Girls of Paper and Fire
Girls of Paper and Fire
Girls of Paper and Fire
COVER
TITLE PAGE
COPYRIGHT
DEDICATION
FOREWORD
MAP
CASTES
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
ELEVEN
TWELVE
THIRTEEN
FOURTEEN
FIFTEEN
SIXTEEN
SEVENTEEN
EIGHTEEN
NINETEEN
TWENTY
TWENTY-ONE
TWENTY-TWO
TWENTY-THREE
TWENTY-FOUR
TWENTY-FIVE
TWENTY-SIX
TWENTY-SEVEN
TWENTY-EIGHT
TWENTY-NINE
THIRTY
THIRTY-ONE
THIRTY-TWO
THIRTY-THREE
THIRTY-FOUR
THIRTY-FIVE
THIRTY-SIX
THIRTY-SEVEN
AUTHOR’S NOTE
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
JIMMY BOOKS
NEWSLETTERS
To Alex,
This book is about brave, brilliant girls,
and you are one of the bravest,
most brilliant there is. Thank you, always.
Please be aware that this book contains
scenes of violence and sexual assault.
FOREWORD
OUR SHOP IS BUSY THIS MORNING. Not even noon yet and it’s
already packed with customers, the room bright with chatter,
Tien’s brusque voice cutting through the thick summer air.
Sunlight streams in through the slatted windows, drowsy with
cicada song. Sandals slap on the floorboards. Beneath it all,
like the shop’s familiar heartbeat, comes the bubble of the
mixing barrels where we brew our herbal medicines. The six
tubs are lined along the back of the store, so big they reach my
shoulders. Five are full of pungent mixtures. The sixth is
empty, filled instead with me—admittedly also pungent after
an hour’s hard work scrubbing dried residue from the buckled
wood.
“Almost done, little nuisance?”
I’m working at a particularly stubborn stain when Tien’s
face appears over the edge of the barrel. Feline eyes rimmed
with black; graying hair flowing softly over pointed cat ears.
She regards me with her head cocked.
I swipe the back of my hand over my forehead. Little
nuisance. She’s been calling me that for as long as I can recall.
“I’m seventeen, Tien,” I point out. “Not little anymore.”
“Well,” she says with a click of her tongue. “Still a
nuisance.”
“I wonder where I get it from.”
A smirk rises up to challenge my own. “I’ll pretend you’re
talking about your father. Aiyah, where is that lazy man? He
was meant to refill our stock of monsoon berries an hour ago!”
She waves a hand. “Go fetch him. Mistress Zembi is waiting
for her consultation.”
“Only if you say please,” I retort, and her ears twitch.
“Demanding for a Paper caste, aren’t you?”
“You’re the Steel with a Paper boss.”
She sighs. “And I regret it every day.”
As she bustles off to deal with a customer, I smile despite
myself at the proud flick of her neat lynx ears. Tien has
worked for us for as long as I can remember, more family now
than shop hand despite our caste differences. Because of that,
sometimes it’s easy to forget that there are differences between
us. But while my father and I are Paper caste, Tien belongs to
the middle caste, Steel. Somewhere between my plain human
body and the animal-like strength of Moon castes, Steel castes
have elements of both, making them a strange meeting point
between human and demon, like a drawing only halfway
finished. As with most Steels, Tien has just touches of demon:
a tapered feline maw; the graying amber cat’s fur wrapped
around her neck and shoulders, like a shawl.
As she greets the customer, Tien’s hands automatically pat
down that messy ruff of fur where it pokes from the collar of
her samfoo shirt. But it just sticks straight back up.
My lips quirk. It must have been a prank by the gods to
give someone as fussy as her such unruly hair.
I climb over the side of the tub and catch a better look at
the woman Tien is talking to. Her long black hair is pulled
back, twining past a pair of elegant deer antlers as slender as
vine. Another Steel demon. My eyes travel over her elegant
kebaya glittering with silver embroidery. It’s clear that she
belongs to an affluent family. The jewels dangling from her
earlobes alone would keep our shop running for a year.
As I’m wondering why someone like her has come to our
shop—she must be from out of town; no one here has that kind
of money—her gaze glides past Tien and catches mine.
Her eyes grow wide. “So it’s true.”
I just make out her murmur over the noise of the shop. My
face flushes.
Of course. She heard the rumors.
I turn away, ducking through the bead-curtained doorway
to the back rooms of our old shop building. The deer-woman’s
elegance has made me extra aware of the state I’m in. Clumps
of dirt cling to my clothes—a pair of loose sand-colored
trousers and a wrap shirt knotted at the waist with a frayed
sash—and my ankles are soaked with the camphor liquid I was
using to clean the mixing barrel. Stray hairs stick to my cheeks
with sweat. Sweeping them back, I retie my ponytail, and my
mind slips for a moment, remembering.
Other fingers looping a red ribbon through my hair.
A smile like sunshine. Laughter even brighter.
Strange, how grief works. Seven years on and some days I
struggle to remember her face, while other times my mother
seems so real to me that I almost expect her to amble in
through the front door, smelling like peony petals in the rain, a
laugh on her lips and a kiss for Baba and me.
“She’s gone,” I tell myself roughly. “And she’s not coming
back.”
With a shake of my head, I continue down the corridor and
out onto the sunlit veranda. Our garden is narrow and long,
bordered by a mossy wall. An old fig tree dapples the grass
with shade. The summer warmth heightens the fragrances of
our herb plot, the tangled patchwork of plants running down
the center of the garden, familiar scents rising from it to tease
my nose: chrysanthemum, sage, ginger. Charms threaded
along wire to keep the birds away chime in the breeze.
A cheerful-sounding bark draws my attention. My father is
crouched in the grass a few feet away. Bao wriggles happily at
his toes as my father scratches the little dog’s belly and feeds
him scraps of dried mango, his favorite treat.
At my footsteps, my father quickly hides the fruit behind
his back. Bao lets out an indignant bark. Bouncing up, he
snatches the last piece of mango from my father’s fingers
before running to me, stubbed tail wagging victoriously.
I squat down, fingers finding the sensitive spot behind his
ear to tickle. “Hello, greedy,” I laugh.
“About what you just saw…” my father starts as he comes
over.
I shoot him a sideways look. “Don’t worry, Baba. I won’t
tell Tien.”
“Good,” he says. “Because then I’d have to tell her how
you overslept this morning and forgot to pick up that batch of
galangal Master Ohsa is keeping for us.”
Gods. I completely forgot.
I spring to my feet. “I’ll go and get it now,” I say, but my
father shakes his head.
“It’s not urgent, dear. Go tomorrow.”
“Well,” I reply with a knowing smile, “Mistress Zembi is
here for her consultation, and that is urgent. So unless you
want Tien to threaten to skin you alive…”
He shudders. “Don’t remind me. The things that woman
can do with a fish-gutting knife.”
Laughing, we head back into the house, our steps falling in
line. For a moment, it’s almost like before—when our family
was still whole, and our hearts. When it didn’t hurt to think of
my mother, to whisper her name in the middle of the night and
know she can’t answer. But despite his joking, Baba’s smile
doesn’t quite reach his eyes, and it reminds me that I’m not the
only one haunted by their memories.
I was born on the first day of the New Year, under the watchful
gaze of the full moon. My parents named me Lei, with a soft
rising tone. They told me they chose it because the word
makes your mouth form a smile, and they wanted to smile
every time they thought of me. Even when I’d accidentally
knocked over a tray of herbs or let Bao in to paw muddy
footprints across the floor, the corners of their mouths couldn’t
help but tuck up, no matter how loudly they shouted.
