PE 3 - Arnis
PE 3 - Arnis
PE 3 - Arnis
LEARNING
MODULE
PHYSICAL EDUCATION 3
Individual and dual offer benefits that team sports do not. In addition to promoting the
development of motor skills, agility, hand-eye coordination and endurance, individual and dual sports
combine physical fitness and mental development. Unlike with the team sports, a player’s success and
failure in individual and dual sports is totally dependent on his and partner’s ability. Individual and dual
sports athletes are completely responsible for every play and cannot rely on the help of the other
teammates; this build coping skills and resilience while developing self-esteem and confidence. Team
sports, on the other hand, every member must think and work with unity and cooperation, trust and
confidence to change tactics and strategies on a moment’s notice, and resolve their own conflicts in
order to win. It also teaches athletes to set goals and push themselves to reach their personal best. That
is the reason why sport is very important on our life and it is becoming more and more popular. Doing
sports keeps us healthy, relaxed, as well as maintains our figure and strengthens our patience and
endurance.
Arnis
History
The races that settled in the Philippines came from india, Southwest Asia, China and Indonesia.
The diversity of these cultures blended over the centuries, and produced common methods for
employing sharp swords, daggers and fire-hardened sticks in combat. One of the earliest known forms
was called “Tjakelele” (Indonesian fencing) or later referred to as “Kali”. When the Spanish invaded the
Philippines, they required firearms to subdue the native population. The fighting skills of native warriors
nearly defeated them. The Spanish soldiers dubbed the native stick and bladed fighting style “escrima”
also called “eskrima” (skirmish).
Similar to the haitori ban on the private ownership of arms that the Satsuma put on the
Pkinawans, Spanish subjugation of the Philippines prompted the practice of escrima to be outlawed as
well. As was so common in the history of fighting arts across the world, the fighting arts of Kali were
similarly preserved in secret. The natives accomplished the preservation of their art by disguising its
practice in the form of dances or mock battles staged in religious plays known as “moro-moro”. The
plays featured Filipinos, sometimes in religious plays known as Spanish soldiers, wearing “arnes”, the
harness worn during medieval times for armor. The blade-fighting forms and footwork were identical to
those used in escrima. The word “arnes” came to be pronounced “arnis” and the name stuck.
Arnis incorporates three related methods: “espada y daga: (sword and dagger), “solo baston”
(single stick); and “sinawali” (to weave), which uses two sticks of equal length twirled in “weaving”
fashion for blocking and striking. (term is derived from sawali, the bamboo matting woven in the
Philippines).
Modern History
Historically, Arnis incorporated three related methods: “espada y daga” (sword and dagger),
which employs a long blade and short dagger, “solo baston” (single stick); and “sinawali” (to weave),
which uses two sticks of equal length twirled in “weaving” fashion for blocking and striking (term is
derived from sawali the bamboo matting weaving in the Philippines). The popularity of arnis was clearly
observed through dialects in different regions: panandata (Tagalog); kalirongan (Pangasinense); dadja or
kabaraon (Ilocano); pagkali-kali (Ibanag); sinawali (Pampangeño), and kaliradman or pagaradaman
(Visayan). Eskrima, kali, estoque, tilakada, are other names of arnis.
At age six, Grandmaster Remy Amador Presas (Filipino arnis master and founder of modern
arnis) was already learning the fundamentals of Kali, the forerunner of modern arnis, arnis de mano. In
cebu, Presas, studied arnis under Rodolfo Moncal, Timoteo Arranga and Marranga’s instructor,
Grandmaster Venancio Bacon, all experts in arnis and the “Balintawak” style of stick fencing. In addition
to Arnis, Presad became proficient in judo, jujutsu, and karate. When Presas first travelled his country,
he took what he considered to be the most effective principles of each island style and combined them
his own knowledge of other martial arts.
Modern Arnis, as Presas term his system, incorporates empty-hand moves based upon the same
motions used in solo baston and sinawali. Unlike kali, his systems also use low kicks and takedowns for a
more well-rounded approach. Presas also insists on modernizing a particular training aspect traditional
in arnis: that of hitting your opponent’s hand or arm instead of his stick- a painful practice that was
tolerated the stick was just as good practice method and would obviously discourage far fewer students
of arnis, preventing many painful injuries.
Presas does not merely combine techniques, he encourages the individual student to adapt
arnis prinsiples to his own feel for each technique. The method should suit the person and not the other
way around. This is known simply as using the “flow”. The flow is Presas’ universal term for defining the
comfortable place where the movements of arnis and the individual human body meet for maximum
effectiveness; body and weapon blend to achieve the most natural fighting style based on an individual’s
needs and attitudes.
Arnis is a growing art, expanding in this country rapidly. Arnis tens to transcend stylistics
distinctions and discovery seems to be a primary benefit from the study of modern arnis, especially
under the methods of Grandmaster Remy Presas.
Fundamental Skills in Arnis
The stick in the principal weapon in learning arnis. It is made of rattan stick approximately 28-30
inches long and a diameter of around 1 inch.
Grip
The different ways of holding a stick
2 inches from the line
No extension downward
Middle grip
The length of the stick, or cane depends on the height and build of the practitioner. He
should measure the length of the arnis weapon depending upon the length of his arm.
Step 1
Extend your right arm straight downward and straighten your forefinger.
Measure your stick from the tip of your finger up to the shoulder level.
Step 2
(Some arnis practitioner measure their cane from tip of the thumb to the throat)
Extend your right arm to the right side of the body at shoulder level then measure your cane.
Step 3
Some measure from 24-26 inches.
Others’ from 28 to 30 inches, and others have a measurement of 90 centimeters or 1 meter.
o Straddle Stance
Perform by sliding the left foot sideward
The toe should point forward
o Forward Stance
Perform by sliding the foot forward
The toes should point forward
The front leg should be bent while the leg at the back should be straight.
It can be performed either by using the left foot in the left forward stance or by the right
foot in the right forward stance.
o Back Leaning Stance
Put one leg forward and let the toe of your forward foot touch the ground at the same
time pivot at the back.
It can be performed using either the left or the right
o Forward Leaning Stance-side Direction
Perform by sliding the foot to the side bended knee, toes should point sideward.
The other leg must be straight, similar to forward stance but the direction is different.
o Forward Leaning Stance-Facing the Back
Perform as in forward stance but the direction of the body is at the back
However, the eyes are focused at the opponent
o Cross Stance
Perform by positioning the other leg forward.
Salutation or “Saludo”
Both figthers, as a courtesy and a sign of true gentleman, give salutation. There are mechanics
followed in executing the saludo.
Hold the stick down the open leg facing each other.
Close the leg by moving the left leg close to the right in 45 degree angle.
Lift the stick to the chest wherein the butt is resting on the chest. The top of the stick is
pointing up.
Take a bow together with the opponents or sparring mate, then go back to the original
position.