碎叶城倒影

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碎叶城倒影

为二胡、扬琴与自由低音手风琴而作
李博禅曲
2017
 molto rubato

                    
压揉渐快
二胡
    
    
     
扬琴
     

     
Accordion
     

 3
               
6

              
3 3

二胡
  
  
反竹

       
6

 
  
扬琴

5

      

      
6


Acc.
     
  
B.B.

*:二胡独奏使用长城琴或将二胡定弦调制为C /G

Ver.2018.11.20
2 碎叶城倒影

                           


         
13

二胡

  
  
反竹

    
13

 
  
扬琴

5

   

   
13


Acc.

   

                                   
     
17

二胡 
  3

  3

   
17


扬琴
    

   
17


Acc.

   
 

           
        
21 6

              
3 6
二胡
6
6  
    
21


扬琴
     

    
21


Acc.
    
    
碎叶城倒影 3

 
                        
26

                      



二胡
3

    
26

 
扬琴
     

    
26

 
Acc.
 

   

           
30 

 
   
二胡

  6  
        
6

       
         
30

 
扬琴

     
 
          
      L.H.
      
30

  
R.H.

Acc.
3

 
 
   

S.B.

           
                   
34

二胡


5

   
                                      
 
34

  
           
扬琴 
      
 

                  
                    
34

 
         
 
Acc. 
  
 
   
4 碎叶城倒影

 
38

     
3

二胡


               
3 3 3 3

  
        
 
38

 
 

   
 
扬琴
  

 
        
38

   
Acc.
 



     
rit.
 
40

 
螺旋式滑奏
二胡
6

               
40
       
        

         
扬琴

 
40
 
  
Acc. 

 
 
          
   
42
        
二胡 

  
42


扬琴


 
 

 vib.
      
42
   
 
    3
Acc.
      


碎叶城倒影 5

          
45

二胡     
      
            
         
45


扬琴 3 3
3 3 3
3
    

  3   3
8

       
45

   
  
   
      
Acc.

   

  

 
              


                
49 3


5

二胡
 5
 反竹
  。

 
       
 
49


扬琴
 3
3
      

  
49

   
   
Acc.

  
     
  。



        
55

二胡 

 
5

  
       
55






          
        
扬琴







   


 
     
                                                   
55

            
           
   
                
Acc.

        
     
    
6 碎叶城倒影

            
              
3


58



二胡
3 3 3
5

     
        
58




          
         
扬琴




 



   
 
                                                         
58

                       
 
                   
Acc.
    
                

           
          
 
61

二胡
5

 
5

        
61

    





     
 
      
扬琴
     






     
 
                                         
        
61

               
  
   
  
Acc.
         
            
          

           
 
64

二胡   

   



    
         
64

    


  
 
 
扬琴
        


 
     

8

  
                   
64

   
  


     
    
5

     
Acc.
 
         
         
碎叶城倒影 7

              
66

二胡 

   
     

    
66

              
   
扬琴
       
 
      
      

    
        
     
  
   
66


3 3

           


5

      
Acc.
        
   
   
   

       
       
68


3
3
二胡

 3
 3

      
            
68

                      
扬琴
  
        
   

            
    
  
            
           
68

     
  

    
3 3

                


Acc.
   
        
  
        
     
      

 
                    
71
poco rit.

 
二胡

            
            
71

      
  



扬琴
          
 


                   
loco

71

           
        
   

            
Acc.

        
    


8 碎叶城倒影

            
  
molto rubato 

   
 
76

二胡   

3 3


                 
反竹

     
76

   
扬琴

        
  


        
       
76

  
Acc.  
      
        
       
 

       
80

二胡  

       
80

 

               
                                                          
扬琴

       
80

 

   
 
Acc.
     
                 
          

         
86

二胡     

         
86

    

                             
扬琴
    
                                

      
8 8 8

     
86

  
    
             
Acc.
 
              
    
碎叶城倒影 9

  
91

二胡  

     
                
91

   
 
 
扬琴

                                

    
     
91


Acc.

  

   

S.B.

  
     
95

    
3


二胡

      
                     
95

     
 

                                 
扬琴

   
       
95


Acc.