But these past seven years, even my name hasn’t been able
to make my father smile often enough.
I look a lot like her, my mother. I catch Baba startling some
mornings when I come down, my raven hair long and loose,
my short frame silhouetted in the doorway. Though neither of
my parents knew where I inherited my eyes.
How did they react when they first saw them? What did
they say when baby-me opened her eyes to reveal luminous,
liquid gold?
For most, my eye color is a sign of luck—a gift from the
Heavenly Kingdom. Customers request for me to make their
herbal mixtures, hoping my involvement will make them more
potent. Even demons visit our shop occasionally, like the deer-
woman today, lured by the rumor of the human girl with
golden eyes.
Tien always laughs about that. “They don’t believe you’re
pure Paper,” she tells me conspiratorially. “They say you must
be part demon to have eyes the color of the new year’s moon.”
What I don’t tell her is that sometimes I wish I were part
demon.
On my rare days off, I head into the valleys surrounding
our village to watch the bird-form clan that lives in the
mountains to the north. Though they’re too far to be anything
more than silhouetted shapes, dark cutouts of wings spread in
motion, in my mind’s eye I make out every detail. I paint their
feathers in silvers and pearls, sketch the light of the sun on
their wing tips. The demons soar through the sky over the
valley, riding the wind in effortless movements as graceful as
dance, and they look so free it aches some part deep in me.
Even though it isn’t fair, I can’t help but wonder whether, if
Mama had been born with wings, she’d have escaped from
wherever she was taken to and flown back to us by now.
Sometimes I watch the sky, just waiting, and hoping.
Over the next few hours, the bubble of the mixing pots and
Bao’s little barks play a familiar soundtrack while we work.
As usual, my father takes consultations with new clients and
meets with farmers and rare-plant traders from out of town,
Tien deals with the general running of the store, and all the
odd jobs nobody wants to do are handed to me. Tien
frequently bustles over to chide me on the roughness of my
chopped herbs and could I be any slower when picking up a
customer’s package from the storeroom? Or do I need
reminding that she’s a distant descendant of the legendary Xia
warriors, so if I don’t work any harder she’ll be forced to
practice her deadly martial arts skills on me?
“Still sounds a lot more fun than this,” I grumble as I
swelter in the storeroom sorting out deliveries—though I wait
until she’s out of earshot before saying it.
My last task of the day is refilling the herb boxes lining the
walls of the store that contain ingredients for our medicines.
Hundreds of them are stacked from floor to ceiling. Behind the
countertop that rings the room, a ladder on metal rollers runs
along the walls to access the boxes. I slide the ladder to the
back wall and climb halfway up, arms aching from the day’s
work. I’m just reaching for a box marked GINSENG ROOTS, my
thoughts drifting to what Tien will be cooking for dinner,
when a noise sounds in the distance.
A low, carrying horn blow.
At once, everything falls quiet. Conversations, the slap of
sandals, even the simmer of the mixing barrels seems to drop.
All thoughts of food are whipped away as I freeze where I am,
arm still outstretched. Only my mind moves, lurching back,
returning to that day.
To fire.
To claws, and screaming, and the feel of my mother’s
fingers being torn from mine.
For a few moments, nothing happens. It’s just long enough
to hesitate. For a flutter of doubt to lift a hopeful wing. Then
the horn sounds again, closer this time—and with it comes the
pound of hooves.
Horses, moving fast. They draw nearer, their heavy hoof-
fall growing louder and louder, until the noise of it is almost
deafening, and all of a sudden hulking shadows in the street
block the windows at the front of the shop, casting the room
into darkness.
Distorted shadows, like the nightmare version of what a
human should be.
Stillness, and the dark pulse of terror. A baby wails in a
house nearby. From further away comes a dog bark—Bao. A
shiver runs down my back. He went off a while ago, probably
to the food stalls to beg for treats or play with the children who
ruffle his hair and giggle when he licks their faces.
“Lei.”
My father has moved to the bottom of the ladder. His voice
is low, a rough whisper. He holds out his hand. Despite the
hard set of his jaw, his face has drained.
I step down from the ladder and weave my fingers through
his, the quick trip of his pulse at his wrist a mirror to mine.
Because the last time we heard the call of this horn was the
night my mother was taken. And if that’s what the Demon
King’s men stole from us then, what might they possibly take
from us this time?
TWO
PAPER HOUSE IS ALREADY BUSY WHEN I wake the next day, the
sunlit air bright with the sound of maids hurrying in the
hallways, orders being called from room to room. Excitement
carries through the air, an electric hum. It takes me back to
festivals in our village, when every street would be draped
with crimson banners during the fifteen days of the New Year,
or lit with sparklers and firecrackers for spirit-warding
ceremonies in the winter. Tonight, cities across the kingdom
will be celebrating in our honor as we participate in the
Unveiling Ceremony, where the Paper Girls are officially
presented to the court.
I can still hardly believe that this year that includes me.
Lill is so excited about the ceremony she barely pauses for
breath from the minute she comes to take me for my morning
bath. “I haven’t been able to visit my parents and tell them
about becoming your maid yet,” she chatters as I soak, her
fluted deer ears quivering. “They’re not going to believe it!
Mistress, you might even see them during the procession! I
wish I could be with you. The look on their faces if they
knew…”
I float my hands out, scooping the bubbles on the surface
of the water. “When was the last time you saw them?”
“Oh. It’s been quite long. Almost half a year.”
I splash round. “Half a year? But they live here, right? In
the palace?”
Lill nods. “I lived with them in Mortal Court before I
moved here. And they work in City Court, which is just south
of here. I just don’t get many days off. Not that I’m
complaining,” she says hurriedly. “The ones I do, I spend with
them. I have a little brother and sister, too. I try to bring them
treats from the kitchens whenever I visit—” She cuts off,
blanching.
“Don’t worry. If anyone notices, tell them it was me. The
portions here are way too small.” Lill’s smile comes back,
grateful, even though this sweet girl shouldn’t have to worry
about stealing a few bits of food to bring to her siblings. “I
hope you can see them soon,” I add.
She bows her head. “Thank you, Mistress.”
I place my wet hand over hers where she’s holding the edge
of the tub. “You know, I had a Steel caste friend back in
Xienzo, too. She worked in my family’s herb shop.”
“Really?” Lill’s eyes widen. “We were told castes don’t
ever work for ones below them outside the palace.” She
blushes and goes on quickly, her head lowered, “Oh, I didn’t
mean that it’s wrong for me to be working for you. It’s a huge
privilege, Mistress. It’s just, Mistress Eira told us it’s an
exception that the Paper Girls have demons as servants. She
said the King himself requested it. Only Steels, though.” She
glances up at me from under thick lashes. “I—I’m sorry I’m
not Moon.”
I almost laugh, the notion that I would prefer a Moon caste
for a maid—or just anyone other than her.
“You’re perfect, Lill,” I tell her, and the beam of her grin is
so luminous it seems to wash the whole courtyard with gold.
Following tradition, each of us is dressed in silver for tonight’s
ceremony. Silver is a powerful color: a symbol of strength,
success, wealth. Yet because of its closeness to white, the
mourning color shared by all Ikharan cultures, it is sometimes
thought to bring bad luck. When Lill tells me about this
tradition, I understand the message it is sending to the
kingdom.
Support the King, and you will be rewarded.
Cross him, and you will suffer.
