Steffen Schackinger City Lights Youtube Version

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The piece explores different chord progressions and guitar techniques over several pages of music.

The piece is structured as a solo guitar piece that explores different chord progressions and techniques across 10 pages of music.

The piece utilizes several chord progressions involving chords like Bmadd9, Em9, Gsus2 throughout the various pages.

City Lights

By Steffen Schackinger Transcribed from Youtube by


Steffen Schackinger

Edited by
Moderately q=100 Warwick Payne

      
Em11 * Bmadd9 Gsus2 A G
*

    
Electric guitar

         



      

      
mp let ring  let ring  Harm.  1/2
w/ fingers - (clean tone)
5



3 3 12 10
0 7 2 6 7 6 6
4 11 0
9 7
0 7 3 5 3
* chords reflect basic tonality * bar 3 -10 = chord progression #1

D/F# 

        
Em11 D/A A Bmadd9 Gmaj9 A G

        
5

 
      
    

     
mf mp let ring  let ring  let ring  let ring  1/2

10 0 2 2


10 9 10 3 3 2 5 7 3 2 0 5 3 10
10 11 2 2 2 2 6 7 6 6
10 11 5 4 2 4
9 11 12 0 7
0 7 3 5 3


        
                
D/F# Bmadd9 Em9 A13 Em9 Bm
   
*
9

        
 
     
mf mp let ring  mf mp mf
7 9 10 5 7 14 17 13 14 2 2 2 2


10 8 7 7 5 3 8 3 3 3 3
7 7 6 6 0 7 11 14 10 11 4 6 4 2 0
11 5 5 4
9 9 0 0 2
7 0 0
* bar 11 -18 = chord progression #2

  Bmadd9       Em9

      
      
        
loco

        
13 Em9 Bmadd9

     

  
 
7 14 17 19 21 22 2 10 7 14 17 13 14 2 2 2 2


8 3 14 12 8 3 3 3 3
7 11 14 16 18 19 4 11 11 12 7 11 14 10 11 4 6 6 4
14 12
2 13 14 2
0 0

Copyright © 2009 Steffen Schackinger


All Rights Reserved
       
2 C#m7b5 F#alt Bm9 C9#11 Bmadd9 Gmaj9(#11) Em9
           
            
17


   

let ring 
f mf
w/ pick (dist. tone)
full
 
full

9 5 7
w/ fingers - (clean tone)


7 8 10 7 7 6 7
8 9 10 11 10 9 7 10 9 7 7 7 4 7 7 6 7
11 5
9
7

       
20
       

               
*

  
   
    
    mp
let ring  let ring  Harm. 
mf mf
1/2

7 7 7 10


7 10 6 7 3 12 10 10
7 6 7 7 9 7 7 2 6 7 6 6 11
9 9 11 0 11 11 12
9 7 9 12
7 3 5 3 13 14
* bar 21 - 36 = chord progression #1 & #2

     
       
 
24

      

 

     
let ring  let ring  let ring  let ring  1/2

0 2 5 7 5 2 7 9 10


3 5 5 7 5 3 0 2 0 5 3 10
2 0 2 6 7 6 6 7
5 4 11
2 7 9 9
0 3 5 3 7

 (¨9)  
     

                        

28

     
   
   

mp mf
let ring
5 6 5 14 17 13 14 2 2 2 2 7 14 17 19 21 22


8 7 7 5 3 3 3 3 3 8
7 6 0 11 14 10 11 4 6 4 2 0 7 11 14 16 18 19
4
2
0 5 0 0

  
         
                      

     
loco

 
32



        

 f


w/ pick (dist. tone)
full

18 19 16 17 13 14 7 10 7 14 17 13 14 2 2 2 2


8 3 3 3 3 7 8 10
15 16 13 14 10 11 4 7 7 11 14 10 11 4 6 6 4 8 9 10 11 10 9 7
2
 
  
3
36
      
Bm A G
  E5 B5 A5 G5
  
E5 F#5 F#7add11

                

        

 
 
P.H.
full full


12
10 9 7 7 7 7 6 4 4 4 4 2 6 11 9
9 9 7 5 2 4 4 2 5 2 4 4 8
5 2 4
2

    
  
            
loco


Gmaj7#11

40 6
     
     

P.H.  P.M.   6

  
P.H. (tap & slide w. pick)

14 19 14 21 22 21 20 21


14
9 9 11 6 4 6 11 16 18
2 11 12

  
5 5 7 14 16 14 14 16 21
3 14 15 15


      Gmaj7#11
   
   
loco

F#7add11
     
43

               
   
T.H.   3 6


P.M.
*
7 12 9 7


7 11 11 12 10 12 7
6 6 9 9 7 6 7
4 4 (9) 4 9 8
7 4 9
2 2 6 6
* fret note and tap on 9th fret

  
        
Bm11
   
46 A

          


  
P.H.
full


7 7
9 10 9 7 7 9 7
9 11 4 9 9 7
2 9 8 7 5 7 5 7
7

       


             
49 E/G# E Bm11

    
 3
 3

 
P.M.


