Multiple Intelligences and Learning Styles
Multiple Intelligences and Learning Styles
Styles
From Emerging Perspectives on Learning, Teaching and Technology
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Contents
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1 Introduction
2 Multiple Intelligences Section
o 2.1 Multiple Intelligences Scenario
3 What is Multiple Intelligences Theory?
4 The Eight Intelligences
o 4.1 Verbal/Linguistic
o 4.2 Logical/Mathematical
o 4.3 Visual/Spatial
o 4.4 Bodily/Kinesthetic
o 4.5 Naturalistic
o 4.6 Musical Intelligence
o 4.7 Interpersonal
o 4.8 Intrapersonal
5 Multiple Intelligences in the Classroom
o 5.1 Planning and Implementing Student-Centered Lessons
o 5.2 Planning and Implementing a Teacher-Centered Lesson
o 5.3 Benefits of Multiple Intelligences
6 Learning Styles Section
o 6.1 Scenario
7 Learning Styles
o 7.1 The Visual Learning Style
o 7.2 The Aural Learning Style
o 7.3 The Reading/Writing Learning Style
o 7.4 The Kinesthetic/Tactile Learning Style
o 7.5 Learning Strategies for Each Learning Style
8 Educational Implications for Learning Styles
9 References
10 Citation
Click Here to Play the Multiple Intelligences Presentation Caption: This Narrated
PowerPoint presentation describes how a single piece of math content might be addressed
from each of the 8 intelligences Howard Gardner proposes Click Here to for the script of
this Multiple Intelligences Presentation in MS Word. By Darren West, Joe Pearce and
Moira Chance (2010)
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Introduction
Various theories on learning have been developed with increasing frequency in the last
few decades. In order to understand the relationship between these theories, Curry's onion
model (Curry, 1983) was developed with four layers -- personality learning theories,
information processing theories, social learning theories, and multidimensional and
instructional theories.
Social learning theories determine how students interact in the classroom and include
Reichmann's and Grasha's types of learners: independent, dependent, collaborative,
competitive, participant, and avoidant.
Multidimensional and instructional theories address the student's environmental
preference for learning and includes the Learning Style Model of Dunn and Dunn and the
multiple intelligences theory of Howard Gardner. This chapter focuses on this type of
learning theory by Howard Gardner.
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This is a questionnaire created with Flash to give users a profile of their multiple intelligences. It
assesses the eight intelligences that are fully accepted by educators in the classroom. The eight
intelligences are verbal, logical, spatial, kinesthetic, musical, interpersonal, intrapersonal and
naturalistic. The ninth would be Existential, but this is not a confirmed intelligence. This is NOT a
scientific assessment. There is no validty to this test at all. We include it to simply help you think
about your own abilities. By Myung Hwa Koh, Li Zhu and Seow Chong Wong (2003)
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Ms. Cunningham, a seventh grade American History Teacher, is preparing a unit on the
American Civil Rights Movement of the 1950's and 1960's. The teacher has created a
succession of lessons to be completed over a two-week period to enhance her students'
understanding of the events, organizations, and individuals that were crucial to the
movement. When the unit is over, Ms. Cunningham wants her students to have a
complete picture of the historical period. She designs a variety of activities that give the
students the opportunity to explore historical and cultural aspects of the 1950's and
1960's, and to fully identify with those who were involved in the Movement. In order to
reach her instructional goals, the students will read selected excerpts from the textbook
and listen to various lecturers about the Movement. In addition to the aforementioned, the
students will complete several exploratory tasks about the Civil Rights movement as
well.
To begin the unit the teacher uses a KWL chart on the overhead to spur discussion and
start the students' "juices" flowing. A KWL chart is a visual representation of what
students already know, what they want to know, and what they learned at the end of a
lesson. This activity is completed as a class. The students take turns sharing the tidbits of
information that they already know about the Civil Rights movement. This information is
on major figures, events and places involved in the Civil Rights movement. Upon
establishing what basic prior knowledge the students possess, it is now time to begin
discovering new information and confirming previously held information about the Civil
Rights movement. Ms. Cunningham then lectures on the basic events, people, and places
involved in the majority of the Civil Rights movement in order to provide students some
framework within which to begin placing their new information.
She closes the first lesson by asking the students to create a timeline using the dates of
events she has provided. This will be a working outline to be used throughout the unit.
During a subsequent lesson, students are asked to share their outlines with their
classmates in small groups. They should make corrections and comments on the outlines
as needed. Ms. Cunningham gains class consensus of the proper order for their working
outline as she places an enlarged version on the classroom wall.
