Arabic Literature

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ARABIC LITERATURE

literary works written in the Arabic language. The great body of Arabic literature includes works
by Arabic speaking Turks, Persians, Syrians, Egyptians, Indians, Jews, and other Africans and
Asians, as well as the Arabs themselves.

The first significant Arabic literature was produced during the medieval golden age of lyric
poetry, from the 4th to the 7th cent. The poems are strongly personal qasida, or odes, often very
short, with some longer than 100 lines. They treat the life of the tribe and themes of love,
fighting, courage, and the chase. The poet speaks directly, not romantically, of nature and the
power of God. The qasidasurvive only through collections, chiefly
the Muallaqat, Hamasa, Mufaddaliyat, and Kitab al-Aghani. The most esteemed of these poets
are Amru al-Kais, Antara, and Zuhair.

With the advent of Islam, the Qur'an became the central work of study and recitation. Extra-
Qur'anic poetry underwent a decline from which it recovered in a far different form. The Qur'an
supplanted poetry by becoming the chief object of study of the Muslim world. Poetry regained
some prestige under the Umayyads, when al-Akhtal (c.640–c.710) and al-Farazdaq (c.640–732)
wrote their lyric works.

Under the Abbasids (750–1258), Hellenic, Syrian, Pahlavi, and Sanskrit works became available
in translation, and the Arabic language further developed as a vehicle of science and philosophy.
Among the pioneers of Arabic prose were Ibn al-Muqaffa, the translator of the Indian fables
of Kalila wa Dimna, and al-Jahiz (d. 868), an influential figure in the establishment of the belles-
lettres compendia (adab) as a dominant literary theme.

The next great period of Arabic literature was a result of the rise of the new Arabic-Persian
culture of Baghdad, the new capital of the Abbasids, in the 8th and 9th cent. Philosophy,
mathematics, law, Qur'anic interpretation and criticism, history, and science were cultivated, and
the collections of early Arabic poetry were compiled during this period.

At the end of the 8th cent. in Baghdad a group of young poets arose who established a new court
poetry. A prominent court poet was Abu Nuwas. Asceticism, not yet developed into Sufism,
evolved into a poetic genre with Abu al-Atahiya. Among the most popular of Arabic poets,
Mutanabbi (915–65) wrote some of the most complex, and most eloquent, Arabic poems. The
poet Hariri sought to combine "refinement with dignity of style, and brilliancies with jewels of
eloquence." Abu al-Ala al-Maarri was an outstanding Syrian poet of great originality. The
greatest mystic poet of the age was Omar Ibn al-Faridh (1181–1235).

The influence of India and Persia is seen in Arabic prose romance, which became the principal
literary form. The greatest collection is the Thousand and One Nights. The major writers of
historical and geographical works in Arabic include Bukhari, Tabari, Masudi, Ibn Khaldun, Ibn
al-Athir (d. 1234), andIbn Batuta. The foremost Arab theologian was al- Ghazali ; Avicenna, the
great physician, wrote on medicine. The central Asian scholar al-Faralsi, wrote fundamental
works on philosophical and musical theory. In the field of belles-lettres, essays and epistles of
great wit and erudition, known as risalas,were composed on subjects as diverse as science,
mysticism, and politics. Chief practitioners of the genre include Ibn al-Muqaffa (d. 757), the
unsurpassed al-Jahiz, and Ibn Qutayba (d. 889).

The Western center of Arab culture was Spain, especially Córdoba under the Umayyads. The
Spanish Arabs produced fine poets and scholars, but they are less important than the great
Spanish philosophers— Avempace, Averroës, and Ibn Tufayl. Their works became known in
Europe chiefly through the Latin translations of Jewish scholars. Since 1200 in Spain and 1300
in the East, there has been little Arabic literature of wide interest.

During the 19th cent., printing in Arabic began in earnest, centered in Cairo, Beirut, and
Damascus. Newspapers, encyclopedias, and books were published in which Arab writers tried to
express, in Arabic, their sense of themselves and their place in the modern world.
Simultaneously with a reaction against Western models in Arabic literature, the novel and the
drama, forms never before used, developed. Notable 20th-century–early 21st-century writers in
Arabic include the novelists Naguib Mahfouz, winner of the 1988 Nobel Prize in Literature,
Abdelrahman Munif, Sonallah Ibrahim, and Yahya Hakki; the playwrights Ahmad Shawqi and
Tawfiq al-Hakim; the poets Hafiz Ibrahim, Badr Shakir as-Sayyab, Nazik al-Malaika, Abdul
Wahab al-Bayati, Mahmoud Darwish, and Adonis ; and the short-story writers Mahmud Tymur
and Yusuf Idris.

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