10 7 8 9 8 7 6 5 5 4 3
9 8 4 7 6
9 8 7 8 9 7 5 6 6 4 7 4
0

4
 
A6/7 E/G# E

52
 
6

       
    

   
 
  

P.M. 2
P.M. P.M.


5 3 2 0
2 1
7 9 2 4 5 6 2 3 4 4 4 2 0
2 5 2 4
2 5 0

  

Asus7

      


loco
Bm11

55


3
    

 

6 6 6 6

  


P.H.


7 12 7 10 7 7 10 12 14 12 14 15 14 12
12 14 14 12
7 9 12 12 14 12 11
2 12
7 10 12

 
E7/G# E7

    
loco

   
rake

        
57 6
   
6 (Bm)

     
  
 

6 6 6 6


6 6
P.H.
rake
16 12 14 12 12 7 14


15 15 12 15 12 10 12 10 15
14 11 11 9 7 9 11 11 9 7 9 7 16
12 9 7 9 7 7 9 9 9 7 16
9 9 9 7 14 17
10 7 0

Bmadd11   3
   
Asus7 E7/G#
   
  
                          
Em/G
 
59

loco

 
P.H. 
3 3 3 3
3

 17 19 
2
1/4 full 1 1/2

22 22 19 19


19 17 15 15 17 15 17 19 17 19 15 17 19 15
16 16
16 14 12 14 14 15 14 12 14

   


                       (Bm)
 
63

  
mf mp
w/ fingers
9 7   

7 10 7 10 8 7 7 10 7 8 7 8 6 7
6 7 7 7 7
9 10
       
5
   
68

      
p mf p mf p mf p mf p mf
*



7 19 17 15 14 12 12 11 12

* swells w/ volume control

       
Bmadd9 Gsus2 A Gadd#11 Bmadd9 Gsus2

74

           
       
     
        
 let ring   let ring  let ring 
p mp
let ring
w/ fingers - (clean tone) let ring let ring
0


3 0 3 0 2 0
6 0 7 2 6 7 2
7 0 11 0 11 0
9 9 7 9
7 3 5 3 3 7 3 0

  
Emadd9 Bmadd9 Gsus2 A Gmaj9 Bmadd9 F#/A# Em/G

              
78

         
  
       
let ring  let ring  let ring  let ring  let ring  let ring  let ring


3 7 7 3 5
0 7 2 6 4 7 6 4
4 4 11 0 11
9 7 9
7 3 5 3 3 7 6 3

 

           
                     
82 F#(7) Em9 Bmadd9 Em9
 
   

    
    
let ring 
mf

0 2 0 7 14 17 13 14 2 2 2 2 7 14 17 1921 22


5 3 2 3 8 3 3 3 3 8
4 3 7 11 14 10 11 4 6 4 2 0 7 11 14 1618 19
2
3 2 0 0


           
               
Bmadd9 Em9 Bmadd9 C#m7b5 F#alt Bm9
86
      
   

loco

  
 
 

full

2 10 7 14 17 13 14 2 2 2 2


3 14 12 8 3 3 3 3 7 8 10
4 11 11 12 7 11 14 10 11 4 6 6 4 8 9 10 11 10 9 7
14 12


2 13 14 2
0
         
C7#11 Em9 Bmadd9
 
                 
6

90

       

 f mf
1/4 full

5 10 7 14 13 12 10 13 14 9 12 17


12 5 7 7 10 12 12 10
7 9 7 12 10 11 11
9 7 11 12
9
0 10


Em9
     Bmadd9
 
Em9


 
   
 
93                    
  
loco

       3

*

14 7 14 17 19 21 22 14 12 10 9 5 7 5 7 14 17 13 14


8 10 10 7 5 8 8
7 11 14 16 18 19 7 11 14 10 11
12 11 9 7
0
* fret bracketed notes lightly for muting effect

         


Bmadd9 C#m7b5 F#alt Bm9 C7#11 Em9
                  
96

 
 
  
f


w/ pick (dist. tone)
full full full 1/4

2 2 2 2


3 3 3 3 7 8 10 7
4 6 6 4 8 9 10 11 10 9 7 10 9 7 9 9 9 7
2 X X

   Em9  


      
Bmadd9 Em9 Bmadd9
     
100

           
     
 *


T.H.
*
full 1/4 full 1/4 1 1/2
T T
0


9 (21) 7 (19) 9 9 7 9 9 7 9 11
7 9 9 (21) 7 (19) 7 9
5 7 7 5
* fret notes and tap 21st and 19th fret

Bmadd9 C#m7b5

Bm9 F#alt

     
       
104

   
     