As it’s Lill’s first time being a Paper Girl’s maid, her
preparations are overseen by one of the other maids—Chiho, a
serious-looking Steel caste lizard-girl, human in appearance
apart from the coating of sleek pine-green scales along her
bony arms and neck. Chiho dashes between rooms, trying to
teach Lill while getting her own girl ready, until Lill suggests
we get ready together. I can’t remember which girl Chiho is a
maid to, so when she appears in the doorway with Wren
behind her, I stiffen.
Though still in her bathrobe and only half made up, Wren
looks striking. Her cheeks have been colored a deep plum
shade that brings out the dark sheen of her eyes and lips, and
her hair cascades over one shoulder in flowing waves. She
picks up the hem of her bathrobe as she steps inside. My eyes
are drawn to the movement, and I do a double take.
Wren’s feet are worn, their soles hard and calloused.
They’re more like my own feet. Workers’ feet. Not the delicate
kind you’d expect from the pampered daughter of the Hannos.
Catching me looking, she releases her robe and the hem
drops to the floor.
“Right,” Chiho says to Lill. “Let’s continue.”
Wren avoids my gaze as she kneels in front of me. I fight
the childish urge to shout at her, to make her look at me. I
remember what Aoki told me about Wren being aware of
people hating her. Well, she isn’t exactly helping the matter, is
she?
It takes an hour for Chiho and Lill to finish with our faces.
Coated with polish, my eyelids and lips are sticky. The first
thing I do when they step back is lift a hand to rub my eyes,
causing Lill to have a mini panic attack and assess closely for
damage, even though I hadn’t touched them yet.
Chiho circles me, making one final inspection. “Good,” she
says eventually, and Lill beams.
My eyes cut to Wren, who still hasn’t said anything all this
time. As she gets up to leave, I lift my chin and blurt out
brusquely, “Well? How do I look?”
I want to take it back immediately—I sound petulant and
stupid, and I’m not even sure why I care about her opinion.
But Wren has already stopped. She glances over her shoulder,
dark eyes under heavily glossed lids finally meeting mine.
“Like you’re not ready,” she says bluntly, her face
expressionless, before following Chiho out of the room.
Her words sting. I look away, my cheeks glowing.
Lill leaves the room, returning a few minutes later with a
silk-wrapped package. “Your dress,” she announces, almost
reverently, as she hands it to me. “The royal tailors were given
the results of your assessments and told to create unique pieces
for each of you. It’s meant to be a statement to the court about
who you are. Something to give the King an idea about what
you’re like.” She beams. “Go on, Mistress! Open it!”
Rolling my eyes at her excitement, I pull aside the folds of
silk. There’s the wink of metallic silver. Carefully, I lift the
dress out and lay it on the floor.
It’s the most exquisite dress I have ever seen. Not that
that’s hard—I haven’t seen many. But even including the
outfits the other girls wore on the first night at the palace, this
one outshines them all. Cut long and slender, sleeveless, with a
high collar, silver threads woven through flicker like running
water when they catch the light. The delicate silk fabric is
almost sheer. A scattering of moonstones, and diamonds wind
along the hips and chest.
I stare down at myself, my belly doing a low flop. Just a
handful of these jewels would be enough to support my family
for life.
Lill lets out a squeal so high-pitched it almost shatters my
eardrums. “Oh, it’s so beautiful! Try it on, Mistress!”
Many awkward wiggling movements later, the cheongsam
—as I know now this modern style of dress is called—is on. It
fits perfectly, clinging to my frame like a second skin. Despite
the jewels, the material is light, mere brushings of gossamer
across my skin. Magic thrums in the fabric. Whatever
enchantment has been placed on the dress also makes it glow.
Every movement I make sends out scatters of silvery light, as
pale as moonbeams.
I raise a brow at Lill’s expression. “This is the first time
you’ve not had anything to say.”
She giggles. “Better enjoy it, Mistress! I don’t know how
long it’ll last.”
After a final once-over, we head through Paper House to its
main entrance, where the procession will start. Though the
dress fits perfectly, less perfect is my ability to move in it, and
it takes me a while to get used to wearing something this
formfitting. Not to mention, it feels so expensive I’m worried
about damaging it; every table corner glints threateningly. As
the muffled buzz of voices and music outside grows louder,
my heart thuds harder. Maids bow as I pass, some holding up
good-luck offerings of red flowers, others sprinkling salt in my
path, a custom I’ve never seen before. We would never waste
salt in my house like this.
When we’re almost at the entrance, I spot the familiar blaze
of auburn hair. “Aoki!” I call, and she turns, breaking into a
grin.
“Lei! Oh, you—you look…” Something shifts in her tone,
a twist of envy. One hand fingers the collar of her own dress as
her gaze travels slowly down mine.
“You look amazing!” I say quickly. “What a beautiful
ruqun.” I look it over appreciatively. The layered sheets of
material are shimmery and light, decorated with patterns of
leaves in thick brushstrokes. When I run my fingers over them,
the leaves seem to ripple, swirling as if in a wind. More magic.
She tucks her chin, lashes low. “They say they’re designed
to reflect our personalities. It sounds silly, but as soon as I put
it on, I felt like I was home. Like I have a part of the
countryside with me. But you…” She reaches for my dress,
then stops short. “You look like a queen.”
Her words send a shudder through me. That’s the last thing
I want to look like. I think of Baba and Tien. What would they
say if they saw me in this dress, my face and hair decorated
even more elaborately than our entire village during New Year
celebrations?
If I were a queen, then that would mean I would belong in
the palace. And I don’t.
As Aoki and I walk down the last few corridors together,
the sound of cheering grows so loud now it vibrates in my rib
cage. We step out onto the porch into sunlight and a clapping
crowd. The streets around Paper House are packed. My breath
hitches. I’ve never been in the midst of so many people—let
alone Steel and Moon castes, all crammed together—and even
though their applause and shouts are friendly, the sheer
number of them makes me uneasy.
Along one of the streets, the crowd is parting to let through
a train of ornate carriages carried by muscled oryx-form
demons in red and black robes. The King’s colors. Aoki
nudges me excitedly as they advance. Wind flutters the
ribbons draped over their open sides. Every step they take
makes the bells hanging from their horns sing.
They come to a stop in front of Paper House. Madam
Himura moves forward, shouting to be heard over the noise.
“Presenting Mistress Aoki-zhi of Shomu!”
A servant comes to take Aoki to her carriage. She gives me
a quick look—her jade-stone eyes gleaming, whether from
excitement or fear I can’t tell—and our fingers brush before
she’s led away.
Next, Madam Himura calls Blue, then Chenna. All too
soon it’s my turn.
I stumble forward, head low against the stare of the crowd.
With a bow, the oryx drop to their knees. A servant helps me
up into the lowered palanquin. The interior reminds me of the
carriage I traveled in with General Yu, with its plush,
perfumed cushions and elegant wood paneling. As I settle on
the bench, my breath grows tighter. That carriage stole me
away from my home—what kind of life am I about to be led
into with this journey? In this beautiful cheongsam, being
carried on the backs of demons, I feel like a dish being served
for the King’s dinner, and a shiver runs down my spine.
Just when will he choose to devour me?
TEN
I’M STILL BLURRY FROM SLEEP WHEN I’m woken the next
morning by the slide of doors. There’s the patter of bare feet in
the hall outside, then muffled voices, excitement barely
constrained by whispers. With a yawn, I untangle from my
sheets and pad out blearily into the corridor, arms folded
across my waist.
“What was he like?”
“Did he tell you any secrets about the court?”
“One of the maids told me his bedchamber is covered
completely in moonstones and opals—is it true?”
Chenna’s room is at the opposite end of the hall, and
though I can’t see her past the backs of Zhen, Zhin, Mariko,
and Aoki crowding in her doorway, I assume she’s somewhere
inside. Sure enough, her voice floats out a second later.