   
   
B.B.

          
      
99

     
3

二胡


3 3

        
                
99

  
  
扬琴
   
                            

   




 
 
    
 
   
    
      
  
99

 
Acc.

   
10 碎叶城倒影

     
    
103

二胡 
 3

  
             
103

     
      
         
扬琴

                       
使用新式402型扬琴时此处演奏bA/c

      



      
  
   
   
   
   
103

 
    

Acc.


   
 

   
  
107

    
3


二胡


              
107

      
        
扬琴
                                
使用新式402型扬琴时此处演奏bA/c

                              
            
 
107

   
  
    
Acc.

  
     


           
分两弓滑奏环绕向上

         
111

二胡


3

 
            
    
111


 
      
       
扬琴
           
           
  
        
111

   
         

    
Acc.

    
    
碎叶城倒影 11

             
     
115

二胡

             
115


  
           
    
扬琴
      
  
               
  
 
8

        
115


   
Acc.
        
   
  


                 

118

二胡 

   
     
118

  
      
    
扬琴

     

     
      
       

118

    
Acc.
    
  
 

121

                      
               
  
二胡

    
 
      
121

       
   
      
 
扬琴
        
   

      
121

   
 
  
  
Acc.

         
  

 
    
   

 
12 碎叶城倒影



     
              
      
124

 
               
二胡

 
    
 
   
  
  
124

     
  
扬琴  
   

    
8

  
8

       
124

 

 
  
      
Acc.

  
bellow shake 

  
                 
  
                
             
127

二胡   
 3 3 3
3 3

        
           
127

        

扬琴 
3
 3
    
     
       
   
127

           



 



3 3
Acc.

     
   
    
      
 3 3

                
molto rubato

          
        
131

二胡 
 3 3


     
131




扬琴
      

     
131


Acc.
      
碎叶城倒影 13



  
  
137

    

二胡

 
                
137

     
 
   
扬琴
                     


     
      
              

137

Acc.


bellow shake
 
  
  

        
140

 
   
二胡


3

           
            
140

   
 

    
         
扬琴
                    

   
            
       
                  
140

 
 
Acc.

   
   
   

       
    
144

二胡 
3


                     
144

      
 
        
扬琴

                       
使用新式402型扬琴时此处演奏bA/c

         
                                          
144

   
 
    

Acc.


 
   
 
14 碎叶城倒影

      
  
148

二胡 
3


    
                   
148

     
     
扬琴
                                        
使用新式402型扬琴时此处演奏bA/c

 
                             
148

   

 
    
  
Acc.

  
    
    

          
                                       
153

二胡


3 3 3 3

 
5 5

                      
153

 
                    
 
 
扬琴
                
  
8

        
             
  
153

  
3 3

             


normal   
   
      
Acc.

           
3 3

         
   
 

 
                         
             
      
   
         
158 3

二胡 
 3 3 3 3


5 5

     
               
158

 
   
                
 
 
3


扬琴
     

     3 
              
         
             
158 3 3

       
              
 
      
                      
Acc.
              
      
  
3 3 3
碎叶城倒影 15

                  
         
162 3

二胡        
3
 3 3

 
                                 
162

 

3
      
扬琴
                                  
      
    

      
            

     
           
162

   

3
3

    
Acc.
          
       
       
 S.B.
3 
S.B.
 B.B.
bellow shake

                       rit.
  
 molto rubato

                   
168

二胡

 3 3
3 3

  
                 
168

  
3

 
 3 
      
扬琴
            
 3
           
3

                   
 
         
3 3

          


168


   
Acc.  3
        
3

   
B.B.       

 
 
   
173

     
   
......
二胡
                 

  
反竹

         
173

  
扬琴
     

       


   
173

 
Acc.


 
  
16 碎叶城倒影
 


                        
                     
178


晃动琴杆使音颤动
二胡
   

   

     
178


扬琴
 
    

    
178

 
Acc.
    
