Sgt. Pepper's Lonely Hearts Club Band (Soundtrack)

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Sgt.

Pepper's Lonely Hearts Club Band (soundt


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Sgt. Pepper's Lonely Hearts


Club Band (soundtrack)

… … …

Sgt. Pepper's Lonely Hearts Club Band is a


double album produced by George Martin,[1]
featuring covers of songs by the Beatles. It was
released in July 1978, as the soundtrack to the
film Sgt. Pepper's Lonely Hearts Club Band,
which starred the Bee Gees, Peter Frampton
and Steve Martin.

Sgt. Pepper's Lonely Hearts Club


Band

Soundtrack album by various artists


r
Released 17 July 1978

Recorded September 1977–May


1978

Studio Cherokee Studios, Los


Angeles; Northstar
Studios, Boulder, CO;
Record Plant, New
York City; Abbey Road
Studios, London; Air
Studios, London

Genre Glam rock, pop, disco,


hard rock

Length 83:08

Label RSO, A&M


(UK/Canada)

Producer George Martin


Maurice White ("Got
to Get You Into My
Life" only)

Overview …

The project was managed by the Robert


Stigwood Organisation (RSO). In 1975, the
original plans for the album were suspended
due to a dispute between Columbia and
RSO.[2] RSO invested $12 million into this
soundtrack and the profit offset set against
costs such as $1 million for promotion.[3] The
creation of the soundtrack was marked with
tension from the beginning, with Frampton and
the Bee Gees both feeling wary of the other
artist as well as being unsure as to how their
music would work together on the same
album.[4]

The release made history as being the first


record to "return platinum", with over four
million copies of it taken off store shelves and
shipped back to distributors.[5] Hundreds of
thousands of copies of the album ended up
being destroyed by RSO. The company itself
experienced a considerable financial loss and
the Bee Gees as a group had their musical
reputation tarnished, though other involved
bands such as Aerosmith were unscathed in
terms of their popularity.[4]

The album has been released on compact disc.

Critical reception …
Professional ratings
Review scores
Source Rating
AllMusic [6]

Encyclopedia of Popular Music [7]

The Rolling Stone Record Guide [8]

The Village Voice D+[9]

In a contemporary review for The Village Voice,


music critic Robert Christgau gave the album a
D+ rating with an added "Must to Avoid"
warning. He wrote that, apart from the Earth,
Wind & Fire and Aerosmith songs, "most of the
arrangements are lifted whole without benefit
of vocal presence (maybe Maurice should try
hormones) or rhythmic integrity ('Can't we get
a little of that disco feel in there, George?')"[9]
Writing in The Rolling Stone Record Guide in
1983, Dave Marsh dismissed the soundtrack as
"An utter travesty" and "Easily the worst album
of any notoriety in this book." Marsh identified
Aerosmith's "Come Together" and Earth, Wind
& Fire's "Got to Get You into My Life" as the
only competent renditions and concluded:
"Two million people bought this album, which
proves that P.T. Barnum was right and that
euthanasia may have untapped possibilities."[8]
According to Stephen Thomas Erlewine of
AllMusic, the album suffers from clumsy
performances by the Bee Gees, Frankie
Howerd and Peter Frampton, as well as
performers who were poorly suited to their
song, including Steve Martin, George Burns
and Alice Cooper. Erlewine says that the
soundtrack has become "a legend in its own
right" due to its unenviable reputation and
adds that, while it has attracted a cult
following, "there's no erasing the fact that this
is an absolutely atrocious record".[6]

Commercial performance

and fallout

Sgt. Pepper's Lonely Hearts Club Band


debuted at number 7 on the U.S. Billboard
album chart[10] and stayed at number 5 for six
weeks.[11] Although there was reported
resistance to the interpretation of the Beatles'
songs, such as Martin's comedic take on
"Maxwell's Silver Hammer", Earth, Wind &
Fire's version of "Got To Get You Into My Life"
became a million selling single,[12] while Robin
Gibb's "Oh! Darling" and Aerosmith's version
of "Come Together"[13] both charted in the top
40.

Radio airplay trailed off when the film was


released with poor reviews, only five weeks
later. The album immediately dropped out of
the top 100 and pre-sale shipments to USA
failed to sell in the quantities predicted.[14]
Owing to low box office receipts the film failed
to make back its production costs, but profits
from the soundtrack album and the successful
singles it spawned later covered those
losses.[15]

The Bee Gees blamed their declining popularity


in part on their involvement with the whole
project, coupled with their mutual struggles
with drug addiction. The latter was
exacerbated by the environment of making the
film and its soundtrack, with Maurice Gibb
expressing shock at seeing crew members
carrying around bags full of cocaine. Robin
Gibb in particular spent much of this period
having to dose himself with barbiturates to
even be able to sleep.[4] Some of the most
vicious criticism of the soundtrack was leveled
at them, and the musicians felt a particularly
painful sting at being labeled as mere "Beatles
imitators" since that sort of pejorative tag had
been with them since they began their pop
rock work in the 1960s. (Although the Bee
Gees would continue to be popular into 1979,
that year's backlash against disco, a genre in
which the band had made their biggest impact,
marred their careers permanently.)

