Pablo 2
Pablo 2
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Wendy Bishop
Alice Brand I totally agree!
Pablo What do you mean by social voice?
And when you mention that emotion does
affect writing, what are you defining
emotion as?
Alice Brand
Pablo When I mentioned social voice
I'm talking about the tone of writing
that students use in response to a
prompt to give an answer they think
will satisfy a prompt, but they won't
actually speak from their own
emotions. This happens so often in
academic environments as students
won't apply themselves towards an
assignment and will instead do
whatever they can to just finish it.
Alice Brand
Wendy Bishop there are so many
benefits of personal assignments I
totally agree! Getting students to
put their emotions on paper is
always one of my classroom goals
😊
Lad Tobin
Pablo In my years of teaching, I've
realized that when reading
assignments, each piece of writing
must take into account our reading
as teachers of the students
themselves, our own unconscious
associations, and the nature of the
teacher-student relationship. As a
teacher, you need to see how
much of an assignment is actually
an individual's identity and how
much is a teacher's influence
Michelle Gibson The conventions of
writing can totally be affected by emotion
like Lad Tobin said. This makes it even
more evident why the classroom needs to
make students confront their emotions so
they can focus on creating their own
identity!
Wendy Bishop
Sally Chandler Pushing students
in the classroom will help prepare
them for future classes and allow
them to really know how to write in
academic environments! The pros
outweigh any cons!
Sally Chandler
Wendy Bishop When students are
stressed in a writing classroom, this
can push them to use clichéd,
generalized narratives. A student
should be able to form their own
identity without being pushed into
stressful situations that can force
them to resort to bland conventions!
Bishop, Wendy. "Writing Is/ And Therapy?: Raising Questions about Writing Classrooms and
Writing Program Administration." Journal of Advanced Composition 13.2 (1993): 503-16.
Brand, Alice. “Social Cognition, Emotions, and the Psychology of Writing.” JAC: Journal of
Advanced Composition, vol. 11, no. 2, 1991, pp. 395–408.
Chandler, Sally. (2007). Fear, teaching composition, and students' discursive choices: Re-
thinking connections between emotions and college student writing. Composition Studies
35.2, 53-70
Gibson, Michelle. (1996). An all-too familiar paradox: Familial diversity and the composition
classroom. Writing on the Edge 07.2, 23-31.
Tobin, Lad. “Reading Students, Reading Ourselves: Revising the Teacher's Role in the Writing
Class.” College English, vol. 53, no. 3, 1991, p. 333., doi:10.2307/378108.