   
B.B.  
此处二胡与手风琴同时渐强并戛然而止。
为达到该效果,二胡声部由慢渐至无穷快可按一定规律:
即四次[C-bD-E]为一组,共5组(亦可6组),
 

183 演奏时二胡与手风琴应同时在心中默数。

  サ               
                  
二胡

  
    
183

 
扬琴 サ
     

    
183

 


Acc.
 

  
   
   
   
  

 



187


                                               
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
二胡

 
  
187


扬琴
 
        
 


 
187


Acc.
   
...

  
 richot..................... 
碎叶城倒影 17
           
               
189

     
               
二胡

3 3 3 3 3 3

    
3 3 3 3 3 3 3 3 3 3

        
  
189

 

 
扬琴
   

                    
           
189


Acc. 
    

  

     
   
  
 
191

                          
3 3 3 3 3 3
二胡

 3 3 3 3

 
3 3 3 3

    
191

   

扬琴

       
 

 
    
 
           
191

 
Acc.
   
 
 

         
   
                
193

二胡                                 
 3  3
  
3


3 3 3 3 3 3 3
3 3 3 3 3 3


     
193





扬琴

  
     
193


      
              

Acc.
    
 
18 碎叶城倒影

              
3 3

                                                     
3 3
195


3 3


3 3 3 3 3 3

二胡
    
    
3 3
3 3 3 3 3 3

        
3 3

 
3 3
  
  
  

 
195



扬琴

     

                  
           
                        
195

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Acc.
 
  

                        3
          
198 3

     
3 3

        
3 3
二胡

  
3 3 3 3 3 3 3 3
3 3

       
198

   
   
扬琴
   
       
正竹

 

                        3
          
198 3

     
3 3

        
3 3

3 3 3 3 3 3 3 3
3 3


Acc.

B.B.

 
S.B.
non richot

3  3  3  3

                           
3 3

                  
3 3

 
      3        
200

          
3 3
3 3
二胡

3 3 3 3 3 3 3
3 3 3


3 3

                    
200

               
  
 
扬琴

      
   

      
 
200

    
   
  
    
Acc.

    
  
B.B.

   
   
S.B.
碎叶城倒影 19
      
           
       
       
203

  
3

二胡
3 3 3


3 3 3 3 3 3 3 3 3

 

    
 
   
反竹
 
 
   



   


 
 

   

203

   
  

 

 
 
  
扬琴

    

    
203

  

  
  
Acc.

 
  
   

 
                        
     
                    
3 3 3 3

   
205


3 3 3 3

                     3 3       
3 3 3 3
二胡

   
3 3

         
正竹 3


3 3 3

   
205

 
 



 

       
 
3 3
扬琴
 
   

  
205 8

  
Acc.

   

B.B.

   
     
 
S.B.

       

                               
                
  
3 3 3 3
208

             



二胡
  
   
3 3 3 3

   
3 3 3 3

        
208

    
3 3

              
扬琴
                     
       

3

3

8

 
208

  
Acc. 
  
   
  
  
20 碎叶城倒影

 


        
211

二胡  
  3

  
                            
    
211

    
扬琴 
          
      
  
    轮
      
211

  
     
Acc. 
       
     

                          
217 3

二胡      


 
    
3 3

 

           
               
     
217

   
扬琴
         
                     
 
   3        
217

  
3

 
Acc.
3 3 3 3 3 3   

  
  
 

   
        
222

二胡        
  
    
  
 
    
              

        
222

    
扬琴 

                                 
 
              
222

 3  3
3 3


 3 3 3 3

 
Acc.

...
  

  richot.....................
S.B.
碎叶城倒影 21

          
               

        
227


 
二胡


          
       
227

  



扬琴
    
               

      
227

  

 
Acc.
       
   
 
non richot

 
                           
                      
231

  
二胡

 
  
231

 
 

    
扬琴

   

       
231

    
   
   
Acc.

   
 

  
                                 
235

二胡

        
           
235

  
 

扬琴
          
                     
      

 
235


  
Acc.

bellow shake.....................
 
  
   B.B.
22 碎叶城倒影

                       
              
239

二胡     
      3
           
                         
239

  
扬琴

                             
  
       
 
239

    
3 3

  3 3 3 3 3 3  
Acc.
     
normal
    
 bellow shake.....................

