Verbal Ability - Verbal Ability Question No.1 Bookmark
Verbal Ability - Verbal Ability Question No.1 Bookmark
Verbal Ability - Verbal Ability Question No.1 Bookmark
a. Hillary Clinton famously used children as her signature cause when she was first lady,
publishing in 1996, when her public image was mired in scandal.
b. “Think of the children!” has thus been a rallying cry for everyone from anti-nuclear activists to
crusaders against gay marriage or abortion.
c. Adults with wildly varying agendas have long used kids to serve their own political interests.
d. As a political strategy, this makes some sense; whatever their politics, most adults are
distressed when “children,” as an amorphous group, appear to be in trouble.
(A) adbc
(B) bcda
(C) cbda (Correct Answer) (Chosen option)
(D) dabc
a. The process of state building has often seen the exploitation of environmental and natural
resources.
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b. They become low paid labour in, or destructive scavengers eking out a living from the
remnants of, corporate forestry even as forest resources were being depleted.
c. In most of the countries in ASEAN, unbridled exploitation of forest resources occurred while
civil society actors, mainly forest-based communities, were either marginalized or co-opted.
d. In the history of ASEAN countries, this process led not only to political and economic
marginalization of many civil society sectors but also to the resource capture and ecological
marginalization of forest resources.
a. More broadly, globalization is the process by which countries become more like one country.
b. Narrowly defined, globalization is global economic and financial integration.
c. In this latter depiction, economic and financial integration can only be seen as a step in a long
process.
d. In its humane dimension, globalization is the gradual removal of all barriers and the integration
of mankind.
(A) dbca
(B) dcab
(C) badc (Correct Answer)
(D) bdca (Chosen option)
One, that modernisation promotes individualism, falls at the first hurdle: Japan, an ultra-modern country
whose people have retained a collective outlook. A second, that a higher prevalence of infectious disease in
a place makes contact with strangers more dangerous, and causes groups to turn inward, is hardly better.
Europe has had its share of plagues; probably more than either Japan or Korea. And though southern China
is notoriously a source of infection (influenza pandemics often start there), this is not true of other parts of
that enormous country.
That led Thomas Talhelm of the University of Virginia and his colleagues to look into a third suggestion: that
the crucial difference is agricultural. The West’s staple is wheat; the East’s, rice. Before the mechanisation of
agriculture a farmer who grew rice had to expend twice as many hours doing so as one who grew wheat. To
deploy labour efficiently, especially at times of planting and harvesting, rice-growing societies as far apart as
India, Malaysia and Japan all developed co-operative labour exchanges which let neighbours stagger their
farms’ schedules in order to assist each other during these crucial periods. Since, until recently, almost
everyone alive was a farmer, it is a reasonable hypothesis that such a collective outlook would dominate a
society’s culture and behaviour, and might prove so deep-rooted that even now, when most people earn their
living in other ways, it helps to define their lives.
Mr. Talhelm realized that this idea is testable. Large swathes of China, particularly in the north, depend not
on rice, but on wheat. That, as he explains in a paper in Science, let him and his team put some flesh on this
theory’s bones.
The team gathered almost 1,200 volunteers from all over China and asked them questions to assess their
individualism or collectivism. The answers bore little relation to the wealth of a volunteer’s place of origin,
which Mr. Talhelm saw as a proxy for how modern it was, or to its level of public health. There was a striking
correlation, though, with whether it was a rice-growing or a wheat-growing area. This difference was marked
even between people from neighbouring counties with different agricultural traditions. His hypothesis that the
different psychologies of East and West are, at least in part, a consequence of their agriculture thus looks
worth further exploration. And such exploration is possible—for India, too, has rice-growing and wheat-
growing regions.
How resilient Asia’s collectivist cultures will be as they lose their rural roots remains to be seen. But the
message from Japan, and also from more recently modernized places such as Korea, Taiwan, Hong Kong
and Singapore, seems to be “quite resilient”. For some, Asian values—with their tenets of solidarity and
collective action—are cause for celebration. For others, they are stifling and a barrier to social progress. But
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whichever side you take, if Mr. Talhelm is correct they are only “Asian” because, back in the neolithic,
farmers in many parts of that continent found Oryza a more congenial crop to grow than Triticum.
