History of Animation

Filmography 2020-2021

Students are required to watch at least 15 films chosen from the filmography below.

Students must select the 15 films as follows:

- 3 from group I;
- 4 from group II;
- 8 from group III.

At least 7 of the chosen films must have a running time of more than 45’.

Group I

● Gertie the Dinosaur (Winsor McCay, USA 1914) – 12’

● The Sinking of the Lusitania (Winsor McCay, USA 1918) – 12’
● The Skeleton Dance (Walt Disney, USA 1929) – 6’
● Snow White and the Seven Dwarfs (David Hand, USA 1937) – 83’
● Gulliver’s Travels (Dave Fleischer, USA 1939) – 76’
● Pinocchio (Hamilton Luske, Ben Sharpsteen et al., USA 1940) – 88’
● Fantasia (Samuel Armstrong et al., USA 1940) – 125’
● Dumbo (Ben Sharpsteen et al., USA 1941) – 64’
● Mr. Bug Goes to Town (Dave Fleischer, USA 1941) – 78’
● The Reluctant Dragon (Alfred L. Werker, Hamilton Luske et al., USA 1941) – 74’
● Bambi (David Hand et al.,USA 1942) – 70’
● Blitz Wolf (Tex Avery, USA 1942) – 10’
● Red Hot Riding Hood (Tex Avery, USA 1943) – 7’
● Cinderella (Clyde Geronimi, Wilfred Jackson, Hamilton Luske, USA 1950) – 74’
● Gerald McBoing Boing (Robert Cannon, USA 1950) – 8’
● Alice in Wonderland (Clyde Geronimi, Wilfred Jackson, Hamilton Luske, USA 1951) – 75’
● Sleeping Beauty (Clyde Geronimi, USA 1959) – 75’
● 101 Dalmatians (Clyde Geronimi, Hamilton Luske, Wolfgang Reitherman, USA 1961) –
79’
● The Jungle Book (Wolfgang Reitherman, USA 1967) – 78’
● Fritz the Cat (Ralph Bakshi, USA 1972) – 78’
● Who framed Roger Rabbit (Robert Zemeckis, USA 1988) – 104’
● The Little Mermaid (John Musker, Ron Clements, USA 1989) – 83’
● Beauty and the Beast (Gary Trousdale, Kirk Wise, USA 1991) – 84’
● Tim Burton’s The Nightmare Before Christmas (Henry Selick, USA 1993) – 76’
● The Lion King (Roger Allers, Rob Minkoff, USA 1994) – 89’
● Toy Story (John Lasseter, USA 1995) – 81’
● The Hunchback of Notre Dame (Gary Trousdale, Kirk Wise, USA 1996) – 91’
● Anastasia (Don Bluth, Gary Goldman, USA 1997) – 94’
● Geri’s Game (Jan Pinkava, 1997) – 6’
● The Prince of Egypt (Brenda Chapman, Steve Hickner, Simon Wells, USA 1998) – 99’
● Fantasia/2000 (Eric Goldberg et al., USA 1999) – 74’
● The Iron Giant (Brad Bird, USA 1999) – 86’
● Shrek (Andrew Adamson, USA 2001) – 90’
 ● Corpse Bride (Tim Burton, Mike Johnson, UK-USA 2005) – 77’
● A Scanner Darkly (Richard Linklater, USA 2006) – 100’
● Ratatouille (Brad Bird, USA 2007) – 111’
● Idiots and Angels (Bill Plympton, USA 2008) – 78’
● Wall-E (Andrew Stanton, USA 2008) – 98’
● Fantastic Mr. Fox (Wes Anderson, USA 2009) – 87’
● Up (Pete Docter, Bob Peterson, USA 2009) – 96’
● Tangled (Nathan Greno, Byron Howard, USA 2010) – 100’
● Rango (Gore Verbinski, USA 2011) – 107’
● Inside Out (Pete Docter, USA 2015) – 94’
● Spider-Man: Into the Spider-Verse (Bob Persichetti, Peter Ramsey, Rodney Rothman, USA
2018).