“I don’t want to talk about it.”
I roll my neck as I amble over, easing out the crick from
sleeping. Wren’s door is shut, and so is Blue’s, but as I step in
front of her room, there’s a movement behind the rice-paper
screen and I notice the very Blue-shaped shadow bunched at
the edge of the door. I push down the urge to call her out,
instead turning to where the other girls are clustered in the
doorway across the hall. Zhen and Zhin greet me as I join
them, but Aoki and Mariko don’t look away from Chenna.
“Just a few details,” Mariko presses, leaning in, the
shoulder of her robe slinking down her arm. She flips it back
up distractedly. “We’ll find out for ourselves soon enough.”
“Exactly.” Chenna’s face is tight, a slight flush of color
darkening the apples of her cheeks. But apart from that, she
looks just as she did the day before—unruffled. The picture of
composure. “So you don’t have long to wait.”
Mariko pouts at this, but the twins nod.
“We’re sorry,” Zhin says. “You don’t have to tell us
anything if you don’t want to.”
“But if you do need to talk,” Zhen adds, “we’re here.”
With a kind smile, the twins return to their rooms with their
arms linked, heads close. As Mariko huffs and moves away, I
slip in beside Aoki. She blinks, barely registering me.
“Oh! Hi, Lei.” Her eyes click back to Chenna. “Well,
thanks anyway…” she mumbles before heading off.
“Lei,” Chenna greets me unsmilingly. “I suppose you have
a hundred questions, too?”
“Actually, just one.” I drop my voice. “How do you feel? I
hope… I hope you’re all right.”
Chenna blinks at me. She smiles, though it’s stiff. “I’m just
fine. Thank you for asking.”
Her eyes glide past my shoulder as the door behind me
opens. I brace myself for the cutting remark that’s surely about
to come, but instead Blue’s voice floats out calmly and
politely.
“Good morning, Chenna. Nine.”
I lift a brow, glancing round to see Blue slink down the
corridor, her long azure hair swishing.
“Wow,” Chenna says once she’s gone. “She’s really
annoyed.”
I give her a wry smile. “She was so sure she was going to
be picked first.”
A frown puckers Chenna’s forehead. “You know, I thought
so, too, what with her father’s position in the court. But when I
asked the King why he chose me, he said it was because of
some dream he had the night before. He’d been in Jana, flying
over the southern deserts. He thought it was a sign from the
heavenly rulers that they wanted him to select me.”
“Maybe I can bribe a shaman to keep his dreams out of
Xienzo,” I murmur.
As she goes to shut the door, Chenna adds, eyes not quite
meeting mine, “Or all of Ikhara, for that matter.”
As the days sift past, my life dissolves into a blur of routine
and ritual. It surprises me how quickly I fall into the palace’s
rhythms, the shape of my world before coming here erased as
though by water on ink and replaced with a new life of lessons
and gossip, banquets and ceremonies, rules and rituals. I don’t
forget about wanting to find out what happened to my mother,
but I’m so busy I don’t get the chance. I also know that kind of
thing won’t go unnoticed, and General Yu’s threat is still fresh
in my mind.
You are going to try, and you are going to succeed! Or else
your family—what pitiful part that’s left of it—will be
punished. Make no mistake, keeda. Their blood will be here.
Do you understand me?
On your hands.
Any time I have the urge to give up or defy Madam
Himura’s orders, the General’s cool voice slinks back into my
ears, and I know the only option is to keep going.
At least, for now.
Each day as a Paper Girl begins with the morning gong.
The maids will have woken earlier to ready the braziers and
bathing barrels and light incense, their smoky-sweet scent
always in the air. Lill takes me to the bathing courtyard to
wash before dressing me in simple cotton robes, my hair swept
into a tight bun on the top of my head. Once we’re ready, we
have breakfast—usually rice balls, pickled vegetables and
salted fish, and delicate cuts of fresh fruit: peaches, papaya,
honey apple, winter melon—before heading to our first lesson
of the day.
After my embarrassing performance at the Unveiling
Ceremony, most of the teachers don’t seem to expect much of
me. One of them especially takes an instant dislike to me.
Mistress Tunga is a broad-hipped woman with wide-set eyes
who leads our lessons in movement, covering everything from
how to walk elegantly to the proper way to kneel in robes. She
often singles me out as an example of how not to do things.
She’ll have me pace the length of the room in front of the
other girls, a practice block held between my knees, while she
points out every mistake. “No, no, walk taller, Lei-zhi!
Remember what I said last week? Imagine a thread running
from the base of your feet to the top of your head. Now, lean
back just so and let your hips jut out the tiniest amount.… Not
like that! You look as though you’re about to keel over from
too much sake. After what happened at the Unveiling
Ceremony, that’s the last thing you want others to think of you.
All right, settle down, girls! Sniggering isn’t becoming.”
Just as bad are our dance classes. They’re taught by
Madam Chu, a dignified old swan-form demon, the pearly
feathers flowing over her slender body tinged with gray. She
flits around us, feathers rustling as she sets us into place. This
isn’t dancing the way I saw it done back home, all abandon
and laughter and loose limbs. This is a kind of clockwork,
technical thing. Every flute of a wrist, every curve and bend of
a limb is measured—or not, as it often applies to me.
After our morning classes we return to Paper House for
lunch, either with Mistress Eira or Madam Himura, to update
them on our progress. If the King desires the company of one
of the girls, this is usually when we’re notified, and that girl is
taken away for preparations. For the rest of us, it’s back for
more lessons until sunset. By then I’m desperate for sleep, but
our nights are just as busy. There are banquets with court
officials, trips to plays and dance recitals, ceremonies to
attend.
By the time we finally return to our rooms, it’s often past
midnight. Despite our tiredness, Aoki and I usually stay up for
a while, sipping tea and snacking on pineapple tarts Lill sneaks
us from the kitchens. In these stolen moments, all the stress of
our lessons, of being away from our families and having to
adjust to this new way of life, melts away, and I go to sleep
afterward with a smile on my lips and warmth in my chest that
feels a lot like happiness.
And yet.
As the days go by without my name appearing on the
bamboo chip, an uncomfortable notion starts to grow inside
me: that it never will. And while part of me, most of me, is
relieved, there is also shame, and the bright, cruel sear of
failure.
Even though Aoki still hasn’t been chosen, either, it’s me
Madam Himura scolds. Every day she reminds me what a
disappointment I am. “You’d better find a way to show him
those heavens-blessed eyes of yours soon, before I throw you
out like the waste of space you’ve so far proven to be.”
Once, I dream of the Unveiling Ceremony. But when I
stagger out of the enchanted pool, it’s General Yu who gazes
down at me from the King’s throne, a half smile twisting his
face.
“Look what you’ve done.” He holds up his arms. From his
hands, my father’s and Tien’s severed heads hang, blood
dripping to the floor. “Catch,” he calls, and throws them to me.
I wake up, a scream dying on my lips.
There’s nothing more I’d like to do than try to escape. To
go back home. But every time I consider it, the General’s
threat comes back to me, along with the sound of the guard’s
club coming down onto the servant woman’s head on the
bridge outside Royal Court. And I remember that if I fail, I
might not even have a home to return to.
After a month at the palace, I’ve barely improved in any of our
lessons. When my attempt at the fan dance Madam Chu is
teaching us ends with my fan flinging from my grip after I
shake it too vigorously and hitting her between the eyes—
which unfortunately she couldn’t see the funny side of—she
keeps me behind after class.
“But lunch—” I start hopelessly.
