stark. Location of Mount Sinai Baptist Church; (2003) Allen Temple AME
Church (109 Green Ave.); (2003) New Harvest Ministries COGIC (Pastor,
Carl McCluney); and New Jerusalem COGIC (Pastor, Troy Jarvis).
Greenville's music publishers included Rencoll Music (1974). Greenville's
record labels included Pioneer (?).
Greer (city). Black population mainly in Spartanburg County.
Paris Mountain (township). location (1920) and possible birthplace of
Luther Magby.
Oconee County
Pickens County
Spartanburg County
Tennessee
Sampson" Gibson; Ro
Joe Lee; Charles Tyu
born in the state in
Sahib Shihab (born E
Blount County
Maryville (city, 68
McGhee (1930s).
Bradley County
Charleston (city, 14
(Benjamin Lattimore
Cleveland (city, 2,60
(of The Southernaire
Campbell County
Clay County
Cocke County
Jonestown (a histo
referred to in both
Jug Stompers' "J
Jonestown in Giles
County, Mississippi.
Coffee County
Franklin County
Hamblen County
Hamilton County
Hawkins County
Rogersville (town,
Community Chapel
Jefferson County
Sourwood Mountain
referred to in Jo
Mountain" (Banne
County, Virginia; co
Knox County
McMinn County
Morgan County
Overton County
Rhea County
Sullivan County
Warren County
Washington County
White County
Virginia
formers like Ralph Willis and Geeshie Wiley. These echoes may derive
from those performers having heard his records, but on the other hand,
they may demonstrate the widespread influence of Virginia music during
the nineteenth century.
By 1850, there were 894,800 whites, 54,333 free colored, and 472,528
slaves in the state (which still included what became West Virginia). Of
the 894,800 whites in the state in 1850, 813,891 (91%) had been born in the
state. Of the 54,333 free colored population, no fewer than 53,800 (99%)
had been born in the state. No figures for slaves were published.
The 1860 Census was the last taken during the slavery era. The extract-
ed statistics do not record the state of origin of the slaves, but the states
of origin of free colored Americans are shown. In 1860, of the 1,401,410
free persons counted who had been born in Virginia (which then still
included West Virginia), over 71 percent still resided in the State. Ohio
(5.4%), Missouri (3.9%), Kentucky (3.2%), Indiana (2.6%), and Tennessee
(2.6%), Illinois (2.4%), and Iowa (1.3%) had absorbed the largest numbers
of Virginia-born freemen.
It is significant that the larger numbers of free Virginia-born expatriates
were moving west to prospective tobacco-growing areas, and presum-
ably their slaves would also be in demand in those areas, having had
experience with tobacco growing. It should be expected that early
Virginian musical traditions would have had strong impact in Missouri,
Kentucky, and Tennessee but less impact in the states of the Deep South.
In 1870, the black population of Virginia was 512,841, of whom 72,248
were classified as mulatto. Despite the continued substantial emigration
of blacks from the state, its African-American population by 1910 was still
671,096, of whom 222,910 were self-classified as mulatto. As late as 1910,
the urban black population of the state was only 158,218, compared with
512,878 rural dwellers.
After emancipation and cessation of hostilities (1865), the pattern of
emigration changed markedly. Figures from the 1920 Census show that
about 70 percent of the 883,140 blacks who had been born in Virginia still
resided in the state. As of 1920, the largest numbers of Virginia-born emi-
grant blacks were resident in Pennsylvania (7%), New York (3.5%), West
Virginia (3.5%), the District of Columbia (3.5%), Maryland (3%), New
Jersey (2.5%), Ohio (2%), and North Carolina (1%). The number of emi-
grants counted roughly equaled the number of blacks who had left the
state in the previous four decades, indicating that the new emigration
pattern had been operating at least since about 1880; the change presum-
ably dates from soon after 1865. The changed pattern suggests that
Virginia-born black musicians would have had little direct influence over
Tazewell (town, 39
Bluefield (town, 247)
Dublin (town, 196).
Black 2000 populatio
(7,650), Amherst (6,3
Culpeper (6,220), Fa
Greene (983), Loud
(501), Patrick (1,203)
(924), Shenandoah (41
of independent ci
Charlottesville (10,
Lynchburg (19,962)
Waynesboro (1,945),
Based on the the Mance Index, racial conditions in 1850 in the
Appalachian region were apparently harshest, in descending order, in
Pulaski, Washington, Montgomery, Bath, Lee, and Floyd counties.
Applying the Mance Index to the excluded counties suggests that racial
conditions in 1850 in the counties of Albermarle, Bedford, Franklin,
Nelson, Fauquier, Madison, Clarke, Amherst, Culpeper, Greene, and
Patrick were worse even than in Pulaski County. It is in those counties
where the development of distinctively black Appalachian blues or
gospel music might have been expected to occur. However, those are also
the Appalachian counties most likely to lose black population by outmi-
gration.