Group II

● Princess Iron Fan (Tie shan gong zhu, Guchan Wan, Laiming Wan, China 1941) – 73’
● The White Snake Enchantress (Hakujaden, Taiji Yabushita, Japan 1958) – 76’
● Little Norse Prince (Taiyou no Ouji Horusu no Daiboken, Isao Takahata, Japan 1968) – 82’
● Barefoot Gen (Hadashi no Gen, Mori Masaki, Japan 1983) – 83’
● Nausicaä of the Valley of the Wind (Kaze no Tani no Naushika, Hayao Miyazaki, Japan
1984) – 117’
● Broken Down Film (Osamu Tezuka, Japan 1985) – 6’
● Angel’s Egg (Tenshi no Tamago, Mamoru Oshii, 1985) – 71’
● Akira (Katsuhiro Otomo, Japan 1988) – 124’
● Grave of the Fireflies (Hotaru no Haka, Isao Takahata, Japan 1988) – 89’
● My Neighbor Totoro (Tonari no Totoro, Hayao Miyazaki, Japan 1988) – 86’
● Only Yesterday (Omohide Poroporo, Isao Takahata, Japan 1991) – 118’
● Porco Rosso (Kurenai no Buta, Hayao Miyazaki, Japan 1992) – 94’
● Ghost in the Shell (Koukaku Kidoutai, Mamoru Oshii, Japan 1995) – 83’
● Whisper of the Heart (Mimi wo Sumaseba, Yoshifumi Kondou, Japan 1995) – 111’
● Princess Mononoke (Mononoke Hime, Hayao Miyazaki, Japan 1997) – 134’
● Jin-Roh (Hiroyuki Okiura, Japan 1999) – 102’
● Metropolis (Metoroporisu, Rintarou, Japan 2001) – 108’
● Millennium Actress (Sennen Joyuu, Satoshi Kon, Japan 2001) – 87’
● Princess Arete (Arete Hime, Sunao Katabuchi, Japan 2001) – 105’
● Spirited Away (Sen to Chihiro no Kamikakushi, Hayao Miyazaki, Japan 2001) – 125’
● Mount Head (Atama-yama, Koji Yamamura, Japan 2002) – 10’
● My Beautiful Girl Mari (Mari Iyagi, Seong-Kang Lee, South Corea 2002) – 86’
● Howl’s Moving Castle (Hauru no Ugoku Shiro, Hayao Miyazaki, Japan 2004) – 119’
● The Place Promised in Our Early Days (Kumo no Mukou, Yakusoku no Basho, Makoto
Shinkai, Japan 2004) – 91’
● The Girl Who Leapt Through Time (Toki wo Kakeru Shoujo, Mamoru Hosoda, Japan 2006)
– 98’
● Franz Kafka's A Country Doctor (Kafuka: Inaka Isha, Koji Yamamura, Japan 2007) – 21’
● The Secret World of Arrietty (Karigurashi no Arrietty, Hiromasa Yonebayashi, Japan 2010)
– 94’
● Wolf Children (Ookami Kodomo no Ame to Yuki, Mamoru Hosoda, Japan 2012) – 117’
● The Garden of Words (Kotonoha no Niwa, Makoto Shinkai, Japan 2013) – 46’.
● The Tale of the Princess Kaguya (Kaguya-hime no Monogatari, Isao Takahata, Japan 2013)
– 137’
● Your Name (Kimi no Na Wa, Makoto Shinkai, Japan 2016) – 107’
● In This Corner of the World (Kono Sekai no Katasumi ni, Sunao Katabuchi, Japan 2016) -
129’
● Lu Over the Wall (Yoaketsugeru Rū no Uta, Masaaki Yuasa, Japan 2017) - 107’