She flutters a winged arm. “Don’t you have a banquet
tonight? You can miss one little meal.” Then, raising her
voice, she calls, “You too, Wren-zhi.”
Wren pauses in the doorway, the other girls filing out past
her. “Madam Chu?” she asks, turning.
“Practice with Lei-zhi. Maybe she’ll pick something up
from you.” Then the swan-woman strides out the door, her
feathers ruffling.
“Well,” I say into the silence. “At least we’ve got a Blue-
free hour.”
Wren doesn’t laugh, but when she approaches me, her
expression is a little softer than usual. “So, what are you
having trouble with?”
“Um… all of it?”
She arches a brow. “Helpful.”
I sigh. “I don’t know. It’s just so… precise. I can’t control
my body the way you can.”
“That’s what it looks like when I dance?” she says, a
wrinkle creasing the tip of her nose. “Controlled?” I’m
surprised—there’s hurt in her voice.
“No!” I say quickly. “That’s the point. You’re in control,
but it’s like you’re not. Natural, that’s what I mean. It seems so
natural to you.”
It’s true. I’ve watched Wren in our classes, and though she
excels in all our lessons, dancing is where she comes alive.
There’s an effortlessness about the way she moves that
reminds me of the bird-form demons I used to watch flying
over the mountains beyond our village. She is graceful. Free.
When she dances, she loses her usual haughty, absent look,
something gentle taking over her features—and sending a
warm new sensation through me that I can’t quite place.
Wren collects a fan from the cabinet at the side of the room
and flicks it open. “All right. Let’s start with something
simple.” Her posture loosens, a slight bend in the knees, a tilt
to her hips. Closing her eyes, she holds both arms to one side.
She pauses here, and her stillness is as purposeful as
movement. A shaft of muffled light filters in through the rice-
paper walls of the rehearsal room, casting her outline in an
amber glow, and my eyes trace the high arches of her
cheekbones, limned in gold. As graceful as all the times I’ve
watched her before, she draws the fan across her chest,
rippling it like a wave.
Then she opens her eyes. “Your turn.”
“That’s simple?” I grumble as she hands the fan to me, our
fingers brushing.
“Just try it.” But I’ve barely gotten into position when
Wren stops me. “Not like that. You’re too forceful with your
movements. You have to move more lightly. See?” Her eyes
travel over my body. “Even the way you’re standing is
wrong.”
A ripple of irritation runs through me. “I didn’t realize
standing was on the list of Paper Girl requirements,” I retort.
“I thought the King was more interested in the lying-down
kind of activities.”
Her lips purse. “You don’t need to say it like that.”
“It’s true, though, isn’t it? What’s the point of all this, all
these stupid lessons? There’s only one thing we’re really here
to do.”
And I haven’t even been wanted for that.
The thought squirms into my head before I can stop it.
“You have to think about the future,” Wren says, frowning
at me. “After this year, you’ll still have some role to play in
the court. What do you want to do? Who do you want to be?”
“Not a dancer, that’s for sure.”
That earns a half smile from her. “Come on. At least try.
You might be better at it than you know if you just focus. And
you’ll never get better if you don’t give yourself a chance.”
I open my mouth to argue but catch myself. Because she’s
right. I haven’t been giving it my all. Even though I’ve fallen
into the routine of palace life, my heart isn’t in it.
How can it be? It’s still back in Xienzo, with my father and
Tien, and a life I wish every day was still mine.
“Oh, fine,” I mutter, glowering. Tears are pricking my eyes
now, and the last thing I want is to cry in front of Wren.
Gritting my teeth, I give the movement she demonstrated a
few more tries while she hovers nearby, providing pointers. I
try to concentrate on the wave of my wrist, the tilt of my hips,
but I can’t seem to get it right, I grow more frustrated with
every minute. Without warning, Wren moves in close. Her
fingers curl round my arm to pull it into position, and the
intimacy of her touch, her nearness, flusters me, and I drop the
fan.
“Focus!” she snaps.
I clench my jaw. “I am.”
“No, you’re not.”
I shrug her away from me. “Well, maybe I don’t want to
perform well. Maybe I don’t want any of this.”
“And you think I do?” Underneath her usual stern tone
there’s something delicate, almost broken. Her chin lifts, rich
brown eyes regarding me. “None of us had a choice in this.
But we do it for our families, because otherwise the King will
—”
She stops abruptly. The end of her sentence hangs in the air
between us.
I recall General Yu’s threat. Maybe it wasn’t just me that
received one. Maybe the coins and riches showered on Paper
Girls’ families are less a reward and more a reminder that the
King has bought their daughters’ obedience. And if they break
it…
“All right,” I sigh, picking up the fan. “Let’s try again.”
Half an hour—and many dropped fan incidents—later,
Wren and I head back to Paper House. From outside Mistress
Eira’s suite comes the chatter of the girls, the muffled
footsteps of maids. Delicious food smells waft out, making my
stomach growl. But when Wren moves to head straight in, I
hold out a hand to stop her.
“Thank you,” I say. “For helping me. You were right. I
haven’t really been trying.” I puff out air, rubbing the back of
my neck. “I guess it felt like I’d be letting my family down or
something. Like I was happy to be here.”
Her eyes move away. “I don’t think any of us are truly
happy to be here.”
“Excuse me? Have you met Blue?”
“Right,” she replies with a lift of her brows. “Because she’s
so happy all the time.”
I blink, and Wren opens the door, something closing back
over her expression. Following her inside, I send a quick bow
in Mistress Eira’s direction before kneeling down beside Aoki.
“Thank the gods there’s food left,” I murmur, picking up my
chopsticks. “I’m starving.”
She doesn’t look up. Her face is frozen, eyes locked on
something small in her hands, and when I peer round to see
what it is, my own expression freezes.
Red calligraphy; a scarlet summons.
Aoki-zhi
Slowly, I set my chopsticks down. “Are you all right?” I
ask in a whisper.
She gives a jerk of her head that I take to be a nod.
Zhin’s voice pipes up from across the table. “You must be
excited, Aoki!” A sincere smile lifts her cheeks.
Still staring down at her hands, Aoki gives another stiff
nod. I notice that her fingers are trembling. Underneath the
table I press my thigh to hers.
There’s a harsh laugh. “Looks like our little Aoki is finally
about to become a woman,” Blue purrs. “And at only sixteen.”
She looks round the table, purposefully avoiding my eyes.
“That’s all of us now, isn’t it?”
“You’re forgetting Lei,” Mariko sniggers.
Blue’s dark irises flick my way. “Oh, yes. I forgot all about
her.”
My fingers knot, but before I can say anything, Mistress
Eira stands up. “I wasn’t called by the King for two whole
months after our ceremony,” she announces smoothly, giving
me a smile across the table.
That makes Blue’s and Mariko’s smirks drop.
“With some girls,” Mistress Eira continues, “he enjoys the
wait.” She steps over, holding out a hand. “Come, Aoki. I’ll
help you get ready.”
Aoki winces. With a jagged breath, she looks at me, a
white tinge to her lips where she sucks them in. “It’s what I
wanted,” she breathes as she gets to her feet, a whisper that
only the two of us hear, and I’m not entirely sure which one of
us she’s trying to convince.
That night as I stay up waiting for Aoki to get back, I write
home.
Dear Baba,
It’s been over a month since my first letter and I still
haven’t heard from you. I’m hoping this is because the
shop is so busy now and you’ve become such a celebrity
in Xienzo that you don’t have time for your daughter
anymore (remember her?). Or maybe Tien’s just been
working you too hard (more likely). Whatever it is,
please write soon. I miss you.
