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Arnel B. Lim Module 4

Here are 3 representational and non-representational artworks I created: Representational: - A realistic pencil drawing of trees in a forest - A watercolor painting of flowers in a vase - A charcoal sketch of a person reading a book Non-Representational: - An abstract acrylic painting using shapes, lines and colors to depict emotion - A collage made from torn magazine pages and newspaper clippings arranged in a non-objective form - A digital photo manipulated into geometric patterns and textures without recognizable objects

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Mark Robert Bryan Peralta
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364 views2 pages

Arnel B. Lim Module 4

Here are 3 representational and non-representational artworks I created: Representational: - A realistic pencil drawing of trees in a forest - A watercolor painting of flowers in a vase - A charcoal sketch of a person reading a book Non-Representational: - An abstract acrylic painting using shapes, lines and colors to depict emotion - A collage made from torn magazine pages and newspaper clippings arranged in a non-objective form - A digital photo manipulated into geometric patterns and textures without recognizable objects

Uploaded by

Mark Robert Bryan Peralta
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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Republic of the Philippines

President Ramon Magsaysay State University


(formerly Ramon Magsaysay Technological University)
San Marcelino Campus
San Marcelino, Zambales

Name: Arnel B. Lim Jr.


BAT-III
October 21,2020

Let’s Work on This


1. What are the hurdles of accessing art in terms of its subject and content?
- One of the major hurdles that spoils an individual’s engagement with an artwork
is the notion that in order to appreciate it, one must be able to extract a specific
image, isolate the artist or maker’s intention, and unearth a particular meaning.
Failure to do so automatically implies a failure of comprehension and therefore
appreciation to the very few who had training and instruction in producing and in
reading art. This should not be the case.
In most cases, there are clues that mediate between the artwork and the viewer,
allowing the viewer to more easily comprehend what he is seeing. These clues are
the three basic components of a work of art: subject, form and content. These
components are largely inseparable from each other and usually related to each
other. In this chapter, subject and content will be discussed, while form will be
better examined in Chapter 6. To differentiate them briefly, subject refers to the
visual focus or the image that may be extracted from examining the artwork,
while content is the meaning that is communicated by the artist or the artwork.
Finally, the development and configuration of the artwork-how the elements and
the medium or material are put together-is the form. In simpler terms, the
subject is seen as the “what”; the content is the “why”; and the form is the
“how.”

2.Where do artists source their subjects? Explain.


- Artists can source their subjects from nature, religious connections, and history.
They find inspiration in what they know and also focus in there current art that's
why they go and focus on nature, religous connections and history.
Republic of the Philippines
President Ramon Magsaysay State University
(formerly Ramon Magsaysay Technological University)
San Marcelino Campus
San Marcelino, Zambales

3. Make your own creative Representational and Non-Representational art.

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