Group III

● The Adventures of Prince Achmed (Die Abenteuer des Prinzen Achmed, Lotte Reininger,
Germany 1926) – 81’
● The Tale of the Fox (Le roman de Renard Irène and Ladislas Starewitch, France 1930) – 65’
● L’idée (Berthold Bartosch, France 1932) – 30’
● Night on Bald Mountain (Une nuit sur le mont chauve, Alexander Alexeïeff, Claire Parker,
France 1933) – 8’
● An Optical Poem (Oskar Fischinger, USA 1937) – 6’
● L’ultimo sciuscià (Gibba, Italy 1946) – 13’
● I fratelli Dinamite (Nino Pagot, Italy 1949) – 85’
● The Singing Princess (La rosa di Bagdad, Anton Gino Domeneghini, Italy 1949) – 76’
● Neighbours (Norman McLaren, Canada 1952) – 8’
● Old Czech Legends (Staré pověsti české, Jiří Trnka, Czechoslovakia 1953) – 91’.
● Animal Farm (Joy Batchelor, John Halas, UK 1954) – 72’
● Blinkity Blank (Norman McLaren, Canada 1955) – 5’
● The Snow Queen (Snezhnaya koroleva, Lev Atamanov, URSS 1957) – 55’
● The Fabulous World of Jules Verne (Vynález zkázy, Karel Zeman, Czechoslovakia 1958) –
83’
● A Midsummer Night’s Dream (Sen noci svatojánské, Jiří Trnka, Czechoslovakia 1959) – 76’
● The nose (Le nez, Alexander Alexeïeff, Claire Parker, France 1963) – 11’
● The Hand (Ruka, Jiří Trnka, Czechoslovakia 1965) – 18’
● Mr. and Mrs. Kabal's Theatre (Théâtre de Monsieur & Madame Kabal, Walerian
Borowczyk, France 1967) – 80’
● Pas de deux (Norman McLaren, Canada 1968) – 13’
● Yellow Submarine (George Dunning, UK-USA 1968) – 90’
● Synchromy (Norman McLaren, Canada 1971) – 7’
● Fantastic Planet (Le planète sauvage, René Laloux, France 1973) - 72’
● Allegro non troppo (Bruno Bozzetto, Italy 1977) – 85’
● The Magic Flute (Die Zauberflöte, Giulio Gianini, Emanuele Luzzati, Austria 1978) – 55’
● Watership Down (Martin Rosen, UK 1978) – 101’
● Tale of Tales (Skazka skazok, Yuri Norstein, URSS 1979) – 29’
● Le roi et l’oiseau (Paul Grimault, France 1980) – 83’
● Tango (Zbigniew Rybczynski, Poland 1981) – 8’
● Dimensions of Dialogue (Možnosti dialogu, Jan Švankmajer, 1982) – 14’
● Time Masters (Les maîtres du temps, René Laloux, France 1982) – 78’
● When the Wind Blows (Jimmy Teru Murakami, UK 1986) – 80’
● The Man Who Planted Trees (L'homme qui plantait des arbres, Frédéric Back, Canada
1987) – 30’
● Screen Play (Barry Purves, UK 1992) – 11’
● The Thief and the Cobbler (Richard Williams, UK 1993) – 72’
● The Wrong Trousers (Nick Park, UK 1993) – 30’
● Achilles (Barry Purves, UK 1995) – 11’
● La gabbianella e il gatto (Enzo D’Alò, Italy 1998) – 75’
● Kirikou and the Soreceress (Kirikou et la sorcière, Michel Ocelot, France 1998) – 74’
● The Old Man and the Sea (Aleksandr Petrov, Russia-Canada-Japan 1999) – 20’
● Father and Daughter (Michael Dudok de Wit, UK-Belgium-Netherlands 2001) – 8’
● Belleville Rendez-vous (Les triplettes du Belleville, Sylvain Chomet, France-Belgium-
Canada-UK 2003) – 78’
● Fast Film (Virgil Widrich, Austria-Germany-Luxembourg 2003) – 14’
● La piccola Russia (Gianluigi Toccafondo, Italy 2004) – 16’
● Wallace and Gromit in The Curse of the Were-Rabbit (Steve Box, Nick Park, UK 2005) –
85’
● Azur & Asmar: The Princes’ Quest (Azur et Asmar, Michel Ocelot, France 2006) – 99’
● Madame Tutli-Putli (Chris Lavis and Maciek Szczerbowski, Canada 2007) – 17’
● Persepolis (Vincent Paronnaud, Marjane Satrapi, France-USA 2007) – 96’
● Waltz with Bashir (Vals Im Bashir, Ari Folman, Israel-Germany-France 2008) – 90’
● Mary and Max (Adam Elliot, Australia 2009) – 92’
● The Secret of Kells (Tomm Moore, France-Belgium-Ireland 2009) – 75’
● The Illusionist (L’illusionniste, Sylvain Chomet, France-UK 2010) – 80’
● The Painting (Jean-François Laguionie, France 2011) – 76’
● Plume (Barry Purves, France 2011) – 14’
● The Pirates! In an Adventure with Scientists! (Peter Lord, UK 2012) – 88’
● Aeterna (Leonardo Carrano, Italy, 2013) – 58’
● Jazz for a Massacre (Leonardo Carrano, Giuseppe Spina, Italy-Poland 2014) – 15’20’’
● Song of the Sea (Tomm Moore, Ireland-Belgium-Denmark-France-Luxembourg 2014) – 93’
● Anomalisa (Charlie Kaufman, Duke Johnson, 2015) – 90’
● The Red Turtle (La tortue rouge, Michael Dudok De Wit, France-Belgium-Japan 2016) –
80’
● My Life as a Zucchini (Ma vie de courgette, Claude Barras, Switzerland-France 2016) – 66’
● Louise by the Shore (Louise en hiver, Jean-François Laguionie, France 2016) – 75’
● The Breadwinner (Nora Twomey, Canada-Luxembourg-Ireland 2017) - 94’
● Dilili in Paris (Dilili à Paris, Michel Ocelot, France-Germany-Belgium 2018) – 95’
● Klaus (Sergio Pablos, Spain, 2019) – 98’