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    III, Adagio Sostenuto, Tenor Sax Part, Dora Pejacevic

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    Franziska
    This document appears to be a musical score containing musical notation. It includes tempo markings, dynamics, and other musical expressions. The score contains multiple pages of musical notation spanning from measure 8 to measure 73, with changes in tempo, dynamics, and expression throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    III, Adagio Sostenuto, Tenor Sax Part, Dora Pejacevic

    Uploaded by

    Franziska
    41 views2 pages
    This document appears to be a musical score containing musical notation. It includes tempo markings, dynamics, and other musical expressions. The score contains multiple pages of musical notation spanning from measure 8 to measure 73, with changes in tempo, dynamics, and expression throughout.

    Original Title

    III, adagio sostenuto, tenor sax part, Dora Pejacevic

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    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    This document appears to be a musical score containing musical notation. It includes tempo markings, dynamics, and other musical expressions. The score contains multiple pages of musical notation spanning from measure 8 to measure 73, with changes in tempo, dynamics, and expression throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    41 views2 pages

    III, Adagio Sostenuto, Tenor Sax Part, Dora Pejacevic

    Uploaded by

    Franziska
    This document appears to be a musical score containing musical notation. It includes tempo markings, dynamics, and other musical expressions. The score contains multiple pages of musical notation spanning from measure 8 to measure 73, with changes in tempo, dynamics, and expression throughout.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    III


    Dora Pejacevic

           
                 
    Adagio sostenuto

     
      

                 
       
             
           
    8

      

    
          
                      

         

    13

      

                
    espressivo

                      

    16

               
        

    20

     dolce 

                    
          
    
        
    23

        

         
                             

    27

                    
    energico

                 
           
    31

     
    dolce

                    
                       
    Un poco meno mosso

       
    37

     
                     
       
    2

             
    42

      

       
                
         

    45

            
    molto cantabile

    
                        

    48

     

            
                 
          
    53

            
             
             
    57

    3 3 3 3 3

                              
                
    60 3 3 3

    3 3 3 3 3 3 3 3 3
    3 3 3

          
                 

     
    63 3

    3 3 3
    3
    molto cresc.  

                 
                   
     
    67 Tempo primo


    molto rit.


     
      

                                     
          
    73

    poco a poco morendo

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