The culmination of this unit will be a final project in which students create a portfolio
containing work on three mini-projects. All students will listen to the same guest
lecturers, view the same video taped footage and participate in the same class discussions
during the first half of each class. The remainder of each class period will be reserved for
work on personal exploration pertaining to their portfolio pieces. Ms. Cunningham has
provided a list of possible activities and a rubric for each suggested activity in order to
support and to guide the student's work. She has also arranged her room so that "art"
materials are in a central location; mapping and graphing information is grouped together
and there is a section replete with reading and research materials.
Mrs. Cunningham's students will have many options for creating something chat can be
included in their portfolios. Students will have the option to write letters to members of
the community who were teenagers during the Civil Rights Movement, asking them to
share their memories and experiences about life during the time period. Students may
work in teams to prepare speeches based on period issues for their fellow classmates.
Students may consult with the school's Media Specialist or more knowledgeable other to
find resources for the class, including popular music from the time period. They may also
learn and share dances that were popular during the 1950's and 1960's. If they choose,
students may include music in the plays they write and act out for their classmates. With
the assistance of the Art instructor, students may opt to work together to create a mural
that represents key figures of the Civil Rights Movement such as Rosa Parks and Martin
Luther King Jr., with accompanying biographical information about each leader. Students
may also create a map representing key events. Students may also work in groups to
prepare short plays to enact for the class based on the readings and what they learn from
the guest speakers. Afterwards, Mrs. Cunningham will moderate discussion sessions
about the plays. All students will keep a record of their thoughts and feelings about the
mini-lessons they completed. This journaling process will provide a synthesis of the
materials with which they dealt. As one final measure, students present their portfolios to
their classmates.
James, a student whose proclivities lean towards creative visual projects expresses
interest in working on the mural of Civil Rights leaders. Mrs. Cunningham feels that
James needs to shift gears and concentrate on other activities in the classroom. The
teacher suggests that James work on creating the map and / or timeline. At the teacher's
encouragement, James begins to work on the other projects, but his attention continues to
drift towards the students painting the mural. He contributes some excellent ideas and
shows so much interest in the details and creation of the mural, that the teacher allows
him to shift his focus back towards the visual project.
In another seventh grade classroom, Mr. Smith taught a unit on the Civil Rights
Movement by assigning textbook readings and lecturing the students on the historical
events surrounding the Movement. Students were given sentence completion pop quizzes
throughout the course of the lesson. The teacher showed videotaped programs to the class
and each student wrote a short research paper about a Civil Rights leader or prominent
figure. At the end of the unit, students were given a multiple choice and essay test.
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Gardner's research consisted of brain research and interviews with stroke victims,
prodigies, and individuals with autism. Based on his findings, Gardner established eight
criteria for identifying the seven (he has subsequently added an eighth and is considering
a ninth) separate intelligences. The eight criteria used by Gardner to identify the
intelligences are listed below:
Originally, the theory accounted for seven separate intelligences. Subsequently, with the
publishing of Gardner's Intelligence Reframed in 1999, two more intelligences were
added to the list. The intelligences are Verbal/Linguistic, Logical/Mathematical,
Visual/Spatial, Bodily-Kinesthetic, Musical, Interpersonal, Intrapersonal, Naturalistic,
and Existential.
Although the theory was not originally designed for use in a classroom application, it has
been widely embraced by educators and enjoyed numerous adaptations in a variety of
educational settings Teachers have always known that students had different strengths
and weaknesses in the classroom. Gardner's research was able to articulate that and
provide direction as to how to improve a student's ability in any given intelligence.
Teachers were encouraged to begin to think of lesson planning in terms of meeting the
needs of a variety of the intelligences. From this new thinking, schools such the Ross
School in New York, an independent educational institution, and the Key Learning
Community, a public magnet school in Indianapolis emerged to try teaching using a
Multiple Intelligences curriculum. The focus of this part of the chapter will be on lesson
design using the theory of Multiple Intelligences, and providing various resources that
educator's may use to implement the theory into their classroom activities.
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Verbal/Linguistic
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Logical/Mathematical
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Visual/Spatial
Visual/Spatial intelligence refers to the ability to form and manipulate a mental model.
Individuals with strength in this area depend on visual thinking and are very imaginative.
People with this kind of intelligence tend to learn most readily from visual presentations
such as movies, pictures, videos, and demonstrations using models and props. They like
to draw, paint, or sculpt their ideas and often express their feelings and moods through
art. These individuals often daydream, imagine and pretend. They are good at reading
diagrams and maps and enjoy solving mazes and jigsaw puzzles. Teachers can foster this
intelligence by utilizing charts, graphs, diagrams, graphic organizers, videotapes, color,
art activities, doodling, microscopes and computer graphics software. It could be
characterized as right-brain activity. Pablo Picasso, Bobby Fischer, and Georgia O'Keefe
are some examples of people gifted with this intelligence.
