MAPEH (Music) : Quarter 1 - Module 4: Rhythmic Patterns

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The key takeaways are that the document discusses rhythmic patterns in music and how they are formed using notes and rests divided by bar lines in a measure.

Rhythmic patterns are the combination of notes and rests that determine the movement and flow of music.

The different types of rhythmic patterns discussed include patterns of 2 beats, 3 beats and 4 beats.

6

MAPEH(Music)
Quarter 1 – Module 4:
Rhythmic Patterns
Music – 6
Self-Learning Module (SLM)
Quarter 1 – Module 4: Rhythmic Patterns
First Edition, 2020

Republic Act 8293, section 176 states that: No copyright shall subsist in any work
of the Government of the Philippines. However, prior approval of the government agency or
office wherein the work is created shall be necessary for exploitation of such work for profit.
Such agency or office may, among other things, impose as a condition the payment of
royalties.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from
their respective copyright owners. The publisher and authors do not represent nor claim
ownership over them.

Development Team of the Module


Writers: Rosamie A. Marcelino, Anita P. Laguna, Daylinda Y. Salavante
Editors: Jazze J. Sibonga, Mary Ann Lorren L. Lamata, Roselyn B. Robelo,
Jeaveth S. Suela, Belly D. Regoniel, Shylla Joy O. Parcon,
Jonathan R. Gorieza, Jemz B. Evangelio, Eustaquio L. Calamba Jr,
Levi D. Reyes, Divina T. Maligatong, Vicenta A. Martin
Reviewers: Agabai S. Kandalayang, Yusof A. Aliudin, Mary Joy D. Bautista,
Mary Ann A. Barrientos
Illustrator: Mary Joy G. Cainglet, Junjie E. Semillano
Layout Artists: Daylinda Y. Salavante, Glen D. Napoles, Jaypee K. Balera, Jay Ar
O. Espartero, Jake D. Bana-ay, Sherma U. Medina
Cover Art Designer: Arvel Garry L. Campollo
Management Team: Allan G. Farnazo – Regional Director
Fiel Y. Almendra – Assistant Regional Director
Isagani S. Dela Cruz - Schools Division Superintendent
Nativida G. Ocon - Assistant Schools Division Superintendent
Gilbert B. Barrera – Chief, CLMD
Arturo D. Tingson Jr. – REPS, LRMS
Peter Van C. Ang-ug – REPS, ADM
Magdalino C. Duhilag - REPS Subject Area Supervisor
Elpidio B. Daquipil - CID Chief
Juvy B. Nitura - In Charge of LRMS
Marcelo Bocatera - Division ADM Coordinator
Lito S. Fernandez – Division EPS in MAPEH
Printed in the Philippines by Department of Education – SOCCSKSARGEN Region

Office Address: Regional Center, Brgy. Carpenter Hill, City of Koronadal


Telefax: (083) 2288825/ (083) 2281893
E-mail Address: [email protected]
6
MAPEH(Music)
Quarter 1 – Module 4:
Rhythmic Patterns
Introductory Message
For the facilitator:

Welcome to the MAPEH (Music) Grade 6 Self-Learning Module (SLM) on Rhythmic


Patterns!

This module was collaboratively designed, developed and reviewed by educators


both from public and private institutions to assist you, the teacher or facilitator in
helping the learners meet the standards set by the K to 12 Curriculum while
overcoming their personal, social, and economic constraints in schooling.

This learning resource hopes to engage the learners into guided and independent
learning activities at their own pace and time. Furthermore, this also aims to help
learners acquire the needed 21st century skills while taking into consideration their
needs and circumstances.

In addition to the material in the main text, you will also see this box in the body of
the module:

Hello, dear teachers! You are lucky to have this learning material to easily deliver the lesson for our
learners and enhance their knowledge on Rhythmic Patterns. Please help them achieve our
learning objectives.
Please tell our leaners to read, understand, analyze, and answer all the given activities and
questions seriously as this material is designed and made for them. This is also to inform our
learners to take some precautionary measures and some activities need extra care.
This is just a reminder dear teacher, do not go beyond our objectives and main goal for our
learners. Be an agent of learning. Have fun!

