Module 4 - Architecture
Module 4 - Architecture
architecture
– page 45
– planning of the structure of a building and assistance in the execution
– will only be a fine art if the principle purpose is to create a beauty proper to the building
– not all archi is considered as a fine art
– “can beauty be prioritized?”
– more on the utilitarian art side
– page 50: functional architecture
– it is a beauty
– archi is a unity of space or a kind of enclosed space
– page 46: walls, roof, doors, and openings for lighting and ventilation
– all enclosed spaces (which have all these) may still differ depending on who the architects are
– (decorative arts) ornaments should be aligned with the purpose of the space or structure
– should participate in the overall purpose of the structure
– if successful, it has a place in the fine arts
– page 53: we should not be focused on this when looking at the whole structure
– architecture is a unity of space
– role of the architect: must work within the compounds of space
– materials
– must think of the natural forms that the work must be based on
– techniques
– how to work with these materials on hand
– prepare the space for execution of design
– page 54: architects only work in an empty space
– the structure is determined by its purpose
– the structure must be built to last for celebrations in the future and to last for a long time
– ex.: pyramids of Giza
– the purpose is to last
– purposes of a building
– must withstand natural disasters
– page 56 to shelter
– for commemorative function
– materials of architecture
– use to limit the space to be used
– should be chosen carefully that is most beneficial to the purpose of the structure
– wood (natural)
– brick, cement, etc. (artificial)
– each element contributes to the total beauty of the structure
– the viewers can’t grasp the totality w/o movement
– the viewers will need to walk around the structure
– the architect can’t control the experience of the viewers
– this exp makes the design of the structure dynamic
– page 63: materials
– elements of the building: what define close portions of spaces
– walls
– angle of the walls
– openings
– roof
– page 72: the architect is the one who is most restricted due to space and his client
– page 73: can add his own taste
– form
– arrangement of all parts to perceive a whole as a unity
– based on the changes or events in history
– architectural styles