It is not surprising that it should be a dramatist such as Pirandello who, in characterizing the film,
inadvertently touches on the very crisis in which we see the theater. Any thorough study proves that there is
indeed no greater contrast than that of the stage play to a work of art that is completely subject to or, like the
film, founded in, mechanical reproduction. Experts have long recognized that in the film “the greatest effects
are almost always obtained by ‘acting’ as little as possible ... ” In 1932 Rudolf Arnheim saw “the latest trend
... in treating the actor as a stage prop chosen for its characteristics and... inserted at the proper place.” With
this idea something else is closely connected. The stage actor identifies himself with the character of his
role. The film actor very often is denied this opportunity. His creation is by no means all of a piece; it is
composed of many separate performances. Besides certain fortuitous considerations, such as cost of studio,
availability of fellow players, décor, etc., there are elementary necessities of equipment that split the actor’s
work into a series of mountable episodes. In particular, lighting and its installation require the presentation of
an event that, on the screen, unfolds as a rapid and unified scene, in a sequence of separate shootings
which may take hours at the studio; not to mention more obvious montage. Thus a jump from the window
can be shot in the studio as a jump from a scaffold, and the ensuing flight, if need be, can be shot weeks
later when outdoor scenes are taken. Far more paradoxical cases can easily be construed. Let us assume
that an actor is supposed to be startled by a knock at the door. If his reaction is not satisfactory, the director
can resort to an expedient: when the actor happens to be at the studio again he has a shot fired behind him
without his being forewarned of it. The frightened reaction can be shot now and be cut into the screen
version. Nothing more strikingly shows that art has left the realm of the “beautiful semblance” which, so far,
had been taken to be the only sphere where art could thrive.
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Question No.14 Marks: 3.00
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The passage through the following statement indicates a new trend in performance art. “Besides
certain fortuitous considerations, such as cost of studio, availability of fellow players, décor, etc.,
there are elementary necessities of equipment that split the actor’s work into a series of mountable
episodes.” Which of the following best reflects that trend?
(A) Decimation of traditional theatre.
(B) Aesthetization of movie-making technology.
(C) Disassembling of artistic processes. (Correct Answer) (Chosen option)
(D) Technologization of movie making.
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(C) Economics (Correct Answer) (Chosen option)
(D) Algorithms
DATA INTERPRETATION AND DATA VISUALIZATION - DATA INTERPRETATION AND DATA VISUALIZATION
(D)
(B)
(C)
(D)
Marks:
Question No.3
3.00
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Question No.4 Marks: 3.00
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(A)
(B)
(C)
(D) (Correct Answer) (Chosen option)
(A)
(B)
(C) (Correct Answer) (Chosen option)
(D)
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(A)
(B)
(C)
(D) (Correct Answer) (Chosen option)
(C)
(D)
(A)
(B)
(Correct Answer) (Chosen option)
(C)
(D)
(A)
(B)
(C) (Correct Answer) (Chosen option)
(D)
(A)
(D)
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(A)
(B)
(C)
(D) (Correct Answer) (Chosen option)
(A)
(B)
(C) (Correct Answer) (Chosen option)
(D)
(A)
(B)
(C) (Correct Answer) (Chosen option)
(D)
(A)
(B) (Correct Answer) (Chosen option)
(C)
(D)
(A)
(B)
(C) (Correct Answer) (Chosen option)
(D)
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(A)
(B)
(C) (Correct Answer) (Chosen option)
(D)
(A)
(B)
(C)
(Correct Answer) (Chosen option)
(D)
(A)
(B) (Correct Answer) (Chosen option)
(C)
(D)
(A)
(B)
(C)
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(A)
(B) (Correct Answer) (Chosen option)
(C)
(D)
(A)
(B)
(C)
(Correct Answer) (Chosen option)
(D)
(A)
(B)
(Correct Answer) (Chosen option)
(C)
(D)
(C)
(D)
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(A)
(B)
(C)
(Correct Answer) (Chosen option)
(D)
(A)
(B) (Correct Answer) (Chosen option)
(C)
(D)
(A)
(B) (Correct Answer)
(C)
(D)
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Question No.24 Marks: 3.00
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(A)
(B)
(C)
(D) (Correct Answer) (Chosen option)
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