Palace life is highly overrated. There are hours of
preparation before you can even leave your room, and
there are rules for everything. Tien would love it. Also,
the food is awful.
All right, not really. But I’d still trade it all for one of
your pork dumplings any day.
All my love,
Lei
My brush hovers over the paper, wanting to add more. But
Mistress Eira made it clear that I wasn’t to give out any details
about the palace or my life here. Anyway, I wouldn’t want my
father and Tien to know how difficult I’m finding things. I set
the brush down, waiting until the ink dries before touching my
fingers to it. As I trace each character, I imagine Baba’s and
Tien’s hands doing the same in a few days. I bring the paper to
my lips for a kiss. Then I roll the letter up, fastening it with a
ribbon.
At this hour, the only light comes from the lantern in the
corner of my room. Pattering rainfall fills the midnight hush. I
sit back on my sleeping mat, pulling my legs to my chest. This
is the third letter I’ve written to home, and I still haven’t heard
anything back. I probably shouldn’t read too much into it—
there are so many explanations as to why they haven’t
responded yet. But I can’t help it. Maybe Madam Himura
found out about the letters and stopped them from being sent
as a punishment for my embarrassing her at the Unveiling
Ceremony. Guilt wrings my belly as I remember Wren’s
warning earlier today. Maybe, if I was performing better in my
classes…
The sound of movement in the hallway snaps off the
thought.
I get up, tucking my hair behind my ears, and move to the
door. A figure passes, footsteps light.
Aoki’s back.
Clutching the silk of my night robe tighter around me, I
glide the door open. The air is fresh from the rain, the
floorboards cool beneath my bare soles. “Aoki?” I call softly
after the retreating figure.
She doesn’t stop.
I hurry after her. She turns the corner, disappearing through
a door that leads to the gardens at the back of the house. I
hesitate. We’re not supposed to leave our rooms at night, let
alone go outside. And if Aoki wanted me to go with her,
wouldn’t she have left the door open?
Unsure now, I slide the door ajar. Rain-cooled air greets
me. Beyond the house are gardens, graduating from manicured
lawns and flowerbeds to a dense pine forest in the distance,
moonlight silvering the treetops. I spot Aoki’s retreating figure
just before she’s swallowed up by the dark line of the forest.
Only it isn’t Aoki.
It’s Wren.
Under the moonlight, her outline is unmistakable: long-
limbed and broad-shouldered, with that slinking, feline prowl.
I stare at the spot where she disappeared between the trees,
battling the urge to charge after her. Because while being
caught wandering the house at night might earn us a slap and a
lecture from Madam Himura, actually leaving the house to go
gods-know-where and with gods-know-who will certainly
have more serious consequences.
My lips press tight. And after her telling me to be careful.
I tiptoe back to my room. Sleep doesn’t come for a long
time. I keep picturing Wren moving through the forest,
winding her way easily through the pines, smiling as she spots
the person she’s snuck out even in the rain to meet. In my head
it’s a tall, shadowy man. He opens his arms and she wraps
herself around him, dissolving into his touch, and in the pit of
my belly, something dark stirs.
THIRTEEN
PREPARATIONS FOR THE NEW YEAR begin the day before the
Moon Ball.
As soon as we wake, we’re herded into carriages and taken
to a bathhouse in Royal Court. It’s an impressive four stories, a
large central room divided into various areas, the upper tiers
circled with balconies decorated with colored silks. I pick up
familiar scents in the clouds of steam—calendula, mulberry,
passionflower. Homesickness tugs so firmly on my soul that it
actually hurts. I could close my eyes and I’d be back there,
working in the shop with Baba and Tien, Bao barking and the
mixing pots bubbling away.
By some unwritten rule, Wren and I haven’t discussed what
will happen after we escape. It would be too much like
tempting fate, and from the way the gods have played with me
so far, that’s not a bet I’m willing to make. But alongside
being with Wren, the only thing I really want is to go back to
Xienzo and reunite with my family. Maybe we could even
make a life there with them. Our little unit has been shattered
so many times, but we’ve proven we have the strength to heal.
To make something new and beautiful from the sum of our
broken parts.
We’re led to an enormous tub in the middle of the
bathhouse. Water pours in from a waterfall-like feature, filling
the air with its rich bubbling. Three black-robed royal shamans
bless the water. Then, one by one, we step inside as they chant
a dao, settling a soft, golden magic on our skin. The ceremony
is to symbolize purification, helping us shed this year’s sins
before we enter the new one.
I stifle a grim laugh when it’s my turn. If only they knew
what Wren and I are planning. The only thing this bath is
helping me shed is the ache in my muscles from our midnight
training sessions.
Back at Paper House, we spend the next few hours having
meetings with the court’s most trusted fortune-tellers, qi
doctors, and diviners. The New Year marks the halfway point
in our year as Paper Girls. The results of these assessments
will shape our training next year as we prepare to move from
being the King’s concubines to our next roles in the palace. Or
in Wren’s case and mine, they would have, were we staying in
the palace.
I cross Wren in the corridor as our maids lead us between
rooms for the final assessment of the day. She gives me a
knowing smile that lights my heart up in an instant. As we
pass she turns her hand so it brushes against mine, almost like
a kiss.
By the time our assessments are over, night has fallen. The
grounds are cloaked in darkness, the stars hidden. As Lill
changes me for dinner, I gaze out the window, an uneasy
feeling rippling through me.
Tomorrow.
That’s it. Just one more day.
“Are you all right, Mistress?” Lill asks, fixing an ornament
in my hair with deft fingers.
I shrug. “Just nervous for tomorrow’s ball, I guess.”
“Well, don’t be. I heard the King has arranged a surprise
for you!”
Despite her grin, her words make me cold. It’s the worst
possible time for surprises. Whatever the King’s organized,
I’m sure I won’t like it. The only thing we have in common is
that we both defend what’s ours, and tomorrow night I’m
going to prove it to him.
When I arrive at Madam Himura’s suite twenty minutes
later, one of her maids leads me out into the courtyard. A
canopy of twinkling lights stretches overhead. At the center of
the garden, the pavilion has been hung with heavy velvet
curtains to keep out the cold. As I step inside, my eyes sweep
the group for Wren. She isn’t here yet. Instead, Aoki catches
my eyes. She looks a bit panicked, and she opens her lips to
mouth something at me, but before she’s able to, Madam
Himura waves me to a seat next to Blue.
“Now that we’re all here,” the eagle-woman says in her
usual croak, “I want to go over tomorrow’s proceedings. In the
morning—”
“Aren’t we waiting for Wren?” I interrupt.
The table falls quiet.
Madam Himura’s head swivels in my direction. “We,” she
responds sharply with a flash of her bright yellow eyes, “are
not waiting for anyone.”
I blink. “What do you mean?”
“Wren-zhi has had to leave the palace.”
My stomach gives a dull kick. The ground seems to take a
careening slope underneath me. A high-pitched ringing enters
my brain.
“Her mother has been killed,” Madam Himura continues.
“The King has ordered her to return to her family. It’s
uncertain when she’ll be returning.”
I gape at her. “What?”
Just then, Aoki jerks forward, knocking a glass of plum
wine to the floor. Half of it splashes onto Chenna, who jolts
back with a cry. A maid rushes over to clean the mess as
Madam Himura shrieks at Aoki and Zhen, who was next to
Chenna, who yanks the hem of her dress away from the
spreading amber puddle. Amid the chaos, I breathe raggedly.
My heart hammers painfully against my ribs. I know Aoki was
trying to stop me before I said something that would have
given me away or Madam Himura punished me for insolence,
but though the rest of the girls are focused on the fuss at the
table, next to me, Blue is still.