6 
 
P.H.
* hold bend 1/4

7 9


7 11
9 7 9 9 7 4 9 7 6 7
5 8
4 7 9 10
    
        
7
       
Em9 C7#11
        
loco
106

  
loco

  
6 3
3 P.H.  6

7 12 14 12
 full
 7


10 7 11 13 15 12 10 10
9 7 6 11 14 13 12 11
12
9 13

Bmadd9
 Em9
    Bmadd9

            
          
108

 
rake 
3
1/4 full
full full

7 10 7 12 10 12 10


7 7 7 10 7 12 12 10
9 9 9 9 7 9 11
12 9

              
Em9 Bmadd9

 
111
 
         
  
6 6 6 6
6
6

17 14 16 15 14 14 14 19 14 14 17 14 16 15 14 14


17 15 15 17 15
16 14 16 16 14 16 14
16 17 17 16 14 15 16 16 16 15
17 14 17
19 15 14



        
C#m7b5 F#alt Bm9 C7#11
        
 
     
6

loco
113

      
  

6 3 6 6 3


P.H.

10 14 10 13 12 10


14 17 14 11 15 14 10 12 11
15 11 11
14 17 17 14 11 14 14 16 9 12 10
13 16 9
7 10


Em9
  Bmadd9
          Em9
    
          
115
  
 
3


1/4 1/4 full full
1 1/2

10 12 10 12 12


12 12 12 10 12 12 10
11 11 9 7 9 7 9 10 9 7 11
9 9
    

    
Bmadd9 Bmadd9 Em9

           
8
 
loco loco

    
118 3

 
   
     
P.H. P.H. 3 3
P.H. 

14 10 5 10 7 14 10



7 10 7 8 7 10 14
7 9 7 12 7 11
7 7 4 5 7 9 7 9 9 12
7 5 5 7 9
7

C#m7b5 F#alt Bm9 C7#11 Em9

                      3  


   (  )
121
    
loco


*

full full full full full full full full full full full

12 14 14 14


14 15 15 17 17 17 17 17 17 17 17
16 17 (17) (17) (17) (17) (17)

* w/ left hand, 3rd finger, bend 2nd and 3rd string


simultaneously to create dissonance


  3    Em9  
              
Bmadd9 Bmadd9

 

    
loco


124

   
 6 6 6 6



P.H.
full 1/4 1/4 full

7 7 10 7 7 7 10 14 10 7


17 18 17 17 15 15 10 10 7 7 10 10 10 7 7 10 10 7
16 16 10 10 9

   
Em9 Bmadd9

     
127

          

   
 

P.M. P.M.


1/4 1/2


7 9 7 9 9 9 7 7
9 9 9 9 9
9


C#m7b5 F#alt Bm9

 
129

                                


7 8 9 10 12 11 10 9 11 12 13 14 15 14 13 12
7 8 9 10 12 11 10 9 11 12 13 14 15 14 13 12
 
 

     
C7#11
  
9
                    
130

loco

     

19 18 17 16 20 19 18 17 21 20 19 18
*

22

22


14 15 16 17 19 18 17 16 19 18 17 16
14 15 16 17 19 18 17 16

* cont. repeating chords from bar 123-130

    

     
       
                 
loco
132

   
       

    

2 2 2 2 7 14 17 19 21 22 2 10 7 14 17 13 14 2 2 2 2


3 3 3 3 8 3 14 12 8 3 3 3 3
4 6 4 2 0 7 11 14 16 18 19 4 11 12 7 11 14 10 11 4 6 6 4
14 12
2 2 14 2
0 0

  
137
         
            
3
         

9 8 7


7 10 10 9 7
6 5 6 7 9 7 6
9 7 8 8 9 9 7
9 9 7 5 7 8 7 5 7

                 


           
139

  
3


full

5 10 7 8 9
full
 full


8 9 8 7 12 12 8 9 8 7 7
11 9 7
9
9 10 10


         
         
       

loco
142 
     


 
P.H.
full

10 14 12 14 17 15 14


12 14 12 15 12 15 15 17 15
11 12 11 14 14 14
                    
                   
10
 
144

12 13 14 14 12 10 12 10 11 10 12 10 11 9


17 12 12 10 12 12 10
11 11 9 7 9 7 9 11
9

              


      
146

 
      
             

 

9
11 10 9 7 7 9 10 9 7 9 7 7 9 7
11 11 9 9 9 9 7 7 9
9 9 7 5 7 9 5 7 5 X X 5 X 7 X X
X X

                           


149

 
3 6 6
1/2 1/2 1/2 1/2 1/2 full


7 7 7 7 7 7 10 7 10 7 7
10 10 10 10 10 10 10 10 10 9 7 9 7 9 9 9 10 9 7
9 9

                      
151



     


3

1 1/2 1 1/2 1 1/2 1 1/2 1 1/2 1 1/2


7 10
7 7 9 11 11 11 11 11 11 9 7 9 7 9
9 9


 
      
          
                   
153

10 13 14 11 15 12 17 19

cont. solo ad lib until fade

19


11 8 9 12 13 10 10 13 14 11 15 13
11 8 11 12 12 12 13

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