As a facilitator, you are expected to orient the learners on how to use this module.
You also need to keep track of the learners' progress while allowing them to manage
their own learning. Furthermore, you are expected to encourage and assist the
learners as they do the tasks included in the module.

ii
For the learner:

Welcome to the MAPEH Grade 6 Alternative Delivery Mode (ADM) Module on


Rhythmic Patterns!

This module was designed to provide you with fun and meaningful opportunities for
guided and independent learning at your own pace and time. You will be enabled to
process the contents of the learning resource while being an active learner.

This module has the following parts and corresponding icons:

What I Need to Know This will give you an idea of the skills
or competencies you are expected to
learn in the module.

What I Know This part includes an activity that


aims to check what you already know
about the lesson to take. If you get all
the answers correct (100%), you may
decide to skip this module.

This is a brief drill or review to help


What’s In you link the current lesson with the
previous one.

What’s New In this portion, the new lesson will be


introduced to you in various ways
such as a story, a song, a poem, a
problem opener, an activity or a
situation.

This section provides a brief


What is It discussion of the lesson. This aims to
help you discover and understand
new concepts and skills.

What’s More This comprises activities for


independent practice to solidify your
understanding and skills of the topic.
You may check the answers to the
exercises using the Answer Key at the
end of the module.

What I Have Learned This includes questions or blank


sentence/paragraph to be filled in to
process what you learned from the
lesson.
This section provides an activity
What I Can Do which will help you transfer your new
knowledge or skill into real life
situations or concerns.
This is a task which aims to evaluate
Assessment your level of mastery in achieving the
learning competency.

Additional Activities In this portion, another activity will be


given to you to enrich your knowledge
or skill of the lesson learned.

Answer Key This contains answers to all activities


in the module.

At the end of this module you will also find:

References This is a list of all sources used in


developing this module.

The following are some reminders in using this module:

1. Use the module with care. Do not put unnecessary mark/s on any part of
the module. Use a separate sheet of paper in answering the exercises.
2. Don’t forget to answer What I Know before moving on to the other
activities included in the module.
3. Read the instruction carefully before doing each task.
4. Observe honesty and integrity in doing the tasks and checking your
answers.
5. Finish the task at hand before proceeding to the next.
6. Return this module to your teacher/facilitator once you are through with it.
If you encounter any difficulty in answering the tasks in this module, do not
hesitate to consult your teacher or facilitator. Always bear in mind that you are
not alone.

We hope that through this material, you will experience meaningful learning
and gain deep understanding of the relevant competencies. You can do it!
What I Need to Know

This module was designed and written with you in mind. It is here to help you
master the rhythmic patterns. The scope of this module permits it to be used
in many different learning situations. The language used recognizes the
diverse vocabulary level of students. The lessons are arranged to follow the
standard sequence of the course. But the order in which you read them can
be changed to correspond with the textbook you are now using.

The module will discuss on how to create rhythmic patterns.

Most Essential Learning Competency

Create rhythmic patterns of 2 3 4 6


and .
4 4 4 8
After going through this module, you are expected to:
1. demonstrates understanding of the concept of rhythm by applying
notes and rests, rhythmic patterns, and time signatures.
2. responds to beats in music heard with appropriate conducting
patterns of 2 3 4 and 6
4 4 4 8

3. create rhythmic patterns in 6


2 3 and time signature.
4 8
4 4
4

1
What I Know

Pretest:
Directions: Read the questions carefully and write the letter of the correct
answer in a separate sheet of paper.
1. Which of the notes has the shortest time value?

A. ♪
B. ♩
C.
2. Which of the notes gives the highest number of time value?

A. ♪
B. ♩
C

3. Which of the following is equivalent to the given pattern? ♪ ♪ ♩♩


A.