She watches me from the corner of her ink-black eyes.
There’s a knowing twist to her lips, and after a few moments
she leans in close, cheek grazing mine, and hisses, just for me
to hear, “So that’s your dirty little secret. Won’t the King be
shocked to learn what you’ve been up to all this time?”
I don’t know how I make it through dinner. Somehow I
manage it, though I almost throw up a few times, and not from
the raw fish we’re served as part of more tiring New Year
purification symbolism. As soon as Madam Himura permits us
to leave, I get up from the table without meeting any of the
girls’ questioning looks and stagger back to my room.
“What’s wrong?” Lill asks as I burst through the doorway,
shaking.
I don’t answer her. I lurch to the window and collapse
against it, gulping in breaths, but the air is clotted, like curdled
milk, and no matter how much I gasp I can’t seem to fill my
lungs. Lill tries her best to calm me. When nothing she says or
does works, she even brings me a cup of sweet, milky teh tarik
from the kitchens, but the sugar just spikes my nerves.
When she finally manages to get me to lie down, I’m
shivering all over. “Please try to rest, Mistress,” she pleads.
“There’s nothing to be nervous about. It’s just a ball.”
I close my eyes, feigning tiredness. But the minute she’s
gone, I shove back the blankets and get to my feet, pacing the
short length of my room.
One more day. That’s all that was left. One more day to
keep our secrets. One more day and we were out of here.
We were going to be free.
Now Wren is gone, and all the years of careful planning
and preparation have been ruined in just a handful of hours.
And Blue—Blue—knows about the two of us. She could tell
the King any moment now and that would be it. All my actions
with him would confirm it. He’d know. He’d know, and my
beautiful, ferocious-eyed assassin won’t be around to take him
down before he can punish us for it.
A thought comes to me, so painful I actually gag.
The next time I see Wren could be at our own execution.
I recall the last time I saw her. The brush of our hands in
the corridor, just a second of contact. How can that go down as
our last moment together? How can that be our last touch?
My room is too suffocating to stay in any longer. Without
Wren here, I go to the room of the only other person in the
palace I fully trust.
Aoki rubs her eyes as I shake her awake. “Lei?” she
mumbles, her voice thick with sleep. “What’s happening?
What’s wrong?”
“I can’t sleep,” I say.
Yawning, she sits up and opens her fur blanket. She drapes
it around my shoulders as I nestle in beside her. She smells
like sleep, like softness and safety, and I release a long exhale,
leaning against her in silence. It reminds me of when I used to
snuggle in with my parents when I had a nightmare. The
thought that just a few hours ago I was so hopeful that I’d
make it home lances me afresh, and I grind my teeth together
to stop the tears.
Aoki wraps her arms round her legs, propping her cheek on
her knees to look sideways at me. “I’m so sorry about Wren’s
mother. Do you know if they were close?”
It takes me a moment to untangle her question from Wren’s
original Xia family. She’s talking about the Hannos, of course.
“I’m not sure,” I admit. Wren has always spoken far more
about Ketai Hanno than his wife. “I don’t think so.”
“Still, it must be awful.” After a beat, she goes on carefully,
“The King is close with the Hannos. I’m sure he’ll do
everything to look after Wren and her family.”
“They’re Paper castes, Aoki.”
“And still one of his most trusted clans. You know, he even
gave them a special guard made up of his own soldiers?”
“Maybe one of those guards was the killer,” I snap before I
can stop it.
Aoki winces. “I know you’re upset, but what you’re saying
is—”
“Possible? Likely?”
“The King and the Hannos have always supported each
other, Lei. Why would they turn on each other now?”
Because maybe the King suspects what the Hannos are
planning. Maybe Wren’s mother was murdered by the King’s
men to send a message to them. Or maybe, if he believes Wren
to be involved, he had her mother killed as a way of getting
her out of the palace. A death in the family is one of the only
reasons a Paper Girl is allowed to take leave.
But I keep my thoughts to myself.
I walk out of Aoki’s room half an hour later, feeling even
worse than before. My mind is reeling, and I’m so distracted I
don’t notice the figure in my room until it’s too late.
A fur-covered hand clamps across my mouth.
“Not a word,” growls a low, husky voice.
THIRTY-THREE
MERRIN FLIES ON UNTIL WE ARE far from the palace. The night
is starless, snow clouds thick above. The air tastes like ice.
Below: a carpet of darkness. There are no settlements here, or
at least any that I can see. Wren tells me we’re to the northeast
of the palace, in the foothills of the mountains bordering Han
and Rain—the infamous Kono Pass, impassable even by flight
because of the turbulent currents and jagged peaks. We’ll stay
at a hideout tonight before leaving for the Hannos’ fort in
Ang-Khen tomorrow.
Or at least, that was the plan.
“We’ll send a message to my father as soon as we can,”
Wren says as Merrin begins to lose altitude. “Ask him what we
should do. I doubt our home is safe anymore, or any of our
holdings. The ones the court knows about, anyway.”
“Could you ask him about my father and Tien, too?”
“Of course. I’ll make it one of his priorities. I’m sure they
are safe, Lei.”
My stomach is hollow. “The court know Kenzo is working
with your father now. That he’s been plotting against the King.
He won’t be able to take over the council.”
Wren’s voice is hard. “Not if he killed Naja.”
I picture the fox female’s wild eyes, her relentless energy.
Somehow I can’t imagine her allowing herself to lose. At the
same time, I can’t imagine Kenzo losing, either. The warmth
of his fur as he carried me from the King’s chambers comes
back to me, the safe feel of his muscled arms and his smell,
deep and almost sweet, like wind-stirred grass.
He’d better win. Not just for us, but for what Naja did to
Zelle.
“She killed her.” The words choke in my mouth and I have
to clear my throat before I continue, “Naja. She killed Zelle.”
“I know,” Wren replies quietly. “I saw her body.”
“She was kind to me,” I murmur, my eyes blurring. “When
I was scared, that first time before going to the King. And
when I snuck into Mistress Azami’s room. And at the end. The
King was about to kill me. She saved me. But I couldn’t save
her.”
I push my face into Merrin’s feathered neck, tears sliding
down my frozen cheeks.
The screeches of animal calls rise as we approach the
forest. Merrin flies low. It’s difficult to make out much in the
blackness, but soon he shifts course, wings canted back to
catch the air, and after a few wide, slow circles he brings us
down through the treetops into a clearing, where we land with
surprising lightness. He lets out a caw. As if in answer, lights
spark into flame in the near distance. Through the matted
vegetation, they illuminate the hulking silhouette of an
abandoned temple, half of it seeming to be carved out of the
very mountain itself. There’s the glimmer of water from a lake
stretching out to one side.
Wren and I climb down from Merrin’s back. I stagger
sideways as my feet hit land. It still feels like I’m listing from
side to side, and every part of my body aches from clinging so
tightly to his feathers. More of me is hurting than not, but I
hold myself upright, forcing a grim smile when Wren tries to
help me.
“I’m all right,” I say. “Honestly.”
With a throaty purr, Merrin shakes himself, stretching his
arms wide. The feathers wrapping them flutter before half of
them fold back down, lying flat over his arms so his wings are
only half the size they were before.
“I take it back, lovelies. You’re definitely heavier than
mice. Palace food has spoiled you. I hope you brought some
with you?” he adds hopefully.
“Actually,” Wren says, “we should have. I’m not sure how
long we’ll have to hide out here.”
“I think you’re forgetting we’re an elite pack of warriors,”
Merrin replies. “Hunting won’t be a problem.”
