Drama: The Origin and Elements of A Good Drama
Drama: The Origin and Elements of A Good Drama
Drama
At the end of the Chapter, the students should be able to:
He terms “Drama” is from a Greek word drao, meaning “to do” or “to act.” It is
T performed by actors and actresses on radio, television or stage before an audience. Often,
it combined with music and dances (Clark, 1965; Banham, 1998).
Drama is a play that is acted out. It is a reflection of the everyday lives of people. It shows
how people seriously or humorously experience some eventful period in their lives. It combines
the arts of the actor, author, director, designer, and others (Bain et al., 1973).
Drama is writing the scene that is intended to be performed by the artists for an audience. The
script are consists of dialogue, the words the actors say, and the stage directions on how and where
the actors move and speak. In a drama, the artist should start with characters that are full, rich,
interesting, and different enough from each other to come up with a good story.
Engaging characters are at the heart of all good drama. Characters should be realistic, even if
they are in an incredible situation. We should be able to empathize or engage with the main
characters, even if we don’t necessarily like them.
A good drama is something that is cool which we always wanted to watch. It is something
that appeals to our emotions, has proper character development, and leaves us wanting to come
back for the next episode to find out what’s going to happen next.
Drama is a favorite form of entertainment for many people. The following are its elements:
1. Audience. The audience is the body of theatre-goers that the writer always had in mind
when he/she wrote the play. The role of the audience is to witness the production and to
encourage the actors through their applause and appreciation.
2. Dialogue. The dialogue is a technique in which playwright used two or more characters
to be engaged in conversation with one another. It has two parts: Inner Dialogue (the
characters speak to themselves and reveal their personalities like a monologue) and the
Outer Dialogue (a simple conversation between two characters in a play).
3. Plot. It refers to the order of events or story that occurred in a play. What the characters
do, how they interact, the course of their lives as narrated by the story, and what happens
to them in the end, constitutes the plot.
5. Convention. It refers to the technique of actions established by the director to the actors to
create a desired dramatic effect.
6. Genres. It refers to the types of acts used in a drama in showing an emotional and relational
development of realistic characters.
Dramatic elements are the center of all drama. They can be used in isolation and are
manipulated by a performer for a spectacular result. The following are the other dramatic
elements:
Climax. It is the highest point of dramatic tension or conflict in a story or play. Without the
climax, a story will have lack of excitement or an overarching meaning.
Conflict. It is a vital element of drama and script writing. It is an essential ingredient for all
dramatic performances. It can be between two or more characters, or just one (inner conflict). It
can be verbal (physical) or non-verbal (psychological).
Contrast. The use of variation in a drama is a useful way to focus the audience's attention.
Without the careful use of contrast, a performance is dull and lacks tension. A prominent example
of contrast is a sad scene followed by a happy one.
Focus. It is used interchangeably with the terms concentration and engagement in assisting
the performer in the portrayal of believable personae. It also suggests memorization of word,
moves, gestures, and requires channeling (focusing) of all the performer’s energies into achieving
the given goals of a character.
Language. It is the written script that helps achieve any performance. The use of words in
performance can be verbal (vocal) or non-verbal (body language). It can also be sung or chanted
as a major means of communicating the story of the drama to the viewers.
Space. It refers to the practical use of available area utilized by the actors, such as crawling,
bending over, sitting, or lying down.
Symbol. It refers to the objects or sets and props used in theatre performances. They are
intended to arouse some concept or emotion in the mind of the audience.
Tension. This can sometimes be similar to the term conflict. The tension form when audience
anticipates specific outcomes in the plot of the story. The development of tension usually parallels
the advancement of the plot, leading to the climax.
Timing. It refers to the dramatic phases or synchronization of movements and gestures of the
various parts of production for theatrical effect.
Types of Drama
1. Ancient Drama- Drama existed in religious ceremonies for the worship of the different
gods.
2. Medieval Drama- It dealt with Bible stories and allegorical mysteries.
3. Renaissance Drama- During this period, the Greek and the Roman dramatist were imitated
in Italy, France, Germany, and England. Mask and costumes become popular also during
this time.
4. Modern Drama- it was during the last two decades of the 19th century and the first half of
20th century that witnessed a great variety of trends in a stage play. Romanic fantasy,
symbolism, expressionism, impressionism, comedy, and poetic drama reached new heights
during this period.
Drama is a form of self-expression that exists in every culture of the world. As a unique skill
in itself, it is a topic that is discussed by many colleges and universities. As a versatile, Drama can
be in other areas of the curriculum in the form of activities. Hence, by incorporating these activities
into the program, the students have of play-acting. He/she should have technical equipment in his
/her facial expression, bodily poise, gesture, voice, and by-act that enables him /her to perform the
character (Putatunta, 2012). Other benefits of drama are as follows:
Drama Forms
Drama forms are composed of specific structures that define, differentiate, and shape ways in
which it is explored. Often, its forms are the improvisation, movement, scene work, and speech.
a. Movement
1. Clowning- It is the act that draws skill-based exaggerated movements and gestures, to
create humor for the viewers.
2. Dance- It is the execution of a creative, free, and exploratory series of actions performed
with or without music.
3. Mask Work- It is the exploration of movement using a mask to bring the focus to the
physical expression of the body.
4. Mime- It is pantomime acting without words and is through facial expression, gesture, and
movement.
5. Stage Fighting- It is a choreographed movement designed to simulate fighting between
actors.
6. Tableau- It is a silent and motionless scene created by actors to draw focus to the central
theme of the drama.
b. Improvisation
d. Scene Works