Performers who reputedly or possibly came from (or were based in)
Virginia (without more specific information available) include John Acea
(U.S. Army service, 1940s); Ted Bogan (before 1987--died in Detroit);
Leonard Bowles (1978); James Cole; Yvonne Fair (died in Las Vegas,
1994); The Golden Gate Jubilee Quartet; Ruby Gowdy; The Harmonizing
Four; Jeanette Price Harris (to Chicago); Clayton Horsley; Ellis Johnson
(of The Harmonizing Four); Cora Perkins (born ca. 1887); Poor Jim
(Brealon?-ca. 1950s); Cam label (ca. 1950s); Herbert Richardson; William
Richardson; Julius Rose; Walter Taylor; Viola Gertrude Wells Underhill
(Miss Rhapsody, born Virginia, 1902); and Dan Womack. The Southern
Negro Quartet (Arthur Banks, George Berry, Joseph Bowe, Johnny
Johnson, and Lemuel Turner), active in 1921, may have been from
Virginia. The Virginia Female Jubilee Singers (Okeh, 1921) and the
Virginia Male Quartet (Okeh, 1929) presumably hailed from Virginia.
Compare the Virginia Four, possibly from Lynchburg. The Virginia State
Ensemble, Weis label, presumably hailed from Virginia. L. E. Tucker and
Roger Cox were apparently associated with Virginia. Herbert Halpert (of
New York) conducted field recordings in the state in 1939.
Amherst County
Augusta County
Bedford City
Bedford County
Bland County
Rocky Gap. Location (2001) of Tynes Chapel AME Zion Church (Pastor,
Rev. Andrew Montgomery).
Botetourt County
Bristol City
Charlottesville City
Culpeper County
Dickenson County
Clinchco. Residence
Fauquier County
Bealeton. Location
Broad Run 20137.
publisher for the l
Warrenton (town,
William Moore (195
death in 1951.
Floyd County
Floyd. Residence of Scott Perry and Rich Rittenhouse (2001); and The
Rhythm Kings.
Franklin County
Harrisonburg City
Loudoun County
Possible location of The Hurricane Johnson Blues Band (2001).
Aldie. Birthplace of Al Grey.
Ashburn 20147. Residence of Wilson Pickett (2003).
Sterling. Location of Chris Polk Band and Show (2001).
Madison County
Montgomery County
Patrick County
Pulaski County
Rappahannock County
Birthplace of John
1960s).
Woodville. Residence of John Jackson (1960s onward).
Roanoke (City)
Place of death of Josh Thomas (1970s). Residence of Durrell Coleman
(1955 and 1960s); James Henry "Crip" Diggs; Don Pullen; Daniel
Womack; Marie Artis; Fat Daddy; Kingfish and The Bluecats. Location of
Tru-Bleu Productions. Location (2001) of Bethel AME Church; Mount
Zion AME Church (Pastor, the Rev. Gilbert Harper Sr.); Garden of Prayer
#6 COGIC (Pastor, Joseph Mayo); Garden of Prayer #7 COGIC; Holiness
Is the Way COGIC; and Holy COGIC.
Roanoke County
Russell County
Salem (City)
Scott County
Smyth County
Flat Top. Possible site mentioned by Sam Collins, 1930s, in his unre-
leased song "Flat Top Blues," which may instead refer to his guitar or to
Flat Top prison, Alabama.
Staunton (City)
Tazewell County
Warren County
Washington County
Waynesboro (City)
Wise County
Big Stone Gap. Birthplace of Carl Martin (1906); Roy Hall (1922; died
Nashville, 1984).
Wise. Location of G. W. Blevins (1939).
West Virginia
Berkeley County
Cabell County
Fayette County
Greenbrier County
in France. Location
served time.
Hardy County
Harrison County
Jefferson County
Kanawha County
Logan County
Marion County
Barrackville. Residence of United Four Quartet.
Fairmont. Birthplace of Johnnie Johnson (1924) (but see Clarksburg,
Harrison County-moved to St. Louis, Missouri). Recording location of
United Four Quartet of Barrackville, West Virginia (1940).
McDowell County
Mercer County
Mineral County
Piedmont. Birthplac
African America Hen
Mingo County
Monongalia County
Ohio County
Pocahontas County
Preston County
Putnam County
Hurricane. Location of Alta Music; and Thorn and Brown Publishers.
Raleigh County
Randolph County
Summers County
County of birth of Uncle Homer Walker (1898 or 1904) (to Glen Lyn,
Virginia).
Big Bend Tunnels. Reported site of John Henry's competition with the
steam hammer (1873)-later research suggests this took place in
Alabama.
Meadow Creek. Residence of Elva Johnson (male) (1972 onward).
Pipestem. Pipestem Festival (2000) featured The One-Eyed Cats; N
Reese.
Wood County
Wyoming County