B. ♩♩

C. ♪♪
♪♪
4. Which rhythmic pattern shows 3 beats?

A. ♩ ♩♩ ♪♪

B.
♩ ♩♩♪♪ ♩ ♩ ♩
C.
♪ ♩ ♪ ♪ ♪♩

5. Which rhythmic pattern below shows the regular division of beat?
A.

B.

C.

6
B. Directions: Draw/ Create inside the box the beating pattern time
8
of signature. (5 points)
Criteria

5 3 1
Skills Good Satisfactory Needs
Improvement

1. Draw correctly the 6beating


pattern. 8

2. Drawing is large enough to see.


3. Drawing is neat and clean.

What’s In
Look at the picture and sing the sofa syllables following the Kodaly
method.

You can create good music when you group the notes and rests in their
correct timing. When you group these notes and rests, you create a rhythmic
pattern. These rhythmic patterns determine the movement and flow of music.
Rhythmic pattern is the combination of notes and rests in a given meter. It
is the combination of long and short duration of sounds and silences
or with different time values.
In this lesson you will learn how to create rhythmic patterns of the
different time signatures.

Direction: Look at the diagrams below and perform the conducting


patterns.
5
What’s New

Directions: Look at the pictures below.

What is in the picture?

Have you watched a parade presentation during Municipal Fiesta?


Do you want to be with them in a parade?
What do you feel everytime you hear the beat of the drum?

Is it exciting? Does it make you feel like dancing, clapping, and


marching?

Directions: Look at the pictures below.

6
What can you say about the pictures?
Do they create rhythm?
Based on the pictures, we have learned a rhythmic pattern by clapping
or tapping a steady bear with a combination of notes and rests.

What is It

Rhythmic patterns can be created by combining notes and rests in a


repeated manner.

1.) Rhythmic pattern of two (2) beats

1st Measure 2nd Measure 3rd Measure

ta ti ti ta ti ti ta
Bar lines Double bar lines

2. Rhythmic pattern of three (3) beats.

ta ta ta ta ti ti ta ti ti ta

3. Rhythmic pattern of four (4) beats.


ta ti ti ta ti ti ti ti ti ti ta

4. Rhythmic pattern of six (6) beats.

ti ti ti ta ti ti ti ta ti ti

Note:
6 is another time signature. This is a compound meter wherein an
8
eight note and eight rest received one beat.

Directions: Do the following notes using rhythmic patterns.

2 3 4
Directions: Study the rhythmic patterns in time signature of and
44 4
6
8
below. Observe the combination of notes and rests in each
time signature.

2
4

Clap your hands while others skip and hop

3
4

Ba- hay ku-boka-hit mun-ti Ang hala-man do on

4
4

Mut-yang ba-yang Pi li pi nas saI yo ko I ga ga wad

6
8
Sing and be mer - ry smile and be hap py

Questions:
Observe the combination of notes and rests in each time signature 2 3 4
6 4 4 4
and 8 .
1. In 2 time signature, what are the combinations of notes and rests in
4
each measure?
2. In 3 time signature, what are the combinations of notes and rests in
4
each measure?
3. In 4 time signature, what are the combinations of notes and rests in
4
each measure?
4. In 6 time signature, what are the combinations of notes and rests in
8
each measure?
What’s More

Activity 1. Clap! Clap! Clap!


Directions: Below are groups of notes and rests forming patterns. Clap
your hands for the notes and sounds “ah” for the rests.

2
4
1.

3
4
2.

4
4
3.

Directions: Rate yourself honestly on how you perform the activity


by checking () the columns below on a separate sheet of paper.
Criteria:

3 2 1
Time Signatures Completely Partially Never
Performed Performed Participate
1.
2
4
2.
3
4
3.
4
4
Directions: Draw bar lines between the notes and rests below following the
given number of beats.

2 beats

3 beats

4 beats

6 beats

Criteria:
Directions: Rate yourself honestly on how you answer the activity by
checking () the columns below on a separate sheet of paper.