“I’m not a warrior,” I say.
“Sweet girl,” he replies, head swiveling in my direction,
“you killed the King. You’re the most warrior of us all.” His
beaked mouth lifts in a grin. “Besides, are you sure you aren’t
part demon? I guess you haven’t had time to look in a mirror,
what with all the assassinating and mortal danger and whatnot,
but whatever those fools at the palace put on your eyes earlier
has smudged.” He flaps an arm. “You’re looking a little…
panda-form.”
Before I can thank him for his kind assessment, the sound
of footsteps makes us look round. Three figures emerge from
the shadows of the foliage. Their lanterns cast an amber glow
on their faces. One is a human boy, Paper caste, with a narrow
face, a worried slant to his soot-black eyes. The other two are
wiry Moon caste leopard demons—siblings even, judging
from their appearance, and not much older than Wren and me.
They approach in a feline prowl, tails flicking behind them.
Their spotted heads are similar, with short, black-lined snouts
and round ears beaded with piercings.
“Wren! Merrin!” shouts the female leopard, breaking into a
loping run. She squeezes Wren before looping her arms round
Merrin’s neck. “You’re late! We were so worried.”
“I hope your lateness isn’t a sign that things didn’t go
smoothly?” asks her brother.
Wren’s gaze meets his. “I’m afraid it is.” She pulls me
forward. “But our main goal has been achieved, and we have
Lei to thank for that.”
The leopard-boy looks at me, his eyes wide. “The King is
dead?”
I take a shaky inhale before replying, the answer still
unimaginable even to me, with his blood smeared all over my
skin.
“Yes.”
The first flakes of snow are beginning to fall as I step out
under the temple’s eaves. The moss-trimmed lake spreads
before me, dark and glossy in the starless night. I set the
lantern down and take a seat on the wide stone stairs, clutching
the fur cloak the leopard-girl, Willow, lent me. The temple
looks like it’s been abandoned for centuries. Weeds and
wildflowers grow in thick sprouts from cracks in the rock.
Birds have made their nests in the minarets and peaked
rooftop. A great banyan tree towers from one of the temple’s
walls, roots as large as the rooms it has grown through, its
vines dangling in netted curtains and littering the ground with
leaves the size of Merrin’s hands.
I pull my necklace over my head and sharply inhale at the
fresh pain it flares in my shoulders. The gold shell of my
pendant is still unbroken, perfectly seamless. Carefully, I cup
it in my palm, looking for a way in, when its casing cracks
neatly open in two. And, years after it was made, its secret is
finally offered to me.
For a moment, I stare in silence. Then a laugh escapes my
lips. Tears blur my vision. Because the word that floats inside,
a single character in brushstrokes of softest black, is so perfect
it’s a wonder I never guessed it.
Flight.
I look a moment longer. Then I snap the pendant shut and
run back into the temple, shouting Wren’s name over and over,
half laughing, half crying, heart bursting with the awe and sun-
bright surety of it. Because that is what Wren is to me—my
wings. And with her love, she’s taught me how to use my own.
To fight against what oppresses me. To lift and launch and soar
into the air, just as we did tonight, just as we will have to do
every day if we are to make the kingdom safe, just as we will
continue doing for the rest of our lives, flying, dancing
through the brilliant skies, reaching new heights together,
always together.
A war might be coming.
But we have the wings to fight it.
IN THE FLAME AND SHADOW OF the burning night garden, the
white fox crouches beside her King. The motionless form of
the wolf is sprawled on the bloody earth behind her.
She doesn’t care about him. She doesn’t care that the two
keeda girls have escaped. Let them run. Let them believe they
have won.
She knows better.
Careful to avoid his wounds, she touches her hand to the
King’s wrist—and feels it. A pulse. Faint, but unmistakable.
He lives.
The fox caresses her King’s face. “I knew a mere human
girl couldn’t kill you,” she whispers. Then she stands and calls
for one of the waiting soldiers to fetch a shaman.
AUTHOR’S NOTE
THIS BOOK AND I HAVE BEEN through a lot. If I do the math, it’s
something like three relationships, five homes (across two
countries), one change of agent, one change of career, eleven
rounds of editing, two disastrous haircuts, what must be fifty
million cups of tea, and countless emotional crises, quite a few
of which the book itself caused. But despite our difficult
journey together—or perhaps, because of it—Girls has
become a sort of friend to me. Seeing it now so beautifully
made up and having its own life out in the world independent
of me is a proud, proud moment.
I owe a hundred thank yous to everyone who helped get us
to this point:
To my yoga teacher, Matt Gluck, whose class I was in
when the first line of Girls came to me and led me into the
story. Also for inspiring me to set out on my own yoga
teaching career! My classes have become the perfect antidote
to lonely writing days.
To author friends who read early versions of Girls and gave
much-needed feedback and encouragement: Kendra Leighton,
Katy Moran, Emma Pass, Kerry Drewery, Sangu Mandanna,
and Lana Popovic. Your enthusiasm for Girls kept me going.
Thank you also to Brian Geffen for early notes that helped
shape the world of Ikhara into what it is now.
To the Mad Hatters—Sarwat Chadda, James Noble, Alex
Bell, Louie Stowell, Jane Hardstaff, Rohan Gavin, and Ali
Starr—for celebrating the highs and commiserating about the
lows with me, and providing the best kind of response to both:
cocktails and laughter. Our London nights are some of my
favorites. Sarwat, thank you especially for your early insight
and never-ending encouragement.
James, you are my rock. Thank you for always believing in
me and knowing how to pick me up. I’m endlessly grateful to
have you in my life.
To Taylor Haggerty, for being Girls’ tireless champion and
always being ready with insight and positivity whenever I’m
lacking in either. When I was querying this time around, a
friend told me to choose the agent I feel like I could write the
best books under, and so that’s what I did. I look forward to
many more books together. And to Holly Root, thank you for
playing matchmaker!
To my amazing Jimmy team—Jenny Bak, Sasha
Henriques, Sabrina Benun, Erinn McGrath, Julie Guacci,
Aubrey Poole, James Patterson—for taking a chance on Girls
and working so hard to make that chance count. Jenny, you’re
a dream to work with. Thank you for your patience,
understanding, impeccable editorial insight, endless bounds of
enthusiasm, and always knowing the right thing to do for our
book. You made Girls into what it is today. I feel like the
luckiest author in the world to call you my editor.
To so many of my amazing friends who have spent hours
listening to me talk about imaginary worlds—Alex, Peter,
Claudia, Tom North and Tom Latimer, Luke, Amber, Polly,
Rich Galbraith and Rich Lyus, and to many more I haven’t
named—I blame sequel brain. Thank you so much for your
support and inspiration throughout this process.
To my parents, for being the perfect blend of crazy and
caring. Dad: I have no doubt that I wouldn’t have become a
writer were it not for your bedtime stories and quiet,
unwavering support. Mum: you brought me up to be both
knowledgeable and proud of my Chinese-Malaysian heritage.
This book is a testimony to that.
To Callum, for championing me always, anywhere, and
through anything. You still know me better than anyone. You
also frustrate me more than anyone, but I love you even so.
To Fab, for giving me a new home and a life filled with so
much happiness I can hardly stop smiling. You’ve made
writing a lot more difficult because of that, but I forgive you.
It’s worth it a million times over.
Pour la vie.
Finally, to everyone who picks up a copy of Girls—it
means a lot to me that you’ve given your time to this little
book. It’s not perfect, but I did my best to write it with
sensitivity, passion, honesty, and care, and I hope you can feel
that through the words. Thank you for reading.
ABOUT THE AUTHOR