Intro To 3D Animation Using Blender Curriculum PDF
Intro To 3D Animation Using Blender Curriculum PDF
Class Objectives
Course Introduction
● Students will become familiar with 3D space and navigating a 3D-oriented program
● Students will understand the animation pipeline - core concepts of modeling, animation,
rendering and materials in Blender
What is Blender?
● Free open-source program, that is powerful with a lot of options and flexibility
● Used by a lot of indie commercials and film companies - widely international, especially
outside of United States
● Available at blender.org, which also hosts communities, tutorials, samples and other
resources for Blender
Objectives
● Introduction to Blender and showing what you can achieve using Blender
● Learn how to navigate Blender enough to take an object and manipulate it to model a 3D
object (television set)
When you first open Blender, you will see several different panels.
● 3D View - the main panel in the center where most work is done
● Outliner - upper right panel, an outline of the different objects in the 3D View
● Properties - lower right panel
● Timeline - bottom panel, similar to a sequence in video editing, a timeline of your
animation
Each panel can be changed to show something else by clicking on the drop-down menu on
upper left of the panel.
Changing Modes
In the bottom left of the 3D View panel is a drop-down menu to change modes.
Next to the mode menu is another drop-down menu that can change the way objects are
displayed.
● Solid
● Wireframe
Selecting Objects
At the bottom of the 3D View panel are the 3D manipulator widgets. Make sure the widgets are
in view by pressing the three-pronged blue, green and red icon.
To move an object:
To Rotate an object:
To scale an object:
In this exercise, we will model a television set based on the O in the Denver Open Media logo.
1. Switch to the Front Ortho view mode by using NUMPAD 1 and 5; the view should be
confirmed by the words Front Ortho in the upper left of the 3D View panel
2. From the Finder, drag and drop the DOM color logo.jpg file on to the 3D View panel
3. Switch to Wireframe view
4. Using the red O in the logo as reference, move (G) and scale (S) the object to cover up
the red O in the logo
5. Switch to Edit Mode
6. Select Add Loop Cut and Slide tool in the tools menu on the left
7. Add four loop cuts to the inside of the object to match the inside of the O
a. To add a loop cut, select the Add Loop Cut and Slide tool in the tool menu on the
left
b. Hover the mouse over a side or the top or bottom of an object to create either a
vertical or horizontal cut (you will see a purple line)
c. Left-click
d. With the line now yellow, position the cut and left-click again to place the actual
cut
e. A cut around the entire 3D object is created; you can see this by changing your
views (be sure to return to front view before making more cuts)
8. Add four more loop cuts to create four vertices around the corner of the inside of the O
9. Change the selection mode Vertex select; in Edit Mode, you can use the select modes to
the right of the 3D manipulator widgets to select a Vertex, Edge or Face of an object
10. Right-click, right-click and drag, and left-click to move the vertices to round out the
corners to match the “TV screen” on the O of the reference image
11. Change back to Solid view
12. Change selection mode to Face
13. Shift-right-click to select the nine pieces that comprise the center screen
14. Press NUMPAD 3 to change to side view
15. Change to Wireframe view
16. Press Add: Extrude Region in the tool menu
17. Slide the mouse back and left-click to place the screen back into the body of the TV
18. Change back to Solid view
19. In the Properties panel, click on the wrench icon, click on Add Modifier, and select the
Subdivision Surfaces option
a. You can round out the corners of the object by adding to the View and Render
buttons
b. Higher View values may slow down computer performance
20. Select all of the surfaces (A) and Select Shading: Smooth in the tools
21. Switch back to Object mode
22. Select the Material button in the Properties panel
23. Click on the minus button to remove any existing applied materials
24. Click on New
25. Click on the white bar below Diffuse; use the eyedropper to sample red from the DOM
logo
26. Make adjustments to the Intensity sliders in Diffuse Specular to change the color’s
intensity and how light is reflected
27. Switch back to Edit mode
28. Select the nine panels of the TV’s screen
29. Click on New in the Material panel
30. Click on the white bar below Diffuse; use the eyedropper to sample the grey from the
DOM logo
31. Make adjustments to the Intensity sliders in Diffuse Specular to change the color’s
intensity and how light is reflected
32. Click on the Assign button in the Material menu
33. Click back to Object mode
1. Select File-Save As
2. Navigate to the Desktop by clicking on the folders in the center area of the screen
3. Give the file a name in the space above
4. Click on the Save As Blender File button in the upper right
1. Open the Blender master scene from the class assets (filename
blender_class_master_scene.blend)
2. Import the TV that you modeled by selecting File-Append and navigating to the file of
your modeled TV
3. Select Object and Cube
4. Click on the Link/Append from Library button
5. Select File-Save As and give your file a new name
Objectives
● Right-click on one of the controls on the doughboy (i.e., the green loop around its wrist);
notice it changes into Pose Mode
● Press G and move the mouse to manipulate the body part; left-click to reposition the
body part
● Press R to rotate the body part
1. Move the green playhead to the desired starting frame in the timeline
2. Select all parts of the doughboy (A), insert a keyframe (I), and select LocRotScale;
notice that all of the body parts get added to the Dope Sheet, along with keyframes
(yellow diamonds)
3. Click on the red record button below the timeline (Automatic keyframe insertion for
Objects and Bones)
4. Move the playhead forward in the timeline for the desired length of the animation
5. Move parts of the doughboy (i.e., raise the box carry control); notice that keyframes are
automatically added to the parts of the body that you manipulate
6. Skim the playhead in the timeline to see your animation
Adjusting Keyframes
Keyframes can be selected and moved in the Dope Sheet to stretch out or shorten animations.
Rendering