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Bodily/Kinesthetic
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Naturalistic
Naturalistic intelligence is seen in someone who recognizes and classifies plants, animals,
and minerals including a mastery of taxonomies. They are holistic thinkers who
recognize specimens and value the unusual. They are aware of species such as the flora
and fauna around them. They notice natural and artificial taxonomies such as dinosaurs to
algae and cars to clothes. Teachers can best foster this intelligence by using relationships
among systems of species, and classification activities. Encourage the study of
relationships such as patterns and order, and compare-and-contrast sets of groups or look
at connections to real life and science issues. Charles Darwin and John Muir are
examples of people gifted in this way.
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Musical Intelligence
Musical intelligence refers to the ability to understand, create, and interpret musical
pitches, timbre, rhythm, and tones and the capability to compose music. Teachers can
integrate activities into their lessons that encourage students' musical intelligence by
playing music for the class and assigning tasks that involve students creating lyrics about
the material being taught. Composers and instrumentalists are individuals with strength in
this area. Wolfgang Amadeus Mozart and Louis Armstrong are examples.
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Interpersonal
Intrapersonal
There is a ninth intelligence that has yet to experience full acceptance by educators in the
classroom. This is Existential intelligence, which encompasses the ability to pose and
ponder questions regarding the existence -- including life and death. This would be in the
domain of philosophers and religious leaders.
The table below summarizes the strengths, learning preferences, and needs that
correspond to the intelligences.
It is important for teachers to carefully select activities that not only teach to the
intelligences, but also realistically mesh with the subject matter of the lesson or unit.
Multiple Intelligences theory should enhance, not detract from what is being taught.
Disney's website entitled Tapping into Multiple Intelligences suggests two approaches for
implementing Multiple Intelligences theory in the classroom. One is a teacher-centered
approach, in which the instructor incorporates materials, resources, and activities into the
lesson that teach to the different intelligences. The other is a student-centered approach in
which students actually create a variety of different materials that demonstrate their
understanding of the subject matter. The student-centered approach allows students to
actively use their varied forms of intelligence. In a teacher-centered lesson, the number of
intelligences explored should be limited to two or three. To teach less than two is nearly
impossible since the use of speech will always require the use of one's Verbal/Linguistic
intelligence. In a student-centered lesson, the instructor may incorporate aspects of
project-based learning, collaborative learning, or other inquiry-based models. In such a
case, activities involving all nine intelligences may be presented as options for the class,
but each student participates in only one or two of the tasks.
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This type of lesson revolves around student created materials. The types of activities and
assignments that support student-centered lessons can be easily designed in concert with
many of the inquiry-based models discussed in the text of this book. One of the most
important aspects of student-centered lessons is allowing students to make choices.
Teachers should encourage students to exercise their weaker intelligences, but allow them
to explore their stronger areas as well. In Ms. Cunningham's class, the student named
James is very strong in Visual/Spatial Intelligence and always leans towards this type of
project. The teacher encourages James to participate in other activities, but when it is
obvious that his interest lies in working on the mural Ms. Cunningham allows him to
work on the project.
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Benefits of Multiple Intelligences
As a teacher and learner you realize that there are many ways to be "smart"
All forms of intelligence are equally celebrated.
By having students create work that is displayed to parents and other members of
the community, your school could see more parent and community involvement.
A sense of increased self-worth may be seen as students build on their strengths
and work towards becoming an expert in certain areas
Students may develop strong problem solving skills that they can use real life
situations
Scenario
A group of four city planners in Boston is working on a project to improve the methods
of repairing streets. They have spent a lot of time in the field looking at streets and
learning about the stresses they receive, how engineers currently deal with those
problems, and the public's perceptions of street conditions. Some improvements have
been made including a new system of diagnosing problems and new methods of repairing
the streets. The final stage of their project is to determine how to educate the city's
employees on these improvements.
Jessica believes that showing maps of where the various sidewalks in various states of
decay would be helpful. She also wants to use a flow chart to represent the new repair
process. Maybe a computer instruction guide could be utilized in the employee education
program.
Patrick feels that the planners need to discuss these improvements with the city's
employees. A question and answer session could also be implemented in an attempt to
answer any questions concerning the new system of diagnosing problems and new
methods of repairing the streets.
Will has already begun work on an extensive training manual, which will provide a
concrete resource to guide employees in training and for later reference. The manual will
be available in hard copy and on the web.
Claire thinks that the city employees would benefit the most from a multimedia
presentation as well as a CD-ROM with links to other useful information. She also wants
the employees to go into the field and see some of the streets that were used as models in
the new program. If that is not possible, pictures could be provided as examples to give
the employees a concrete idea of the improvements.