       
 
244

二胡
                         
    
      
3 3

     
                             
244


   
扬琴 
              
                    

 
244


  
Acc. 
   
normal

  
B.B.

S.B.
 

                                                          
249

二胡      
 
           
             
249



扬琴
                      
                       
     
   
 
8


249

    
 

  
Acc.
    
   
 
bellow shake
碎叶城倒影 23

                          
           
       
                          
 
          
253 3 3

               
二胡

      3    3  

               
  
               
253

 
          
   
 
 3  3

     
扬琴

   

       
         
           
253



  
  
       
 
3 3


Acc.
        
     
 
 
3 3


accel. rubato
                  
          
                 
258

二胡 
3 3



    
258





 
扬琴
        


       
258


Gl

 
 iss
and

  
 o

 
Acc.
        
 
二 胡 独 奏 谱

碎叶城倒影
为二胡、扬琴与自由低音手风琴而作
李博禅曲
molto rubato 2017
                           
压揉渐快

             
3

  
     

                       
             
10

      
3


3

   

                                               
          
16

   3

 3
6

   
                                    
22 6

                
3 6

6   3

                 


                    
28

      

  

  6 
6

 
  
rit.
         
      
              
螺旋式滑奏

   
35

 
3

5
 6

                  
   
                           
43 3

     
5

  
 
                 

     
              
            
51 3



5
 。
 5
3
5

                         
                 
60

        
 
3 3 5
5

                                         
         
65

  
3

     
3

 3  3


                           
molto rubato 

            
72


poco rit.


Ver.2018.11.20

3 3

 
            
      
80

         
3


 
 
                
                    
99

    
3 3

3 3  3

*:二胡独奏使用长城琴或将二胡定弦调制为C /G Ver. 2018.11.20


1
二 胡 独 奏 谱
碎叶城倒影

              
                           
109 分两弓滑奏环绕向上

   


3

 
                                        

118

                   
   
 
 
                                               
124

                   
 
     
                       
molto rubato

          
                        
128

 3 3 3
3 3
 3 3


                    
     
135

       
 
 3
3

            
   
                 
146

 

3 3 3
5

    
                                                                      
156

   
5
3 3
  5
3 3

    
   
                               
         
160 3 3

       
5
3 3 3
 3 3


                         rit.
        ......

 
molto rubato

               
   
168


         
 3 3 3 3



         
     
176

    
晃动琴杆使音颤动

                     
 

此处二胡与手风琴同时渐强并戛然而止。
为达到该效果,二胡声部由慢渐至无穷快可按一定规律:

       
即四次[C-bD-E]为一组,共5组(亦可6组),
 
       
演奏时二胡与手风琴应同时在心中默数。


182

   サ                
                   
  

     

                                                     
  
187
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

                 
  3 3 3 3

  
3 3 3 3

        
         
                                                            
  
190
3 3 3 3 3 3


3 3 3 3 3 3 3 3
 3 3 3 3 3 3 3 3

2
二 胡 独 奏 谱
碎叶城倒影

                 

                                                                        

193

3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3

                     
3 3

   
3

                                              
196 3
3 3 3 3 3 3 3 3 3 3

  
  3 3
3 3
3 3
3 3 3 3

      3  3  3 
                                             
    
3 3

       
3 3 3

                
199 3 3

     
3 3


3 3 3 3 3 3
3 3 3 3 3 3 3

              
                         
          
202

  
3 3 3
3 3

3 3 3
3 3 3 3 3 3 3 3 3 3 3
3 3

 
    
 
     
                        
 

3 3 3 3

                            
205 3 3 3 3

 
3 3 3 3

        3 3 


  
3 3

         


                
                                  
3 3 3 3

   
208

             

     
      

3 3 3 3

                                     
215 3

                 
3
  3 3


          
               

   
 
223

                
   

                 
                                                       
230


             
 

       
                                                
235

 

                         
    
242

                
3 3 3
 

                                             
                                   
248

   
accel.

                                        


  
             
                          
3 3

               
253

         
         
 3   3 

rubato
           
            
259

 
3 3


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