3 2 1
Time Signature Outstanding Very Satisfactory
Satisfactory
1. Followed the given
directions correctly.
2. Correctly drawn the bar
lines following the
number of beats.
3. Showed enthusiasm in
performing the activity.
Activity 3: To the Rhythm of!

Directions: Cross out the rhythmic pattern which does not belong to
the given meter.

6
8

What I Have Learned

Directions: Analyze and understand the questions and answer the following
questions. Write your answer in a separate sheet of paper.

1. What have you learned today?

2. What is a rhythmic pattern?


3. What are the different rhythmic patterns that could be drawn from
the time signatures?
What I Can Do

Instructions: Create your own 3 measures rhythmic pattern for the following
time signatures. Write your answer on a separate sheet.

2
1.
4

2. 3
4

4
3.
4

4. 6
8
Assessment

Directions: Read each item carefully. Choose the letter of the correct answer
and write it in a separate sheet.

1. What is the combination of notes and rest in a given meter?

A. Bar lines
B. Notes and rest
C. Double bar lines
D. Rhythmic pattern

2. Which of the following rhythmic pattern of 3 beats?

A.

B.

C.

D.

3. Which of the following describe the rhythmic pattern of 2 time


4
signature?

A.

B.
C.

D.

4. Which statement tells the importance of rhythmic patterns? It determines the


.

A. Movement and flow of music


B. Notes and rests
C. Measures
D. Music

5. Which of the following rhythmic pattern of 4 beats?

A.
B.

C.

D.
6. What is used to group the different sounds in a musical staff?

A. Ledger lines
B. Bar lines
C. Pattern
D. Meter
7. How do rhythmic patterns formed in a measure?
A. Divided with bar lines
B. Creates rhythmic patterns
C. Determined by notes and rests
D. Duration of sounds and sil ences
8. How will you demonstrate echo clapping 3 time signature? It has
4
of claps
A. 2
B. 3
C. 4
D. 6
9. How will you know that the music has ended to a musical score? It has
.

A.
Measure
B.
Bar lines
C.
Double bar lines
D.
Rhythmic pattern
2
10. Creates a rhythmic pattern of
4 time signature in a staff.
2
4

Additional Activities

Below are the different combinations of notes. Play the pattern by tapping
the table or on your desk gently.

1.

2.
Answer Key

n
B ot 8
notes and 2 combination of 8 6 4
. es
5 quarter eighth .
3 half no
. rests tes 4
4 notes, 10 combination of 7 3
, 4
. quarter half .
a st
3
b af
. eight notes placed in the musical an
f.
b2 d 4
. notes, 4 half combination of 7 2
2 3 .
1 notes quarter
r
. 4
c
A combination of 4 eight notes and a quartere 2 1
s
. .
Prea t What
test is It

equivalent to two time


signature.
etc. as long as the value of note is
/ / / 1
, , 0.
/
9
/ /
.
8
Activit .
y3 7c
b
.
6
b
.
5
b
.
d4
.
3
.
a2
.
1a
Activit .
y2
What’s Assessmdc
More ent
References
1. Explore and Shine Through MAPEH 6 (Music, Arts, PE and

Health) K to12 pages 2-33

2. Music, Arts and PE 4 (Revised Edition) pages 40-45


3. Teachers Guide VI K to 12 pages 28-34

4. Learning Materials VI K to 12 pages 32-36


DISCLAIMER
This Self-learning Module (SLM) was developed by DepEd SOCCSKSARGEN
with the primary objective of preparing for and addressing the new normal.
Contents of this module were based on DepEd’s Most Essential Learning
Competencies (MELC). This is a supplementary material to be used by all
learners of Region XII in all public schools beginning SY 2020-2021. The
process of LR development was observed in the production of this module.
This is version 1.0. We highly encoumprage feedback, comments, and
recommendation.

For inquiries or feedback, please write or call:

Department of Education – SOCCSKSARGEN Learning Resource


Management System (LRMS)

Regional Center, Brgy. Carpenter Hill, City of Koronadal Telefax No.: (083)

2288825/ (083) 2281893


Email Address:

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