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Learning Styles
The term "learning styles" is commonly used throughout various educational fields and
therefore, has many connotations. In general, it refers to the uniqueness of how each
learner receives and processes new information through their senses. The National
Association of Secondary School Principals defines learning style as, "the composite of
characteristic cognitive, affective, and physiological factors that serve as relatively stable
indicators of how a learner perceives, interacts with, and responds to the learning
environment." Other phrases are used interchangeably with learning styles. Some include
perceptual styles, learning modalities, and learning preferences.
Each person is born with certain preferences toward particular styles, but culture,
experience, and development influence these preferences. The four most common
learning styles are visual, aural, reading/writing, and kinesthetic/tactile. Most people
learn through all modalities, but have certain strengths and weaknesses in a specific
modality. Some people have an equal propensity for more than one style, which is titled
as the multimodal style. This preference can be determined through various testing
instruments. Once a person's learning style is ascertained, accommodations can be made
to increase academic achievement and creativity, as well as improve attitudes toward
learning.
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Visual learners process information most effectively when the information is seen.
Depictions can include charts, graphs, flow charts, and all the symbolic arrows, circles,
hierarchies and other devices that instructors use to represent what could have been
presented in worlds. These learners think in pictures and have vivid imaginations. Most
people are classified as visual learners.
Jessica is a visual learner. Her suggestions focus on the use of visual aids to increase
information processing.
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Aural learners process information most effectively when spoken or heard. These learners
respond well to lectures and discussions and are excellent listeners. They also like to talk
and enjoy music and dramas. When trying to recall information, aural learners can often
"hear" the way someone told them the information.
Patrick is an aural learner. His need to discuss the new improvements points to the
benefits of obtaining information in an oral language format.
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Click Here to Play the Presentation Caption: This PowerPoint presentation shows several
concrete examples of the VARK learning styles applied to math, language arts, social
studies and science.. By Rebecca Homan, Troy Perkins, Jean Pirkle, and Kathy Traylor
(2005)
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The second step is profiling group preferences and weaknesses. Are most of the students
visual learners? Does your class have very few kinesthetic/tactile learners?
The third step is assessing current instructional methods to determine whether they are
adequate or require more flexibility. If modifications need to be made, various activities
can be developed and/or adapted to conform with learning styles. Three techniques have
been proposed.
1. Teachers can add alternative activities that could replace or supplement ones. This
could create increased opportunities for students to use different styles. For
example, hands on activities can be conducted after a lecture to confirm abstract
concepts.
2. Teachers can also challenge students to develop skills in other areas by
completing assignments that utilize all learning styles. For example, the students
can complete multidimensional packets, which contain activities from each
learning style.
3. Another approach to include learning styles in an education curriculum is to
organize activities around complex projects. These projects would require that
students use all learning styles. An example of a complex activity would be a
project-based learning project.
When teaching an individual, teachers should present the most difficult concepts in the
preferred style. Easier concepts should be introduced in a different style. When teaching
an entire class, teachers should use all learning styles in their presentations if they are to
reach every student. This can be fairly simple.
For example, Mrs. Erwin, a fifth grade teacher is going to teach a unit on Charlotte's
Web. In order to accommodate all learning styles, she will have the students read sections
of the book silently and out loud to others, act out various scenes, and complete a
timeline of events on the bulletin board. Mrs. Erwin understands that students must be
exposed to the concepts in a variety of ways to ensure full comprehension.
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References
Armstrong, T. (1994). Multiple Intelligences in the classroom. Alexandria, VA:
Association for Supervision and Curriculum Development.
Campbell, L., & Campbell, B. (1992). Teaching and learning through Multiple
Intelligences. Seattle, WA: New Horizons for Learning.
Curry, Lynn. (1983). An organization of learning style theory and constructs. ERIC
Document, 235, 185.
Dunn, R., and Dunn, K. (1978). Teaching students through their individual learning
styles. Reston, VA: Reston Publishing Company, Inc.
Fogarty, R. (1997). Problem-based learning and other curriculum models for the Multiple
Intelligences classroom. Arlington Heights, IL: IRI/Skylight Training and Publishing.
Gardner, H. (1983). Frames of mind: the theory of Multiple Intelligences. New York,
NY: Basic Books.
Gardner, H. (1999). Intelligence reframed: Multiple Intelligences for the 21st century.
New York, NY: Basic Books.
Zhang, Li-Fang. (2002). Thinking styles: Their relationships with modes of thinking and
academic performance. Educational Ps
Websites:
Multiple Intelligences
Project Zero
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Citation
APA Citation: Giles, E., Pitre, S., Womack, S. (2003). Multiple intelligences and learning
styles. In M. Orey (Ed.), Emerging perspectives on learning, teaching, and technology.
Retrieved <insert date>, from http://projects.coe.uga.edu/epltt/