George Martin had agreed to become involved


in the project due partly to the amount of
money offered for his services, and to his
wife's suggestion that any other producer
might afford the songs less respect than they
were due.[16] The selection by Earth Wind &
Fire was the only track he did not work on.
According to author Robert Rodriguez, Martin
later rued his involvement in Sgt. Pepper.[17]

Track listing …

[18]

Side
one
No. Title Artist(s) Length
1. "Introducing – 4:42
Sgt. Pepper's The Bee 1:56
Lonely Hearts Gees and 2:46
Club Band" Paul
"Sgt. Nicholas
Pepper's Peter
Lonely Hearts Frampton
Club Band" and The Bee
"With a Little Gees
Help from My
Friends"
2. "Here Comes Sandy 3:45
the Sun" Farina
3. "Getting Better" Peter 2:46
Frampton
and The Bee
Gees
4. "Lucy in the Sky Dianne 3:41
with Diamonds" Steinberg
and
Stargard
5. "I Want You The Bee 6:31
(She's So Gees,
Heavy)" Dianne
Steinberg,
Paul
Nicholas,
Donald
Pleasence,
Stargard

Side
two
No. Title Artist(s) Length
1. "Good Morning Paul 1:58
Good Morning" Nicholas,
Peter
Frampton
and The
Bee Gees
2. "She's Leaving The Bee 2:41
Home" Gees, Jay
MacIntosh
and John
Wheeler
3. "You Never Give Paul 3:07
Me Your Money" Nicholas
and Dianne
Steinberg
4. "Oh! Darling" Robin Gibb 3:21
5. "Maxwell's Steve 4:31
Silver Hammer" Martin
6. "Rise to – 5:11
Stardom Suite" The Bee 0:38
"Polythene Gees 1:46
Pam" Peter 1:14
"She Came in Frampton 1:33
Through the and The
Bathroom Bee Gees
Window" The Bee
"Nowhere Gees
Man" Peter
"Sgt. Pepper's Frampton
Lonely Hearts and The
Club Band Bee Gees
(Reprise)""

Side
three
No. Title Artist(s) Length
1. "Got to Get You Earth, Wind 3:36
into My Life" & Fire
2. "Strawberry Sandy 3:31
Fields Forever" Farina
3. "When I'm Frankie 2:40
Sixty-Four" Howerd
and Sandy
Farina
4. "Mean Mr. Frankie 2:46
Mustard" Howerd
5. "Fixing a Hole" George 2:25
Burns
6. "Because" Alice 2:45
Cooper and
The Bee
Gees
7. "The Death of – 3:24
Strawberry" Peter 1:39
"Golden Frampton 1:45
Slumbers" The Bee
"Carry That Gees
Weight"

Side
four
No. Title Artist(s) Length
1. "Come Aerosmith 3:46
Together"
2. "Being for the Peter 3:12
Benefit of Mr. Frampton,
Kite!" The Bee
Gees, and
George
Burns
3. "The Long and Peter 3:40
Winding Road" Frampton
4. "A Day in the Barry Gibb 5:11
Life" and The Bee
Gees
5. "Get Back" Billy Preston 2:56
6. "Sgt. Pepper's Full cast 2:13
Lonely Hearts
Club Band
(Finale)"

Personnel …

[18]

George Martin — Arranger, Producer

Greg Adams — Trumpet

Robert Ahwai — Guitar

Wilbur Bascomb Jr — Bass

Jeff Beck — Guitar

Larry Carlton — Guitar

Alice Cooper — Vocals

Ray Cooper — Percussion

Earth, Wind & Fire — Performers

Sandy Farina — Vocals

Victor Feldman — Percussion


Peter Frampton — Vocals, Guitar

The Bee Gees — Performers

David Hungate — Bass

Stephen "Doc" Kupka — Baritone saxophone

Max Middleton — Synthesizer, Keyboards

Francis Monkman — Moog Synthesizer

Paul Nicholas — Vocals

David Paich — Keyboards

Jeff Porcaro — Drums

Billy Preston — Vocals, Hammond Organ

Bernard "Pretty" Purdie — Drums,


Percussion

Tommy Reilly — Harmonica

Ray Russell — Guitar

Singles

Charts and certifications

See also
Notes

References

External links
Last edited 14 days ago by GoingBatty

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